[...]ttari)
="lsts lst1">•transversal arrays of qualities or activities which, like musical refrains, give order to ="trms">materials and ="trms">situations, human bodies and brains in="trms"nttrm="cluster,club">cluded, as actions undertaken act-back to shape muscles and bone senses (Anderson ='lgc'>+ Harrison)
="lsts lst1">•a ="trms">mattering that is about the (="trms">contingent and temporary) becoming-determinate (and becoming-indeterminate) of ="trms">matter and meaning (="ppl">="ppl">Barad)
="lsts lst1">•built out of ="trms">difference and repetition (="ppl">Deleuze)
="lsts lst1">•="trms">composed of potentiality and loss (="ppl">Berlant)
="lsts lst1">•lean toward that which exists singularly as event, or as a gap, without ground or against the background of nothing (Dewsbury)

='lgc'>[='strcls'>*='lgc'>]reality='lgc'>: a rhythmic alteration between objects, events, and words='lgc'>='lgc'>---an uncreated ="trms">world='lgc'>='lgc'>---='lgc'>{re="trms">verb between word and ="trms">world ='lgc'>='lgc'>--> ='lgc'>[='strcls'>*='lgc'>]worling='lgc'>: a trans="trms">position of the existing knowl="trms"nttrm="knowledge,Knowledge">edges al="trms"nttrm="already,spread">ready possible in a ="trms">joke or a ="trms">gesture ='lgc'>='lgc'>--> singularities gathering and dissolving, ='at'>#tools='lgc'>:
="lsts lst1">•snapshots (shoot of an ="trms">affect)
="lsts lst1">•="trms">fictocriticism (="trms">fiction ='lgc'>+ theory ='lgc'>+ criticism; a name for those “critical” inventions which belong to ="trms">literature while deforming its limits)
="lsts lst1">•sensory ethnography (ethnographic engagement based on curiosity and attachment) ='lgc'>='lgc'>--> drawing
='lgc'>='lgc'>--> paths lit up in a rhythm ="trms">interrupted
(as an aritist) you can make anything of anything, the ="trms">questions is, what is it, what is it doing, what is in this consistency of rhythm='qstn'>?='lgc'>}

='lgc'>[='strcls'>*='lgc'>]="trms">social='lgc'>: comprised of entities that are both ="trms">present and absent (='lgc'>='lgc'>==> ="nms">ajayeb), atmospheres, ="trms">affects, virtual ="trms">memories, hauntings, and that these are themselves moments of endurance (or not='qstn'>?), instants of the holding together of the disparate itself
(="ppl">="ppl">Stewart > Doel)


='lgc'>[!='strcls'>* ="ppl">="ppl">Stewart describing the color='lgc'>] ='strcls'>*red='lgc'>: “it moves through streams and tendrils into an as="trms">sociational register of connections and ="trms">differences, ="trms">materials and noumena وجود مجرد, the coagulation دلمه شدن and diffusions of lines of influence and bits of ="trms">matter.”
(in my visual art studies we were given redness as a ="trms">symbolic element in a re="trms">presentational order and a ="trms">matter-of-fact) ='lgc'>=/= state-of-sensory-alert, redness as an actual com="trms">position spun into re="trms">presentations, objects, and states of sensory alert
“='lgc'>[...='lgc'>] a germinal ="trms">aesthetic. a tendril of practices and sensibilities gathered into an energetics of form
="lsts lst1">•black sky and ocean ='lgc'>='lgc'>--> limit, outline, elemental flux, ="trms">matter waiting formlessly
="lsts lst1">•white ice and snow ='lgc'>='lgc'>--> stasis, shape and form, a blankness that challenges com="trms">position, the ="trms">transitoriness
="lsts lst1">•red ='lgc'>='lgc'>--> the feebly real, the long, low-frequency wave-lenght of the dying stars, the ="trms">past, the effort to fix dead reality in a cast ='strcls'>*
="lsts lst1">•green ='lgc'>='lgc'>--> plants that glare with a harsh reality, the violence at the heart of the ="trms">world we inhabite
="lsts lst1">•blue ='lgc'>='lgc'>--> a limited, temporary success in fixing experience in a pattern
="lsts lst1">•


="large lg2" stl="font-size:111%"> a landscape animated by the primariness of color ='lgc'>=/= Molenbeek

american indians became “red” through a complex ="trms">semiotics of encounters with colonists


