[...]n to invent new forms of accuracy that might be unfamiliar or awkward but could be ="trms">epistemologically ="trms">narrativelly politically generative (="ppl">="ppl">Kenney)
(sometimes='lgc'>: ="trms">story ='lgc'>==> ="trms">data) the work to ="trms">craft just one good ="trms">story from the chaos of the ="trms">data is (not only political challenge ='at'>@="frds scrmbld">Jassem, but also) an ="trms">epistemological challenge



(Lynn ="ppl">="ppl">Margulis)
='strcls'>*endo="trms">symbiosis='lgc'>: the theory that eukaryotic cells evolved by incorporating free-swimming bacteria, which later became organelles (cell organ) such as plastids and mitochondria
(ladder ='lgc'>=/=) horizontal gene transfer ='lgc'>: that the evolution and speciation are driven not by random genetic mutation and ="trms">natural selection, but by ="trms">symbiogenesis.

="ppl">="ppl">Margulis's attention to bacteria rather than attention to ="trms">animals ='lgc'>==> ="trms">different research ="trms">questions and ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphors, and ="trms">different ="trms">="trms">empirical objects

="large lg2" stl="font-size:112%"> (her scholarly ="trms">crafts are amazing='lgc'>:) “was the moon that pulled the tide of life from its oceanic depths to dry land and up into the air.” (1998)

/="trms">science is an ="trms">interpretative adventure

(="ppl">="ppl">Margulis's insight into) the ="trms">history of consciousness ='lgc'>='lgc'>--> the components that fused in ="trms">symbiogenesis are al="trms"nttrm="already,spread">ready conscious entities='strcls'>***, al="trms"nttrm="already,spread">ready able to sense light and motion ='lgc'>='lgc'>--> we are made through our endo="trms">symbiotic ="trms">histories ='lgc'>: our own “sensitivities to wafting (nasim نسیم) plant scents, tasty salted mixtures, police cruiser sirens, ="trms">loving touches and star light” (2005)
='lgc'>[...='lgc'>] “These avant guard cells of the nasal passages, the taste buds, the inner ear, the touch receptors in the skin and the retinal rods and cones all have in common the ="trms">presence at their tips of projections (‘cell processes’) called cilia.”
='lgc'>[...='lgc'>] “The spirochete group of bacteria in="trms"nttrm="cluster,club">cludes many harmless mud-dwellers but it also contains a few scary freaks='lgc'>: the treponeme of syphilis and the borrelias of Lyme disease. We ="trms">animals got our exquisite ability to sense our surroundings='lgc'>--to tell light from dark, noise from silence, motion from stillness and fresh water from brackish brine='lgc'>--from a kind of bacterium whose relatives we despise.”

re-thinking consciousness

(="ppl">="ppl">Kenney) ="ppl">="ppl">Margulis's speculations='lgc'>: they ="trms">mattered, they ="trms">worlded, they gathered

="large lg10" stl="font-size:104%"> (="ppl">Williamson='lgc'>:) larvae and adult insects of the same ="trms">species do not have a common ="trms">ancestor(!)
(how ='qstn'>?, the capacity for) drastic ="trms">morphological change ='lgc'>='lgc'>--> what would it be like to emerge as a moth with a new body, a new sensorium, with your caterpillar-self only a genomic ="trms">memory='qstn'>?
reincarnation from one ="trms">species to another

(need less='qstn'>?) just-so ="trms">stories ='lgc'>='lgc'>--> facts to live with
(need more='qstn'>?) what-if ="trms">stories ='lgc'>='lgc'>--> speculations to savor ='lgc'>--(gives taste to)='lgc'>='lgc'>--> ='strcls'>*paradigms='strcls'>* ='lgc'>='lgc'>--> incommensurable ways of seeing the ="trms">world and practicing ="trms">science in it (="ppl">Kohn) ='lgc'>='lgc'>--> seeds for sowing ="trms">worlds (="ppl">="ppl">Haraway) ='lgc'>='lgc'>~='lgc'>='lgc'>--> possibilities for thinking life='strcls'>***

(="ppl">="ppl">Kenney's proposal of) “bureau of what-if ="trms">stories”
(='lgc'>='lgc'>--> ="trms">Fables of Attention - ="trms">Wonder in Feminist Theory and ="trms">Scientific Practice 2013)

