[...] said that has a lot of meaning or importance.
interdisciplinary exploration of
is “what is your project about again?” the question we want to ask in apass? does this question really helps the other? or is it just for you, the questioner?
-how to resist the interference of double click?
...................................
(in the direction of my research; hastily opening the ontological envelope that saves a heart full of “list of specifications”...)
the visit will be to the ‘European Committee for Standardization’ (CEN, French: Comité Européen de Normalization), one of the EU fostered nonprofit public institutions of the cutting-edge development regarding ambitious notion of ‘data,’ ‘systematic knowledge,’ and ‘specifications’. the excursion will be oriented towards a meeting between the participants of advanced performance and scenography studies and the representatives of CEN, and encourages a run between the ontological demands of international economy and contemporary art, their disastrous split, and where their formations meet and intersect.
KEYWORDS: cosmology, experimentation, existence, specification, future, knowledge, irrationality, permanence and substance, technological acts--of naming, a path of becoming--on the grid of technological dominion, suspicious partnership of “advanced democracies” and “high technology"--what allows their mutuality?, standard-testing--which sectors of existence it is traversing?, pre-technological traces of cognitive normalization, the very little difference between specification and “the real thing,” THE origin of the demand for rigorous specification, migration of questions out of the areas of instrumental fitness, human relation to the surrounding world, impoverished zoologies--under techno-epistemo-anthropocentric values, squeezing prehistoric modes of weakening subjectival normativity--a field that today gets heavily technologized,
...................................
to bring our needs and lures towards each other
bring my lure to the table (that thing which i can't stop following)
who/what are you pregnant with?
(that is what you are proposing)
(that is to play with the ‘histories of body and mind’ [Haraway] you inherit --> for me is to play with the pre-subjective singularities)
[inheritance is of great importance for our research. it is about the passing of obligations from something ghost-like. i am sure we have other modes of response available to us other than how Hamlet takes in what is inherited to him, other ways of responding to the ghostly beings that talk to us from death. (inheritance ~= inhabiting spirit [they cannot be possess as a piece of property], reading inflaming flashes of remote spirits [--> is this hear from one another looks like? is technology placed at the source of this reflection?--technology itsel[...]
(1)[...notes/midday review.txt]%0.2[...] between specification and “the real thing,” THE origin of the demand for rigorous specification, migration of questions out of the areas of instrumental fitness, human relation to the surrounding world, impoverished zoologies--under techno-epistemo-anthropocentric values, squeezing prehistoric modes of weakening subjectival normativity--a field that today gets heavily technologized,
...................................
to bring our needs and lures towards each other
bring my lure to the table (that thing which i can't stop following)
who/what are you pregnant with?
(that is what you are proposing)
(that is to play with the ‘histories of body and mind’ [Haraway] you inherit --> for me is to play with the pre-subjective singularities)
[inheritance is of great importance for our research. it is about the passing of obligations from something ghost-like. i am sure we have other modes of response available to us other than how Hamlet takes in what is inherited to him, other ways of responding to the ghostly beings that talk to us from death. (inheritance ~= inhabiting spirit [they cannot be possess as a piece of property], reading inflaming flashes of remote spirits [--> is this hear from one another looks like? is technology placed at the source of this reflection?--technology itself answers the call--(Avital)]) could we work with Ophelia's kind of #Wortsalad instead? (Salad-e Kalame, khoresht-e kalame; same thing happens to Shirin of in Khosro Shirin, but unlike Shakespeare, Nezami allows another poetic drift;) Heidegger's “die Sprache spricht” : language is monologue --?--> schizophrenia and schizophrenic discourse --?--> structure of speaking]
[speaking asserts a certain temporal priority which we must undermine]
-listening *before* speaking
-“We hear language speaking” (Heidegger); a non-organic speaking; language is not equipped with organs of speech? (Avital)
serious joking / joking seriousness [Haraway]
joke/jest/gesture
a space of play --> where ideas come in to being
(story of ‘or’. is it where the original joker came? using or instead of and)
(there is no ‘or’ in nature!? what are the earlier forms of or that we can trace in cave paintings or tool makings?)
**if you don't take my idea seriously i will be utterly incomprehensible**
crafts-person for the building of lures of propositions --> ‘abstractions’
(abstraction is fragile and can hold worlds together)
where Europe comes from? (woher kommst du? i am born in, i am born in, ...)
what animates us rather than what civilizes us
(to Shabnam:) to ‘mourn with’ rather than ‘mourn about’
(-about =/= -with)
(structure of mourning)
to break in the philosophical and biological headquarters (and steal their st[...]
(7)[...notes/midday review.txt]%0.2[...]es, playing bodies, sensuous bodies
(feminism:) you can't get freedom outside of mortality
-theology, the negative way of knowing, the necessary discipline of positive affirmation in order to know what is not knowable, is a very helpful tradition
when it comes to language we, humans, will always win over the animals.
we will always be the ones who control the law, the database.
(all is bad news both for the charismatic endangered Bangali tiger and the individual chicken in the food industry.)
fight the divisions and differences
we are in a very bad place for animals and woman
can we do without instrumentalization?
categories of killable--the question of how we kill
the question of one's-own-old-hat
regarding what you are against: we might find ourselves properly addressing a particular issue but having no ability to make political connection, to think beyond the categories
*thinking: a materialist practice with other thinkers--done best as storytelling
for me politics is that to be able to locate ways of life that deserves work, that which deserve opposition, that which deserve our curiosity
disembodiment is a technologically produced effect--many people are very skillful in creating that effect --> effects that are also affect/affectional
(Haraway on writing the cyborg manifesto) SK
the physiological state of neutrality is an affective state
(the notion that violent and passion counts as affect and neutrality is without affect is chemically bizarre) -- neuro-chemistry of a certain kind of self-collection
refusing the division between material and immaterial
to call information-world immaterial is wrong
(this is the base of my work related to Haraway)
in the case of vision: the material and the semiotic always implode [the apparatus and the flesh] --> the effect of *disembodiment is a technologically produced effect* (that is also always affectional) (we have to get good at producing it)
[...so she was among (1983 Marxist) feminists (and the figure of cyborg is already in circulation for her--about the questions of reproduction technologies related to the situation of women) without biological education--not only that, many of her feminist allies thought of biology as the enemy [--> antinatural rejection of the sciences in feminist the agreement “that ‘nature’ is our enemy and that we must control our ‘natural’ bodies --> escalating logic of counterdomination] so her manifesto is all about that. biology is (a rich fabulous practice and) never innocent, and it is something that ‘we mean’. in the sense of ‘what do you mean?!'] [we are always telling knowledge stories that we need --> noninnocent]
(something is) boring =?=> (something is) wrong
why do i joke? it has to do with storytelling.<[...]
(9)[...notes/midday review.txt]%0.4[...]uestion of how we kill
the question of one's-own-old-hat
regarding what you are against: we might find ourselves properly addressing a particular issue but having no ability to make political connection, to think beyond the categories
*thinking: a materialist practice with other thinkers--done best as storytelling
for me politics is that to be able to locate ways of life that deserves work, that which deserve opposition, that which deserve our curiosity
disembodiment is a technologically produced effect--many people are very skillful in creating that effect --> effects that are also affect/affectional
(Haraway on writing the cyborg manifesto) SK
the physiological state of neutrality is an affective state
(the notion that violent and passion counts as affect and neutrality is without affect is chemically bizarre) -- neuro-chemistry of a certain kind of self-collection
refusing the division between material and immaterial
to call information-world immaterial is wrong
(this is the base of my work related to Haraway)
in the case of vision: the material and the semiotic always implode [the apparatus and the flesh] --> the effect of *disembodiment is a technologically produced effect* (that is also always affectional) (we have to get good at producing it)
[...so she was among (1983 Marxist) feminists (and the figure of cyborg is already in circulation for her--about the questions of reproduction technologies related to the situation of women) without biological education--not only that, many of her feminist allies thought of biology as the enemy [--> antinatural rejection of the sciences in feminist the agreement “that ‘nature’ is our enemy and that we must control our ‘natural’ bodies --> escalating logic of counterdomination] so her manifesto is all about that. biology is (a rich fabulous practice and) never innocent, and it is something that ‘we mean’. in the sense of ‘what do you mean?!'] [we are always telling knowledge stories that we need --> noninnocent]
(something is) boring =?=> (something is) wrong
why do i joke? it has to do with storytelling.
anything anybody tells me i tend to believe--what i learn from whores
working within an apparatus of thinking in order to get somewhere in a sustained way and not to drift into associations as fast as... -->
i can't finish the sentence until i can pay attention to what interrupts it. and if i syntactically require to come to the end of sentence, syntactically commits me to a position i don't hold. the technical requirement of clarity (and coherence--must learn how to do it). my storytelling is about how not to reach the end of sentence. (that Peter noted as suspension)
['thinking pushed into syntax’ --> my work lecture-performances are about a thinking excessing out of syntax. not all argument[...]
(10)[...notes/midday review.txt]%0.4[...]roducing it)
[...so she was among (1983 Marxist) feminists (and the figure of cyborg is already in circulation for her--about the questions of reproduction technologies related to the situation of women) without biological education--not only that, many of her feminist allies thought of biology as the enemy [--> antinatural rejection of the sciences in feminist the agreement “that ‘nature’ is our enemy and that we must control our ‘natural’ bodies --> escalating logic of counterdomination] so her manifesto is all about that. biology is (a rich fabulous practice and) never innocent, and it is something that ‘we mean’. in the sense of ‘what do you mean?!'] [we are always telling knowledge stories that we need --> noninnocent]
(something is) boring =?=> (something is) wrong
why do i joke? it has to do with storytelling.
anything anybody tells me i tend to believe--what i learn from whores
working within an apparatus of thinking in order to get somewhere in a sustained way and not to drift into associations as fast as... -->
i can't finish the sentence until i can pay attention to what interrupts it. and if i syntactically require to come to the end of sentence, syntactically commits me to a position i don't hold. the technical requirement of clarity (and coherence--must learn how to do it). my storytelling is about how not to reach the end of sentence. (that Peter noted as suspension)
['thinking pushed into syntax’ --> my work lecture-performances are about a thinking excessing out of syntax. not all argumentation is made in syntax(= how a sentence must end), and turn it into a skill of nonsyntactical pragmatic language craft tradition, advocating the *exceedingly agential* world ~= there is always ‘a whole lot is going on']
the iterative and fractal quality of sentences
partial connections (of distinct entities) ~= analogy
analogy allows one part contaminate systematically another part and vice versa
(Haraway on feminism)
feminist theory is especially good in getting at in particular ways doctrines of nature's work to enforce ways of life on women, on people of color, on the enslaved, on those who do not possess the qualities of mind and self-possession, on those who are on the marked categories to the unmarked. the feminist have been particularly good at getting how genre works. gender, in this regard. [...] --> that female by nature is committed to the species and the male by nature committed to transcendence.
[our inherited binaries -->] formulations of nature: executive/non-executive organs, immanence/transcendence, maintenance/novelty, catabolic(foru-sakht فرو ساخت, sukht سوخت)/anabolic(tarkib-saz ترکیب ساز) functions, ,,
-in Darwin's writing, non-theological account of diversity on earth, we find both interrupters and continuers of these particular notions of nature
the[...]
(12)[...notes/midday review.txt]%0.5[...] kabutar ba kabutar baz ba baz کبوتر با کبوتر باز با باز]
**killing is not something mortal beings can avoid** (us or them)
*the human beings have regularly and in complex ways produced other living entities as killable*
[category of killable: a killing that doesn't quite count as killing]
killing your pet when she is too sick = a judgment in responsive relationship that is not equal
to say that “meat culture everywhere and always are acts of violation” is wrong
“post-”, the notion of ‘surpassing’ that is inevitability built into the “post-”, is in our way politically
the project of critique : finding that point of violation where you can say “got you!”, ‘I nailed you’ --> the practice of critique = to define what we are against }==> develop political movement that are fairly self-certain about what we are against ==> you will find yourself (perhaps) property addressing a particular issue but having no ability *to make political connection* (~= to think beyond the category) --> you find yourself crippled
posthumanist think of themselves as “better than”, more in possession of a “real” understanding of the nature of contemporary world, beyond the critique of technology
the politics of it all...
[we have never been -->] human : being on the side of the one who developed technology to realize intention of their mind in the matter [= The Iron Man]
=/= what it is to be people
we don't need fancy epistemological justification (such as posthumanism), people know the world in ordinary ways and we can learn from eachother, in all the (cultural, historical, power, wealth) differences among us [@Leo] --> ***partial translations happen all the time***
to take the risk of making a mistake --[the only way you can]--> affirm something positive : the positive knowledge pins on the possibility of mistake --(@Setareh; Goda wants to avoid mistakes?)
(learning from Foucault:) power = actual arrangement of the world (and not something ‘out there’)
(learning from Derrida:) responsibility is about the excess of it all (and not the irony of it all [*irony: incongruity of expectation and occurrence])
(learning from biology about:) differences organize themselves by ecologies (and not by binaries) --> ecologies have many scales (of temporality and physicality)***
scientific research + artistic research + contemporary philosophical critical inquiry ==> *topographies of difference* [--> important for Goda's use of the term “privilege” flattening differences]
(“+” are exchange zones, i am learning their differences of idioms)
[apass = partners locked into mimesis]
(my problem with the idea of) privilege: a special right, advantage, or immunity granted to a particular group or individual --assume--> the only way for a particular[...]
(13)[...notes/midday review.txt]%0.6[...]e transformation
-which “affective economies” animate our own bodies as artist and as people?
-what feelings inform our works?
staying with linguistic differences (in each of our stories or praxiography) is a way of investigating the ontological commitments embedded in language.
ontological --> worlding --> how language participates in shaping our lived worlds in some ways and not others.*** “it is not common for speakers of a language to examine what type of material objects their language commits them to.” (Verran)
solidity of found objects, in my case, the graphs and images i am making about ajayeb --> the graphs now reiterate for me as rituals in my research microworld.
with these graphs i am trying different ways of arranging space, time and matter when speaking a *sentence*. ...each language figures space, time, and matter into different kinds of objects. in my writing tools with ajayeb, what type of material objects my language, or Hemedani or Qazwini's language, commits us to? my graphs are “spatiotemporal particulars” and “sortal particulars”. trying to talk about ontological assumptions embedded in the English (and any other) language. the diagrams are *rigs*. i am using rigging instead of framework. --> clever technological rigs, are provisional constructions, setup for a specific myth and dismantled after. sometimes old rigs are reused or repurposed for new rigs.
-resist peaceful naturalization
-uncomfortable software
-building/creating technologies as one way to do ontological politics (in postcolonial context)
-my experiments with ajayeb:
-(the danger in using) computer software to archive ajayeb's or ajib knowledge =/= lively collective memory tool
-the software that is slick and seamless runs the risk of the digital media appear as *self-sufficient representations* (<--✕--> living context)
-archived and frozen in time
-sorting operations
(if i continue with digital tech in reading ajayeb i have to ask) how the digitized ajib knowledge can resist appropriation and translation into an idiom that will not sustain its metaphysics****
◦powerful relational work that numbers (also? = =/= --> => etc.) perform -> “numbers are a particularly smooth and manipulable meaning-making tools. they hide their seams well. they are slick and trustworthy” (Porter) --> they are “materialized relations” (how can we tell a story of relations that for example numbers/math materialize?)
◦highlighting parts of ajayeb: as part of a material reading practice --> “highlighting” could easily be understood as metaphor of disembodied vision; highlighting is not about making things clear but about scribbling (bad-khat بدخط) as a mode of attention =/= (Descartes’) “natural light of reason”
%report on fables of objects #workshop (22.02.2017 HWD apass): attention to the sense and feeling of[...]
(15)[...notes/midday review.txt]%1.5[...]
***nothing is never merely a metaphor***
[some fables from science studies:]
•Emily Martin's egg/sperm story --> stories of atomism, distribution of agency, ----[The Egg and the Sperm: How Science Has Constructed a Romance Based on Stereotypical Male-Female Roles]
•Hayward's microscope --> tropes of natural history docu, ----[Enfolded Vision: Refracting The Love Life of the Octopus]
•Kenney/Haraway's origin/nature fable --> the omnipotence of the “origin” story in our descriptions and interactions with the natural world
•Scott Gilbert's immunological “bouncer” story =/= immune systems as inclusive agents of symbiosis
•Lynn Margulis: life (made possible) by “combat” [the survival fable that TV series “The 100” and “Kelile Demne” for instance is based on] --✕--> life by networking
•Haraway: the tale of “organism = a system of division of labor with executive functions” (==> extraction of wealth among us)
◾Morton's causality-story
•brain/body story --> where the “move” came from?
•Sina's “standing on the shoulders of giants” --> knowledge/continuity, role of authority and humility in science ----[http://www.sinaseifee.com/giants.html]
•Sina's 3 little pigs --> architecture/tech/ echics of encounter --> story of the center and periphery ----[http://www.sinaseifee.com/pigs.html]
•“weapon fathered man” --> Kubrick's african genesis, technology + prehistory (in postwar period) “tool ==> man”
•
fables popular in apass:
•“a work [of art] should speak for itself”
•“the very last stage of the creative process is purely intuitive” --> when people say they stop “reading” or “knowing” when they want to create artwork
•“look really hard inside yourself for what you really want”
•“you are an agent of change” that means art or thinking or being ought to be operative, active, transformative, (even destructive) and that is “political” [--> this fable in found in language; ---> go to Barthes’ fable of the woodcutter]
•
no need for “conflict” nor “hero”
(in the way we give feedback, relate, narrate, story, and tell eachother our matters of care and concern, and where we create zones of attachment; both in your “art work” and the mundane everyday of ‘getting on together’ --> interrupting one's own framework)
...................................
#workshop, on question, feedback method, to improve the questions we ask each other
-what are the questions (i could ask) that make you the most articulate?
-the question that asks what are the good questions that offer an interesting becoming for those to whom the question is addressed
-to ask: does this apparatus has stakes in docility or availability?
-more interesting questions ==enable==> more articulated answers ==> more articulated identities
-asking (questions) (is not abo[...]
(18)[...notes/midday review.txt]%1.6[...] to know,’) is about constructing interest ==> chance of interesting answers
-asking about the differential productions, “=/=” or “=” or “==>” in each other practices. these assessments are propositional and poetic remarks, guessing the artificialities that we live with, not finding of matters of fact
◦asking about particularizations (تخصیص) and generalizations (تعمیم)
**literature begins, Blanchot writes, “at the moment when literature becomes a question”** (this is completely different than asking or question-marking in literature) [...] this question “is posed to language by language that has become literature” (the question that the meaning of the text asks is the question asked by literature; [of course at the moment of reading]) [then what is a text before becoming a question? complaining? revolution?]--%(negation wishes to realize itself.)
--> Rorty's critique of Descartes's way of asking questions
we have to be careful with our practice of questioning, because we often end up privileging a group of people by attributing it to “higher” levels cognition and of being “critically” in the world (=/= animal, nonpeople, other people with other ways of being in/with the apperceptive world that don't use the technology of questioning, as it is crafted historically and naturalized in the west for the univerasal method of ‘knowing more’)
...................................
#workshop, reading group
•reading as passionate betrayal. (hunting for precious empirical details, refigurative, reparative, poaching, reading can be a betrayal of textual authority and an act of survival)
•addressing /present* differences, not already pre-figured differences
•(condition of friendship, staying close to the text) staying close as a reader, as someone who could hold the text of the Other, receiving it in the withdrawal / Entzug (drug rehabilitation)
•i am in no position of ‘understanding’ or being clear about the text
•(i understand now that) it is not up to me to tell you how to read
•what makes you write or scratch a text?
(aaaakh... our alphabetico-logical cultures...!)
•if everything is not fundamentally unreadable (snafu) we wouldn't be reading
•it is about to situate the place of a (un)learning
•throwing access to each other (not only in terms of transferential intensity #sss)
•which appetites and tastes are required to fulfill the *ethics and erotics of curiosity* (that I am cultivating and depending on)? flourishing (of my ajayeb) depends on a reading that is more like “mutual partial digestion” (Katie King, Haraway) [=/= “eating well"] the text
•“every time i read X, something new shows up”
my practice of ‘rhetorical reading’ (=/= ‘close reading’; or more like close reading and letting go. “close” is itself a metaphor, a rhetoric of reading;) doesn't work with the idea [...]
(20)[...notes/midday review.txt]%1.7[...]od:
•“mapping into knowledge” : co-fabrication between the researcher and the diverse others engaged in the process --> (problem of) ‘positionality ==> data’ (the idea that the researcher produces knowledge or “facts”)
◦positionality ==?==> politically correct jargon in artistic research environment [has positionality backfired into a language of trying to change a public opinion in your favour?]
‘fantasy of the unproblematic mode’
...................................
regarding biographical work according to Pierre, ok i am working even on the border of solipsism
what i am doing is not autopoiesis (self-making, making a poem out of yourself) rather sympoiesis (with-making, with people from different worlds and pasts)
trying to contain every available mode of interpretation in my work
(collecting all the modes of interpretation)
(for the psychoanalyst as writer,) the *unconscious functions as a *trope
unconscious ~=? trope
*my actual interest is in “the place of study”
which is embodied by its participants, is shared and full of stories that hold foster curiosity and learning. a place where hybrid agents of interpretation are alive and at work, partly technological partly human partly animal shared knowing processes.
-one of our strongest ethical obligations is curiosity
...................................
[Nietzsche]
(in writing) if i could choose i would promote something that comes close to the texture of the softening that opens and glides, allowing for sudden shocks and slippages.
the personality needs to be able to flow in order to move past anything that establishes itself firmly
Submitted to constant critique and revision
(Nietzsche) “We can destroy only as creators--But let us not forget this either: it is enough to create new names and estimations and probabilities in order to create in the long run new ‘things’”
invention's power over new things
work on aphorism and irony
radical critique of reason and truth
will to X ---- feeling of power, primitive form of the will (=/=? play)
arguing that knowledge is contingent and conditional
Nietzsche's campaign against morality :
(contrast between good and evil -->) *master-morality : charity, submission to the other, selflessness, etc. --> you hate yourself
(denying the inherent inequality -->) *slave-morality --> weakness is a matter of choice ==> nihilism
*transvaluation
(Nietzsche hated christianity for its non-affirmation of life. for him sex was a fundamental affirmation of life, christianity's elevation of chastity (including, for example, the story of Mary's virginal pregnancy) is counter to the natural instincts of humanity, and [...]
(21)[...notes/midday review.txt]%1.9[...]cters
•jurassic park --> ajayeb al makhlughat عجایب المخلوقات (horror, sublime, shivering water)
•nonapocalyptic stories and the otherworldly hauntingly familiar in the lost faces of forest (called Tehran?)
(accourding to Egyptian 1550 BCE,) book: a loose collection of magic spells intended to assist a dead person's journey through underworld, and into the afterlife and written by many priests
-are lists the origin of writing? (...way before the installation of the modern scriptural apparatus)
theory-minded academics have rigorously repudiated----or forgotten poetry. ----> poetic deprogrammmg
cohabitation of two sovereign linguistic attitudes----the grammars and behaviors that we associate with figures of literary performance and philosophical positing
18th century
rise of increasingly more mathematical and symbolic logics
more literary types of discursive formations,
Wordsworth, Rilke, and Keats disavowing Paul de Man?!
Freud without Goethe or Schiller?!
Benjamin off Baudelaire?!
Derrida deprived of Mallarme, Ponge, or Celan?!
Heidegger abandoned by Trakl or Holderlin?!
increasing technicization of critical language
colloquy, soliloquy
they are called to witness distinct regions of being ==> assuming the destiny of difference
% denken und dichten is at stake in the *theory of mourning
...................................
[Stengers]
the storyteller : “some people love to divide and classify, while others are bridge-makers--weaving relations that **turn a divide into a living contrast**, one whose power is to affect, to produce thinking and feeling”
(regarding my footnote fetish) ... because writing such footnotes implies *feeling the text* as an *animating power*
philosophy =? a form of textual animation {--> approaching the work of ajayeb}
to turn the [ajayeb] (animist) modes of experience (existence), awareness, and knowledge into living contrasts (intensely powerful bridge-making tools)
can we reappropriate without reanimate? ----> i think if we deconstructively talk about the reappropriations of meaning we might allow animation to constitute itself.
-how to train yourself in spotting relevant questions and unilaterally [einseitig] imposed questions? (their differences) [~? mofti مفتی, fatva فتوا =/= khotbe خطبه]
(to put the ‘question’ at risk)
*milieu-thinking* (to think by the milieu) :
1. no reference to the ground
2. never separating from milieu
(Virgin Mary requires a milieu [of symbolic efficacy, categories of belief, etc.])
what is the milieu of ajayeb? (ghalamrov قلمرو, mohite ejtemayi محیط اجتمایی, its[...]
(22)[...notes/midday review.txt]%2.3[...]hink if we deconstructively talk about the reappropriations of meaning we might allow animation to constitute itself.
-how to train yourself in spotting relevant questions and unilaterally [einseitig] imposed questions? (their differences) [~? mofti مفتی, fatva فتوا =/= khotbe خطبه]
(to put the ‘question’ at risk)
*milieu-thinking* (to think by the milieu) :
1. no reference to the ground
2. never separating from milieu
(Virgin Mary requires a milieu [of symbolic efficacy, categories of belief, etc.])
what is the milieu of ajayeb? (ghalamrov قلمرو, mohite ejtemayi محیط اجتمایی, its ecology)
“natural”: that which science will eventually explain ==> nature =/= “natural”
“nature”: that larger, older, and wiser configuration that gets credit for ingenuity (instead of the creature's bodily know-how) by the call of the scientist
عجایب ajayeb's relations to the world, rhizomatic connections to other practices that likewise explore a metamorphic (rather than representational) relation
Earth =/= cradle
Surrealists’ automatism to cultivate lucid trances is missing the techniques of imagination developed by Ibn Arabi, (or by Sohrevardi, and others)
(Breton's subjectivity is still hopelessly European)
=?=> to recuperate our physical force (old good Tasavof-?)
‘ideas’ --> to “animate” humans ~= erotically lure the human soul**
(Plato knew this)
to lure us into relevant metamorphic attention*
(Deleuze and Guattari:) my existence is my very participation in assemblages
in order to determine what is “really” responsible for what [= agency?].
-an agency that doesn't belong to us (who is ‘us’ in Stengers?)
the efficacy of assemblages (in ajayeb)
(assemblage --> landscape [in farsi: چشم انداز cheshm-andaz, is related not to the land but to the eyes, literally meaning the projection of gaze])
(the point is) to play a referential game that puts one at risk (instead of protecting via quote)
(let's immediately turn off that) monotonous little critical or reflexive voice whispering that (the only defense we have against fanaticism and the rule of illusions is that) we should not accept being mystified
commenting =/= touching
(lams kardan لمس کردن =/= ezhare nazar kardan اظهار نظر کردن) --> an issue in art criticism in Iran ایران
[@Foad]
**our senses are not for detached cognition but for participation**(David Abram)
-“The ways the senses themselves have, of throwing themselves beyond what is immediately given, in order to make tentative contact with the other sides of things that we do not sense directly, [...]
(23)[...notes/midday review.txt]%2.3[...] />
(capital gains concentrated in the) self-production of identity
subject occupied full time in itself
the logic of “do it yourself”
obliged to make countless small decisions in all areas
subject mixed up with the incessant movement of its own alienation
*hyperactive life --> poverty of experience*
the banality of “i Like”
(maybe interesting for Laura:) *fatigue* is the instant of stopping and pausing [of exercise and beautification] (after which a diversity might be possible)
[*]fatigue: capable tiredness --> politicizes discomfort
[#we are in the domain of passivity, disappearance and inaction]
Peran suggests a position of fatigue where (some time ago) was occupied by melancholy
“is this not a mere “don't like” that re-enters the spiral of our mobilization?”
“we are left with just the option of making an index, a collection of trails and marks [...]”
sunday: “empty time that forces us to fill it through apparently free decisions that, if they are resolved properly, please us and re-constitute us” (Peran)
*freedom of action for self-realization* --> unstoppable egocentric machine
space of perpetual connection (@ERG's website)
(pseudo) communicative action by way of technological devices --> camouflaged alienation
“The promise of self-realization and the demand for visibility organize the mobilization of desire, turning it into work.”
do we need to formulize and formalize our uncomfortable concerns and experiences?
@apass, artist research
i want to *give connections*
...................................
#semester/seminar on destruction
-care, suffer, fubar,
[fubar: “fucked up beyond all recognition"--a term from veterans returning to the United States in 1960s]
#semester on Hojum
(surge,) on performance, media, sculpture, and surplus
Hojum has to do with the hojum (~=? ‘bodies’) of people to get in front of the line, the hojum of enemy, of friend, of information, also includes the plural form of ‘hajm’ (حجم)
#seminar on the history of translation
archaeology, interpretation, spaces of difficult translation, reading out of time, technology and transformational studies, semiotics, poetry, writing,
...................................
#on Situated Knowledges
-approach the text by creating intensity and my own partial perspective
-the elephant parable (against it)
-objectivity (disembodied view from nowhere)
-neutrality (biologically insane)
-marked people (my own story)
-situatedness of the situated
-The cyborg is a figure in which situatedness makes possible adventures with the beyond.
-globalization-as-situatedness: global is precisely space/place/time/situation
-the figure of the so-called[...]
(24)[...notes/midday review.txt]%2.9[...]solved properly, please us and re-constitute us” (Peran)
*freedom of action for self-realization* --> unstoppable egocentric machine
space of perpetual connection (@ERG's website)
(pseudo) communicative action by way of technological devices --> camouflaged alienation
“The promise of self-realization and the demand for visibility organize the mobilization of desire, turning it into work.”
do we need to formulize and formalize our uncomfortable concerns and experiences?
@apass, artist research
i want to *give connections*
...................................
#semester/seminar on destruction
-care, suffer, fubar,
[fubar: “fucked up beyond all recognition"--a term from veterans returning to the United States in 1960s]
#semester on Hojum
(surge,) on performance, media, sculpture, and surplus
Hojum has to do with the hojum (~=? ‘bodies’) of people to get in front of the line, the hojum of enemy, of friend, of information, also includes the plural form of ‘hajm’ (حجم)
#seminar on the history of translation
archaeology, interpretation, spaces of difficult translation, reading out of time, technology and transformational studies, semiotics, poetry, writing,
...................................
