[...]uch a garden ='lgc'>='lgc'>==> ='strcls'>***it is the direction of looking that ="trms">matters ='strcls'>*** (mode of attention)
="lsts lst1">•="ppl">Deleuze
="lsts lst1">•="ppl">Whitehead
="lsts lst1">•="ppl">Darwin
="lsts lst1">•="ppl">Benjamin
="lsts lst1">•

="trms">bestiary='lgc'> = baroque ='lgc'>+ romantic

='strcls'>*romantic complexity (looks up) ='lgc'>=/= baroque complexity (looks down)='strcls'>*
="lsts lst1">•looking up='lgc'>: ="trms">integrate individuals (who appear to be a heterogeneous lot) at the ="trms">phenomenological level to a single entity at a higher level of organization ='lgc'>='lgc'>--> (plants and ="trms">animals, individuals) are='strcls'>*functionality ="trms">integrated='strcls'>* ='lgc'>[='lgc'><='lgc'>-- my problem with ='thdf'>the notion of ="trms">community='lgc'>]
="lsts lst2">◦looking up to the ="trms">world of platonic forms ='lgc'><='lgc'>-- a process of abstraction
="lsts lst1">•looking down='lgc'>: a table of companions ='lgc'>='lgc'>--> (plants and ="trms">animals, individuals) are ='strcls'>*cooperating='strcls'>*

(romantic conceptions of) ="trms">society as organism ='lgc'>=/= (baroque conception of) organism as ="trms">society

="large lg2" stl="font-size:110%">
(="trms">historic) baroque
="prgrph">-grand style of 17th century
="prgrph">-(insist on) strong ="trms">phenomenological realness ='lgc'>='lgc'>--> ="trms">sensuous ="trms">materiality
="prgrph">-="trms">materiality flows out in many directions (='lgc'>=/= confined within) ='lgc'>='lgc'>==> b="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lurring “individual ='lgc'>=/= environment”
="prgrph">-inventiveness='lgc'>:
='lgc'>--music='lgc'>='lgc'>--> the ability to produce lots of novel combinations out of a rather limited set of elements
='lgc'>--theater='lgc'>='lgc'>--> (logical development of plot ='lgc'>=/=) sequence of monologues and allegories ='lgc'>='lgc'>==> action


="ppl">Leibniz baroque philosophy ='lgc'>='lgc'>--> monad='lgc'>: individuals not linked to form greater ="trms">systems (they don't even ="trms">communicate), but they ="trms">affect each other
='lgc'>--="ppl">Deleuze='lgc'>='lgc'>--> each monad had its context re="trms">presented inside itself (as ="trms">fold) ='lgc'>[more important the monad ='lgc'>='lgc'>--> richer its ="trms">world='lgc'>]


="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphors of romanticism='lgc'>:
="lsts lst1">•organicism
="lsts lst1">•="trms">system ='lgc'>='lgc'>--> (in graphical re="trms">presentation) depicted by connecting lives between constituent elements (='lgc'>=/= monad)
="lsts lst1">•

="ppl">Whitehead ='lgc'>--="ppl">Deleuze='lgc'>='lgc'>--> a neobaroque philosopher ='lgc'>='lgc'>--> possibility of a chaotic side-by-side existence of ="trms">mutually ex="trms">="trms"nttrm="cluster,club">clusive realities
(baroque era) harmony='lgc'>: art of counterpoints (bringing together independent voices)


German baroque (Gryphius, Lohenstein) ='lgc'>='lgc'>--> ="trms">nature='lgc'> = ='lgc'>[='strcls'>*='lgc'>]ruin='lgc'>: heap of highly significant fragments ='lgc'>=/= seamless web (='at'>@ERG website)
="lsts lst1">•fragment='lgc'>: independent individual things with a monadological structure (='lgc'>~/= post="trms">modern understanding of fragment)
="lsts lst1">•link (between them)='lgc'> = reciprocal reference ='lgc'>=/= connection
="lsts lst2">◦(references remain in their) ='strcls'>*allegorical immanence='strcls'>*
="lsts lst1">•


