[...]nition and ="trms">relation ='lgc'>='lgc'>--> (all-too-often) ="trms">animal ="trms">difference serves to secure human sameness ='lgc'>[='lgc'>=/= ouroboros ="trms">abyssal ="trms">beastliness='lgc'>] ='lgc'>='lgc'>--> ="trms">ontological ="trms">difference serves only to erect man as the being for whom “the ="trms">world is nothing more than the arena whereby he recognizes his proper ="trms">difference,”
="lsts lst1">•='strcls'>*="trms">animal ="trms">techne='strcls'>* ='lgc'>='lgc'>~='lgc'>~='lgc'>='lgc'>--> Jackass ='and'>& ="trms">Wildboyz ='lgc'>: ="trms">animality is ="trms">viscerally, painfully, and transformatively encountered or enacted by the human body ='lgc'>[="ppl">Seymour='lgc'>], sliding down the ="trms">animacy hierarchy ='lgc'>[="ppl">Chen='lgc'>], ="trms">gesturing toward various ="trms">interconnected trans-(="trms">species) corporalities performed in (Critical Life Studies texts and) ="trms">Wildboyz (='lgc'>=/= elite status of human) ='lgc'>='lgc'>--> (="ppl">="ppl">Barad's) ethics of ="trms">mattering ='lgc'>: connections of human and nonhuman life always al="trms"nttrm="already,spread">ready taking place on bodies='strcls'>*****
transdisciplinarity='lgc'>: a self-adaptive complexity ='lgc'>[...='lgc'>] foreground='lgc'>[ing='lgc'>] the transduction of knowl="trms"nttrm="knowledge,Knowledge">edge as it passes across and between the ="trms">interpretive and ="trms">methodological planes of ="trms">composing knowl="trms"nttrm="knowledge,Knowledge">edge. (="ppl">Katie ="ppl">King)
“distributed being and cognition”
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...attendant mammalian attachment
individuating in="trms">difference
(="trms">anthropo="trms">cene's iteration of the) expansionist logic of manifest destiny
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="prgrph">-="trms">situated knowl="trms"nttrm="knowledge,Knowledge">edges (="ppl">="ppl">Haraway)
="prgrph">-trans-knowl="trms"nttrm="knowledge,Knowledge">edges (="ppl">="ppl">Hayward)
='lgc'>[='strcls'>*='lgc'>]trans- ='lgc'>: ='strcls'>*promise of moving across without holding tightly to the locations that it is moving from='strcls'>*, crossing of spacetime, a movement within ="trms">relationship ='lgc'>[='lgc'>='lgc'>~/=='qstn'>? in="trms">heritance, the experience of being tied to a long string that is stretching and is connected to somewhere='lgc'>]
coalitional thinking='lgc'> = trans-knowl="trms"nttrm="knowledge,Knowledge">edge ='lgc'>--="ppl">="ppl">Hayward='lgc'>='lgc'>--> (='lgc'>='lgc'>~= ='mywrk'>my work='lgc'>: heuristic ='lgc'>+ trans-) a thought here, then a reflection, perhaps a ="trms">question that prompts another ="trms">story, and probably a walk full of pointing and talking, walking on scales ='lgc'>[on bur="trms">dens and atrocities of abundance='lgc'>] (='lgc'>='lgc'>--> I use='lgc'>:) ="trms">translation, trans="trms">figuration, transformation, trans-="trms">differentiation, transcription
="prgrph">-what happens to knowing when it is crossing, trans- ="trms">materializes that process of movements, ='strcls'>*marks the where-ness of with-ness='strcls'>*
my ="trms">stories of getting to know one another and recognizing af="trms">finities in ="nms">apass
environmental injustices always play themselves on bodies of knowl="trms"nttrm="knowledge,Knowledge">edges and ="trms">histories as well
="prgrph">-how does my ="trms">lectures, a heuristic way of knowing through trans-, could or should “provide insights” into injustices and inequalities='qstn'>?
="prgrph">-how i have, as an ="nms">iranian or foreigner, ="trms">differently marked body and ="trms">history entry points into understanding and acting on problems='qstn'>?
neritic
oceanic
benthic
minute biota
micro-viruses, bacteria, and endless cycles of decay and regeneration
...the water formed nearly three billion years ago
pulsing temporalities...
