[...] ants or flash mobs or political action)
@apass: how do you provide different *undisciplined ways of envisioning* new kinds of environments, artifacts and practices? (entangle design, science, fact and fiction, boundary objects, system-ing, [*]design: ***making things that tell stories*** [=/= telling stories])
(my encounters with) ajayeb's vibrating particularism
[*]website, talksite: play, trial and error, permutation and mistakes (none of it innocent or exemplary @ERG's website) ==> *cognitive reassembly*
-->{relations between developers and users to create and work out a technical interface ==> communicative tangle}
transmedia story (with its origins commercial and suspect, often entangled with social critique and social panic ~= conditions of making knowledge today; we knowingly or without reflection, gather and pin together such stories across media...)
-you can't take *citation pools* for granted
-how we will take what each other says
companion gatherings (do not exactly cohere or consort well) ==sometimes==> violation of standardization (that some believe is more equal)
(companions need to) [*]learn: emergently sensitize and attune among new cognitive and political circumstances (in and as their very moments of unknowing, when ethical and moral sortings are properly in flux)
(with) Bateson's negative sensitivities to systems, and with Katies King, I keep discovering just how literal is our many being-ness in multiply embedded sorts of biomic sympoiesis

{[*]lecture: feeling-in-the-mouth system, (the word-as-world inhabited by) alternate and overlapping peoples, memories, attunements, citation pools, histories, communities of practice, knowledges, ocean and freshwater “edges"}
{?can i propose (Katie King and Sandoval's) “oppositional consciousness” instead of (Mouffe's) “agonistic pluralism"}

responses, abilities, infrastructures, distributed embodiments,

[*]traumas: intensities crowded with affiliations, loyalties, essential truths

(Bateson > Leigh Star > Katie King) *transcontextual* (transcontextual circumstances: moving from one context to another, one world to another, one set of knowledges to another) ==> [*]boundary objects: workaround things, concepts, processes, even routines that permit coordination, sometimes collaboration, without consensus (non-conscious and conscious)--local, supralocaling, and global in material topologies in which spacetimenatureculture may be mixed, developmental yet transtemporal, (they don't create boundaries) *they work to keep boundaries from getting in the way of collaboration* [~=? sleep-walking: ignore or even miss that there are boundaries about, or honor boundaries = differences that should be honored without being stuck there]
---[can i suggest ‘enfolding’ instead of ‘sympoiesis’ for artists?]

****ajayeb: my transcontextual habitat**** [--(Katie King)--> sites where people, objects, animals, ecological processes, academic restructurings, and scales of injustice unfold, enfold]

‘to feel family and parent memories as our own’ --> a skill that intertwines historical and personal biography (sometimes trauma) as a feature of *memory encoding*

[*]autopoiesis: a notion, a theory of cellular organization, that makes a fold in history --> reformulating an orientation into an ‘experimental epistemology’

*memoir animated word-worlds worm-holed* (~= my lecture-performances, Katie King's talksites --> speculations gathering with stigmergy, recursive paradox, and a sympoiesis of boundary objects)

#my project: redesigning ajayeb's “writings” among dispersed, diffracted, and emergent methods of attention
-to redesign “aboutness” (as nonrepresentational : recursive relational agency of/about reciprocities in worldly processes)
-to redesign fiction of writing (khipu)
-to redesign @apass archive --> records of how things have happened, with whom, when, with what informational needs (instead of abstractions layered up), sometimes as agencies, sometimes as (in Sandoval's terms) oppositional and differential consciousness, (boundary objects) storing and performing our details and affects and memories

punitive parsimonies of explanation:
•over-simplications of complex systems
•pressures for social critique
•to travel as social panic
•retreat to political loyalties (<== confusion overwhelm cognitive schema)
•retreat to political belonging in search of trust
•

(more boundary objects:) many sorting apparatus reframings at varying grains of detail each savoring textures of disciplinary and other precisions amid noncoherent and materializing logics
(constitutive, agential) **cuts are connections**
-to minimize damage and maximize flourishing

differential details --in--> “us” --in--> Bateson's living patterns --in--> starfish's invertebrate radial symmetry --in--> redwood cloning timelines --in--> recursive epigenesis --in--> mechanism and structure in a segmenting egg --in--> human affiliations of power and state and love...