="trms">World War II ='lgc'>='lgc'>~=> ="trms">systems theories (attempt to explain the structure and behavior of complex objects


Charney ='lgc'>+ von Neumann
deterministic description of the atmosphere
“long-range forecasting”
computer-based metrology
='lgc'>='lgc'>==> ='strcls'>*field='strcls'>* became the essence of atmospheric state (field ='lgc'>=/= structure, ="trms">phenomena such as cyclones, fronts, cyclogenesis, fr="trms">ontogenesis)
='lgc'><='lgc'>--Lorenz='lgc'>-- a given that the atmosphere is a single whole

romantic ='and'>& nonromantic ="ppl">Darwin
evolutionary theory
phylogenetic tree
="prgrph">-“war of ="trms">nature ='lgc'>='lgc'>==> higher ="trms">animals directly follow”
="prgrph">-individual organisms engage in various ="trms">interactions with each other ='lgc'>='lgc'>==> speciation

Tansley (fulfilling a romantic expectation with regard to complex ="trms">systems) ='lgc'>--1926='lgc'>='lgc'>--> maintenance of equilibrium by eco="trms">system ='lgc'>["life='lgc'> = equilibrium"='lgc'>]
='lgc'>=/= Schrödinger (showed that equilibrium is unfit as a ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphor for life) ='lgc'>='lgc'>--> life='lgc'> = islands of low entropy (complex locations) in a sea of high entropy (of decreasing complexity)


Lokta
(evolution of) chemical ="trms">systems='lgc'> = general ="trms">systems


Patten
eco="trms">system ="trms">ecologist
“eco="trms">system='lgc'> = ="trms">natural control ="trms">system” ='lgc'>~= (single equilibrium simple cybernetic) ="trms">technical control device ='lgc'><='lgc'>-- the ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphor of ='strcls'>*automatic machine='strcls'>* (taken ="trms">literally)
re="trms">presenting whole eco="trms">systems by (mathematized and fit for simulation on digital computers) models


1960s 70s ='lgc'>='lgc'>--> ="trms">system ="trms">ecology
='lgc'>--="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lurck='lgc'>='lgc'>--> (romantic ="trms">trope of) ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigorous functionalism ='lgc'>[every little plant or insect had its place as a cog on a giant machinery='lgc'>]


Rene Thom
chemical reaction kinetics
biological ="trms">morphogenesis
catastrophe theory='lgc'>: slight change in a single variable of a ="trms">system can give rise to sharp discontinuous change
='lgc'>='lgc'>==> existence of multiple equilibria


Slobodkin
game theory
management of ="trms">natural ="trms">systems


P="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigogine ='lgc'>+ ="ppl">="ppl">Stengers
brusselator device (='lgc'>='lgc'>--> strange attractor) ='lgc'>='lgc'>--> behavior and evolution of complex ="trms">systems ='lgc'>--illustrate='lgc'>='lgc'>-->
="lsts lst1">•discontinuous development
="lsts lst1">•bifurcation (points at which the ="trms">system may go in either of two directions ='lgc'>='lgc'>--> the ="trms">system behaves as a whole)

local random fluctuations (around a mean) ='lgc'>='lgc'>--> bifurcation point ='lgc'>='lgc'>--> the ="trms">system as a whole evolves to a new order
='lgc'>=/= cybernetic ="trms">system (control center)
='lgc'>=/= steam engine (governor)


="frds scrmbld"nttrm="Robin,Robot,Robert,Robocop">Robert May
the more complex a ="trms">system is, the more likely it is that small fluctuations (will be just large enough) to be critical
complexity ='lgc'>='lgc'>==> unstability
='lgc'>~~~~> chaos theory


(for P="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigogine) fluctuation='lgc'>: essential condition for order of physical universe, life, civilization
='lgc'>[the most humble aspect of the behavior of ="trms">matter:='lgc'>] white noise ='lgc'>--(chaotic ="trms">phenomena)='lgc'>='lgc'>--> order ='lgc'>[on macro level='lgc'>]

turbulence ='lgc'><='lgc'>-- cannot be predicted (deterministic approach), but we have ="trms">="trms">empirical certainty that they will appear