#on Situated Knowledges
-approach the text by creating intensity and my own partial perspective
-the elephant parable (against it)
-objectivity (disembodied view from nowhere)
-neutrality (biologically insane)
-marked people (my own story)
-situatedness of the situated
-The cyborg is a figure in which situatedness makes possible adventures with the beyond.
-globalization-as-situatedness: global is precisely space/place/time/situation
-the figure of the so-called scientist gathered around certain metaphors since the begining of the 17th cebtury, namely ‘objectivity’ and all its related adjectives: neutrality, perspective, universality, disembodiment (for certain race and sex), etc.
-metaphors create perspectives [the view that looks at blind men looking at the elephant]
-situatedness is different than ‘positionality’: a way of systematic error correction
-(resolving) specificity of vision --> scientific objectivity (is achievable)
-Haraway expresses her informed dissatisfaction with (the metaphysical substrate that supports) ‘social constrctivism’ and ‘traditional realism’ --> representationalist belief in the power of the words to mirror preexisting phenomena. they both believe that scientific knowledge (in its representational formats: theoretical concepts, graphs, particle tracks, photographic images, etc.) mediates our access to the material world, whether it represents “nature” or “objects” of science both groups are subscribed to representationalism.
focus on t[...]
(25)[...notes/midday review.txt]%3[...]ational formats: theoretical concepts, graphs, particle tracks, photographic images, etc.) mediates our access to the material world, whether it represents “nature” or “objects” of science both groups are subscribed to representationalism.
focus on the nature and production of scientific knowledge --(shift to science studies)--> dynamics of the actual practice of science }--> on ongoing pattern of situated activity
-(disembodied scietific) objectivity: that only certain people are allowed to have no body (Gender, race, etc.) and that high science in practice is not acting on textbook objectivity at all.
absent referents, deferred signifieds, split subjects, and the endless play of signifier
Haraway is feeling nervous with two views on objectivity:
(1)the ‘social constructionist’ view on this: getting to know the world ‘effectively’ by practicing the sciences --> knowledge is knowledge-game (on an agonistic power field) ==> science is rhetoric : artifacts and facts are parts of the powerful art of rhetoric ~= practice is persuasion. {this view will use the nasty tools of semiology and deconstruction to insist on the rhetorical nature of truth.} --> Haraway calls this ‘The imagery of force fields’ (also an imagery of high-tech military fields and of automated academic battlefields) {will to power} (for Luiza)
epistemological electroshock therapy
(feminists protecting their) sense of collective historical subjectivity and agency and our “embodied” accounts of the truth --> these are just excuse not to learn
(2)Humanistic Marxism (structuring theory about the domination of nature in the self-construction of man) ([young Marx, influenced by Feuerbach =/= Hegelian idealism, saying that:] man's essential nature is that of a free producer, freely reproducing their own conditions of life [--however--> under capitalism individuals are alienated from their productive activity, etc.])
>
--> “chance for life”
science: Global System, universal knowledge --> translation, convertibility, mobility
of meanings, and universality
money in capitalism ~= reductionism in science
...when we are talking about genes, social classes, elementary particles, genders, races, or texts
*vision: a sensory system that has been used leap out of the marked body ==> a gaze from nowhere
-“Vision is always a question of the power to see--and perhaps of the violence implicit in our visualizing practices”
-also, the visual metaphor allows one to go beyond fixed appearances, which are only the end products. The metaphor invites us to investigate the varied apparatuses of visual production (including: the prosthetic technologies interfaced with our biological eyes and brains.)
unmarked body: the power to see and not be seen
objectivity in scientific and technological, late-industrial, militarize[...]
(26)[...notes/midday review.txt]%3.1[...]ical subjectivity and agency and our “embodied” accounts of the truth --> these are just excuse not to learn
(2)Humanistic Marxism (structuring theory about the domination of nature in the self-construction of man) ([young Marx, influenced by Feuerbach =/= Hegelian idealism, saying that:] man's essential nature is that of a free producer, freely reproducing their own conditions of life [--however--> under capitalism individuals are alienated from their productive activity, etc.])
--> “chance for life”
science: Global System, universal knowledge --> translation, convertibility, mobility
of meanings, and universality
money in capitalism ~= reductionism in science
...when we are talking about genes, social classes, elementary particles, genders, races, or texts
*vision: a sensory system that has been used leap out of the marked body ==> a gaze from nowhere
-“Vision is always a question of the power to see--and perhaps of the violence implicit in our visualizing practices”
-also, the visual metaphor allows one to go beyond fixed appearances, which are only the end products. The metaphor invites us to investigate the varied apparatuses of visual production (including: the prosthetic technologies interfaced with our biological eyes and brains.)
unmarked body: the power to see and not be seen
objectivity in scientific and technological, late-industrial, militarized, racist, and male-dominant societies
(she asks for:)
“So, I think my problem, and “our” problem, is how to have simultaneously an account of radical historical contingency for all knowledge claims and knowing subjects, a critical practice for recognizing our own “semiotic technologies” for making meanings, and a no-nonsense commitment to faithful accounts of a “real” world, one that can be partially shared and that is friendly to earthwide projects of finite freedom, adequate material abundance, modest meaning in suffering, and limited happiness.”
Haraway asks for an embodied objectivity that is able of accommodating *paradoxes* --> ‘situated knowledges’
-what does she mean when she says “All components of the desire are paradoxical and dangerous, and their combination is both contradictory and necessary.”
(instruments of visualization in multinationalist, postmodernist culture:) disembodiment : to distance to know
the visualizing technologies (--> my amazon project)
a perverse vision that has produced ‘techno-monsters’ (what does she mean by that?)
--> second birthing? transcendence?
[the frankenstein's techno-monsters, is modeled after who? and who is modeled after it? wondrously, murderously walking around...]
(‘second-birthing’: one of the deadly stories of killing: in the first-birthing we have merely birth to the earthly soil from the woman, and then the achievement o[...]
(27)[...notes/midday review.txt]%3.1[...]investigate the varied apparatuses of visual production (including: the prosthetic technologies interfaced with our biological eyes and brains.)
unmarked body: the power to see and not be seen
objectivity in scientific and technological, late-industrial, militarized, racist, and male-dominant societies
(she asks for:)
“So, I think my problem, and “our” problem, is how to have simultaneously an account of radical historical contingency for all knowledge claims and knowing subjects, a critical practice for recognizing our own “semiotic technologies” for making meanings, and a no-nonsense commitment to faithful accounts of a “real” world, one that can be partially shared and that is friendly to earthwide projects of finite freedom, adequate material abundance, modest meaning in suffering, and limited happiness.”
Haraway asks for an embodied objectivity that is able of accommodating *paradoxes* --> ‘situated knowledges’
-what does she mean when she says “All components of the desire are paradoxical and dangerous, and their combination is both contradictory and necessary.”
(instruments of visualization in multinationalist, postmodernist culture:) disembodiment : to distance to know
the visualizing technologies (--> my amazon project)
a perverse vision that has produced ‘techno-monsters’ (what does she mean by that?)
--> second birthing? transcendence?
[the frankenstein's techno-monsters, is modeled after who? and who is modeled after it? wondrously, murderously walking around...]
(‘second-birthing’: one of the deadly stories of killing: in the first-birthing we have merely birth to the earthly soil from the woman, and then the achievement of the tragically self-realized purpose of tragic consiousness, concretized and distilled by Sartre) “dire myths of self-birthing”... --> we must resist the stories of guilt laden knowledge and consciousness
unrestricted vision
presented as utterly transparent
***particularity and embodiment (of all vision) [not necessarily organic]
usable and not innocent
“We need to learn in our bodies, endowed with primate color and stereoscopic vision, how to attach the objective to our theoretical and political scanners in order to name where we are and are not, in dimensions of mental and physical space we hardly know how to name.”
‘partial perspective’ (what does she mean?)
==> become answerable for what we learn how to see. (Helen Verran: accountability; Isabelle Stengers: milieu thinking; Latour: ground;)
(partial way of organizing world)
unlocatable =? irresponsible (knowledge claims)
partial --> possibility of webs of connections: solidarity in politics and shared conversations in epistemology
-to unfold the problem of relativism: ‘the elephant parable’ promisses seeing equally and fully. “equ[...]
(30)[...notes/midday review.txt]%3.1[...]
==> become answerable for what we learn how to see. (Helen Verran: accountability; Isabelle Stengers: milieu thinking; Latour: ground;)
(partial way of organizing world)
unlocatable =? irresponsible (knowledge claims)
partial --> possibility of webs of connections: solidarity in politics and shared conversations in epistemology
-to unfold the problem of relativism: ‘the elephant parable’ promisses seeing equally and fully. “equality” of positioning: relativism (another “god trick”) (!=/= single-vision, totalization) =/= partial locatable] [mythic cartoon of pluralism] [myth of exact knowledges, dream of perfectly known, and politics of closure] --> positioning is at stake here
“all eyes, including our own organic ones, are active perceptual systems, building on translations and specific ways of seeing”
how to see ‘faithfully’... (what does she mean by that?)
appropriating the vision of the less powerful:
to see from the peripheries
to see from the depths
...this not unproblemat (why she uses double negation so often?)
“But how to see from below is a problem requiring at least as much skill with bodies and language, with the mediations of vision, as the ‘highest’ technoscientific visualizations.”
“Science has been utopian and visionary from the start; that is one reason “we” need it.” (what does she mean?)
(“utopian,” “visionary,” other old metaphors in science)
“Passionate detachment” requires more than ‘acknowledged and self-critical’ partiality. (being acknowledged and self-critical is not enough!!! how deos she mean?)
-‘perspective’ can never be known in advance --> knowledge potent for constructing worlds less organized by axes/axis of domination
-One cannot “be” either a cell or molecule--or a woman, colonized person, laborer, and so on. ‘passionate detachment’ is about the impossibility of entertaining innocent “identity” politics : seeing from their perspective in order to see well.
-problem with “positionality”: {testimony from the position of ‘oneself'} We are not immediately present to ourselves and the self is assumed finished and whole simply there and original and its (grounding) knowledge is organized around the imagery of vision --✕--> Self-knowledge requires a semiotic-material technology to link meanings and bodies. ***Self-identity is a bad visual system*** --> ‘positionality’ (meaning: ‘acknowledged and self-critical’ partiality) [at best showing in which ways one is not unmarked] is therefore insufficient. {Identity, including self-identity, does not produce science!}
-instead we need a *split and contradictory self* (one who can interrogate positionings and be accountable) [~~/?-> shath شطح (=/= shar’ شرع, or even sharh شرح?), shathiat (شطحیات) in Tasavof (تصوف), rend رند, rendane رندانه]
-so, instead of “being” sh[...]
(33)[...notes/midday review.txt]%3.2[...] double negation so often?)
“But how to see from below is a problem requiring at least as much skill with bodies and language, with the mediations of vision, as the ‘highest’ technoscientific visualizations.”
“Science has been utopian and visionary from the start; that is one reason “we” need it.” (what does she mean?)
(“utopian,” “visionary,” other old metaphors in science)
“Passionate detachment” requires more than ‘acknowledged and self-critical’ partiality. (being acknowledged and self-critical is not enough!!! how deos she mean?)
-‘perspective’ can never be known in advance --> knowledge potent for constructing worlds less organized by axes/axis of domination
-One cannot “be” either a cell or molecule--or a woman, colonized person, laborer, and so on. ‘passionate detachment’ is about the impossibility of entertaining innocent “identity” politics : seeing from their perspective in order to see well.
-problem with “positionality”: {testimony from the position of ‘oneself'} We are not immediately present to ourselves and the self is assumed finished and whole simply there and original and its (grounding) knowledge is organized around the imagery of vision --✕--> Self-knowledge requires a semiotic-material technology to link meanings and bodies. ***Self-identity is a bad visual system*** --> ‘positionality’ (meaning: ‘acknowledged and self-critical’ partiality) [at best showing in which ways one is not unmarked] is therefore insufficient. {Identity, including self-identity, does not produce science!}
-instead we need a *split and contradictory self* (one who can interrogate positionings and be accountable) [~~/?-> shath شطح (=/= shar’ شرع, or even sharh شرح?), shathiat (شطحیات) in Tasavof (تصوف), rend رند, rendane رندانه]
-so, instead of “being” she proposes “splitting”: heterogeneous multiplicities that are simultaneously salient and incapable of being squashed into isomorphic slots or cumulative lists. --> The knowing self is partial in all its guises, never finished, never whole, stitched together imperfectly [that is what she means by ‘split'] ==> join with another (without claiming to ‘be’ another) {if i am allowed i can map Haraway's “partiality” onto Deleuze's “schizophrenia” --> Greek for “split brain” (Jonathan Crary, Suspensions of Perception, p.38) According to Beuler, “The selectivity which normal attention exercises among the sensory impressions can be reduced to zero, so that almost anything is recorded that reaches the senses.” One reason for the admiration which Deleuze and Guattari professed for the schizophrenic must lie in this complete lack of inhibition (khod-dari خودداری).} (a confusion of voice and sight, rather than clear and distinct ideas) ([to discriminate message types:] *to confuse literal and metaphorical*, the schizophrenic either does not know his responses are metaphorical or cannot say so --> t[...]
(34)[...notes/midday review.txt]%3.3[...] know his responses are metaphorical or cannot say so --> the breakdown of his metacommunicative system : does not know what kind of message a message is --> the schizophrenic looks for hidden meanings everywhere (assuming everything is metaphorical) or tend to accept every message as literal) (Lacan: schizophrenia: breakdown in the signifying chain of language ==> experience of pure material signifiers [<-- personal identity is the effect of the temporal unification of past and future with one's present, and that such an active temporal unification is itself a function of language.])
subjectivity is multidimensional ==> vision is multidimensional
(an instruments of vision:) optics : politics of positioning --> one example of optical illusion: rationality (projected from nowhere comprehensivel)
(some perspective are more guilty : master point of view)
No one ever accused the God of monotheism of objectivity, only of indifference. The god trick is self-identical, and we have mistaken that for creativity and knowledge, omniscience even. (self-identical [having self identity] =/=! creativity/knowledge)
Technology: skilled practices. (How to see? Where to see from? and so on.)
@Sana, ‘observation’ and ‘technologies of positioning’
how to see?
the science question in military
the science question in colonialism
the science question in capitalism
the science question in feminism
...
master theory =/= webbed accounts
(what does she mean when she dichotomises theory and account?)
instead of (creating and mastering) ‘theory’ she proposes webbing ‘accounts’***
-‘webs’ can have the property of being systematic
systematic: deep filaments and tenacious tendrils into time, space, and consciousness. systems are dimensions of world history.
she suggests to be accountable for (the intricacies of) visualization technologies in which we are embedded that we will find metaphors and means for understanding
and intervening in the *patterns of objectification* in the world.
--> politics and epistemologies of location, positioning, and situating
partiality =/= universality
*partiality: view from a body, always a complex, contradictory, *structuring, and structured body* (what does she mean by ‘structuring and structured body’?)
--the sciences and politics of interpretation, translation, stuttering, and the partly understood.
*Feminism: critical vision ==(consequent upon)==> a critical positioning in unhomogeneous gendered social space.
location --> vulnerability ~~> (full of limits and contradictions)
“rational” knowledge : to be free from interpretation, to be free from being represented : to be fully self-contained (~ fully formalizable)
-no! let's make Rational Knowledge a process of[...]
(35)[...notes/midday review.txt]%3.4[...]politics of positioning --> one example of optical illusion: rationality (projected from nowhere comprehensivel)
(some perspective are more guilty : master point of view)
No one ever accused the God of monotheism of objectivity, only of indifference. The god trick is self-identical, and we have mistaken that for creativity and knowledge, omniscience even. (self-identical [having self identity] =/=! creativity/knowledge)
Technology: skilled practices. (How to see? Where to see from? and so on.)
@Sana, ‘observation’ and ‘technologies of positioning’
how to see?
the science question in military
the science question in colonialism
the science question in capitalism
the science question in feminism
...
master theory =/= webbed accounts
(what does she mean when she dichotomises theory and account?)
instead of (creating and mastering) ‘theory’ she proposes webbing ‘accounts’***
-‘webs’ can have the property of being systematic
systematic: deep filaments and tenacious tendrils into time, space, and consciousness. systems are dimensions of world history.
she suggests to be accountable for (the intricacies of) visualization technologies in which we are embedded that we will find metaphors and means for understanding
and intervening in the *patterns of objectification* in the world.
--> politics and epistemologies of location, positioning, and situating
partiality =/= universality
*partiality: view from a body, always a complex, contradictory, *structuring, and structured body* (what does she mean by ‘structuring and structured body’?)
--the sciences and politics of interpretation, translation, stuttering, and the partly understood.
*Feminism: critical vision ==(consequent upon)==> a critical positioning in unhomogeneous gendered social space.
location --> vulnerability ~~> (full of limits and contradictions)
“rational” knowledge : to be free from interpretation, to be free from being represented : to be fully self-contained (~ fully formalizable)
-no! let's make Rational Knowledge a process of ongoing critical interpretation among “fields” of interpreters and decoders --> a power-sensitive conversation
-accountability and responsibility for translations
. Situated knowledges are about communities, not about isolated individuals
(pinocchio and geppetto parable)
objectivity = positioned rationality
=/= images of escape and transcendence of limits (filled in Hollywood and sci)
faithfulness of our accounts to a “real world” (no matter how mediated for us and no matter how complex and contradictory these worlds may be)
Sex is “resourced” for its representation as gender, which “we” can control
Situated knowledges[...]
(36)[...notes/midday review.txt]%3.4[...]ulnerability ~~> (full of limits and contradictions)
“rational” knowledge : to be free from interpretation, to be free from being represented : to be fully self-contained (~ fully formalizable)
-no! let's make Rational Knowledge a process of ongoing critical interpretation among “fields” of interpreters and decoders --> a power-sensitive conversation
-accountability and responsibility for translations
. Situated knowledges are about communities, not about isolated individuals
(pinocchio and geppetto parable)
objectivity = positioned rationality
=/= images of escape and transcendence of limits (filled in Hollywood and sci)
faithfulness of our accounts to a “real world” (no matter how mediated for us and no matter how complex and contradictory these worlds may be)
Sex is “resourced” for its representation as gender, which “we” can control
Situated knowledges require that the object of knowledge be pictured as an actor and agent
-which version of “realism” is she argueing for?
“[...] we are not in charge of the world. We just live here and try to strike up noninnocent conversations by means of our prosthetic devices, including our visualization technologies.”
in the rich feminist practice in science (more than anywhere else) passive categories of objects of knowledge are “activated”
The biological female peopling : When female “sex” has been so thoroughly retheorized and revisualized that it emerges as practically indistinguishable from “mind,” --> the ‘difference’ is theorized biologically as situational, not intrinsic, (at every level from gene to foraging pattern, thereby fundamentally changing the biological politics of the body.)
-(example: Emily Martin)
points in SK:
1-finite partial perspectives
2-split and contradictory self
3-objectivity (--> positioned rationality, object of knowledge as an actor, mutual and usually *unequal* structuring, it is about taking risks)
how and why Haraway as a feminist fights for a better Primatology?
(Barad on) Situated Knowledges: are not merely about knowing/seeing from somewhere (as in having a perspective) but about taking account of how the specific prosthetic embodiment of the technologically enhanced visualizing apparatus matters to practices of knowing
-(Haraway's) move from *optics* [a politics of positioning, in Situated Knowledges] to *diffraction* [an optical metaphor for the effort to make a difference in the world, in Modest_Witness]
Katie King: “apparatus of literary production”: a matrix from which “literature” is born.
...the “facticity” of biological discourse that is absent from literary discourse and its knowledge claims. ----> Are biological bodies “produced” or “generated” in the same strong s[...]
(37)[...notes/midday review.txt]%3.4[...] />
“[...] we are not in charge of the world. We just live here and try to strike up noninnocent conversations by means of our prosthetic devices, including our visualization technologies.”
in the rich feminist practice in science (more than anywhere else) passive categories of objects of knowledge are “activated”
The biological female peopling : When female “sex” has been so thoroughly retheorized and revisualized that it emerges as practically indistinguishable from “mind,” --> the ‘difference’ is theorized biologically as situational, not intrinsic, (at every level from gene to foraging pattern, thereby fundamentally changing the biological politics of the body.)
-(example: Emily Martin)
points in SK:
1-finite partial perspectives
2-split and contradictory self
3-objectivity (--> positioned rationality, object of knowledge as an actor, mutual and usually *unequal* structuring, it is about taking risks)
how and why Haraway as a feminist fights for a better Primatology?
(Barad on) Situated Knowledges: are not merely about knowing/seeing from somewhere (as in having a perspective) but about taking account of how the specific prosthetic embodiment of the technologically enhanced visualizing apparatus matters to practices of knowing
-(Haraway's) move from *optics* [a politics of positioning, in Situated Knowledges] to *diffraction* [an optical metaphor for the effort to make a difference in the world, in Modest_Witness]
Katie King: “apparatus of literary production”: a matrix from which “literature” is born.
...the “facticity” of biological discourse that is absent from literary discourse and its knowledge claims. ----> Are biological bodies “produced” or “generated” in the same strong sense as poems? (biological body ~= poem)
“material-semiotic actor”: the object of knowledge as an active, meaning-generating part of apparatus of bodily production
bodies as objects of knowledge are material-semiotic generative nodes.
“objects” do not preexist as such --> Their boundaries materialize in social interaction. Boundaries are drawn by mapping practices.
world =/= mother/matter/mutter
world ~= coyote (a figure of the always problematic, always potent tie between meaning and bodies. world as coding trickster.)
(feminism) movement rooted in specification and articulation (of [different kinds of] ‘elsewhere’) =/= (assumption of the right or ability to) identities and representation (of identities)
#workshop reading SK (for apass)
Which version of “realism” are you talking about? Recollecting truth and objectivity are activated whenever a ‘point of view’ is produced among other metaphors that we use in our practice and thinking in techno-scientific societies. In this group reading session we are go[...]
(38)[...notes/midday review.txt]%3.5[...]roduction”: a matrix from which “literature” is born.
...the “facticity” of biological discourse that is absent from literary discourse and its knowledge claims. ----> Are biological bodies “produced” or “generated” in the same strong sense as poems? (biological body ~= poem)
“material-semiotic actor”: the object of knowledge as an active, meaning-generating part of apparatus of bodily production
bodies as objects of knowledge are material-semiotic generative nodes.
“objects” do not preexist as such --> Their boundaries materialize in social interaction. Boundaries are drawn by mapping practices.
world =/= mother/matter/mutter
world ~= coyote (a figure of the always problematic, always potent tie between meaning and bodies. world as coding trickster.)
(feminism) movement rooted in specification and articulation (of [different kinds of] ‘elsewhere’) =/= (assumption of the right or ability to) identities and representation (of identities)
#workshop reading SK (for apass)
Which version of “realism” are you talking about? Recollecting truth and objectivity are activated whenever a ‘point of view’ is produced among other metaphors that we use in our practice and thinking in techno-scientific societies. In this group reading session we are going to study one of the most stubborn and pervasive phantasms in art and sciences, the figure of objectivity, with the Donna Haraway's 1988 essay ‘Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective’. This reading focuses on politics and epistemologies of location, positioning, and situating in our power-sensitive conversations, and what does it mean to become accountable and responsible for one's own noninnocent translations. We begin with her essay on the 2nd of February and talk about each of our practices in particular continuing on the 9th.
she wants to re-figure, not disavow, objectivity
“story-tellers exploring what it means to be embodied in high-tech worlds” =/= technophobia
technophilia is narcissistic : the notion that man invented himself and that man is involved in some kind of narrative of technological escalation whereby the objectification of human intentionality in the world has finally surpassed itself, and man has achieved self-objectification in a machine that will finally name him obsolescence as he is and destroy him in a technological apocalypse figured by the computer. (Haraway) [we need better dog stories =/= (Iron Man:) man, made in the image of a vanished god, takes on superpowers in his secular-sacred ascent, only to end tragic]
“...man making himself (by realizing his intentions in his tools) yet again in the Greatest Story Ever Told.” (your artwork doesn't need to be this kind of story!)
or the Darwinist tale of “Mitochondrial Eve in a neocolonial Out of Africa”
we[...]
(39)[...notes/midday review.txt]%3.5[...]ding trickster.)
(feminism) movement rooted in specification and articulation (of [different kinds of] ‘elsewhere’) =/= (assumption of the right or ability to) identities and representation (of identities)
#workshop reading SK (for apass)
Which version of “realism” are you talking about? Recollecting truth and objectivity are activated whenever a ‘point of view’ is produced among other metaphors that we use in our practice and thinking in techno-scientific societies. In this group reading session we are going to study one of the most stubborn and pervasive phantasms in art and sciences, the figure of objectivity, with the Donna Haraway's 1988 essay ‘Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective’. This reading focuses on politics and epistemologies of location, positioning, and situating in our power-sensitive conversations, and what does it mean to become accountable and responsible for one's own noninnocent translations. We begin with her essay on the 2nd of February and talk about each of our practices in particular continuing on the 9th.
she wants to re-figure, not disavow, objectivity
“story-tellers exploring what it means to be embodied in high-tech worlds” =/= technophobia
technophilia is narcissistic : the notion that man invented himself and that man is involved in some kind of narrative of technological escalation whereby the objectification of human intentionality in the world has finally surpassed itself, and man has achieved self-objectification in a machine that will finally name him obsolescence as he is and destroy him in a technological apocalypse figured by the computer. (Haraway) [we need better dog stories =/= (Iron Man:) man, made in the image of a vanished god, takes on superpowers in his secular-sacred ascent, only to end tragic]
“...man making himself (by realizing his intentions in his tools) yet again in the Greatest Story Ever Told.” (your artwork doesn't need to be this kind of story!)
or the Darwinist tale of “Mitochondrial Eve in a neocolonial Out of Africa”
we need stories of companion species, the “very mundane and ongoing sort of tale, one full of misunderstandings, achievements, crimes, and renewable hopes.” (Haraway, La Guin, Tessa Farmer,)
...................................
[Haraway on Ihde]
...technologies are not mediations--that is, something in between us and another bit of the world--rather, technologies are organs, full partners, in what Merleau-Ponty called “infoldings of the flesh.”
infolding =/= interface
•“What happens in the folds is what is important.”
•Interfaces are made out of interacting grappling devices.
•the infolding of others to each other is what makes up the knots we call beings or, perhaps better, following Bruno Latour, things.
“Technologies are always c[...]
(40)[...notes/midday review.txt]%3.6[...]
she wants to re-figure, not disavow, objectivity
“story-tellers exploring what it means to be embodied in high-tech worlds” =/= technophobia
technophilia is narcissistic : the notion that man invented himself and that man is involved in some kind of narrative of technological escalation whereby the objectification of human intentionality in the world has finally surpassed itself, and man has achieved self-objectification in a machine that will finally name him obsolescence as he is and destroy him in a technological apocalypse figured by the computer. (Haraway) [we need better dog stories =/= (Iron Man:) man, made in the image of a vanished god, takes on superpowers in his secular-sacred ascent, only to end tragic]
“...man making himself (by realizing his intentions in his tools) yet again in the Greatest Story Ever Told.” (your artwork doesn't need to be this kind of story!)
or the Darwinist tale of “Mitochondrial Eve in a neocolonial Out of Africa”
we need stories of companion species, the “very mundane and ongoing sort of tale, one full of misunderstandings, achievements, crimes, and renewable hopes.” (Haraway, La Guin, Tessa Farmer,)
...................................
[Haraway on Ihde]
...technologies are not mediations--that is, something in between us and another bit of the world--rather, technologies are organs, full partners, in what Merleau-Ponty called “infoldings of the flesh.”
infolding =/= interface
•“What happens in the folds is what is important.”
•Interfaces are made out of interacting grappling devices.
•the infolding of others to each other is what makes up the knots we call beings or, perhaps better, following Bruno Latour, things.
“Technologies are always compound. They are composed of diverse agents of interpretation, agents of recording, and agents for directing and multiplying relational action. These agents can be human beings or parts of human beings, other organisms in part or whole, machines of many kinds, or other sorts of entrained things made to work in the technological compound of conjoined forces.”
*animal (in zoological terminology) : a composite of individual organisms, an enclosure of zoons, a company of critters infolded into a one.
compound = composite + enclosure
camera: the technological eye --> philosophical pretension and self-certainty (=/= Christian's camera)
-- camera as a black-box with which to register pictures of the outside world in a representational, mentalist semiotic economy
...................................
Vinciane Despret, Isabelle Stengers, Bruno Latour, ”_how they make their subjects interesting,_“
to tell the story of their work of “translation,” of invention.
refuse all loyalty to my homeland and its values
*heuristic: mental [...]
(45)[...notes/midday review.txt]%3.6[...]eatest Story Ever Told.” (your artwork doesn't need to be this kind of story!)
or the Darwinist tale of “Mitochondrial Eve in a neocolonial Out of Africa”
we need stories of companion species, the “very mundane and ongoing sort of tale, one full of misunderstandings, achievements, crimes, and renewable hopes.” (Haraway, La Guin, Tessa Farmer,)
...................................
[Haraway on Ihde]
...technologies are not mediations--that is, something in between us and another bit of the world--rather, technologies are organs, full partners, in what Merleau-Ponty called “infoldings of the flesh.”
infolding =/= interface
•“What happens in the folds is what is important.”
•Interfaces are made out of interacting grappling devices.
•the infolding of others to each other is what makes up the knots we call beings or, perhaps better, following Bruno Latour, things.
“Technologies are always compound. They are composed of diverse agents of interpretation, agents of recording, and agents for directing and multiplying relational action. These agents can be human beings or parts of human beings, other organisms in part or whole, machines of many kinds, or other sorts of entrained things made to work in the technological compound of conjoined forces.”
*animal (in zoological terminology) : a composite of individual organisms, an enclosure of zoons, a company of critters infolded into a one.
compound = composite + enclosure
camera: the technological eye --> philosophical pretension and self-certainty (=/= Christian's camera)
-- camera as a black-box with which to register pictures of the outside world in a representational, mentalist semiotic economy
...................................
Vinciane Despret, Isabelle Stengers, Bruno Latour, ”_how they make their subjects interesting,_“
to tell the story of their work of “translation,” of invention.
refuse all loyalty to my homeland and its values
*heuristic: mental shortcuts that ease the cognitive load of making a problem solvable
-trading optimality, completeness, accuracy, or precision for speed
it may *approximate* the exact solution for the problem
-enabling discover or learn something for themselves. (a ‘hands-on’ or interactive heuristic approach to learning)
[(in computing:) proceeding to a solution by trial and error or by rules that are only loosely defined.]