[*]differential consciousness: systems justice sensitive to multiple contexts, *politics of attachment*
@apass's environment (mix of communities of justice and of practice):
belief and disbelief, memberships and belongings, triggered and assembled
****to commit to a well-defined structure of identity for one hour, day, week, month, year**** (=/= Manning)
+ transform that identity according to the requisites of another oppositional ideological tactic (if reading of power's formation require it --> that's how i became more iranian in Europe)
•differential: instantaneous change of one quantity relative to another, a quality that differentiates between similar things (==> derivatives) =/= different

اخرت eschatology
study of end-times [--now--> climate change, global restructuring, ]
-humans are often precariously enduring on the planet
(Cuban Missile Crisis...)
-when urgencies (become too predictive) ==> less sensitivity to the unanticipated --> (Seba's “save the world” =) all too human desires for control or for moral prescriptions

with Katie King --> *systems justice* requires something much more complicated
•we have to work with our extended being
•find out new things about it

-how can we go beyond human intention and systems of control?
-we need, and there are, many ways to minimize damage and maximize flourishing
(*systems humans participate in and do not control*)

(? am i part of this) “we” and “us” gathers sympoietically these boundary objects storing details and affects

the fable of “if it's about everything it is about nothing” --> no!
sharpening focus =/= narrowing focus

workshop for thinking
•with objects
◦moved around
◾in visual play

to take your imaginations along other things
•so their worlds layer and enfold and map out and crochet together
◦so that can be sensed and worked on

(?what are) our helpers in apass:
•companion imaginations = our collective animalities
◦such imaginations have worlds that layer and enfold and map out and crochet together (--> systems humans participate in and do not control)
•our complex personhood
•our distributed being
•objects we take as cognitive companions
•our significant otherness honored in on-going attentions
•new learnings
•new materialities
•

(?what are our) methodology of companioning with things

...................................

what is happening to me: attention to knowledge making practices (in the context of a literary pleasure)
*sharing = making*
*communicating = making*
clues --for--> contexts --shapes--> how we will take what each other says

(Katie King > Anzaldua:) who and what facilitates such movement among worlds?

home = domination + domestication + love


Katie King:
•why science fiction matters?
•how cultural studies helps us make SF meaningful?
interactive possibilities of media art, commercial production, mass culture

SF = effect of defamiliarization
(problem with Star Trek is that it is over familiar)

Janet, from a lesbian utopian future (death by disease of all the men)
Jeannine, from an alternate present (US never entered WWII)
Jael, where “War Between the Sexes” has become deadly literal
Joanna, the author of the book, Joanna Russ (in a shimmering joking literalization has enfolded into her own story)


my ajayeb studies --> *cultural studies: how cultural products are part of cultural processes* (=/= what makes an art work good) --> getting around the term “art”
-mysteries, romance novels, movies, (bestiaries,) all of them deeply commercial forms of entertainment and often produced in complicated technical collaborations [--> and that's what makes them interesting (=/= simple single authorships)]
-genre, formula, (style, fashion,) are intrinsic to the ways these products are produced and the ways they are enjoyed
genre --> subtle shifts possible across many repetitions (=/= something that happens only one time)
premodern literary forms (bestiary) --> structural variations + their pleasurable effects

fandom (collectivities of fans): venues in which high intensities of engagement and collaboration occur --> social and collaborative, (writing) reengineered with various apparatus, [pre-internet Trekkers:]
•...audio tape each episode and listen to the voices over and over in my bed at night, until I had the dialog memorized
•wrote long letters about each episode several times a week, coast to coast, analyzing each in great detail, and writing out particularly memorable bits of repartee
•
--> SF media fandoms (=/= SF literary fandoms), first really organized around Star Trek in the late 60s, early 70s and increasingly international, have tended to be dominated by female fans
[*]poaching: how fans and fandoms appropriate commercial products for their own informal uses