="large lg10" stl="font-size:117%"> 55BC ='lgc'>--turbulence='lgc'>='lgc'>--> ="ppl">="ppl">Lucretius’ De Rerum ="trms">natura (philosophical ="trms">poem on the ="trms">nature of things)
(his basic ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphor of) ="trms">nature='lgc'>: hydrodynamic flow of particles in free fall, in swirls, in vortexes
‘small cause ='lgc'>='lgc'>==> disproportional nonlinearity’ ='lgc'>: ‘random collision of some falling atoms ='lgc'>='lgc'>==> constitution of ="trms">world’
='lgc'>--="ppl">Serres='lgc'>='lgc'>--> (="ppl">="ppl">Lucretius) heterodox tradition (='lgc'>=/= orthodoxe)


romantic ='and'>& baroque are ='strcls'>***discourse ='lgc'>=/= paradigm='strcls'>***
="lsts lst1">•discourse (available to draw from)
="lsts lst1">•paradigm (to succeed another paradigm) ='lgc'>[='lgc'><='lgc'>-- to be careful as an artist, the fantasy of genesis='lgc'>]

="lsts lst1">•since the 19th century romantic complexity had been the more orthodox discourse
="lsts lst1">•since 1975 baroque complexity became the focus of ="trms">interest
='lgc'>}='lgc'>=/= new conception of reality

="lsts lst1">•romantic complexity ='lgc'>--favor='lgc'>='lgc'>--> stable structural ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphors (self-correcting cybernetic machine, Gaya, etc.)
="lsts lst2">◦criteria can be established (more easily) ='lgc'>='lgc'>--> delineate emergent wholes (='strcls'>*abstract criteria='strcls'>*)
="lsts lst1">•baroque complexity ='lgc'>--favor='lgc'>='lgc'>--> swarming individuals ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphor (population of individuals in turbulent motion) ='lgc'>='lgc'>--> delineate emergent wholes (='strcls'>*="trms">situational criteria='strcls'>*)
="lsts lst2">◦conceptual problem of baroque='lgc'>: there may be higher level order, but what is it='qstn'>?
="lsts lst3">◾(it is not) stable patterns of ="trms">communication (='lgc'><='lgc'>== if patterns exists they are short-lived, individuals take part in several wholes rather than in one)


body='lgc'> = turbulent ="trms">phenomena par excellence


='strcls'>*****
='lgc'>--="ppl">Deleuze='lgc'>='lgc'>--> the very idea of “concept” is ="trms">different in baroque thinking ='lgc'>: ='lgc'>[='strcls'>*='lgc'>]concept='lgc'> = an allegory, a ="trms">narrative ='lgc'>=/= a ="trms">symbol of the ="trms">cosmos ='lgc'><='lgc'>-- romantic idea of concept='lgc'>: a ="trms">cosmological order that is grasped by the thinking subject

the uncertainty (of the ="trms">world) in the baroque case is ="trms">ontological ='lgc'>[='lgc'>=/= ="trms">epistemological ='lgc'>='lgc'>--> uncertainty is an effect of not knowing enough='lgc'>]

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

(i say in ="nms">iran, instead of public jurnalism we need more) ='strcls'>*public ="trms">anthropology='strcls'>*

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

(Stenger > ="ppl">="ppl">Stewart > vivid ="trms">pragmatics ='lgc'>~=)
(McCormack > ="ppl">="ppl">Stewart > radical) ='lgc'>[='strcls'>*='lgc'>]="trms">="trms">empiricism='lgc'>: if you walk in the woods ='lgc'>--encounter='lgc'>='lgc'>--> the unthinkable profusion of forms ='lgc'>='lgc'>--> ="trms">material-="trms">aesthetic registers of (mobile ='and'>& immobile flickering of) is and was (='lgc'>=/= sensory details described)
="lsts lst1">•='lgc'>[='strcls'>*='lgc'>]description='lgc'>: accidental glimpse of what ="trms">matters ='lgc'>+ what shifts its ="trms">matter in a moment of recognizable though unnamed and partial significance

tonal ="trms">differences
a spark of color
a modulation in tempo
half-patterned expressivity
='lgc'>--of='lgc'>='lgc'>--> a s="trms">cene teemingly ="trms">differentiated and marked by thresholds of ="trms">matter

when a tree is “charged and transfigured” by a violent sunset
="ppl">="ppl">Stewart ='lgc'>+ Dillard

a thing becomes a call to word

="large lg1" stl="font-size:130%"> (Harman='lgc'>:) objects themselves, like voices or forms of ="trms">writing, have style