(="ppl">="ppl">Margulis's) holobiont='lgc'>: multicellular eukaryotes plus their colonies of persistent ="trms">symbionts


="nms">ajayeb's ="trms">craft and undisciplined tradition can be called ="trms">="trms">empirical, it is an ='thdf'>example of an archival research (done by ="trms">historian.) i wan to highlight the ="trms">aesthetic quality of this activity.
='strcls'>*="trms">aesthetics='lgc'>: how elements are arranged together, how they are ="trms">composed, how they are brought into ="trms">relation in the space of a text (="ppl">="ppl">Kenney > ="ppl">="ppl">Latour, ="ppl">="ppl">Stengers, Bellacasa) (='lgc'>='lgc'>--> ="ppl">La Guin's bag, bundle) ='lgc'>}='lgc'>='lgc'>--> ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigs
='strcls'>**="trms">aesthetics are political because they do consequential ="trms">relational work='strcls'>**

novels, ="trms">poetry, feminist theory, speculative ="trms">fiction, ="trms">bestiary ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list ="trms">categories='lgc'>--these genres of com="trms">position ='strcls'>*gather together='strcls'>* and ='strcls'>*="trms">stage='strcls'>* their “="trms">matters of care” in ways that perform ="trms">relations between things and teach their ="trms"nttrm="already,spread">readers to inhabit sometimes unfamiliar, ="trms">agential ="trms">world. they are practices of sf ="trms">worlding.

="trms">fiction ='lgc'>==> attitude ='lgc'>='lgc'>--> holds things

(emphasis on) ="trms">worlds that come together through dispersal (vofur وفور), induction (makesh مکش), volatility (farar فرّار), toxicity, drift,

the power that comes with ‘other’ (time/place of) styles of ="trms">composing

(='strcls'>*="trms">bestiary is ="trms">agential ="trms">world='strcls'>*, that's why it is so ="trms">interesting when you are available to it as a ="trms">child. i am drawn to it ='lgc'>='lgc'>--> ="trms">agency ="trms">bestiary sets to betray the ="trms">anthropocentric binary='lgc'>: “active human ='lgc'>=/= passive ="trms">nature”)
(how to tell='qstn'>?) faithful and fantastic ="trms">stories ='lgc'>==> better companion ="trms">species

='strcls'>*a shift in humanities scholarship
(feminist ="trms">science studies, the post humanities, the ="trms">ecological humanities, ="trms">animal studies, queer theory,) humanities scholars have re="trms">presented their ="trms">matters of care with an ="trms">aesthetic (and therefore political) commitment to ="trms">narrating ="trms">stories with an emphasis on the ="trms">relationality among ="trms">agencies, forces, ="trms">phenomena, and entities usually kept separate, in the background, or out of the ="trms">story altogether (lde a Bellacasa)
='lgc'>='lgc'>--> redistribution of ="trms">agencies
political stake ='lgc'>==> ="trms">aesthetic tactics

="trms">poet laureates of queer ="trms">animacies
“malek-o-sho'ara-e atefiate mahsus-e edrakat-e zende” (ملک الشعرا عاطفیات محسوس ادراکات زنده)

(="trms">animacy='lgc'>: Usually, ="trms">animacy has to do with how alive or how sentient a noun is. In general, personal pronouns have the highest ="trms">animacy, the first-person being the highest among them. Other humans follow them, and ="trms">animals, plants, ="trms">natural forces such as winds, concrete things, and abstract things follow in this order; however, ="trms">according to the spiritual beliefs of the people whose ="trms">language possesses an ="trms">animacy hierarchy, deities, spirits, or certain types of ="trms">animal or plant may be ranked very highly in the hierarchy.)

='strcls'>**="trms">animacy ="trms">stories ='lgc'>='lgc'>--> multitude of ="trms">agencies
(what are the contemporary ="nms">ajayeb ="trms">animacy ="trms">stories='qstn'>?


(neo-="ppl">Darwinian's) standard evolutionary accounts of encounter between ="trms">species (in terms of “sexual deception”) ='lgc'>==> individuation, competition, efficiency ='lgc'>='lgc'>--> capita="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list and military values (, economic ="trms">tropes)
='lgc'>==> disenchanted “="trms">ecologies, populated by blind, reactive automations”

evolutionary ="trms">stories ='lgc'>=/= involutionary ="trms">stories ='lgc'>='lgc'>--> organisms become ='strcls'>*involved='strcls'>* with one another's lives

(involution, pich-dar پیچدار, act or an instance of en="trms">folding or entangling, an inward curvature or penetration; a function, transformation, or operator that is equal to its inverse, i.e. which gives the identity when applied to itself.)