(you and things are) surprise ='lgc'>=/= accident
dispossessions. dislocations. disease. greed. racism.
the always-limited, limiting promise of prosperity
='lgc'>[='strcls'>*='lgc'>]racism='lgc'>: an environmental catastrophe, toxic by-product of the industry called racial thinking and un-thinking (the fantasy attached to what race is thought to be), a deadly ambivalence or refusal to see how race is at work in our lives
="prgrph">-humanness not yet available to all humans
='lgc'>[='strcls'>*='lgc'>]posthumanism (and its tools of “becoming ="trms">animal” as effects of power ="trms">writing about itself)='lgc'>: privilege of having been human ='lgc'>='lgc'>--> a racing, sexing, and classing ethos that cannot see itself as such
= a pretense of not al="trms"nttrm="already,spread">ready understanding humanness as a trans-, re-, and de="trms">composing
(="ppl">="ppl">Hayward asking='lgc'>:) how can we talk about posthumanism (in 2014) ='strcls'>*it is not that we have made humanness a more available ="trms">category in sixty years, but that those whose humanness was al="trms"nttrm="already,spread">ready certain (say, white, able-bodied, men) are in the luxurious ="trms">position of sloughing off their humanity='strcls'>* (-fuck!)
='lgc'>}='lgc'>=/= trans-="trms">differentiations, de-="trms">composings='lgc'>[='lgc'>~ marks the loss of ="trms">composure, of control ='lgc'>='lgc'>==> exposes the com="trms">posite shape of life. to de-="trms">compose is the promise we must keep -="ppl">="ppl">Hayward='lgc'>]
racialization of ="trms">ecological crises (='qstn'>?)
(pollutions felt by who='qstn'>? -the poor, the ="trms">birds,)
the old tradition of seeing yourself that unwelcomed alienated guest on the earth (آمدنم بهر چه بود)
planetary accountability
(='at'>@artists, when and how you are) moved to a closer look='strcls'>**
horrified, disgusted, and drawn in
="ppl">="ppl">Hayward='lgc'>: what would an ardently ="trms">materia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list eco-critical race politics look like='qstn'>?
='lgc'>[='lgc'>=/= toward ="trms">materiality='lgc'>: bumptious liveliness of ="trms">matter ='lgc'>='lgc'>==> to deracinate life, to depoliticize ="trms">worldliness='lgc'>]
to host a guest='lgc'>: an ethics of care, a willingness to remain open to a guest without anticipation or expectation
(hospital =) alter the equation of hostile to hostel. Is this what is meant by hospitality='qstn'>?
="frds scrmbld"nttrm="Leonardo">Leo's angry and productive underbelly
="frds scrmbld"nttrm="Leonardo">Leo's take on honesty='lgc'>: real and raw
(gar="trms">dens are full of) grotesqueness and splendor, death and life, delicacy and treachery, softness and sting
transgenerational
regenerations
liminal='lgc'>: a threshold without a value, a doorway without assurance
that false divide between life and death (somebody animating it)
(="frds scrmbld">Eszter's lace-like ="trms">interiors)
loss ='lgc'>==shapes='lgc'>='lgc'>==> our ="trms">relationship to the living (='at'>@="frds scrmbld">Jassem)
(='strcls'>*ambivalence of loss and re="trms">membering='strcls'>* in the) melancholic calculus of the archive='lgc'>: “what is lost can become what is preserved as part of the self”
="prgrph">-as an environment sickens and dies we harbor the loss
(hope ='lgc'>=/= salvation)
...learning a new grammar of ="trms">animacy (with ="ppl">="ppl">Hayward)
“='lgc'>[...='lgc'>]="trms">memories of ="trms">excess and delight, freaks, f="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right, and exploitations. Too much sugar. Surprise. And disappointment. Larger than life. Grotesque. Al="trms"nttrm="failure,blur,plur,lurk,tallur,slur">luring. Captivating. Calling. Their juxta="trms">position in this contradictory scape of sea, desert, and mountains='lgc'>--surreal”
(the mer-creature) a living con="trms">densation and displacement of what people ="trms">imagined as real
...how little is needed to prompt the ="trms">imagination='lgc'>: paint, wheels, and wood.
