[...]ts (Puchberg Austrian meadows, with it cows and horses, place of beauty and leisure) ='lgc'>==entails='lgc'>='lgc'>==> forgetting many others ='lgc'>='lgc'>--> ‘forgetting’ (='lgc'>~ privileging one assemblage over others) ='lgc'>==remakes='lgc'>='lgc'>==> landscapes
(yet) ghosts point to forgetting, show how living landscapes are imbued with earlier tracks and traces
( specters in grasslands...)


in ="nms">apass (i can't pose problems until) we must address these ="trms">question='lgc'>:
="lsts lst1">•European ="trms">heritage of creating conviviality شادمانی قابل آمیزش (and very good at it)
="lsts lst1">•='thdf'>the idea of democracy as a political project اکثريت نجيب (soft ways of being together)
="lsts lst2">◦secularism of artistic research دين ناوابستگى (registers of logos)

='lgc'>[most of the times our collaborative research artistic practices explicate ‘soft ways of being together’ ='lgc'>='lgc'>==> a condition in which no one knows better than the other='lgc'>]

="large lg2" stl="font-size:111%"> ="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

the accelerationist ="trms">fable of “running before walking”
ask any ="trms">scientist and it comes to this. any problem caused by progress is because it has been going too fast. but the direction of its movement remains intrinsic to ='thdf'>the idea of human
...

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='at'>@="frds scrmbld">Hoda='lgc'>: to be very careful with the fetish of “refugee's suffering” ='lgc'>='lgc'>--> turning a ="trms">serious political problem (geopolitics of western ="trms">intervention, europe's economic neocolonialism) into a (sentimental liberal) humanitarian concern ='lgc'>='lgc'>==> avoiding critical political analysis

='qstn'>?a ="trms">different program='lgc'>: not to be yourself
to bring our struggles together (not our so-called cultural ="trms">differences)

refusal to ="trms">integration is problematic as ="trms">integration (into host's pleasure principle)

authentic imperialism has always been multicultural

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on ="trms">affect
="trms">affective character practice of retrospection='lgc'>: a bit pensive and passive, a bit slow and solemn='qstn'>?

1970s and 1980s ="trms">anthropology of emotion='lgc'>: how feelings variously fix and stick through ="trms">different com="trms">positions of ="trms">language and discourse ='lgc'>=/= ="trms">anthropology of ="trms">affect='lgc'>: how some feelings slip, evade, and overflow capture ='lgc'>='lgc'>==> ='strcls'>*creative ="trms">methods to collect evidence of environments making and shaping bodies in ways more complex than and ="trms">ontologically distinct from the ="trms">poetics on hand to describe it='strcls'>*

='strcls'>**="trms">poetics may quite possibly be all that we have, it certainly isn't all that we are='strcls'>**

='lgc'>[='strcls'>*='lgc'>]politics='lgc'>: permutations of evolving power ="trms">relations and our reflexive attempts to negotiate and manage them

='strcls'>*="trms">affect theory='lgc'>: an effect of the ="trms">world as much as a frame for viewing it

industry working also on ="trms">affect, push confidently ahead, operationalizing their own idio="trms">syncratic theories of ="trms">affect toward the manufacturing of new regimes of ="trms">technological knowl="trms"nttrm="knowledge,Knowledge">edge on how bodies feel (Apple buying Emotient, SoftBank's emotional robot, collective AI cloud)

sp="trms"nttrm="already,spread">read of popu="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list anti-establishment sentiments
feelings increasingly become the primary field for strategizing, ="trms">measuring, and experiencing politics with global precarity
="lsts lst1">•="trms"nttrm="danger,stranger">anger on the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right
="lsts lst1">•fear on the left
="lsts lst1">•="trms">anxiety at large

="trms">affect='lgc'>: nonconscious intensities variously activating and deactivating bodies
emotion='lgc'>: those feelings that fix into place through a variety of discursive practices

="trms">methods of mining feeling
projects of knowing become projects of power ='lgc'>: ="trms">narratives seeking to close the ="trms">affect-emotion gap

The Flash TV series character's motivation are more experienced as a ="trms">story, for example, a goal, a personal pep talk, a collective call to arms='lgc'>--and not as momentum and force ='lgc'>='lgc'>--> ="trms">affect's sheer momentum

...effect as ="trms">affect's long ="trms">history breaking on a shore

countervailing forces of sense and ="trms">story

to inspire a sense of critical urgency

="trms">affect ='lgc'>='lgc'>==> theory is of the ="trms">world it so describes

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contemporary tendencies in participatory art='lgc'>:
="lsts lst1">•='strcls'>**ongoing struggle to find artistic equivalents for political ="trms">positions='strcls'>**
="lsts lst1">•tensions between quality and equality, singular and collective ="trms">authorship
="lsts lst1">•sub-themes of education and therapy

='strcls'>***invention of a popular mass audience (in Italian Futurist serate 1910 onwards)

the gaps between='lgc'>: theory, practice, cultural policy, audience reception

="large lg1" stl="font-size:144%"> anarchic and ="trms">eroticised happening-art

“participation='lgc'> = collectivism ='lgc'>=/= capitalism”

='at'>@="frds scrmbld">Eszter='lgc'>: (='qstn'>?the “ideological” in) participation in a welfare state ="trms">social democracy

the ‘project’ as a privileged vehicle of utopian experimentation at a time when a leftist project seemed to have vanished from the political ="trms">imaginary (in Europe)

