[...]vior ='lgc'>--="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigging='lgc'>='lgc'>--> programming movement ='lgc'>==produce='lgc'>='lgc'>==> a working simulacrum of a living organism
="lsts lst1">•(in the days of magic) “name of god” was the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rig for golem ='lgc'>[='qstn'>?='lgc'>]
="lsts lst1">•(in the time of ="ppl">Newton) automaton='lgc'>: clockwork music box
="lsts lst1">•(in 19th century) automaton='lgc'>: glorified heat engine
="lsts lst1">•(in 20th century) intelligent building ='lgc'>[='lgc'>='lgc'>~= ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rig='lgc'>]
="lsts lst1">•(perhaps ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigging is our age's) desire to produce and study automata ='lgc'>[='lgc'>='lgc'>~= computational mechanization, kinematic model='lgc'>]
(abstractly) automaton='lgc'>: a set of physically un="trms">specified states, input, output, and operational rules
Galileo ='lgc'>='lgc'>--> ="trms">geometrical concept of space (='lgc'>=/= ="trms">differentiated qualitatively)
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principles
="lstsrd">1. ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigging ='lgc'>='lgc'>--> a form of understanding ='lgc'>=/= form of sensibility
="lstsrd">2. in animation (physics) the choice of ="trms">geometry is ="trms">pragmatic (='lgc'>=/= analytic, a ="trms">priori) ='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to visualization='lgc'>: ="trms">="trms">empiricist conception of ="trms">geometry
(="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigging ='lgc'>='lgc'>--> transformations are applied to) ="trms">geometrical properties='lgc'>: characterized by an invariance with respect to certain transformations ='lgc'>[for example a line='lgc'>] ='lgc'>='lgc'>--> make it ="trms"nttrm="already,spread">ready for action or animation
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railway
primary ="trms">symbolic artifacts of the 19th century
railroad ='lgc'>+ its carriages should be considered as one machine ='lgc'>: “a railway, like a vast machine”
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(="trms">affective arousal) images of beauty amid urgencies of death ='lgc'>='lgc'>=/=> t="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigger the ="trms">responses one hopes
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(="ppl">Deleuzian) ='lgc'>[='strcls'>*='lgc'>]event='lgc'>: impact of chaos on the body
most problems don't have solutions ='lgc'>--="ppl">Grosz='lgc'>='lgc'>-->
concepts ='lgc'>=/= solutions to problems
problems ='lgc'>='lgc'>==> ways of living ='lgc'>=/= answers
concepts='lgc'>: align ="trms">materiality with incorporeality
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identify politics ='lgc'>=/= the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right to speak about the ="trms">world, ="trms">matter, ="trms">nature
the reign of the i ='lgc'>='lgc'>--> who am i, who recognizes me, what can i become ='lgc'>='lgc'>--> the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right to ="trms">consumption
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process ="trms">ontology of transing ='lgc'>: one of many re="trms">embodied sensory arts in transgender practices
='lgc'>='lgc'>--> viral vectoring
='strcls'>*flexible global cognition='strcls'>*
discrete threats of knowing
discrete threats of ="trms">mattering
='lgc'>[='strcls'>*='lgc'>]trans='lgc'>: ="trms">materialization of process
='lgc'>[='strcls'>*='lgc'>]transdisciplinary='lgc'>: ="trms">materialization of labors (in ='and'>& beyond academia) ='lgc'>==="ppl">Katie='lgc'>='lgc'>==> possibility of care
="trms">animal studies ='lgc'>--often='lgc'>='lgc'>--> en="trms">codes ='and'>& de="trms">codes human
='lgc'>~
="trms">relational
trans
multiple
="trms">chimeric
liminal
='lgc'>='lgc'>--> ="trms">relationships that bind humans to their nonhuman companions ='lgc'>[...to virtual explosive demons of Charmed TV series ='lgc'>='lgc'>--> how we ="trms">embody ="trms">animals and how they ="trms">embody us='qstn'>? ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigging demons (my digital folk tale), ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigging as sensory medium (a mode of nearness), bodies bound through appropriation='lgc'>]
(in ="nms">apass='lgc'>:)
="trms">zoo="trms">semiotic registers
meaning making registers
bodily contact zones
(Charmed demons state of trans='lgc'>:) modes of incorporation, intimacy, inhabitation
='lgc'>='lgc'>--> tr="trms">animals='lgc'>: trans ="trms">animals, range of kinds of sapience and being in various distributed cognitions, syntaxes,and ="trms">embodiments (and ="trms">affects)
="trms">animals become “="trms">animals” not just in terms of p="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lurality but in terms of a p="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lurality that is located within spatiotemporal coordinations
(Kelley, ="ppl">="ppl">Hayward > ="ppl">Katie)
‘here’ and ‘there’ ='lgc'>~ ="trms">material partials
...
