Ereignis: 0, (Max.: 500+)

[...]
(pain of the flow ='lgc'>='lgc'>-->) ='strcls'>***mutation is a concept that stops the flow='strcls'>***

(utopian='lgc'>:) ="trms">technological ="trms">imaginary portraying a simple and painless ascent into a silicon existence

="trms">chimera='lgc'>: (a term bio="trms">technological discourse uses to refer to) the evolution of elements that do not belong together
='lgc'>[in ="trms">greek mythology, a savage ="trms">beast part lion part goat part snake ='lgc'>=/= ="trms">natural order='lgc'>]


="large lg2" stl="font-size:110%"> ="lsts lst1">(Iron Man's de="trms">finition of) ="trms">technology='lgc'>: an ="trms">instrument which ="trms">accords the human with a gradual ascend towards increasing civilization, linear progress and power over her or his environment
="lsts lst1">(Black Mirror's de="trms">finition of) ="trms">technology='lgc'>: paradoxical s="trms">cene, a primal instinctual force


(my ="nms">ajayeb ='lgc'>=/=) ="trms">technological primitivism='lgc'>: (="trms">aesthetic that is produced by) the ways “primitive” icons are used in discourses of high ="trms">technology
="trms">technological merges into the mythological
ancient merges with the ="trms">modern
="lsts lst1">eXistenZ film 1999, a high-tech-primitive blend of amphibian eggs and synthetic DNA
portrayal of a ="trms">symbolically resonant ancient life-source ='lgc'>+ form of a ="trms">technical life-source


(="ppl">Campbell sug="trms">gesting) atavism='lgc'>: how ="trms">supposedly primitive evolutionary traits which had disappeared generations ago reappear in contemporary human or ="trms">animal life
="prgrph">-traits of a former time but still exist in the ="trms">present
='strcls'>*proto-atavism='lgc'>: (exhibiting of) future evolutionary traits in the ="trms">present ='lgc'>='lgc'>==> collapsing the quality of linear time ='lgc'>[='lgc'>='lgc'>~=='qstn'>? my sleep-walking='lgc'>] (='lgc'>=/= human approaching a state of ="trms">technological perfection through an orderly ascent of increasing complexity and sophistication)
='lgc'>='lgc'>--> ="trms">technological progress='lgc'> = nonlinear, punctuated, multiple ='lgc'>[='lgc'><='lgc'>-- used in ="trms">marketing today='lgc'>]
proto-atavism ='lgc'>--argument='lgc'>='lgc'>--> that multiple paradigms of life exist on the peripheries of humanist life ='lgc'>==="ppl">Campbell='lgc'>='lgc'>==> (how) ='strcls'>*human life='lgc'>: a cacophony of co-existing ="trms">interacting states of ="trms">past ="trms">present future existences with no recourse to a single reassuring o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin='strcls'>* (='lgc'>=/= singular progression)


(like ="trms">animal ="trms">rumors in old ="trms">bestiaries ="nms">ajayeb in a ="trms">story-starated ="trms">world) found telegram videos and ="trms">internet pic used in my image assemblages ='lgc'>='lgc'>--> (found images which make it difficult to trace their lineage) in an image-starated ="trms">world ='lgc'>==construct='lgc'>='lgc'>==> ambivalent visual re="trms">presentations that do not have a signifier in an external “real” ="trms">world (="ppl">Baudrillard's ="trms">rhetoric simulacrum='lgc'>: an object that is a copy of something which does not “exist”)
='lgc'>==Toffoletti='lgc'>='lgc'>==> potentiality='lgc'>: exceeding the bounds of description