...who knows what kinds of desires, fears and dead ends

(pay attention to ="ppl">="ppl">Stewart ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list making ="trms">narrative='lgc'>:)
events, sites, actors, stakes, consequences, properties, competences, modalities, attunements, velocities

="large lg1" stl="font-size:111%">
... a ="trms">world ='lgc'>='lgc'>==> ephemeral sparks ='lgc'>='lgc'>==> an atmosphere ='lgc'>==pulled='lgc'>='lgc'>==> qualities of ="trms">sociality, personality and ="trms">language out of people ='lgc'>[='lgc'>='lgc'>--> ="nms">ajayeb='lgc'>] ='lgc'>==created='lgc'>='lgc'>==> spaces of care, territoriality, order, ="trms">horror


the stark mantras of re="trms">presentational critique='lgc'>: that the play of abstract ="trms">categories (real/fabricated, ="trms">nature/human habitat, ="trms">wild/tame, red/white, high/low, etc.) bloodlessly determine ="trms">worlds or adequately describe them ='lgc'>='lgc'>==> ='lgc'>{ everything is political='lgc'> = to always know what the political is ='lgc'>}='lgc'>='lgc'>--> ‘political’ ='lgc'>: something that exists in the big picture of broader significance, something strongly obvious (but not to most people!) that meanings can be automatically assigned to things and are the basis of those things’ value ='lgc'>='lgc'>-->!='at'>@="frds scrmbld"nttrm="Alice,Shariati">Ali

the effect of context

="trms">matters of com="trms">position, each with a “we”='lgc'>:
="lsts lst1">•feeble نحيف
="lsts lst1">•experimental
="lsts lst1">•eccentric ='lgc'>='lgc'>--> ="frds scrmbld">Elen
="lsts lst1">•habitual ='lgc'>='lgc'>--> my mother
="lsts lst1">•generous
="lsts lst1">•="trms">gestural ='lgc'>='lgc'>-->
="lsts lst1">•half turned away
="lsts lst1">•reached the expressivity of a mood, a tone of voice
="lsts lst1">•do they lighten things or load them down='qstn'>?

...a com="trms">position made explicit in the figure of ='strcls'>*the active survivor='strcls'>* and ='strcls'>*the knowing ="trms"nttrm="already,spread">reader of impacts='strcls'>* ='lgc'>='lgc'>--> a watchfulness-turned-impulse that ends not on meaning but in the haptic, multi-angled, sensorimotor qualities of a ="trms">world's un="trms">imaginable detail
(='at'>@="frds scrmbld">Varinia) qualities sensorimotor ="trms">interactions with environments that are not reducible either to thoughts and ="trms">imaginings='lgc'>:
="lsts lst1">•='strcls'>*richness='lgc'>: a s="trms">cene spied provides in="trms">finite detail beyond what you can invent ='lgc'>='lgc'>--> ='at'>#="trms">excess
="lsts lst1">•='strcls'>*bodiliness='lgc'>: the motions of the body ="trms">affect sensory input
="lsts lst1">•='strcls'>*insubordinateness='lgc'>: the ="trms">world has a life of its own; things moved by themselves
="lsts lst1">•='strcls'>*grabbiness='lgc'>: sensory impacts ="trms">matter apart from their cognition
='lgc'>='lgc'>--> having a ="trms">phenomenal experience is having ="trms">skills with these qualities='strcls'>** ='lgc'>[='at'>@="frds scrmbld">Hoda='lgc'>]


an ="trms">ecology of potentialy marked by violence and care

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

='lgc'>[="ppl">Alberti='lgc'>]

we might='lgc'>:
="lsts lst1">•provide a better understanding
="lsts lst1">•provoke novel realities/="trms">ontologoes (to emerge from ="trms">material)
="lsts lst1">•provoke an understanding in the context of the everyday

='strcls'>*(="ppl">="ppl">Latour, ="ppl">Whitehead, Law='lgc'>:) ="trms"nttrm="search">archeological entity='lgc'> = ="trms">ontological entity (by ="trms">nature) ='lgc'>}='lgc'>='lgc'>==> productive of reality


to focus on practices in which all possible elements of the process must be understood as active and creative (='lgc'>='lgc'>--> ='at'># ="trms">="trms">equipment ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list)