“="trms">mimetic ="trms">relations among plants and ="trms">animals take shape in the ="trms">thickness of the space between bodies, where ="trms">affect and sensations are ='strcls'>*transduced='strcls'>* through ='strcls'>*ex="trms">citable='strcls'>* tissues” (Myers ='and'>& Hustak)='lgc'>='lgc'>--> ="trms">affective ="trms">ecologies, intimate encounters, ="trms">articulate orchids


(on ="nms">ajayeb,) ='strcls'>***creating sticky new attachment sites for thinking (human/nonhuman ="trms">relations)='strcls'>***
='at'>#='at'>#='at'>#learning multiple ="trms">writing tactics='lgc'>:
="lsts lst1">•="trms">thick description
="lsts lst1">•refiguring
="lsts lst1">•="trms"nttrm="already,spread">reading against the grain
="lsts lst1">•="trms">citational poaching (shekar-e gheir-mojaz شکار غیر مجاز) (also, i am trying to quote Muhammad, ="ppl">Sa'di, ="nms">ajayeb, the ="trms">bird sometimes, and something is called in)
="lsts lst1">•speculative ="trms">fiction
="lsts lst1">•
='lgc'>==> to move/draw myself and my ="trms"nttrm="already,spread">reader into my ="trms">matter of care


project of ='strcls'>*="trms">narrative remediation='strcls'>*, to re-="trms">story, to ="trms">stage ="trms">matters of care ="trms">differently

(biological) ‘resilience’ is a tricky thing to ="trms">narrate in ‘="trms">relational ="trms">worlds’ (='lgc'>=/= military ="trms">world) abounding with transforming and transformative ="trms">agencies='strcls'>***

to meet the future organisms that we are becoming (="ppl">="ppl">Hayward) ='lgc'>='lgc'>--> ="trms">stories that figure us as='lgc'>: ='lgc'>{constituted, contaminated, vulnerable, ="trms">agential, creative, expressive,='lgc'>}='lgc'>='lgc'>--> all at the same time; (how to hold them all together='qstn'>?)

(="ppl">Stryker > ="ppl">="ppl">Haraway > ="ppl">="ppl">Hayward > ="ppl">="ppl">Kenney > ="frds">Sina > ="nms">Cinderella)
='strcls'>***so much that constitutes me I did not choose, but, now constituted, I feel myself in a place of ="trms">agency='strcls'>*** ='lgc'>-='lgc'>-='lgc'>='lgc'>--> (my) ="trms">ontological ="trms">obligation ='lgc'>{="trms">ontology='lgc'>: what there is and what debts we owe to it='lgc'>}='lgc'>='lgc'>--> ='strcls'>*involutionary ="trms">storytelling='strcls'>* (='lgc'>='lgc'>~/->='qstn'>? involuntary ="trms">storytelling)

='lgc'>='lgc'>--> lives, ="trms">affects, and bodies of organisms='lgc'>: “energetic forces, coextensive overlappings, shared milieus make ="trms">species; ="trms">species are ="trms">sensuous ="trms">responses” ='strcls'>**="ppl">="ppl">Hayward

="large lg1" stl="font-size:110%"> thinking with ="trms">animals ='lgc'>: ='lgc'>{figural ='lgc'>+ ="trms">literal='lgc'>}
spiders, rats, ...

“the ="trms">transitioning body is also a gossamer outstretch of homeliness, energetic force or potential, a discursive pulse, a throb of sensations distributed across sensoriums, spaces, and times, delimiting territory but also sensing zones, places, and coherences.”

criticism='lgc'> = speculative fantasy

undoing the eye's property of vision (Kelley and ="ppl">="ppl">Hayward)


(='lgc'>[my account of='lgc'>] ="nms">ajayeb's ="trms">stories are) moral tales that model an ="trms">ecological attention to ="trms">relationality, vulnerability, and resilience ='lgc'>==> living well in a ="trms">world contaminated (by all ="trms">sorts of ="trms">linguistic and chemical ="trms">animacies)


