[...]al space

new modes of surveying and plotting the world influence representation of the private and public domains of the individual writer

theatricalization of the self --> a consciousness of its autonomy (through modes of positioning [in gridded and textual reality])
--> a new cartographic impulse:
•changing conditions of information
•new taxonomies
•new relations that individuals hold with space
•emerging sense of national identity

the self would acquire its identity through the creation of a space that bears the presence (or the reminder) of the mapping of its signature
its “foundational fantasy” depends on (an alliance with) a strongly marked geographic consciousness

mimes the construction (of a world)

contemporary politics of statecraft

...to locate a mobile site of anguish to project the portrait (of epic and lyrical scope) of a national subject?
...between experience and fantasy for the sake of producing imaginary conquests in the shape of self-aggrandizement?

ingenieur du moi
medium engineers


imaginary space, nation, selfhood

*** the self-possessed individual ***

(Conley calls) writing “cartographic” insofar as tensions of space and of figuration inhere in fields of printed discourse
(although his understanding of writing as ‘effects of recorded speech’ is not interesting)
(and he ties to fast cartography to expansion and conquest, allegorical propaganda of cartographer's presence)


living conditions of vocal exchange


visible coordinates that enclose, frame, quantify

a process of discovery --that--> maps its movement as it goes
-making a fetish of progress and accuracy
-vital, narcissistic illusion that the world begins with our birth and expands through our perception of it


isolario: illustrating the islands of the world, a genre


“national” subjects attached to the geographies that they are both mapping and describing
graphic construction of the self
Olearius's globe of Gottorf (=/= Morton's hyperobject): the effect of totality, of having engineered a world through its own labors. [Ptolemaic-Aristotlian machinery of the spheres, which hold the fixed stars in place, stars in a trace on the relatively stable horizon of earth and sky (in which meteor deviation from this harmonious arrangement or celestial machinery was considered disastrous)]
**self become autonomous <== fixed to an illusion of a geographic truth, it can be detached from the coordinates that mark its point of view, its history, its formation, and the aesthetics (and politics) of its signature. [and with Sana, through Sa'di, we start with this position, rehearsing criticism studies in terms of the birth of the subject and of subjectivity in early modern Europe]


terrae incognitae: the unknown, graphically inscribed, and to be conquered

“nomination is a mode of symbolic appropriation that furnishes virgin territories with a memory, with a gridding that dispossesses space of its alterity and that makes of it an object of discovery subjected to the constraints of linguistic reference, that intends that at every identifiable site there correspond a name” (Conley > Christian Jacob > Mallarme)

lodged in the corporal space of an image of “man”

spectral presence of death

navel: construed to be a site where the relation of the unknown has its first noticeable, physical trace, [...] the site of a ruptured attachment
-as an embodiment of the relation to the unknown
-the subject desires to give birth to himself or herself

artificial self-birthing and self-monumentalization

--> creation of a universe of wise (hakimane حکیمانه)


it is so strange in Olearius: the process of detachment that constitutes every subject's psychogenesis inspires a geographic desire (to retrace one's tenuous “roots,” which are woven through the visible register of language, the audible areas of images...) -- with Conley

Olearius's being: at one with the local, national, global, and cosmic space in which he or she visualizes an origin associated with a site of birth --> womb: the reassuring rectitude of the map, which is both a material and paternal image of seemingly timeless symbolic order


tensions between the visible and the invisible
(what is taken to be evident or “visible” meets what remains invisible or outside of language; #amazon project)
to grid the relation of the visible and the invisible (in cartography and writing)
their certain mobility of flux and indeterminacy (in Descartes becomes a subliminal practice)
the ideological dimensions of known and unknown become crystallized
*the viewer is urged to look at things transversally [=/= tangency: having contact at a single point or along a line without crossing] --> reader invents the process of subjectivity when analyzing the differential patterns that are working in the cartographic document
--> *double bind: of cosmic and local space, of viewer included and excluded from the discourse, of weakened deixis [deictic, words or expressions that rely absolutely on context] (or dialogue) ---> mobilizes subjectivity


quasi-spatial conquest (through the extension of the delimited field of the known in the channel of a ‘polar relation with the unknown,’ according to mappings that envisage the progression of a deferred knowledge) [Conley > Rosolato --> technologies that construct early modern space (--also with Olearius)]


...to produce a great geography of introspection

cosmic and affective space


illusion of a universe of infinite curvature

*the impossible “point of view” given to the observer of early world maps*



map =/=? mystical narrative --?--> depends on an itinerary through space and language

mysticism
only adjectival forms of the term had occurred (in Renaissance and before), suggesting that the nonsubstantive status of mystical activities made them more ‘real’ than we might believe ** (de Certeau)
the development of atlas-structures and of two-dimensional --> attenuation (taz'if تضعيف) of the mixture of scientific and mystical dimensions
incunabulum --> Cartesian method
from a half-named sense of the unknown --to--> a clearly articulated relation with the unknown****


[*]perspectival object: the positioning and mapping of the self in and about the world in its ongoing construction of psychogenesis + aesthetics + history of perspective + clinical practice*--> a series of junctures between a viewer and what he or she sees, projects, fantasizes, and remembers
--> body's location in the world ***


excess of mastery
absolute quest of power

*to make meaning enigmatic(?)

with Sana, we are engaged in an anti-globe making, a transitional object rather than a ‘glory globe,’ “a field of diagonical or interdiscursive ‘play’ between impressions and memories”
in our exhibition, we are working the gridded/allegorized cartographic discourse/consciousness through appeal to spatial rhetoric
(reworking) the new form of a self-produced “geography” of writing (emerging in 16th century)
-we are perhaps inclined with the figure of Rhizome (from Deleuze and Guattari), the unifying lines and connections that produce an image of...
[in a fairly common obsession, amateurs of maps ofen seek to find the names of the places where they were born or raised. but when Sana's father wanted to erase his name from the map Sana made with his itineraries we betrayed this originary site]
-schizoanalytic cartographies, Guattari on: conditions of enunciation, structures of individual and collective subjectivity)
-we say (in our work with Olearius): reading can be an actively vagrant, nomadic examination of ideological materials


...an attempt to create in an ever recurring, mobile, and modular structures that endow themselves with renewed form


*the cartographic project invents a relation with the past

[*]projective identification: an illusion that tells who, where, and what these maps are about, and specifies the power that they wish to appropriate in diplomatic (and military) areas

[*]perspectival object: is the concept that shifts the spectator from a passive role to that of an engaged traveler who moves th[...]