[...] /> adabiat tosifi ادبیات توصیفی
divisive consciousness (with a certain) degree of removal from the world =/= (we want) *more* language (<-- more we name what we see and do)==?==> a larger and more valuable world
(Roethke:) “when is description mere? never!”
-->
[*]صنعت تضاد san'at-e tazad, polarity: the pull of forces in opposition ==makes==> writing feel alive
[*]projection: that psychological mechanism by which we turn the world, or other people, or deer (into versions of ourselves) --> it is not a sin; it is our method of operating, our modus operandi (--> “pathetic fallacy”: inevitable perceptual work of the human; “if you are miserable, then the trees look miserable to you”)
[*]qualifiers sefat صفت gheyd (adjectives and adverbs) intended to lend a host of sensory qualities to the sentence; (sometimes too much) adjectival or adverbial flavoring. [#training: remove every adjective and adverb, and see what you have got left --> **there is always a more exact term waiting to be employed**] (Foad's severe economy of means; Janina's allusive, shimmery surfaces delight) ([*]style: a simple way of saying complex things. -Cocteau)
[*]نظم nazm: musicality of poetry, poem's body of sound is its specific particular flesh, sonic texture --> **making the language more markedly like the world** [a trail, pathway through a wood of sounds, an unmistakably specific landscape, loyal to the local]
[*]synesthesia: occasion of excitement, a skein of complicated perception, (sort of a literary technique,) something like a snapshot of the image-making mind at work --> superimposition of both events and of senses (and of scenes?) ==> a consciousness
(aim of many artists:) “to form the sensorium, the sphere of perception in which we dwell” @Hoda =/= (Doty suggests:) it is work to sort them out (what sorts out senses? question @Hoda, she must learn: an accurate rendering of an idiosyncratic process of sensory overlap and association)
[*]لحن tone: special effects, evoking a ‘moment of’ ... intense statement of feeling ==> a concretely descriptive feeling
[*]questions are always a little more trustworty than answers (?) -- sometimes things said do not take the *rhetorical form of a question* [--> in apass i was training to be able to capture those kind of ummarkedly questions] --> something said (described) with room for indeterminacy ///*convex mirror* (Doty's refractive thinking)
[*]فعل verb, the descriptive force of the right (hardworking) verb, a kind of muscular concreteness. sometimes verbs gain descriptive force when other parts of speech are newly cast in active roles

*invocation = directly addressing the thing creates a sense of immediacy and of connection
*thou, with its suggestion of divinity or beloved --> prayer
*hectic: uncomfortable alliance, inharmonious, something that might set the teeth on edge
*destroy --> a death-steeped perception that reads the wind as a “destroyer”
*world of fused duality


‘and’ --> the signature element of a place, of a landscape, the conjoined body : the animate and the inorganic as one thing


*the project of being alive* (is little understood)

([my project is perhaps] to become) a person whom the ancient world is remarkably vivid*** ♥
to have gossiped about figures of ancient Persia

to believe that the *world is queer* (=/= Mobed, Foad, Reza)
(we need -->) a window of doupt through which all creative possbility comes into being

(Forster:) “[...] standing absolutly motionless at a sight angle to the universe”

(queer =?) an oblique مورب position in relation to the real (=/= buisiness as usual)
queer to be interested in what can't be packaged or sold in the marketplace
queer to enjoy the fundamentally useless, contemplative pleasure of (poetry, ajayeb, etc.)


description --> *providing the particular evidence of specificity*
not everything can/need to be described --> **the choice of what to evoke**, to make any scene seem ‘real’ vagheyi. look at USA film industry and all the efforts put in scenic description of the WWII, vampire stories, teenage life, nation; or in iran in Iran-Iraq war (Iranq)


lush, sensuous, flowering

parallel text to the creature


“you are gorgeous and i am coming” ♥

an approximation, unstoppable as an approachoig sound of approaching organism


testing and smelling
insight and sound --> Lili


an aphrodisiac and a chastening reminder: getting sidetracked by grief


“my portion this time”

