[...]e of writing ourselves into our worlds as *emergent and disparate ensembles* --> we need the speculative concept of worlding (a term that wins philosophy, criticism, digital studies, and cultural study) in Tehran urgently
-the workshop offers a process of sharing, hearing, questioning, and proposing--for oneself and for the sake of others ==> to start to think through a project or concept by working with words
-we will learning how to read closely and to give feedback that is most useful for the authors
-working with questions:
•How do forms of writing change cultural theory?
•What questions do forms of writing raise about subjects and objects, forms of attention, the possibility of thinking through description?
•How do you describe a scene, a character, an event, a situation, a collective sensibility, a difference, a world?
•What does it mean to add density and texture to description?
...................................
armies of metaphors and metonymies that are to justify war
...................................
“there is something quite special about the recently discovered entities such as climate. these entities cause us to reflect on our very place on Earth and in the cosmos” ==> hyperobjects (“seem to force something on us”) --> i say every object does that, and it is not recent: ajayeb al makhlughat is about the description of that force
hyperobjects Morton
-an object that is “hyper” in relation to some other entity
-they are viscous: they “stick” to beings that are involved with them
-they are “nonlocal” : local manifestation of hyperobject =/= hyperobject
-they exhibit their effects interobjectively : they can be detected in a space that consists of interrelationships between aesthetic properties of objects\
=/= apocalyptic environmentalism
=/= the possibility of transcendental leaps “outside” physical reality
=/= that we are “embedded” in a “lifeworld”
high-dimrnsional phase space
invisible to humans for stretches of time
[*]hypocrisy <== the conditions of the impossibility of a [*]metalanguage= account for things while remaining uncontaminated by them, (d>~d>= an “outside”)
--> (Lacanian truth:) “there is no metalanguage” =/= postmodernism's “everything is a metaphor” =/= some metaphors are better than others d>~d>= *there is nowhere to stand outside of things*
the time of hyperobjects is a time of hypocrisy =/= cynicism
[*]weakness <== the gap between phenomenon and thing
[*]lameness <== the fact that all entities are fragile
imagination as:
•Hume: a bundling of associations
•Kant: the possibility for synthetic judgments a priori
•object-oriented ontology: immanence of thinking to the physical, radically displacing the human by insisting that my being is not everything it is cracked up to be--the being of a paper cup is as profound as mine
which hyperobject you are caught in?
image of writing --> shy, retiring octopuses that squirt out a dissembling (mask, cloak, vortäuschen) ink as they withdraw into the ontological shadow
figure of *mill* (the characters and technologies and ideas of the ages mill around in a state of a mild, semiblissful confusion) =/= ds class="frds scrmbld">Eszterds>'s vortex
my intimate impressions “personal" = footprints of hyperobjects, distorted as they always must be by the entity in which they make their mark
situatedness is now a very uncanny place to be, like being the protagonist of a Wordsworth poem of a character in Blade Runner
*cool impersonality of the scientific language* (now is deprived of its ideological status)
the concept of the ‘world’ is no longer operational
can we think environmentally without
df class='thdf'>the idea of | df> ‘the en
d of the
world’
?
