[...]br />
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="lsts lst1">•fox ="trms">story ='lgc'>='lgc'>--> ="trms">animal ="trms">trap='lgc'>:
="lsts lst2">◦perception ='lgc'>{="trms">rhetorical perception, evil perception, etc.='lgc'>}
="lsts lst2">◦="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure 🌀 can't stop following, ="trms">trap='lgc'>: nearby-ness, becoming bodily, engaged in perspectival game and will ='lgc'>='lgc'>==> fox's ="trms">relation to the forest ='lgc'>[he is suspicious and rend ='lgc'>=/= ='strcls'>*="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lured into desiring ='and'>& trusting='strcls'>* ='lgc'>: we bring our ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lures and needs towards each other, (sometimes it is) critique is an art that tangles with what you are proposing, like fox in a ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure (octopus is much better with ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lures than fox)='lgc'>]
="lsts lst3">◾pro="trms">positions
="lsts lst3">◾abstractions ='lgc'>='lgc'>--> (i ="trms">love) ideas='lgc'>: to animate humans, ="trms">erotic ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure for soul ='lgc'>='lgc'>==> ='strcls'>*="trms"nttrm="metaph,metamorph,metabol,metal">meta="trms">morphic attention='strcls'>*
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="lsts lst1">•omen ='lgc'>='lgc'>--> potent sign of alarm
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="lsts lst1">•evil ='lgc'>{="trms">category crossing ="trms">monsters ='lgc'>[='lgc'>='lgc'>~= ="nms">ajayeb's context of evil='lgc'>], force of liberation, beauty, complexity='lgc'>}
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="lsts lst1">•Ursula's sea (from little mermaid)='lgc'>:
="lsts lst2">◦the way she says “yes” ='lgc'>{multisensorial call “yes” and “more"='lgc'>}
="lsts lst2">◦her ="trms">laughter ='lgc'>{develish perception, perceptual ="trms">joke, joy of corrupting her morality ='lgc'>[='lgc'>~ her heroism='lgc'>: who the hero is and how to live happily ever after='lgc'>]='lgc'>}
="lsts lst2">◦fish-="trms">story ='lgc'>='lgc'>--> aqua culture
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="lsts lst1">•Ursula ="ppl">La Guin ='lgc'>='lgc'>--> Urashima ="trms">story
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="lsts lst1">•finish with evil ="trms">laughter
(follow the departure from ‘evil’ to ‘misunderstanding’ or ‘perspective’ in Disney's animated movies)
="large lg2" stl="font-size:110%">
='lgc'>[="trms">according to ='strcls'>*creation ="trms">ancestral dreamings='strcls'>*(='lgc'>~ founding ="trms">ancestors):='lgc'>] shape-shifter (are not only haunted, but also are) creators of biotic life, founders of kin groups (of humans and ghosts)
="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................
the wind (of...='qstn'>?) carries ghosts='lgc'>--signs of ="trms">past ways of life still charged in the ="trms">present ... ="trms">stories of those winds as they blow over haunted landscapes ... ghosts are the traces of more-than-human ="trms">histories through which ="trms">ecologies are made and unmade
='strcls'>*haunted ='lgc'>='lgc'>--> ="trms">presence of ="trms">past
='strcls'>*landscapes ='lgc'>='lgc'>--> arrangement of living spaces
='strcls'>*ghosts ='lgc'>='lgc'>--> disturb us in their indeterminacy
="prgrph">-cracked cement
="prgrph">-="trms">worlds have ended many times before ='at'>@="frds scrmbld">Jassem
="prgrph">-which ‘endings’ come with which ‘death of’='qstn'>?
="lsts lst1">•a leaf
="lsts lst1">•a city
="lsts lst1">•a friendship
="lsts lst1">•a small promise
="lsts lst1">•a small ="trms">story
="lsts lst1">•
='strcls'>***endings ='lgc'>==grow='lgc'>='lgc'>==> landscapes='strcls'>***
='lgc'>[title='lgc'>]
shadow biology
="frds scrmbld">Jassem='lgc'>: make sami complicated
project's two ="trms">categories='lgc'>:
="lsts lst1">•="trms">nature ='lgc'>='lgc'>--> ="trms">perverse
="lsts lst1">•culture ='lgc'>='lgc'>--> end="trms"nttrm="danger,stranger">angered (='lgc'>--therefore='qstn'>?='lgc'>='lgc'>--> innocent, pure)
="prgrph">-homesick
="prgrph">-seasick
="prgrph">-sickened in home
چیقزستن
شخصیت توصیفی ='lgc'>='lgc'>--> descriptive='qstn'>? (drift in describing)
شخصیت حاشیهای ='lgc'>='lgc'>--> digressive نامربوط پرت, excursions superficial relevances, off the subject ='lgc'>[='lgc'>=/= انحرافی='lgc'>]
شخصیت خود محور ='lgc'>='lgc'>--> rotating along the axis of ego, tangled subjective schemas with objective reality, talking regardless of the ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listener ='lgc'>[egoist='lgc'>: vampire without self-reflection ='lgc'>=/= ="trms">narcissistic personality='lgc'>]
شخصیت مقایسهای ='lgc'>='lgc'>--> comparing='qstn'>?