="trms">sensuous trafficking
from inorganic to organic
trans="trms">code sensoria
as refrain
by which life gets lived
play enjoyed
augmented states of being emerge
='strcls'>*distributed cognitions='strcls'>* (populated digitalities) ='lgc'>==Hayles='lgc'>='lgc'>==> abandonment of mastery (="trms">anthropo="trms">morphic fantasies of control)
my text ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigging demons='lgc'> = (an un="trms"nttrm="metaph,metamorph,metabol,metal">metabolized knowl="trms"nttrm="knowledge,Knowledge">edge,) play between ="trms">technical animator programming ='lgc'>+ ="trms">CG ="trms">interface ='lgc'>+ soap opera ='lgc'>+ my ="trms">affective involvement ='lgc'>='lgc'>--> speciation ="trms">bestiary style
not only tr="trms">animals, but national restructuring, political economies of ="trms">sciences, images, culture industries, and ="trms">technologies reordering in infrastructural assemblages are also ="trms">sensuous refrains
="lsts lst1">•some becomings and assemblages might refuse these refrains and ='strcls'>*="trms">demand ="trms">ontological primacy='strcls'>*
="ppl">Leigh ="ppl">="ppl">Star
for some kinds of tasks we (humans) are highly distributed ='lgc'>='lgc'>--> re="trms">membering='lgc'>: ='strcls'>***much of our ="trms">memories are in other people='strcls'>*** (libraries and homes)
part of our selves extend beyond the skin in every ="trms">imaginable way ='lgc'><='lgc'>--="nms">phantom limb
='lgc'>--="ppl">Katie='lgc'>='lgc'>--> ="trms">embodiments (and beings) are distributed among ="trms">memories, capacities, corporealities
demon de="trms">materialization ='lgc'>='lgc'>--> body dissolve (vanquish) ='lgc'>='lgc'>--> relinquish ='lgc'>='lgc'>--> ="trms">networking ="trms">materializing forces ='lgc'>='lgc'>--> this text
the state of cut in manga series Attack on Titan
="lsts lst1">•="trms">affective wounds
="lsts lst1">•="trms">affective formations that break the skin
="lsts lst1">•restructuring
="lsts lst1">•chaotic and unpre="trms">dictable ="trms">nature
="lsts lst1">•your avatar (your ="trms">monster)='lgc'>: ="trms">sensuously augmented elements of self
="lsts lst1">•territory registers
="lsts lst1">•="trms">materially real scales of involvement
="lsts lst1">•
play='lgc'> = double consciousness ='lgc'>='lgc'>--> being in both states (is ='and'>& is not, assertion ='and'>& rejection) ='lgc'>--creates='lgc'>='lgc'>--> its own commentary in itself about itself ='lgc'><='lgc'>-- intense and pleasurable ="trms">interactive dynamism ='lgc'><='lgc'>-- ="trms"nttrm="metaph,metamorph,metabol,metal">meta ="trms">communications performed by ="trms">embodied selves at multiple levels (of organic and ="trms">social ="trms">systems)
commercial entertainment drawing on understandings of mammalian-="trms">affective structure ='lgc'>: transmedia ='lgc'>+ mammalian ="trms">animalities ='lgc'>+ AI ="trms">agents (='lgc'>='lgc'>~= ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigging)
Disney='lgc'> = ="trms">interactive dramas of mammalian behavior of psychological bonding
3D application='lgc'>: ="trms">interactive micro="trms">world of augmented assemblage of objects and beings and tools and ="trms">zoons, visualization of mu="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listable cognition
= a form of globally restructuring knowl="trms"nttrm="knowledge,Knowledge">edge work ='lgc'>+ ="trms">embodied learning ='lgc'>+ economies
exosome explosive demons, as significant other='qstn'>?
we ="trms">love to create ="trms">worlds (='thdf'>that is why we make and watch soap operas)
careful negotiation of meaning and tools (in ="nms">apass, not careful always)
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(="ppl">Katie ='lgc'>='lgc'>-->) ='lgc'>[='strcls'>*='lgc'>]web='lgc'>: a ="trms">material ='thdf'>example of a then counter-intuitive convergence and recombination, one across forms of inscription and meaning making devices='lgc'>[...='lgc'>]in that ="trms">fictional everywhere of “everyone's” lives
emerging posthumanities='lgc'>: humans are only some of the ="trms">agencies self-organizing in altering ="trms">systems of things ='lgc'>+ people ='lgc'>+ ="trms">worldly processes ='lgc'>--="ppl">Katie='lgc'>='lgc'>--> being inside and moved around ="trms">literally by the very ="trms">material and conceptual structures you are analyzing and ="trms">writing about ='lgc'>='lgc'>-->
="lsts lst1">•transdisciplinary consciousness='lgc'>: telescoping out to engage infrastructures in their layered accretions رشد
="lsts lst1">•witing (saying what counts) ='lgc'>[has to='lgc'>] diverge perpendicularly across the normative ='lgc'>='lgc'>--> performative='lgc'> = de="trms">monstration ='lgc'>+ simulation
="lsts lst1">•knowl="trms"nttrm="knowledge,Knowledge">edge workings ='lgc'>--embed='lgc'>='lgc'>--> within culture industries ='lgc'>+ transnational educational restructuring projects
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="trms">writing ="trms">technologie (='lgc'>='lgc'>~= activities ='lgc'>+ ="trms">skills ='lgc'>+ devices in layered assemblages ='lgc'>+ ="trms">material ='lgc'>+ conceptual inscription) ='lgc'>--="trms">literalize='lgc'>='lgc'>--> tensions in grammatology='lgc'>:
="lsts lst1">•between ="trms">writing's many possible referent/sign ="trms">relationships in ="trms">historical progression ='lgc'><='lgc'>-- Ignace Gelb
="lsts lst1">•call to account of assumptions about ="trms">writing's derivations from speech built into the assertion of these ="trms">relationships ='lgc'><='lgc'>-- ="ppl">Derrida
my ="trms">writing on Charmed and ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigging ='lgc'>='lgc'>--> a ="trms">mime of ="trms">writing, ="trms">mime understanding ='lgc'>[='at'>#simulacra of knowl="trms"nttrm="knowledge,Knowledge">edge='lgc'>], (using ="ppl">Katie's word) a ="trms">literalizing attempt to work/="trms">write in the middle of ="trms">writing ="trms">technologies
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lord of the rings (and similar movies) ='lgc'>='lgc'>~= new forms of evangelization
='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to propaganda
="brkr">
temporality, time, day ='and'>& night='lgc'>:
in ="nms">ajayeb='lgc'>:
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