[...]evident or “visible” meets what remains invisible or outside of ="trms">language; ='at'>#amazon project)
to grid the ="trms">relation of the visible and the invisible (in cartography and ="trms">writing)
their certain mobility of flux and indeterminacy (in ="ppl">Descartes becomes a ="trms">subliminal practice)
the ideological dimensions of known and unknown become crystallized
='strcls'>*the viewer is urged to look at things transversally ='lgc'>[='lgc'>=/= tangency='lgc'>: having contact at a single point or along a line without crossing='lgc'>] ='lgc'>='lgc'>--> ="trms"nttrm="already,spread">reader invents the process of subjectivity when analyzing the ="trms">differential patterns that are working in the cartographic document
='lgc'>='lgc'>--> ='strcls'>*double bind='lgc'>: of cosmic and local space, of viewer in="trms"nttrm="cluster,club">cluded and ex="trms"nttrm="cluster,club">cluded from the discourse, of weakened deixis ='lgc'>[deictic, words or expressions that rely absolutely on context='lgc'>] (or dialogue) ='lgc'>-='lgc'>='lgc'>--> mobilizes subjectivity


quasi-spatial conquest (through the extension of the delimited field of the known in the channel of a ‘polar ="trms">relation with the unknown,’ ="trms">according to mappings that envisage the progression of a deferred knowl="trms"nttrm="knowledge,Knowledge">edge) ='lgc'>[="ppl">Conley > Rosolato ='lgc'>='lgc'>--> ="trms">technologies that construct early ="trms">modern space (='lgc'>--also with ="ppl">Olearius)='lgc'>]


...to produce a great geography of introspection

="large lg2" stl="font-size:112%"> cosmic and ="trms">affective space


illusion of a universe of in="trms">finite curvature

='strcls'>*the impossible “point of view” given to the observer of early ="trms">world maps='strcls'>*



map ='lgc'>=/=='qstn'>? mystical ="trms">narrative ='lgc'>--='qstn'>?='lgc'>='lgc'>--> depends on an itinerary through space and ="trms">language

mysticism
only adjectival forms of the term had occurred (in Renaissance and before), sug="trms">gesting that the nonsubstantive status of mystical activities made them more ‘real’ than we might believe ='strcls'>** (="ppl">de Certeau)
the development of atlas-structures and of two-dimensional ='lgc'>='lgc'>--> attenuation (taz'if تضعيف) of the mixture of ="trms">scientific and mystical dimensions
incunabulum ='lgc'>='lgc'>--> ="ppl">Cartesian ="trms">method
from a half-named sense of the unknown ='lgc'>--to='lgc'>='lgc'>--> a clearly ="trms">articulated ="trms">relation with the unknown='strcls'>****


='lgc'>[='strcls'>*='lgc'>]perspectival object='lgc'>: the ="trms">positioning and mapping of the self in and about the ="trms">world in its ongoing construction of psychogenesis ='lgc'>+ ="trms">aesthetics ='lgc'>+ ="trms">history of perspective ='lgc'>+ clinical practice='strcls'>*='lgc'>='lgc'>--> a series of junctures between a viewer and what he or she sees, projects, fantasizes, and re="trms">members
='lgc'>='lgc'>--> body's location in the ="trms">world ='strcls'>***


="trms">excess of mastery
absolute quest of power

='strcls'>*to make meaning enigmatic(='qstn'>?)

with ="frds scrmbld">Sana, we are engaged in an anti-globe making, a ="trms">transitional object rather than a ‘glory globe,’ “a field of diagonical or ="trms">interdiscursive ‘play’ between impressions and ="trms">memories”
in our exhibition, we are working the gridded/allegorized cartographic discourse/consciousness through appeal to spatial ="trms">rhetoric
(reworking) the new form of a self-produced “geography” of ="trms">writing (emerging in 16th century)
="prgrph">-we are perhaps inclined with the figure of Rhizome (from ="ppl">Deleuze and ="ppl">Guattari), the unifying lines and connections that produce an image of...
='lgc'>[in a fairly common obsession, amateurs of maps ofen seek to find the names of the places where they were born or raised. but when ="frds scrmbld">Sana's father wanted to erase his name from the map ="frds scrmbld">Sana made with his itineraries we betrayed this o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginary site='lgc'>]
="prgrph">-="trms">schizoanalytic cartographies, ="ppl">Guattari on='lgc'>: conditions of ="trms">enunciation, structures of individual and collective subjectivity)
="prgrph">-we say (in our work with ="ppl">Olearius)='lgc'>: ="trms"nttrm="already,spread">reading can be an actively vagrant, nomadic examination of ideological ="trms">materials


...an attempt to create in an ever recurring, mobile, and modular structures that endow themselves with renewed form


='strcls'>*the cartographic project invents a ="trms">relation with the ="trms">past

="large lg1" stl="font-size:126%"> ='lgc'>[='strcls'>*='lgc'>]projective identification='lgc'>: an illusion that tells who, where, and what these maps are about, and ="trms">specifies the power that they wish to appropriate in diplomatic (and military) areas

