[...]> names =/= faces (~ morphs of the same)

a thousand names of something else

(what Haraway is naming with) compound-eyed insectile and many-armed optics

winged domains
bird-bodies

(Haraway's spider and) my ajayeb's snake: tasks of thinking, figuring, and storytelling
--✕--> heady facial representation; [Luisa also dislikes this]
•figure of snake (circular serpent) is ajayeb Persian sf worlding, has ties with the Greek Chthonis (“of the earth,”) is at the same time the image of the continuity of life and the abyssal moral (eating your end, no gag reflex)-->{Gildas Hamel: “the abyssal and elemental forces before they were astralized by chief gods and their tame committees"}

“many critters acoss taxa” (juju جوجو + rade رده)

(I dispute Haraway's notion of “sacred.” popular religion is at many times populated by earthly figures alongside many astralized destructive finitudes.)

Haraway's urgently needed Chthulucene story


[Miyazaki's] biodiverse terra [God flips out] into something very slimy, like any overstressed complex adaptive system at the end of its abilities to absorb insult after insult. (Haraway's wording)

(yes yes we are all ultimately connected to one another,) but the specificity and proximity of connections matters

(Haraway + Latour's) ‘things’ are:
1- collection of entities
2- hard to classify, unsortable, (and probably with bad smell)


Anthropos =/= rich generative home of a multispecies Earth

“looks up at what he sees.”

...................................

ʿAjā'ib al-makhlūqāt wa gharā'ib al-mawjūdāt
Ajayeb al-makhlughat wa gharayeb al-mojudat (عجائب المخلوقات ,عجایب المخلوقات) in short: Ajayeb, is a suggestive cognitive work, full of strange linguistic pollutants, interesting agencies and animations, and like most of the medieval sciences and knowledge systems that were busy with the transformation of agencies it collapses “lists” and “narratives.” In Ajayeb each animal is a consensual hallucination device (~ each animal is a way of knowing the world); some pre-organic, inter-corporal species, with trans-ontological intentionalities.

...................................

infrastructure: piled-upon assemblages within which there are many discontinuities but also connections, some deliberative, some inadvertent. (Katie King)
--> “flexible knowledges”

...................................

آب حیوان {how could I know that Vladimir (in his performance for Lilia's apass score) was not (in)sourcing the Holy Waters, abe heyvan or vozu? his sweat was the ooze of a modern and secular labor. he was using a profane water?}
حیوان خوران جهان heyvan khorane jahan
زیرکان کهن kohan zirak

حجابی ک[...]

[...]is remarkable promising formulation in his signiture from the metaphysical: “the moral authority of society”, ‘religion ==> solidarity انسجام’ }=/= innumerable anthropologists have shown how religion does not necessarily “reawaken solidarity”)

(instead of “the social” lets get interested in more than one dimension of life, lets think, with Singh and Deleuze, of) *vast continuum of human and nonhuman life*


“Baba, I have been troubled for years. What can I do to please my ancestral spirits?”


Beyzai analyzes deities and myths in Iran, negating any potential for spiriual movement between rival groups, even in what is clearly *a form of religious life moving across*
Beyzai preoccupation with defeat doesn't allow him to attend to ‘forms of religious life moving across’
•bottom-up thesis of oppositional negation and from its “top-down” opposite
=/= the idea of spiritual conversation
imitation of [upper caste,,,] values
[***]the fatality of these ideas of negation and of imitation is that they obscure the possibility of a spiritual inheritence that may be shared and contested in ways that create the possibility of a *cohabited future between neighbors and rivals* (Singh)

yes yes the history might be made through bloody contradictions, and yet, we cannot be as Magi, waiting for the big drama to unfold --(we can do better)--> a signature capacity of ethnographic attentiveness in an affirmative lineage of thought --(not to deny contradiction)--> to be able to sense **varying intensities of conflict and cohabitation**
(play and war may both be latent in the give and take of everyday life, and the difference may not always be clear-cut)

نیرومندی و کثرت اهالی و تعارضات کشمکش و جماع
(how?) (to be able to) sense varying intensities [کیفیتی با شدت و سختی و حجم ~= انقباض ,در هم کشیدگی + شتافتن ,گرفته شدن + فراهم آمدن ,گرفتگی ,ترنجیدگی] of conflict and cohabitation[: my sister thinks of this term as family in small scale]
--> differential [داراى ضريب متغير، افتراقی، تشخیص دهنده the result of differentiation =/= different تمایز] intensities


bawdy مستهجن

intimate insults ==> accumulate deadly force

shifting intensities between a festival and a riot (are not necessarily a “modern” degeneration of traditional festivity) --> the case of new year's eve in Köln 2016
(bad or good) heightened intensities ==(may animate)==> new political and social movements or sustain the vitality of collective life --> intensities may also wane and become deadended

concept of vitality:
•Deleuze: intensity
•Nietzsche: will to power
•Bergson: elan vital
•Spinoza: conat[...]