*art is a house that tries to be haunted* ♥ (Doty > Dickinson)

قافیه به تنگ آمد ghafie tang, (when a choice is) driven more by sonic than by logic


what kind of game is the sea? @Marialena
lap and drag. crag and gleam
(monosyllables --> are we reading nouns or verbs? tough, playful ocean)

syntactical ambiguity disorients


(Khayam's) desire to die into the world (~ to surrender into the life of things)

[title]
*describer's art*


autumn
a kind of logarithn of decay and rekindling


to describe description
a work of advocacy
to go description-hunting in ajayeb
evocation of sense perception (--> a technique that Adventure Times TV series uses)

...................................

Foucault [_bestiary of the imagination]
...precisely because it puts them into categories of their own, the Chinese encyclopedia localizes their [fantastic entities, fabulous animals, polymorphous and demoniacal faces, creatures breathing fire,,] powers of contagion

encyclopedia ==> quality of monstrosity does not affect any real body (=/= lurk)

animals in the non-place of language, meeting in the immaterial sound of the voice pronouncing their enumeration

“Absurdity destroys the ‘and’ of the enumeration by making impossible the ‘in’ where the things enumerated would be divided up.”

the ‘operating table’
a table --> a tabula, “that enables thought to operate upon the entities of our world, to put them in order, to divide them into classes, to group them according to names that designate their similarities and their differences--the table upon which, since the beginning of time, language has intersected space.” (Foucault, The Order of Things)

...................................

*questionable interpretations

#attention
([art/]aesthetics of noticing)--> appreciation of multispecies landscape, making living ecologies

which sectors/fields of art require artist to go out and notice things?
(engage with which) details of the world --> breaking common sense

our mamalian bias:
•predetermined body shape and size
•run toward death (pre-programmed death =/= history) ==> makes us think in terms of set-life courses
}==> allow us to imagine a standard individual outside of history

(Tsing's) history: overlapping tracks and traces and many trajectories of world-making, human and not human

irreversible time ==> indeterminacy (of history) --> new alliances --> the ability of assemblages to produce historical changes in our common world

what needs to be stated
what needs to be produced

context-dependent --?--> the way things are

architecture of podium <--✕--> labor-process of the actual speaker
how talks are *actually* produced
in your material practices
hybrid in digital manual tactile operations of speaking

noticing ants, spiders, little traps, species cohabiting, mutual coproduction of economics, ecology, labor-studies, house-hold studies, ajayeb-studies, and understanding of the orders of the natural and human world

(Gordon allowing) *algorithms to become stories*

(the technological enablement of some) *disciplines of attention*

“we are al lichen”: we are all ecosystem composite critters


ants, combining two kinds of noise, half-hazard patterns of interaction
half-hazard contact
half-hazard context
}==> it works (=/= perfection, precision/efficiency of clockwork)


#some Baradian models of intra-action in popular cinema:
•(intra-action received and wielded through discipleship and pre-programmed talent:) The Force in Starwars. [the story don't allow any other story of The Force and its contingencies other that good and evil tool-use of it]
•(intra-action resisted by individual subjectification:) the shadowy monster from the Upside Down in The Stranger Things, possessing the character. [the story is based on non-intra-active models and mode of being in the world of multispecies in multi-dimensions, it wants clear boundried subjects encapsulated by psychological ego and self-possession persons, ideas of identity and power --> life insurance system]
•(intra-action resisted by the political modern concrete individualism:) relationship with the phantom of state in The Handmaid's Tale. [overlapping a flat image of totalitarian society into religion]


...................................

technosphere: (conceptualized as) an unintended muddle of multispecies relationships emerging from contaminated landscapes, dumps
--reconsider-with-> feral technologies: novel and weedy capacities for materially significant change

invasive artificial intelligence

anthropocene: a multidimensional puzzle structured around complexities and ruptures --> when ways of being & ways of belonging can no longer be studied exclusively
(human-nonhuman-machine)

•who orders the technosphere?
•who inhabits the technosphere?
•


...................................

