[...] no sign of the origin of the earth, nor any portent of its end--what we have access to is a set of records in the landscape which leave the impression of massive upheaval and discontinuity in the past


tools to think past =/=? tools of (our own) archive


“most groups [...] engrave their form in some way upon the soil and retrieve their collective remembrances within the spatial framework thus defined” (Halbwachs 1968 > Bowker)

built: we often don't think of such [reworked natural landscapes] trails in memory terms, because it is not our own personal memory that is being engraved--it is the collective memory of our culture


(my favorite) specialized archival technology (~= memory practice): list*

synchronization in the 14th century, where information provided the ‘coin’ which allowed multiple endeavors--social and natural, along a (different) material substrate

...................................

idio + sync
-idio- (“private,” “one's own,” not capable of engaging in the public sphere, for Athenians: concerned exclusively with private (--> a natural state of ignorance that all persons are born into) (private soldier with no skills?) [~=? mast مست] =/= “polites” ~ police [~=? mohtaseb محتسب (--from--> احتساب, شمارنده, بشمارآورنده)])
-syn- (“with”)


کرم + حلیه
hile + karam

سجده شوریده

خام کن پخته تدبیرها

اول او اول بی ابتداست
آخر او آخر بی‌انتهاست

کار فلک بود گره در گره


(expelled from the temple of science) the collector and the classifier --> to grosser objects that we can taste, touch, accumulate

the master of ceremonies to a cage of tigers

Bowker on Charles Lyell

Buckland: (generally speaking) all things on earth can be seen at once objects and archives:
•as objects: they function in the world
•as archives: they maintain traces of their own past

a rock:
•object of lithosphere
•document of its history (striation: past glaciation; strata: complex stories of deposition + radioactive isotopes; journy through the mantle; etc.)


earth: a variable legible palimpsest

(office procedures & computer programs are both) designed as *abstract machines*
-for ajayeb i designed an abstract machine called ajayeb.net to realize a seamless interchangeability between my artist/research procedures and computer programs

bootstrap: a simple system activating a more complicated system

(i have become hypersensitive to:) progressivist telling of the history of the earth =/= strangely synchronic world where there is no effective arrow of time

[*]synchronization: the work that it takes to bring the various bits of the world into a single archival framework*** (with their metaphors and strategies) ==permit==> cohabitation of discipliness --> **synchronization of the social and natural worlds to the same temporality**
(synchronization is always at work and is technologically determined)
--> conjuring of the social and natural world into forms that render themselves amenable to recording ==> (imperial records) archiving changes the world & creates a record of it --Derrida--> sequential & jussive (imperative)
+ scientific work epitomized the developement and rigorous application of these procedures (---> go to Serres's origin of geometry and greek empire)
***synchronization brings material forms (commodity flow, train travel) together and when geological and historical time are mapped into the same time --> metaphorical & ideological & material interact (==> emerging powerful possibilities) [--> in art we also do a lot of syncing and synchronization (<-- this is perhaps what Pierre meant by saying that researchers are creating their own science)]


time management, a central issue in industrialization
Babbage: clock = regulator of time

industrial world-knowledge ==> importance of the division of the history of the earth into equal periods of time

information drive (a drive *to save as little information as possible about something*)

(Latour's) oligopticon: special places where the micro-structures of macro-phenomena are crafted, local activities become a “bigger” issue (such as parliaments, courtrooms, offices), where different strands of “macro-social” phenomena are weaved
-they see much too little, but what they see, they see it well (=/= total surveillance of panopticon)


watch (from 1800 to 1820 at least 100000 clocks and watches were produced every year)

“clockwork ocean” with waves and cycles of salinity as “balance wheels”
(Bowker > Graham Burnett > Fontaine Maury)

}==> imposing a **temporally mediated qualitative difference between the creator and created** (instantiated on the factory floor and in nature) --> creators stood outside regular space and time (=/= situated knowledges)

(19th century) scientific work = imposition of a representative framework of regular space and time on social and natural time
(science was and still is) making society confirm to the same spatiotemporal representational framework it was/is “discovering” in nature (---> go to the #scientification of christian genesis in Nolan's Noah film)
*imposition of a regular spatiotemporal representational framework* = (Bowker's) [*]convergence (a key aspect of synchronization): a cosmology (inspired by factory production) of nature and humanity--to make science, art and politics converge more and more towards the same goal, to introduce to them the notion of change, progress, succession, continuity, life, submit them to the same law (of constancy and uniformity)
•in astronomy: (1836) “the return of the comet of Halley at its predicted time has been remarked with intense curiosity and satisfaction by astronomers, and by the public. this has now become a regular and well ordered member of our system” (=/= ajayeb)