-from Greek heuriskein ‘find’
*contingent: using it with ‘historical’ always produces interesting ways --> contingency relates to a nonteleological [a doctrine explaining phenomena by their ends or purpose] and nonhierarchical multiplicity [when i say ‘dud’ and ‘cauphing’ and interupting ‘tracing’ i am asking for contingent modes of relating and thinking. conceptualizing in terms of the origin of the[...]
(47)[...notes/midday review.txt]%3.6[...] be untrue
--possible propositions
never use contingency alone in a sentence --> historical contingency
never use understanding stand alon in a sentence --> better understanding {'better’ opens situatedness, for who and how “better,” etc.}
Rhetoric <--(has to do with)--> Contingent
Aristotle (in his work on rhetoric) was against contingency. He believed that the “unavoidable and potentially unmanageable presence of multiple possibilities” or the complex nature of decisions creates and invites rhetoric. (=/= Plato saw rhetoric as pure deceit [gul] and positioned it in politics. [you can see he is terrified by the death of his teacher and mentor Socrates by civility.])
rhetoric --> contigent --> epistemic: individuals make meaning through language and determine what constitutes truth
*ontology is death-dealing <--** terrible violence is directed to the non-existing, the never having existed
---> go to the root of exist --> which modes of existence deserve our curiosity?
...................................
(i found a word for it,) my register of @Lili's scream: i see it as ‘nonlaughter’(?)
(*proposal: there is a number when we dial we can listen to her scream on the phone.) (--> stream, technology, tele-, telephone, called,)
(for her) thinking =? knowing (sending =/= receiving)
(an SF scenario:) imagine and describe an alien world where its populace don't practice ‘knowing.’
**scream ==makes==> witnesses**
(fighting ==makes==> coordination)
از طلبکار به طلبه (az talabkar be talabe)
///the (symbolic?) structuration of ‘demand’ in Lili's presentation:
the ‘sujet supposé savoir’ #sss [~= Pir, (پیر always a paternal metaphor?) that Other whom you ‘call’ who holds (your) deepest truth ---> go to the metaphorology of “depth” =/= “skimming the surface"] (installed by Lacan) is a subject who is in a functional position and one presumes that this subject knows or retains or holds the knowledge (even vital and secret knowledge [this is knowledge-talabkar طلبکار]) that you want. this subject is functionally established. one of the laws of our encounter is that puts the speaker/writer/analyst/text/etc in the (even architectural) center: the subject-supposed-to-know in Lacan the analyst who sits there as a tower of knowledge that mostly withholds what s/he knows --> transferencial energy directed towards him/her --> drama of identification (--> break-out of narcissism for Freud)
-it is one of the (negative?) binding transferential contracts in relation to “the one who speaks”
[*anthropology of exchange* --> Transference: (for Lacan) Each time a man speaks to another in an authentic and full manner, there is, in the true sense, transference, symbolic transference--something which takes place which changes the nature of the two beings present. Later Lacan articulates the transfer[...]
(49)[...notes/midday review.txt]%3.8[...] the University* : (systematic) “knowledge” replaces the nonsensical master signifier in the dominant commanding position; in this case the sujet supposé savoir dependent upon the related knowledge of the Other, or the source of “the field” (journals, textbooks, etc.) ==> (arbiter of) truth --> *to transmit knowledge that is already given*
[account of knowledge as a symbolic and social network, master signifier, subject positions,]
in placing the ‘text’ in the position of a knowing expert who has the answers Lili (unconsciously) idealizes her texts, and of course when her ‘texts’ fail to satisfy that desire she demands ‘knowing’ from them in terms of cynicism: the feeling or state of being annoyed and irritated by them. this is a structural space of ‘demand’ in her. for me what is at stake is the complex nature of encounter between Lili and text which takes place in an artificial space--a symbolic space--that is at the same time the place of real investments of her desires.
@Lili; is she (like the rest of us humans) looking for an active, predatory art?--> if non-communicative non-predatory non-kinetic [a common issue with the students of choreography and dance in general] art exists on this planet, then we kave to learn “a whole new set of techniques.” [La Guin])
--the meter of ‘time,’ that essential element, matrix and measure of all kown human-animal art. what if there are other metric systems? art not as an action, but a reaction? not a communication, but a reception? {---> go to my master studies Diploma on passivity in performance art}
registers of ‘complaining’ in Lili's discourse. she is a bit like Faust groaning, habe nun akhhhhh Philosophie and so on. [Ach of Sprache] (that they have done all the work, they know everything, yet know not enough of what really counts [that is the incalculable] and cannot be satisfied by mere knowledge available to them. nor can they keep themselves to the restricted zone of knowability.) so Lili saying “it's too much!” is a hysteric wish for ‘more’?
(Freudian joke, the hysteric says: “is that all there is!?” while the neurotic says: “this is too much!” to the same object)
*it was Goethe who invented the super-ego, Freud named it following him.
the all-or-nothing view: i know everything or i don't know anything, problem of scale, problem of ‘circumstance = reality’
kloAQsvRkFY
the figure of the ‘accuser’ and the ‘straight talk’ for Lili
...that people would speak literally
going from proof to proof, from necessity to necessity --> displacement (=/= detour)
sss
•sujet supposé savoir (subject-supposed-to-know) --> transference
•sujet supposé signifier (subject-supposed-to-mean [morality of the one who means]) --> fable (there is no transference)
...................................
@Ekaterina; some other characters:
the jeal[...]
(50)[...notes/midday review.txt]%4[...]a source of pleasure to the child =/= hysteric)])
-when we write do we need to demonstrate a far-ranging grasp of the political consequences of every possible metaphysical move?
...prime mover or suspects such as Plato, Heidegger, Derrida
*acceleration: that we are result-oriented, business-oriented, under the gun of gains, and subject to the push towards scientific objectification =/= i try to work with different degrees of attention: slowing down for checkpoints, allusive clusters and dense indicators, that are also problematic and short-circuited (in my lectures) ==> to get to the *notational space* that we can calmly observe, examine and explore together.
-to be lucid about your own part taking in narcissistic economy
*mimesis*: those things we are still stuck in in very covert and unavowed ways ~-> ‘destiny’ (a term i use when i mean mimesis for us [-a disease that shows symptoms characteristic of another disease])
(i am not pessimistic at all) i have just a catastrophic intuition that informs my grammar =/= mimetic hell
...................................
*complaint (blocks ‘becoming’?)
-so if i am used to complaint in all sorts and forms and shapes, what do i do if not complaining? that means i need to start learning new techniques of being in the world.
-complain, forms of protest, grievance, <--(contamination)--> lament (sug سوگ, zaje ضجه)
-dispositions of Beschwerde
-which minorities are associated with bitching and moaning? (naleh va shekayat ناله و شکایت, ghor غرولند, غر) (a feminine accent?!)
-it is often said that “children should stop complaining”
“stop complaining” ?!! [~~> pointed to or relevant for Lili also]
***complaint : the disenfranchised (az hagh mahrum shodeh از حق محروم شده) language of muted rage***
what is (let's) bitching together?
is religion one long complaint? (--'reformation’ as a cover-up)
the “i prefer,” non-need, non-preference
*forms of relatedness--in certain societies the opening self of sociality consists in complaining. (starter-utterances; social encounter involves nagging about your friends, parents, lovers, etc.) --making friends is via complaining. (this is about the conditions of Mitsein, being-with) {non-affirmation ~/=? complaint; we mistake so easily non-affirmation with complaining. (is this Lili's take? her complaints about the insufficiencies of being.)} --> is complaint parasitized by calls for retribution?
Klage (complaint) --to--> Anklage (accusation)
*complaint remains a repetitive fixation that feeds rather than exhausting its course (/Avital, aw9Cv_wQ4CQ) -- it does not finish itself off, or move up the ladder of transformation [important for Sana], actually increases pain --> so, (according to the analyst:) complain is jacking up one's suffering (the Analytiker can't take it anymore)
Avital ☞ Kittler: the Ach [...]
(51)[...notes/midday review.txt]%4.3[...]n --> so, (according to the analyst:) complain is jacking up one's suffering (the Analytiker can't take it anymore)
Avital ☞ Kittler: the Ach of Sprache, (in our historical language usage:) literature or language as complaint. sigh in literature (also pointed out by Lili)
--the modern techo-monster Faust opens with the complain
**what is then a proper address?
...the wish for more
@Luiza; (one of sub-phenomenon of utterance) *blush* registers a complaint(?)
(--> to be noted that certain white skin-colors considered racistly “capable” of displaying moral anxiety.)
-a level of affect and meaning that remains at the loss of words, between shame and excitement, confession and disavow. blush speaks for her at moment when she cannot stand up for herself?
-or it betrays her with a sudden spread of skin-mapping releasing a secret or indexing a moral blemish (lakedar لکه دار), a pigmentation... (how to read it?)
-blush manages to register a complaint and it signs off [concludes] at an unspoken accusation...
-blossoming of senses, cultural significance, who is capable of blushing? --> (decency's) *outrage* (--> libidinally charged, prompting a political arousal --> still a vitality stirs in the complaint--*the complaint can bring movement*) [Luiza's climate of resistance and her integrated modality of ‘struggle'] --> **inner life of morality**
-flush?
[complaint,] is it issued from a place of impotence or does it have the potential to move mountains? (Avital--Sina's emergency supply of meaning)
can it arrive at any destination whatsoever?
‘complain’ and ‘explain’ relationships
(laughter as a form of complaining)
‘complain’ and ‘politeness’ relationships
what complaint has to do with our anger-management programs?
complaint ~/= lament (complaint won't shut up but lament desires its ending)
lament is fined to mourning a[...]
(52)[...notes/midday review.txt]%4.4[...]r what is the relationship between ‘information’ and ‘infinite’? (infinite as the universe of all possible images)
...................................
*Pierre's ‘rights of nerves’ --> “talking to everybody”
[rights of nerves: you are promted to do what you do out of disgust, outrage, fear, or driven by anxiety, you don't know why, you are compelled towards an object or project or thing or unthing]
*Seba: for him “narrative =/= complex” (the question of “complexity's situatedness”) for him: “multiple perspectives ==> coherency (=/= bi-rabt بی ربط, na-ham-dusti ناهمدوستی ?)” (is his idea of “coherency” leads to ‘friendship’? is for Seba ‘amity’ [ravabet-e hasane روابط حسنه] at stake? )
Seba's epistemological object(?): ‘evidence’ (=/?=>! cordial dispositions)
(complexity is the name of our game. Haraway)
...................................
my current work and interest involves the investigation of individualized subject formation (tajarode nafs تجرد نفس ?); interrogating the production of language; and tracing the divisible distinguishing limits between categories of human, animal, and monstrous.
#subjects of interest: The translator, language, the sublime, animals/animality, technicity/mechanicity, the divine/sacred,
...................................
the myth of Poros, Penia, and Eros for Aela:
(in Plato's Symposium;) Penia, the “child of poverty,” decides to forcefully impregnate herself with the inebriated Poros, “the personification of plenty,” who is always in opposition with aporia, (~ snafu before aporia,) “puzzlement, which breaks with the logic of identity,” and thus defining aporia. The result of this union is Eros...
poverty + {plenitude × aporia} ==> eros : {agency of passivity + resourcefulness}
1-metaphysical inquiry begins from ‘aporia’
2-rationalist inquiry begins from ‘a priori’
3-empiricist inquiry begins from ‘tabula rasa’ (hakim's beginning)
/
/
4-mystical inquiry begins from ‘affective a posteriori’ (effect, wonder, heyrat, tahayor)
...................................
sci-fi is imagining the elsewhere inside mortality. (==> feminism stakes in SF)
...................................
*make a series of studio photos with white clear backs, two different genders iranians having a physical/verbal fight or some sort of aggressive encounter
*the idea is to write a script for a movie or short series, combining the historical 14th century Iran with the 14th century imaginal beast fables from the ajayeb. the camera creats a non-exotic continuation between the two
...................................
[with Kenney]
-how to let emerge a seriousness as collective matters of care?
-how to stimulate pragmatic questions about how to craft relevant knowledge?
speculation is all about pragmatism
[...]
(53)[...notes/midday review.txt]%4.6[...]-offs or costly dead ends [=/= (Stengers's notion of speculative) *being at risk with ones claims* =/= received notions of authority or rationality]
(an abstract challenge:) to bring specificity and imaginative traction
*speculation is a more feral practice
(wild) speculation [always improper] =/= proper science : rational production of univerasal knowledge
-speculation is not about what there is but what there might be
-speculation is on the side of the possible =/= probable (--> Stengers)
speculative operations (quietly) insist that *another world is here* (--> my ajayeb) =/= the smooth operation of business-as-usual (,, interrupting it)
for my ajayeb, how can i carve out a space to nurture my idea? --> nest-building --position/place--> digging out a bit of earth
*speculative empiricism : scientific + narrative
working with ajayeb so that it might stimulate a specualtive empiricism for composing more livable worlds --> ajayeb's storied biospheres
...................................
the notion of ‘magic’ in popular TV series, such as ‘Harry Potter’ franchise and ‘The Magicians’ among many others, and instrumentalization. magic as information technology that is completely instrumentalized. the capitalist ideology of ‘tool’ and ‘usefulness’ are insinuated heavily in the hipster figures of ‘The Magicians’ in the way that they interupt history and knowledge-burdened living. “stop the history lessen! tell me how do we kill the beast with it?” (the stupidity of the hipster hero moving through the matrix of merely teleological phenomena, stripping pleasure off thinking...)
(utopian?)
what a magic spell is good for if it is not a leverage?
[title]
The Magicians and The Absolute Freedom and Terror
(‘The Magicians’:) magic: instrumentalizing the logos
knowledge is literal --> magic spells are literal {the result of magic spell is predetermined}. in this case, the magic is both an instrument of power and renunciation of knowledge
(Heideggerian) techne of the Western project is an instrumentality that takes over, arrests, or enframes what it desires to manipulate or contain. (Christian Hubert's notes)
=/= poiesis, a bringing-forth (in Heidegger: blooming of the blossom) (also Greek)
“[(for the techno-monster-magicians) everything is] code to be cracked”
a kind of fantasies that Don Ihde calls techno-fantasy, which have been part of the transhumanism since 19th century
the toxic distinction between techne from episteme (since Homer). ‘The Magician’ suggests magic as a technology or tool apart from its context of involvements and referentialities : a hermeneutic or alterity relation =/= (Heidegger:) the tool is an embodiment relation
(one of the characters even states that humans without magic in[...]
(54)[...notes/midday review.txt]%4.7[...]tive empiricism : scientific + narrative
working with ajayeb so that it might stimulate a specualtive empiricism for composing more livable worlds --> ajayeb's storied biospheres
...................................
the notion of ‘magic’ in popular TV series, such as ‘Harry Potter’ franchise and ‘The Magicians’ among many others, and instrumentalization. magic as information technology that is completely instrumentalized. the capitalist ideology of ‘tool’ and ‘usefulness’ are insinuated heavily in the hipster figures of ‘The Magicians’ in the way that they interupt history and knowledge-burdened living. “stop the history lessen! tell me how do we kill the beast with it?” (the stupidity of the hipster hero moving through the matrix of merely teleological phenomena, stripping pleasure off thinking...)
(utopian?)
what a magic spell is good for if it is not a leverage?
[title]
The Magicians and The Absolute Freedom and Terror
(‘The Magicians’:) magic: instrumentalizing the logos
knowledge is literal --> magic spells are literal {the result of magic spell is predetermined}. in this case, the magic is both an instrument of power and renunciation of knowledge
(Heideggerian) techne of the Western project is an instrumentality that takes over, arrests, or enframes what it desires to manipulate or contain. (Christian Hubert's notes)
=/= poiesis, a bringing-forth (in Heidegger: blooming of the blossom) (also Greek)
“[(for the techno-monster-magicians) everything is] code to be cracked”
a kind of fantasies that Don Ihde calls techno-fantasy, which have been part of the transhumanism since 19th century
the toxic distinction between techne from episteme (since Homer). ‘The Magician’ suggests magic as a technology or tool apart from its context of involvements and referentialities : a hermeneutic or alterity relation =/= (Heidegger:) the tool is an embodiment relation
(one of the characters even states that humans without magic invented computers as replacement)
‘The Magician’ dismisses the generation of knowledge in the praxis of tool-use. science/magic is pragmatic relation of equipment or tools as ready-to-hand. the ideology of a knowledge relation: magic (as tool) is present-at-hand --> ontological relationship to the world (----the characters want to go and have an icecream when they are finished with all the magical fights.)
this notion of magic as tool (=/= epistemological object) in use achieves (what Don Ihde calls) *instrumental transparency* --> It “withdraws” when in use, but becomes conspicuous again when broken or missing [--> this is precisely the standard account of technology in high-techno-scientific capitalist sunny societies] --> the idea that magicians can “forget” (or “lose”) their magic suggests a guarantor of instrumental transparency of magic (or k[...]
(55)[...notes/midday review.txt]%4.8[...] blooming of the blossom) (also Greek)
“[(for the techno-monster-magicians) everything is] code to be cracked”
a kind of fantasies that Don Ihde calls techno-fantasy, which have been part of the transhumanism since 19th century
the toxic distinction between techne from episteme (since Homer). ‘The Magician’ suggests magic as a technology or tool apart from its context of involvements and referentialities : a hermeneutic or alterity relation =/= (Heidegger:) the tool is an embodiment relation
(one of the characters even states that humans without magic invented computers as replacement)
‘The Magician’ dismisses the generation of knowledge in the praxis of tool-use. science/magic is pragmatic relation of equipment or tools as ready-to-hand. the ideology of a knowledge relation: magic (as tool) is present-at-hand --> ontological relationship to the world (----the characters want to go and have an icecream when they are finished with all the magical fights.)
this notion of magic as tool (=/= epistemological object) in use achieves (what Don Ihde calls) *instrumental transparency* --> It “withdraws” when in use, but becomes conspicuous again when broken or missing [--> this is precisely the standard account of technology in high-techno-scientific capitalist sunny societies] --> the idea that magicians can “forget” (or “lose”) their magic suggests a guarantor of instrumental transparency of magic (or knowledge).
-the popular vision of magic hinges around the desire for total transparency**
-this instrumental rationality is the heart of the modernizing project (which characterizes capitalism) --> the value-free calculable efficiency of administrative processes (--> a project of domination and denial of dependence) (=?=> Auschwitz)
(how to make The Magician's bounded utilitarian individualism unthinkable?)
(Frankfurt School:) technology ~= instrumental reason ~= reification (madiat, jesmiat) as reason
(Habermas:) systems rationality, economic and bureaucratic rationality (==> patterns of meaning rendered functional) =/= communicative processes that sustain the lifeworld
the same Platonic tradition produces: {theory =/= practice} ==> {mind =/= body} ==> {"conceptual” =/= “material"} (and privileging one over the other)
(for the Frankfurt School) truth = "a moment of correct praxis”
what is at stake is the way ‘The Magician’ heroes’ way of non-relating to an entire environment and with it to an implicit “world” that they inhabit.
...that science is an ‘account’ of reality not a ‘tool’ for coping with it
...when the world and the instrument interact
descriptions of the affordances of indissoluble instrument / world complexes are at stake
then how can we think magic/knowledge/science without instrumentalization (‘something in order to’)?
the [...]
(60)[...notes/midday review.txt]%4.8[...]cian’ dismisses the generation of knowledge in the praxis of tool-use. science/magic is pragmatic relation of equipment or tools as ready-to-hand. the ideology of a knowledge relation: magic (as tool) is present-at-hand --> ontological relationship to the world (----the characters want to go and have an icecream when they are finished with all the magical fights.)
this notion of magic as tool (=/= epistemological object) in use achieves (what Don Ihde calls) *instrumental transparency* --> It “withdraws” when in use, but becomes conspicuous again when broken or missing [--> this is precisely the standard account of technology in high-techno-scientific capitalist sunny societies] --> the idea that magicians can “forget” (or “lose”) their magic suggests a guarantor of instrumental transparency of magic (or knowledge).
-the popular vision of magic hinges around the desire for total transparency**
-this instrumental rationality is the heart of the modernizing project (which characterizes capitalism) --> the value-free calculable efficiency of administrative processes (--> a project of domination and denial of dependence) (=?=> Auschwitz)
(how to make The Magician's bounded utilitarian individualism unthinkable?)
(Frankfurt School:) technology ~= instrumental reason ~= reification (madiat, jesmiat) as reason
(Habermas:) systems rationality, economic and bureaucratic rationality (==> patterns of meaning rendered functional) =/= communicative processes that sustain the lifeworld
the same Platonic tradition produces: {theory =/= practice} ==> {mind =/= body} ==> {"conceptual” =/= “material"} (and privileging one over the other)
(for the Frankfurt School) truth = "a moment of correct praxis”
what is at stake is the way ‘The Magician’ heroes’ way of non-relating to an entire environment and with it to an implicit “world” that they inhabit.
...that science is an ‘account’ of reality not a ‘tool’ for coping with it
...when the world and the instrument interact
descriptions of the affordances of indissoluble instrument / world complexes are at stake
then how can we think magic/knowledge/science without instrumentalization (‘something in order to’)?
the notion of ‘world’ and ‘worlding’ in other Hollywood sci-fi franchises, and the way a world (for example survival in Mars in ‘The Martian,’ surviving “outer space” in ‘Gravity,’ “pure wonder” and “abyssal unknown” in many Icarusian space exploration moves and movies, the deprived Earth in ‘Interstellar,’ and so on) is rendered dead or dangerous or prosperous, ideologies of anthropocentric extensionalism.
(this directly concerns my ajayeb apass research about the past, because hollywood constantly making science fictions about the past.)
[as much as Matt Damon is schizo-constructing a social environment (on “dead” Mars trying to cont[...]
(62)[...notes/midday review.txt]%4.8[...]? what kind of sublimation is the culture-building power of Eros?
in Derrida, narcissism is the passage to the Other, and not necessarily merely a collapse into oneself.
auto-erotic solipsism
باطل کردن طلسم ضمیر the ego appears [displaced elsewhere in the world as an effect] as the result of primary narcissism?
(batel kardan-e telesm-e zamir) dispulsion of ego
*ego forms in the world* (Lippit)
auto-erotic economy
the ego in the island, finding footprints of the others
(Freudian protocols of existence:) there is no world, there is only islands. --> multiplicity of isolations ~-> individuation
“In narcissism the ego disappears from the world and reappears in the imaginary realm of invisible interiority.” (Lippit)
{the erotic attachment to outside objects}<--pervert =/= narcissist-->{withdraw, calls it “instinct for self preservation"} (a shortcut: my way of undering my own narcissistic tendencies has been through perversity.)
[for Juan:] (artistic) narcissism =/=? fossilization (~->? mimesis)
*mimesis* is not about form
in order to represent the character of the supposed ‘word’ of another
mimesis + techne ~= copy (@Juan)
diegesis =/=? mimesis
(telling) -- (showing)
(recounted) -- (enacted)
}--> poiesis _////(actually a useful and necessary difference, synthesized by the Greeks--Plato and Aristotle)
(...and what about the question of the medium?)
*Juan's relationship with the (in)dependency of the individuated self of the artist--in this case himself--by means of mimetic techne is to overcome the visual artist's narcissism?
(Pierre:) being alone --> mimesis --> through mimetic intra-acting with the other
(Sina: there is no “being alone” only ‘feeling lonely’ which is itself a form of intra-acting : internalizing an external phenomena. “loneliness” is a belief that one has.)
...................................
narcissism as a mimetic and performative mode
transindividual narcissism --Maitra--> movement of the subject beyond ethnicity (ethnic formations that the bio-political processes of interpellation demand of the subject)
remediation of ethnic narcissism
[Maitra's queer diasporic reading practice of] (in diaspora media theory) performing an identity (that is “Iranian” for example)
*intermedia* (=/= multimedia: fuse disparate media)
frictions between different media
conceptual interplay between media
space of alchemical transformation
(at the level of) conflict of interpretations
radical understanding of interdisciplinarity
diaspora: no longer having a clear answer to “where are you from?”
what might we learn from narcissism (from mimesis)?
mediate and fracture the writing o[...]
(63)[...notes/midday review.txt]%5.1[...] of disembodied seeing
[artificial perspective {--> (objects are in) proportional variations in a seamless continuum}, gaze of the spectator, exterior space, homogeneous, infinite, systematic,] --> (this is all) *symbolic form*
[(tele/micro)scope <==] landscape <== perspective <-- arbitrary point of the observer
(Descola:) such “objectification of the subjective” ==>
(1) a distance between man and the world
(2) systematizes and stabilizes the external universe
***factuality is not intrinsic, it is rhetoric (that we live with)
history of the idea of nature
‘ajayeb's architects of a naturalistic cosmology who establish hierarchies and discontinuities among them =/= cosmogenesis of modernity's subjectivity's illusions of continuity
[Descola's “configurations of continuity"]
(ajayeb creates) hierarchical order according to the levels of the exchange of information that is reputed to be possible.
-which parties are set on the same level of reality (in ajayeb)?
(what are the human and nonhuman) proliferation of forms in ajayeb (?)
who are the “mothers of games” there? snake, Div, etc. (spirits that protect the game)
technical know-how to create intersubjective ambience/ambivalence --> regulated relations between one person and another }--these are--> cultivated plots
how can i, starting with apass, learn to create theaters of a subtle sociability (in which beings with different forms of language and physical aspect are ontologically indistinguishable)?
the category of “persons”: variations in the modes of communication that are made possible by an apprehension of perceived qualities that are unequally distributed
whose dialects are mutually intelligible?
human narcissism : that if a being possess a soul is only then capable of recognizing humans
---then let's give everyone souls!
...................................
(Massumi ☞ Deleuze's) critique ~= modulation --> actively modulated from within the situation, immanent to it {
-augmenting* (taking a certain tendency to the limit)
-diverting* (deflecting it into a different tendency)
-transmutational* (interacting with other tendencies in a way that invents a whole new direction as a kind of surplus value of interaction)
-or, it can lead to a clash that stops the process
asking people “to be true to what they represent” ==> having them “encapsulated in already arrived-at opinion and judgment” ==> blockage
war of “disqualification” ~ Stengersian non-event
being (represented and) legitimated in proxy war
...................................
@Zoumana; “decadent gardener” that connot keep distinction between kin and pest, nature and culture
what is a garden full of indirections, snakes?
<[...]
(65)[...notes/midday review.txt]%5.3[...]icated and impossible to understand!?)
-“to provides a feast of reading pleasures”
holding each other's unasked-for patterns (@Luisa)
taking up each other patterns [which are sometimes obvious, sometimes cryptic]
(what is the other name of the practices of “string figures” in Iran? -->[stars, facts, fabulations, “far”s, patternings,]--> all cosmopolitical, composes the “we”)
•a “we” compositional
•an “ajayeb” compositional
•
anthropocene system thinking
•feedback loops
•thermodynamics & 18th century mathematics (=/= hyperbolic mathematics in ‘crochet’ --> excess of surface, --> story of interface)
•comparative interpretive thinking (a dominant western model of knowledge production--which i am using!)
•modern synthesis: restrictive system theories within evolutionary theories
•systems idea
•
*“The global scale takes precedence--because it is the scale of the model.”* Tsing
[title]
Bilingual Stories for Ajayeb NatureCultures
(...stories ‘for’ =/= ...stories ‘of’)
does Brexit and Trumplandia changes the landscape of English use as a language?
the image of pedagogy : semiotic apparatus (& technological) (--> the ritual of Simpson strangling Bart)
(why am i cultivating the) *non-inventive imagination* (and its antimetabole [or chiasmus, chiastic patterns of antithesis]: non-imaginative invention)
often we find ourselves inventing everything (in political animation) =/= to figure out what are we attached to
(inheriting something =/=? being heir to something)
the scientist inside me begs me to narrow my temporal scale, choose an epoch, let's say middle ages, choose a century let's say 15th, choose a year, choose a day, a moment, a micro-second slice of the cake of the milieu that you are interested in, the instance in the bazar with Halaj in the sun and so on.
(my old school) obligatory knowledge <-- salon of scietific entertainment
}-> (is about creating) proper witness***
the tropes i am building in my current research, do they help build a better Iran? and how?
interms of:
•an ongoingness
•a commitment to a recent future thinking
‘homo-’: stuff of the soil, that figures of bright and sunny image of the same
#rigs and syms*
•games
•technological designs
•plots
•mechanisms
•sfs
•jokes
•jests
•
[title]
critical bestiaries
critique-bestiary
belonging = achievement (dastavard دستاورد) + violence (khoshunat خشونت)
...the ways we renounce the world through the use of the word “real” and “really”
(Stengers:) weaving: not secular nor religious, not traditional nor modern, is[...]
(66)[...notes/midday review.txt]%5.7[...]language?
the image of pedagogy : semiotic apparatus (& technological) (--> the ritual of Simpson strangling Bart)
(why am i cultivating the) *non-inventive imagination* (and its antimetabole [or chiasmus, chiastic patterns of antithesis]: non-imaginative invention)
often we find ourselves inventing everything (in political animation) =/= to figure out what are we attached to
(inheriting something =/=? being heir to something)
the scientist inside me begs me to narrow my temporal scale, choose an epoch, let's say middle ages, choose a century let's say 15th, choose a year, choose a day, a moment, a micro-second slice of the cake of the milieu that you are interested in, the instance in the bazar with Halaj in the sun and so on.
(my old school) obligatory knowledge <-- salon of scietific entertainment
}-> (is about creating) proper witness***
the tropes i am building in my current research, do they help build a better Iran? and how?
interms of:
•an ongoingness
•a commitment to a recent future thinking
‘homo-’: stuff of the soil, that figures of bright and sunny image of the same
#rigs and syms*
•games
•technological designs
•plots
•mechanisms
•sfs
•jokes
•jests
•
[title]
critical bestiaries
critique-bestiary
belonging = achievement (dastavard دستاورد) + violence (khoshunat خشونت)
...the ways we renounce the world through the use of the word “real” and “really”
(Stengers:) weaving: not secular nor religious, not traditional nor modern, is sensuous
#[nodes and notes]
the emptyland, terrestrial life, ‘per-’ instead of ‘her’ or ‘his’
-the way i started with Haraway was through the way i read her notion of ‘critter,’ juju (جوجو) in Farsi, jako junevar (جک جونور), little life animators often easy and ok to kill, a term in farsi for kids that worlds for them in particular ways
bio (“qualified life”) =/= zoe, juju, “bare life” (Agamben): that which is killable --?!--> that which must be transformed
[stories of originary exclusion and composition of body]
...................................
the form and function are having too tight fit. no no no!
