Ereignis: 0, (Max.: 500+)

[...]liberation, beauty, complexity='lgc'>}
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="lsts lst1">•Ursula's sea (from little mermaid)='lgc'>:
="lsts lst2">◦the way she says “yes” ='lgc'>{multisensorial call “yes” and “more"='lgc'>}
="lsts lst2">◦her ="trms">laughter ='lgc'>{develish perception, perceptual ="trms">joke, joy of corrupting her morality ='lgc'>[='lgc'>~ her heroism='lgc'>: who the hero is and how to live happily ever after='lgc'>]='lgc'>}
="lsts lst2">◦fish-="trms">story ='lgc'>='lgc'>--> aqua culture
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="lsts lst1">•Ursula ="ppl">La Guin ='lgc'>='lgc'>--> Urashima ="trms">story
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="lsts lst1">•finish with evil ="trms">laughter


(follow the departure from ‘evil’ to ‘misunderstanding’ or ‘perspective’ in Disney's animated movies)


='lgc'>[="trms">according to ='strcls'>*creation ="trms">ancestral dreamings='strcls'>*(='lgc'>~ founding ="trms">ancestors):='lgc'>] shape-shifter (are not only haunted, but also are) creators of biotic life, founders of kin groups (of humans and ghosts)

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................
="large lg2" stl="font-size:112%">
the wind (of...='qstn'>?) carries ghosts='lgc'>--signs of ="trms">past ways of life still charged in the ="trms">present ... ="trms">stories of those winds as they blow over haunted landscapes ... ghosts are the traces of more-than-human ="trms">histories through which ="trms">ecologies are made and unmade
='strcls'>*haunted ='lgc'>='lgc'>--> ="trms">presence of ="trms">past
='strcls'>*landscapes ='lgc'>='lgc'>--> arrangement of living spaces
='strcls'>*ghosts ='lgc'>='lgc'>--> disturb us in their indeterminacy


="prgrph">-cracked cement
="prgrph">-="trms">worlds have ended many times before ='at'>@="frds scrmbld">Jassem
="prgrph">-which ‘endings’ come with which ‘death of’='qstn'>?
="lsts lst1">•a leaf
="lsts lst1">•a city
="lsts lst1">•a friendship
="lsts lst1">•a small promise
="lsts lst1">•a small ="trms">story
="lsts lst1">•
='strcls'>***endings ='lgc'>==grow='lgc'>='lgc'>==> landscapes='strcls'>***


='lgc'>[title='lgc'>]
shadow biology



="frds scrmbld">Jassem='lgc'>: make sami complicated

project's two ="trms">categories='lgc'>:
="lsts lst1">•="trms">nature ='lgc'>='lgc'>--> ="trms">perverse
="lsts lst1">•culture ='lgc'>='lgc'>--> end="trms"nttrm="danger,stranger">angered (='lgc'>--therefore='qstn'>?='lgc'>='lgc'>--> innocent, pure)

="prgrph">-homesick
="prgrph">-seasick
="prgrph">-sickened in home

چیقزستن

شخصیت توصیفی ='lgc'>='lgc'>--> descriptive='qstn'>? (drift in describing)
شخصیت حاشیه‌ای ='lgc'>='lgc'>--> digressive نامربوط  پرت, excursions superficial relevances, off the subject ='lgc'>[='lgc'>=/= انحرافی='lgc'>]
شخصیت خود محور ='lgc'>='lgc'>--> rotating along the axis of ego, tangled subjective schemas with objective reality, talking regardless of the ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listener ='lgc'>[egoist='lgc'>: vampire without self-reflection ='lgc'>=/= ="trms">narcissistic personality='lgc'>]
شخصیت مقایسه‌ای ='lgc'>='lgc'>--> comparing='qstn'>?
='lgc'>}='lgc'>=/= (always asking) how do you make a subject of conversation out of what you are concerned with ='lgc'>='lgc'>--> make ‘your subjects’ into ‘subjects of conversation’ with others ='lgc'>='lgc'>--> موضوع
="lsts lst1">•غیر قابل حل کردن ='lgc'>=/=
="lsts lst1">•تفکیک کردن
(مطرح کردن به صورت که تکه تکه کرد)