="ppl">="ppl">Stewart > Dillard's ="trms">causal logic of bizarre but ="trms">categorical predation='lgc'>:
a small frog perched precariously on a lily pad in a pond, its back end al="trms"nttrm="already,spread">ready strangely slumped in the water. Then it suddenly deflates
its skin “ruck, and rumple, and fall’ and then “formless as a pricked balloon, lay in floating ="trms">folds like blight scum on top of the water”
='lgc'>--sug="trms">gest='lgc'>='lgc'>--> its style
='lgc'>=/= exempla of a generality
='lgc'>=/= ="trms">embodiments of something

='strcls'>*points of precision='strcls'>* in moments, s="trms">cenes, forms, and states of ="trms">matter

an image synesthetically re="trms">membered ='lgc'>='lgc'>--> engineered bridges of the purely ="trms">social or thee purely ="trms">natural ="trms">imagine a flatly describable ="trms">world ="trms">composed of fully ="trms">present states of being

...the wind forms blades in the sea like lines on a page

description='lgc'>: an approach to an ungraspable thing ='lgc'>='lgc'>--> de="trms">literalizing

remainders

(distributed gap between residents’ reports and police determinations='lgc'>:) ='lgc'>[examples of semi-events (half-witnessed):='lgc'>]
="lsts lst1">•a d="trms"nttrm="danger,stranger">angerous-looking ="trms">animal moving about on a man's property turned out to be a black plastic trash bag blowing in the wind
="lsts lst1">•threatening graffiti on a lawn were markings made by phone company employees
="lsts lst1">•a strange noise was wind in the trees
="lsts lst1">•a report of a man licking the locks on doorways of apartments on North Pleasant Street (='lgc'>='lgc'>--> sug="trms">gestion of this licking everywhere remained)
="lsts lst1">•a blood-soaked g="trms">love on the ground outside the DB Mart was a pink g="trms">love (='lgc'>-- establish='lgc'>='lgc'>--> pattern of possible hands in roads)
="prgrph">-
='lgc'>--="ppl">="ppl">Stewart='lgc'>='lgc'>--> ='strcls'>**an ="trms">staging ground for people's perceptive='strcls'>** ='lgc'>='lgc'>--> ='strcls'>**attention to the weird possibilities emergent in the ordinary='strcls'>**
='lgc'>='lgc'>==> ='strcls'>*mysterious patterns with precise details='strcls'>* ='lgc'>[= ="nms">ajayeb='lgc'>] ='lgc'>='lgc'>--> (bring into relief) a background, a zone, a ="trms">worlding in which things become perceptible (in a weirdly rea="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list way)

='lgc'>[explanation ='lgc'>=/=='lgc'>] str="trms"nttrm="danger,stranger">anger faithfulness to the spirit of the unnamed thing they witnessed ='lgc'>='lgc'>==> moved to make a report (something is a little off)

(if there is grounding it is grounding in) ="trms">world's variegated ="trms">poesis ='lgc'>='lgc'>--> (='lgc'>[='strcls'>*='lgc'>]description='lgc'>:) to make room (='lgc'>[for its='lgc'>] emergence ='lgc'>--into='lgc'>='lgc'>--> theory)


A walker with a ="trms">routine gets used to the little apparitions of something throwing together in his or her vicinity
(="trms">questions of points of contact='lgc'>:) what to do with your eyes='qstn'>?