='lgc'>}='lgc'>=/= (always asking) how do you make a subject of conversation out of what you are concerned with ='lgc'>='lgc'>--> make ‘your subjects’ into ‘subjects of conversation’ with others ='lgc'>='lgc'>--> موضوع
="lsts lst1">•غیر قابل حل کردن ='lgc'>=/=
="lsts lst1">•تفکیک کردن
(مطرح کردن به صورت که تکه تکه کرد)
='lgc'>[='strcls'>*='lgc'>]research='lgc'>: problem of entering a culture from outside
points of the ="trms">lecture='lgc'>:
="prgrph">-a nano-expose
="prgrph">-of kicking off this...
="prgrph">-not dramatically pitched at you
="prgrph">-cartography of collapse and ="trms">sublime
="prgrph">-coming down or crushing down the watching post
="prgrph">-(disclosures and) promises of frontier ="trms">technology
="prgrph">-
ghosts of the project='lgc'>:
/poltergeist ='lgc'>='lgc'>--> not really capable of knowing ="trms">different things and ="trms">different types of ="trms">relations they are entered into, bad at perspectival ="trms">communication
/Hamlet's father ='lgc'>='lgc'>--> wanting you to re="trms">member ='lgc'>='lgc'>~= revenge
/="nms">Cinderella ='lgc'>='lgc'>--> doesn't show any psychological ="trms">symptoms (she has no psychology='qstn'>?), she is not the master of anything, not even her name
/ruin ='lgc'>='lgc'>--> place of unsettled identities
="trms">questions of='lgc'>:
="lsts lst1">•doom ='lgc'>[='lgc'>=/= adjustment, management='lgc'>]='lgc'>: “contamination='lgc'> = end”
="lsts lst1">•subject surging to bear an ="trms">affect, subject who goes with the flow in an intoxicated moment
="lsts lst1">•traumatic realism
="lsts lst1">•(end="trms"nttrm="danger,stranger">angered ='lgc'>='lgc'>==>) survival='lgc'>: fighting for “your ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right against others”
="lsts lst1">•less-than ideal livable collaborations
="lsts lst1">•
="lsts lst1">•constructing ="trms">interest (not that ‘you want to know’ ='lgc'>='lgc'>--> ="trms">historically ="trms">crafted and ="trms">naturalized modalities of “knowing more”)
="lsts lst1">•="trms">contingent (='lgc'>~ ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure, abstraction, fragile ='lgc'>[='lgc'>='lgc'>--> they create ="trms">interested bodies='lgc'>]) ='lgc'>=/=='qstn'>? analytical ='lgc'>[='lgc'>='lgc'>--> they create dis="trms">embodied subjects='lgc'>]
='lgc'>[="trms">poem can do all of these:='lgc'>]
/pro="trms">position ='lgc'>='lgc'>--> ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right/wrong declaratives
/ex="trms">position ='lgc'>='lgc'>--> ="trms">systematic explanation
/dis="trms">position ='lgc'>='lgc'>--> ="trms">affective orientation ='lgc'>='lgc'>~='lgc'>~> attitude ='lgc'>='lgc'>==> perspectives ='lgc'>='lgc'>==> selves
="trms">poet ='lgc'>[='lgc'>=/= archivist='lgc'>] can be ="trms">responsible for the ‘remainders’ ='lgc'>='lgc'>--> good at ="trms">greeting ='lgc'>=/= traumatic realism
(1) traumatic realism
(real understood as traumatic='lgc'>:) “shock ='lgc'>='lgc'>==> subject”
a way of figuring that fails to bring the inflicting force (of real) into the ="trms">symbolic order ='lgc'>='lgc'>==> ="trms">mime, miming='lgc'>: you bring it into the ="trms">present ="trms">literally over and over (re-="trms">present)
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(2) atmospheric attunement
a way of being in the noise
labor-intensive process that stretches across ="trms">imaginaries ='lgc'>[such as ="trms">travel, house, haunt='lgc'>] ='lgc'>='lgc'>--> ="trms">responding to ” “
actual ="trms">affects of modes of living brought into being
intimacy with a ="trms">world ='lgc'>[visiting families in Alta='lgc'>]
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(3) phantom arm
“="trms">social='lgc'> = ="trms">present-absent” (='lgc'>=/= ="ppl">="ppl">Star Trek's ="trms">interculturalism) (='lgc'>=/= ="ppl">Lacan's subject='lgc'>: proper sense of absence and loss)