(US/Mexico or land/ocean borders...) a space about who and what cannot move, of who and what falls apart, or of who and what is lost
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(the ="trms">inter- and trans-action of) learning, playing and thought
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in ="nms">ajayeb what are the='lgc'>:
="lsts lst1">•="trms">animacy hierarchies (='lgc'>--="ppl">Chen)
="lsts lst1">•exposed and transparent conditions of possibility (='lgc'>--="ppl">="ppl">Hayward) ='lgc'>='lgc'>==> becomings and assemblages
="lsts lst1">•="trms">ontological fixities
="lsts lst1">•enactment of large-scale fantasies (='lgc'>--="ppl">Chen)
="lsts lst1">•
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(="ppl">Mehran Rad) on description of spring
kofr کفر ='lgc'><='lgc'>='lgc'>--> “="trms">nature” (tabi'at طبيعت) ='lgc'><-='lgc'>='lgc'>--> bahar بهار ='lgc'><='lgc'>='lgc'>--> bot-khane بت خانه
Manuchehri='lgc'>: نوبهار آمد و آورد گل و یاسمنا باغ همچون تبت و راغ بسان عدنا http://ganjoor.net/manoochehri/divanm/ghaside-ghete/sh1/
="ppl">Hafez='lgc'>: کنون که در چمن آمد گل از عدم به وجود بنفشه در قدم او نهاد سر به سجود http://ganjoor.net/hafez/ghazal/sh219/
='lgc'>=/= durdastha دوردستها, beyonds
donya دنیا ='lgc'><='lgc'>='lgc'>--> gozar گذر
='lgc'>='lgc'>-->='qstn'>? ="trms">materia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list
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="ppl">Nezami='lgc'>:
بهاری داری ازوی بر خور امروز که هر فصلی نخواهد بود نوروز
گلی کو را نبوید آدمی زاد چو هنگام خزان آید برد باد
(ruse, san'at صنعت ='lgc'>='lgc'>-->) hile حیله ='lgc'>=/= sho'bade شعبده (shab-bazi شب بازی, neyrang نیرنگ,)
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lahn-haye jahan
لحنهای جهان
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(feral='qstn'>?) table of contents
how we know that contents are tabled at all='qstn'>? ='lgc'>='lgc'>--> in="trms">heritances of taxonomy, ="trms">natural philosophies ="trms">aesthetics='lgc'>: tamed facts
='at'>#="trms"nttrm="righ,rigo,riga,rigi,trig,rign">Rigs, my ="nms">ajayeb diagrams
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="nms">ajayeb's ="trms">histories (='lgc'>~ ="nms">ajayeb's ="trms">historically ="trms">situated ="trms">relational ="trms">worldings) ='lgc'>=/= ="trms">societies of individuals in human-only ="trms">histories (='lgc'>~ ="ppl">Euclidean figures and ="trms">stories of Man)
(which ="trms">network is='qstn'>?) a netbag for collecting up what is crucial for ongoing
="nms">ajayeb's ="trms">technotheocratic geoengineering ='lgc'>[, it “fixes” some common ="trms">imaginations the “affairs of life,” and not ="trms">specifically the “afterlife,” (within the ='lgc'>{terminology ='lgc'>~='lgc'>} figural-conceptual powers of ="trms">syms and ="trms">material-="trms">semiotic time-space of the Indo-Greco-Arab-Turko-Persian terra taxa)='lgc'>]
="lsts lst1">•periods of time
="lsts lst1">•“known” life
="lsts lst1">•abode (budgah بودگاه, Wohnplatz)
="lsts lst1">•donya دنيا
="prgrph">-="trms">stories that focus on com="trms">position rather than intrusion
="prgrph">-="trms">stories that focus on ="trms">ongoingness rather than game-over
(="ppl">="ppl">Haraway > ="ppl">="ppl">Stengers > ="ppl">="ppl">Latour > ="ppl">="ppl">Margulis) Gaia, to name complex nonlinear couplings between processes that ="trms">compose and sustain entwined but nonadditive sub="trms">systems as a partially cohering ="trms">systemic whole