(cities) being inclusive but not integrative
(setar different technique of vibrato and measure for instance in Saba and Ghavami, which part of the finger or body, one works in certain way for one and not for the other musician --> the explicit unpacking of the activity : what was formerly tacit [zemni, khamush, =/= habit] becomes dredged into explicit [=/= expressive] consciousness, precisely because there is a resistance, that there is something not right for the musician ==> reconsidering[...]
(67)[...notes/midday review.txt]%5.8[...]yms*
•games
•technological designs
•plots
•mechanisms
•sfs
•jokes
•jests
•
[title]
critical bestiaries
critique-bestiary
belonging = achievement (dastavard دستاورد) + violence (khoshunat خشونت)
...the ways we renounce the world through the use of the word “real” and “really”
(Stengers:) weaving: not secular nor religious, not traditional nor modern, is sensuous
#[nodes and notes]
the emptyland, terrestrial life, ‘per-’ instead of ‘her’ or ‘his’
-the way i started with Haraway was through the way i read her notion of ‘critter,’ juju (جوجو) in Farsi, jako junevar (جک جونور), little life animators often easy and ok to kill, a term in farsi for kids that worlds for them in particular ways
bio (“qualified life”) =/= zoe, juju, “bare life” (Agamben): that which is killable --?!--> that which must be transformed
[stories of originary exclusion and composition of body]
...................................
the form and function are having too tight fit. no no no!
(cities) being inclusive but not integrative
(setar different technique of vibrato and measure for instance in Saba and Ghavami, which part of the finger or body, one works in certain way for one and not for the other musician --> the explicit unpacking of the activity : what was formerly tacit [zemni, khamush, =/= habit] becomes dredged into explicit [=/= expressive] consciousness, precisely because there is a resistance, that there is something not right for the musician ==> reconsidering, reexploring --> the technique then again disappears into the tacit realm --> technique becomes variegated)
**tacit --> explicit (~= that which becomes available for reconsideration)**
when one masters a skill it is about being equipped to address a whole new set of problems
{expertise/mastery: problem solving}=/={craft: problem finding}--> when other things become problematic---the condition (in the craft work) that when you learn how to do one thing you see other things that need to be explored [-> question for Eunkyung's drawing skills and practice]
*craft is more important than art(?) (Sennett)
...the notion that the work art breaks the conventions of practice, that it is something that makes an epistemic break. --> emphasis on innovation (something new)--that is a reflection of sort of 19th century bourgeois ideas of about making art.
•privileging the creative act over the craftsman act
•in innovation the “innovator” is separated from the “mass” =/= craftsmanship is collective and additive --> (in craftsmanship) the performance is myself
•creativity being a form of individuation or separation (@the exploratory shift in Eunkyung's work that Pierre highlighted)
[...]
(68)[...notes/midday review.txt]%5.8[...]telling you what i read
•giving you what i don't fully understand =/= gift from above
•(in lecture) to allow language greet the unverbalized
(it is about) organizing my memory
(it is about) that which comes to (my) mind, and “things” coming to minds
(it is about) the things I am told
__[these are perhaps other names of cognition, affect, memory, semiotics, history, inheritance, figuration, interface, thing-relations, huntology,]
__in our shared space where we let eachother in the effect of our languages, I want to practice what comes to mind when I stand in front of you and your work, ask myself ‘what else’ comes to mind? in a sense, my project on ajayeb is that kind of training
also in apass i want “to catch you in your acts”
it is my privilege to recognize you (as...)
asking:
1- what do I know?
2- what am I told?
3- (how getting good at to) explain what somebody else said
1- the first question has no clear answer, what i know is not placed somewhere in me, it is always an articulated matter of ‘with’ or in interaction with, it is a sym, changes before i can grasp, knowing is done always with a figure or a thing, it includes all sorts of optics and technologies, (affect theory, media theory, epistemology,)
2- the response to the second question is also not clear, i am not sure what i am told, i don't remember or hear, what i am told is infolded in what i know, (when i started with my islam lecture series i was testing the waters of these two questions and the possibility of staying with them without freaking out of ambiguity or ploting an answer)
3--> #cat's cradle
#on hypertext note:
i am becoming skilled at looking at my notes:
{(1) what are the *skills necessary* [=/= tabula rasa (of the reader, of the audience) of the communo-capitalism's standard of “user-interface"--the strange idea that the interaction and reading doesn't need or must not need learned-efforts or skills, that it should be “easy” and “effortless” --> fallacy of the unskilled listener.] to engage, interact, and get involved with the interface, data-set, grammar, and literacy of (my) reservoir? }--> ** let's ask that question with every apparatus that engages us into desire, movement, articulation, ...
skills --> to become ‘literate’ in this particular way --> situated knowledge includes this situated literacy and skills of reading particular to the object of “text” (in that case how do i address my interest in the pervert reader? the skills of the unlearning*)
the skills necessary for my work to work comes with time, attention, and desire ~-=>? #harem (=/= ladies room)
--> (2) this skills of (my) reservoir, what set of questions or problems equip me to address?
varzidan, varz, varzide, ورزیده
Sennett's love for his subjects is extraordinary (=[...]
(71)[...notes/midday review.txt]%6[...] />
[*]psychoanalysis: a theory of the subject as lacking positive residence
(this ‘lack’ is commonly articulated as the “unconscious”: in Freudian terms, where an affective impulse is perceived but misconstructed, and which becomes attached to another idea. [can i say that my work in ajayeb, which i named it as ‘organizing my memory, and also, that which comes to mind’ is all about this reconstruction of cognizeds and percepts? is that why i am having less and less unconsciousness in my daily life?!])
-cognizant agah آگاه
-in Freud's model of unconsciousness, the affect itself is not repressed, rather, what is repressed is the idea to which the affect was attached --> displacement
(Lacan's) subject: proper scene of absence and loss*
a theory of the subject that the locus of the signifier settles --> constitution of the subject as “settlement”
([what is?] Eszter's right and will to keep looking for signs of difference. --when she was talking about idiosyncrasies of her countries)
*[with Eszter's “the nation has suffered enough!"] --Lezra--> politics in a sense is precisely concerned with what is or is not *enough*
“it's enough!” --> #demand something or before which I make a claim. it is practical (even technical) or is dealing with being practical
the haunting modifier of “enough”
the *amount* of something (-of suffering in this case) <-- “That's enough coffee”
-we are dealing with materiality and measure
{has that anything to do with the enough of Ekaterina's “good-enough mothers”?}--> true enough-ness for an effect to be achieved
model of emotion ==> materialization of bodies
(emotions construct) bodies as ‘enveloped’
in standard psychological model, fear ‘has’ an object
*(Ahmed's) fear: “passing by” (=/= arriving) of the object, impossibility of containment of object
anxiety is an approach to objects =/= fear is an object's approach
in Freud: self is made by the fear of father
Ahmed's model of ‘impact of fear’
fear does not leat to containment but an expansion --> his/her embrace of the world
•being sealed into a body that takes up less space!
**fear works to restrict some bodies through the movement or expansion of others** (interesting for Mona's work)
[structural possibility:] proximity of fear-object --is--> possibility of future injury
impressions of coherence, “sticking together”
(that is perhaps why dictionaries and bestiaries are interesting: because their elements do not “stick together” in the sense of an affective economy [of inquiry and narrative] #lists)
ontology of insecurity --> (naratives of) crisis ==> “return” (to values) --> fetish
-production of crisis is crucial for insecurity
-declaration/announcement of *crisis* reads the fact/figu[...]
(72)[...notes/midday review.txt]%6.4[...][of inquiry and narrative] #lists)
ontology of insecurity --> (naratives of) crisis ==> “return” (to values) --> fetish
-production of crisis is crucial for insecurity
-declaration/announcement of *crisis* reads the fact/figure/event and transforms is into a fetish object that then acquires a life of its own
-it must be presumed that things are not secure, in and of themselves, in order to justify the imperative to make things secure (again)-->(the word “again” in the rhetoric of safty becomes itself the fetish object with its own life)
[security is bound up with “the not (me/us)"]
being invaded by inappropriate others [in histories of Iranian modes of intersubjectivity: ‘being invaded by the appropriate other’ ~=? being of Tasavof, #slave manifesto, let me know if you want me to kill your master.]
(in the 1999 film Matrix we see the image of the ‘strengthening the will’ of the human community in the face of the nunhuman machine others: Matrix ==> “us”)
(Matrix's) narative logic of an internal strength being posited as responsible for recovery, survival, and moving forward of the human race. (@Maarten, displacements of weakness and strength)
values that garantee survival
technologies that garantee survival
--> they become moral
those who____
speak (against) the “truth” of the world, cause the “ruin” of the world
...................................
say your name before talking
it's a Q and A, a lecture
--> it is a violent day
asking for your name is intrusive enough, even before asking where you come from [--> #estizah]
(learning from Heidegger:) abbreviation is already an effect of technology
case of Germany specially
and persian san'at (صنعت techniques and technologies) of subject-making
•‘is’ --> information system
•‘ich’ --> intangible cultural heritage
[#contract, concerning modalities of being-with:] anxiety, Sorge, (~ care?) is *disclosive*, for Heidegger, is an ontologically fundamental mood that opens you up to the possibility of understanding, anxiety is the leading mood that allows understanding
(in Heidegger) anxiety ==> understanding
(in Farsi) negarani نگرانی --> vision بینندگی --> basirat بصیرت ==> ta'amol تأمل (modalities of meditation and speculation)
(in psychoanalysis) anxiety =/= fear
(in capitalism) anxiety --> boredom ==> capital
(in settler white colonialism) anxiety ==> safty
(in Ahmed) anxiety --> approach to objects
(in Ahmed) fear/anxiety ==> effect of “that which I am not”
(ghol قول, gharar قرار, gharardad قرارداد [~ that which is promised by the ghol], ghovate ghalb قوت قلب) contracts also come to reassure, otherwise we might be in the radically open space of psychosis.[...]
(73)[...notes/midday review.txt]%6.5[...]gain” in the rhetoric of safty becomes itself the fetish object with its own life)
[security is bound up with “the not (me/us)"]
being invaded by inappropriate others [in histories of Iranian modes of intersubjectivity: ‘being invaded by the appropriate other’ ~=? being of Tasavof, #slave manifesto, let me know if you want me to kill your master.]
(in the 1999 film Matrix we see the image of the ‘strengthening the will’ of the human community in the face of the nunhuman machine others: Matrix ==> “us”)
(Matrix's) narative logic of an internal strength being posited as responsible for recovery, survival, and moving forward of the human race. (@Maarten, displacements of weakness and strength)
values that garantee survival
technologies that garantee survival
--> they become moral
those who____
speak (against) the “truth” of the world, cause the “ruin” of the world
say your name before talking
it's a Q and A, a lecture
--> it is a violent day
asking for your name is intrusive enough, even before asking where you come from [--> #estizah]
(learning from Heidegger:) abbreviation is already an effect of technology
case of Germany specially
and persian san'at (صنعت techniques and technologies) of subject-making
•‘is’ --> information system
•‘ich’ --> intangible cultural heritage
[#contract, concerning modalities of being-with:] anxiety, Sorge, (~ care?) is *disclosive*, for Heidegger, is an ontologically fundamental mood that opens you up to the possibility of understanding, anxiety is the leading mood that allows understanding
(in Heidegger) anxiety ==> understanding
(in Farsi) negarani نگرانی --> vision بینندگی --> basirat بصیرت ==> ta'amol تأمل (modalities of meditation and speculation)
(in psychoanalysis) anxiety =/= fear
(in capitalism) anxiety --> boredom ==> capital
(in settler white colonialism) anxiety ==> safty
(in Ahmed) anxiety --> approach to objects
(in Ahmed) fear/anxiety ==> effect of “that which I am not”
(ghol قول, gharar قرار, gharardad قرارداد [~ that which is promised by the ghol], ghovate ghalb قوت قلب) contracts also come to reassure, otherwise we might be in the radically open space of psychosis.
***contracts, they disambiguate the space***
{+} (pointed out by Derrida:) “contract” is less terrorizing than assuming that there is something natural that binds us... (@Luisa) contract is a non-natural conventional object. (the textual nature of contracts allows it to be read, written, rewritten, reformatted and rearranged.)%-->{ontic & ontologic}
•what kinds of violations does the contract capaciously includes in itself?
•there is nothing natural about here and us b[...]
(74)[...notes/midday review.txt]%6.5[...] changing the base title)
-like myself, her saboteurs are critically not symbolic nor ontic, rather sometimes epistemic, or better, ontologic: they don't vandalize the “thing” itself, but the “nature of the properties” that constructs that thing for us
-rocket sculture (what does it mean for her?)
...................................
[the question of inevitability of anthropical view]
there is no final answer to a kind of question but a lot of answers
through inhabiting a figure you are crafting you find yourself addressing a set of problems
agency: liveliness of artifacts (?). there is some kind of liveliness that is both human and nonhuman
the kind of sociality that joins two categorically separate mode of agencies, is a sociality that constitutes both --> the interaction of humans and machines produced both =/= unilateral action
(my whole point or joke, with the bow and arrow was that the arrow of index finger does not move in one way.)
[=/= another mode that comes to mind is when your intimacy making leads always to yourself, getting laid, literally. that is when your concern becomes only you and someone, sexually interested --> economically, and you don't concern the sociality of your people with each other. #techno-capital singular subjectivity @--> this is super relevant for Sven, maybe: how one becomes interested, invested, and skillful in provoking interesting socialities for friends and peers--and not only for oneself? creating, inciting zones of connectivity]
-[it was not accidental that the rhetoric of drugs came up with Lilia when I suggested the attention to anthropos --> what figures human and otherwise was for her the subject of drug-induced rhetoric of mind-alteration; (this is the anthropos of the Enlightenment Europeans and classical Greece talking:) “in order to get rid of me you must take drugs!” #fable/_ --> being sober(?!), anthropos becoming, human nature, common sense, empiricism and interpretation are at stake here]
-[another thing was the label of “animal” that was passed around as a form of mock, instead of provocations for more conversation, I was stupefied. --how can we go on together and not render each other commitments nonsense?]
“point of view” is an important metaphor
#in my work in apass i am working on descriptive practices [poetics of animal description, histories of nonhuman inscription, etc.] to learn to name latent (and therefore emergent) ontologies, to name ‘what we are doing in new ways,’ which are hard to name. (also refusing not to name the violences of others and yourself. to reckon the nature and scope of the erasures we do in our works.) % why do you think that is important?
#and my shift of attention to peer's works is about that: our domain of practices must make claim on each other <== we inhabit differences together (--> attention and work on:) ‘local category abstrac[...]
(77)[...notes/midday review.txt]%6.7[...]r />
@Eszter: is there a notion of ‘natural’ embeded in her ‘compelled’? there is nothing natural about us being here, there is nothing natural about here
•cognitivism: (when talking of representation) a psychology of doing which emphasizes human cognition endowment enabling man to develop intellectually ==> classifications (are easy seen) as properties of mind =/= classifications as materials or materially textured --> “a common way to hear people's experience of this materiality is through metaphors. So the generation of metaphors is closely linked with the shift to texture.” (Bowker)
•behaviorism: a theory of doing that focuses on objectively observable behaviors and discounts independent activities of the minds involved in the doing
-->? behavioral intervention
(footnote on) behavior therapy --> breaking one's loops (of: reverie [mind fleeing across secluded planes], reaction to stimuli [overwhelmed by the speech of the others ~ neurosis], distorted thinking [overstressed emotional reasoning], , ,)
[*]behavior therapy: treatment of neurotic symptoms by training the patient's reactions to stimuli --> *cognitive restructuring* could help Eszter in her artwork? (to reestablish the relationships between stimuli and responses)
(techniques:)
•counterconditioning
•punishment (operant conditioning)
•habituation
•functional analysis
•*behaviour intervention plans*
•automatic thought record
•
i can only guess (with cognitive therapy) at the interior landscape of her reverie, her internal reality (~= psyche) [--> i am reminded by this again that knowing anyone's psyche is impossible, as in psychology is an impossible science]
[*]cognitive therapy: identifying and changing unhelpful or inaccurate thinking, problematic behavior, and *distressing emotional responses*
--> learning to monitor thoughts (in three layers:)
1. core belief [deepest level of our thinking, underlying self-values and perceptions of the world, have an absolute quality: “I am worthless.” “I am inadequate.” “if I fail, I am worthless.” “I am unsafe in the world.” etc.]
2. intermediate beliefs [expectations and assumptions, guidelines we follow, maintaining our anxiety and depression: “Always look for danger and expect it to be there.” “If I don't understand something perfectly, then I'm dumb.” etc.]
3. automatic thoughts [immediate thoughts that go through our mind in response to a situation, usually negative and unquestioned: “She thinks I'm weird.” “I won't pass that test.” “This is too hard. I'll never understand this.” etc.]
types of automatic thoughts:
•evaluation (evaluative thoughts)
•coping strategies
•avoidance
•
[cognitive distortions]
typical mistakes in thinking:
•*all or nothing* / all-or-none thinking (“If I'm not a total success, I'm a failu[...]
(78)[...notes/midday review.txt]%7[...] or global connections was made (by Sina, Xiri and Esta moving the plant)? (how the plant was repositioned in our) making of public common spaces
-practices of concern
(attentive to the plant that was a) shared “thing” between us
what was mediated, navigated and articulated with that plant in apass 4th floor?
(with this i am trying to ask about the) kinds of imaginative world-making at work
gathering forces
-
the mice, and the pattern of rice, how did we become the reader of mice's text? --> reader is always always constructed.
the mice disconnected us from global digital networks and wrote something on the floor...
(which objects of our systems design supporting some and not others) leaving out what are locally perceived as “nonpeople” can mean nonworking system. (biologists not seeing their secretaries as doing real science, artists in apass not seeing the mice doing real work, etc.)
--> *(Leigh Star's) “ethnography of infrastructure”* -infrastructure is both relational and ecological, both transparent and opaque. it is part of the balance of action, tools, and the built environment. [*]infrastructure: a dense interwoven fabric of shared visions of possible and acceptable dreams (of the inovative, as techniques, knowledge, know-how, and the institutions).
...................................
my previous lectures have been communicating something I don't quite understand to an audience that doesn't want to know. but still somehow they became not indifferent to my madness and we managed to establish lines of interest and interference (=/= restoring the phalus to its proper place, or getting a membership)
i am building another wit =/= you know when you are on some kind of auto-respond, those smart fast answers. my wits take ages to come through. in a way i have been slowing down certain kinds of wit. that's also why it is so easy to silence me.
i have been also busy with the timing of understanding. how to keep understanding open and ongoing? there is this standard general sense that becomes very upset when things are not immediately understood (#double-click democratization of communication,) my workings have been perhaps invested in keeping my own (not-fully-)understood alive for a while. if things were instantly understandable we wouldn't be here.
...................................
question at Hoda
how to make her interested in metaphysics? in queer studies and practices
physics is the river of phenomena
meta: above, among, beyond
ontological commitment to:
sense of wonder
sense of sadness
sense of madness
what (else) literature can be if not elegy?
sonic level of sign-making and significance in her act
soft-spoken adjectives
“sigh”: poetry's start-up engine, aaaahh
somewher[...]
(79)[...notes/midday review.txt]%7.3[...]>
when and how did you learn to sigh?
sigh is from the family of the specialized languages of complaining?
temporal climate of your remembrance (as mourning) --> related to the past?
mourning and memory are sojourn for her
incorporating the object of (her) loss
(holding onto) the unhappy objects of difference
anger, pain, misery, ...
which (good or bad) feelings saturates her poem?
question of saturation
which feelings modified by which poetics sutures which wounds? زخمبندی
or to be more psychoanalytically correct: where is the wound?
my own affirmative exposure of the unhappy effects of her poetry
what is the image of the ‘better life’ in her poetry?
somehow in the literary habitus she is moving, the origin of descriptive/inscriptive saying is made by an initial violation
Hoda's poem, which energies does it unleash in her?
sokhan-e ranj سخن رنج
شعر غنایی Lyric poetry, a formal type of poetry which is defined by or dedicated to expressing so-called personal emotions or feelings.
the Lyre, a string instrument in Greek classical antiquity, is tuning the technicality of this ‘form’
historical contingencies of “personal feelings”
?what is more singular than your “personal” highs, trips, crashes, “feelings” ==> a text telling about itself (its ownmost experience of something that is radically singular)
-rhetoric of singularity
-(my point is that the expression of your) innermost experience (is often signed by someone else)
--> “distributed biographies,” thinking about sociality of perception
her poem is her textual body (<--> sexual body)
ecstasy
is subjectivity (permanently for Hoda) ecstatic?
this is the question of ‘where is the subject’? according to different practices with ecstasy we are outside ourselves. (in religion that is precisely where the ‘inside’ is located)
-permanent or structural ecstasy is clearly political
-ecstasy is disruptive
how much should I be invested or interested as a friend for your happiness and wellbeing?
•fellow-feeling
•sympathy (is expressed by:) returning feeling with like feeling
Sina: if a thinking makes you sad, that thinking is probably wrong?
within the rhetoric of integration a usual terrifying point is in which the duty of the migrant is to attach to a different, happier object
the future of reattachment --> Hoda
-in this integrative narrative, I have to be careful with assumptions that good feelings are open and bad feelings are closed
bad feelings are seen as orientated toward the past =/= my work on past
she said “here is the English-one” meaning the English translation o[...]
(80)[...notes/midday review.txt]%7.4[...] “Does Writing Have a Future” (chapter: Supertext, 6 pages)
•Bolter / “Writing Space” (chapter 3 Writing as Technology, 13 pages)
...................................
#workshop little fables of practice, second day storytelling
(proposed initially to Lili:) #imagine and describe an alien world where its populace don't practice ‘knowing’
with this practice we get into questions of (--without directly addressing/announcing them we will provoke a better understanding of what we might think of them:)
•knowing --> (the inseparability of) knowing, being, and doing
•the ‘suppos’ of the supposed to know
•rhetorics, and intrinsicality (“on the inside”)
•response --> (‘knowing’ =) differential accountability =/= differential responsiveness
•environment
•description (discursive significance)
•world, and sense-making
•geometry (and -metry)
•(intelligibility and) materiality enacted --> question of discourse
•epistemology
•conceptions of space and time
•reflection (as a pervasive trope of knowing) [mirroring, imitation, reflection, tropes of “sameness"]
•material discursive evolving
•mattering; matter and intelligibility, episteme and techne, macro and micro,
•
the workshop is in a way about the trope of knowing, ontology of knowing
(ways of) knowing entangled with mode of being
(with which creature?) matter's dynamism is intrinsic to its biodynamic way of being (--Barad--> for brittlestar everything is intrinsic)
(creatures that) constantly changing its geometry and its topology --> ongoing reworking of bodily boundaries
(our, and an alien critter's “it”’s) discoursive practices: boundary-drawing practices by which it differentiates between “itself” and the “environment” ==> making sense of its world [--> that is why i am interested in the (better?) articulation of "differences” (= boundary-making practices, our “differential productions”) that we are making, as a way of getting into eachother discourses ~~and--> (its) ongoing materialization --> *differential materialization* (is discursive; Barad)]
•patterns of difference
•I am against the ‘frictionless narrative space’ (in the absence of the dominant story) where “everything” (therefore nothing) is possible
(the workshop engages in thinking) intertwined practices of knowing and being
[this practice of storytelling might be relevant for those invested in questions of: knowledge production, speculative theory, situated bodies critique, situated knowledges critique, being ‘of’ the world,]
-to think creatures/beings that have evolved in intra-action with their environment
-to question and examine the ontological issues: the locus of knowledge is presumed never to be too far removed from the human. in the workshop we reimagine the locus of knowled[...]
(81)[...notes/midday review.txt]%7.6[...]ean in advance
•use to symbolize: as a way of not dealing with sujet supposé savoir
•use of anamorphic gaze: a non-diffractive optical system
--> to be careful (or keep in check) with sequential palindromic notion of pop-up book, to deal with the parsable seesaw motif inherit in the pop-up book Blickmaschin
•use hylomorphic: assumes form is inscribed onto passive matter (by an agent with a design in mind)
•
(relevance should be worked) non-ironic non-symbolic non-anamorphic non-palindromic non-hylomorphic (?)
...................................
towards writing the end of apass dossier
•practices: workshops, (bow and arrow,) ajayeb.net, rigs --> pop-up book, notes, routines, excess,
•trajectory: bibliography, wonder, ongoingness, ontology,
•productions: study as artwork, reading as artwork, bottom-top approach to writing,
•findings: every research practice: must include “body image”, must include “the image of creativity” especially if you are iranian, must employ ontological attention to differential productions, must rework decompose redefine its root-metaphors, must give extensive equipment list, must trace its social connections in a wider ecology of practices, must include a critique of technology,
•moments of composition: a scene animated by some quality, or... taking place as accidents (or not)
key literature, magic wands:
1st stage:
•Richard Sennett: Flesh and Stonne --> learning about body image
•Manuel Delanda: A 1000 Years of Nonlinear History --> learning about material histories
•Eduardo Kohn: How Forests Thinks --> learning about semiotics
•Timothy Morton: Sublime Objects --> learning about ontology
•Avital Ronnel: (lectures and articles) --> learning about poetics
•Donna Haraway: (lectures and articles) --> learning about rhetorics
2nd stage:
•Martha Kenney: Fables of Attention --> *rationality: mixture of the highly rational and the highly fantastic
•Karen Barad: Posthumanist Performativity, Invertebrate Visions --> learning about apparatus
•Eva Hayward: visualizing apparatuses --> her interest in optics, in the optics in which marine invertebrates and people come together through visualizing apparatuses
•Vinciane Despret: The Becomings of Subjectivity in Animal Worlds --> learning about anthropo-zoo-genetics
•Kathleen Stewart: nonrepresentational theory --> other ways of description
•Katie King: technologies of writing --> a better thinking of locals and globals
•
(curiosity ==>) having to figure out how to do something that i don't already know how to do:
•ongoingness of collective practices of knowledge and concern
•talking about (what is going on with) ajayeb
•paying attention to differential ontologies
•the stuff that happens through face-to-face colleaguesh[...]
(82)[...notes/midday review.txt]%7.8[...]t include a critique of technology,
•moments of composition: a scene animated by some quality, or... taking place as accidents (or not)
key literature, magic wands:
1st stage:
•Richard Sennett: Flesh and Stonne --> learning about body image
•Manuel Delanda: A 1000 Years of Nonlinear History --> learning about material histories
•Eduardo Kohn: How Forests Thinks --> learning about semiotics
•Timothy Morton: Sublime Objects --> learning about ontology
•Avital Ronnel: (lectures and articles) --> learning about poetics
•Donna Haraway: (lectures and articles) --> learning about rhetorics
2nd stage:
•Martha Kenney: Fables of Attention --> *rationality: mixture of the highly rational and the highly fantastic
•Karen Barad: Posthumanist Performativity, Invertebrate Visions --> learning about apparatus
•Eva Hayward: visualizing apparatuses --> her interest in optics, in the optics in which marine invertebrates and people come together through visualizing apparatuses
•Vinciane Despret: The Becomings of Subjectivity in Animal Worlds --> learning about anthropo-zoo-genetics
•Kathleen Stewart: nonrepresentational theory --> other ways of description
•Katie King: technologies of writing --> a better thinking of locals and globals
•
(curiosity ==>) having to figure out how to do something that i don't already know how to do:
•ongoingness of collective practices of knowledge and concern
•talking about (what is going on with) ajayeb
•paying attention to differential ontologies
•the stuff that happens through face-to-face colleagueship
•to be in productive alliance
•
unalianated critical work = art
Seifee wants to say something
something wants to say Seifee?
i like us to be skilled at
•objective perception
•5 minute perception
•rigorously passionate perception
•rhetorical perception
•sacred perception
•devilish perception
•queer non-perception
•having a taste for iranian stuff perception
•
--> polyskilled web of friends
#Bambi's mother studies:
•other stories possibility, past and history, performative approach to film
•politics of memory, and affect
•patterns of remembrance =/= event recall
•
three childhood memories, stories, from elementary school:
•the mime of “you think (too much)”
•the weird pro hit on the coming ball
•peeping into the toilet
•
my childhood recognizing:
•filaments (hypha, hyphae, تار) of spider webs
•patterns of ants
•motion color blurings --> that present is “physical if the eye is quick enough” (Stevens)
•
the wa[...]
(83)[...notes/midday review.txt]%7.8[...]
(in political movement:) working to a kind of clarity of ideological position ==> to do certain kinds of things (that are harder to do if you don't have them [those ideological positions] in the world) --> they are used as *tools* to produce what got called *political correctness* --> always producing those who count and those who don't count*
=/=? feminist movement = ***a kind of vulnerability to not being who you thought you were*** : openness to risk, less of a defensiveness, less of an attack mentality, not shaping each other up into vanguards پيشقراول --> (towards thinking) differential/oppositional consciousness (=/= father, single kind of creators)
“you can know if you are wrong in rather interesting, situated ways”
@Leo
@Maarten
[*]"was”: (so important for iranians [#past]) a geographical place, a place:
•of pain
•of fantasy
•of hope
•of possibility
◦of defeat
•of breaking and building
(--> a borderland)
metaphors that are also real places
figurings that are also (always unequally) lived in the flesh
to think “contact zone” instead of “binary shape”
ways of living and technologies, ways of doing the world forcibly brought together in relations of serious inequality, but which do not take the simple shape of dominator and dominated
*“abstractions are precious and they take a huge amount of work to know how to build them well”*
(?how do i know when in working with ajayeb) sometimes you are required (at the same time!):
•to be dead literal
•to be precise
•to be analytically good
•to be unforgivingly technically right
•to be flaming imaginative
•
*breakdown*: where the normalizing fails ==> something else emerges
*every collective needs people who feel:
•(a grace given to you by the structure of your cells, you don't know where it comes from:) “root sense that the world is not dead” --> a sense that things are moving and alive and future-full
•its people who feel despair (...emphasize the futurelessness of it all)
*!!!--> we (also) need sensibilities that are angrey at each other
(aligned with Haraway) my position has been that: we don't choose our sensibilities, we wake up and figure out what they are
(Haraway take on the ways we) may enginner as a species now (tech, syntax, etc.)
to refuse the story of the apocalypse + (still) recognizing the depth of the trouble
--> Freud's thanatos غريزه مرگ, a death instinct, (it is a deep, instinctual lure:) *a perverse pleasure in believing in inevitable failure*
*transference is descriptively very apt for what goes on in artistic moves [<-- to b[...]
