[...]s as visualization ="trms">technologies en="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listed as ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphors by ="ppl">="ppl">Haraway and as ="trms">languages that actively ="trms">intertwine in the production of ="trms">literary value
friction, forms of masks (shaders='qstn'>?), and play, and the dance of Dis-tanz
the separations and partings
nearness
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transforming and transformative ="trms">agencies
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“="trms">matter refers to the ="trms">materiality/="trms">materialization of ="trms">phenomena” (="ppl">="ppl">Barad)
="prgrph">-let's look at my 3D-related practices again and investigate their ="trms">ontological implications and rework how ="trms">matter is defined, ='lgc'>[="trms">matter, force, ="trms">interdependency, appearance,,, ="trms">phenomena, meaning,='lgc'>] ="ppl">Delanda-='lgc'>[intensification, ="trms">articulation, flow-of,='lgc'>]
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='at'>#="frds scrmbld">Femke workshop='lgc'>: on ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigging and skinning, ="trms">writing ="trms">stories cultivating creation and creatures before their enrollment in George Lucas film, speculating on the inorganic skeletal ="trms">animacies
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(Brey > ="ppl">="ppl">Ihde='lgc'>:) ='lgc'>[="trms">technology:='lgc'>] a special class of artifacts (='thdf'>for example telescopes, probes, hearing aids, etc) that are capable of engaging in ‘="trms">symbiotic’ ="trms">relationships with the human body. ='lgc'>[...='lgc'>] means through which the environment is experienced and acted on.
essential ambiguity of ="trms">technology / of ="trms">material human-="trms">technology ="trms">relations
hermeneutic fluency (and the special enigma) of the connection between text and ="trms">world
='strcls'>*="trms">bird's-eye='lgc'>=='qstn'>?/!='lgc'>~navigational='lgc'>='lgc'>~/='qstn'>?=.'<-="trms">phenomenological
='lgc'>[...in front of the open (blank) page (of the ="trms">book) (we teach ="trms">children to take the) ="trms">position of the industria="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list, the ="trms"nttrm="disturban">urban planner, or the ="ppl">Cartesian philosopher ='lgc'>='lgc'>--> outside the page is outside and inside the page is inside ='lgc'>]='at'>@="frds scrmbld">Eunkyung's scriptural enterprise ='lgc'>='lgc'>--> ="ppl">Derridean proper space of ="trms">writing
="prgrph">-the panopticon as observing ="trms">instrument for human ="trms">sciences is embeded in the page of the ="trms">book we open. part of this tradition ='lgc'>=/= first person shooter
(="ppl">="ppl">Ihde on) game-bodies='lgc'>: (on multistability ='lgc'>='lgc'>-->) ‘modes of navigation’ ='lgc'>[macro ="trms">phenomenological conditions, modeling observational possibilities, ='lgc'>]='lgc'>:
='lgc'>[1='lgc'>]- third person (pretended) overhead view looking down a map-like ="trms">world and plotting your course, one says “I go to X.” he calls it “the ="trms"nttrm="already,spread">reading ="trms">position” (usually a western navigator) ='lgc'>='lgc'>--> using ="trms">instrumental mediations to ="trms">translate this (overhead) ="trms">position, star patterns are with the north star
='lgc'>[2='lgc'>]- first person shooter, take your body as stable ="trms">position, one says='lgc'>: “X is coming to me.” (usually a south pacific navigator) ='lgc'>='lgc'>--> ="trms"nttrm="already,spread">reading ="trms">phenomena as ="trms">instruments, dynamic motion of star patterns are without the north star
='lgc'>[3='lgc'>]-
every major culture/civilization watches the ='strcls'>*movements of heaven='strcls'>*
="trms">technologies of temporality, lunar calendars (mostly migratory or non-agricultural people who were into smaller cycles) and solar calendars (people who were into lager cycles), knowl="trms"nttrm="knowledge,Knowledge">edge of repeated patterns of environmental ="trms">phenomena
from stonehenge ='lgc'>[= stabilizer of perception, ='at'>#stone telling the movement of heavens;='lgc'>] to chip (, devices to record cycles) ='lgc'>='lgc'>--> the ="trms">techno="trms">science has changed (="trms">phenomenologically merely) in scale
='lgc'>[='strcls'>*='lgc'>] ="trms">science is always ="trms">science-mediated-through-="trms">instrument ='lgc'>[='lgc'>='lgc'>--> regarding ="nms">ajayeb='lgc'>: ='at'>#model is the principal ="trms">instrument of (="trms">modern) ="trms">science.='lgc'>]='lgc'>-='lgc'>='lgc'>--> am I in which model-shift='qstn'>? (how='qstn'>? and why='qstn'>?)='lgc'>:
="lsts lst1">•idealized models ='lgc'>[='lgc'>='lgc'>~-> my “art"='lgc'>] (='lgc'><='lgc'>--)to='lgc'>='lgc'>--> heuristic models ='lgc'>[='lgc'>='lgc'>~-> my ="trms">lectures='lgc'>] ='qstn'>?