“unmediated experience” --(signals a danger)--> naive realism (+ its polar opposite: naive subjectivism)


soup operatic
operatic (--> opera)
aporetic (--> aporia)
operative (--> secret agent)

...................................

‘learning’ in biology: (how to overcome X that) its ancestors would have not met
--> stories of ‘trial-and-error’ in animals
the idea of having ‘varying technique’ (closer to human) in regard to biological stasis
how the idea of ‘intelligence’ in animals is construted according to venture capitalism predatory preferences

...................................

mileu --> part of the history of the idea of animal
the living being and its environment, Canguilhem

[mileu: in French “middle,” in the midst of, medium, between, ... set, circle]

(the notion of) *environment* [relentlessly universal and required] --for--> capturing both the experience and existence of living beings

Canguilhem going through the historical stages of the formation of the concept of milieu/environment
-imported into biology in the second half of 18th century from (mechanocal notion) Newton by Lamarck
-later they [1870s Giard, Le Dantec, Houssay, Roule, etc.] take the idea from Lamarck, but they get the word, as an abstract universal term, from Taine

18th century French mechanics ‘milieu’ what Newton understood by ‘fluid’
problem of mechanics:
•(Newtonian:) problem of mechanics: *action at a distance of distinct physical individuals ==> *ether*: fluid medium of action at a distance [--> moon, lunar], continous in air
physics of central forces ==> “environment: a between two centers”
•(Descartes:) collision: the only mode of physical action (‘environment’ has no place in Cartesian physics)
*individuals occupying distinct points in space* --> they cannot act without joing their action [”?!” --> i am very conscious (and suspicious) about that which i feel that i don't understand --> what kind of nununderstander is at work here?]

Newton imported “milieu” into biology

action of an environment

[material racism -->?] (a fluid) strictly defined by its physical properties

•(Lamarck [taking from Newton the *physico-mathematical model of explanation*]:) environment/milieu: set of actions exerted on the living being from outside, “influencing circumstances”

physico-mathematical model of explanation (of living/dead beings) =/=? psycho-material model of explanation

(what would Machiavelli think of mileu?)

animal ethology, habits of animals describable as distinctive and specific characteristics

epistemology: **historical psychology of knowledge**

[*]historicity: should the fact that two or several leading ideas are combined at a given moment in a single theory be interpreted as the sign that (although they may seem to be quite different when subject of analysis) they ultimately have a common origin whose meaning and often even existence are forgotten when they are considered separately?
(Canguilhem beautifully brings the question of epistemology into his terms)

the *origin* ==commands==> the *meaning* ==commands==> the *use*

Comte's general biological theory of the environment
Comte employing a neologism --> “the fluid in which a body is immersed” (--confirming--> the mechanical origin of the notion,) “the total set of external circumstances necessary for the existence of every organism” [=/= Barad's intra-active model of explanation]
==> (rhetoric of) *dialectical conception of the relations between the organism and the environment* --instances such as “suited/adapted organism” and “favorable environment” [=/=? affordance theory]
Comte seeking a guarantee of his dialectical connection in the Newtonian principal of action and reaction:
organism --> variable
environment --> function
theory of the environment in Comte: (strictly mechanistic meaning of the word...) world --to--> man

Comte --> Lamarck: “milieu = circumstances = surrounding environment” ==suggest==> intuition of a *centered or focused formation* --> circle, sphere
***circumstances and surroundings still preserve a symbolic value, but milieu forgoes reference to any other relation other than that of a position forever denied by exteriority --?-->
چو پرگار می‌شدم...
چو نقطه...
گرد...
now refers to befor, here to its beyond, and so on without cease***
(in iranian poetry) environment: a pure system of relations without supports