='lgc'>[='strcls'>*='lgc'>]research='lgc'>: problem of entering a culture from outside


points of the ="trms">lecture='lgc'>:
="prgrph">-a nano-expose
="prgrph">-of kicking off this...
="prgrph">-not dramatically pitched at you
="prgrph">-cartography of collapse and ="trms">sublime
="prgrph">-coming down or crushing down the watching post
="prgrph">-(disclosures and) promises of frontier ="trms">technology
="prgrph">-

="large lg1" stl="font-size:135%">
="large lg10" stl="font-size:133%"> ghosts of the project='lgc'>:
/poltergeist ='lgc'>='lgc'>--> not really capable of knowing ="trms">different things and ="trms">different types of ="trms">relations they are entered into, bad at perspectival ="trms">communication
/Hamlet's father ='lgc'>='lgc'>--> wanting you to re="trms">member ='lgc'>='lgc'>~= revenge
/="nms">Cinderella ='lgc'>='lgc'>--> doesn't show any psychological ="trms">symptoms (she has no psychology='qstn'>?), she is not the master of anything, not even her name
/ruin ='lgc'>='lgc'>--> place of unsettled identities

="trms">questions of='lgc'>:
="lsts lst1">•doom ='lgc'>[='lgc'>=/= adjustment, management='lgc'>]='lgc'>: “contamination='lgc'> = end”
="lsts lst1">•subject surging to bear an ="trms">affect, subject who goes with the flow in an intoxicated moment
="lsts lst1">•traumatic realism
="lsts lst1">•(end="trms"nttrm="danger,stranger">angered ='lgc'>='lgc'>==>) survival='lgc'>: fighting for “your ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right against others”
="lsts lst1">•less-than ideal livable collaborations
="lsts lst1">•
="lsts lst1">•constructing ="trms">interest (not that ‘you want to know’ ='lgc'>='lgc'>--> ="trms">historically ="trms">crafted and ="trms">naturalized modalities of “knowing more”)
="lsts lst1">•="trms">contingent (='lgc'>~ ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure, abstraction, fragile ='lgc'>[='lgc'>='lgc'>--> they create ="trms">interested bodies='lgc'>]) ='lgc'>=/=='qstn'>? analytical ='lgc'>[='lgc'>='lgc'>--> they create dis="trms">embodied subjects='lgc'>]

='lgc'>[="trms">poem can do all of these:='lgc'>]
/pro="trms">position ='lgc'>='lgc'>--> ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right/wrong declaratives
/ex="trms">position ='lgc'>='lgc'>--> ="trms">systematic explanation
/dis="trms">position ='lgc'>='lgc'>--> ="trms">affective orientation ='lgc'>='lgc'>~='lgc'>~> attitude ='lgc'>='lgc'>==> perspectives ='lgc'>='lgc'>==> selves

="trms">poet ='lgc'>[='lgc'>=/= archivist='lgc'>] can be ="trms">responsible for the ‘remainders’ ='lgc'>='lgc'>--> good at ="trms">greeting ='lgc'>=/= traumatic realism

="large lg14" stl="font-size:113%">
(1) traumatic realism
(real understood as traumatic='lgc'>:) “shock ='lgc'>='lgc'>==> subject”
a way of figuring that fails to bring the inflicting force (of real) into the ="trms">symbolic order ='lgc'>='lgc'>==> ="trms">mime, miming='lgc'>: you bring it into the ="trms">present ="trms">literally over and over (re-="trms">present)
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(2) atmospheric attunement
a way of being in the noise
labor-intensive process that stretches across ="trms">imaginaries ='lgc'>[such as ="trms">travel, house, haunt='lgc'>] ='lgc'>='lgc'>--> ="trms">responding to ” “
actual ="trms">affects of modes of living brought into being
intimacy with a ="trms">world ='lgc'>[visiting families in Alta='lgc'>]
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(3) phantom arm
“="trms">social='lgc'> = ="trms">present-absent” (='lgc'>=/= ="ppl">="ppl">Star Trek's ="trms">interculturalism) (='lgc'>=/= ="ppl">Lacan's subject='lgc'>: proper sense of absence and loss)
connectivity does not require physical contiguity
="prgrph">-force of piled-up phantom limps
="prgrph">-hum of the palce, dormant noise ='lgc'>='lgc'>--> ="trms">worlding of a place ='lgc'>[='lgc'><='lgc'>-- ="trms">material and sensory labor of attending to it='lgc'>]
="prgrph">-hauntology ='lgc'>=/= Archimedean certainty of ="trms">presence ='lgc'>='lgc'>--> a knowing consciousnes
="prgrph">-so, that lost arm/limb (o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginal part of you) could have a chance of becoming companion ="trms">species, and not a discarded ="nms">phantom limb forever haunting the amputated you
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(4) troubled ="trms">stories
='lgc'>=/= clear-cut good ="trms">stories about troubles
="trms">stories difficult to like='lgc'>:
="lsts lst1">•dirty, guilty, surviva="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list udyr='qstn'>? the evil horse='qstn'>? (we need more description of the evil horse)
="nms">Cinderella ='lgc'>='lgc'>--> (not) the master of your house, of your name, of you
="prgrph">-sometimes it is not you who makes you