[...]tions
•marriage
•sacrifice
•kinship
•intimacy
•buying
•selling
•
}--> the fabric of human relatedness depends on it


*[lunar enlightenment]*
(Singh's beautiful lunar reterritorialization of “enlighting”:) what kind of light do we assume as our image of plenitude?
عجایب ماه #moon's inflow-ence, waxing and waning intensities, fluctuating thresholds, the rise and fall of gods, tutelage of moon, a lunar rather than a solar sense of enlightenment, blemished and inconstant, the moon is nondialectical, *neighbors lunacy*


Derridean moment of negative transcendence

waxing and waning plenitude of that flux

Singh:
•varying thresholds and intensities
•logics of a/not-a
•ethics and energetics @Sana
•
•

*** a shift of even a degree (say, a different mode of contract or force) could be the difference between social life and death, happiness and despair, or exploitation and freedom ***
(Singh teaching me to think about Tehranians)

دروغ بد را با دروغ بهتر جایگزین کنیم نه با حقیقت

Nietzsche's double affirmation, yes yes
Deleuze, “the ass does not know how to say no because he says yes to everything with is no” --> to affirm is “to release, to set free what lives”
--> the idea of “challage your presuppositions” --> this is a dialectical habit of thought: the idea that the signature moment of thinking is a determinate negation (of State, Islam, Europe, etc.) Singh asks: how did this particular mode of reflexivity come to stand in for “true” anthropological thought?



would it have been better to leave things more “fluid” and “complex and contradictory”? @Eszter


ethnographic labor:
1- a form of hunting and gathering impressions
2- sifting الک کردن and cultivating expressions

(my work in apass:) our relation to concepts becomes more explicit, as we turn impressions into considered thoughts

...................................

thinking postcolonial urbanism with Anand Taneja

(this is the question of the limitations of imagination:)
how (for a generation of scholars [or artists]) rural (india) [or syria, Iran, or South Korea] has become simply a space of disasters, statistics, and deaths --✕--> Anand's work is a counter-example [i am learning from him to be attentive to my own imagination's stopping-points. to resist stories that render life in those milieus unthinkable] --> that those spaces are not only of abjection but also of imagination and curiosity --> to think about alternative (conceptual) vocabularies to think about those abjected places, religion, and ajayeb [that does not only negate those milieus]
-to think about religion is super us[...]

[...]tions? ...to mark each other with the mark of the care?

putting the narrative into proper sleep
casting the names

-artist has turned herself into a mnemonic device --> suggesting “amnesia” as her context
-artist has become a reminder and (therefore) her audiences have become memorizers

(question of) memory and remembering --> the idea of ‘literal remembrance’ in her performance, re-membering, literally bringing back the “members” of the Kurt Jooss company into the present of her audiences
-the problem with her remembrance is that “there is something that is important to remember” regardless of the person/subject who remembers

indisputability of the Green Table for Olga
the artist has chosen to protect The Green Table's meaning and message (due to her political and ethical commitments [for world peace?]) in a sense her subject of research remains unresearched, her values unevaluated, her moral settlements settled

how can she become interested in decomposing her research-bodies of The Green Table?
can we remain critically ethically responsible in thinking about the “meaning and message” of our subject of study and still be able to decompose it in interesting serious ways? (yes yes)

questions of: thinking, reminding, remaining,



Sofia's documentation
she asks “what is document today?”
-what was document yesterday (that is not anymore today)?
-how the agency and meaning of docu is (or is not) mutating in time?*
-what is beyond the question of documentation and preservation? --> *durational aesthetics*
-is document a limited way of asking questions about what we do and our relationship with time and duration? [you never know what the present brings into the future.]

what art cannot say that document can? “truth”?
when truth was invented where was document standing?

is document today a mere effect of technologies of inscribing?

why we are not talking about “file”?
(---> go to the ontology of evidence and files in X-Files TV series)

is ‘file’ the bedrock of reading today?

document assumes, constructs and promises its own labor of reading
? document is that which reads as referent, truthful, evident, economic value, , ,



Femke, with multiple understanders of the blended, blending world

the question of the metaphors of the body

manuality
manual understanders

for her “the point of origin” is at stake? --> the “ground” is at once desired and disarticulated for the sake of an idea of situatedness --> politics of positioning

placement, world, Dasein, fall

in CG bodies are articulated in differential vectors, not “grounds” --> does she want to ground the body?

[...]