*}==> environment: a universal instrument for dissolving *individualized organic synthesis* in the anonymity of universal elements and movements
(for example) metamerism of fish: “fish do not lead their lives themselves, the river has made them lead it, they are *persons without personality* (<== strictly mechanistic use of the notion of environment [<-- Descartes beast machine])
Lamarck: the environment dominates and control the evolution of living beings through the intermediary of *need*(= a subjective notion entailing reference to a positive pole of vital values)
(for Lamarck:) life and environment (which is unaware of it ~(Lamarckian *vitalism*:) ‘there is an originality of life of which the environment takes no account’) are two series of asynchronous events ==>
[*]adaptation: life's renewed effort to “stick” to an indifferent environment
[*]being: the effect of an effort [--?--> striving]
(--> this asynchronicity ==> “us” and “place”)
==> environment does nothing for life --Bichat--> “life: set of functions that resist death” (~-> tales of survival in America sci-fi TV series)
life resists solely by changing its shape in order to survive


Darwin explaining the ‘appearance of new forms’ conjunction of two mechanisms:
1- mechanism of the production of differences ~ variation
2- mechanism of the reduction and criticism of these produced differences ~ vital competition and natural selection
(for Darwin the fundamental biological relationship:) the relationship of the living being to other living beings --> precedence over environment conceived as a set of physical forces
-competition of forces
-accidental morphological variation
(for Darwin:) ‘to live' = to submit an individual difference to the judgment of the set of living beings ~= *die or be part of the jury*
monstrosity: the rule
originality: provisional ordinariness


finalism --Darwin--> selection
***both Lamarck and Darwin denounce finalism and celebrate mechanism
(both, [complementary] biologists to whom) life appears as a datum which they seek to describe without being too concerned about accounting for it analytically [--> not accouting for the analyticallity of their objects?]
Lamarck --> (thinks of life in terms of) *duration*
Darwin --> (thinks of life in terms of) *interdependence*

Darwin's biogeographical environment =/=? Lamarck's environment


Humboldt (and Ritter) --> (19th century) geography: a science conscious of its method and its dignity
(naturalist traveler -->) *Humboldt's “Kosmos” [~ synthesis of knowledge, not aiming to be encyclopedic, but strives ***to arrive at an intuition of the universe***] combining:
•(“oikoumene” tradition of Greek geography:) *the science of the entire human world* [--> ajayeb]
•(“mathematical geography” founded by Eratosthenes, Hipparchus, Ptolemy:) *the science of coordination of human space in relation with the celectial configuration and movements* [--> Olearius]
}==> Earth [considered as a whole]: (stable support for the) *فراز و نشيب vicissitude of history* --> ‘terrestrial space + its configurations’ : object of geographical, geological, sociological, biological knowledge
(Humboldt) applied a whole system of barometric, thermometric in his investigation. *division of plants* according to different climates ==> “botanical geography” & “zoological geography”

history of the Weltanschauung

*****how Humboldt (and Ritter, [even Simondon does that too]) apply the *category of totality* to their object --> the relations between historical man and the environment ==> *determination of historical relationships*

the relations between the geographical environment and man ==> a spirit
(-->) *doing history*: reading a map, understanding by map the representation of a set of metrical, geodesic, geological, climatological, and descriptive biogeographical data


Loeb + Watson (phototropism in animals):
every movement of the organism in the environment = a movement into which the environment forces the organism ==> **animal = reflex** <-->{Darwinism + Cartesianism ==> behaviorist psychology*}
(Watson:) [*]psychology: program of the analytical investigation of the ‘stimulus-response couple'[= conditions of the living being's adaptation to the environment through the experimental production of relations between stimulation and response] (<-- one of physical determinism) ==> consciousness nullified as illusory
(the living being's situation:) “its being = a conditioning” (--> as artists we still have to deal with this idea or image, it is about the reality the artist receives and what they make of it)


process of reduction:
(ajayeb --to-->) biology --to--> behavior --to--> neurology --to--> energetics (--to--> electronics)

the perfect work of behaviorist psychology: construct man as a machine reacting to machines