="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

='lgc'>--="ppl">="ppl">Morris='lgc'>='lgc'>--> ghost problem ='lgc'>--='not'>✕='lgc'>='lgc'>--> possbility of a politcal form
="trms">contingent politicization and the accidental in the Southeast Asia

theatrical acts of civil disobedience
democracy protestors
conjure the spirits of those who have been killed
political vengeance

(wherever there is) violence in Southeast Asia (even if this violence is merely the
force that possesses machinery) ='lgc'>='lgc'>==> ghosts
='lgc'>='lgc'>~=
(wherever there is) force that would oppose life (even and perhaps especially by resembling it) ='lgc'>='lgc'>==> ghosts

='lgc'>[the doxa of='lgc'>] ='lgc'>{(no preparation) premature death / banished by disbelief ='lgc'>='lgc'>==> unhappy ghost, vin="trms">dictive melancholy='lgc'>}='lgc'>[= ='strcls'>*effect of context='strcls'>*='lgc'>]='lgc'>--in='lgc'>='lgc'>-->
="lsts lst1">•pulp novels
="lsts lst1">•secular humanist elite ="trms">literature
="lsts lst1">•="trms">rumor
="lsts lst1">•folklore
="lsts lst1">•

(="ppl">="ppl">Morris points that) such specters are ="trms">densest in the places where the accidents of ="trms">modernity are most like to occur

='strcls'>*the death that is caused by another death='strcls'>*

="trms">technologization of life and death, movement and war ='lgc'>='lgc'>--> ='strcls'>*making one vulnerable to death='strcls'>* ='lgc'><='lgc'>== (often) a function of ="trms">technology (="trms">technologization of life and death, movement and war, etc.)

='strcls'>*ghostliness (in Southeast Asia)='lgc'>: an idiom with which to address issues about the difficult delineation of a boundary between the living and the dead='strcls'>* (='lgc'>=/= ="trms">matter of improper burial)

if the dead cannot join the living, the living can die and thereby mingle with the al="trms"nttrm="already,spread">ready deceased ='lgc'>='lgc'>~-> f="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right

the location (where ghostliness arises) is not spatial but temporal (“something happened”)='lgc'>='lgc'>--> in a strange way, for the “occurrence” has no place in time ='lgc'>='lgc'>==> stop time and to displace other ="trms">narratives (='lgc'>='lgc'>--> it has the structure of trace)
='lgc'>[='at'>@="frds scrmbld">Marialena's summoning to life ='lgc'>=/= (living) beings who can be summoned to death='lgc'>]
='lgc'>}='lgc'>='lgc'>~='lgc'>~='qstn'>?='lgc'>='lgc'>--> (="ppl">Freud's) death drive (='lgc'><='lgc'>== traumatic ="trms">neuroses) ='lgc'>+ (="ppl">Kantian conception of)
accident


