[...]ces of) data mining =/= reading for the reactions of an implicit reader --> what the scholar of ajayeb (in the medieval) might have felt?


ajayebnameh is grounded in the history and materiality of scientific practices:
“Nature is neither knowable ...nor unknowable ...Nature is that about which ‘relevant knowledge’ may be produced. If we pay due attention to it, we can learn, discern relations, and multiply entities and ratios.” (Stengers 2011)

eliminativism: the belief that one story or one set of practices (usually called rational or scientific) can explain nature.

a materialist understanding of ajayeb demands an interpretive adventure of how, with matter (in Stengersian way), we get sensitivity, life, memory, consciousness, passions and thought... =/= inert or mechanistic notion of matter

which metaphors stage nature as “witty agent and actor”?

speculative commitment --> learn how to relate differently ~-> (help us) name what we are doing in new and useful ways**** (Verran)
the egg from outside it doesn't seem to be doing anything --> to give the egg the power to challenge (our) well-defined categories
-how can we relate to the egg without breaking it? (ontological + ethical) --> *pragmatism*: an art of consequences, an art of paying attention =/= the logic of the omelet justifying cracked eggs


ajayeb is all about the ***staging of nature***
{Latour:} reductionism offer an enormously ‘useful’ handle to allow scientists to insert their instrumentarium, their paradigms and produce a long series of practical effects.
(efficient handles =/= staging of nature)

we must learn to tell trickster stories {a speculative sense that activates possibilities for thinking, feeling, and knowing within coyote nature =/= a closed conception of “reality itself"} OR ELSE we will end up settling for a rather vague version of what physics claim to be reality [~= a generalized (==> irrelevant?) version of a specific form of authoritative knowledge --> that which “simplifies away our world in terms of idealist judgments about what would ultimately matter and what does not” (, Stengers)] ----> (who has ?) the power to explain, (who/what decides what kind is ?) relevant knowledge


[Stengers] (wonder has everything to do with stories,) wonder incites storytelling
1 --> importance of narratives in our knowledge-making practices
2 --> politically robust narratives (that world us differently)


can the ontological be addressed without the ethical?
(feminism's answer is ‘no’) --> a materialism that is immediately ontological, epistemological, and ethical (=/=? Delanda's materialism)

ajayeb (+ my work on it ?) is a pragmatic project to fabricate a different kind of knowledge assemblage (Stengers > Kenney > Sina)
=/= (21st century) logics of capitalism
=/= toxic categories of modernity


i need (to learn) an inviting rhetoric


(Roughgarden)
([focus narrowly on] sexual selection =/=) social selection : “...selection for, and in the context of, the social infrastructure of a species within which offspring are produced and reared”

co-parenting, animal friendships, same-sex sex, non-reproductive sex, and other reproductive social behaviors

*physio-semiotics: physical traits that have social functions, that communicate to other members of the social group

(Darwin sexual selection : claims that in humans, men are more jealous about sexual infidelity of their partners, whereas woman are more jealous of emotional infidelity. their theories based on a sexual conflict model, is that this is an evolutionary adaptation that helps males ensure that they raise their own offspring and helps females ensure that the males will stick around to provide for their children.) --> is there another story? (this is a speculative + empirical question) --> multiple evolutionary stories are possible

(Roughgarden demands) a more rigorous relationship between narrative and evidence (=/= prevalence of studies where the “[raw] data are mined to effect an appearance of the confirmation of [a single] hypothesis”) ----she returns to the most potent fables of sexual selection and re-tells them --> these new stories make real species-shaping difference by contributing to the social infrastructure within which offspring are produced and reared

***how many plots can the data hold?*** --> pragmatic---the answer is many not infinite [Strathern: “more than one but less than many"]
-practices of *doing accuracy* --> storytellers
relationships between story and evidence --> an invitation to invent new forms of accuracy that might be unfamiliar or awkward but could be epistemologically narrativelly politically generative (Kenney)
(sometimes: story ==> data) the work to craft just one good story from the chaos of the data is (not only political challenge @Jassem, but also) an epistemological challenge



(Lynn Margulis)
*endosymbiosis: the theory that eukaryotic cells evolved by incorporating free-swimming bacteria, which later became organelles (cell organ) such as plastids and mitochondria
(ladder =/=) horizontal gene transfer : that the evolution and speciation are driven not by random genetic mutation and natural selection, but by symbiogenesis.

Margulis's attention to bacteria rather than attention to animals ==> different research questions and metaphors, and different empirical objects

(her scholarly crafts are amazing:) “was the moon that pulled the tide of life from its oceanic depths to dry land and up into the air.” (1998)

/science is an interpretative adventure

(Margulis's insight into) the history of consciousness --> the components that fused in symbiogenesis are already conscious entities***, already able to sense light and motion --> we are made through our endosymbiotic histories : our own “sensitivities to wafting (nasim نسیم) plant scents, tasty salted mixtures, police cruiser sirens, loving touches and star light” (2005)
[...] “These avant guard cells of the nasal passages, the taste buds, the inner ear, the touch receptors in the skin and the retinal rods and cones all have in common the presence at their tips of projections (‘cell processes’) called cilia.”
[...] “The spirochete group of bacteria includes many harmless mud-dwellers but it also contains a few scary freaks: the treponeme of syphilis and the borrelias of Lyme disease. We animals got our exquisite ability to sense our surroundings--to tell light from dark, noise from silence, motion from stillness and fresh water from brackish brine--from a kind of bacterium whose relatives we despise.”

re-thinking consciousness

(Kenney) Margulis's speculations: they mattered, they worlded, they gathered

(Williamson:) larvae and adult insects of the same species do not have a common ancestor(!)
(how ?, the capacity for) drastic morphological change --> what would it be like to emerge as a moth with a new body, a new sensorium, with your caterpillar-self only a genomic memory?
reincarnation from one species to another

(need less?) just-so stories --> facts to live with
(need more?) what-if stories --> speculations to savor --(gives taste to)--> *paradigms* --> incommensurable ways of seeing the world and practicing science in it (Kohn) --> seeds for sowing worlds (Haraway) ~--> possibilities for thinking life***

(Kenney's proposal of) “bureau of what-if stories”
(--> Fables of Attention - Wonder in Feminist Theory and Scientific Practice 2013)

(Margulis's) holobiont: multicellular eukaryotes plus their colonies of persistent symbionts


ajayeb's craft and undisciplined tradition can be called empirical, it is an example of an archival research (done by historian.) i wan to highlight the aesthetic quality of this activity.
*aesthetics: how elements are arranged together, how they are composed, how they are brought into relation in the space of a text (Kenney > Latour, Stengers, Bellacasa) (--> La Guin's bag, bundle) }--> rigs
**aesthetics are political because they do consequential relational work**

novels, poetry, feminist theory, speculative fiction, bestiary list categories--these genres of composition *gather together* and *stage* their “matters of care” in ways that perform relations between things and teach their readers to inhabit sometimes unfamiliar, agential world. they are practices of sf worlding.

fiction ==> attitude --> holds things
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