Condillac's fable of the statue: in the rose's perfume, the statue is the rose's perfume ==> living organism = respond to sensory stimulation (the physical mileu, light and heat, carbon and oxygen, calcium and gravity)

(Canguilhem asking) where is the living being? <-- Kohn

==> subjects “taking action” =/= objects “in movement”

we see individuals --but--> these are objects
we see centers --but--> these are environments
we see machinists --but--> these are machines

environment of behavior --coincides-with--> geographical environment --coincides-with--> physical environment


“in a human environment, man is obviously subject to a form of determinism, but it is the determinism of artificial creations in which the spirit of invention which calls them into existence is alienated.”

*psycho-technique of engineers*

...to grasp the presence in man of his own originality --> @Maarten, Mobed
as an irreducible center of resistance

“man, even when subordinated to the machine, never manages to grasp himself as a machine. his efficiency is greater the more he is aware of his central situation with regard to the mechanisms intended to serve him” [<-- *a bad story (of The Terminator, The 100, The Magicians, etc.)]


(Darwin, Laeb's) pragmatism: generalization of the notion of adaptation to the theory of knowledge

reference of organis movement to the organims itself as essential

(prepared by Kantor, Tolmann's) teleological behaviorism: recognizing the sense and intention of animal movement


(where, for whom, the individuality of the living organism stops?)
•at its ectodermic borders
•at the cell
•

cell: an environment of infra-cellular elements, it lives in an internal environment which sometimes has the dimensions of an *organ* and sometimes of the *organism*


Uexküll --> Umwelt =/= Umgebung =/= Welt
•*Umwelt* distinguishes the environment of behavior specific to an organism
•*Umgebung*: the ordinary geographical environment
•*Welt*: the universe of science

Umwelt ~ the specific environment of behavior (for the living being): a set of excitations

to be effective it must be anticipated by an attitude of the subject ~ ‘if the living being is not seeking, it won't receive anything’

Buffon & Lamarck --> time and favorable circumstances gradually constitute the living
=/= Uexküll --> time and favorable circumstances are relative to such and such living beings

==> Umwelt: an elective sample in the Umgebung }--> milieu
environment: “man's Umwelt” ~ the ordinary world of his perspective and pragmatic experience

*human suject: creator of techniques and values
==> animal's Umwelt: a centered environment/milieu relative to this living being as essentially a subject of vital values

a subjectivity at the root of this organization --> شپش shepesh tick

Uexküll story of the tick --> *mechanical theory of the reflex*
...the animal may remain completely indifferent and insensitive for a considerable length of time to all the excitations of an environment like a forest, and that the only excitation that is capable of triggering its movement, to the exclusion of any other, is the odor of rancid butter.
--> *an organism is therefore never equal to the theoretical totality of its possibilities
organism =/= preferential behavior

reversal of organism-environment relationship:
•“the meaning of an organism is its being” (Goldstein)
•“the living being's acquisition of its form” (Mendel)
•“the environment is not an agent of formation strictly speaking, but rather of realization” (Brachet)
•

(Soviet) ambition of complete domination of nature and limit the possibilities of an intentional alteration of living species


*which stories of life and why emphasize the separation of the organism from the environment (and make this separation intuitive and ready-to-hand)? [--> ajayeb]
(Lamarck focused on the point where) life coincides with its own meaning, where through sensibility the living being is positively or negatively *situated absolutly in existence* --> ***the indivisible totality of organism and environment*** [<-- Barad has to say a lot about that]

for Lamarck:
“circumstances” and “ambience” spherical, centered arrangement
astrological conceptions ==> “influence” and “influencing circumstances”