='lgc'>[='strcls'>*='lgc'>]perspectival object='lgc'>: is the concept that shifts the ="trms">spectator from a passive role to that of an engaged ="trms">traveler who moves through the time and space of a given body of words, images, and sensation ='lgc'>--passage-into='lgc'>='lgc'>--> vital and marginal areas where ="trms">imagination, fact, ="trms">history, and self are combined


plastic and lexical attributes

confused pictorial and lexical properties

='lgc'>[='strcls'>*='lgc'>]pictogram='lgc'>: alphabetical shapes ='lgc'>+ bodily form ='lgc'>+ ="trms">memory of a seemingly archaic ="trms">past of confusion and violence ='lgc'>+ ='lgc'>+
pictogram is mobile, it moves between one register of cognition and another, it resembles the rebus ='lgc'>[word puzzle re="trms">presenting form of pictures or ="trms">symbols; (Latin='lgc'>: “by things”) a kind of word puzzle which uses pictures to re="trms">present words or parts of words, ='thdf'>for example H ='lgc'>+ picture of ear='lgc'> = Hear='lgc'>] and calligram ='lgc'>[a ="trms">poem with (a phrase or single word) in which the typeface or hand="trms">writing is important='lgc'>], it conflates ="trms">language and image and is thus ="trms">liable to move in many unpre="trms">dictable directions='strcls'>**** (='at'>@="frds scrmbld">Luiza, ="frds">Sina)
pictogram mobilizes wit='lgc'>[='lgc'>--animates='lgc'>='lgc'>--> ="trms">imaginary ='and'>& real movement='lgc'>] and ="trms">laughter ='lgc'><== “short circuiting of rational thinking” (Bastide) ='lgc'>}='lgc'>='lgc'>--> for the construction of a psychogeography
="prgrph">-a pictogram attached to the place that it both re="trms">presents and remotivates ='lgc'>='lgc'>--> ='strcls'>*old maps are preoccupied with information at the ="trms">specific point where it can be ="trms">written, only at the very site of its pertinence='strcls'>* (Jacob)


fragments of re="trms">membered ="trms">writing


the labor of ="trms">interpretation consists exactly in opening ="trms">onto surprise ='lgc'>[...='lgc'>] immediate rediscovery of the known (... Mijolla-Mellor) ='heart'>♥


='strcls'>*
ideograms, ="trms">mimetic figures, miming the objects
that disrupts and affirms the sate of things
a stenographic form that telescopes ="trms">language and extends into space as it signals a point where ="trms">memory and national identity are being schematized

a ="trms">childhood experience

the subject uses the illusion of a given spatial and ="trms">historical order to create an ="trms">imaginary ="trms">world of impressions that tie his or her body to a mobility of space and place



sig="trms">nature, affixed to the ="trms"nttrm="knowledge,Knowledge">edges in the spandrels between a map and its borders, is both ungrounded and necessary

authenticating effect
a sense of self-distance and power are obtained in the enactment of a sig="trms">nature

="ppl">Conley argues that='lgc'>: the individual who comes to be named as such can only do so when he or she gains the required illusion of having a real place in the ="trms">world or, failing that, of experiencing movement in space and ="trms">language that redeems the labor of living


cartography
="lsts lst1">•compass for ="trms">verbal plotting
="lsts lst1">•turning the ="trms"nttrm="already,spread">reader's gaze toward a productive consideration of its visible form


='lgc'>--='strcls'>*='lgc'>-- the dialogue and its dialogic echoes ='lgc'>--='strcls'>*='lgc'>--


state="trms">craft='lgc'>: fortification, centralization, extensive rebuilding (of national borders)
(="nms">Iran, Germany, Princess Bubblegum from Adventure Times)
='lgc'>='lgc'>--> (perspectival sig="trms">nature) existential ="trms">relation with space
="prgrph">-Princess Bubblegum ="trms">naturalized ="trms">story='lgc'>: total control of now alienated bodies in a machine-determined future; (her ="trms">jokingly horrible) ="trms">mission to promote ="trms">scientific management of every phase of ="trms">society;
Princess Bubblegum='lgc'> = rational management in advanced monopoly capitalism


the cartographers create a “cultural entity” that, it is claimed, is only re="trms">presented in the maps ='lgc'>[...='lgc'>] also brought into being ... the ="trms">authority that underwrote their own discourse ='lgc'>==> they make themselves

='lgc'>[='strcls'>*='lgc'>]colonialization is based on a culture's perceived need to acquire a protective zone between itself and the ="trms">world in order to gain ="trms">authority
(also) “it becomes increasingly difficult to find a stable signified to which the whole thesaurus of exotic signifiers may be referred” ='lgc'>[Greenblatt='lgc'>]


topophilia


(i have been trying to reverse the movement of) ="trms">transition from ="trms">cosmography to topography

="large lg3" stl="font-size:111%"> cartographic truth ='lgc'>='lgc'>--> silent ="trms">agenda (='lgc'>='lgc'>--> power structures)


motivation and demotivation of proper names and their implied referents

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="large lg4" stl="font-size:112%">
Allegories of the Continent

Persianisch, Persiae,

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="large lg5" stl="font-size:125%"> ='lgc'>[Mary Louis ="ppl">Pratt='lgc'>]

“Our” Dr. Livingstone was a grand nephew of the “real” Dr. Livingstone in Africa. English Canada was still colonial in the 1950s='lgc'>: reality and ="trms">history were somewhere else, ="trms">embodied in British men.

The syllables wound through our lives, th="trms"nttrm="already,spread">reading together by force of repe[...]