[...]zing effect of) ="frds scrmbld"nttrm="Christianson">Christianity ='lgc'>[='lgc'>='lgc'>--> pursuit of meaningful spiritual engagement='lgc'>]
...as the inertia of the colonial ="trms">world's knowl="trms"nttrm="knowledge,Knowledge">edge ="trms">system breaks into the streams of exploratory capital, the relay of fragments crystallizes before seeping through the colonial subject's ="trms">social ground
http://www.curators-="trms">network.eu/blog-entry/lightning-studies-ctcccs-part-1-3 (="frds scrmbld">Renan)
="nms">Cinderella's precarity
the ="trms">question of='lgc'>: how can we ="trms">translate contexts='qstn'>? (the context of which I bring my precarity differs from here in Brussels)
(='thdf'>the notion of ='strcls'>*difficulty='strcls'>* in) ="nms">Cinderella ='lgc'>=/=='qstn'>? ="frds scrmbld"nttrm="Robin,Robot,Robert,Robocop">Robinson Crusoe
Crusoe's precarity (European) is something that you can overcome
="lsts lst1">•="trms">technology ='lgc'>='lgc'>--> I can develop something out of my precarity and survive being struck on an island
="lsts lst1">•Crusoe's ="trms">techne ='lgc'>='lgc'>--> human ='lgc'>=/= ="nms">Cinderella's ="trms">techne ='lgc'>='lgc'>--> companion
="lsts lst1">•Crusoe ='lgc'>==> ='strcls'>*rise of the ordinary individual in the nation='strcls'>* ='lgc'><== every individual values themselves high enough to consider themselves the proper subject of ="trms">serious ="trms">literature
="lsts lst2">◦="trms">modern individual='lgc'>: an ordinary ='and'>& alone person is able to triumph over physical environment ='lgc'>~ to be able to exploit every ="trms">situation
using diary format for ="nms">Cinderella was inspired by ="trms">respond to Crusoe's epistolary and confessional ="trms">method of ="trms">writing
(one of the earliest genre of) rea="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listic ="trms">fiction
="trms">written during the Enlightenment
one of the most widely published ="trms">books in ="trms">history
='lgc'>==> castaway ="trms">narrative='lgc'>: improvise the means of survival from limited resources at hand
="lsts lst1">•progress through ="trms">technology
="lsts lst1">•rebuilding of civilisation (civilisation='lgc'> = a form of triumph)
="lsts lst1">•unfriendliness of ="trms">nature
="lsts lst2">◦he is with a dog, two cats and a parrot but he cannot talk to them ='lgc'>=/= ="nms">Cinderella
="lsts lst2">◦Crusoe starts making Bible fals (فال انجیل opening the Bible to a random page and ="trms"nttrm="already,spread">read a verse that he believed was addressed at him)
="lsts lst2">◦he makes ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list (pro ='and'>& cons ='lgc'>='lgc'>--> debit ='and'>& credit ='lgc'>[='lgc'>='lgc'>--> mentality of business studies='lgc'>] ='lgc'>--Weber='lgc'>='lgc'>--> ="trms">book-keeping='lgc'>: distinctive ="trms">technical feature of ="trms">modern capitalism)
="lsts lst2">◦
="lsts lst1">•Crusoe='lgc'>: true protagonist of the empire (='lgc'>--Joyce='lgc'>='lgc'>--> prototype of British colonialism, ='strcls'>*mythology of colonialism='strcls'>* ='lgc'>--="frds">Sina='lgc'>='lgc'>--> ='at'>#="trms">fable of imperialism)
="lsts lst1">•(romantic notion of) ="trms">nature='lgc'>: idyllic ='lgc'>=/= (Crusoe) ="trms">nature='lgc'>: unforgiving ='lgc'>+ sparse ='lgc'>}='lgc'><='lgc'>-- utopian ='lgc'>=/= dystopian ="trms">nature ='lgc'>='lgc'>--> Lord of the Flies
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(with ="ppl">Annemarie's help ='at'>@="nms">apass)
='strcls'>*sources of knowl="trms"nttrm="knowledge,Knowledge">edge ='lgc'>=/= ="trms">styles of knowing='strcls'>* ='lgc'>==> tensions
judgment='lgc'>: an occasion to apply one's own standards ='lgc'>=/= observation='lgc'>: a mean to get to know somebody else's standards
="trms">difference
which ="trms">differences exactly='qstn'>?
what are their ="trms">interferences and their diffractions='qstn'>?