(84)[...notes/midday review.txt]%8.2[...]less of an attack mentality, not shaping each other up into vanguards پيشقراول --> (towards thinking) differential/oppositional consciousness (=/= father, single kind of creators)
“you can know if you are wrong in rather interesting, situated ways”
@Leo
@Maarten
[*]"was”: (so important for iranians [#past]) a geographical place, a place:
•of pain
•of fantasy
•of hope
•of possibility
•of defeat
•of breaking and building
(--> a borderland)
metaphors that are also real places
figurings that are also (always unequally) lived in the flesh
to think “contact zone” instead of “binary shape”
ways of living and technologies, ways of doing the world forcibly brought together in relations of serious inequality, but which do not take the simple shape of dominator and dominated
*“abstractions are precious and they take a huge amount of work to know how to build them well”*
(?how do i know when in working with ajayeb) sometimes you are required (at the same time!):
•to be dead literal
•to be precise
•to be analytically good
•to be unforgivingly technically right
•to be flaming imaginative
•
*breakdown*: where the normalizing fails ==> something else emerges
*every collective needs people who feel:
•(a grace given to you by the structure of your cells, you don't know where it comes from:) “root sense that the world is not dead” --> a sense that things are moving and alive and future-full
•its people who feel despair (...emphasize the futurelessness of it all)
*!!!--> we (also) need sensibilities that are angrey at each other
(aligned with Haraway) my position has been that: we don't choose our sensibilities, we wake up and figure out what they are
(Haraway take on the ways we) may enginner as a species now (tech, syntax, etc.)
to refuse the story of the apocalypse + (still) recognizing the depth of the trouble
--> Freud's thanatos غريزه مرگ, a death instinct, (it is a deep, instinctual lure:) *a perverse pleasure in believing in inevitable failure*
*transference is descriptively very apt for what goes on in artistic moves [<-- to be careful of]
**to risk a feeling of (despair, of...)
the ways some of us risk things intellectually and emotionally different than each other
prima donna: doing whatever one does without any particular effort to nuance anything
*multiple impossibilities
learning from religion, the ways of which the name of God has become an impossible category. both catholics and muslim shia (#islam) are wellprepared for feeling[...]
(85)[...notes/midday review.txt]%8.2[...] ways of doing the world forcibly brought together in relations of serious inequality, but which do not take the simple shape of dominator and dominated
*“abstractions are precious and they take a huge amount of work to know how to build them well”*
(?how do i know when in working with ajayeb) sometimes you are required (at the same time!):
•to be dead literal
•to be precise
•to be analytically good
•to be unforgivingly technically right
•to be flaming imaginative
•
*breakdown*: where the normalizing fails ==> something else emerges
*every collective needs people who feel:
•(a grace given to you by the structure of your cells, you don't know where it comes from:) “root sense that the world is not dead” --> a sense that things are moving and alive and future-full
•its people who feel despair (...emphasize the futurelessness of it all)
*!!!--> we (also) need sensibilities that are angrey at each other
(aligned with Haraway) my position has been that: we don't choose our sensibilities, we wake up and figure out what they are
(Haraway take on the ways we) may enginner as a species now (tech, syntax, etc.)
to refuse the story of the apocalypse + (still) recognizing the depth of the trouble
--> Freud's thanatos غريزه مرگ, a death instinct, (it is a deep, instinctual lure:) *a perverse pleasure in believing in inevitable failure*
*transference is descriptively very apt for what goes on in artistic moves [<-- to be careful of]
**to risk a feeling of (despair, of...)
the ways some of us risk things intellectually and emotionally different than each other
prima donna: doing whatever one does without any particular effort to nuance anything
*multiple impossibilities
learning from religion, the ways of which the name of God has become an impossible category. both catholics and muslim shia (#islam) are wellprepared for feeling this way, some kind of recognition of impossible thing. let's take that “being good at recognizing and affirming impossible things” and bring it to the name of women. that means as soon as you name what you mean by ‘women,’ you have told some kind of really impossible lie.
(how my muslim trained sensibilities are working and mattering in my ajayeb research? ways to respond to *the deadliness and the irreplaceable liveliness of religion* [کشندگی و سرزندگی یکتای مذهب], a semiotics with implosion of sign and flesh)--> (i am so happy that) i cannot not know what it is like to be in a believing community (a faith-based community)***
...out of your own particular little historical traditions
*because my research is about ajay[...]
(86)[...notes/midday review.txt]%8.2[...]ttention to women in the world ==(shapes)==> your mode of attention to:
•the way databases get set up
•the ways interdisciplinarities get crafted
•how you think about tools and genomics
my main point of my project has been about getting better at how to inherit your histories without trashing them*** (even figuring out how to inherit a history that you don't want to inherit)
(Islam, shyness, kindness, ajayeb, Iran, stuttering, being all too ready to find complexities, )
•to become relaxed about predigested version of ‘this is what ajayeb is about’ (or Tasavof, etc.) --> ‘what is going on there’ (in ajayeb) is so built-in to ideologies of many kinds (of progress, deep ecology, of history, and so on)
•to build a little taxonomy (in apass)
•working to give up the series of self-certainties around secularism ==> giving ways to talk to the religious ones : getting to grasp what the world looks like in faith-based communities (=/= check-list of dogma)
•category thinking: get into differential liveliness (with all sorts of inequalities:) *who gets parsed how* [#archive, #articulation, #storytelling] (and thinking about what it means to take up these relationships in cultures saturated with science and technology)
Xiri was doing her research with categories of victim and opressor, and now they suddenly disappeared from her work. that category change or vocabulary change was suspiciously effortless
*remembering is an extremely creative practice (-note to Hoda-)
memories are like ecotone کناربوم (transition area between two adjacent ecosystems)
#(very important concept partly shaped by practices of Darwin into our lives:) “collect” --> lies (necessary?)
the frenzy of the 1700 of surveying nature and collecting speciment ==> bioinfomatic
‘collect’ promises nontransformation
--> metaphors of archive, information-intense ways of thinking about life on earth
*“demonstration” coined by science
...................................
(with Scout Calvert) the ways the digital apparatuses are working, and the kinds of tensions and creativities between the cyber infrastructures and the other kinds informational management discourses displace other book discourses *** --> categories explode in library practice
[Calvert donig brilliant discourse analysis of library sciences --> has direct impact on practices of reading#, different kinds of knowers]
techno-biblio-capital: techno-capital and library practices embedded in each other -->{ [*]technology: assemblages of people, computers, software, discourses, techniques and workarounds that make them function; [*]capital: a social arrangement in which buyers of labor power are entitled to profits and the sellers of labor power to wages and all the effects entailed in that arrangement; [*]techno-capital: techniqu[...]
(87)[...notes/midday review.txt]%8.3[...]science and technology)
Xiri was doing her research with categories of victim and opressor, and now they suddenly disappeared from her work. that category change or vocabulary change was suspiciously effortless
*remembering is an extremely creative practice (-note to Hoda-)
memories are like ecotone کناربوم (transition area between two adjacent ecosystems)
#(very important concept partly shaped by practices of Darwin into our lives:) “collect” --> lies (necessary?)
the frenzy of the 1700 of surveying nature and collecting speciment ==> bioinfomatic
‘collect’ promises nontransformation
--> metaphors of archive, information-intense ways of thinking about life on earth
*“demonstration” coined by science
...................................
(with Scout Calvert) the ways the digital apparatuses are working, and the kinds of tensions and creativities between the cyber infrastructures and the other kinds informational management discourses displace other book discourses *** --> categories explode in library practice
[Calvert donig brilliant discourse analysis of library sciences --> has direct impact on practices of reading#, different kinds of knowers]
techno-biblio-capital: techno-capital and library practices embedded in each other -->{ [*]technology: assemblages of people, computers, software, discourses, techniques and workarounds that make them function; [*]capital: a social arrangement in which buyers of labor power are entitled to profits and the sellers of labor power to wages and all the effects entailed in that arrangement; [*]techno-capital: techniques, discourse and technologies used to naturalize and derive capital from information and information technologies}
*curiosity = a small and local kind of *freedom[= agency within constrain ==enabling==> skillful meanings], curiosity resists control and has the power to defeat one's favourite self-certainties, can also be commodified for consumer culture specializing in providing private pleasure,
techno-capital objectivism: (neutrality of) collection developemnt and format choices --> power-sensitive judgments
“we will engineer ourselves out of that” --> naive technological optimism; *the technological question is cruicial to questions of power and knowledge*
-library science tends to position library as power-neutral spaces
-(Foucault: resistence to power is always present)
“freedom to” is always disciplinary (because there is always a particular subject enjoying that) [citizen of liberal democracy who exercises the freedom of representative government, so much as a consumer who exercises freedom of choice of commodities]
patrons as constituent مولفه (==> new knowledge + themselves as knowers) =/= seamless information consumer discursively produced as an unmarked singular independent self-contained stable univers[...]
(88)[...notes/midday review.txt]%8.4[...]technologies used to naturalize and derive capital from information and information technologies}
*curiosity = a small and local kind of *freedom[= agency within constrain ==enabling==> skillful meanings], curiosity resists control and has the power to defeat one's favourite self-certainties, can also be commodified for consumer culture specializing in providing private pleasure,
techno-capital objectivism: (neutrality of) collection developemnt and format choices --> power-sensitive judgments
“we will engineer ourselves out of that” --> naive technological optimism; *the technological question is cruicial to questions of power and knowledge*
-library science tends to position library as power-neutral spaces
-(Foucault: resistence to power is always present)
“freedom to” is always disciplinary (because there is always a particular subject enjoying that) [citizen of liberal democracy who exercises the freedom of representative government, so much as a consumer who exercises freedom of choice of commodities]
patrons as constituent مولفه (==> new knowledge + themselves as knowers) =/= seamless information consumer discursively produced as an unmarked singular independent self-contained stable universal white male heteronormative technophilic subject [<-- this donesn't realy exisit as a person, rather as discoursive productions]
(now) our electronic recreation is work: our every click is surveilled, generating data about our desires and curiosities that feeds back into our formation as techno-capital subjects (@Sven's enthusiasm with social media--how can Sven has a real chance of producing resistance knowledge?) --> this is not freedom! (-an account of freedom for one entails reciprocal unfreedom for others) --> mixtures of work and play in this new economy, (Calvert ☞ Bateson) the meta-communicative nature of *play[= strict rules with genuine freedom, the dual essence of play: curiosity and relationality];
(Calvert arguing for) “knowledge-makers” who engages in creation of situated knowledges by activity adapting, processing and sharing knowledge within the ecology of library ~= *bibliographic apparatus*
(Calvert's heuristic device to imagine what library practices might emerge:) imperfectly literate constituent seekers
-a double consciousness of play, where cognitive sensation amid multiple affectivities are continually teased between assertion and rejection
-a doubled unconscious connoisseurship of realist conventions pressured at new horizons
[Katie King]
...................................
(women's) mini-encounters with god --> kind of materiality of god that don't fit any of the available categories
now-but-not-then quality of continuities
Haraway's deep commitment to the ties of science and competence, pleasure, empowerment, ([*]science:) this craft where you did this incredibly fragile, importan[...]
(99)[...notes/midday review.txt]%8.4[...]new horizons
[Katie King]
...................................
(women's) mini-encounters with god --> kind of materiality of god that don't fit any of the available categories
now-but-not-then quality of continuities
Haraway's deep commitment to the ties of science and competence, pleasure, empowerment, ([*]science:) this craft where you did this incredibly fragile, important, hard work of asking questions of the world in such a way that you might have half a chance of knowing if you are wrong***
you get it “there” ==> (you have a chance of) figuring out something else*
(sustainable life ways that involve) breeds =/= factory farming
Haraway's problem with veganism's moral, wholistic, complex claim that they make on us (also a necessary kind of contemporary witness): that people's practices with animals as food and fiber and work animals, turning into nothing but museum pieces at best. vegans deadly imagination sometimes don't get what they kill: most kinds of animals that have long histories in close association with people.
there is no relationship to this world that does not involve extensive killig (Haraway)
up-to-the-minute technologies
complicated issues around security apparatuses and different national struggles
histories of dispossession and genocide
“do you believe?" = "do you believe in a list of dogma?”
totally wrong question: do you believe in God?
[should i go to Berlin after apass?] a parochial person دهاتی (in the pressure of the seriously elite places): you could be here, you could succeed here, but never belong here
Haraway's ‘literal’ makings:
•“companion” is about whom you are at table literally*
•to be homo sapiens is to be in multispecies interdependencies literally*
my issue with the image of the free floating meaning network popular in artists’ thinking: yes meanings foreground and background. they swirl, but they don't swirl at random
...................................
MOU (memorandum of understanding)-->{@Esta + Zoumana + Hoda
*memorandum: memo, reminder, note, تذکره --?--> passport : آنچه موجب یادآوری شود --> آنچه موجب دخول شود
a legal document describing an agreement between parties less formal than a contract
[1994 U.S.-North Korea nuclear pact, the MOU between Bush and Kerry for 2004 debates,]
...................................
batlagh باتلاق
it is (perhaps the most) important to help transform (your or my) ‘wounded-child’ to ‘wonder-child’ (--> @Hoda)
[the image of the wonder-child in all my workings]***
...................................
•accumulative: g[...]
(101)[...notes/midday review.txt]%8.5[...]br />
(that which escapes/exceeds enclosure) --> it can be put into words[?] --> to become a figure of vitality and even freedom[?]*** @Iranians
[i welcome the reprieve (rokhsat, رخصت, a temporary relief) from] symbolic gridlock
“affect gathers its force to make image touch matter” --> image's power is the power of synaesthesia =/= collection of named “feelings” (invented in discourses of morals, ideals, and known subjectivities)
(let's study how [in Iran] raw materials are formed and exceeded -- sudden and lingering intensity of things) (which darvaze/دروازه/gate we can't and which سوراخ سوزن / surakh-e suzan / hole of needle we pass through)
[i am having always multiple books open, at least two, is that how connection occur for me? #simultaneity]
(Stewart) “I remember childhood as a collection of arresting images”
that hinge on sensory details and open onto luminous scenes of affect [--> Feherlofia/Fehérlófia 1981, Son of the White Horse film. (we must resist calling this film “psychedelic”)
“[...]family as a viscerality through screen images of”
...sudden, repetitive eruption of images of alcoholism, accidents, violence, cancers
*technologies of family, church, law, and nation* (lay confident claim to affect as a capturable content of known and expected “feelings,” but affect itself--that which surges into view along the jumpy border of the actual and the virtual--is their raw material and their only renewable resource. Stewart)
(a sidestep? what) brings an uncanny, alien presence into the field of vision
*an object insists on being seen* (through the tricks of trauma, through the seductions of compulsive beauty,, , ) ~~--> aesthetic event of the senses [@Hoda]
spectacular graphics of disaster
watching: inhabiting the power of the tuned-in spectator; becoming an active participant in [TV's] logic of image (production and) recognition
--✕--> catharsis of mean-spirited
--✕--> festering (cherkin چرکین) alienation
--*--> vitality of the game itself
the image on the screen <--(game)--> the walking simulacrum of social life
the loop of the citizen as consumer
***Mimesis in a State of Shock*** @Hoda
-the link between shock and a cushioned recluse is direct, seductive, and mimetic
“When affect makes its jump between the visible thing, the idea, and the social sensibility, it can leave in its wake uncanny connections between otherwise disparate states of arrest, like shock and recluse گوشه نشينی” (Stewart)
@Hoda: affect jumps into view as the shock of an unassimilated trauma
cocoon room
holing up in your living room ==> “out there” ==> search for the arresting presence
spectrality and[...]
(102)[...notes/midday review.txt]%8.7[...]n unassimilated trauma
cocoon room
holing up in your living room ==> “out there” ==> search for the arresting presence
spectrality and concrete substance
(?when am i) “relaxing” the jumpy move of affect
*Stewart's “jump of affect”
tactile image --(satisfies)--> move of affect --(actualizes)--> something tempting/haunting
-affecting presence at rest
-[in glamour magazines] models frozen in time and space stare back at you in a scene that stages the jump from fantasy to actual body/image and back
-jump from ideal to matter to ideal
-what to wear as the magic of affect itself
copy ~= contact
movies, ads, malls, car phones, daydreams,
modernity's mimetic machine
(“middle class” [or what people thinking as “Iranians"] is not just a “norm” it is a) *womblike space of affect* (where sentimentality and interiority becomes tactile, where ideals and materiality grow to excess,) (imploding under the weight of its own literal embodiment,,,)
-(it is an affective space) where the hegemonic claim *to channel trauma into beauty* is actualized:
•sensible, solid accumulation, family values, colorful decor, techno-gadgets, daily lottery,
•constant stimulation of the senses (--> synaesthetic images, sounds, touches, and smells)
•circuitry of circulation itself
تأثر ta'asor, نتیجهی عواطف natije-y avatef
affect (~= vitality/hope) ~/= (nightmare image of) soical entropy
the big, beautiful, basic, intensely sensate commodity-to-live-in
in Iran:
•(the ‘public space’ or) “outside” ==> a “wilding” scene of crime, chaos, drug-addled monsters, danger, disease, and decay
•“inside” --overflowing-with--> scenes of aesthetic connection
}--> anxiety is the ground over which they (both) march
(modernist) image-affect of the new and clean and up-to-date
the feeling of being in the middle of something big and inevitable, watching it unfold
#my dreams
the labor of looking
“Movies made for women imagine a picture--perfect scene of an Inside--a Home filled with tangible objects that Mean or a Self filled with the intricate dramas of dreams launched, wounded, and finally satisfied or left behind. Affect itself is laid out on the carpet like a beautiful fetish that it is okay to love.”
(the #telegram is littered with image-written signs of personal/public disaster)
the surge of affect toward the scene of abjection --> abjection itself is felt as a contagion --> Navid's comments turned into stickers
-fascination of catastrophe
-something pleads to be touched
-the act of looking at the telegram's forward: my desire is your desire and we are all together in the mas[...]
(103)[...notes/midday review.txt]%8.7[...]
high-dimrnsional phase space
invisible to humans for stretches of time
[*]hypocrisy <== the conditions of the impossibility of a [*]metalanguage= account for things while remaining uncontaminated by them, (~= an “outside”)
--> (Lacanian truth:) “there is no metalanguage” =/= postmodernism's “everything is a metaphor” =/= some metaphors are better than others ~= *there is nowhere to stand outside of things*
the time of hyperobjects is a time of hypocrisy =/= cynicism
[*]weakness <== the gap between phenomenon and thing
[*]lameness <== the fact that all entities are fragile
imagination as:
•Hume: a bundling of associations
•Kant: the possibility for synthetic judgments a priori
•object-oriented ontology: immanence of thinking to the physical, radically displacing the human by insisting that my being is not everything it is cracked up to be--the being of a paper cup is as profound as mine
which hyperobject you are caught in?
image of writing --> shy, retiring octopuses that squirt out a dissembling (mask, cloak, vortäuschen) ink as they withdraw into the ontological shadow
figure of *mill* (the characters and technologies and ideas of the ages mill around in a state of a mild, semiblissful confusion) =/= Eszter's vortex
my intimate impressions “personal" = footprints of hyperobjects, distorted as they always must be by the entity in which they make their mark
situatedness is now a very uncanny place to be, like being the protagonist of a Wordsworth poem of a character in Blade Runner
*cool impersonality of the scientific language* (now is deprived of its ideological status)
the concept of the ‘world’ is no longer operational
can we think environmentally without the idea of ‘the end of the world’?
(Morton asking for) a geophilosophy that doesn't think simply in terms of human events and human significance
Morton: global warming =/= climate change
if one takes the ‘climate change’ as a substitute for ‘global warming’ is like “cultural change” as a substitute for Renaissance, or “change in living conditions” as a substitute for Holocaust
acronyms, abbreviations:
dialoc دیالوک --> decrease in appropriate levels of concern
tomas توماس --> terrain of media and the sociopolitical realm
cohhatg کوهاج --> coincidence of human history and terrestrial geology
hhatg حج --> human history and terrestrial geology
pb پی بی --> philosophy's bandwidth
sdwa صدوا --> substances decorated with accidents -->
ldwa لدوا --> lumps decorated with accidents --> featureless lumps, and those things have accidental properties, like cupcakes decorated with colo[...]
(104)[...notes/midday review.txt]%9[...]
sim سیم --> small island of meaning
etimom اتیموم --> everything is made of mind
hhbn هبن --> hand-holding benevolent narrator (-which is vanished)
(auto) cad کد --> (automatic) comforting aesthetic distances
iockat --> intentional objects commonly known as thoughts
atot آتو --> (you only ever perceive your particular) anthropomorphic translations of things
ejich جیش --> exhilarating jump into cognitive hyperspace --> displacement that Copernicus or Derrida does
foe --> fantasies of embeddedness [<-- phenomenology <== grounding of Kant (begining in 1900)]
avaa اوا --> a vertiginous antiliteral abyss
iwen --> intimacy with existing nonhumans
mok --> mathematization of knowing (--> Descartes, Newton) ==> hiding philosophical and ideological decisions made in acts of knowing =/= ontology (as a vital and contested political terrain)
i.c.a.d. --> ideology of “the consumer” and its “demands” (that capital then “meets”) --> adventure of modernity
fvod --> from the viewpoint of “objective” description (a bad way of explicating the objects that are already here)
toc --> troops of critique
towwk توک --> ‘technology of what we know’ (techniques that decide the differences between ‘what we know’ and ‘what is’. Morton's hyperobject is a towwk)
usoc --> uncanny strangeness of existence (work of Heidegger)
lawot --> (something is) ‘laying around in the workshop of thinking’ (let's reuse what appears to be broken lawot)
visist = visit + resist
correlationism: the notion that philosophy can only talk within a narrow bandwidth, restricted to the human-world correlate : meaning is only possible between a human mind and ‘what it thinks' = its “objects” (flimsy شل و ول and tenuous رفيق as they are) ~-> the light on in the fridge when you close the door
-Heidegger (towering through) is a correlationist who asserts that without Dasein, it makes no sense whatsoever to talk of the truth of things, which for him implies their very existence--for him idealism, not realism, holds the key to philosophy. (Heidegger's tool-analysis: when equipment--which for all intents and purposes could be anything at all--is functioning, or “executing” [Vollzug], it withdraws from access [Entzug]; that it is only when a tool is broken that it seems to become present-at-hand [vorhanden] --> is this what Femke is proposing to apass?)
Descartes uncritically importing the very scholasticism his work undermined
[*]epistemology:
•how can i know what there are (or are not) real things?
•what gives me (or denies me) access to the real?
•what defines the possibility of access?
•what defines the possibility of possibility?
•Einstein discovered a ripp[...]
(105)[...notes/midday review.txt]%9.1[...]s a correlationist who asserts that without Dasein, it makes no sense whatsoever to talk of the truth of things, which for him implies their very existence--for him idealism, not realism, holds the key to philosophy. (Heidegger's tool-analysis: when equipment--which for all intents and purposes could be anything at all--is functioning, or “executing” [Vollzug], it withdraws from access [Entzug]; that it is only when a tool is broken that it seems to become present-at-hand [vorhanden] --> is this what Femke is proposing to apass?)
Descartes uncritically importing the very scholasticism his work undermined
[*]epistemology:
•how can i know what there are (or are not) real things?
•what gives me (or denies me) access to the real?
•what defines the possibility of access?
•what defines the possibility of possibility?
•Einstein discovered a rippling, flowing spacetime
•Tarkovsky discovered the ‘sensuous material of film stock’ --> ssoci
•Husserl discovered something strange about the objects: no matter how many times you turned around a coin, you never saw the other side as the other side --> the #coin had a dark side that was seemingly irreducible
Morton's (technology of what we know) hyperobject is his sense of an asymmetry between the infinite powers of cognition and the infinite bening of things, yet he doesn't evoke descriptive practices, which could be helpfull--he is missing something, here: “the gap between phenomenon and thing yawns open, disturbing my sense of presence and being in the world.”
“[...] i cannot locate the gap between phenomenon and thing anywhere in my given, phenomenal, experiential, or indeed scientific space” --> Xiri's problem
he disagrees with: (from Plato up until Hume and Kant) that there is some kind of dotted line somewhere on a thing, saying “cut here” --so he concludes: “things are themselves, but we can't point to them directly.” =/= nonrepresentational theory, Stewart is much more useful. we can see Morton's taste for (a masculine) sublime in modeling his hyperobjects
flat ontology: there is hardly any difference between a person and a pincushion. and relationships between them, including causal ones, must be vicarious (نيابتى) and hence aesthetic in nature
(no) realism that only bases its findings on “ontic” data
scientific discoveries are necessarily based on a decision about what real things are
*disaster [ontologic] taking place against a stable background [ontic]*
causality after Hume and Kant : causality as a feature of phenomena, rather than things in themselves ==> humans are not totally in charge of assigning significance and value to events that can be statistically measured
entities that become visible through post-Humean and post-Kantian statistical causality --> anthropog[...]
(107)[...notes/midday review.txt]%9.2[...]pin down an idea/practice by its definition it becomes “fixed,” and fixity is categorically bad at all times <-- there is a desire to create a hygienic concept immune to corruption and hierarchy. Manning is alert to certain hierarchies ==> not acknowledging other hierarchies that precisely emerge out of that (--> preserve the ‘health’ of the idea of anarchive. [<-- maybe we need to let concepts rot? --> decompose])
Manning's elusiveness: (i have become hyper-conscious about qualities that endow infinite freedom of thought to human subjects...)
•elusive thought طفره (=/= volatile فرار) --> Spiderman's mode of freedom (-you can never catch him + infinite flexibility + ) (the effect of Spiderman on himself is that his moves are “amazing”)
•elusive thought ~->? mystical
•elusive thought =/= modest thought limited by curiosity
•
“hierarchy as the bad object” ==>
•to escape thinking about your own agency (for example what your name and reputation does? what are the precise responsible consequences of your particular position? your position involves not only the book you write or the argument you make, it involves also your name and reputation, the currency of your gender, your mode of charisma and authority, your affective techniques, your network enacted, and so on.)
•to escape naming the engineering talents and skills that are necessary to assemble (for example the senseLab website)
•to escape epistemological commitment (the question of: **how is my vocabulary crafted for whom?**)
•
it is not clear (but i can maybe guess about it, Manning's commitments are):
•(learning from Haraway:) what they have witnessed [hierarchies? ==commit==> anti-archive]
•(learning from Despret:) which bodies they care for [the autists? ==commit==> elusive creativity]
•(learning from Kenney:) where are their alliances پیوستگیها [with multiculturalism? ==commit==> democracy's logos of difference]
•(learning from Verran:) how their equipments are crafted [by processual metaphysics? ==commit==> infinity]
•(learning from Stewart:) how their rigor is built [by conceptual description? ==commit==> non-habituality]
(because of her immense intelligence she cannot be normal, but that doesn't mean she can prescribe normativity, and issue a command [in terms of the “de-” or “anti-“] or order a claim of reality [in terms of “an-” or “ab-“])
-Manning's “philosophy of event” (=/= multispecies ethnography, i prefer working with the animal idea, because there is no way you can make philosophy out of animal, they always relentlessly contingent and historically materially specific)
-Manning's notion of impersonality ==> ‘people are exchangble’ + ‘the work is what is important and not “you”’ [--> *techniques of impersonality* has being used in sufism and iranian mysticism. i have seen how the special effects of i[...]
(108)[...notes/midday review.txt]%10.6[...]◦
it is not clear (but i can maybe guess about it, Manning's commitments are):
•(learning from Haraway:) what they have witnessed [hierarchies? ==commit==> anti-archive]
•(learning from Despret:) which bodies they care for [the autists? ==commit==> elusive creativity]
•(learning from Kenney:) where are their alliances پیوستگیها [with multiculturalism? ==commit==> democracy's logos of difference]
•(learning from Verran:) how their equipments are crafted [by processual metaphysics? ==commit==> infinity]
•(learning from Stewart:) how their rigor is built [by conceptual description? ==commit==> non-habituality]
(because of her immense intelligence she cannot be normal, but that doesn't mean she can prescribe normativity, and issue a command [in terms of the “de-” or “anti-“] or order a claim of reality [in terms of “an-” or “ab-“])
-Manning's “philosophy of event” (=/= multispecies ethnography, i prefer working with the animal idea, because there is no way you can make philosophy out of animal, they always relentlessly contingent and historically materially specific)
-Manning's notion of impersonality ==> ‘people are exchangble’ + ‘the work is what is important and not “you”’ [--> *techniques of impersonality* has being used in sufism and iranian mysticism. i have seen how the special effects of impersonality is used in political projects, making of soldiers, master-disciple relationship, and so on
-look at the cool impersonality of the scientific language (depriving them of their own ideological status)
-early 19th century modern public space was reinventing and operating with impersonality: individuals are systematically habituated not to return the gaze of the other.
=/= i am actually very much attracted to persons. i am interested in their personality. the “you” is what i fall in love with, not the ‘abstract link'--> (Manning's) peripheral percepti[...]
(109)[...notes/midday review.txt]%10.7[...]way you can make philosophy out of animal, they always relentlessly contingent and historically materially specific)
-Manning's notion of impersonality ==> ‘people are exchangble’ + ‘the work is what is important and not “you”’ [--> *techniques of impersonality* has being used in sufism and iranian mysticism. i have seen how the special effects of impersonality is used in political projects, making of soldiers, master-disciple relationship, and so on
-look at the cool impersonality of the scientific language (depriving them of their own ideological status)
-early 19th century modern public space was reinventing and operating with impersonality: individuals are systematically habituated not to return the gaze of the other.
=/= i am actually very much attracted to persons. i am interested in their personality. the “you” is what i fall in love with, not the ‘abstract link'--> (Manning's) peripheral perceptivity =/= (i am trying to learn) to describe what is in front of me (which is never easy)]
-Manning's notion of “the problem gives the question to be asked of it” =/= the question problematizes
-focus on “sedimentation” (--> where is the coexistence of contrasts for them?)