connectivity does not require physical contiguity
="prgrph">-force of piled-up phantom limps
="prgrph">-hum of the palce, dormant noise ='lgc'>='lgc'>--> ="trms">worlding of a place ='lgc'>[='lgc'><='lgc'>-- ="trms">material and sensory labor of attending to it='lgc'>]
="prgrph">-hauntology ='lgc'>=/= Archimedean certainty of ="trms">presence ='lgc'>='lgc'>--> a knowing consciousnes
="prgrph">-so, that lost arm/limb (o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginal part of you) could have a chance of becoming companion ="trms">species, and not a discarded ="nms">phantom limb forever haunting the amputated you
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(4) troubled ="trms">stories
='lgc'>=/= clear-cut good ="trms">stories about troubles
="trms">stories difficult to like='lgc'>:
="lsts lst1">•dirty, guilty, surviva="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list udyr='qstn'>? the evil horse='qstn'>? (we need more description of the evil horse)
="nms">Cinderella ='lgc'>='lgc'>--> (not) the master of your house, of your name, of you
="prgrph">-sometimes it is not you who makes you
="large lg3" stl="font-size:110%">
="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................
='lgc'>--="ppl">="ppl">Morris='lgc'>='lgc'>--> ghost problem ='lgc'>--='not'>✕='lgc'>='lgc'>--> possbility of a politcal form
="trms">contingent politicization and the accidental in the Southeast Asia
theatrical acts of civil disobedience
democracy protestors
conjure the spirits of those who have been killed
political vengeance
="large lg4" stl="font-size:111%">
(wherever there is) violence in Southeast Asia (even if this violence is merely the
force that possesses machinery) ='lgc'>='lgc'>==> ghosts
='lgc'>='lgc'>~=
(wherever there is) force that would oppose life (even and perhaps especially by resembling it) ='lgc'>='lgc'>==> ghosts
='lgc'>[the doxa of='lgc'>] ='lgc'>{(no preparation) premature death / banished by disbelief ='lgc'>='lgc'>==> unhappy ghost, vin="trms">dictive melancholy='lgc'>}='lgc'>[= ='strcls'>*effect of context='strcls'>*='lgc'>]='lgc'>--in='lgc'>='lgc'>-->
="lsts lst1">•pulp novels
="lsts lst1">•secular humanist elite ="trms">literature
="lsts lst1">•="trms">rumor
="lsts lst1">•folklore
="lsts lst1">•
(="ppl">="ppl">Morris points that) such specters are ="trms">densest in the places where the accidents of ="trms">modernity are most like to occur
='strcls'>*the death that is caused by another death='strcls'>*
="trms">technologization of life and death, movement and war ='lgc'>='lgc'>--> ='strcls'>*making one vulnerable to death='strcls'>* ='lgc'><='lgc'>== (often) a function of ="trms">technology (="trms">technologization of life and death, movement and war, etc.)
="large lg5" stl="font-size:117%">
='strcls'>*ghostliness (in Southeast Asia)='lgc'>: an idiom with which to address issues about the difficult delineation of a boundary between the living and the dead='strcls'>* (='lgc'>=/= ="trms">matter of improper burial)
if the dead cannot join the living, the living can die and thereby mingle with the al="trms"nttrm="already,spread">ready deceased ='lgc'>='lgc'>~-> f="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right
the location (where ghostliness arises) is not spatial but temporal (“something happened”)='lgc'>='lgc'>--> in a strange way, for the “occurrence” has no place in time ='lgc'>='lgc'>==> stop time and to displace other ="trms">narratives (='lgc'>='lgc'>--> it has the structure of trace)
='lgc'>[='at'>@="frds scrmbld">Marialena's summoning to life ='lgc'>=/= (living) beings who can be summoned to death='lgc'>]
='lgc'>}='lgc'>='lgc'>~='lgc'>~='qstn'>?='lgc'>='lgc'>--> (="ppl">Freud's) death drive (='lgc'><='lgc'>== traumatic ="trms">neuroses) ='lgc'>+ (="ppl">Kantian conception of)
accident
(for ="ppl">Freud='lgc'>:) ='lgc'>[='strcls'>*='lgc'>]consciousness='lgc'>: the form[...]