[...]r /> (Avicenna's conception of) the nonentity (or antimatter) as the virtual double of every existent ~= (Deleuze and Guattari's) concepts of the virtual and the actual
(Avicenna:) God ==> existence/nonexistence
(Deleuze:) existence <==> nonexistence; (mirror each other?)


virtual (حق hagh ~ truth) <--> actual (حقیقت haghighat ~ reality)

hierarchy of nonexistent things


not everything is cognitive, sometimes it is sensuous material to be experienced
(@Seba, flows of information that “demand” cognitive attention)


-what interfaces Zaher ظاهر and Baten باطن?
{plane of immanence, plane of infinite information, (gender neutral) pregnancy, ventral} Baten <--> Zaher {plane of image information, dorsal, hard and complete} ==> vulnerability of the virtual protected by a fold

فنا fana: an stimulating awareness of the nonexistent side of every existent ~->? (Deleuzian) creativity; [...the schizo/darvish/ درویش (creative processes)]
(Rumi as a child sees people in their house, grinding mill talking to him, his mill speaking with him; condition of schizophrenogenic hearing --> gheib غیب, alame gheib عالم غیب)

yes yes, in transcendentalism universe suffers in a state of nonreality (or illusion) --> sublimely inventive cosmologies

the current information culture with its lame digital infinity (reiterating paths of vast networks and archives with terrible, clicked, controlling sameness, and only quantitatively new) ==> “dividuals”

ابن عربی Ibn Arabi's locus of divine: pulsation: movement towards God and away from Him

*transcendence is a symptom of immanence, and not the other way around (Marks)
(El Khachhab:) transcendence is not in the world nor out of it. It simply has no location. It functions as an energy, coextensive of matter and does not belong to a separate stratum.


[logical death]


(@Seba) “logical depth”: the amount of (useful) labor enfolded in a message. (Charles Bennett) --> forgotten but constitutive history of *contemporary information culture*
([aspects of] ‘enfoldment’ instead of ‘narrative’ @Seba)
(relying on the thoughts and calculations of many thinkers:) ‘deeply enfolded’ instead of ‘complexity’ (~=? ‘the obscured social world’ @Seba)

.finding the direction of Mecca in a complex network of signifiers --> the local value of the work of science or narratology / Islamic culture of astrological experimentation ----> logical depth and enfoldedness index Baten باطن
-(living in a time of animosity,) is Seba wanting to democratize Baten?

descriptive encounters with objects
narrative encounters with objects
--> unfold what is enfolded (and enfold what is unfolded?)

how to commit to (history[...]

[...]se evolution which coexists in it with the potential for progress
--> *techno-anxiety: potential infallibility of the technological

(teratology, wider context of studies on monsters)
logic of contemporary technoculture --trope-->
•primitive
•technology
•horror


(Campbell drawing from a larger) intertextual repertoire consisting of advertising, film, and other images in visual culture
--> aesthetic conflation of the primitive, technology, and horror points to three new concepts:
•metamorphing: {<<--** exactly my problem with Manning's process philosophy}
◦(a logic of) ***identity as constant becoming***
◦***emphasis on flow*** (as a necessary way to understand process)
•primal technology =/= (humanist and pervasive) concept of technology as modern, progressive, clean, nonalive
•proto-atavism: evolutionary traits from the future can exist in the present (=/= atavism: evolutionary traits from the past can exist in the present) []
==> type of posthuman biology conception of life

(let's have atavism instead of activism)

Campbell --> *critique the almost universal celebration of flow in contemporary philosophical thought* {<-- yes yes! thank you! ♥}


primitive: a site of primordial simplicity ~= originary unity }<== history of technology <--(told from a western lens)-- gradual progression and sophistication of the technical (for example Black Panther film)
-the presence or absence of specific technologies has often been read as a marker of cultural ‘backwardness’ <== “technology = something that comes from the West (rich-world technologies) and does something to other people in other places such as the “third world” (a well-intentioned framework that denies both agency and contemporaneity to the ‘other’ --> for example Eliasson's Little Sun)

technological progress is not a force unique to modern ‘civilized’ society; it is intimately bound with art and antiquity
•Heidegger (seeks the origin of technology in ancient Greece) --> technology referred to the ways in which realities are brought into the world, a mode of unconcealing reality (hervorbringen) [=/= mere means or instrument]
+ every unconcealment of reality is also by necessity a concealment of another reality
*poiesis: bring hither out of concealment forth into unconcealment* --> techne = tech + art

paleolithic hunters (so-called primitive societies) have been shown to have been affluent and technologically advanced

technological primitivism, as aesthetic in subcultures of high-technology, incorporating into their philosophies icons of: shamanism, esotericism, hermeticism, the occult, mythology
=/= my ajayeb.net


horror in commercial images (Campbell's investigation =/= fear appeals that act to discourage or warn)
[...]