*representational framework of temporal regularity* ==> one can read backward into the past and forward into the future (--> # sequential palindromic time)
--> tale of the real archive : tale of stasis [==> “violent care”: preservation of current species and the imposition of stasis] : single law : (the fable of:) “perturbations and oscillations providing noise that true understanding would filter out”


fable of industry:
•how humanity had gone from being initially weak to currently king of nature : “industry = second nature”

•art submits to science
•industry recognizes science for its regulator


chaotic spacelike, lacking direction and granularity

working of childhood marked by staccato syncopation (=/= regular rhythms)

machine regularizes “man”: processes synchronizing him to industrial time
mechanical uniformity became the “natural” state of affairs


Facebook within the spirit of industry --> “under the [spirit of industry's] influence, people will begin by grouping themselves more naturally [...] people will come closer together, mass according to their real analogies and according to their real interests [...] the same ideas will circulate in all countries [...] uniformity of costumes [...] the same needs, a similar civilization, will develope everywhere [...] without confusion or violence, relations both as complex and as easy, as peaceful and as profitable as may be” -Charles Dunoyer


ufs (unidentified flying subject)
ufo


arguments about rates of change = about facts of change

eternal, unchanging present


train traveler looking out the window
a Newtonian world of abstract qualities size, shape, quanity, motion
==> space out of the window of a moving train: a new kind of geographical representation, abstract and regular


(a problem in management:) “time had conspired with capital to annihilate space
@Sana

[a ‘second nature’ being created] railway (+ telegraph) ==> commodification + communication

in our trip to Rivage with Marialena we were in terested in signs in the built landscape, the “second nature” in the nature of Rivage, which were “concrete embodiments of the environmental partitioning that made farming possible”

a heterogeneous collection of lived spaces and histories
a heterogeneous collection of lives and spaces

why translation must be a monopoly (according to railway):
you need centralized bureaucracy and effective monopoly in order to operate with efficiency [...] you could not have every train running on its own (loca) time ==> (Bahn railway map =) a representation that permit efficient operation --> *an absolute time and annihilated space*

(industrialization -->) railway/railroads --> basic accounting techniques used by American business enterprise (into the 20th century)
==> infrastructural technology: organizational form (accounting techniques, reports, etc.) synchronized with its own impact on the world (regularizing it) providing both a ***material and metaphorical implusion*** (to order its forms of inquiry/activity)


@apass monday reading
means of new infrastructural technobody ==> technoscientific representations ==> (dual process of) commodification (railway) + representation (abstract space-time)
--> “you need to be able to represent the world in a *coherent and standard* form [~ databases] in order to run railways [or program language operation] and deal in commodities

increasingly less well-defined boundaries --Serres--> we need analytic categories that allow us to account for the unified representational time and space applied to both bureaucratic and scientific work --(Sohn-Rethel)--> (relationship between) **commodity form and the process of intellectual abstraction** [-abstractness governs the whole orbit of commodity form]. when commodity is up for sale, it is by definition not to be used; it exists in a kind of “frozen time” outside the normal flow of time. it moves in an abstract spatiotemporal world (~= “second nature"[==> cognitive faculty of conceptual things] =/= concrete world of “first nature”)
*import* the ideal abstraction basic to greek philosophy and to modern science


systematizers

nested series of regions

synchronic extension --> “trace” back records in past: indian empire preceded edgyptian preceded persian preceded western. a second world, Europe, is contained within larger world (~= european union) --> (fable of the “step by step”:) man has step by step, broken with this natural asian world, and constructed, through industry and trial a world informated by liberty [--> my german orientation course, “that is why refugees are coming here"]


fable: history as the tale of struggle (~ liberty against fatality)

(glorious) race into the future


temps
•time
•weather


(i have been working against:) “the irrelevance of the past for a purified real present (which Bowker underlines in Lyell's work)

syllogism صغرى کبرى
soghra kobra

senility kohulat


**database
(replacing syllogism) principle of the *division of labor* --> simultaneity of groups (of people) --> “the succession of acts of which a single act is composed, is the same thing as the succession of diverse works necessary to arrive at a result which is nevertheless single.” (this) succession ==> division of labor