(we are living in an) age of ='strcls'>**="trms">technosubjectivity='strcls'>**
(="ppl">="ppl">Margulis theorizes) the ="trms">symbolic basis of eukaryotic cells
(Dawkins ="trms">posits) the existence of selfish genes and the extended phenotype
='strcls'>*="trms">system theory='lgc'>: human life subsumed radically into an all-encompassing concept of ="trms">system, of which the human is merely a psychic ="trms">system, where the only important unit of analysis is ="trms">systems (human, cell, ="trms">society, law)
(="ppl">Sagan's) ="trms"nttrm="metaph,metamorph,metabol,metal">meta="trms"nttrm="metaph,metamorph,metabol,metal">metazoa='lgc'>: a multiple creature afloat in the omnisexuality of bacterial exchange
(Octavia ="ppl">Butler's) xenogenesis='lgc'>: polysexual ="trms">inter="trms">species reproduction
(="ppl">="ppl">Haraway's) ="trms">differential artifactualism='lgc'>: (='lgc'>='lgc'>~= SF, ="trms">science ="trms">fiction) a diffractive ="trms">interruptive mutative anti-reflective ="trms">monstrous logic (to a humanist eyes) ='lgc'>='lgc'>--> generation of novel forms which need not be ="trms">imagined in the stodgy bipolar terms of hominids ='lgc'>==make='lgc'>='lgc'>==> ="trms">ontological room for ="trms">naturecultures
="prgrph">-mixotricha paradoxa='lgc'>: “a mixed up, paradoxical, microscopic bit of hair ='lgc'>[...='lgc'>]they are nested in each other's tissues in a myriad of ways that make words like competition and cooperation, or individual and collective, fall into the trash heap of pallid ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphors and bad ="trms">ontology”
(Thacker speaks for) extrinsic life='lgc'>: the kinds of life that cannot be contained inside itself (such as='lgc'>: the epidemic) ='lgc'>~ lifelike death ='lgc'>='lgc'>==> depict the strangeness of life in a ="trms">technological era

(diffraction ='lgc'>='lgc'>==>) myopic='lgc'>: eyesight abnormality resulting from the eye's faulty refractive ability ='lgc'>='lgc'>--> posthuman='lgc'>: an essentially ethical precondition of life in high-="trms">technology

background of posthuman theory='lgc'>:
="lsts lst1">="trms"nttrm="metaph,metamorph,metabol,metal">meta="trms">morphing ='lgc'>='lgc'>--> premised on the liberatory potential of flow ='lgc'>: processes objects and living ="trms">systems are thought to be in a constant state of becoming ='lgc'>=/= ="ppl">Campbell='lgc'>: flow is not always a liberatory ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphor ='lgc'>='lgc'>-->='lgc'>{ (a politics or logic of) ='strcls'>*inertia='strcls'>* ='lgc'>=/= contemporary politics of flow ='lgc'>}
="lsts lst1">primal ="trms">technology ='lgc'>='lgc'>--> ="trms">technology is not always s progressive civilizing inanimate force, rather it is a destructive-constructive rich-poor lively-inanimate force in the ="trms">world
="lsts lst1">proto-atavism ='lgc'>='lgc'>--> modes of living at the ="trms"nttrm="knowledge,Knowledge">edges of humanist life
="lsts lst1">posthuman biology ='lgc'>='lgc'>==> ='strcls'>*monolith of humanist life is myopic='strcls'>*

in a way, in ='mywrk'>my research i have been seeking ways to acknowl="trms"nttrm="knowledge,Knowledge">edge the place of posthuman ways of being in the ="trms">world ='lgc'>--through='lgc'>='lgc'>-->
="lsts lst1">observing the high-tech (cellular automata, ="trms">database, bibliographic ="trms">technologies)
="lsts lst1">observing the ancient (medieval ="trms">bestiaries ="nms">="nms">ajayeb al makhlughat ="nms">ajayeb ="trms">technologies)
="lsts lst1">