="lsts lst1">•computational models ='lgc'>[='lgc'>='lgc'>~-> my ="trms">CG period='lgc'>] (='lgc'><='lgc'>--)to='lgc'>='lgc'>--> ="trms">phenomenological models ='lgc'>[='lgc'>='lgc'>~-> my ="nms">ajayeb='lgc'>] ='qstn'>?
="lsts lst1">•fantasy models ='lgc'>[='lgc'>='lgc'>~-> my ='qstn'>?='lgc'>] (='lgc'><='lgc'>--)to='lgc'>='lgc'>--> theoretical models ='qstn'>?
="lsts lst1">•re="trms">presentational models ='lgc'>[='lgc'>='lgc'>~= my images='qstn'>?='lgc'>] (='lgc'><='lgc'>--)to='lgc'>='lgc'>--> ="trms">epistemological models ='qstn'>?
='lgc'>[='strcls'>*='lgc'>]
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like the blind man's cane or probe, means through which the environment is perceived and acted on, how is the 3D computer simulations an ="trms">embodiment ="trms">relation='qstn'>? what are the (dis)="trms">embodied habituations of the hacker='qstn'>? ='lgc'>==> philosophy of action ='lgc'>: how 3D work as an (dis)="trms">embodied artifact change our ="trms">relation to the ="trms">world='qstn'>? or, which ="trms">world is experienced as perceived through ="trms">embodied artifact of the 3D='qstn'>?
="lsts lst1">•re="trms">presentations of the location
="lsts lst1">•="trms">question of orientation
='lgc'>='lgc'>--> ="trms">epistemological studies of ="trms">scientific ="trms">instrumentation
(="ppl">Feenberg, passivity missing in ="ppl">="ppl">Ihde)
(my own ="trms">interest in shyness and the) passive dimensions of body='lgc'>--lived experience of being the object of action='strcls'>***
="ppl">Feenberg (reflecting on medical ="trms">situations forward='lgc'>:) we live our body not only as actors in the ="trms">world, but also as beings who invite action on our bodies by others
dependent body ='lgc'>='lgc'>--> highly ="trms">technologized experience
="trms">instrumentalized status of ="trms">modernism, in which the ‘dependent body’ belongs to ="trms">childhood
purified “humans” ='lgc'>: the subject distinguished from its ="trms">instrumentalities
sex='lgc'>: construction of the dependent subjectivized bodies
(="ppl">Sartre ='and'>& ="ppl">Merleau-Ponty='lgc'>:) person becomes a thing in the ="trms">world of the other
lived-body ='lgc'>=/= body ='lgc'>[='lgc'>='lgc'>--> also the concern of ="ppl">I="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigaray and ="ppl">Butler='lgc'>]
(this is ="ppl">Husserl's Körper and Leib)
='lgc'>~ machine-infused ="trms">neuro-physical body
="lsts lst2">◦kin="trms">aesthetic sensations
="lsts lst2">◦="trms">presentational sensations
="lsts lst2">◦“="trms">internal” perception
="lsts lst2">◦“subject” -body
="lsts lst2">◦organ of perception / organ of action /
='lgc'>='lgc'>--> (identity of the ego ='lgc'>='lgc'>-->) the (existentia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list visua="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list and strange) idea of='lgc'>: “I am my body"='lgc'>--body in terms of “I can” ='lgc'>==> self-movement
(="trms">intra-action ='lgc'>=/= that sensations are freestanding complexes and ="trms">internally ="trms">differentiated entities that can be identified and studied “before” the action)
='strcls'>*perception (is an act='lgc'>:) “animating” the ="trms">data of sensation (='qstn'>?)
the extended body signifies itself through ='lgc'>[='lgc'>=/= acts through='lgc'>] the ="trms">technical mediation
the impersonal and atomizing (commonplace) as="trms">sociations with ='thdf'>the notion of dis="trms">embodiment ='lgc'>='lgc'>--> ='thdf'>the idea that in online involvement ="trms">relations are abridged and trivialized, that there is a lack of commitment and risk, and moral engagement is impossible, and so on.