(in 18th and start of 19th century:) geographical + astronomical + astrological ==> [*]climate: the changing aspect of the sky + the influence exerted by the sky on the Earth
--> ajayeb-e climate
--> ajayeb-e moon
--> Olearius's anthropogeographical mechanics (<== Newton's celectial mechanics)
[*]geography: (for the Greeks) the projection of the sky on the Earth --establishing--> a correspondence of sky and Earth:
•topographical correspondence --> geometry + cosmography
•hierarchical correspondence --> physics + astrology

(philosophy of the) stoics ==> (Greek) geology ***
[رواقی‌ stoic: deterministic understanding of a universe (overseen by a god and governed by reason), integrity of character (--> walking erect), psychological independence from society, self-control and detachment, indifference to pleasure or pain ==> “clear thinker"]

}---> ***theory of universal sympathy*** [~/=? ajayeb] : vitalist intuition of universal determinism ==> geographical theory of environments (= milieu): biocentric conception of the cosmos (crossed over the Middle Ages to bloom in the Renaissance)


the idea of the cosmos:
(with Copernicus and Kepler:) Earth of living beings and man : the privileged center of reference of the ancient world
**(with Galielo and Descartes -->) two theories:
•a centered qualitative space in which the mi-lieu is a center
•a decentered homogeneous space in which the mi-lieu is an intermediary field

need for expansionist security + requirements of scientific knowledge
Pascal --> we drift over a vast mileu ["we are floating in a medium of vast extent"]

he needs a place to contain him
he needs time to exist --> *durer*

(Pascal's) image of the world as a *finite totality* --> a permanent myth of originally Neo-Platonist mystical thought in which the intuition of the spherical world centered on and by the living being is combined with the already heliocentric cosmology of the Pythagoreans

(Newtonian:)
space --> means of God's omnipresence
ether --> support and medium of forces

*empiricism hides the theological foundations* ==Canguilhem==> the natural philosophy which is the source of the positivist and mechanistic conception of the environment in fact turns out to be supported by the mystical intuition of a sphere of energy whose central action is identically present and effective at every point

a story: the ideal of the objectivity of knowledge requires a *decentring of the view of things* <-- seams normal to any find formed in the mathematical and physical discipline

(Canguilhem > Haldane:) man's specific environment is the world of his perception, that is to say, the field of his pragmatic experience in which his actions, orientated and governed by values immanent to tendencies, separate out qualified objects and situate them in relation to each other and all of them in relation to himself (---> go to Barthes's discussion on the notion of operative language/tool)
--> that is why we need a different language to relate to environment


the inhuman environment =/=? ajayeb

kinds of “recognitions” that were established by disqualification of all specific subjectively centered environment [such as ajayeb], including that of man, as vital illusions or errors
*ajayeb = (one of many past) *centers of organization, adaptation, and invention* (now dissolved by science: to dissolve living beings in the anonymity of the mechanical, physical, and chemical environment ==> encompass the man)

(ajayeb's hesitate or) bold undertaking for life

[*]ajayeb's science (using Canguilhem's words): the work of a humanity rooted in life before being enlighted by knowledge, (if) it is a fact in the world at the same time as *a vision of the world* ==> it sustains a permanent and necessary relation with perception [--> Barad] & “a living being is not reducible to a meeting point of influences” [--> Kenney]

(a meaning from the biological and physiological point of view:) *need*: an irreducible and thereby absolute system of reference (for the living being who experiences it)

how to do *reconsideration of meaning* in biological sciences?

