[...]t ='lgc'>='lgc'>--> ='strcls'>**="trms">sorting operations='strcls'>** (kPRA0W1kECg), but they are not good descriptions beyond that.



='at'>#on Companion Manifesto
(="ppl">="ppl">Haraway's) ='strcls'>*cyborg='strcls'>*='lgc'>: the “lived ="trms">social and bodily realities in which people are not afraid of their joint kinship with ="trms">animals and machines, not afraid of permanently partial identities and contradictory standpoints.” ='lgc'>--to='lgc'>='lgc'>--> a much bigger queer family of ='strcls'>*companion ="trms">species='strcls'>* ='lgc'>: becoming-with ='lgc'>='lgc'>--> the co-constitutive ="trms">interpenetration of humans and their others (machines, ="trms">animals, and the environment).
="prgrph">-="ppl">="ppl">Haraway is going from ‘rage’ to ‘="trms">love’

“="trms">historically challenged people” (Schimpfwort='qstn'>? فحش)
half-trained arguments
="trms">embodied cross-="trms">species ="trms">sociality

I am trying to inhabit ="nms">ajayeb critically; neither in celebration nor condemnation (like my sister asked)
what is my context='qstn'>? isis, tech-sci, art, ="trms">world-wars, ="trms">stories, terror,
the figures of ="nms">ajayeb that i am cultivating, do they “more fruitfully inform livable politics and ="trms">ontologies in current life ="trms">worlds”='qstn'>?
="nms">ajayeb's ="trms">species bring together human and nonhuman, organic and ="trms">technological, ="trms">history and myth, freedom and structure, state and subject, ...

="large lg2" stl="font-size:112%"> ='strcls'>*concrete='lgc'>:
="lsts lst2">◦a concrescence (growth by assimilation, nemov moshtarek نمو مشترک) of prehensions (seizing, perception but not necessarily cognition) of prehensions (graspings, chang zadan چنگ زدن)
="lsts lst2">◦an actual occasion
='lgc'>=> beings do not preexist their relatings

the ="trms">verb of reality is full of nouns with appendages

="trms">nature/culture='lgc'>: ='strcls'>*local ="trms">category abstractions='strcls'>* (='lgc'>=/= universal='lgc'>: misplaced concreteness)
subject/object='lgc'>: ='strcls'>*potent consequences='strcls'>* (='lgc'>=/= preexisting foundations)

="large lg1" stl="font-size:138%"> foundation is always ="trms">contingent (="ppl">="ppl">Haraway > ="ppl">Butler)
="lsts lst1">•scale is ="trms">contingent
="lsts lst1">•mutability is ="trms">contingent

="trms">bestiary of ="trms">agencies
kinds of relatings

in ='mywrk'>my work on ="nms">ajayeb i am trying to carefully approach the notions of='lgc'>:
emergence, process, ="trms">historicity, ="trms">difference, ="trms">specificity
="prgrph">-and by that teach myself an artful practice rich with='lgc'>:
co-habitation, co-constitution, ="trms">contingency

on-the-ground work='lgc'>:
="prgrph">-="ppl">Verran ='at'># Nigeria Yoruba ='lgc'>='lgc'>--> “emergent ="trms">ontologies,” “get on together” (...how can ='strcls'>*general='strcls'>* knowl="trms"nttrm="knowledge,Knowledge">edge be nurtured in postcolonial ="trms">worlds committed to taking ='strcls'>*="trms">difference='strcls'>* ="trms">seriously='qstn'>?”)
="prgrph">-="ppl">Thompson ='at'># Kenya ='lgc'>='lgc'>--> “="trms">ontological choreographies” (...bodies, human and nonhuman, are taken apart and put together in processes)
="prgrph">-="ppl">Strathern ='at'># Papua New Guinean ='lgc'>='lgc'>--> “partial connections” (...patterns within which the players are neither wholes nor parts ... necessary counter-intuitive ="trms">geometries and incongruent ="trms">translations)

what kind of re="trms">figurations i need for the tropic work that feel is required for the for ="trms">ontological choreography of ="nms">ajayeb (in ="trms">techno="trms">science or elsewhere='qstn'>? other ="trms">societies with liberal or non-liberal individual or state, with other ="trms">techno-="trms">monsters, automated warriors, terrorists, and all the waste, cruelty, in="trms">difference, ignorance, and loss that comes with, as well as joy, play, labor, and invention='lgc'>--)='qstn'>?
="prgrph">-how do i ="trms">narrate this (="nms">ajayeb and non-="nms">ajayeb, the wondrous and the mundane) co-="trms">history='qstn'>?
="prgrph">-how do i ="trms">embody an art of relating (as is never done once and for all)='qstn'>?