planet-transforming, ="trms">historically ="trms">situated, new-enough, ="trms">worlding ="trms">relations
(="trms">systematic ="trms">stories are linked) ="trms"nttrm="metaph,metamorph,metabol,metal">metabolisms, ="trms">articulations, coproductions
(they must also be) ="trms">relational, ="trms">sympoietic, consequential
myth-="trms">systems (are set-ups)
(a deadly one='lgc'>: “Man ='lgc'>+ Tool ='lgc'>='lgc'>==> ="trms">history”)
names ='lgc'>=/= faces (='lgc'>~ ="trms">morphs of the same)
a thousand names of something else
(what ="ppl">="ppl">Haraway is naming with) compound-eyed insectile and many-armed optics
winged domains
="trms">bird-bodies
(="ppl">="ppl">Haraway's spider and) my ="nms">ajayeb's snake='lgc'>: tasks of thinking, figuring, and ="trms">storytelling
='lgc'>--='not'>✕='lgc'>='lgc'>--> heady facial re="trms">presentation; ='lgc'>[="frds scrmbld">Luisa also dislikes this='lgc'>]
="lsts lst1">•figure of snake (circular serpent) is ="nms">ajayeb Persian sf ="trms">worlding, has ties with the ="trms">Greek Chthonis (“of the earth,”) is at the same time the image of the continuity of life and the ="trms">abyssal moral (eating your end, no gag reflex)='lgc'>='lgc'>-->='lgc'>{Gildas Hamel='lgc'>: “the ="trms">abyssal and elemental forces before they were astralized by chief gods and their tame committees"='lgc'>}
“many critters acoss taxa” (juju جوجو ='lgc'>+ rade رده)
(I dispute ="ppl">="ppl">Haraway's notion of “sacred.” popular ="trms">religion is at many times populated by earthly figures alongside many astralized destructive ="trms">finitudes.)
="ppl">="ppl">Haraway's urgently needed Chthulu="trms">cene ="trms">story
='lgc'>[="ppl">Miyazaki's='lgc'>] biodiverse terra ='lgc'>[God flips out='lgc'>] into something very slimy, like any overstressed complex adaptive ="trms">system at the end of its abilities to absorb insult after insult. (="ppl">="ppl">Haraway's wording)
(yes yes we are all ultimately connected to one another,) but the ="trms">specificity and proximity of connections ="trms">matters
(="ppl">="ppl">Haraway ='lgc'>+ ="ppl">="ppl">Latour's) ‘things’ are='lgc'>:
="lstsrd">1- collection of entities
="lstsrd">2- hard to classify, un="trms">sortable, (and probably with bad smell)
="trms">Anthropos ='lgc'>=/= rich generative home of a multi="trms">species Earth
“looks up at what he sees.”
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ʿAjā'ib al-makhlūqāt wa gharā'ib al-mawjūdāt
Ajayeb al-makhlughat wa gharayeb al-mojudat (عجائب المخلوقات ,عجایب المخلوقات) in short='lgc'>: Ajayeb, is a sug="trms">gestive cognitive work, full of strange ="trms">linguistic pollutants, ="trms">interesting ="trms">agencies and animations, and like most of the medieval ="trms">sciences and knowl="trms"nttrm="knowledge,Knowledge">edge ="trms">systems that were busy with the transformation of ="trms">agencies it collapses “="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">lists” and “="trms">narratives.” In Ajayeb each ="trms">animal is a con="trms">sensual ="trms">hallucination device (='lgc'>~ each ="trms">animal is a way of knowing the ="trms">world); some pre-organic, ="trms">inter-corporal ="trms">species, with trans-="trms">ontological intentionalities.