="large lg6" stl="font-size:133%">
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roots of ‘emancipate ourselves’ ='lgc'>--in='lgc'>='lgc'>--> “being critical"='lgc'> = ability to be self-reflexive and to ="trms">translate criticality into action and expressions of art (="frds scrmbld">Renan)
transform knowl="trms"nttrm="knowledge,Knowledge">edge sites ='lgc'>--to='lgc'>='lgc'>--> knowl="trms"nttrm="knowledge,Knowledge">edge s="trms">cenes ='lgc'>='lgc'>--> ='strcls'>*="trms">communities of concepts='strcls'>* (='lgc'>=/= ="trms">communities of people)
="prgrph">-(to form an artistic site not into a theme, a subject or a project ='lgc'>='lgc'>--> discursive architecture)
how we could actually initiate solidarity through ="trms">translation='qstn'>? (='lgc'>='lgc'>-->='qstn'>? ="trms">internationalism) ='lgc'>=/= equivalence of contexts
="prgrph">-how strategies of governance can be very sophisticated and can be embedded into what we see as good for instance in health (cleaning, or in providing food)
='lgc'>[='strcls'>*='lgc'>]naming='lgc'>: a way in which we could enter into each other's experiences, a process of conjunction and disjunction (with the problems of the previous naming process)
='strcls'>*investment='lgc'>: i'm investing into your thoughts and ="trms">interests, to possible connections between us
="prgrph">-to look away from it momentarily, so that they can look into it again
(criticality is something that we can in="trms">herit)
faith into criticality ='lgc'>='lgc'>==> ="trms">epistemological violence (='lgc'>~ criticality used as a counter capital to any problem or any ="trms">situation that we seem unable to engage with)
(in ="trms">relation of criticality ='lgc'>='lgc'>--> ='thdf'>the notion of) care='lgc'>: to ask is this the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right place and the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right time to “overperform” your criticality='qstn'>? when to be naive='qstn'>?
='lgc'>[yes, i am so tired of the ="ppl">Marxist lineage of criticality='lgc'>]
sometimes you don't have a voice in dialogue ='lgc'>='lgc'>--> you need a space where you can do a monologue
='strcls'>*monological circuits='strcls'>* (="frds scrmbld">Renan) ='lgc'>='lgc'>--> monologue='lgc'>: you take the conversation out of value making (from a neoliberal logic)
(problem of) discourse='lgc'> = a sophisticated capital in arts (that is easily distributed and circulated)
="prgrph">-appoint ='lgc'>[yourself='lgc'>] as institution ='lgc'>=/= alternative art organization ='lgc'>='lgc'>--> don't contribute to marginalizing yourself as alternative
research organization ='lgc'>=/= magazine


="frds scrmbld">Renan http://temporaryartreview.com/the-infantilization-of-local-contexts/
art="trms">world's cynical ="trms">consumption of the global periphery
="trms">international worship of dialogue
unified complicity
transnational capital of in-group favoritism
cosmetology of democratism
advanced capitalism='lgc'>: non-hierarchical transactions, horizontal decision-making
(business of) trading contexts
Western ethnocentrism
(1970s) “art played a vital role in the amassing of cultural resources, assimilation, and formation of national cultures” ='lgc'>='lgc'>==> “improving humankind” (the colonial de="trms">finition of development)
='strcls'>*="trms">rhetoric of development ='lgc'>==shaped/shaping='lgc'>='lgc'>==> art='strcls'>*
="lsts lst1">diverse group of global ="trms">interlopers
="lsts lst1">content-providing native informants
="lsts lst1">regional mediators/specia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">lists
="lsts lst1">solvent-like multinational institutions
='lgc'>[cultural development:='lgc'>] art act adhesive for civil ="trms">society ='lgc'>='lgc'>--> good governance ='lgc'>='lgc'>==> dialogues (='lgc'>='lgc'>~= to create a new moral image of man)
="prgrph">-='strcls'>*conditionally in="trms">="trms"nttrm="cluster,club">clusive vision of the ="trms">international art="trms">world='lgc'>: a politically legitimate place with p="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lura="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listic ="trms">inter-institutional structures driven by economic liberalism, subsequently confirmed by the participation of civil ="trms">society='strcls'>*
...a practice of dialogue between art and development, across geographies='lgc'>: banking on the coalition of ethno-nationalism and globalization, and promoting “indigenous” forms of capitalism, while avoiding the optics of exoticization ='lgc'>}='lgc'>='lgc'>==>
="lsts lst1">divides and controls localities
="lsts lst1">contextual ="trms">differences are distributed as needs and urgencies
="lsts lst1">juridico-engineering structures (="trms">symbolized progress)
="lsts lst1">cultural globalism with ="trms">consumption at its core
="lsts lst1">regions soused on the liberal democratic fantasy of salvation via harmonious, multilateral exchange
(we don't want dialogues, we need meaningful dialogues)
='lgc'>--="frds scrmbld">Renan='lgc'>='lgc'>--> ='lgc'>[to relocate the “struggle for exchange” in='lgc'>] monological circuits across the topographies of power and restitution ='lgc'>=/= geographies of guilt and embarrassment


antagonistic knowl="trms"nttrm="knowledge,Knowledge">edges (organise and rally actions and thoughts for resistance) ='lgc'>='lgc'>--> changes how you are ="trms">socialized