='strcls'>*="trms">species ='lgc'>: biological kind of reality ='lgc'>+ ="trms">scientific expertise necessary to that kind of reality
(what would or could trouble ‘biological kind,’ ‘="trms">categories of organism’='qstn'>?)
='lgc'>{ machinic ='lgc'>+ textual ='lgc'>+ organic ='lgc'>='lgc'>~-='lgc'>=> ="trms">species ='lgc'>}='lgc'>='lgc'>--> ="trms">causality-="trms">story, o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin-="trms">story, Real-="trms">Presence-="trms">story (='lgc'>~transubstantiated signs of the flesh),
="lsts lst1">•="trms">species is about defining ="trms">difference, rooted in polyvocal fugues of ='strcls'>**doctrines of cause='strcls'>**
="lsts lst1">•one thinks of ="trms">species as logical ="trms">category, logical type, visual impression, ="trms">members of a ="trms">category that have the same characteristics. but you also say “be ="trms">specific!” you want the op="trms">posite. you want a ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list of relentless particularities.
="lsts lst1">•(for ="ppl">="ppl">Haraway ="trms">species is about) a particular kind of ="trms">semiotics where sign and flesh are tangled

="ppl">Marx and ="ppl">Freud in shit and gold, primitive scat and civilized ="trms"nttrm="metaph,metamorph,metabol,metal">metal, in ="trms">specie

='lgc'>[title='lgc'>]
='strcls'>**="nms">ajayeb's ="trms">technologies of (Persian) subject/object-making='strcls'>**

="trms">nature and culture implode into one another (in the relentlessly ="trms">historically ="trms">specific ways)

(="ppl">="ppl">Haraway > ="ppl">Althusser) ='strcls'>**="trms">interpellation='strcls'>** (estizah استیضاح) ='lgc'>=='lgc'>=> concrete individuals (in the ="trms">modern state)
='strcls'>*the ideologically loaded ="trms">narratives ='lgc'>=='lgc'>=> life and death, health and illness, longevity and extinction, etc.
='lgc'>{how not to do estizah (our objects, peers)='qstn'>? latent individualization in ="nms">apass's requirement of ‘intentionality’ from its participants='lgc'>: “no sleep-walking!” ='lgc'>[='lgc'>='lgc'>--> art as “explicit intentional act.” ="ppl">Merleau-Ponty's account the body-schema.='lgc'>] ='lgc'>[estizah is the site of encounter with the ‘man of law’ in which one becomes a man of law='lgc'>: by asking what is your “name and business,” ="trms">demanding “proof” of me. one way of ="trms">responding to that ="trms">demand of name is to give your name as a performance in an amerindian mode='lgc'>: “three were dead before they knew.” that's my name.='lgc'>] The ="trms">material ritual practice of ‘recognition’ ='lgc'>: “Who is there='qstn'>?” and “It's me!” of the everyday life ='lgc'>=='lgc'>=> makes us concrete subject (in the ideology in democracy and law) ='lgc'>='lgc'>--> independent ="trms">agents with self-produced identities. (in capita="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list ="trms">societies) ='strcls'>**subject='lgc'>: a self-conscious “="trms">responsible” ="trms">agent whose actions can be explained by his or her beliefs and thoughts.='strcls'>** subject formation defines the limits of each individual; values, desires, and preferences. ='lgc'>='lgc'>='lgc'>---- in a way that I realize that a ‘hailing’ was addressed at me, thinking ‘that means me,’ and the answer is what transforms me into a subject ='lgc'>: a “mis-recognition” ='lgc'>[='lgc'>='lgc'>--> we can open a dossier on prophet and ‘answering’ the call='lgc'>]; ='lgc'>[='lgc'>='lgc'>='lgc'>~-> what ="nms">Tarof hails='qstn'>?='lgc'>] ='lgc'>='lgc'>='lgc'>---- for ="ppl">Althusser being aware of the other is a form of ideology. (how to recognize ourselves outside of ideology='qstn'>?)='lgc'>} (="ppl">Foucauldian/="ppl">Althusserian='lgc'>: passively defined by identity ='lgc'>=='lgc'>=> mobilizing around these identities ='lgc'>--='qstn'>?='lgc'>='lgc'>--> potential for resistance)
(="ppl">Althusser's) police officer ='lgc'>[محتسب mohtaseb='qstn'>?='lgc'>] ='lgc'>--hails='lgc'>='lgc'>--> concrete subject
(="ppl">="ppl">Foucault's) expert discourses ='lgc'>--hails='lgc'>='lgc'>--> sexuality
(="ppl">Adorno's) mass media ='lgc'>--hails='lgc'>='lgc'>--> passive ="trms">consumer
(Gauntlett's) uncritical ="trms">consumption ='lgc'>--hails='lgc'>='lgc'>--> assumption ='lgc'>='lgc'>--> bad ="trms">worlding
(="ppl">Mulvey's) cinema ='lgc'>--hails='lgc'>='lgc'>--> male protagonist
(="ppl">Butler's) boy/girl ='lgc'>--hails='lgc'>='lgc'>--> gender identity
(="frds">Sina's) تعارف ="nms">Tarof ='lgc'>--hails='lgc'>='lgc'>--> divnity ='qstn'>?='qstn'>?