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infrastructure='lgc'>: piled-upon assemblages within which there are many discontinuities but also connections, some deliberative, some inadvertent. (="ppl">Katie ="ppl">King)
='lgc'>='lgc'>--> “flexible knowl="trms"nttrm="knowledge,Knowledge">edges”
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آب حیوان ='lgc'>{how could I know that ="frds scrmbld">Vladimir (in his performance for ="frds scrmbld">="frds scrmbld">Lilia's ="nms">apass score) was not (in)sourcing the Holy Waters, abe heyvan or vozu='qstn'>? his sweat was the ooze of a ="trms">modern and secular labor. he was using a profane water='qstn'>?='lgc'>}
حیوان خوران جهان heyvan khorane jahan
زیرکان کهن kohan zirak
حجابی که ظلمات شد نام او روان آب حیوان از آرام او (Zolmat ='and'>& abe heyvan)
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='at'>#='mywrk'>my work in ="nms">apass is about='lgc'>:
="lsts lst1">•="trms">bestiary='lgc'>: archaeological ="trms">anthropology of human-="trms">animal practices
="lsts lst1">•="trms">rhetoric='lgc'>: scaling, modeling, figuring out fields of practices
="lsts lst1">•="trms">ontology='lgc'>: circumscribe, address, or deal with the processes of ="trms">ontological transformations
="lsts lst1">•="trms">storytelling='lgc'>: mobilizing ="trms">different kinds of mental resources and ="trms">literacies
="lsts lst1">•performance='lgc'>: what it would be to know together
="lsts lst1">•="trms">sociality='lgc'>: that which joins ="trms">categorically separate mode of ="trms">agencies
="lsts lst1">•
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='at'>#my findings/="trms">questions, so far='lgc'>:
="lsts lst1">•="trms">animal subjectivity ='lgc'>='lgc'>~=='qstn'>? human ="trms">imagination
="lsts lst1">•="trms">bestiary ='lgc'>='lgc'>~=='qstn'>? ="trms">affect ='lgc'>+ ="trms">episteme
="lsts lst1">•medieval ="trms">bestiaries='lgc'>: ="trms">world ='lgc'>='lgc'>~= ="trms">phenomena
="lsts lst1">•de="trms">finition ='lgc'>='lgc'>~=='qstn'>? ="trms">ontological choreography ='lgc'>='lgc'>==> ="trms">worlds are created
="lsts lst1">•="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphores of self ='lgc'>='lgc'>~-> ="nms">body image ='lgc'>='lgc'>~=='qstn'>? image of ="trms">world
="lsts lst1">•="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list ='lgc'>='lgc'>~=='qstn'>? reason
="lsts lst1">•
I found myself oriented towards a kind of ‘multi="trms">species ethnography’='lgc'>: a new way of ="trms">writing and mode of research in which creatures previously appearing on the margins of ="trms">interest='lgc'>--as part of the landscape, as food for humans, as ="trms">symbols (for mystic projects)='lgc'>--have been pressed into the foreground of ="trms">interest.
(what are my) ="trms">symbolic ='lgc'>+ ="trms">symbiotic attachments
what/who is coughing, counting, working, ="trms">communicating sited between divine and bestial in ="nms">ajayeb='qstn'>?
="prgrph">-is my ="nms">ajayeb a (dead/alive) multi="trms">species art project='qstn'>? studying Indo-Arab-="nms">Iranian illuminated manuscripts as to be ="trms"nttrm="already,spread">reading a paper in ="trms">ecology or molecular biology or art.