...................................

i am torn apart between describing the challenges of life within the ruins created by modernization's vast “improvements” and my own country's revolutionary consciousness to emerge fanatically from those ruins

catachresis استعمال غلط کلمه
a figure of speech in which words are misused from their conventional usages
***to use language out of place*** [~~--> oxymoron]
•Marianne Lien's “homeless salmon”
•Hokkaido's “frontier spirit”
•
(i constantly use catachresis in my own language, the abuse of language in describing things. did the mice “speak,” “wrote”? “The choices we make [of words] matter. Words make worlds.” [creatures] are enacted in the semiotic and material practices we weave through them ==opening==> new grounds for conversation)

world's misplacements

catachresis helps Tsing as she grope for language to describe an impossible program: a program dedicated to confusing disciplinary boundaries and to describing the challenges of life within the ruins created by modernization’ vast “improvements” --requires--> a crisis in language

Tsing's non-threatening descriptive biology

multiple rendering of salmon

U.S. and Japanese frontier technologies

(human and nonhuman) enactments of the mixed-up

*landscape*: a lens that refuses the abstraction of human-nonhuman relations in a vacuum

talking fish
acting landscapes

the still-living (~ still-kicking) as a series of misplacements

world produces its own catachresis

Tsing asks “so why is anything still alive?” (in the time of massive human disturbance)

your willingness + my dreaming


•social scientists tried to be more “scientific”: by counting and putting things into boxes (missing the interesting stuff in the sciences, including our relations with other species)
•scientists tried to be more like humanities: decoration (missing the important insights of these fields, such as the fact that ethics is useless as long as the categories it assesses are already set in place)

[*]curiosity: alighting on common excitement to learn about the world and its goings on
[*]imagination: staying with (our) observations until we find frames for thinking about pattern and trajectory

to create new genres of translation (==> play)

(the problem of) *unintentional design*

(what i am learning with ajayeb is the art of) paying **close descriptive attention** (to human interactions with other species)
-to re-learn the arts of description, that the art of 20th century is so deprived of

“population genetics and neoclassical economics each made description unnecessary through a calculus in which self-contained individuals could be posited without attention to social relations and histories” (Tsing)

sciences that are designed specifically not to tackle problems of living together


#project on Tehran trees, on anthropogenic landscapes of Tehran
-descriptive methods for the study of social relation and histories
-learning (directly) about worldly objects of Tehran ==> take part in the kinds of creative play that are the hallmark of the research --> draws readers outside common-sense assumptions

using:
•anthropology --> its expertise in ethnographic methods
•history --> its turn to environmental narration
•biology --> (ecological evolutionary-developmental trends) that have shown how species come into being with each other
•science studies --> its lively juxtaposition of technological and philosophical methods


Tsing: there is no reason that anthropologists cannot study nonhumans using some of the very same methods we use to study humans--or close parallels to them

...................................

walking is the speed of bodily pleasure
the speed for looking for mushrooms

mushrooms jump into your hands with all three pleasures of the unasked for
*they are not the product of your labor* <-- we should be able to work and depend on those things

Tsing saying ‘bismillah’ in her writing

delight ==make==> impression

*noticing* and *coming back* to familiar places is the beginning of appreciation for multispecies interactions

Tehran expansive and overlapping geographies resist common models (which divide the world into “them” and “us”)

lichen: an association of a fungus and an alga or cyanobacteria, where the non-fungal partner fuels lichen metabolism through photosynthesis

assumptions of human constancy --> autocratic military ideology =/= historically webbed interspecies dependence -=> a different cultural research trajectory

(to understand more about) domestication: web of entanglements
=/= neoliberal hard-line [human =/= wild] understanding of “domestication = human control” (ignoring that such relations might change humans too, ignoring the complex relations of interdependency) <== ideological commitment to human mastery (--> Sana's political commitment to liberalism) }==> (fantasies of) *the wild species self-making* =/= fantasies of control
==> life imprisonment and genetic standardization of domestic animals, wild species are ‘preserved’ in gene banks while their multispecies landscape are destroyed

i want Sana to become a researcher able to know something more about the cultural construction of gender, species, and binds--rather than “freeing” women from their gender, dogs from humans, slaves from masters--which will lead only to the constitution of autocratic liberalism made in the image of human free will and guardianship, another master program...
!?how can i say “let's stay in the prison and study” ...well, maybe i c[...]