Ereignis: 0, (Max.: 500+)

[...]dy genitality multilocational, plural, ambiguous, polymorphous, and *not clearly able to subordinate the earlier stages*

shared sociocultural conceptions of bodies in general and shared familial and interpersonal fantasy about particular bodies ==> [*]body image: unifies and coordinates postural, tactile, kinesthetic, and visual sensations ==> (so that these are experienced as) the *sensations of a subject coordinated into a single space*

***any willful action requires a plan of bodily action --> the function of the body image*** (--> this explains my fucked up body image!)

Iran flower Sa'di war poetry literature proximity metaphysics [source: Shahram Razavi] -we cannot talk about space whithout body image <== the body image determines both the localization of sensations in different concrete regions of the body and the position of the body as a whole within space


body image ==>=/=:
figure =/= ground
central action =/= peripheral action
(subject's) body =/= (background of) forces
movement of limbs =/= corporeal context (of the rest of the body)
outside (skin) =/= inside (organs [=/= process])
active relations =/= passive relationship
position of subject =/= position of object


moving from a state of amorphousness to increasing differentiation and specialization

a single movement reorients the whole of the body, creating what might be called a gait or posture, an individual and cultural bodily style

appersonization: treatment of one's own body as an outside object:
+ psychical vampirism: identification with the symptoms, actions, and fantasies of othe people
--> identification, incorporation, introjection

example of aging
-body image seems resistant to the changes brought about by aging
-they seem to have aged, whereas the subject feels as if he or she has not
--> condition of continual transformation + time lag in the perception and registeration of real changes in the body image

body image: condition of the subject's access to spatiality (including built environments) = a postural schema of the body [=/= mapping a biological body onto a psychological domain, providing a kind of translation of material into conceptual terms]
-->
radical inseparability of biological from psychical elements
connection between the question of sexual specificity (biological sexual difference)
connection between the question of psychical identity


...................................

Grosz realizes two human perversion in psychoanalysis literature:
male --> fetishism (sexual gratification from the use of inanimate partial objects alone)
feminine --> exhibitionism, kleptomania

female fetishism --> lesbianism

fetishism --> excess of their psychoanalytic descriptions
feminism --> collective psychosis (~ a political disavowal of women's social reality as oppressed)

[*]play: a form of mastery (= a conversion of passivity into activity) + a technique for the production of pleasure

Freud:
deviation in the sexual object --> homosexuality, pedophilia, bestiality
deviation in the sexual aim --> transvestism, voyeurism, exhibitionism
fetishism: sexual overvaluation of a part (of the body or an inanimate object)
[--Grosz--> ‘overvaluation’ is a characteristic of masculine forms of loving]
perversion =/= neuroses” --> pervert expresses precisely what it is that the neurotic represses (*perversion: to avoid the repression)

sexual normality = copulative nonincestual heterosexuality

fetishist: the boy/child who is unable to resolve the oedipal conflict in its various alternatives (unable or unwilling to abandon the mother as love object)
-he cannot, like the homosexual son, accept symbolic castration in order to take on the “feminine” position and adopt a passive sexual role in relation to his father
-he is not prepared to “pay” for his desire by facing the oedipal prohibition (give up the mother or lose the penis) --> fetish: a token of triumph over the threat of castration (and a protection against it) -->{makes women tolerable as sexual objects + saves the fetishist from becoming a homosexual}
[*]fetish: (a substitute for or) *a talisman of the phallus*

(most significant one in the child's erotic life -->) mother's phallus: that which endows her with power and authority

fetish --> a way of both preserving his belief in the missing maternal phallus and at the same time accepting her castration and the possibility of his own

disavowal =/= repression (--> neurosis) =/= negation (denial) =/= repudiation (foreclosure --> psychosis)

negation: a provisional lifting of repression (not through acceptance, the repressed contents are verbally and affectively negated) --> affirmation: the process of registering or fixing a drive to an ideational content (signifying the former by the latter), both the condition of signification and of repression

...................................

Grosz on Deleuze and Guattari

problem with “becoming woman”
the process of becoming-X [marginal, woman, non-western, etc.] means nothing as a strategy if one is already X =/= question of difference, specificity

*desire
*machinic functions
*assemblages
*rhizomatics
*cartography
*intensities
*speed
*planes

appropriation (recuperation) of the positions and struggles of X ==risks==> depoliticizing aestheticizing struggles and political challenges crucial to the survival and self-definition of X

problem with becoming
(Deleuze and Guattari are invested in a) romantic elevation of models of psychosis, schizophrenia, and madness ==>
ignore the very real pain and torment of individuals
raise pathology to an unlivable, unviable ideal for others


our reservations and suspicions (in apass when we face each other)

Deleuzian rhizomatics & feminist theory --> reversal of Platonism: “ideal =/= real” (opposition integral to Western thought)


rhizomatics, cartography, schizoanalysis (deconstruction, grammatology) ==> clear the ground of metaphysical concepts ==> (others) may be able to devise their own knowledges

four “illusions” of representation:
identity
opposition
analogy
resemblance
}----> becoming (beyond the logic and confines of being)
}----> multiplicity [defined by the outside] (beyond doubling or multicentering of proliferating subjects)


Deleuzian-Foucauldian understanding of politics theorizes in a clearer and more direct form than *rival (alternative) political philosophies* (including Marxism, socialism, liberalism, and anarchism), the kinds of theoretical and political struggles in which feminists are involved

[*]body: a discontinuous, nontotalized series of processes, organs, flows, energies, corporeal substances and events, intensities, and durations --link--> organs + biological processes + material objects + social practices

Triassic ecosystem marine reptiles system time relationship history [source: Henry De la Beche 1830.  University of Bristol] [Spinoza's rare affirmative understanding of] body: (is analyzed and assessed more) in terms of *what it can do*, the things it can perform, the linkages it establishes, the transformations it undergoes, the machinic connections it forms with other bodies (=/= a locus for a conscious subject, as an organically determined object, by their genus and species, by their organs and functions)

from Plato to Lacan --> desire: negative, abyssal, a lack at the level of ontology itself (an effect of frustration) [desire is frustrated by the real]
=/= Spinoza Nietzsche Deleuze --> desire: immanent, positive and productive, ***desire is a relation of effectuation, not of satisfaction*** [desire is productive of reality] --> aleatory, bricolage

Spinoza's ethics: capacity for action and passion, increase or decrease one's capacities and strengths <-- good & bad
=/= Levinasian ethics (modeled on a subject-to-subject, self-to-other relation)

(psychoanalysis) *partial objects: organs, processes, and flows, which show no respect for the autonomy of the subject*

...................................

(Archer > Saint Lauren:) “fashion fades, style is eternal" = 'notions of style <--> notions of history’ ={"to have style" = to have the means of inserting oneself into history / “to lack style" = to risk oblivion}

Archer --> how critical considerations of style can offer opportunities to think ac[...]