(='lgc'>[against='qstn'>?='lgc'>] ="trms">positionality of) ="trms">writing from the ground

(="trms">memory of a city='lgc'>:) a contact ="trms">aesthetic of ="trms">histories and rogue ="trms">trajectories set in motion by every object encountered

harshly half-formed ="trms">world

germinal ="trms">aesthetics

channels of autonomous objects lay down stakes and swerve at points of contact with the itineraries of other things ='lgc'>==create='lgc'>='lgc'>==> a distributed zone of ='strcls'>*robust realism='strcls'>*

the real (of X)='lgc'>: transversal arrays of qualities or activities (like musical refrains) give order to ="trms">materials and ="trms">situations, human bodies and brains in="trms"nttrm="cluster,club">cluded, as actions undertaken act-back to shape muscles and hone senses

(to sharpen) rea="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list attention to things


='lgc'>[='strcls'>*='lgc'>]life='lgc'>: ="trms">ontological entertainment

unfulfilled ="trms">systems littered the kitchen
tangent to an elsewhere

gleamingly restored eighteenth-century perfections ='lgc'><='lgc'>-- ="nms">Cinderella's mansion
...of autonomous objects lying around...
a zone of randomly abandoned X
against the background of nothing
="trms">visceral avoidance
pretty and fresh as blueberry pie
townies (how i am not a townie where i live)
="lsts lst1">•townie='lgc'>: loyalty to the expressivity of things
="trms">sociality of a wedding party (filled with roles and dressings)
crazy ricochet..
perfectly ordinary...
...long-ago layered over the wood (necrotic غانقرايايا)


“expressivity sliced through ="trms">matter, word, and action, locking them together in a harshly half-formed ="trms">world”


="trms">writing ="nms">Cinderella diaries ='lgc'>='lgc'>--> ="trms">questions of realism
="lsts lst1">•what kind of real we enter='qstn'>?
="lsts lst1">•her realism (bring her) ='lgc'>--into='lgc'>='lgc'>--> a rough contact with objects human and non-human
="lsts lst1">•="nms">Cinderella does things to and with them (her ="trms">animals) ='lgc'>[and reverse='lgc'>]

='strcls'>*="trms">social pressure ='lgc'>='lgc'>==> (people) make descriptive mistake='strcls'>*

a problematic (for example afterlife of a tragedy) ='lgc'>--that='lgc'>='lgc'>--> inspires X ='lgc'>--to='lgc'>='lgc'>--> speculative ="trms">interest in forms
="lsts lst1">•="nms">Cinderella stating to noticing things (="trms">rumors, gossip, realism)
="lsts lst1">•gossip='lgc'>: rea="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list attention to things

the ="trms">world were his secret
="trms">loved the smell of the cold
in the night's dark hours

="trms">demanded our co-emotional sharpness
the ="trms">world ="trms">literally burst into color on the home side ='lgc'>--and='lgc'>='lgc'>--> went gray in the instant of passing over the ="trms"nttrm="knowledge,Knowledge">edge
no one knew their names...
...the energy of small things...
as if the point of living was to...
mosquitoes drew blood...
a helmet of white roots
...painted hyperb="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right colors in paint so flat it makes my fingertips dry just to look at it
dull dark oversized furniture
collapsed piles...


(nothing ever happens without first) registering a commitment to exhausting webs of complication

learning from mice ='lgc'>='lgc'>--> dark little tunnels of limited choice


(="ppl">="ppl">Stewart's) points of precision='lgc'>: (of any act or ="trms">story) what ="trms">matters is the singularity of an angle of approach (a surprise contact, an opening ="trms">onto some ="trms">world's cocom="trms">position, momentary flourishing of some capacity) ='lgc'>[='lgc'>=/= a meaning='lgc'>]

shaken profusion in things ='lgc'>=/= rush evaluative critique

so ordinary and problematic
="brkr">
so ='thdf'>the idea of ="trms">writing about “clean” started being ="trms">interested in this website='lgc'>: https://www.politicalconcepts.org, and the desire to ="trms">write a political entry point for them on ='thdf'>the idea of clean in the 20th century

also after i moved to Brussels May 2016, the ="trms">affect of dirty

to have a little talk or jam on ='thdf'>the notion of “clean” and “clean body”

i have been scribbling on its ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphorology for a while, thinking with it about the 20th century political thinking, institutional thinking, criminology, xenophobia, morality, and many other things. it is a key term for me.