*commercial exuberance* <== media franchises (<-- take advantage of the structure of multinational corporations [film and tv production, book, music and video publishing and distribution, theme parks, theaters, book stores, and so on. tie-in novels and coffee table, graphic novels, toys and games, other paraphernalia such as telephones, t-shirts and porcelain plates, music, commercial internet sites and catalog buying, and even scholarly works] + xeroxed fanfic, fiction written and self-published by fans,)

Star Trek = commercial media art =/= “art for art's sake”
-commercial media art is pleasurable precisely because *one instance of it is always insufficient in a very palpable way*
‘not enough’ ==> interactive & an on-going --> multiply collaborative process (across media)
= processes: people engage in varying degrees and forms of intensity and with varying collaborative possibilities -->{fandom: an interactive engagement that is culturally ambiguous =/= ‘society that values property,’ or ‘unique creations by single artists'}
(such media is) inspirational exactly because *so much is left out*, so much invites elaboration
•gossipy pleasures
•extratextual information
•many layered joke
•alerting the refrain of male friendship
•

like other kinds of SF Star Trek also often does replicate the very aspects of culture and society we find at the root of a range of social injustices, racism, sexism, homophobia, and others

Star Trek, understood by cultural studies, is complexly contradictory, full of progressive possibilities + structures that shut down such possibility
--study--> cultural sites of struggles for power and for competing visions of justice

Kirk speaks Spock's funeral address and movingly says: “his soul was the most human.” --> “human” simultaneously creates unities across races and nationalities (as a universal term for courage or compassion), just as it also valorizes and makes superior the species “human” ==> new inequality between humans and nonhumans

...................................

wmst601fall10.blogspot.com Katie King

zoo spelled backwards

http://www.ediblegeography.com/cross-species-dining-an-interview-with-natalie-jeremijenko-and-mihir-desai/
Jeremijenko @Sarah
edible lures
bio-amplification that happens through the food web

the New York of...
the Brussels of...
(there is always) the Tehran of X [trees, dogs, rats, moms, thugs, etc.] (=/= the X of The Tehran)


approach: targeted drug delivery --> doing focused interventions =/= treating the whole system

links of how *shared interdependent transsex* [shared rearrangement of sex and re/production] is unfolding
-responding to this rearrangement not through fear of the eco-catastrophic assumptions

*shared interdependent* =/= dependence, independence

prefix -sphere =/= -scape
bioscape --> life and energies (not necessarily “alive”) in relation to an imperfect spherical earth, but also its relations to multiple other possible planes, elements, assemblages, and processes (beyond the biosphere)
(jetscapes, oilscapes, foodscapes, microwavescapes, surveillancescapes, mountainscapes, sunscapes, waterscapes, etc.) -Kier


you could love in a goose's world ==> you are *goosomorphous* (~ producing a goose body & being produced yourself by a new identity --> a not-attributing anthropomorphic love)--> *anthropomorphic: to add new definitions to what it is to be a human being*
[*]anthropo-zoo-genetic practice: practice of domestication, by adding new meanings to X, and new identities that provide these new meanings
“Lorenz is articulated by the setting he created. The setting is articulating new ways of talking, new ways of being human with nonhuman, human with goose, goose with human...” -Despret

de-passion knowledge ==> a world ‘without us’ ==> a world without ‘them’

*impoverished: a world of minds without bodies, of bodies without minds, bodies without hearts, expectations, interests, a world of enthusiastic automata observing strange and mute creatures --Despret--> **a poorly articulated (and poorly articulating) world**


•autological subject: discourses, practices, and fantasies about self-making, self-sovereignty, and the value of individual freedom associated with the Enlightenment project of contractual constitutional democracies
Sven, Maarten,
Isabel for whom sex is disseminated
•genealogical society: discourses, practices, and fantasies about various social constraints and psychic assaults on the autological subject by various kinds of inheritances


“liberation denied, liberation achieved” -->
•both visions dependent upon an all-or-nothing approach to social change
•both visions dependent on vision and an unexamined allegiance to the concept of change
...at the self-proclaimed centers of freedom
--Katie--> *how do we know social change when we see it?*

when ‘eye candy’ begins to describe a range of visually induced consumer pleasures

theoretical apparatus:
space-plus-time (space + time) =/= spacetime
-the additive understanding of “+” pictures time and space as two geometric planes that intersect =/= ‘spacetime’ there is no need to explain how they come together, because nothing stands between them

“a woman's survival depends upon calling people into classification”
“...hair-trigger judgments about gender lead to romance as well as lethal exchange.”