“decontextualization”: their technique of concept-making (==> claims of reality, of nunhuman, etc.)
[decontextualization is a very dangerous way of crafting concepts. there are other ways, committed to the contingencies of the historical material world of multispecies. rigor of conceptualization that i am learning from Stewart is about the *quality of an access to part of a world* =/= decontextualization]--so--> i say we need ‘concepts’ and not ‘philosophy’:
*philosophy (as practiced by M&M and Alex): claiming the nature of reality
*concept: a figure you make in order to do a limited situated work
“conceptualization = fortification” استحکامات
(to fortify one's own work with concepts ==> settlement)
Manning's affinity with infinitly, more, and multi --> what is their rigor is doing for them? commits them to the nonhabitual. (resisting to name their habits, depriving them of thier habitual labors) [=/= my work on descriptive practices]
-i want to know about their empirical tools that make translation-work visible (==> decomposition), not their conceptual descriptions [=/= textured description with thick details <== i really think the devil is in the details!! }--> art of noticing things]
-i want to know how Manning is compromised into desiring what she is doing. [compromise: being exposed or made liable to danger, suspicion, or disrepute. --the way she told the story of her practice had a difficult sense of success in it, of being cool and correct at every turn, uncompromised. (<-- why is this a turn-off for me?)]
for aesthetic, political, ethical reasons i want Manning to address in their work:
-[...]
(110)[...notes/midday review.txt]%10.7[...]its them to the nonhabitual. (resisting to name their habits, depriving them of thier habitual labors) [=/= my work on descriptive practices]
-i want to know about their empirical tools that make translation-work visible (==> decomposition), not their conceptual descriptions [=/= textured description with thick details <== i really think the devil is in the details!! }--> art of noticing things]
-i want to know how Manning is compromised into desiring what she is doing. [compromise: being exposed or made liable to danger, suspicion, or disrepute. --the way she told the story of her practice had a difficult sense of success in it, of being cool and correct at every turn, uncompromised. (<-- why is this a turn-off for me?)]
for aesthetic, political, ethical reasons i want Manning to address in their work:
•the question of apparatus --> working within an apparatus of thinking in order to get somewhere in a sustained way. i want them to name their apparatus of literary production. how they engage with the interface, data-set, grammar, and literacy of their reservoir.
•the question of infrastructure --> how they balance the possible and the acceptable, the balance of action, tools, and the built environment
•the question of technology --> how they take apart the tool from its context of involvements and referentialities
•the question of political orientation --> how they have accepted the democratization of knowledge and multiculturalism (the idea of “knowledge for everyone” [--> there is a very thin line between the impulse to democratize and commodify knowledge]; --could multiculturalism be radical capitalism in action?! ...faking diversity to build more diverse companies <-- “lip service”: to just say something but not actually do it)
[--> the hegemony and horror of “different experience” of the so-called different cultures (a form of racism?)]
[multiculturalism =/= trans-species]
[multiculturalism =/= eurasia]
[--> the hegemony and horror of “the completely different” (==>? deskilled society)]
Manning: “in senseLab we work with the people who don't use language, don't write, etc.” (<-- what does that legitimates, conceals, or smuggles? what sorts of hierarchies and ideologies of status emerge out of that?)
-as the philosopher of nonintentionality how did she responded (paranoically?) to our intents when questions where asked?
-as the philosopher of discord how did she responded to disagreement?
(?how do you tell the tale of) *your adventures سلوک and achievements کرامت* (karamat va soluk)
(why self-promoting is such a turn-off? it makes the listener into someone to convince or win over into the Förderung of the speaker. [with Campbell:] self-marketing creates a ‘perverse knowledge’ about the work of the speaker, that means you give information about ‘healthy’ parts of your practic[...]
(111)[...notes/midday review.txt]%10.8[...]6 of “Pink Slime Caesar Shift” (2018)
“there is much more to you that meet the eye.” the motto of transformation in secular capitalism, sang by Jane Fonda and Transformer Optimus Prime
...................................
researcher's questions
in your obscure (elaborate and awkward) meditations, (?can we ask:) what is sacrificed, what is recooked, canibalized, chewed over, and eventually buried? in which economy of pleasure and pain is this mobilized? which harmful (or hedonistic) sensualism is deployed? which hallucinating enfant is writing? which raw material is being transformed into the gold of humanity?
-the question of will: which world is murdered and repopulated by the act of (your) will alone?
a research method of starting a conversation, for apass
*take me to you reader* --> bring me to the subject who you think is reading you, receiving your work in some sort,
...................................
few things (that i hate hysterically) that i think i urgently need (and any artist) to have a very good grasp of (within modern capital economy):
•marketing (--> integrated storytelling)
•fashion (--> manipulative regimes of time and place)
•journalism (explanatory technologies of news and opinion, vox, kurzgesagt, corporate media, immersive journalism, forensic aesthetics)
•politics (=/= political science): achieving and exercising positions of governance that have control over communities
•hollywood/comics (*corporate-produced fiction* --> business-decisions connecting cross-overs; ideas of: customer and merchandise)
i can't shake off the idea that behind every marketing strategy there i a predatory behaviour concealed
***there is nothing quite so humiliating and disempowering as trying to prove the truth***
‘trying to prove the truth’ is the worst position you can find yourself in and it means you are fucked. because you are doing it to empower yourself in the face of a biger power that lies and claims you. the conditions that had let that happen are the question, not the truth of the matter --> that is why i find journalism most of the time useless
impossibility of having an interview with iranians (myself included): [<==? chaotic subjectivity]
deflection --> dodging: not giving meaningful answers : gradations of non-answers you are receiving
taking a keyword, repeating it, sounds like answering the question, introducing a nonsequitur to trip up the host
==> more confused & less informed
...................................
#project Puchberg landscape Austria
shifting baseline syndrome: reshaping the landscape and forgetting what was before ==>{ (new) reality = shaped and ruined landscapes
(Emirates was for me such reality of shaped ruin)
admiring one landscape and its biological ent[...]
(112)[...notes/midday review.txt]%11.1[...]our struggles together (not our so-called cultural differences)
refusal to integration is problematic as integration (into host's pleasure principle)
authentic imperialism has always been multicultural
...................................
on affect
affective character practice of retrospection: a bit pensive and passive, a bit slow and solemn?
1970s and 1980s anthropology of emotion: how feelings variously fix and stick through different compositions of language and discourse =/= anthropology of affect: how some feelings slip, evade, and overflow capture ==> *creative methods to collect evidence of environments making and shaping bodies in ways more complex than and ontologically distinct from the poetics on hand to describe it*
**poetics may quite possibly be all that we have, it certainly isn't all that we are**
[*]politics: permutations of evolving power relations and our reflexive attempts to negotiate and manage them
*affect theory: an effect of the world as much as a frame for viewing it
industry working also on affect, push confidently ahead, operationalizing their own idiosyncratic theories of affect toward the manufacturing of new regimes of technological knowledge on how bodies feel (Apple buying Emotient, SoftBank's emotional robot, collective AI cloud)
spread of populist anti-establishment sentiments
feelings increasingly become the primary field for strategizing, measuring, and experiencing politics with global precarity
•anger on the right
•fear on the left
•anxiety at large
affect: nonconscious intensities variously activating and deactivating bodies
emotion: those feelings that fix into place through a variety of discursive practices
methods of mining feeling
projects of knowing become projects of power : narratives seeking to close the affect-emotion gap
The Flash TV series character's motivation are more experienced as a story, for example, a goal, a personal pep talk, a collective call to arms--and not as momentum and force --> affect's sheer momentum
...effect as affect's long history breaking on a shore
countervailing forces of sense and story
to inspire a sense of critical urgency
affect ==> theory is of the world it so describes
...................................
contemporary tendencies in participatory art:
•**ongoing struggle to find artistic equivalents for political positions**
•tensions between quality and equality, singular and collective authorship
•sub-themes of education and therapy
***invention of a popular mass audience (in Italian Futurist serate 1910 onwards)
the gaps between: theory, practice, cultural policy, audience [...]
(113)[...notes/midday review.txt]%11.2[...]ts) + how gender is both studied and understood in the acts leading up to the performance of gift exchange
•Appadurai () --> ‘things’ have ‘social lives'that can be studied in relation to the different spheres of use
•
}--> (our understanding of) the human capacity for unlimited modes of developing creative forms of exchange and economic systems
...................................
https://mapmagazine.co.uk/notes-contemporary-art-and-anthropology
operations of statecraft:
•queuing in social security offices
•filling in tax forms
•circulation and arrival of letters demanding council tax payments
•census taking
-
}--> social organization that seems so habitual (mundane and ordinary) ==> unreflexively experienced
state's ordinariness --> irresistible enchantment --> overwhelming power ~~> supernatural trance-like experiences state seem to engender in populations =/= state as a rational entity
*capitalist market is a faith-based system* <== concealed practices of divination and the ‘conjuring’ of value and capital from what in many cases are immaterial voids
unmasking of its practices (~= faith + skepticism) ==> state power
mutant forms of technological self-subjugation
(Weber's) magic: coercive proceduralism --> managerial practices that characterise biopolitics
[*]census taking: pre-determined categories (like race, nationality, gender and political persuasion) are set out as objectively existing taxonomies (+ ‘data’ manually gathered from individuals to ‘fit’ those categories) and thus summon [a term with magical implications purposefully employed here] a population into being
-McClanahan
census ==> statistics: factish object: hybrid and unstable (possibly inaccurate) yet fetishised and faith-based technologies that possess the ability to transform (the individual parts of social and cultural groups into a sacred somatic whole [~ people/nation])--> biopolitics
-can art succeed in transforming such a ‘whole’ into free and autonomous individual beings?
references to panopticon society
(?which camera angles suggest) naturalization of surveillance culture
[title]
*observational aesthetic* <== convergences of contemporary art and anthropology
...................................
[ajayeb -->] concept or theory --> (a training in) absorption + attention + framing =/= truth effect
[title]
Whatever Professor
[why apass asked me to do their website's] indexing: (a shrewd and thoughtful creativity in) the first interpretation of a content's body =/= presuming a standard taxonomic form
==>
•surprises
•styles of critical thought generates power in twists of voice and craft
•
allows one please to demonstrate the w[...]
(114)[...notes/midday review.txt]%11.6[...]f letters demanding council tax payments
•census taking
-
}--> social organization that seems so habitual (mundane and ordinary) ==> unreflexively experienced
state's ordinariness --> irresistible enchantment --> overwhelming power ~~> supernatural trance-like experiences state seem to engender in populations =/= state as a rational entity
*capitalist market is a faith-based system* <== concealed practices of divination and the ‘conjuring’ of value and capital from what in many cases are immaterial voids
unmasking of its practices (~= faith + skepticism) ==> state power
mutant forms of technological self-subjugation
(Weber's) magic: coercive proceduralism --> managerial practices that characterise biopolitics
[*]census taking: pre-determined categories (like race, nationality, gender and political persuasion) are set out as objectively existing taxonomies (+ ‘data’ manually gathered from individuals to ‘fit’ those categories) and thus summon [a term with magical implications purposefully employed here] a population into being
-McClanahan
census ==> statistics: factish object: hybrid and unstable (possibly inaccurate) yet fetishised and faith-based technologies that possess the ability to transform (the individual parts of social and cultural groups into a sacred somatic whole [~ people/nation])--> biopolitics
-can art succeed in transforming such a ‘whole’ into free and autonomous individual beings?
references to panopticon society
(?which camera angles suggest) naturalization of surveillance culture
[title]
*observational aesthetic* <== convergences of contemporary art and anthropology
...................................
[ajayeb -->] concept or theory --> (a training in) absorption + attention + framing =/= truth effect
[title]
Whatever Professor
[why apass asked me to do their website's] indexing: (a shrewd and thoughtful creativity in) the first interpretation of a content's body =/= presuming a standard taxonomic form
==>
•surprises
•styles of critical thought generates power in twists of voice and craft
•
allows one please to demonstrate the wonder
“We ask our readers to perform the jamb when language overruns the mental breathing that reading entails.” (Lepselter)
•or, nothing disappears --> You breathe the air you're given. (“I felt ripples from a rape in the seventeenth century, behind a barn somewhere in Romania, where generations later my bitter grandmother disparaged her children without knowing why.”)
•or, words sediment next to something laid low
•or, (index as in) to point sideways --> shifter's only meaning is the object it happens to point to
•drawing figures, hooks, asterisks
•or, placing what's st[...]
(115)[...notes/midday review.txt]%11.6[...]r />
[title]
*observational aesthetic* <== convergences of contemporary art and anthropology
...................................
[ajayeb -->] concept or theory --> (a training in) absorption + attention + framing =/= truth effect
[title]
Whatever Professor
[why apass asked me to do their website's] indexing: (a shrewd and thoughtful creativity in) the first interpretation of a content's body =/= presuming a standard taxonomic form
==>
•surprises
•styles of critical thought generates power in twists of voice and craft
•
allows one please to demonstrate the wonder
“We ask our readers to perform the jamb when language overruns the mental breathing that reading entails.” (Lepselter)
•or, nothing disappears --> You breathe the air you're given. (“I felt ripples from a rape in the seventeenth century, behind a barn somewhere in Romania, where generations later my bitter grandmother disparaged her children without knowing why.”)
•or, words sediment next to something laid low
•or, (index as in) to point sideways --> shifter's only meaning is the object it happens to point to
•drawing figures, hooks, asterisks
•or, placing what's structural, technical, transferential, pulped, leaking, intense
{things: an integrated thin layer to epitomize and abstract in new ways how people are hooked up with their technologies; parsing and criss-crossing some of the built-in categories and new needs of the people who are using it;}
things that do the reading, editing, assembling
*every edit ==> (set off a cascade of:)
•word falls
•Rubik's Cubes
•tropes
•infrastructures
•genres
•rhymes
•off-rhymes
•tonal flips
•half-steps
[compositional listening]
one reads aloud + the others *listening compositionally*
<br />
#writing exercise:
following out the impact of things (words, thoughts, people, objects, ideas, worlds) in hundred-word units
theoretical reflections get folded into the analytic, observational, and transferential ways we move
(Stewart + Berlant)
aftershocks of a shock you can't point out
(we shouldn't always ask) “where does the misery come from?”
designers imagined a still life, not a lifeworld where we show up to build things out
evaluative critique =? (mental habit of) demagnetizing things (for the sake of clarity)
proliferation of little worlds...
story = relay, weiterleiten, رله
...................................
in fact i have never been working on the notion of nature, my topic of research, rather have been all along zoology
score: creating disorder out of order
@Lilia
<[...]
(116)[...notes/midday review.txt]%11.7[...]ible reality --> constructing a myth = [*]story: lies which tell the truth**
•anecdote takes it place in a causality chain where it lives for a fleeting moment carrying a *parasitical* or a *paratherapeutic* significance
==> construction of a specific restricting environment in which the parties [family and intervenor, artist and feedbacker] are trapped
--Despret--> ***the reduction [of anecdote] becomes the starting point for a new release of the energy it liberates***(!?)
...................................
Zoological Vandalism: Chimeric Pragmatism in Animal-Filled Media
Zolmat and the Black Box as Media Beyond
Primordial House and Suffering Landscape
Changing Inside”, a multi-media performance and intervention with Mia Habib and Jassem Hindi
Four Oriental Cartography of the East
About Dense Properties
...................................
shift in our idea of nature not any more a source of *fecundity: how we relate abundance in nature to the way we live ourselves
we have to fight to keep things democratic (itself a privileged idea) and not autocratic when it comes to climate change
in Frozen II animated movie, Elsa build her way out of climate (magic = technology)
to make a debate point =/= trying to answer your question
(Hegel) negative values are much more clearer than affirmative values
the dangerous and dominant belief that whatever problems we face in this society the misfits (particular exceptional individual) can change it all
...................................
(from being an artist to artist researcher)
to articulate and demonstrate with brilliance ‘what you know’ --to--> to be able to exquisitely explain ‘how you know what you know’ [--?--> *metacognition: thinking about one's own thinking = reflection (thinking about
what we know) + self-regulation (managing how we go about learning)]
-metacognitives kills: to get good at recognizing flaws or gaps in one's own thinking + articulate thought processes + revise efforts
*classroom = mirror* (process of stepping back to see what you are doing)
(useful for artists) sciences of understanding:
•anthropology
•psychology
my whole work is about two things now:
•to think cumulatively (=/= epistemic breaks) --> more you know more your are interested in
•to think by layering (=/= singleness of partisan meaning) --> what you do is based on previous work
my research in storytelling:(from premodern) *describe the world* [bestiaries] --to--> (modern necessity to) *calculate the world* [recognizing a calculated world --how--> *secularization of interest* (in monsters, religious iconography, etc.)
adventure time tv series
educational model for chil[...]
(118)[...notes/midday review.txt]%12.2[...]ffinities with unknowing and we are comfortable with misunderstanding and partial comprehensions --then--> let's use that to direct our readerly activities to texts that are difficult and different to us --> this is why I don't accept it when artists in research environment withdraw from reading certain positions by saying “this text is too academic.”
what is the state of art after Goya?
sites where political meaning is produced (the impulse to resist or correct inequality, injustice, lack, damage, tension, etc.) =/= attachment site (languages charged with power, inequality)
(i am interested in women) not because of gender [= identity politics, political correctness], but because of their practice and the question they pursue
-the horrific and dangerous idea that I hear under “I am now reading only women authors”
two visualized increases in the industry, science, and popular culture:
ار نه سر
revisit sanaat tashbih simile
tashbih not as alude but as description (literal)
مار نه سر mar-e noh-sar ~/= world
mar-e noh-sar is not a simile for the world (of the reader) but it describes a particular world that is in the image of mar-e noh-sar
haft modaber هفت مدبر
jealousy as affect --underlying--> Farsi ghazal
ابومعشر بلخی Abu Ma'shar Balkhi
الهی - فلک نور
اثیری - ۸ فلک آسمانی
هیولانی - جزء زیر قمر
...................................
***don't read (or make) theory as a means of empowerment*** (a tool to fight or flight oppression)
...................................
[title]
king real
...................................
my problem with
•conceptual art: jumping (transcending) from material to meaning
•viscerality: every expression matters as long as it affects the viewer[...]
(119)[...notes/midday review.txt]%12.3[...] addresses the “me,” the “ego” =/=? that which allows one to resist the forces of metamorphosis}
the iconoclastic episode we are in now, which we must work to make it as short as possible
(to specify) dualisms that make it extraordinarily difficult to maintain ontological pluralism
it is the moderns quasi-subjects (‘person’) who feel themselves to be **directly addressed,** (redressed and saved) --> to exist
(what art suffers now, that i should directly address the modern subject, and other mode of subjectivity or other kinds of addressee and addressing is brutally criticized and irrelativized)
-(love's type of address:) addressed to us ==> make us exist --> a person
(existing as person is the only way? no no no!) -- the emergence of persons is a local and historical phenomenon that we simply cannot extend to all collectives
(how to extricate ourselves properly from the) notions of Nature, Matter, Object, and Subject
to get around two major *obstacles: (the prevailing notions of) Society and (especially of) Economy (=/=? modes of existence's system of coordinates)
the same beings that made the author of ajayeb speak, got my/our ancestors excited,
*technology: that which we emphasize whenever we pay attention to the unexpected detours {the hiatus of the detour, the zigzag of invention, ruse, trajectory obtained by a certain type of discontinuity} by which existents have to pass in order to subsist. (=/= technological domain technical objects, material world, socio-technical networks,) (~ technically)
-fictional beings adds additional variety to technical beings --> aestheticization of techniques: obsolescence, ruin, adjustment, efficiency
-we must extend ‘fictional beings’ far beyond the narrow domain of art and culture, is to give a whole new meaning to the expression “material culture.”
-1- Technique's zigzagging motion assumes a know-how, a judgment, a constantly reprised evaluation of formidably demanding specifications;
-2- Technical beings leave behind them complex frameworks and combinations of associations which appear difficult to understand once left to themselves, without the folding motion and the detours which enabled them;
-3- relative fragility of technical beings: it establishes combinations and bridges between completely heterogeneous types of beings
*fiction: ...beings be grasped according to a particular relationship between materials and figures which cannot be detached without those two layers losing their specific form of objectivity. {fictionally : materials <--> figures}
fiction objects: everything that folds technical beings --> to derive from them a new type of *alteration* --(generates)--> another world (a world which has the particularity of not being able to be detached in any way from the materials [from which it appears to detach its[...]
(120)[...notes/Ajayeb notes.txt]%13.2[...]revailing notions of) Society and (especially of) Economy (=/=? modes of existence's system of coordinates)
the same beings that made the author of ajayeb speak, got my/our ancestors excited,
*technology: that which we emphasize whenever we pay attention to the unexpected detours {the hiatus of the detour, the zigzag of invention, ruse, trajectory obtained by a certain type of discontinuity} by which existents have to pass in order to subsist. (=/= technological domain technical objects, material world, socio-technical networks,) (~ technically)
-fictional beings adds additional variety to technical beings --> aestheticization of techniques: obsolescence, ruin, adjustment, efficiency
-we must extend ‘fictional beings’ far beyond the narrow domain of art and culture, is to give a whole new meaning to the expression “material culture.”
-1- Technique's zigzagging motion assumes a know-how, a judgment, a constantly reprised evaluation of formidably demanding specifications;
-2- Technical beings leave behind them complex frameworks and combinations of associations which appear difficult to understand once left to themselves, without the folding motion and the detours which enabled them;
-3- relative fragility of technical beings: it establishes combinations and bridges between completely heterogeneous types of beings
*fiction: ...beings be grasped according to a particular relationship between materials and figures which cannot be detached without those two layers losing their specific form of objectivity. {fictionally : materials <--> figures}
fiction objects: everything that folds technical beings --> to derive from them a new type of *alteration* --(generates)--> another world (a world which has the particularity of not being able to be detached in any way from the materials [from which it appears to detach itself.])
*fictional beings:
-they extract materials from forms, figures or small worlds that can neither be detached from these materials nor reduced to them.
-khosh-yomn خوش یمن and shoom شوم (felicity and infelicity) --> pretense (vanemud وانمود); they depend on the always fragile maintenance of the relation between material and form
-*specifications* of “fictional beings” (that leaves in its wake) ==> worlds (unlike fic all other modes fold for their own use by managing to extract from materials)
All continuations of a “course of action” suppose a discontinuity that must be overcome in order to define a trajectory. ==> gap, break
the mini-transcendence required for any definition of the being-as-other
(haven't we managed?) to allow several modes of existence to run, flow, pass, each one appearing indeed to possess its own conditions of truth and falsity and its own mode of subsistence
‘libido sciendi’: to recognize the branching that allows us to[...]
(127)[...notes/Ajayeb notes.txt]%13.2[...]o difficult to enunciate something religiously because of *the ease with which it is accounted for by other types of explanation* (especially social explanation)
in apass we need to practice saying: “I don't want to take that or this contrast into account any more” (because you want to do something else for a moment)
--> you return to a project --and--> i have been fighting so that (myself and) you **don't become modernist again** (~ that means you engage in the conflict of values that has characterized modernist history)
(with work on ajayeb) i am engaged in the project of ***disentangling the entire set of values that constitutes my rightful inheritance***
(the question of) “what treasure have we inherited? how can we claim it?” --> it is so dangerous to answer those questions alone, without each other ==> selfish identities and origins
(eurocentrism, or the former ‘others’ answering it for everyone, without you)
>
ecologizing
ecological consciousness =? your entire way of life must be modified or else you will disappear as a civilization
(not being the heir of) emancipatory tradition
(if) modernism is Promethean, then green bio economy and clean technology is Promethean even more
(the bad idea of and hype of) technological solution to ecological crises
*renewing everything here and now* is first of all a religious passion
?@Leo
-what modernism did to science is worse than what it did to religion
it deprived it of its energy, restricting it, to *mere furniture of the soul* [--> Iron Man's idea of technology-human relation]
modernism's politicization of science
speaking of science scientifically ==> a scientific ‘worldview’ is deployed
speaking of religion religiously ==> a vague assemblage of pious moral vacuities is taken as an ‘alternative worldview’
}--> they both accept an* unscientific science* and an *irreligious religion*
Latour (quickly dissolving nonsense that accrues as one opposes ‘knowledge’ and ‘belief’):
•science = reference chain (what allow access to the far away) [nothing is out of the reach of reference chain]
•religion = presence (what allow access to the near)
science ~/= concrete, worldly, matter-of-fact, present-at-hand, domain of knowledge (<-- political activism has to work with that kind of knowledge)
what use is it to save your soul, if you forfeit the world? --> sci-fi's real frontier & Noah's project
the transcendence and transubstantiation of science
when nature enters, religion has to leave. in two equally fatal exit strategies:
•to limit itself to the inner sanctum of the soul
•to flee into the supernatural --> that religion will try [...]
(129)[...notes/Ajayeb notes.txt]%13.5[...] reflected image)
-alame khiali عالم خیالی: imaginaire/Hollywood
-khiale khallagh خیال خلاق (--> alame mesal عالم مثال =/= alame ajsad عالم اجساد) :
1-khiale mottasel خیال متصل: imagining inherent in human
2-khiale monfasel خیال منفصل: imaginal apart from human
-alame hess عالم حسس: molk ملک --> universe of forgetfulness
Tonekaboni, is against: “mojudate moghayade vahmi faghede tagharor mibashand.” (موجودات مقید وهمی فاقد تقرر میباشند)
--> vahdate vojud وحدت وجود =/= vahdate mojud وحدت موجود
*danger: tarde amre mesali طرد امر مثالی ==> ma'ad dar amre khiali معاد در امر خیالی
death, life, past, and future are not properties of objects, rather of subjects (anha sefate nafs hastand آنها صفات نفس هستند) [Corbin]
and you bestow them to objects that you think they are “dead,” “alive,” “from past,” or “of future”
“khorre” or “khorne” according to zaratustra: a light originated from the essence of the divine being and because of that some apparitions have gained hierarchy, and each human capable of a certain techne.
the idea of a divine presence in *heikal* هیکل
according to Socrates: bodies are frames and tools of the selves (nofus نفوس)
according to Plato, what the self (nafs نفس) does not had essentially that it had to descend into the material world? what the senses told the self that itself could not say?
an islamic-iranian cosmology:
-jabarut جبروت (alame oghule karubi عالم اقول کروبی) (Nous)
-malakut ملکوت (alame nofus عالم نفوس) (Psyche) --organ--> khiale fa'al خیال فعال (= jesme latife nafs جسم لطیف نفس. niruye khial نیروی خیال is trainded still in middle east. this inter-monde is where mater --> immaterial & immater --> material; jesm ruhani جسم روحانی & ruh jesmani روح جسمانی ==> constant happenings of historic nature ==> Ma'ad معاد) --> amre mesali امر مثالی
-molk ملک (omure mshhud امور مشهود) (Sarx)
[Ashtiani, 2nd vol, p44, footnote]
ensane okhravie daraye badan (انسان اخروی دارای بدن) --> nash'eye jesmanie alame akherat (نشئه جسمانی عالم آخرت)
(baghaye) badane okhravie alame made (بقای بدن اخروی عالم ماده) --> hades zamanie (حادث زمانی)
لطیف latif ~= immaterial
actual/real ~= a dream between earth and sky
asemanhaye napeydaye nojumi آسمانهای ناپیدای نجومی (celectial skies invisible)
dadehaye vahyi دادههای وحی (data of revelation)
Avicenn[...]
(132)[...notes/Ajayeb notes.txt]%13.9[...]ts material-removing (dematerialising?) abstraction (tajarode made-zoda تجرد مادهزدا) constantly transcends, beyond any other abstraction. ==> first light is originated from it: anvare ghahere انوار قاهره (~= anvare fereshtegani انوار فرشتگانی) ~= first maleke mogharab ملک مقرب (or Bahman بهمن, Vahumane وهومنه, first of Zoroastrian Amshaspandan امشاسپندان) ==> (due to their interactions:) second light, second maleke mogharab is created ==> eshragh اشراق ==> eshragh ==> eshragh ==> ...
جسمیتشناسی jesmiat-shenasi?
رب النوع rab-ol-no ~=? God of type, of abstract examples, (Plato's universals? type, general concept --> is always beyond the horizon, the reality of the type lies beyond a related one that it sustains (‘token’) ["Beyond the horizon there lies a Lion, a Lion more Lion than any more lion. And beyond saying ‘lion,’ which calls forth that Lion, lies yet another, who might just look back. And beyond this eyeing one, lies an undying one, one we call ‘Lion’ because she is a kind.” (Kohn, 2009)] --> apply this idea to the fire)
ارباب الانواع arbab-ol-anva ~=? angelology (iranians loved angels and were good at angelologic thinking, it was a technical term in knowledge production regarding *categories and types*) --> Platonic + Zoroastrian + (shiite) Islamicate [via Sohrevardi] cosmologies
-the angel/type that both emerges from and sustains the many lives of its many tokens (~= tashasho تشعشع).
according to ancient iranians, rab-ol-no or the type-God decided its own destination (calculation of its own destiny), but there was no correlation between the ‘type’ and its ‘token,’ there is no whole being created, there is no individuality being created. this general type has its own intellect/sense/reason (sho'ur شعور.) their relationship is of rage and love (ghahr قهر and mohebat محبت,) according to Sohrevardi.
-what question is posed from somewhere (slightly) beyond? a question includes the likeness of its answer (Kohn, 2009)
-the angel of type is all about ‘being in futuro,’ which captures the logic of life's continuity --> “over the horizon” houses this “living future”
-What is the relationship between this angelic world beyond us and the sociocultural worlds we construct?
-“mosol” مثل : the realm of objective “stuff” that exists out there beyond us, on the other.
*Barzakh برزخ =/= anvare pak انوار پاک (pure lights)
Barzakh = seperation, obstacle, pardeh پرده, veil, (shadow? mediation?)
-everything material that can be addressed sensually, an evil negation.
-Barzakh is dark (that is a different kind of Barzakh than what i talked about with Mi? not really, there it is theorized as *shadow* and inter-mediation)
-projections happen in Barzakh
[from MOP w[...]
(133)[...notes/Ajayeb notes.txt]%14.1[...]"over the horizon” houses this “living future”
-What is the relationship between this angelic world beyond us and the sociocultural worlds we construct?
-“mosol” مثل : the realm of objective “stuff” that exists out there beyond us, on the other.