='strcls'>*“to take ="trms">seriously"='lgc'> = to accept at a fundamental level the truth of a claim and to doggedly follow its consequences
(form an ="trms">ontological and conceptual perspective)
(='lgc'>='lgc'>--> dogs follow consequences)
(indigenous thought is treated as a theoretical discourse on the ="trms">nature of reality ='lgc'>=/= an ="trms">interesting ="trms">interpretation of it)='lgc'>='lgc'>--> to take ="trms">seriously the indigenous ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysics of multi="trms">naturalism ='lgc'>[or ="nms">ajayeb='lgc'>] as a philosophical ="trms">intervention ='lgc'>: to trace out its effects on ='lgc'>[our='lgc'>] concepts


multiculturalism='lgc'>: a single objective universe and many cultural ="trms">interpretations of it
multi="trms">naturalism='lgc'>: multiple universes and a single mode of ="trms">interpretation (="ppl">Viveiros ="ppl">de Castro)
='lgc'>='lgc'>==> perspective ='lgc'>=/= a ="trms">different “point of view” on (the same way of knowing or seeing) qualitatively ="trms">different ="trms">worlds ='lgc'>}='lgc'>='lgc'>-->='strcls'>* ="trms">situated knowl="trms"nttrm="knowledge,Knowledge">edges, ='at'>#elephant parable

="large lg3" stl="font-size:110%">
no='lgc'>: no ='lgc'>='lgc'>--> de-="trms">historicizing effects of imposing psycho-cognitive shamanic models of art
no ='lgc'>='lgc'>--> purely cognitive significance (of...)


='strcls'>*miniature='lgc'>: a ritual activity, a grave offering, a ="trms">sympathetic magic, a capture of the power of the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginal
='lgc'>='lgc'>--> common ="trms">stories about how miniatures can be ="trms">interpreted in archaeology

="large lg4" stl="font-size:112%">
(="trms">ontological research approach)_
scale is utterly important because “careful attention to alternative ="trms">ontologies of scale introduces new ="trms">interoretive possibilities for...” (="ppl">Alberti)

='strcls'>*="trms">ontology='lgc'>: the sense of a real, solid ="trms">world
='thdf'>for example the ="trms">question of “the substance of the ="trms">world”, everyone has answered that al="trms"nttrm="already,spread">ready (reiterating that which makes sense) ='lgc'>='lgc'>==> concept of real ='lgc'>--(invent)='lgc'>='lgc'>--> ='strcls'>*="trms">cosmology (='lgc'><='lgc'>-- this is not a relativizing ="trms">gesture) ='lgc'>==(force)='lgc'>='lgc'>==> production of new concepts and ="trms">materialities
='at'>@="frds scrmbld">Eszter='lgc'>: importance of asking the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right ="trms">questions='lgc'>: unless we do, the answers make no ="trms">difference (="ppl">Grosz)


scopes and scales ()='lgc'>='lgc'>--> “dimensionally mani="trms">fold weave of knowl="trms"nttrm="knowledge,Knowledge">edge ="trms">worlds” (="ppl">="ppl">Haraway ='lgc'>+ ="ppl">Katie) are at stake in='lgc'>:
="lsts lst1">•="trms">science display
="lsts lst1">•TV series
="lsts lst1">•="nms">ajayeb
="lsts lst1">•pet video
="lsts lst1">•emergent transdisciplinary scholarship
="lsts lst1">•transmedia commercial ="trms">apparatuses
="lsts lst1">•
='strcls'>*with ="trms"nttrm="already,spread">reading/enacting ="nms">ajayeb what is at stake is the “effectivities in realizing knowl="trms"nttrm="knowledge,Knowledge">edge ="trms">stories” ='lgc'>='lgc'>--> ="trms">epistemological ="trms">affects

="large lg5" stl="font-size:138%">
='lgc'>[='strcls'>*='lgc'>]scale
="lsts lst1">•operates through intensity and not size
="lsts lst1">•emergent and performative (Jones), (juxta="trms">positions of) scales ='lgc'>='lgc'>==> “="trms">interesting psychological and ="trms">phenomenological effects”
="lsts lst1">•a flat approach to scale does not separate the ="trms">social and ="trms">material, or the micro from the macro ='lgc'>='lgc'>==> ='lgc'>[='strcls'>*='lgc'>]size='lgc'>: (emerges as a possibility, as) one means of enacting the potential of another scale; accidental effect of intensity='lgc'>: ="trms">materialization of intensity and ="trms">excess ='lgc'>='lgc'>==> humanity='strcls'>***
="lsts lst1">•is about intensity and ="trms">excess ='lgc'>='lgc'>--> potential for visibility/invisibility and proximity to the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginal condition of un="trms">differentiated, in[...]