“there is not context only text” --> when you get to Paris, upbringing and race are irrelevant to a person's actions. contemporary humanity would move completely outside the flow of narrative time


1830s geology
history: a science of singularity and secular change
earth: records of catastrophic events that affected the body terrestrial (much as political events affected the body politic)
(Lyell + Buchez + Michelet ==>) (reconfigured the world from) a *tapestry of tales*[~= ajayeb] --to--> random access memory/archive [RAM]****

isotropic spatiotemporal analysis

glitterati
glitter + literati
(framed people: made fashionable and beautiful)


Lyell's time:
1- time: passive container --> attempt to give a chronology to the history of the earth, to trace its origin or deny that there is any evidence that it has origin
2- time: process --> attempt to pick out certain types of changes that are invariably associated with the history of the earth at any age [--> RAM] and are thus in a sense a feature of time itself


Bowker reading consistant patterning in Lyell's writing, finds that in his work in each disparate quotes that Bowker cites:
•the part: (is take as) varying, liable to be created or destroyed
•(=/=) the whole: immutable and eternal (just like Buchez's society)
}--> fable of ‘nature as a whole’
[==asserting==> that no hybrid had ever achieved a permanent niche on earth]**
that nature keeps a check on the whole process by organizing flora and fauna into “nations”
[==asserting==> nothing can survive long outside its nation]** (=/= cyborg)

“cycle” of years <--> a region
a climatic great year <--> earth over time
“revolutions” of the earth's surface <--> species change

industrial revolution, reaching its peak as Lyell was writing
--> the stillness, the ***ineluctable equilibrium between creation and destruction*** (=/= other facts available to Lyell's contemporaries)

(fable, a powerful myth still stalking our collective discourse today:) that human time was going faster now than it ever had in the past --to--> give humanity a privileged position within the geological record
(a different time for geology)


**[clockwork mechanism]

how geology in the 19th century shaped our contemporary ideas of database
-(earth is an archivist, but a bad one, it is up to the geologist to pull together information -->{ earth creates false records --> humands create false records through mudging the earth's annals with mules, hybrids, and monsters --✕--> geologist can read between the lines ==> true record of stasis)
the earth's archival technology + efficient use of information technology

astronomy was in the 19th century the science of regularity : all the apparent perturbations in the earth's orbit were reckoned to be embedded in cycles of varying duration --> universe = effectively clockwork mechanism

(for an archivist [~ Lyell]:) earth = special kind of clock, an *hourglass*

(astronomy + geology -->) (a contemplation of) the regular clockwork mechanism that seemed to govern both the heavens and the earth [+ Babbage: judged that human history was in its underlying tendency equally regular] ==> ***first and second nature converge onto a timeless present and an anisotropic flow of time***

*anisotropic: having a physical property which has a different value when measured in different directions. (wood is stronger along the grain than across it, or anisotropic filtering in computer graphic rendering at oblique viewing angles)
-varying in magnitude according to the direction of measurement. (electron scattering is anisotropic) ~-> palindromic time

*isotropic: having a physical property which has the same value when measured in different directions. not varying in magnitude according to the direction of measurement


(my project:) **picture of earth sciences**
(--> stories of macrocosm in Olearius)

picture of earth in 1830s:
earth itself as a kind of large information storage device not a very efficient one, but still remarkable -->> the inefficiencies of the storage device could be mitigated (as Beaumont and Lyell pointed out) by redundencies in the recording process -->> these redundencies could be perceived through efficient use of the new transport infrastructure (steamboat, train, etc.) -->> then geology would converge with astronomy in calling forth a historical time as regular and perfect as that of the clockwork solar system (hymned as an accurate clock)
}-->
“archival process ~= a natural technology” --> from natural to ideal: archive being mediated by technology marked by clockwork regularity
==> “earth = clock” (associated with the triumph of industrial society, because it ran like clockwork [---> go to german pünktlich punctuality]) --> industrial time writen into Lyell's geology: two methods of factory production *the division of labor* and the *parceling up of time into regular units* are both writen into time that Lyell created for the new discipline of geology
--> factory & geology were the precisely the same problem: *organization of time*


census
statistical record-keeping, a central technology for a modern state

statistical thinking


(this is Lyell in [...]