*Barzakh برزخ =/= anvare pak انوار پاک (pure lights)
Barzakh = seperation, obstacle, pardeh پرده, veil, (shadow? mediation?)
-everything material that can be addressed sensually, an evil negation.
-Barzakh is dark (that is a different kind of Barzakh than what i talked about with Mi? not really, there it is theorized as *shadow* and inter-mediation)
-projections happen in Barzakh
[from MOP with Mi]
We both take interests in morphology of historical forces and intensive thinking under the influence of materiality. To traffic in the tropics of an isthmus between the sensible world and the divine that was brought into our discussion, was proposed in my last letter those marvelous creatures living in the logic of precariousness, those who live in another temporality that is eyewitnessed in distanced pasts.
...
We are here on this site in a landscape of memory, in a progressive user-friendliness and a technology that signals our arrival in an Alam-e Barzakh (عالم برزخ), an ontological intermediate realm of images and forms, the creatures that populate this world have the incorporeality of “images,” much like the cyberspace we are born into and populate.
...
Not to remediate Barzakh (برزخ) but to propose a media theory, sketch it, and archive it for later. And there will be things that have to remain impossible to verify by us and in those records, the general-purpose language of the technologies that we choose to archive ourselves with, on the side of forgetting, the site of externalized memories, will not verify histories of presence tattooed under the ear of the elephant of our story, as you whispered somewhere in the dark.
[...]
Yes, vocal works that informed and influenced Qahveh-Khanehe (قهوه خانه) still can be found in some places of tea or cafe houses in Iran. They are called pardeh-Khani (پرده خوانی), here someone who is a pardeh-Dar پردهدر (“-Dar” meaning that who tears apart the pardeh پرده, and pardeh meaning screen or veil--the concept of pardeh always contains “a perpetually hidden message”), ‘Khandan’ (خواندن) meaning in Farsi ‘to read’ or to sing-off a plain of signifiers, is also the verb ‘Darridan,’ (دریدن) [#Derridean acting] meaning to rip apart.
...
I am sorry; I am just entangled in the topologically impossible pardeh, as an interfacial space where the body and instrument of music meet. I am touching with my fingers the ‘first three’ pardehs of Setar ستار, and thinking about to jack into the vague differences between another two magical canvases / magnet[...]
(134)[...notes/Ajayeb notes.txt]%14.2[...]>
-Barzakh is dark (that is a different kind of Barzakh than what i talked about with Mi? not really, there it is theorized as *shadow* and inter-mediation)
-projections happen in Barzakh
[from MOP with Mi]
We both take interests in morphology of historical forces and intensive thinking under the influence of materiality. To traffic in the tropics of an isthmus between the sensible world and the divine that was brought into our discussion, was proposed in my last letter those marvelous creatures living in the logic of precariousness, those who live in another temporality that is eyewitnessed in distanced pasts.
...
We are here on this site in a landscape of memory, in a progressive user-friendliness and a technology that signals our arrival in an Alam-e Barzakh (عالم برزخ), an ontological intermediate realm of images and forms, the creatures that populate this world have the incorporeality of “images,” much like the cyberspace we are born into and populate.
...
Not to remediate Barzakh (برزخ) but to propose a media theory, sketch it, and archive it for later. And there will be things that have to remain impossible to verify by us and in those records, the general-purpose language of the technologies that we choose to archive ourselves with, on the side of forgetting, the site of externalized memories, will not verify histories of presence tattooed under the ear of the elephant of our story, as you whispered somewhere in the dark.
[...]
Yes, vocal works that informed and influenced Qahveh-Khanehe (قهوه خانه) still can be found in some places of tea or cafe houses in Iran. They are called pardeh-Khani (پرده خوانی), here someone who is a pardeh-Dar پردهدر (“-Dar” meaning that who tears apart the pardeh پرده, and pardeh meaning screen or veil--the concept of pardeh always contains “a perpetually hidden message”), ‘Khandan’ (خواندن) meaning in Farsi ‘to read’ or to sing-off a plain of signifiers, is also the verb ‘Darridan,’ (دریدن) [#Derridean acting] meaning to rip apart.
...
I am sorry; I am just entangled in the topologically impossible pardeh, as an interfacial space where the body and instrument of music meet. I am touching with my fingers the ‘first three’ pardehs of Setar ستار, and thinking about to jack into the vague differences between another two magical canvases / magnetic disks: Plane of Destiny (lohe mahfuz لوح محفوظ) and Plane of Memory (lohe hafez لوح حافظ), while listening to the virtual narratives of Ghahveh-Khane theater. Which creatures have you encountered, in your travels, that bypass human installations (of memory)?
...................................
a Zoroastrian data: pre-existential ~ azali ازلی, sabegh-ol-vojud سابق الوجود
atefiate mahsus [عاطفیت محسوس] (queer? a queerness not familiar with mysticism?)
[...]
(135)[...notes/Ajayeb notes.txt]%14.2[...]ls of experience, measuring, probing, determining the “what is” of the lived world.
i marvel at...
wonders of...
marvels of...
unheards of...
mazhar ol-ajayeb مظهر العجایب
Motehayeran-e متحیران, Tahayor تحیر ~=? to wonder
dar ahval-e... در احوال
dar khavas-e... در خواص
navader-e... نوادر
sefat-e... صفات
ta'ajob تعجب =/=? heyrat حیرت
the mode of attention in ajayebnameh is tuned by ta'ajob (wonder) away from Iranian mystic preferences over transfixation and rapture (heyrat)
which literary or (not)knowing positions are installed in these two (observational?) stations?
the subject of ta'ajob is moved otherwise
تعجب در باب امر قدسی ta'ajob dar bab-e amr-e ghodsi, wonder in the matters of divine
...................................
Heidegger: die Wissenschaft denkt nicht
Derrida: links science to mourning and memory
Lacan: science is always there, ready to erupt, amaze or blow you away.
Husserl was perhaps the one most freaked out by the historical split (between science and philosophy--and art?)
...a matter of technological selfunderstanding,
...nor do I insist on sustaining the pathos that propels the images...
ethical and political issues are increasingly seem to have more to do with testing than questioning, hesitation, certainty
There is a test ... it claims and so it stands. There is the other test that crashes against walls, collapses certitudes, and lives by failure-lives by dying or, at least destroying.
The one register of testing offers results-certitudes-by which to calculate and count on the *other.*
the culture of Versuch, test or trial
(farhange kushesh, ghasd, sue ghasd, va emtehan)
(measuring and) testing that support, among so many others, political, religious, and educational institutions
testing has everything to do with the way the policing of political sites and bodies takes place, in modernity and with our experience of reality in general.
testing ~=/?==><--> the real
(elliptical circuit established between test & real)
Freud was working on to tests which are lost now: Aktualitätsprüfung to distinguish between reality and immediacy
Lacan has linked testing to the subject's creation of a first “outside"----a space that is no longer the same as “reality”
the way the state takes possession of the body presumptively on drugs.
-in this way, drugs are seen as eccentric: what is outside, or moves outside the center, can center it, they are animated by an outside already inside
-how drugs are isolating or how they establish community (of those who are somehow t[...]
(136)[...notes/Ajayeb notes.txt]%14.5[...]r
drug: Dionysian frenzy, aspirin, religion, dirty language,
-I am sorry I have no drugs to offer you today!
-not everyone in civic societies has the privilege of getting high and mind-altering (that which supposedly suggests vulnerability,) running arround drunk staggering and out-of-it, they will be beaten the hell out of it, they have to be sober, on alert and self-protective
your pee belongs to the state----new civic readability
{four bodies don't belong to themselves: children, addicts, outlaws, and ghosts, are all busted by the state or certain legislated majority}
destructive (and artistic) modes of production.
test, does it have an essence? Is it pure relationality?
Avital's “speculative telephonics”
Heidegger: sign = cutting edge, Zeichen --Holderlin--> “we're cutting out” =/= (Avital:) schizo knows how to disconnect, how to depart, how to cut the shit
the place where a call can break into a body[=? orificial openings of a subject]
emergency verification: we are still trying to cut into the emergency line (that we are on) after the crashing down of the transcendental signifier
in the (technologically enabled) disappearance of long-distance what happens to the ‘elsewhere’ calling to the schizobody?
how our pretechnological ears were (trained) before the telephone?
the “call” comes from me and from beyond and over me.
Telephonics coils itself around a concept of “being there” supported by the recognition that contact has been broken. Still, the break is never clean, just as contact was never continuous. The entire metaphysics of identity, presence and locality is scrambled, bringing with it a certain historical mutation in the relationship of the “self’ to other, to the irreducible precedence, as Derrida puts it in ‘Memoires,’ of the other. The other calls; you answer. But “you” have not yet been constituted, gathered or pulled together prior to the call.
Wortsalad ---- Opheilia's kind of mouth that shoots poesy, one has the feeling that no one is there.
/ precisely when ophelia is about to become the poet Shakespeare strangles her in water to make place for hamlet's tragic autopoiesis /
it is (generally) very difficult to know “who” is talking --> “whom” is being addressed
endure the agony of the being called (a being-on-call, an answering device)
modeling different styles of irony
(what are we) telehearing (?)
language is the history of index finger (“...even when it is placed on the mouth to silence a speaking. The teacher points, the God and the schizophrenic speak through or to the spiritual forefinger [sababe سبابه, angoshte shahadat انگشت شهادت].”)
-Heidegger traces the route of say[...]
(137)[...notes/Ajayeb notes.txt]%14.6[...]hina is made of India is made of Afghanistan is made of Iraq is made of Greece is made of ...
(can I say that my work has been all about Iran-centrism?)
gaps in cultural space that epistemology has not filled
hermeneutics =/=? epistemology
history of truth
*making an ecological landscape of ajayeb cosmology, that means making visible the connection between beings and contact zones among animate and inanimate and nonhuman:
diamond <--> snake
fire <--> speech
fire <--> animals
wind <--> future
cow <--> angel
water <--> light
darvishi درویشی <--> Div دیو
earth <--> Bahman بهمن
mars <--> wolf, pig
moon <--> effect of Gabriel's wings
earth <--> woman/enmity/illusio
mountain <--> ganj گنج
jinn جن <--> climate
Div <--> stone
climate <--> ghiamat قیامت
khidr khezr خضر <--> life/death giving
(ajayeb-e chah) عجایب چاه
wonders of pits --> wonders of moon (Moghana مقنع, bringing a moon out of a pit, mah-e nakhshab ماه نخشب) [Moghana's work on mirror], [neiranjat نیرنجات and telesmat طلسمات (of Moghana’) ~=? ruse, tech],
[signifier of wonder:] mahi (ماهی fish) [reflection of the moon in water] --> mah (ماه moon) --> pointing at helal-e mah (هلال ماه half-moon) --> mouth of the beloved (یار yar) [registered in poetry of Sa'di سعدی] --> wonder finger on the open mouth
-also, Galileo's new telescope pointing at the moon (and sun-spots 900 years later than the chinese did,) and his pervasive approach to the knowledge milieu that he lived in, set the secular registers of truth
گفتم اگر از تو در خواهم شکافته شوی چه کنی؟ گفت شکافته شوم. بدو اشارت کرد و ماه به دو پاره شد
(ajayeb-e aeb-e aab) عجایب آب
آشنا ashena (=/= stranger) in Farsi comes from the relationship with water and swimming, somehow knowing the water
cognition (in Greek cogn, ‘having learned’), in Farsi shenakht (شناخت) is rooted in water, ashena: shenavar dar bahr budan شناور در بهر بودن, floating body, -shenasi شناسی-
(ajayeb-e donya) عجایب دنیا
wonders of earth(?) --> ghul (غول), serial killer, house full of bones (horror story)
(after donya/earth comes immidiatly, ghiamat قیامت)
donya: the temporal world (~=? cthulu) (--?--> material-semiotic time-space of donya)
-search ‘donya’ and its semiotic network in Ferdosi and others
-search ‘alam’ (in Nezami: dar alam alam afaridan در عالم عالم آفریدن)
-‘zamin’ or zamini (زمین، زمینی), what is meant when we say one thinks zamini in ajayeb? which zamin?
(ajayeb-e mardom) عجایب مرد[...]
(139)[...notes/Ajayeb notes.txt]%15[...]erran, what is cursed, *?
in ajayeb:
•what are the figures of finitude, destruction, astralized hearing, enactments of generation, the figures that take action, take heart?
•what are the chthonic entities? {the finite complex material systems that can break down =/= stories that personify (Mother Earth) are *misplaced concreteness*. [(i am against) personified =/= figurative (which i love. figures can be tentacular, patterns, processes, stories.) what Foad would say?]}
•what are the gorgeous, luring, dangerous precarities (of the terra)?
•what are (its specific) art science worldings?
*those creatures across taxa (taxon, categorical classification, taxonomic group)
taxonomic conveniences
[with Haraway]
what is the optics of ajayeb?
[that is entertaining being reductive for a moment, but that is productive]
(to help with that, the optics of the anthropocene is the image of the earth from space, Gaia?)
-a cybernetic, systems-theoretic entity, studied in different scales
-various reports (on the state, fictioning the state of the earth?)
-a global kind of system knowledge
-a giant database ----> do i need to formulate my project into a technological practice?
what is the smallest unit of interest in the ajayeb cosmology?
the practices of relocating germplasms, including people in form of slaves, all over the earth in order to produce surplus that is transported elsewhere for capital accumulation... (Haraway)
industrial agriculture and plantation
to be storied and studied
the holobiont: host plus of all its microbial symbionts that form ecological units
-recasting the individual as a holobiont; the collective genomes
(Lynn Margulis)
holobionts: “multicellular eukaryotes plus their colonies of persistent symbionts”
(Gilbert, Sapp, and Tauber 326; cited by Kenney)
(thinking with holobionts) the immune system is re-cast not as “defensive weaponry” but as a “socializing and unifying force” [via Kenney] --> “to obey the immune system is to become a citizen of the holobiont”
[this new developement of biological individuality (entangled identities at the heart of life mechanisms) in biological sciences of 21st century requires a new imaginative framework and new forms of curiosity equally relevant to natural sciences and artists]
(ajayeb-e gaz) عجایب گاز
co-existence of gasses
planet =/= terrestrial planet
(ajayeb-e graphs) psychotic tree-structure of giant databases, in trans-ing and lines of trans-affecting
-my ajayeb art is going to be the kind that depend on the machine----competent digital
-exploring the iterative and fractal quality of sentences in my digital graph-makings
-attendi[...]
(140)[...notes/Ajayeb notes.txt]%15.2[...]nts
partial connections (of distinct entities) ~= analogy [analogy allows one part contaminate systematically another part, and vice versa]
-coerced belief
the question of binaries: how we are who we are in relentless relationalities with other entities. in shaping and being shaped by objects, and subject/object is only convenient partial-good-enough for the moment --> **sorting operations** (kPRA0W1kECg), but they are not good descriptions beyond that.
#on Companion Manifesto
(Haraway's) *cyborg*: the “lived social and bodily realities in which people are not afraid of their joint kinship with animals and machines, not afraid of permanently partial identities and contradictory standpoints.” --to--> a much bigger queer family of *companion species* : becoming-with --> the co-constitutive interpenetration of humans and their others (machines, animals, and the environment).
-Haraway is going from ‘rage’ to 'love’
“historically challenged people” (Schimpfwort? فحش)
half-trained arguments
embodied cross-species sociality
I am trying to inhabit ajayeb critically; neither in celebration nor condemnation (like my sister asked)
what is my context? isis, tech-sci, art, world-wars, stories, terror,
the figures of ajayeb that i am cultivating, do they “more fruitfully inform livable politics and ontologies in current life worlds”?
ajayeb's species bring together human and nonhuman, organic and technological, history and myth, freedom and structure, state and subject, ...
*concrete:
◦a concrescence (growth by assimilation, nemov moshtarek نمو مشترک) of prehensions (seizing, perception but not necessarily cognition) of prehensions (graspings, chang zadan چنگ زدن)
◦an actual occasion
=> beings do not preexist their relatings
the verb of reality is full of nouns with appendages
nature/culture: *local category abstractions* (=/= universal: misplaced concreteness)
subject/object: *potent consequences* (=/= preexisting foundations)
foundation is always contingent (Haraway ☞ Butler)
•scale is contingent
•mutability is contingent
bestiary of agencies
kinds of relatings
in my work on ajayeb i am trying to carefully approach the notions of:
emergence, process, historicity, difference, specificity
-and by that teach myself an artful practice rich with:
co-habitation, co-constitution, contingency
on-the-ground work:
-Verran # Nigeria Yoruba --> “emergent ontologies,” “get on together” (...how can *general* knowledge be nurtured in postcolonial worlds committed to taking *difference* seriously?”)
-Thompson # Kenya --> “ontological choreographies” (...bodies, human and nonhuman, are taken apart and put together in proces[...]
(141)[...notes/Ajayeb notes.txt]%15.3[...]egory abstractions* (=/= universal: misplaced concreteness)
subject/object: *potent consequences* (=/= preexisting foundations)
foundation is always contingent (Haraway ☞ Butler)
•scale is contingent
•mutability is contingent
bestiary of agencies
kinds of relatings
in my work on ajayeb i am trying to carefully approach the notions of:
emergence, process, historicity, difference, specificity
-and by that teach myself an artful practice rich with:
co-habitation, co-constitution, contingency
on-the-ground work:
-Verran # Nigeria Yoruba --> “emergent ontologies,” “get on together” (...how can *general* knowledge be nurtured in postcolonial worlds committed to taking *difference* seriously?”)
-Thompson # Kenya --> “ontological choreographies” (...bodies, human and nonhuman, are taken apart and put together in processes)
-Strathern # Papua New Guinean --> “partial connections” (...patterns within which the players are neither wholes nor parts ... necessary counter-intuitive geometries and incongruent translations)
what kind of refigurations i need for the tropic work that feel is required for the for ontological choreography of ajayeb (in technoscience or elsewhere? other societies with liberal or non-liberal individual or state, with other techno-monsters, automated warriors, terrorists, and all the waste, cruelty, indifference, ignorance, and loss that comes with, as well as joy, play, labor, and invention--)?
-how do i narrate this (ajayeb and non-ajayeb, the wondrous and the mundane) co-history?
-how do i embody an art of relating (as is never done once and for all)?
*species : biological kind of reality + scientific expertise necessary to that kind of reality
(what would or could trouble ‘biological kind,’ ‘categories of organism’?)
{ machinic + textual + organic ~-=> species }--> causality-story, origin-story, Real-Presence-story (~transubstantiated signs of the flesh),
•species is about defining difference, rooted in polyvocal fugues of **doctrines of cause**
•one thinks of species as logical category, logical type, visual impression, members of a category that have the same characteristics. but you also say “be specific!” you want the opposite. you want a list of relentless particularities.
•(for Haraway species is about) a particular kind of semiotics where sign and flesh are tangled
Marx and Freud in shit and gold, primitive scat and civilized metal, in specie
[title]
**ajayeb's technologies of (Persian) subject/object-making**
nature and culture implode into one another (in the relentlessly historically specific ways)
(Haraway ☞ Althusser) **interpellation** (estizah استیضاح) ==> concrete individuals (in the modern state)
*the ideologically loaded narra[...]
(143)[...notes/Ajayeb notes.txt]%15.3[...]al or state, with other techno-monsters, automated warriors, terrorists, and all the waste, cruelty, indifference, ignorance, and loss that comes with, as well as joy, play, labor, and invention--)?
-how do i narrate this (ajayeb and non-ajayeb, the wondrous and the mundane) co-history?
-how do i embody an art of relating (as is never done once and for all)?
*species : biological kind of reality + scientific expertise necessary to that kind of reality
(what would or could trouble ‘biological kind,’ ‘categories of organism’?)
{ machinic + textual + organic ~-=> species }--> causality-story, origin-story, Real-Presence-story (~transubstantiated signs of the flesh),
•species is about defining difference, rooted in polyvocal fugues of **doctrines of cause**
•one thinks of species as logical category, logical type, visual impression, members of a category that have the same characteristics. but you also say “be specific!” you want the opposite. you want a list of relentless particularities.
•(for Haraway species is about) a particular kind of semiotics where sign and flesh are tangled
Marx and Freud in shit and gold, primitive scat and civilized metal, in specie
[title]
**ajayeb's technologies of (Persian) subject/object-making**
nature and culture implode into one another (in the relentlessly historically specific ways)
(Haraway ☞ Althusser) **interpellation** (estizah استیضاح) ==> concrete individuals (in the modern state)
*the ideologically loaded narratives ==> life and death, health and illness, longevity and extinction, etc.
{how not to do estizah (our objects, peers)? latent individualization in apass's requirement of ‘intentionality’ from its participants: “no sleep-walking!” [--> art as “explicit intentional act.” Merleau-Ponty's account the body-schema.] [estizah is the site of encounter with the ‘man of law’ in which one becomes a man of law: by asking what is your “name and business,” demanding “proof” of me. one way of responding to that demand of name is to give your name as a performance in an amerindian mode: “three were dead before they knew.” that's my name.] The material ritual practice of ‘recognition’ : “Who is there?” and “It's me!” of the everyday life ==> makes us concrete subject (in the ideology in democracy and law) --> independent agents with self-produced identities. (in capitalist societies) **subject: a self-conscious “responsible” agent whose actions can be explained by his or her beliefs and thoughts.** subject formation defines the limits of each individual; values, desires, and preferences. ---- in a way that I realize that a ‘hailing’ was addressed at me, thinking ‘that means me,’ and the answer is what transforms me into a subject : a “mis-recognition” [--> we can open a dossier on prophet and ‘answering’ the call]; [~-> what Tarof hails?] ---- for Althusser being a[...]
(145)[...notes/Ajayeb notes.txt]%15.4[...] more potent the tropes, the truer the story***
(without being distracted by scandals and meta-stories?!)
stories traffic in tropes, figures of speech
(the dogmatic and bizzar idea of) “trope-free communication”
*metaplasm, remodeling, remolding,,, inverting meanings, transposing the body of communication,
(in my graphs, or rigs, what a substitution in a string might change the meaning?)
what is the “troping that makes a fleshly difference”?
origin story (~=> establishing origin) ~=> sober scientific report ~=> scales of intelligence ~=> human as master
the “mere” village dog:
-canine Eves surviving in their mitochondrial DNA
-canine Adam through his Y-chromosome legacies
which metaplasmic, remodeled versions of ‘name’ could give ajayeb's being
(in apass I have been against the “what do I want as an artist?” question:)
pay attention to significant otherness =/= reflection of one's intentions
what is the name of the game? complexity, flexibility, opportunism, (finite worlds called:) domestic, wild, feral,
[who is naming the world what?
•accelerationism: “game-over”
•capitalism: “resource”
•technophobia: “obsolescence”
•technophilia: “information”
•monotheism: “transition”
•science: “taxa”
•multinationalism: “system”
•modernism: “globe"]
immune systems (in natureculture) determine where organisms, including people, can live and with whom.
“There is no time or place at which genetics ends and environment begins” [...]
(Haraway ☞ Gilbert)
“All stages of the life histories of evolving animals had to adapt to eager bacteria colonizing them inside and out.”
To be animal is to become-with bacteria
to inhabit an inter-subjective world, to love is about meeting the other in all the fleshly detail of a mortal relationship (to wit, first, somehow to learn what this other needs and desires)---permanent search for knowledge of the intimate other, with inevitable comic and tragic mistakes in that quest
thinking about animals as “other worlds” in a science fictional sense
scientifically informed, empirically grounded practice
theory ...still a limited discourse and a rough instrument
“who is at home?” --> ask in respect for all of time who and what are emerging in relationship --> (the obligation to ask) who are present and who are emergent? ***
(what are our) categorical labor
labor of training --> somehow all the participants of training are remodeled by it
labor of scale-making
(these are world-making practices, storytellings)
significant otherness-in-connection =/= intention-ascribing idioms of literalist anthropomorphism that[...]
(146)[...notes/Ajayeb notes.txt]%15.5[...] (and is studied by taxonomists)
(Waddington then kaunched into a) critique of the notion of “random mutation,” noting that there are developmental constraints placed on what changes are possible.
•“we think of development as a cybernetic process, involving stablization through feed-back and other mechanisms.”
(Francois Jacob) “Evolution by tinkering” (sare-ham-bandi سرهم بندی)
(Leigh van Valen 1973) “evolution is the control of development by ecology”
phenotypic plasticity
developmental plasticity
organism: an epigenetic materialism****** (Hertwig 1894)
(Hertwig concludes: it has been shown [...] that much of what Weismann would explain by) determinants within the egg must have cause outside the egg.
[***egg and its outside]
[the causality drama is not that which came first, the chicken or the egg, but what inside the egg that has cause outside the egg]
context-dependent sex
genetic assimilation
life history strategies
teratology (kaj-rikht-shenasi کج ریخت شناسی, naghes-al-khelghe-shenasi ناقص الخلقه شناسی)
...................................
rewriting technique criteria (of the gene) [from new biological headquarters]
retro-transposon: a DNA sequence that can change its position within a genome, sometimes creating or reversing mutations and altering the cell's genetic identity and genome size
(we have uterus because of bacterial transposons)
intestinal
enzyme, macromolecular biological catalysts, accelerating chemical reaction
using hallucinogenic to cure autism (!?)
bacterial --> social
“individual" = an island to be colonized (by bacteria), [we are] a niche (upon niche (upon niche)) for bacteria
immunall agencise are not (has never been) defensive, they selectively inclusive, they facilitate symbiosis, allowing the possibility of microbes become part of the body
co-metabolism
host-diet
four major symbiosis (symbiotic things) that ruled the planet:
1. rhizobacteria/legumes for nitrogen fixation
2. mycorrhizal interaction with plant roots and seeds
3. endophytic fungal protection against dessication
4. coral reefs and tidal seagrass ecosystems sustain oceanic biodiversity
}--containing--> smaller symbiotic webs we call “organism” <==[product of]== (ancient symbiosis we call) “cells + (ancient symbiosis we call) “genomes”
ritual defense of a dissertation, matter of opponent
a medical theater of dissection, laid out on table with the working-class barber-surgeons laying bare structures for the disquisition (tafahos تفحص) of the professor --> (the ways we are in this) *multi-imaginative theater* (~ congn[...]
(148)[...notes/Ajayeb notes.txt]%15.8[...]ation, remains a man. What would he make of Patthar Baba, the stone turned to saint? (Anand)
(our sense of) our own ecological peril and fragility--our shared fate with our neighbors.
[The ajayeb's beings and their neighbors]
...................................
[instead of the struggle against sin (~=? christianity) or the struggle against suffering (~=? Buddhism),] the struggle between (different) sins
...................................
(the reading of ajayeb portraits) the global [and therefore *ethical] consciousness (at the end of 12th century middle-south asia, “the east”)
...................................
[Martha Kenney]
(how not) render ‘wonder’ a strictly historical object(?)
[as basis for building a contemporary ethics]
(wonder is ajib عجیب)
just-so story
in science and philosophy, a just-so story, also called an ad hoc fallacy, is an unverifiable and unfalsifiable narrative explanation for a cultural practice, a biological trait, or behavior of humans or other animals. (wikipedia)
etiological myths
etiology: the study of causation, or origination
the politics technology and the politics of storytelling.
[...] Narratives, along with literary devices, tropes, figures, images and the aesthetics of language, inhabit and inform even our most reliable knowledge-making practices.
storytelling as one of the consequential material practices
[storytelling is material practice]
[where there is a situated perspectives there is storytelling]
it is “practicing generous reading”
and “technique of refiguration” --> create alternative forms of knowledge
[figuration ~ storytelling apparatuses]
(Haraway, Primate Vision)
•“Attention to narrative is not instead of attention to science, ...”
•[there is no way that we can] escape the particular pleasures and dangers embedded in the story-laden sciences.
•[what are the things that] could only be explained by cultural, not scientific, genealogies [?] --> ideological apparition[s]
•Something new was required to account for change; the logic informed a kind of paternal creation myth [........] unchanging “matrix” for the generative principle of change. (In Zihlman's story logic, both gathering and hunting emerged as repatternings, not opposites, in changed conditions of constraint and opportunity. Narratives of both gathering and hunting ways of life produced genders and citizens.)
•tool-weapon equation in masculinist scientific narratives
as careful scrutiny of wonders and marvels becomes a mainstay in European intellectual life, 17th century natural philosophers began to understand *wonder, *curiosity, and *attention as cloe[...]
(149)[...notes/Ajayeb notes.txt]%16[...]>
(the reading of ajayeb portraits) the global [and therefore *ethical] consciousness (at the end of 12th century middle-south asia, “the east”)
...................................
[Martha Kenney]
(how not) render ‘wonder’ a strictly historical object(?)
[as basis for building a contemporary ethics]
(wonder is ajib عجیب)
just-so story
in science and philosophy, a just-so story, also called an ad hoc fallacy, is an unverifiable and unfalsifiable narrative explanation for a cultural practice, a biological trait, or behavior of humans or other animals. (wikipedia)
etiological myths
etiology: the study of causation, or origination
the politics technology and the politics of storytelling.
[...] Narratives, along with literary devices, tropes, figures, images and the aesthetics of language, inhabit and inform even our most reliable knowledge-making practices.
storytelling as one of the consequential material practices
[storytelling is material practice]
[where there is a situated perspectives there is storytelling]
it is “practicing generous reading”
and “technique of refiguration” --> create alternative forms of knowledge
[figuration ~ storytelling apparatuses]
(Haraway, Primate Vision)
•“Attention to narrative is not instead of attention to science, ...”
•[there is no way that we can] escape the particular pleasures and dangers embedded in the story-laden sciences.
•[what are the things that] could only be explained by cultural, not scientific, genealogies [?] --> ideological apparition[s]
•Something new was required to account for change; the logic informed a kind of paternal creation myth [........] unchanging “matrix” for the generative principle of change. (In Zihlman's story logic, both gathering and hunting emerged as repatternings, not opposites, in changed conditions of constraint and opportunity. Narratives of both gathering and hunting ways of life produced genders and citizens.)
•tool-weapon equation in masculinist scientific narratives
as careful scrutiny of wonders and marvels becomes a mainstay in European intellectual life, 17th century natural philosophers began to understand *wonder, *curiosity, and *attention as cloesly aligned and mutually defining.
epistemological beast fable
unnatural history
knowledge-making practices of other times and places
tracing the web of horror and delight
Serres reminds us the beast fable tradition is as much about biomimicry as anthropomorphizing.
finding ways of “going-on together” (Verran)
“by experience and by affinity, some of us begin not with Pasteur, but with the monster, th[...]