="frds scrmbld"nttrm="Robin,Robot,Robert,Robocop">Robinson Crusoe
a miniature ="trms">history of human development ="trms">according to bourgeois individualism ='lgc'>[...='lgc'>] changed into an encyclopedic ="trms">storytelling of ="trms">religious virtues
="lsts lst1">using European ="trms">technology, agriculture, economic individualism ='lgc'>[='lgc'><='lgc'>== spiritual autobiography='lgc'>], (rudimentary) political hierarchy, (civilizing effect of) ="frds scrmbld"nttrm="Christianson">Christianity ='lgc'>[='lgc'>='lgc'>--> pursuit of meaningful spiritual engagement='lgc'>]
...as the inertia of the colonial ="trms">world's knowl="trms"nttrm="knowledge,Knowledge">edge ="trms">system breaks into the streams of exploratory capital, the relay of fragments crystallizes before seeping through the colonial subject's ="trms">social ground
http://www.curators-="trms">network.eu/blog-entry/lightning-studies-ctcccs-part-1-3 (="frds scrmbld">Renan)


="nms">Cinderella's precarity
the ="trms">question of='lgc'>: how can we ="trms">translate contexts='qstn'>? (the context of which I bring my precarity differs from here in Brussels)

(='thdf'>the notion of ='strcls'>*difficulty='strcls'>* in) ="nms">Cinderella ='lgc'>=/=='qstn'>? ="frds scrmbld"nttrm="Robin,Robot,Robert,Robocop">Robinson Crusoe
Crusoe's precarity (European) is something that you can overcome
="lsts lst1">="trms">technology ='lgc'>='lgc'>--> I can develop something out of my precarity and survive being struck on an island
="lsts lst1">Crusoe's ="trms">techne ='lgc'>='lgc'>--> human ='lgc'>=/= ="nms">Cinderella's ="trms">techne ='lgc'>='lgc'>--> companion
="lsts lst1">Crusoe ='lgc'>='lgc'>==> ='strcls'>*rise of the ordinary individual in the nation='strcls'>* ='lgc'><='lgc'>== every individual values themselves high enough to consider themselves the proper subject of ="trms">serious ="trms">literature
="lsts lst2">="trms">modern individual='lgc'>: an ordinary ='and'>& alone person is able to triumph over physical environment ='lgc'>~ to be able to exploit every ="trms">situation

using diary format for ="nms">Cinderella was inspired by ="trms">respond to Crusoe's epistolary and confessional ="trms">method of ="trms">writing
(one of the earliest genre of) rea="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listic ="trms">fiction
="trms">written during the Enlightenment
one of the most widely published ="trms">books in ="trms">history
='lgc'>='lgc'>==> castaway ="trms">narrative='lgc'>: improvise the means of survival from limited resources at hand
="lsts lst1">progress through ="trms">technology
="lsts lst1">rebuilding of civilisation (civilisation='lgc'> = a form of triumph)
="lsts lst1">unfriendliness of ="trms">nature
="lsts lst2">he is with a dog, two cats and a parrot but he cannot talk to them ='lgc'>=/= ="nms">Cinderella
="lsts lst2">Crusoe starts making Bible fals (فال انجیل opening the Bible to a random page and ="trms"nttrm="already,spread">read a verse that he believed was addressed at him)
="lsts lst2">he makes ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list (pro ='and'>& cons ='lgc'>='lgc'>--> debit ='and'>& credit ='lgc'>[='lgc'>='lgc'>--> mentality of business studies='lgc'>] ='lgc'>--Weber='lgc'>='lgc'>--> ="trms">book-keeping='lgc'>: distinctive ="trms">technical feature of ="trms">modern capitalism)
="lsts lst2">
="lsts lst1">Crusoe='lgc'>: true protagonist of the empire (='lgc'>--Joyce='lgc'>='lgc'>--> prototype of British colonialism, ='strcls'>*mythology of colonialism='strcls'>* ='lgc'>--="frds">Sina='lgc'>='lgc'>--> ='at'>#="trms">fable of imperialism)
="lsts lst1">(romantic notion of) ="trms">nature='lgc'>: idyllic ='lgc'>=/= (Crusoe) ="trms">nature='lgc'>: unforgiving ='lgc'>+ sparse ='lgc'>}='lgc'><='lgc'>-- utopian ='lgc'>=/= dystopian ="trms">nature ='lgc'>='lgc'>--> Lord of the Flies