='strcls'>***(="trms">crafted faithfully='qstn'>?) more potent the ="trms">tropes, the truer the ="trms">story='strcls'>***
(without being distracted by scandals and ="trms"nttrm="metaph,metamorph,metabol,metal">meta-="trms">stories='qstn'>?!)

="trms">stories traffic in ="trms">tropes, figures of speech
(the dogmatic and bizzar idea of) “="trms">trope-free ="trms">communication”

='strcls'>*="trms"nttrm="metaph,metamorph,metabol,metal">metaplasm, remodeling, remolding,,, inverting meanings, transposing the body of ="trms">communication,
(in my graphs, or ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigs, what a substitution in a string might change the meaning='qstn'>?)

what is the “troping that makes a fleshly ="trms">difference”='qstn'>?

="large lg3" stl="font-size:112%"> o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin ="trms">story (='lgc'>='lgc'>~='lgc'>=> establishing o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin) ='lgc'>='lgc'>~='lgc'>=> sober ="trms">scientific report ='lgc'>='lgc'>~='lgc'>=> scales of intelligence ='lgc'>='lgc'>~='lgc'>=> human as master

the “mere” village dog='lgc'>:
="prgrph">-canine Eves surviving in their mitochondrial DNA
="prgrph">-canine Adam through his Y-chromosome legacies

which ="trms"nttrm="metaph,metamorph,metabol,metal">metaplasmic, remodeled versions of ‘name’ could give ="nms">ajayeb's being

(in ="nms">apass I have been against the “what do I want as an artist='qstn'>?” ="trms">question='lgc'>:)
pay attention to significant otherness ='lgc'>=/= reflection of one's intentions

="large lg4" stl="font-size:110%"> what is the name of the game='qstn'>? complexity, flexibility, opportunism, (="trms">finite ="trms">worlds called='lgc'>:) domestic, ="trms">wild, feral,
='lgc'>[who is naming the ="trms">world what='qstn'>?
="lsts lst1">•accelerationism='lgc'>: “game-over”
="lsts lst1">•capitalism='lgc'>: “resource”
="lsts lst1">•="trms">technophobia='lgc'>: “obsolescence”
="lsts lst1">•="trms">technophilia='lgc'>: “information”
="lsts lst1">•monotheism='lgc'>: “="trms">transition”
="lsts lst1">•="trms">science='lgc'>: “taxa”
="lsts lst1">•multinationalism='lgc'>: “="trms">system”
="lsts lst1">•="trms">modernism='lgc'>: “globe"='lgc'>]

immune ="trms">systems (in ="trms">natureculture) determine where organisms, in="trms"nttrm="cluster,club">cluding people, can live and with whom.

“There is no time or place at which genetics ends and environment begins” ='lgc'>[...='lgc'>]
(="ppl">="ppl">Haraway > ="ppl">="ppl">Gilbert)

“All ="trms">stages of the life ="trms">histories of evolving ="trms">animals had to adapt to eager bacteria colonizing them inside and out.”
To be ="trms">animal is to become-with bacteria


="large lg5" stl="font-size:129%"> to inhabit an ="trms">inter-subjective ="trms">world, to ="trms">love is about meeting the other in all the fleshly detail of a mortal ="trms">relationship (to wit, first, somehow to learn what this other needs and desires)='lgc'>='lgc'>---permanent search for knowl="trms"nttrm="knowledge,Knowledge">edge of the intimate other, with inevitable comic and tragic mistakes in that quest

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