(for ="ppl">Freud='lgc'>:) ='lgc'>[='strcls'>*='lgc'>]consciousness='lgc'>: the form of a resistance to the ="trms">world

unconscious is “timeless” ='lgc'>: incapable of discerning order (in a ="ppl">Kantian sense)

trauma (='lgc'>=/= ="trms">anxiety) ='lgc'>='lgc'>==> disables the pleasure principle but not the compulsion to repeat (which is typically a source of pleasure)
='lgc'>[='strcls'>*='lgc'>]trauma as precisely such a dist="trms"nttrm="disturban">urbance of time and of ="trms">causal sequentiality

='lgc'>{earlier philosopher's analogy='lgc'>: substance (essentially unchanging) ='lgc'>=/= accident (the name of that which ="trms"nttrm="metaph,metamorph,metabol,metal">meta="trms">morphoses over time) ='lgc'>}='lgc'>=/=='lgc'>{ ="ppl">Kant's analogy='lgc'>: accidents='lgc'> = the “particular ways” in which substance is determined to exist='lgc'>}
='lgc'>--="ppl">="ppl">Morris='lgc'>='lgc'>--> ="trms">causality='lgc'>: a concept that ="trms">responds to and covers over a gap in the human capacity to inhabit a ="trms">world of accident
='lgc'>--="ppl">Freud='lgc'>='lgc'>--> sudden, unexpected event incapa="trms">citates the psyche (and its maturation) to such an extent that it will relate to the ="trms">world only as accidentally existing ='lgc'>='lgc'>--> ='lgc'>[='strcls'>*='lgc'>]accident/trauma='lgc'>: the experience of the occurrence as having no reason ='lgc'>[='lgc'>--="trms">causality as a principle of understanding='lgc'>]

accident ='lgc'>='lgc'>~=&='lgc'>='lgc'>==>
="lsts lst1">•trauma
="lsts lst1">•condition of possibility of a political opening to the future (one whose form is not determined a ="trms">priori)
="lsts lst1">•condition of possibility of en ethical opening to the future (without guarantee)
="lsts lst1">•
='lgc'>}='lgc'>--="ppl">="ppl">Morris='lgc'>='lgc'>--> ='strcls'>*accident='lgc'>: the name of a certain kind of freedom='strcls'>*

(it is initially tempting to sug="trms">gest='lgc'>:) ghosts='lgc'>: ="trms">symptoms of trauma, particular form of a repetition compulsion, externalized and made public, (untimeliness of an event that robs it of the structure of ="trms">causality within which it could be more properly ="trms">interpreted), a form of ="trms">neurosis ='lgc'>=/= ="ppl">="ppl">Morris's ="trms"nttrm="already,spread">reading of Southeast Asia ghosts

="lsts lst1">•recognition does not stave off fear
="lsts lst1">•="trms">anxiety does not stave off trauma

reflective ="trms">interpretation
="trms">narrativized ="trms">interpretation
abstract ="trms">interpretation

dis="trms">sociation (in spirit possession) ='lgc'>='lgc'>==> (allows other individuals to witness) the loss of consciousness ='lgc'>='lgc'>==> ="trms">memory traces of ="trms">history become legible

(change the focus in trauma studies, a reorientation of perspective='lgc'>:)
missed encounter (='lgc'>~ wound) ='lgc'>--to='lgc'>='lgc'>--> poorly anticipated encounter (='lgc'>~ accident)

(Caruth's argument='lgc'>:) ='strcls'>**='lgc'>[='strcls'>*='lgc'>]trauma='lgc'>: a discourse that opens up ethical possibilities with its ="trms">demand for a recognition of the need for ="trms">historicization (of the ="trms">relationship between destruction and survival)='strcls'>**

="large lg6" stl="font-size:131%"> ='strcls'>****(="ppl">="ppl">Morris as an ="trms">anthropologist call for analysis of the accidental ='lgc'>='lgc'>-->) to better comprehend ='strcls'>*how ="trms">history exceeds individual intentions='strcls'>* ='lgc'>+ how particular conceptions of ="trms">history may enable more consequential action on the part of ="trms">historical ="trms">agents='strcls'>****
='lgc'>='lgc'>==> (to move from) ="trms">affective ="trms">symptoms of an overwhelming experience ='lgc'>[='at'>@="frds scrmbld">Hoda='lgc'>] ='lgc'>--to='lgc'>='lgc'>--> the ="trms">question of effectivity beyond re="trms">presentation
='lgc'>='lgc'>--> to construe an ethical ="trms">relation to ="trms">history='lgc'>--in terms of open ="trms">relation to futurity ='lgc'>[='lgc'>=/= an (impossible) mastery of the ="trms">past='lgc'>]