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(with ="ppl">Annemarie's help ='at'>@="nms">apass)

='strcls'>*sources of knowl="trms"nttrm="knowledge,Knowledge">edge ='lgc'>=/= ="trms">styles of knowing='strcls'>* ='lgc'>='lgc'>==> tensions

judgment='lgc'>: an occasion to apply one's own standards ='lgc'>=/= observation='lgc'>: a mean to get to know somebody else's standards

="trms">difference
which ="trms">differences exactly='qstn'>?
what are their ="trms">interferences and their diffractions='qstn'>?
='lgc'>='lgc'>--> the surprises that come with finding “variations”

(="trms">stories about)
vessels ='and'>& fluids
pain ='and'>& ="trms">technicians
patients ='and'>& doctors
="trms">techniques ='and'>& ="trms">technologies

(bracketing the practices ='lgc'>=/=) foregrounding the practices ='lgc'>='lgc'>--> objects come into being and disappear with the practices in which they are manipulated ='lgc'>='lgc'>==> reality multiplies
='lgc'>=/= single passive object in the middle waiting to be seen from the point of view of seemingly endless series of perspectives (SK the elephant parable)

philosophy used to approach knowl="trms"nttrm="knowledge,Knowledge">edge in an ="trms">epistemological way (='lgc'>~ preconditions for acquiring true knowl="trms"nttrm="knowledge,Knowledge">edge='lgc'> = ="frds scrmbld"nttrm="Alex,Alert,Aleph,Alessi">Alex's ="trms">question “what is artistic research”) ='lgc'>=/= (="ppl">Annemarie's) ='strcls'>*knowl="trms"nttrm="knowledge,Knowledge">edge='lgc'> = a ="trms">matter of manipulation (='lgc'>=/= reference)='strcls'>* ='lgc'>='lgc'>==> ethnographic ="trms">interest in knowl="trms"nttrm="knowledge,Knowledge">edge practices (='lgc'>--to='lgc'>='lgc'>--> “what are artist rese="trms"nttrm="search">archers doing='qstn'>?”)


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='at'>#project='lgc'>: to create a multidisciplinary knowl="trms"nttrm="knowledge,Knowledge">edge program around the ="trms">relationship between art, ="trms">marketing and ='lgc'>[='qstn'>?='lgc'>], highlighting the imbricated فلس فلس ="trms">nature of ='lgc'>[='qstn'>?='lgc'>] as tangible resources and knowl="trms"nttrm="knowledge,Knowledge">edge

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='at'>#project index ="nms">Tehran theory='lgc'>: to think ethnographically about non-unilateral and non-static picture of aspiration in the context of contemporary ="nms">Tehran eco-="trms">techno-culture
="lsts lst1">archive ="trms">question
="lsts lst1">contemporary media ="trms">technology
="lsts lst1">="trms">data/knowl="trms"nttrm="knowledge,Knowledge">edge organization
="lsts lst1">infrastructure
="lsts lst1">="trms">epistemology
="lsts lst1">="nms">Tehran ="trms">techno-culture multi="trms">species ethnography
="lsts lst1">mini ="trms">worlds
="lsts lst1">='strcls'>*how people ="trms">imagine a better life='qstn'>?='strcls'>* ='lgc'>='lgc'>--> (to think non-unilateral and non-static) ='strcls'>*picture of aspiration='strcls'>* (in the context of contemporary ="nms">Tehran)
="lsts lst1">imitations of forms
="lsts lst1">http://="nms">ajayeb.net/='qstn'>?q=sensibilities='lgc'>+hitting='lgc'>+people
="lsts lst1">start as collaborative online platform for ="trms">writings/projects about ="nms">Tehran emerging ="trms">ecologies='lgc'>:
="lsts lst2">mice موش
="lsts lst2">mobile phones موبایل
="lsts lst2">="trms">monsters هیولا
="lsts lst2">heavens مثل
="lsts lst2">
="lsts lst1">on ="nms">Tehran trees='lgc'>:
="lsts lst2">on ="trms">anthropogenic landscapes of ="nms">Tehran
="lsts lst2">descriptive ="trms">methods for the study of ="trms">social ="trms">relation and ="trms">histories
="lsts lst2">learning (directly) about ="trms">worldly objects of ="nms">Tehran ='lgc'>='lgc'>==> take part in the kinds of creative play that are the hallmark of the research ='lgc'>='lgc'>--> draws ="trms"nttrm="already,spread">readers outside common-sense assumptions
="lsts lst3">(to enable a) ="trms">technologically-augmented eco="trms">system
="lsts lst3">(to enable a) translocal exchange
="lsts lst2">='lgc'>{ ='lgc'>[='qstn'>?not to='lgc'>] tokenization and verification of ="trms">natural assets ='lgc'>='lgc'>--> augment ='and'>& utilize ='lgc'>--='qstn'>?='lgc'>='lgc'>--> provoking our ="trms">relation to ="trms">nature, hybrid eco="trms">systems in the ="trms">technosphere ='lgc'>}='lgc'><='lgc'>-- ="trms">question of governance
="lsts lst3">to explore ways for nonhumans as ="trms">agents to act with the same importance of humans in/with the ="trms">world via ="trms">technology
="lsts lst2">re="trms">socializing value (less ="trms">anthropocentric) ='lgc'>='lgc'>--> ="trms">social impact ='lgc'>+ environmental impact
="lsts lst2">less inalienable circulation of ='strcls'>*cultural intelligence='strcls'>* (and value) among less individualized (connected ="trms">networks of wider) ="trms">social ="trms">agents
="lsts lst2">critical ="trms">questions ='lgc'>+ cross-pollinate