='strcls'>*traumatic hope='strcls'>*
(="ppl">Sedgwick='lgc'>: the reparatively ="trms">positioned ="trms"nttrm="already,spread">reader tries to recognize the fragments and part-objects she encounters or creates ='lgc'>='lgc'>~= what i am doing)

why tell ="trms">stories like this, when there are only more and more openings and no bottom lines='qstn'>? ='lgc'>='lgc'>--> because there are quite de="trms">finite ="trms">response-abilities that are strengthened in such ="trms">stories (="ppl">La Guin > ="ppl">="ppl">Haraway > ="ppl">="ppl">Kenney)

bottomless ="trms">story ='lgc'>==> ="trms">response-ability (an enabling of ="trms">responsiveness within particular relatings='lgc'>--Schrader 2010)

not only human call ='and'>& not only human ="trms">respond ='lgc'>='lgc'>--> the ="trms">world is full of “pro="trms">positions” (waiting to be registered by ="trms">interested bodies) ='lgc'>[yes we need to produce ‘="trms">interested bodies'='lgc'>]

“="trms">fables of ="trms">response-ability draw our attention to who is ="trms">interested and who is made ="trms">articulate in the ="trms">apparatuses and ="trms">ecologies we live inside.” (="ppl">="ppl">Kenney)='strcls'>*****

what is a ="trms">narrative good for if it doesn't improve the quality of companionship (between human and nonhuman)='qstn'>? if it doesn't generate new sensitivities and enable ="trms">different patterns of ="trms">responsiveness='qstn'>?

="trms">stories of ="trms">relationship ='lgc'>==> enlarge our thinking ='lgc'>[='lgc'>=/= raising awareness='lgc'>]
these ="trms">stories cannot known in advance ='lgc'>='lgc'>--> note on ="trms">fable ='at'>#workshop, when you are ex="trms">cited about an assigned ="trms"nttrm="already,spread">reading in a ="trms">specific way only to find out that the participants connect or disconnect to something i don't notice


='strcls'>*="trms">wonder, a mode of attention to='lgc'>:
="lsts lst1">•the perpetual newness of the ="trms">present (="ppl">I="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigaray)
="lsts lst1">•the other-="trms">worldliness of the ="trms">past (="ppl">Bynum)
="lsts lst1">•the ="trms">aesthetics and politics of sf ="trms">worlding that generate sensitivities for ="trms">worlds-to-come (="ppl">="ppl">Stengers/="ppl">="ppl">Haraway)

latent possible ="trms">worlds='lgc'>:
='strcls'>* could-have-beens
='strcls'>* almost-weres
='strcls'>* yet-to-comes


='strcls'>*ornamentation ='lgc'>='lgc'>--> (inducing) ="trms">wonder ='lgc'>+ (connection with) divine
="prgrph">-rich ornamentation ='lgc'>='lgc'>--> honor something with our time, care, and attention
="prgrph">-‘en="trms">coding’ a ="trms">writing requires time and attention, decryption ='lgc'>==> value and meaning
mystery of the undecipherable ='lgc'>==> occult knowl="trms"nttrm="knowledge,Knowledge">edge ='lgc'>{in a ="trms">book that enrolls and transforms ="trms">religious motifs, the experience of ="trms"nttrm="already,spread">reading (or rather not ="trms"nttrm="already,spread">reading) ...evokes the power of occult knowl="trms"nttrm="knowledge,Knowledge">edge, the power of that which is hidden. (="ppl">="ppl">Kenney)='lgc'>}

occult knowl="trms"nttrm="knowledge,Knowledge">edge ='lgc'><='lgc'>='lgc'>--> mystery ='lgc'><='lgc'>='lgc'>--> enchantment ='lgc'><='lgc'>='lgc'>--> ornamentation ='lgc'><='lgc'>='lgc'>--> illumination (='lgc'>=/= elucidate, tozihe shafaf توضیح شفاف) ='lgc'><='lgc'>='lgc'>--> ="trms">wonder


='strcls'>***bibliographic ="trms">aesthetics are arts of enchantment, vectors for the trans="trms">mission of value and meaning='strcls'>***

why think and ="trms">write with the ="trms">aesthetic='qstn'>?