every artist rese="trms"nttrm="search">archer should investigate='lgc'>:
="lsts lst1">•how ="trms">anxiety is informing you
="lsts lst1">•how trauma is informing you

the ="trms">question of the political understood as='lgc'>: (='at'>@="frds scrmbld">Femke, OSP)
="lsts lst1">•the ="trms">question of ="trms">contingent factors
="lsts lst1">•the ="trms">question of unexpected exposures
="lsts lst1">•the ="trms">question of (relatively) unconscious processes
(and not of control)

neoliberal economic logics ='lgc'>='lgc'>--> image of massness (='lgc'>=/= consciousness of one's collective ="trms">interests) ='lgc'>='lgc'>==> condition the possibility of ="trms">social action (movements characterized by a schema in which exposure to events leads to politicization) ='lgc'><='lgc'>-- an older genre of politicization ="trms">narrative ='lgc'>[='lgc'>~ individuals describe their encounter with ="trms">social injustice, extreme poverty, or ="trms">excessive violence and then recount a growing consciousness of the structures that produced them, ='at'>#="frds scrmbld"nttrm="Robin,Robot,Robert,Robocop">Robin Hood='lgc'>]

inadvertent and even accidental convergences ='lgc'>==='qstn'>?='lgc'>='lgc'>==> political movements in Southeast Asia (throughout the late 1980s and 1990s) ='lgc'>='lgc'>--> (students who participated in antigovernment protests in Rangoon/Yangon in the late 1980) described their entry into the political sphere (less exposed to the object of ="trms">social injustice, not in terms of an o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginally shared project, not a shared analysis, but rather) as the result of a ="trms">situational convergence (from which an ideological project had yet to be fabricated)

(to understand) your ="trms">relationship to the political as ='strcls'>*subjection to force='strcls'>* (and hence) ='lgc'>='lgc'>='lgc'>~=> ='strcls'>*the violation of subjectivity='strcls'>* (='lgc'>=/= acceding to a fuller subjectivity)

they were just there (summoned to events the ="trms">nature of which they did not know in advance) ='lgc'>='lgc'>--> ='strcls'>*ephemeral mobilization='strcls'>*='lgc'>:
="lsts lst1">•by anonymous calls (precipitated objectless gatherings by cell phone messaging, an anonymous call of an ideologically vacant ="trms">sort)
="lsts lst1">•ephemeral ="trms">rumors
="lsts lst1">•without ideological commitment
="lsts lst1">•by curiosity (gathered only to find out why others were gathered)
="lsts lst1">•attraction to ="trms">spectacle
="lsts lst1">•to ="trms">consume, pornographically, the ="trms">visceral images of police and military violence
="lsts lst1">•
='lgc'>='lgc'>--> ='thdf'>the idea of participation loses its meaning

formation of a crowd
="trms">materialization of the state's force

ephemeral mobilization (which later sets the ="trms">stage for politicization) is a familiar ="trms">instrument of power

the group='lgc'>:
="lsts lst1">•(has a) monopoly on violence
="lsts lst1">•manifestation of a will to democracy (='thdf'>for example the way ="nms">Iranian movements were ="trms"nttrm="already,spread">read by ="trms">international bodies)

a="trms">historicism of conspiratorial orientation ='lgc'>='lgc'>--> “powerful but secret ="trms">instrumentalities ='lgc'>='lgc'>==> temporary formations” ='lgc'>--misses='lgc'>='lgc'>--> the transformations of ="trms">social consciousness and political possibility

(to open to the thought of a ="trms">world beyond you)