='strcls'>*what would be a ="trms">situated account of the (lived-)body in ="trms">CG='qstn'>?
“the ringing of the cell phone that embarrasses us in the middle of a ="trms">lecture” ='lgc'>='lgc'>--> extended body
plasticity and poly="trms">morphism of our bodies (online) ='lgc'>[="ppl">="ppl">Ihde='lgc'>]
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programmers working in other programmers’ works (='lgc'>--not ="trms">imaginative engagement with the other, rather) ='lgc'>--through='lgc'>='lgc'>--> ="trms">interfaces and ="trms">folds in ="trms">interpretation ='lgc'>{tutorial voices, screen videos, scripts, help files, layers of ="trms">codes and tools on each other, nested ="trms">folders on one's own computer, named ="trms">categories by oneself, horde of text files and renders, etc='lgc'>}='lgc'>='lgc'>--> these are (en-/de-)crypting extended bodies constructed of ="trms">language
subjectively constructed ="trms">phenomenon of the ="trms">communed ="trms">fold ="trms">interpreted ='lgc'>: the 3D computer programm
(='lgc'>=/= romantic refusal of all mediation)
="prgrph">-what is the ="trms">nature of the ="trms">technology involved in ="trms">CG='qstn'>?
="lsts lst1">•what is the source of the somatic sense of place, if not the body (since ="trms">Greeks) and ="trms">animality (since ="ppl">Deleuze ='lgc'>+ ="ppl">Guattari), in the case of ="trms">CG='qstn'>? ='lgc'>--='qstn'>?='lgc'>='lgc'>-->='lgc'>{the way a good farmer will pick up soil and feel the dirt in his hands='lgc'>}
(="trms">Greek word) ‘soma’ refers to a corpse (in ="ppl">Homer,) not a living body (='lgc'>='lgc'>--> ='at'>#lived-body)
Neither the living body as an entity nor the Mind as an entity had a name.
for ="ppl">Aristotle, ‘thinking’ part of the soul, had an existence from any connection to the body.
“to experience the ="trms">world is the very ="trms">nature of body inside out.” (="ppl">="frds scrmbld"nttrm="Christianson">Christian ="ppl">Hubert > John Schumacher)
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a ="trms">community whose ="trms">members are aware of each others’ passive ="trms">presence is ="trms">different forms
(active ='lgc'>=/= ="trms">present)
these are issues of ="trms">social subject in a ="trms">technically mediated ="trms">world
to look at ="trms">CG ="trms">embodiment ="trms">relations='lgc'>:
="lsts lst1">•="trms">fold (="ppl">="ppl">Ihde)
="lsts lst1">•="trms">skill (="ppl">Merleau-Ponty)
="lsts lst1">•theory of affordance (="ppl">="ppl">Gibson)
="lsts lst1">•="trms">intra-action (="ppl">="ppl">Barad)
="lsts lst1">•detour (="ppl">="ppl">Latour)
(="ppl">Merleau-Ponty's) ‘body schema’ ='lgc'>: space of the body='lgc'> = 'space of ="trms">situation,’ orientation towards possible (not only existing) tasks ='lgc'>==> aspects of the external/virtual ="trms">world
body understood in terms of their ability to enter into one's projects ='lgc'>=/= spatial location
='lgc'>[what is the body schema of the hacker in ="trms">CG='qstn'>? (an external ="trms">world where there is no near or far.) what is experienced as their ="trms">Gestalt='qstn'>? which grasp is automatically localized='qstn'>? what are their ="nms">phantom limbs='qstn'>? ='lgc'>==> body immediately known to self='lgc'>]
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(body as the) ="trms">system of possible actions, a virtual body with its ="trms">phenomenal “place” defined by its task and ="trms">situation. “My body is wherever there is something to be done.”
kinaestheses, proprioception,
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