(Morton asking for) a geophilosophy that doesn't think simply in terms of human events and human significance
Morton: global warming
=/= climate change
if one takes the ‘climate change’ as a substitute for ‘global warming’ is like “cultural change” as a substitute for Renaissance, or “change in living con
ditions” as a substitute for Holocaust
![--> d
ajayeb book fish species face head body magnetism island
[source: Tusi, ʿAjā'ib al-makhlūqāt wa gharā'ib al-mawjūdāt] ajayeb book fish species face head body magnetism island [source: Tusi, ʿAjā'ib al-makhlūqāt wa gharā'ib al-mawjūdāt]](images/ajayeb/0056.jpg)
acronyms, abbreviations
:
dialoc
دیالوک --> decrease in appropriate levels of concern
tomas توماس --> terrain of me
dia an
d the
sociopolitical realm
cohhatg کوهاج --> coinci
dence of human
history an
d terrestrial geology
hhatg حج --> human
history an
d terrestrial geology
pb پی بی --> philosophy's ban
dwi
dth
sdwa
صدوا --> substances
decorate
d with acci
dents
-->
ldwa
لدوا --> lumps
decorate
d with acci
dents
--> featureless lumps, an
d those things have acci
dental properties, like cupcakes
decorate
d with colore
d sprinkles (arayesh
آرایش)
}--> this thinking still continues,
despite the fact that ‘thought has al
ready ma
de it irrelevant’
--> thamii تامی, (
df class='thdf'>for example | df>
birds for
Attar are merely
decorative features of
Attar's
social, psychic, an
d philosophical space)
soth صوث --> speculating outsi
de of the human
sim سیم --> small islan
d of meaning
etimom اتیموم --> everything is ma
de of min
d
hhbn هبن --> han
d-hol
ding benevolent
narrator (-which is vanishe
d)
(auto)
cad کد --> (automatic) comforting
aesthetic
distances
iockat --> intentional objects commonly known as thoughts
atot آتو --> (you only ever perceive your particular)
anthropo
morphic
translations of things
ejich جیش --> exhilarating jump into cognitive hyperspace
--> displacement that Copernicus or
Derrida
does
foe --> fantasies of embe
dde
dness
[<-- phenomenology
<== groun
ding of
Kant (begining in 1900)
]
avaa اوا --> a vertiginous anti
literal
abyss
iwen --> intimacy with existing nonhumans
mok --> mathematization of knowing (
--> Descartes,
Newton)
==> hi
ding philosophical an
d i
deological
decisions ma
de in acts of knowing
=/= ontology (as a vital an
d conteste
d political terrain)
icad --> i
deology of “the
consumer” an
d its “
demands” (that capital then “meets”)
--> a
dventure of
modernity
fvod --> from the viewpoint of “objective”
description (a ba
d way of explicating the objects that are al
ready here)
toc --> troops of critique
towwk توک --> ‘
technology of what we know’ (
techniques that
deci
de the
differences between ‘what we know’ an
d ‘what is’.
Morton's hyperobject is a
towwk)
usoc --> uncanny strangeness of existence (work of
Heidegger)
lawot --> (something is) ‘laying aroun
d in the workshop of thinking’ (let's reuse what appears to be broken
lawot)
visist = visit + resist
cor
relationism
: df class='thdf'>the notion that | df> philosophy can only talk within a narrow ban
dwi
dth, restricte
d to the human-
world correlate
: meaning is only possible between a human min
d an
d ‘what it thinks'
= its “objects” (flimsy
شل و ول an
d tenuous
رفيق as they are)
~-> the light on in the fri
dge when you close the
door
-Heidegger (towering through) is a correlationist who asserts that without Dasein, it makes no sense whatsoever to talk of the truth of things, which for him implies their very existence--for him idealism, not realism, holds the key to philosophy. (Heidegger's tool-analysis: when equipment--which for all intents and purposes could be anything at all--is functioning, or “executing” [Vollzug], it withdraws from access [Entzug]; that it is only when a tool is broken that it seems to become present-at-hand [vorhanden] --> is this what ds class="frds scrmbld">Femkeds> is proposing to apass?)
Descartes uncritically importing the very scholasticism his work un
dermine
d
[*]epistemology
:
•how can i know what there are (or are not) real things?
•what gives me (or denies me) access to the real?
•what defines the possibility of access?
•what defines the possibility of possibility?
•Einstein discovered a rippling, flowing spacetime
•Tarkovsky discovered the ‘sensuous material of film stock’ --> ssoci
•Husserl discovered something strange about the objects: no matter how many times you turned around a cion, you never saw the other side as the other side --> the #coin had a dark side that was seemingly irreducible
Morton's (
technology of what we know) hyperobject is his sense of an a
symmetry between the in
finite powers of cognition an
d the in
finite bening of things, yet he
doesn't evoke
descriptive practices, which coul
d be helpfull-
[...]