='lgc'>='lgc'>--> the surprises that come with finding “variations”
(="trms">stories about)
vessels ='and'>& fluids
pain ='and'>& ="trms">technicians
patients ='and'>& doctors
="trms">techniques ='and'>& ="trms">technologies
(bracketing the practices ='lgc'>=/=) foregrounding the practices ='lgc'>='lgc'>--> objects come into being and disappear with the practices in which they are manipulated ='lgc'>==> reality multiplies
='lgc'>=/= single passive object in the middle waiting to be seen from the point of view of seemingly endless series of perspectives (SK the elephant parable)
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philosophy used to approach knowl="trms"nttrm="knowledge,Knowledge">edge in an ="trms">epistemological way (='lgc'>~ preconditions for acquiring true knowl="trms"nttrm="knowledge,Knowledge">edge='lgc'> = ="frds scrmbld"nttrm="Alex,Alert,Aleph,Alessi">Alex's ="trms">question “what is artistic research”) ='lgc'>=/= (="ppl">Annemarie's) ='strcls'>*knowl="trms"nttrm="knowledge,Knowledge">edge='lgc'> = a ="trms">matter of manipulation (='lgc'>=/= reference)='strcls'>* ='lgc'>==> ethnographic ="trms">interest in knowl="trms"nttrm="knowledge,Knowledge">edge practices (='lgc'>--to='lgc'>='lgc'>--> “what are artist rese="trms"nttrm="search">archers doing='qstn'>?”)
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='at'>#project='lgc'>: to create a multidisciplinary knowl="trms"nttrm="knowledge,Knowledge">edge program around the ="trms">relationship between art, ="trms">marketing and ='lgc'>[='qstn'>?='lgc'>], highlighting the imbricated فلس فلس ="trms">nature of ='lgc'>[='qstn'>?='lgc'>] as tangible resources and knowl="trms"nttrm="knowledge,Knowledge">edge
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='at'>#project index ="nms">Tehran theory='lgc'>: to think ethnographically about non-unilateral and non-static picture of aspiration in the context of contemporary ="nms">Tehran eco-="trms">techno-culture
="lsts lst1">•archive ="trms">question
="lsts lst1">•contemporary media ="trms">technology
="lsts lst1">•="trms">data/knowl="trms"nttrm="knowledge,Knowledge">edge organization
="lsts lst1">•infrastructure
="lsts lst1">•="trms">epistemology
="lsts lst1">•="nms">Tehran ="trms">techno-culture multi="trms">species ethnography
="lsts lst1">•mini ="trms">worlds
="lsts lst1">•='strcls'>*how people ="trms">imagine a better life='qstn'>?='strcls'>* ='lgc'>='lgc'>--> (to think non-unilateral and non-static) ='strcls'>*picture of aspiration='strcls'>* (in the context of contemporary ="nms">Tehran)
="lsts lst1">•imitations of forms
="lsts lst1">•http://="nms">ajayeb.net/='qstn'>?q=sensibilities='lgc'>+hitting='lgc'>+people
="lsts lst1">•start as collaborative online platform for ="trms">writings/projects about ="nms">Tehran emerging ="trms">ecologies='lgc'>:
="lsts lst2">◦mice موش
="lsts lst2">◦mobile phones موبایل
="lsts lst2">◦="trms">monsters هیولا
="lsts lst2">◦heavens مثل
="lsts lst2">◦
="lsts lst1">•on ="nms">Tehran trees='lgc'>:
="lsts lst2">◦on ="trms">anthropogenic landscapes of ="nms">Tehran
="lsts lst2">◦descriptive ="trms">methods for the study of ="trms">social ="trms">relation and ="trms">histories
="lsts lst2">◦learning (directly) about ="trms">worldly objects of ="nms">Tehran ='lgc'>==> take part in the kinds of creative play that are the hallmark of the research ='lgc'>='lgc'>--> draws ="trms"nttrm="already,spread">readers outside common-sense assumptions
="lsts lst3">◾(to enable a) ="trms">technologically-augmented eco="trms">system
="lsts lst3">◾(to enable a) translocal exchange
="lsts lst2">◦='lgc'>{ ='lgc'>[='qstn'>?not to='lgc'>] tokenization and verification of ="trms">natural assets ='lgc'>='lgc'>--> augment ='and'>& utilize ='lgc'>--='qstn'>?='lgc'>='lgc'>--> provoking our ="trms">relation to ="trms">nature, hybrid eco="trms">systems in the ="trms">technosphere ='lgc'>}='lgc'><='lgc'>-- ="trms">question of governance
="lsts lst3">◾to explore ways for nonhumans as ="trms">agents to act with the same importance of humans in/with the ="trms">world via ="trms">technology