unlike ="frds scrmbld"nttrm="Alex,Alert,Aleph,Alessi">Alex Arteaga's ="trms">question of “inevitable altruism” ='lgc'>{started from “conscious human subjects” and ended there='lgc'>} (in his talk 30.05.2017 ="nms">apass,) I would insist on giving an account of the ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphors of ‘self’ in the ="trms">history of body and mind (that ="trms">matters to ‘you’) ='lgc'>[my findings of self='lgc'>: maginc lantern, iceberg's tip (='lgc'>='lgc'>==> unconsciousness), wasteland/="trms">wilderness, greedy ="trms">beast within, ... ='lgc'>{='lgc'>='lgc'>--> these are all (classical) basis for “higher” cognitive capacities='lgc'>}='lgc'>] ='lgc'>[also I am against ="frds scrmbld"nttrm="Alex,Alert,Aleph,Alessi">Alex's notion of “destablizing stabilities as the task of artistic research.” I choose to refuse to put what is in flux against what is stable or attempting to stabilize. (I am in alignment with ="ppl">Katie ="ppl">King sharpening for me that) we constantly share our ="trms">stage, settings, performances, sensoria, reenactments among ="trms">agencies and ="trms">species, creating varying stabilities, some fragile, some robust='lgc'>]
='strcls'>*account='lgc'>--synonymous with='lgc'>: description, information, ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list, reason, record, statement, ="trms">story, sum, tale
="prgrph">-a contractual ="trms">relationship
="prgrph">-giving an itemized account of recent transactions and resulting balance (of your ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphors='lgc'> = ="trms">material-discursive ="trms">apparatuses that are ="trms">materializing your found ="trms">="trms">empirical objects)
="prgrph">-accountability is always also about remaking those ="trms">relations that produced your objects
="prgrph">-detailed explanation of money held in trust, to count, enumerate='strcls'>* ='lgc'>='lgc'>-->='lgc'>{telling ='lgc'>=='qstn'>? enumerating='lgc'>}
counting your senses
='strcls'>*accountability is about your ‘import’ functions (like in a programming ="trms">language when you import a library of functions)
='lgc'>='lgc'>--> count='lgc'>: an ="trms">agent of ="trms">sorting that separates units or groups of a collection ='lgc'>='lgc'>--> ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list, ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listed ='lgc'>='lgc'>--> to have importance and worth ='lgc'>='lgc'>~-> country ='lgc'>='lgc'>---='lgc'>{='qstn'>? unexpected countries='lgc'>}
='lgc'>--0='lgc'>='lgc'>--> ‘count’ is also a word ="trms">technologically tethered, o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin of computing
(="ppl">Kirksey > ="ppl">Leigh ="ppl">="ppl">Star) to begin with the ="trms">question, ‘cui bono='qstn'>?’ (for whose benefit='qstn'>?) ='lgc'>=/= to begin with a celebration of the fact of human/nonhuman mingling
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my ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">Rigs diagrams are ‘swarms’='qstn'>? -a multitude of ="trms">different creative ="trms">agents
="nms">ajayeb.net (how can it be='lgc'>:) not a website but a “para-site”
="lsts lst1">•am i creating an ego (for ="nms">ajayeb) in my ="nms">ajayeb.net='qstn'>? if yes, that would be ="trms">interesting how='qstn'>?
topos/topic of hypertext, spatial character of electronic ="trms">writing
topic ='lgc'>[from ="trms">Greek ‘topos’='lgc'>: a place, in ancient ="trms">rhetoric used to refer to commonplaces, conventional units, or ="trms">methods of thought='lgc'>] exist in a ="trms">writing space that is not only a visual surface but also a ="trms">data structure in the computer ='lgc'>='lgc'>--> Hypertext='lgc'>: “is not the ="trms">writing of a place, but rather a ="trms">writing with places, spatially realized topics.” (="ppl">Bolter < ="ppl">Hubert)
="prgrph">-in my hypertext, which ="trms">writing ="trms">materials, cognitive mappings, itineraries of ="trms"nttrm="already,spread">reading, textual stability, loops and reductions are addressed='qstn'>?
="lsts lst1">•in ="nms">ajayeb.net the so-called url address or location bar, is itself a control panel, a graphical user ="trms">interface widget; how did i come to use “='qstn'>?q=” ='lgc'>: ="trms">rhetorics of ="trms">technologized inquiry in place before i even could think about how do I allow my objects constituted by “='qstn'>?”, “q” and “=” of the ="trms">language and grammar of ="trms">internet
="lsts lst1">•(when i uploaded my hypertext i faced immediately the big ="trms">data='lgc'>:) google webmasters tools is my first ="trms"nttrm="already,spread">readership, it ="trms">communicates its ="trms"nttrm="already,spread">reading with me; (did i have a desire to make the hypertext for a machine='qstn'>?) who/what is doing the ="trms"nttrm="already,spread">reading (in the ="trms">world of big ="trms">data)='qstn'>? the ="trms">interpretive work that is going on, in a ="trms">writing and ="trms"nttrm="already,spread">reading done by computers ='lgc'>='lgc'>==> ethical and soc[...]