="lsts lst1">•="trms">difference and in="trms">difference regarding the foreign body and ="trms"nttrm="disturban">urbanism
="lsts lst1">•clean's stakes in architecture, toilet, the primordial element of architecture
="lsts lst1">•the clean body in ="ppl">Marx and its geneology in the left
="lsts lst1">•o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigins of morality in ="ppl">Freud
="lsts lst1">•xenophobia in crosscultural ="trms">histories, Islam on hygiene and kofr's dirt
="lsts lst1">•Nazism and racial cleansing ='lgc'>='lgc'>--> ="trms">aesthetics ='and'>& politics
="lsts lst1">•Victorian sanitation, sanitas
="lsts lst1">•pollution
="lsts lst1">•anality
="lsts lst1">•="trms">animality ='lgc'>='lgc'>--> domestic life (="nms">Tehran, Brussels, Cologne,)
="lsts lst1">•="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphorology of ‘fesad’
="lsts lst1">•loose analogies of clean/dirt
="lsts lst1">•pure bodies (being threatened by violation of impurities)
="lsts lst1">•


="trms"nttrm="already,spread">readings='lgc'>:
="prgrph">-="ppl">Koolhaas, toilet
="prgrph">-="ppl">Sennett, Flesh and Stone
="prgrph">-Ashenburg, Dirt on Clean
="prgrph">-="ppl">Serres, Malfeasance
="prgrph">-="ppl">Ahmed, pure bodies
="prgrph">-Vom kleinen Maulwurf
="prgrph">-

="large lg10" stl="font-size:118%">
in terrestrial eco="trms">systems='lgc'>:
detritus
dead p="trms">articulate organic ="trms">material (as opposed to dissolved organic ="trms">material). It typically in="trms"nttrm="cluster,club">cludes the bodies or fragments of dead organisms as well as fecal ="trms">material
typically colonized by ="trms">communities of microorganisms which act to de="trms">compose (or remineralize) the ="trms">material

="large lg3" stl="font-size:112%"> ="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

(in clinic)
each ="trms">method enacts an object of its own ='lgc'>=/= approaching a single object in ="trms">different ways

in 19th century Western philosophy, ="trms">ontology was coined as a powerful word for the given and fixed collection of what there is
(="ppl">Annemarie Mol)

="large lg4" stl="font-size:110%"> ="trms">ontologies ='lgc'>='lgc'>==> there is no longer a singular “it” to look at from ="trms">different sides
="trms">ontologies are not ex="trms">="trms"nttrm="cluster,club">clusive, they allow for ="trms">interferences, partial connections, sharing practices ='lgc'>=/= mono-rea="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list singularities

='lgc'>[='strcls'>*='lgc'>]politics='lgc'>: (is not one of otherness,) it is about fights; not between people (a politics of who) but between versions of reality (a politics of what)

the value of “what is,” what western philosophy calls “normativity” and its counterfactuals sug="trms">gesting “what could be” (='lgc'>='lgc'>--> are ="trms">different ="trms">ontologies='qstn'>?)

yet ‘="trms">ontologies’ is ill-suited for talking about many things='lgc'>:
="lsts lst1">•ways in which goods and bads are performed in practices ='lgc'>='lgc'>--> ="frds scrmbld">Xiri
="lsts lst1">•conjunction with pleasures, pains, ecstasies, fears, ideals, dreams, passions ='lgc'>='lgc'>--> ="nms">apass
="lsts lst1">•various shapes that processes may take='lgc'>:
="lsts lst2">◦="trms">causal chains
="lsts lst2">◦back-and-forth conversations
="lsts lst2">◦tinkering and caring
="lsts lst1">•theorizing how fingers taste
="lsts lst1">•what ="trms">drugs afford to bodies and bodies do with ="trms">drugs
="lsts lst1">•migrant ambitions and guarded borde[...]