="trms">book as an object='qstn'>? ="trms">writing as a practice='qstn'>? ="trms"nttrm="already,spread">reading as ="trms">world-making='qstn'>?='strcls'>***

(to feel) the effect of (our own) ="trms">language

art='lgc'>: “="trms">ontological theater” (='lgc'>=/=='qstn'>? ‘="trms">linguistic turn’ ='lgc'>{='lgc'>='lgc'>--> ="frds scrmbld">Marialena's remark on The Pillow ="trms">Book, that the film don't care about what is being ="trms">written. she is a ="trms">child of the ="trms">linguistic turn='qstn'>?='lgc'>})
(='lgc'>=/= “return to reality” ='lgc'>: “the ="trms">ontological turn”)
(='lgc'>=/= ="trms">language as “a necessary evil,” ="trms">aesthetics characterized as the main ="trms">instrument of ideological mystification)
='lgc'>~ learn to trust objects figured in unfamiliar ways='strcls'>* (, my bow and arrow='qstn'>?)
='lgc'>[both ="ppl">="ppl">Haraway (“="trms">material-="trms">semiotic”) and ="ppl">="ppl">Barad (“="trms">material-discursive”) are working against this kind of split between ="trms">language and reality, both in the level of analysis (of one's object) and com="trms">position (of one's ="trms">book)='lgc'>]


='strcls'>**where do our power come from if not from evidence='qstn'>?='strcls'>** (='at'>@="frds scrmbld">Seba)
='lgc'>='lgc'>--> the ='strcls'>*specter of deception='strcls'>* (it happened when i used ="trms">aesthetics in my ="trms">questions in my excursion at ="frds scrmbld">Vladimir's block, my peers thinking “what if we are beguiled='qstn'>?” ='lgc'>='lgc'>--> the suspicious refrains of “trust no one”) ='lgc'>=/= “attentive ="trms">wondering care” (="ppl">Bynum)

='strcls'>*** to tell enchanted ="trms">stories ='lgc'>='lgc'>--> ='lgc'><== we must struggle against the fear of being tricked ='strcls'>***
="prgrph">-this fear of being tricked ='lgc'>==> ="ppl">Descartes’ ="trms">beast-machine hypothesis (against nonhuman ="trms">agency) ='lgc'>: the clockwork ="trms">animal and gods; a site where ="trms">animality and ="trms">technicity were collapsed and both were rendered as deceptive.
="prgrph">-="ppl">Descartes’ ="trms">beast-machine ="trms">anxieties are still with us. (being duped by the) trickster ="trms">agencies of ="trms">animal-like automata='lgc'>--="trms">animals, spirits, and ="trms">technologies have dubious ="trms">agencies.


="large lg10" stl="font-size:102%"> (='mywrk'>my work on ="nms">ajayeb hopefully,) is about cultivating ="trms">wild facts, to be at risk with our ="trms">craft, creating beautiful objects that give charismatic form to their ="trms">matters of care


i don't know in advance, how ="trms">stories and words will flow through us ='lgc'>='lgc'>--> i have to learn ="trms">pragmatic experimentation with magic, words and ideas='lgc'>: ='lgc'>[='at'>#="nms">ppp='lgc'>]
="lsts lst1">•="trms">poetry ='lgc'>='lgc'>--> to do with the art of ="trms">language
="lsts lst1">•="trms">poiesis ='lgc'>='lgc'>--> process of creation
="lsts lst1">•="trms">poetics ='lgc'>='lgc'>--> ="trms">questions of com="trms">position and form
='lgc'>}='lgc'>--(attention to)='lgc'>='lgc'>--> form ='lgc'>+ com="trms">position ='lgc'>+ influence

“i am rubied by your attention”
(ruby='lgc'>: yaghute sorkh یاقوت سرخ) ='lgc'>='lgc'>~-> to describe the effect of an encounter between two

...shifting ="trms">verbs to nouns and nouns to ="trms">verb ='lgc'>}='lgc'>='lgc'>--> practical

='strcls'>*="trms">relational properties of ="trms">language='lgc'>:
="lsts lst1">•="trms">viscosity (chasbandegi چسبند‌گی)
="lsts lst1">•conductivity
="lsts lst1">•velocity
(='lgc'>=/= daunting)
 ="prgrph prgrph2">-collective
 ="prgrph prgrph2">-exploratory
 ="prgrph prgrph2">-supportive