...................................

Verran in her work with Yoruba (West African) and Yolngu (Aboriginal Australian)

=/= thinking of numbers used in enumerating the real world as helping us to work relation ==> numbers (and mathematical objects) as cognitive tools
elements of schooling --> learning to use mathematical tools

*can number be considered as an inventive frontier in social, cultural, political and moral life?* --Verran--> *number = materialized relations*, enumerated materiality

people having kin relations
people are relations (in an embodied sense + semiotic in the sense of expressing a formal relation [for example wife/husband])

example:
•in river water --> taking numbers as semiotic = to identify numbers as the formal relation unity/plurality
•in working markets --> numbers enact generalizing iconically in the whole/parts mode

--**--> numbers as particulars, in place and time, in situ, realized in specific practical ways

Platonist account of number
intuitionist account of number
instrumentalist account of number
Iranian accounr of number

(Verran's rhetoric --> the term) semiotic (an opaque term, both vague and highly technical) + material modifies

(Verran not refering to) [*]semiotic: the summoning up the baroque complexity of French structuralist and post-structuralist thought, and alternatively the specific categorical proposals of Peirce's philosophy and its offspring, american pragmatism.

the paradox of worlds as already/always meaningful, recognizing that doing worlds as knowable (whether by science or by trading) or for that matter through Yoruba, or Yolngu knowledge traditions --involves--> engaging with the world as it is here and now --accepts--> *studying ‘forms of life’ and ‘language games’ as complex clots of signs and collective actions*

--Peirce--> numbers can be:
•iconic (icons are deeply coconstitutive with clots of collective actions that generate entities)
•indexical
•symbolic (symbols and their objects enact a relation of supervenience امر غير مترقبه, objects are accepted as affecting and effecting their signs but not vice-versa)
--> degrees of reciprocal co-constitution of signs and collective embodied and embedded actions in which objects come to life
--Verran--> ethnographically found forms of the workings of signs

(depending on) how one understands ethnography ==> names work as icons, indexes, or symbols

removing the stigma of Yoruba number as primitive

numbers as working indexically or symbolically --> for examine: are being used to represent the ecological health of Australia's creeks and rivers, lakes and billabongs


difference between these relational forms:
the first thing we need to know about a number is whether:
•it takes the one/many form (potentially containing unity within the plurality of a many) [cardinal number --> conserve value]
•the whole/parts form (having plurality contained within a unity) [ordinal number --> conserve order]

(in) shape-shifting between:
one/many form
whole/parts form
symbolic/indexical mode of semiosis
indexical/iconic mode of semiosis
}--> number works in inventive ways


thousands of Australians regularly attending their streams with bottles, thermometers, and pH meters, peering at tiny creatures they have scooped up with a net, trying to identify what they are and count their numbers

(the slogan) “you can't sustain what you haven't measured”

numbers so enthusiastically generated by volunteers --also--> contribute to constituting water as commodity, expanding possibilities for ‘doing business with water’


cordon sanitaire --> consistency must be quantifiable
two databases, separate institutions and websites, is counter-productive in a project assembling and disseminating information on the state of the nation's water resources?
@apass

...................................

patterns of behavior
forms of style
--emerge--> ?