='strcls'>*changing identity of the audience across the 20th century='strcls'>* (Bishop ='and'>& ="ppl">="ppl">Crary on this topic)

='strcls'>*artistic models of democracy='strcls'>* ='lgc'>--tenuous='qstn'>?='lgc'>='lgc'>--> actual forms of democracy

to refute the commodity-object in favour of an elusive experience

(Bishop='lgc'>:) today's participatory art is often at pains to emphasise process over a de="trms">finitive image, concept or object. It tends to value what is invisible='lgc'>: a group dynamic, a ="trms">social ="trms">situation, a change of energy, a raised consciousness.

hit-and-miss field trips

the more one becomes involved, the harder it is to be objective – especially when a central component of a project concerns the formation of personal ="trms">relationships

comfortable outsider status='lgc'>: impotent but secure in one's own critical superiority

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only working with (that seems to be) your idea

(the problem of) being always so deliberate and cautious

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="ppl">Hillman

like the conver of his ="trms">book (myth of analysis), an ="trms">internal drama externalized ="trms">materialized in the media, sci-fi ="trms">fabulations of violence and war (such as Game of Thrones) are perhaps projects that also ="trms">craft and give form to what is inside='lgc'>: dragon, torture, journey, landscape, getting caught, etc.

what are art's investments in psychology today='qstn'>?

="large lg3" stl="font-size:110%"> all (in="trms"nttrm="cluster,club">cluding artists) must envision suffering and illness as something “wrong” ='lgc'>=/= the fantasies, feelings, and behavior arising from the ="trms">imaginal part of ourselves are ='strcls'>*="trms"nttrm="search">archetypal='strcls'>* in their sickness and thus ='strcls'>*="trms">natural='strcls'>* ='lgc'>='lgc'>--> (those odd irrationalities) ='strcls'>***are required for life='strcls'>***
='lgc'>='lgc'>--> then what is there to analyze='qstn'>? (='lgc'><='lgc'>-- relevant ="trms">question for ="nms">apass)

“unconscious” and “psychodynamics” are ='strcls'>*fantasies that could be replaced with better ones='strcls'>*

(="ppl">Hillman's ="trms"nttrm="search">archetypal psychology) ='strcls'>**asks the psyche to move with its sickness into life='strcls'>**

(to discover) a sense of soul in the sufferings of Psychopathology ='lgc'>: ='strcls'>***something lives in me that is not of my own doing='strcls'>*** (='lgc'>='lgc'>--> demon, psychic force,,,) to take soul with one wherever one goes and to react to life in terms of this soul

="large lg4" stl="font-size:111%"> ="trms">symbolic meanings, insights, eros, body, craziness, the ='strcls'>*lower aspects of the gods='strcls'>* ='lgc'>='lgc'>--> the freedom to ="trms">imagine and to feel psychic reality

“inner reality” ='lgc'>='lgc'>--> called up by ego ='lgc'>='lgc'>==> individuality='lgc'> = to be peculiar, to be peculiarly what one is, with one's own odd patterns of ="trms"nttrm="search">archetypal ="trms">responses

='heart'>♥='strcls'>***we are never only persons; we are always also Mothers and Giants and Victims and Heroes and Sleeping Beauties='strcls'>*** (='lgc'><='lgc'>-- what i am learning from psychoanalysis)

the mythic appears within the ="trms">language, observation, and theories even of ="trms">science

recent attempts to move out of analysis='lgc'>: (='at'>@="frds scrmbld">Aela)
="lsts lst1">•group therapy
="lsts lst1">•sensitivity training (='lgc'>='lgc'>--> ="nms">apass)
="lsts lst1">•="trms">love-ins
="lsts lst1">•blowing-the-mind with ="trms">drugs
="lsts lst1">•

="large lg5" stl="font-size:139%"> ='lgc'>[='strcls'>*='lgc'>]analysis (is too potent) is too much a part of this century's self conception ='lgc'>--requirement='lgc'>='lgc'>--> of ego psychology
(='lgc'>[apollonic aim of enlightening consciousness ='lgc'>='lgc'>-->='lgc'>] enlightened ='strcls'>*egoization='strcls'>* of the psyche ='lgc'>=/= ='strcls'>*a darker and softer kind of life='strcls'>* ='lgc'>='lgc'>~-> end of ="trms">neurosis, end of analysis, end of consciousness...) analysis ='lgc'>--in-20th-century='lgc'>='lgc'>--> rediscovering the soul and reawakening its ="trms">imagination
(rethought ='lgc'>='lgc'>-->) ='lgc'>[='strcls'>*='lgc'>]analysis='lgc'>: essentially as ="trms">imaginative activity (or an activity of the ="trms">imaginal realm) as it plays through all of life ='lgc'>='lgc'>--> ='lgc'>[='thdf'>the idea of one's “="trms">fable” ='lgc'>~='lgc'>] ='strcls'>***what is the fantasy he has of what he does='qstn'>?='strcls'>***

analysis is an ='strcls'>*enactment='strcls'>*
enactment necessitates ='strcls'>*myth='strcls'>*='lgc'>: a tale about its ritual

mysogyny ='lgc'><='lgc'>-- manifestation of the western, protestant, ="trms">scientific, apollonic ego

='strcls'>****="ppl">Hillman (penetrating the an[...]