(what to do with) the unavoidable ="trms">childishness (and girlish) of ="trms">wonder and of ="trms">fables
="prgrph">-does ="trms">wonder need to grow up='qstn'>?

there is a risk that that which awakens our ="trms">epistemological appetite will ultimately be unfriendly, unseemly, unsophisticated, unsuitable
="lsts lst1">•="trms">wonder goes beyond what is suitable (="ppl">I="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigaray,) even threatens our status as “="trms">serious, adult thinkers” (="ppl">="ppl">Stengers)
hoax ='lgc'>==> compels us to do work that is sober and bound closer to reality

the bifurcation of ="trms">childhood and adulthood gets in the way of thinking
="prgrph">-the ="trms">child/adult divide as an “achievement” of the Vicorian Era

the context of my ="nms">ajayeb='lgc'>:
“The ="trms">Science War”
="trms">epistemological ="trms">differences between ="trms">sciences

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

='lgc'>[Lorraine J. ="ppl">Daston='lgc'>]

the evolving collective sensibility of ="trms">natura="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">lists

objective order and subjective sensibility

...celestial apparitions, ="trms">monsters,

how ="trms">wonder and ="trms">wonders fortified princely power, rewove the texture of ="trms">scientific experience, and shaped the sensibility of intellectuals

(webs of cultural significance, ="trms">material practices, and theoretical derivations)

(cultivate a distinctive ="trms">scientific self wherein knowing and knower converge) ="ppl">="ppl">Galison

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

='strcls'>*passion maintains a path between (='lgc'>--corporal impressions and movements toward an object)='lgc'>:
philosophers ='lgc'><='lgc'>-='lgc'>-='lgc'>='lgc'>--> physicists
="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysical research ='lgc'><='lgc'>-='lgc'>-='lgc'>='lgc'>--> ="trms">cosmological research
transcendental ='lgc'><='lgc'>-='lgc'>-='lgc'>='lgc'>--> ="trms">="trms">empirical

architecture of ideality ='lgc'>: (="trms">sociofamilial) stratification of desire ='lgc'>='lgc'>--> ideal ego ='lgc'>==> ="trms">religiosity, slogans, publicity, terror, ='lgc'>--='not'>✕='lgc'>='lgc'>--> roots ='lgc'>{vegetal, earthly, ideal, heavenly,)
='lgc'>[="ppl">I="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigaray='lgc'>]

(='at'>@="frds scrmbld"nttrm="Alice,Shariati">Ali , what is the source of movement='qstn'>? what is the motivating force behind mobility if not ="trms">wonder='qstn'>?='lgc'>='lgc'>---in all dimensions)
(both active ='and'>& passive) ="trms">wonder ='lgc'>==> move

the “man” (in ="ppl">Nietzsche and ="ppl">Heidegger) thinks he is at the end of his growth, has completed a cycle

“can we look at, contemplate, ="trms">wonder at the machine from a place where it does not see us='qstn'>?” ='strcls'>*** ='lgc'>='lgc'>--> the issue is how to be able to ="trms">wonder at the face of something/somebody that is looking (back) at us. ,,,(='at'>@="frds scrmbld">Lili)

surprise='lgc'>: not yet assimilated or disassimilated to known

energy tied to the dimension of the ="trms">story ='lgc'>=/= mobilization of new energies ='lgc'>='lgc'>--> (still) blind to their horizon, or qualities

='strcls'>*desire='lgc'>: vectorialization of space and time (='lgc'>=/= ="ppl">Deleuze and ="ppl">Guattari notion of desire) ='lgc'>='lgc'>--> movement toward, (not yet qualified)

="large lg3" stl="font-size:112%">
mother who is magnanimous (großmütig) toward the little one


(-subject-='lgc'>[-) ="trms">wonder ='lgc'>{-='lgc'>]-desire-(-='lgc'>} ="trms">world )

="large lg4" stl="font-size:111%">
(for ="ppl">Descartes='lgc'>:) object ='lgc'><== alchemy of the subject's passion

places in brain that are (soft and) tender ='lgc'>-='lgc'>='lgc'>--> not yet hardened by ="trms">past impressions

='strcls'>***='lgc'>[for me the='lgc'>] (appearance of something or someone) new modifies the movement (of spirits in an unexpected manner) ='lgc'>='lgc'>--> when we are faithful to the perpetual newness of the self, the[...]