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(inconsistency of) ='strcls'>*physiological chaos='strcls'>* of the ="trms">World War I ='lgc'>='lgc'>--> how physicians and medical rese="trms"nttrm="search">archers (early 20th century medical ="trms">science) ="trms">responded to it='qstn'>? ='lgc'>='lgc'>--> (a new web of concepts='lgc'>:) ='strcls'>*="trms">semiotics of injuries and behaviors='strcls'>* (='lgc'>='lgc'>--> that became essential for thinking about ="trms">integration and collapse in economics, ="trms">social organization, psychoanalysis, ="trms">symbolic re="trms">presentation, and ="trms">international politic)
='lgc'>='lgc'>--> attuned to, to anticipate, to outdo, ='strcls'>*="trms">specific conditions of the lived body in
states of extreme exertion='strcls'>*='lgc'>:
="lsts lst1">in a conceptual-="trms">historical and ="trms">anthropological ="trms">fashion
="lsts lst1">="trms">stage thought and experimentation
="lsts lst1">to recalibrate their thinking
='lgc'>}='lgc'>='lgc'>--> logic of ="trms">integration (a problematic ="trms">systematization) ='lgc'>='lgc'>==> ='strcls'>*registers of the individual and the ="trms">social='strcls'>*

linked to each other='lgc'>:
="trms">integration در شکم چيزى جا دادن, collapse, self-preservation, crisis, catastrophe, witnessing, evidence, unknowing

early 20th century medical ="trms">science ='lgc'>='lgc'>==> شکننده a body that is ='strcls'>*brittle because ="trms">integrated='strcls'>* ='and'>& ='strcls'>*="trms">integrated because brittle='strcls'>*

="large lg4" stl="font-size:112%"> wartime and postwar therapeutics ='lgc'>='lgc'>==> conceptions of the body

="ppl">Geroulanos and ="ppl">Meyers (='lgc'>=/= ="ppl">Foucauldian) show “how particular kinds of injury emerged during ="trms">World War I, and how such injuries found their place in the bodies and life="trms">worlds of wounded soldiers and doctors, and in the thinking and actions of theorists and policy makers.” (ethnography of the ="trms">interwar period)
='lgc'>=/= proposing a counter-body or counter ="trms">epistemology or resistance knowl="trms"nttrm="knowledge,Knowledge">edge


“in this ="trms">world, we do not play chess with eternal figures like the king and the fool; the figures are what the successive con="trms">figurations of the chessboard make of them.” -Veyne

(='lgc'>[='strcls'>*='lgc'>]="trms">integration='lgc'>:) taxonomy of disorder ='lgc'>='lgc'>==> administrative ends (an idea of entire ="trms">system of organic functioning ='lgc'>='lgc'>--> homeostasis='lgc'> = "the wisdom of the body” ='lgc'>='lgc'>==> theories of norms, normality, dis="trms">integration, catastroph[...]