="trms">narratives of accidental politicization (='lgc'>~ movements emerging from crowds without ever becoming masses or classes)
='lgc'>--='not'>✕='lgc'>='lgc'>--> from the state
='lgc'>--='not'>✕='lgc'>='lgc'>--> from the transnational media ='lgc'>+ whose circuits the images of these convergences ="trms">travel
='lgc'>='lgc'>--> an experience of immediacy (as the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin of politics ='lgc'>=/= encounter with re="trms">presentations of the ="trms">world), sudden activation of an immediate ="trms">presence in the public sphere ='lgc'>='lgc'>--> political conceived as itself being ="trms">contingent

to resignify and reorient the problem of the political in terms of civilizational ="trms">difference (rather than ideological, and hence economic, ="trms">difference)


the so-called nocturnal sudden death syndrome

rapacious female specter
in the fear of being killed by this nearly limitless desire for female dead, men (Thai constructor workers in Singapore) started to paint their nails, attired themselves as women before going to sleep
='lgc'>[seek to accomplish in advance what is feared, emasculation='lgc'>]='lgc'>='lgc'>--> ='strcls'>**="trms">mimesis of a crisis foretold='strcls'>**

(khwan)
a th="trms"nttrm="already,spread">read of unspun cotton tied about the wrist ='lgc'>--to='lgc'>='lgc'>--> prevent the dissipation of one's vital essence

(mostly men's) satisfaction of commodity desire ='lgc'>--entails='lgc'>='lgc'>--> absence from home

woman's work in ="trms">technology and textile manufacturing and in the tourism sector (whether as service worker or prostitute) ='lgc'>='lgc'>--> is deemed lamentable, even contemptible, but still tolerable

="trms">anxiety over lost male potency ='lgc'>==='qstn'>?='lgc'>='lgc'>==> widow ghost

the queen had a dream (that all the men in Thailand had vanished)
='lgc'>='lgc'>--> ="trms">anxiety expressed as ='strcls'>*extreme anticipation='strcls'>* (and not as an op="trms">position to the feared object)
="prgrph">-the ="trms">phenomena ="trms">materializes what they seek to differ and ="trms">mime (the force thday the want to stave off)

collective spirit possession

periods of commodification ='lgc'>='lgc'>--> waves of witch="trms">craft (="trms">traversed Thailand in 1905)

="lsts lst1">•episodes of disruption
="lsts lst1">•="trms">social crisis
="lsts lst1">•economic transformation
="lsts lst1">•attended reordering of ="trms">social ="trms">relations (in="trms"nttrm="cluster,club">cluding those of class and gender)
="lsts lst1">•

(khwan) rite='lgc'>: a try to evade loss by soliciting misrecognition (on the part of the ghost), but they cannot cover over the fact of an al="trms"nttrm="already,spread">ready existent loss

working as a repetition compulsion ='lgc'>='lgc'>--> the widow ghost (بختک bakhtak='qstn'>?) as an ='thdf'>example of death drive
(waking up nightly having felt themselves robbed of breath and speech)
='lgc'>--Mills='lgc'>+="ppl">="ppl">Morris='lgc'>='lgc'>--> capital (not war) as the source of this trauma

trauma that arises in war ='lgc'>='lgc'>~/= injury that is the function of insertion into new and painful economic structures

mastering the wounds produced by capital, depend on='lgc'>:
="lsts lst1">•not the production of cathartic discharge through aberration or ="trms">historisization through ="trms">narrative
="lsts lst1">•on some kind of ="trms">socialization or collectivization through which the source of injury can be addressed

="large lg3" stl="font-size:112%"> (تقدم anteriority ='lgc'>=/= ="trms">causality عليت)

='strcls'>*discernment of cause is precisely the domain of political analysis='strcls'>*
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in a ="trms">history that is experienced as the space of ="trms">contingency, or accident, ="trms">symptoms are likely to be recognized as cause (='lgc'><='lgc'>== the order of anteriority is no longer distinguished from ="trms">causality)
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older patriarchal orders might reassert their values

young people being possessed by crowds and then escaping that possession ='lgc'>='lgc'>--> the labor to discern other possibilities in ="trms">relation to the accidental...


="large lg4" stl="font-size:111%"> accidental encounter as the basis of politicization ='lgc'>--reiterates-transforms='lgc'>='lgc'>--> ="trms">narrative of ghostly encounters ='lgc'>='lgc'>~=reveals='lgc'>='lgc'>==> ='strcls'>*a fundamental but ultimately inexplicable antithesis exists='strcls'>* (between the way things exists and the possibility that they might be otherwise)

the “accident” make[...]