(Rai researching the materiality of the ecology of sensation of mobile phones in India helps me to think about Iran telegram media)
new ecology of sensation ==> patterns

perspectivalism: (history of) the dominance of representationalism in the engagement with a living multiplicity at stake

each image has:
•a certain duration
•at different scales of perception
•a non-coinciding resonant unity (a unity-in-multiplicity)
•*mutating affect =/= representation*
•potential occasions for a perceptual event (that exceed their actualization) =/= mise en abime
•pointing the capacities of perception in multiple direction
•strike you as potential events in gradients of textual vision, haptic and mutating accross senses
•excessive information that calls for another diagram of bodily capacities
•where a machinic phylum becomes sensitive to certain forces
•

an ecology of sensation meeting its cliche:
•Bollywood meets graphic novels at the back of a rickshaw
•Agra's Mughal-era oriental(ized) stone work turning topological and dimensional (less or more racist? --Rai--> to what extent is the question relevant to what it does?**)
•Ferris wheel on Juhu beach
•the weighting machine at the local station


(Rai + Keenan --> give me) new resources for imagining justice and democracy

all habits are preindividual : where the subject and population meets

photographs (photoshopped life) ==enable==> a hauntology to emerge in the viewing subject


a priori conceptualism =/= a practice of perception that is involved in the emergence of ecologies


like Rai's photos, the image assemblages that i am making are experiments in perception given the ecology of sensation that i am working through
--> attempts to produce an affect that resonants with a conceptual and bodily reasoning =/= philosophy

my telegram collection <== (Stengers) we do not know a priori the difference between what we must take into account and what we can ignore

(for you, X is deterministic, as are the questions that describe it)

[*]emergence: the appearance of the unanalyzable totality of a new entity that renders irrelevant the intelligibility of that which produced it

...................................

Ticineto Clough

media technological developements ==> (often and perhaps necessarily) put the transformation of being and the transformation of knowing out of sync with one another

why Hollywood concerns me:
•reconceptualization of labor from the cinematic mode of production to the affective mode
•the colossal projection of cinema as a guarantor of a culturally uniform memory

relevant for artists too (they cannot ignore this) --> to rethink the ontological grounds of knowing [and representation] (in the wake of) deprivileging or decentering human perception and cognition (and reconcider these artistic tools and episteme:) sensation, affect, matter, energy

*digital media technology is being redefined in terms of a subtraction of human perception as the presumed center of being and feeling* @apass

(media understood in terms of) *nonanthropocentric affect* --> affect = transition, gateway, passages between dimensions ==> ‘everything = media’ (~ entities can feel or whose vibrations can be felt by other entities)
affect --> [*]media: contractions of forces of the world into specific resonating milieus

**mediation = modulation = (vibration =) intensifying or deintensifying rhythmicities and forces, below and above human perception**

[*]human perception: assemblage of measuring that is irreducible to human agency or human agency alone ==> “non-conscious phenomena”
-this is Barad pointing the way to an epistemology put in terms of measuring that affects as it renders effects
(i need to work on such specific epistemology for ajayeb)

(ajayeb's speculative reals --> speculative grasp of what exists outside human knowing =/=) correlationism: impossibility of a world without human knowing

(one of our obligation today is) [nonapocalyptic] ***recognizing a world without us*** (<-- this is what we must imagine and not “our future” @Pierre)
[by] making use of poetic, affective, rhythmic processes of resonance (--> Sarah's fermentation concert, Sina's popup book)

}==rethink==> *media technologies = technologies of measure*


sensual mathematics
rethink the digital in terms of the “numerical dimension of the virtual”
the potential for mutation immanent to the numerical code itself
(indeterminacies understood in terms of) new processes of quantification that recognize the “full densely packed zones of information that are the intensive surrounds of zero and ones
Clough - Goodman - Parisi


*question of knowing = a politics of capacities* (that crosses every scale of matter/energy)
=/= interpellation and determination of the subject
=/= identity politics (politics of difference)

control society = collection of dynamic quasi-subjects (constituted by a grear number of variables) =/= collection of subjects of right (constituted by the partial alienation of their natural rights to the sovereign)

[*]population only reveals probabilistic regularities once considered at the mass level (=/= collection of controlable subjects)
(in both terms of capital and governance) *modulation and mutation are operative in relations of power* (---> go to Campbell)

[*]publics: addresses of communicated affective states (=/= subjects of discourse about and a[...]