="lsts lst2">◦re="trms">socializing value (less ="trms">anthropocentric) ='lgc'>='lgc'>--> ="trms">social impact ='lgc'>+ environmental impact
="lsts lst2">◦less inalienable circulation of ='strcls'>*cultural intelligence='strcls'>* (and value) among less individualized (connected ="trms">networks of wider) ="trms">social ="trms">agents
="lsts lst2">◦critical ="trms">questions ='lgc'>+ cross-pollinate
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(inconsistency of) ='strcls'>*physiological chaos='strcls'>* of the ="trms">World War I ='lgc'>='lgc'>--> how physicians and medical rese="trms"nttrm="search">archers (early 20th century medical ="trms">science) ="trms">responded to it='qstn'>? ='lgc'>='lgc'>--> (a new web of concepts='lgc'>:) ='strcls'>*="trms">semiotics of injuries and behaviors='strcls'>* (='lgc'>='lgc'>--> that became essential for thinking about ="trms">integration and collapse in economics, ="trms">social organization, psychoanalysis, ="trms">symbolic re="trms">presentation, and ="trms">international politic)
='lgc'>='lgc'>--> attuned to, to anticipate, to outdo, ='strcls'>*="trms">specific conditions of the lived body in
states of extreme exertion='strcls'>*='lgc'>:
="lsts lst1">•in a conceptual-="trms">historical and ="trms">anthropological ="trms">fashion
="lsts lst1">•="trms">stage thought and experimentation
="lsts lst1">•to recalibrate their thinking
='lgc'>}='lgc'>='lgc'>--> logic of ="trms">integration (a problematic ="trms">systematization) ='lgc'>==> ='strcls'>*registers of the individual and the ="trms">social='strcls'>*
linked to each other='lgc'>:
="trms">integration در شکم چيزى جا دادن, collapse, self-preservation, crisis, catastrophe, witnessing, evidence, unknowing
early 20th century medical ="trms">science ='lgc'>==> شکننده a body that is ='strcls'>*brittle because ="trms">integrated='strcls'>* ='and'>& ='strcls'>*="trms">integrated because brittle='strcls'>*
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wartime and postwar therapeutics ='lgc'>==> conceptions of the body
="ppl">Geroulanos and ="ppl">Meyers (='lgc'>=/= ="ppl">Foucauldian) show “how particular kinds of injury emerged during ="trms">World War I, and how such injuries found their place in the bodies and life="trms">worlds of wounded soldiers and doctors, and in the thinking and actions of theorists and policy makers.” (ethnography of the ="trms">interwar period)
='lgc'>=/= proposing a counter-body or counter ="trms">epistemology or resistance knowl="trms"nttrm="knowledge,Knowledge">edge
“in this ="trms">world, we do not play chess with eternal figures like the king and the fool; the figures are what the successive con="trms">figurations of the chessboard make of them.” -Veyne
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(='lgc'>[='strcls'>*='lgc'>]="trms">integration='lgc'>:) taxonomy of disorder ='lgc'>==> administrative ends (an idea of entire ="trms">system of organic functioning ='lgc'>='lgc'>--> homeostasis='lgc'> = "the wisdom of the body” ='lgc'>==> theories of norms, normality, dis="trms">integration, catastrophe)
="lsts lst1">•='thdf'>the idea of a damaged ="trms">world in need of meticulous care
="lsts lst1">•='thdf'>the idea of the injured body that seeks to stabilize itself
='at'>#="trms">integration
the ="trms">interwoven ="trms">data recovered from the study of ="trms">systemic and functional aspects of the broken organism ='lgc'>==> totality ='lgc'>~ establishment of a nonliberal individualism (='lgc'>+ ="trms">social welfare) ='lgc'>==> ='strcls'>**="trms">society='lgc'> = an ="trms">integrated and fragile whole in need of care='strcls'>**
today's ="trms">integrative medicine ='lgc'>='lgc'>--> conceptualizations of the whole body ='lgc'>==> picture of the patient='lgc'>:
="lsts lst1">•neoliberal in character
="lsts lst1">•(always) future tense in orientation
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destiny='lgc'> = personalized medicine (a project to anticipate and guide the patient's destiny)
welfare state's widest possible in="trms">="trms"nttrm="cluster,club">clusion of its citizens clashes with the realities of the ="trms">marketplace
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