(150)[...notes/Ajayeb notes.txt]%16.1[...]
art: “ontological theater” (=/=? ‘linguistic turn’ {--> Marialena's remark on The Pillow Book, that the film don't care about what is being written. she is a child of the linguistic turn?})
(=/= “return to reality” : “the ontological turn”)
(=/= language as “a necessary evil,” aesthetics characterized as the main instrument of ideological mystification)
~ learn to trust objects figured in unfamiliar ways* (, my bow and arrow?)
[both Haraway (“material-semiotic”) and Barad (“material-discursive”) are working against this kind of split between language and reality, both in the level of analysis (of one's object) and composition (of one's book)]
**where do our power come from if not from evidence?** (@Seba)
--> the *specter of deception* (it happened when i used aesthetics in my questions in my excursion at Vladimir's block, my peers thinking “what if we are beguiled?” --> the suspicious refrains of “trust no one”) =/= “attentive wondering care” (Bynum)
*** to tell enchanted stories --> <== we must struggle against the fear of being tricked ***
-this fear of being tricked ==> Descartes’ beast-machine hypothesis (against nonhuman agency) : the clockwork animal and gods; a site where animality and technicity were collapsed and both were rendered as deceptive.
-Descartes’ beast-machine anxieties are still with us. (being duped by the) trickster agencies of animal-like automata--animals, spirits, and technologies have dubious agencies.
(my work on ajayeb hopefully,) is about cultivating wild facts, to be at risk with our craft, creating beautiful objects that give charismatic form to their matters of care
i don't know in advance, how stories and words will flow through us --> i have to learn pragmatic experimentation with magic, words and ideas: [#ppp]
•poetry --> to do with the art of language
•poiesis --> process of creation
•poetics --> questions of composition and form
}--(attention to)--> form + composition + influence
“i am rubied by your attention”
(ruby: yaghute sorkh یاقوت سرخ) ~-> to describe the effect of an encounter between two
...shifting verbs to nouns and nouns to verb }--> practical
*relational properties of language:
•viscosity (chasbandegi چسبندگی)
•conductivity
•velocity
(=/= daunting)
-collective
-exploratory
-supportive
(what to do with) the unavoidable childishness (and girlish) of wonder and of fables
-does wonder need to grow up?
there is a risk that that which awakens our epistemological appetite will ultimately be unfriendly, unseemly, unsophisticated, unsuitable
•wonder goes beyond what is suitable (Irigaray,) even threatens our status as “serious, adult thinkers” (Stengers)
[...]
(151)[...notes/Ajayeb notes.txt]%16.9[...]t metaphysical)
wonder:
•passion (of already born) --✕--> reenveloped in love
•touched and moves toward and within the attraction --✕--> nostalgia for the first dwelling
•passion of first encounter --✕--> repetition
[Haraway reading Derrida: on killing,]
(Derrida understood that this structure, this) logic of sacrifice and this exclusive possession of the capacity for response, is what produces the Animal
the death-defying arrogance of ascribing such wondrous positivities to the Human
(Derrida)"The question of the said animal in its entirety comes down to knowing not whether the animal speaks but whether one can know what ‘respond’ means. And how to distinguish a response from a reaction.”
the mistake of forgetting the ecologies of all mortal beings, who live in and through the use of one another's bodies
[this is against ] The naturalistic fallacy is the mirror-image misstep to transcendental humanism.
multispecies contingency
In the idiom of labor, animals are working subjects, not just worked objects.
the capacity to respond and to recognize response
We can never do without technique, without calculation, without reasons, but these practices will never take us into that kind of open where multispecies responsibility is at stake.
Engage them [the dogs] as mindful bodies, in relationships of response?
the practical labor of nonmimetic sharing(?)
[we make ‘knowing’. knowing is always a practice of making, and always embodied. the idea that thinking involves disembodiment of the knowing organ is just insane.]
“articulating bodies to other bodies” ----> disarticulating bodies to rearticulate other bodies
entangled assemblages of relatings knotted at many scales and times with other assemblages, organic and not
...................................
ajayeb is system imagination
...................................
[Naveeda Khan]
Perhaps the question could be posed as, how do we come to grips with the universal, the supra-historical, or even the cosmos within our global present, imagining a local that lays claims upon all three?
is there a Muslim environmental imaginary?
‘Islamic ecology and environmental ethics’ --> the need to center a vibrant materiality or the liveliness of things in the anthropology of Islam (that has been to date largely preoccupied with Muslim polities and subjectivities.)
It should come as no surprise that my own efforts at centering materiality comes through studying how these predominantly Muslim farmers interact with and come to acknowledge nonhuman forms of life (including the figure of Khidr khezr خضر, dogs, river waters, silt, and lightning, to [...]
(153)[...notes/Ajayeb notes.txt]%17.1[...] (through refraction)
--> “empirical perspective” : the *altered scale* also allows the object to reveal its specificity, its particularity; boundaries are rendered indeterminate and exist only to the extent that they are continually enacted.
(Hayward ☞ Barad:)
Phenomena do not merely mark the epistemological inseparability of “observer” and “observed”; rather, phenomena are the ontological inseparability of agentially intra-acting ‘components.’ That is, phenomena are ontologically primitive relations--relations without preexisting relata. [*relatum: one of the objects between which a relation is said to hold. *relata: would-be antecedent (tabar تبار) components of relations.]
reverie of reflectivity =/= refraction (--> makes explicit transforms the tendency of the image to orient representation, foregrounding the threaded visual space between the image and the spectator.)
***dynamic (re)configurings of the world, specific agential practices/intra-actions/performances through which specific exclusionary boundaries are enacted***
(Kaja Silverman, the subject of semiotics)
spectatorships =/=! representations =/=! referents
(ontological distinction: “=/=!”)
the surreal technoscientific look --?--> allowing wondrous but material extensions into the ajayeb domain
in creating a “look” for ajayeb: whether or not a used/user interaction can have ethical dimensions?
refraction is not framework, but a pathway. it engages patterns of interference and exchange
the xeno-sensual in the ajayeb
different differences that are sensed and mediated
...................................
poetic historiography
(historiography: the study of the writing of history and of written histories)
...................................
to begin writing about ajayeb with the citational, ‘avardeand ke...’ (...آوردهاند که)
citation, an important characteristic of fables, is about relational histories.
absence of definitive source (in my old childhood favorite radio show, by bring an endless list of fantastic source and bodies of lures) allows monsters to flourish and me the full range of my passionate crafts. ajayeb's compelling mystery demands (from me) an unorthodox and omnivorous approach (hame-chiz-khar همه چیز خوار).
اما راویان اخبار و ناقلان آثار و طوطیان شکرشکن شیرین گفتار و خوشه چینان خرمن سخن دانی و صرافان سر بازار معانی و چابک سواران میدان دانش توسن خوش خرام سخن را بدینگونه به جولان در آورده اند که ...
•Mirabile dictu... (miraculous to say...)
towards Despret's talking parrots
parrots (shekar-shekan) (and philosophers) really like to co[...]
(154)[...notes/Ajayeb notes.txt]%17.7[...]nd implies a suffixial (pasvandi پسوندی) space of attachment that is simultaneously generalizable and abstract yet its function can be enacted only when taken up by particular objects (Hayward & Weinstein)
trans* (prepositionally oriented) “is the process through which thingness and beingness are constituted” [...] “marking the ‘with,’ ‘through,’ ‘of,’ ‘in,’ and ‘across’ that make life possible”
•materializes prepositional movements
the ‘human on board’ no longer possesses critical purchase, it no longer “delineates a normative standard of legibility,” “the elite status of being considered fully human” (how is it in ajayeb?)
(biopolitics of) de-, in-, non-, trans-
a ‘turn’ (= a cause to move, a difference in position ==> a change in nature) enables creatures to migrate from the margins to the center of theoretical interrogatives
Haraway prefering (the energetic expressive capacity of) ‘with’ over ‘and’
-syntactical problem of ‘and’ raised to the power of n
-she puts the emphasis on with-ness --> to reinvigorate (tajdide niru تجدید نیرو) attention to materiality but also matter's contingent force --> intersectional demands of assemblage
“and...and...and”
trans, speciating technology, the drive for suffixial endpoints
(prepositional operations on suffixiated) assemblages of spacetimematterings
**** terrible violence is directed to the non-existing, the never having existed
‘*’ (the asterisk) is paratactic (faghede ravabet فاقد روابط) (=/= conjunction,) it designates multiplication, it repurposes, displaces, renames, replicates, and intensifies terms, adding yet more texture, increased vitalization
-it is a sensuous node
-making (my points) a composite of affects and percepts --> speciation is always a cultivated response ***
*trap: “means also mouth, or mode of utterance; it is the “O” curve of lips and throat that makes sounds phonic and names the apprehension of becoming bodily. A trap, in weaving, is also a break in the threads, an unraveling, loosening, unwinding that opens up space. When we think of spider webs, trap is a silk net, a sticky mesh that registers sensation. For the spider, its trap is its nearby-ness, its where-ness, its with-ness. [--> lure;] (Hayward & Weinstein)
-how, then, might we hear the phrase “trapped in the wrong body” as less about authenticity (fixity and normativity) than about *textures of spacetime* (prefixial movements)?
[harkate johari حرکت جوهری ~/=? harkate pishvandi حرکت پیشوندی]._/'--> Sadra
(Susan Stryker warns) that transsexuals, in their capacity to be monstrous, arise, like Frankenstein's creature, from the operating tables of their (re)birth as “something more, and something other” than their medical service providers may have inte[...]
(155)[...notes/Ajayeb notes.txt]%18.8[...]r />
•*species panic* (<-- the concept of the homosexual panic defense) {androids: species + trans embodiment}--> **genuine animals** transitivity: “shifting positions on a series of spectrums, where human, animal, and machine bleed into one another” [Huebert]--{"it”: exclusive right of gendered pronouns--"it” ascribed to artificial animals and androids --> the distinction between “genuine” and “inauthentic”; “it” leaves us in a perpetual species panic}
•*animal symbolic* --> origin of the construction of the human located in sexual difference [Nurka]
it seems with ‘human’ one always spring inexorably back to sex --> sexual difference and its origins in the problematic of difference
-individuating difference ==>? prepositional singularities--the potentialities to differ that are not yet stabilized into the categories of an individual
[Nurka ☞ Colebrook] concept of “transitive indifference” transforms the self/other pairing beyond the demands of recognition and relation --> (all-too-often) animal difference serves to secure human sameness [=/= ouroboros abyssal beastliness] --> ontological difference serves only to erect man as the being for whom “the world is nothing more than the arena whereby he recognizes his proper difference,”
•*animal techne* ~~--> Jackass & Wildboyz : animality is viscerally, painfully, and transformatively encountered or enacted by the human body [Seymour], sliding down the animacy hierarchy [Chen], gesturing toward various interconnected trans-(species) corporalities performed in (Critical Life Studies texts and) Wildboyz (=/= elite status of human) --> (Barad's) ethics of mattering : connections of human and nonhuman life always already taking place on bodies*****
transdisciplinarity: a self-adaptive complexity [...] foreground[ing] the transduction of knowledge as it passes across and between the interpretive and methodological planes of composing knowledge. (Katie King)
“distributed being and cognition”
...attendant mammalian attachment
individuating indifference
(anthropocene's iteration of the) expansionist logic of manifest destiny
-situated knowledges (Haraway)
-trans-knowledges (Hayward)
[*]trans- : *promise of moving across without holding tightly to the locations that it is moving from*, crossing of spacetime, a movement within relationship [~/=? inheritance, the experience of being tied to a long string that is stretching and is connected to somewhere]
coalitional thinking = trans-knowledge --Hayward--> (~= my work: heuristic + trans-) a thought here, then a reflection, perhaps a question that prompts another story, and probably a walk full of pointing and talking, walking on scales [on burdens and atrocities of abundance] (--> I use:) translation, transfiguration, transformation, trans-differentiation, transcription
-what [...]
(156)[...notes/Ajayeb notes.txt]%19[...]/
Hafez: کنون که در چمن آمد گل از عدم به وجود بنفشه در قدم او نهاد سر به سجود http://ganjoor.net/hafez/ghazal/sh219/
=/= durdastha دوردستها, beyonds
donya دنیا <--> gozar گذر
-->? materialist
Nezami:
بهاری داری ازوی بر خور امروز که هر فصلی نخواهد بود نوروز
گلی کو را نبوید آدمی زاد چو هنگام خزان آید برد باد
(ruse, san'at صنعت -->) hile حیله =/= sho'bade شعبده (shab-bazi شب بازی, neyrang نیرنگ,)
lahn-haye jahan
لحنهای جهان
...................................
(feral?) table of contents
how we know that contents are tabled at all? --> inheritances of taxonomy, natural philosophies aesthetics: tamed facts
#Rigs, my ajayeb diagrams
...................................
ajayeb's histories (~ ajayeb's historically situated relational worldings) =/= societies of individuals in human-only histories (~ Euclidean figures and stories of Man)
(which network is?) a netbag for collecting up what is crucial for ongoing
ajayeb's technotheocratic geoengineering [, it “fixes” some common imaginations the “affairs of life,” and not specifically the “afterlife,” (within the {terminology ~} figural-conceptual powers of syms and material-semiotic time-space of the Indo-Greco-Arab-Turko-Persian terra taxa)]
•periods of time
•“known” life
•abode (budgah بودگاه, Wohnplatz)
•donya دنيا
-stories that focus on composition rather than intrusion
-stories that focus on ongoingness rather than game-over
(Haraway ☞ Stengers ☞ Latour ☞ Margulis) Gaia, to name complex nonlinear couplings between processes that compose and sustain entwined but nonadditive subsystems as a partially cohering systemic whole
planet-transforming, historically situated, new-enough, worlding relations
(systematic stories are linked) metabolisms, articulations, coproductions
(they must also be) relational, sympoietic, consequential
myth-systems (are set-ups)
(a deadly one: “Man + Tool ==> history”)
names =/= faces (~ morphs of the same)
a thousand names of something else
(what Haraway is naming with) compound-eyed insectile and many-armed optics
winged domains
bird-bodies
(Haraway's spider and) my ajayeb's snake: tasks of thinking, figuring, and storytelling
--✕--> heady facial representation; [Luisa also dislikes this]
•figure of snake (circular serpent) is ajayeb Persian sf worlding, has ties with the Greek Chthonis (“of the earth,”) is at the same time the image of the continuity of life[...]
(157)[...notes/Ajayeb notes.txt]%19.2[...]against Alex's notion of “destablizing stabilities as the task of artistic research.” I choose to refuse to put what is in flux against what is stable or attempting to stabilize. (I am in alignment with Katie King sharpening for me that) we constantly share our stage, settings, performances, sensoria, reenactments among agencies and species, creating varying stabilities, some fragile, some robust]
*account--synonymous with: description, information, list, reason, record, statement, story, sum, tale
-a contractual relationship
-giving an itemized account of recent transactions and resulting balance (of your metaphors = material-discursive apparatuses that are materializing your found empirical objects)
-accountability is always also about remaking those relations that produced your objects
-detailed explanation of money held in trust, to count, enumerate* -->{telling =? enumerating}
counting your senses
*accountability is about your ‘import’ functions (like in a programming language when you import a library of functions)
--> count: an agent of sorting that separates units or groups of a collection --> list, listed --> to have importance and worth ~-> country ---{? unexpected countries}
--0--> ‘count’ is also a word technologically tethered, origin of computing
(Kirksey ☞ Leigh Star) to begin with the question, ‘cui bono?’ (for whose benefit?) =/= to begin with a celebration of the fact of human/nonhuman mingling
...................................
my Rigs diagrams are ‘swarms’? -a multitude of different creative agents
ajayeb.net (how can it be:) not a website but a “para-site”
•am i creating an ego (for ajayeb) in my ajayeb.net? if yes, that would be interesting how?
topos/topic of hypertext, spatial character of electronic writing
topic [from Greek ‘topos’: a place, in ancient rhetoric used to refer to commonplaces, conventional units, or methods of thought] exist in a writing space that is not only a visual surface but also a data structure in the computer --> Hypertext: “is not the writing of a place, but rather a writing with places, spatially realized topics.” (Bolter ☜ Hubert)
-in my hypertext, which writing materials, cognitive mappings, itineraries of reading, textual stability, loops and reductions are addressed?
•in ajayeb.net the so-called url address or location bar, is itself a control panel, a graphical user interface widget; how did i come to use “?q=” : rhetorics of technologized inquiry in place before i even could think about how do I allow my objects constituted by “?”, “q” and “=” of the language and grammar of internet
•(when i uploaded my hypertext i faced immediately the big data:) google webmasters tools is my first readership, it communicates its reading with me; (did i have a desire to make the hypertext for a machine?) who/what is doing the reading (in the world of[...]
(158)[...notes/Ajayeb notes.txt]%19.5[...]ount’ is also a word technologically tethered, origin of computing
(Kirksey ☞ Leigh Star) to begin with the question, ‘cui bono?’ (for whose benefit?) =/= to begin with a celebration of the fact of human/nonhuman mingling
...................................
my Rigs diagrams are ‘swarms’? -a multitude of different creative agents
ajayeb.net (how can it be:) not a website but a “para-site”
•am i creating an ego (for ajayeb) in my ajayeb.net? if yes, that would be interesting how?
topos/topic of hypertext, spatial character of electronic writing
topic [from Greek ‘topos’: a place, in ancient rhetoric used to refer to commonplaces, conventional units, or methods of thought] exist in a writing space that is not only a visual surface but also a data structure in the computer --> Hypertext: “is not the writing of a place, but rather a writing with places, spatially realized topics.” (Bolter ☜ Hubert)
-in my hypertext, whi[...]
(159)[...notes/Ajayeb notes.txt]%19.5[...]spatially realized topics.” (Bolter ☜ Hubert)
-in my hypertext, which writing materials, cognitive mappings, itineraries of reading, textual stability, loops and reductions are addressed?
•in ajayeb.net the so-called url address or location bar, is itself a control panel, a graphical user interface widget; how did i come to use “?q=” : rhetorics of technologized inquiry in place before i even could think about how do I allow my objects constituted by “?”, “q” and “=” of the language and grammar of internet
•(when i uploaded my hypertext i faced immediately the big data:) google webmasters tools is my first readership, it communicates its reading with me; (did i have a desire to make the hypertext for a machine?) who/what is doing the reading (in the world of big data)? the interpretive work that is going on, in a writing and reading done by computers ==> ethical and social values
•url pased in facebook post, results into a link to فلزیاب، مطالب علمی و آموزشی / مدار فلزیاب و دستگاه فلزیاب تضمینی, a series of websites for selling treasure finders, finding metal under the ground, ganj, and so on...
the English (since second world war) --> (1) international lingua franca of high technology, (2) the language of computers
-in ajayeb.net the enforcement of standard spelling and even grammar is week or nonexistent
-the amount of linguistic replicators that circulate through my ajayeb hypertext are bound to a colloquial English, they are nevertheless “English”. but this English is being changed and adapted by my foreign use in different ways
-a flourishing of a neo-English and Farsi miniaturization of Eng
...................................
sometimes the answer to the question is to investigate the question itself
Despret asking with Rowell: how can we be sure that primates have a more complex social life? --> how did we build the comparison?*** --Latour--rison?*** --Latour--> if they are so intelligent, how did they get the ‘chance’ to become so ‘well equipped’?
(in this question can be raised an unexpected animal)
[(how) the makhlughat/مخلوقات/creatures/beings of ajayeb were well equipped (with agency, will, intention,)]
sheep, ‘the epitome of the silly animal’
(همگون دوستی hamgune-dusti, khod-no dusti خود نوع دوستی) altruism, in birds (and humans)
Zahavi calling his birds, ‘refugees,’ non-territorial individuals
quest for social ‘status’ and prestige in Babblers
(birds know that) signals for prestige are costly
inclusive fitness
porousness of the (semiotic) demarcation [wild/domesticated --> quasi-wild/quasi-domesticated] --> (successively and recursively) unstable and living tropes* --> we should probably redefine our (creaturely) subjects in correspondence to (Leibnizian) ‘quasi-causes'[...]
(160)[...notes/Ajayeb notes.txt]%19.6[...]pected animal)
[(how) the makhlughat/مخلوقات/creatures/beings of ajayeb were well equipped (with agency, will, intention,)]
sheep, ‘the epitome of the silly animal’
(همگون دوستی hamgune-dusti, khod-no dusti خود نوع دوستی) altruism, in birds (and humans)
Zahavi calling his birds, ‘refugees,’ non-territorial individuals
quest for social ‘status’ and prestige in Babblers
(birds know that) signals for prestige are costly
inclusive fitness
porousness of the (semiotic) demarcation [wild/domesticated --> quasi-wild/quasi-domesticated] --> (successively and recursively) unstable and living tropes* --> we should probably redefine our (creaturely) subjects in correspondence to (Leibnizian) ‘quasi-causes’
quasi-feral
the ‘unexpected’ often unfolds in an unexpected way. (Despert ☞ Leibniz)
anthropomorphism is always someone's anthropomorphism
anthropomorphism is always someone's common sense
{(becoming interested in) individual (detailed nuances of) difference =/= when “model” becomes the goal}--> standard model (of natural science) --> a presupposed specific idea of “science” --> use a technical, highly theoretical language ==> epistemological objectification of animals (--> representation of animals as natural objects) ~= desubjectified animals
(safeguards of) authorship and meaning (won't allow Attar) ==ask==> |X| what is your “subject” interested in? what matters to them?
(Attar never looked for varieties--in anecdotes, in little stories, in individual bird biographies -->{these are the materials that I am collecting from my family telegram group posted animal videos})
thinking with the bird
looking with it (=/= looking at it) --and--> and knowing its intentions
both humans and nonhumans create narratives, rather than just telling them. (there are socialities in which) they both create/disclose new scripts ~~--> inhabiting an existential world ~-> full of actors and living adventures, that give them:
•a history
•a bibliography
•a personality
•
(and) a full repertoire of:
•will
•intention
•agency
•
to recreate similarities between scientific and mundane practices (<-- neccesory for making companionship)
*agency is an equipment
*(greeting) rituals ~=perform==> social links* --> assess reliability
--> I am interested in ritual in its mundane sense =/= performance-art ritual {*}--> who are they in the (becoming in) ritual? (--> who is “Evamaria” in her performance-art ritual?) --> which meaning you embody?
the difference between response and reaction (not so clear [as I thought]) #passive reacting beings...
(this difference) structure[...]
(161)[...notes/Ajayeb notes.txt]%19.6[...]e habituating the performer / scientists habituating their animals*], --> scientists are getting it, why the artists and their audience don't get it!? }--(ontological risk)--> ***the performer is a social subject*** : (category changes in everyday life)
•when I am by myself: I am an orangutan, sometimes snake, I am ‘something’
•when I am with others: I turn to human
•when I am “objective”: I am off-category, I am not ‘something’ (-super strange!)
}==> the ‘Other’ [not only the police officer,] always estizah (interpellation استيضاح) you(?)
it is very interesting the way Despret is working (on the field) with Haraway's (intuitive genius) analysis
scientist's will to be ‘no-one’ that would prevent any interaction
(Despret's constructivist and non-relativist translation of ‘the ways animals act are the consequences of the observer's gaze’:) *animal actions are responsible consequences*
[(*)performance: the responsible consequence of a (no less) responsible gaze]
...................................
Verran, knowledge economy
knowledger always authored
cross-cultural knowledge practices
-physis, “I bring forth”, “I produce”, “I make to grow” (=/= “techne” in Aristotlian sense)
X-physis: a process which sticks out in the direction X --> how this morpheme has come to mean (since mid-15th century) “form” and “nature”? (this is about thinking of making)
“physis” requires the different perspectives of the four causes (aitia):
•material --> source of matter
•efficient --> power/motion
•formal --> containing its form
•final --> end
zoopoiesis --> zoopoetics, explorations of how animals (zoo) shape the making of text, study of ‘the literary animal’
...................................
Katie King
“flexible knowledges” on the edge of validity ♥ (--> almost invalid*)
fantasy of education
culture wars
intellectual enterpreneurs
upheavals and connectivities of globalization
changing patterns of interaction
(aren't we here to) change the patterns of interaction
(aren't we here to) change the faith of letters and love stories
reenactments (are fantasy practices and realities) =/= simple, accessible, and democratized (knowledge)
“layers of locals and globals”
[somehow I couldn't feel in his long term project what is Kobe's relation to] (processes and their product that require) developing and learning new skills, pleasures, and communities
-at the end many of us (are busy with or) want to (or inhabit the “will to”) modelling reality
this is also what ajayeb was busy with
***we are always doing both “purification” and “hybridization”
[]we direct our attention simultaneously to the wo[...]
(162)[...notes/Ajayeb notes.txt]%19.7[...] I couldn't feel in his long term project what is Kobe's relation to] (processes and their product that require) developing and learning new skills, pleasures, and communities
-at the end many of us (are busy with or) want to (or inhabit the “will to”) modelling reality
this is also what ajayeb was busy with
***we are always doing both “purification” and “hybridization”
[]we direct our attention simultaneously to the work of purification and the work of hybridization ==> we immediately stop being wholly modern --> *our future begins to change* / *our past begins to change*
[my work on ajayeb (“hybrids down below” {Latour}) is precisely about (this kind of) transformation of pasts and futures] ==> meeting companion species {if my work on ajayeb doesn't teach me how to meet the dog in my street, the pigeon on my window, the juju on the edge of my paper, what is it good for then?!}
(*)companion species: assemblages of living and non-living ‘species’***
(Janina is all along engaged with companion species)
(an strategy:) allocation of responsibility for grasping information
assemblage at various levels and sublevels characterizes *explanations* and *practices*
technoscientific tsunami that will obliterate prior practices and cultures...
(learning to) see old and new forms of confusions, docility, subjectivity, morality, agency, empowerment (when we are together)
(to recognize and make) new sites of negotiation
Alberti: bodies of Minoan figurines “wear” the appropriate gender for a specific ritual practice, they don't “bear” gender (as their essential feature) ==> gender salience is always in question, not a propor presupposition
“sex has emerged as a salient attribute of the pot's character as a pot”
when zoomorphic figures are present...
ajayeb's zoomorphic figures with[...]
(163)[...notes/Ajayeb notes.txt]%19.8[...]acter as a pot”
when zoomorphic figures are present...
ajayeb's zoomorphic figures with their salient attributes are not “purposed” necessarily being to encode their belief-system onto objects that we may read today--like story-board--but rather to make interventions into the world of human-nonhuman relations. to either assist or resist such transformations
[terms sharpened with Alberti + Katie King]
museum studies
(Hayward:) freedom --> initiative in shaping a narrative, a visible body, where one is able to engage and resist [@Xiri] --> contradicts itself because one is really not free from the policing of the physical body --> coming into a [...] body (==> reality and disillusion in public spaces) -->{ narrative, flesh, is filled with memory, emotions, and complexity [@Hoda]
*crafting a space for existence may involve:
•unfolding history
•mapping normative processes
•immersing a “body” in vulnerability (*)
deploy =/= unveiling
sort out =/= debunking هدايت
glocalizing
Katie King reading Hayward: [...] assembling apparatuses for enfolding visions of instrumental, subjective and cognitive technologies among ciliated (مودار, ریشهدار) bodies
...................................
technologies of the literal
grain of analysis, timescale, noting/creating hybrid objects of study
[comparing the incomparable --> lumping --then--> splitting]
***starting off a research project which eventually hopes to have something to say about that hybrid “thing”*** ...with some despised members of a particular time period (--> switching those who count as major or minor characters), promises to make it possible to build in *a range of genders (not just two), a range of writing technologies, a range of self-effacing acts, and a range of publics*, while working from a particular place and time
***there are many different interests creating the pasts***, the possible worlds...
(Leigh Star ☞ Katie King ☞ Sina) “comparing the incomparable”
here i am trying an outline of my interrelated research practices in a preliminary character, the intersection of which I am just at the beginning to understand
ajayeb: writing technologies of the 12th century Iran
plain style
soing naked as a sign
dress and address
ecology of writing technologies
(Katie King:) writing technologies: ideologies layered in time and space * under which writing has been divided [also cannot be divided] from other generations of cultural meaning
myriad hybrid forms, commingling in material and ideological proliferations
(with Katie King's interest in women's writing technologies)
[...]
(164)[...notes/Ajayeb notes.txt]%19.9[...]tradicts itself because one is really not free from the policing of the physical body --> coming into a [...] body (==> reality and disillusion in public spaces) -->{ narrative, flesh, is filled with memory, emotions, and complexity [@Hoda]
*crafting a space for existence may involve:
•unfolding history
•mapping normative processes
•immersing a “body” in vulnerability (*)
deploy =/= unveiling
sort out =/= debunking هدايت
glocalizing
Katie King reading Hayward: [...] assembling apparatuses for enfolding visions of instrumental, subjective and cognitive technologies among ciliated (مودار, ریشهدار) bodies
...................................
technologies of the literal
grain of analysis, timescale, noting/creating hybrid objects of study
[comparing the incomparable --> lumping --then--> splitting]
***starting off a research project which eventually hopes to have something to say about that hybrid “thing”*** ...with some despised members of a particular time period (--> switching those who count as major or minor characters), promises to make it possible to build in *a range of genders (not just two), a range of writing technologies, a range of self-effacing acts, and a range of publics*, while working from a particular place and time
***there are many different interests creating the pasts***, the possible worlds...
(Leigh Star ☞ Katie King ☞ Sina) “comparing the incomparable”
here i am trying an outline of my interrelated research practices in a preliminary character, the intersection of which I am just at the beginning to understand
ajayeb: writing technologies of the 12th century Iran
plain style
soing naked as a sign
dress and address
ecology of writing technologies
(Katie King:) writing technologies: ideologies layered in time and space * under which writing has been divided [also cannot be divided] from other generations of cultural meaning
myriad hybrid forms, commingling in material and ideological proliferations
(with Katie King's interest in women's writing technologies)
“presentist”: a practice of classification and categorization to access pasts
continuities and local discontinuities --> is ‘continuity’ (always) a universal abstraction?**
relative universalization
prescrptions for speech and silence
what is gained and what is lost when “tidying up the archive”? (a german problem)
prescriptions for speech and silence
“politeness phenomena”
‘plain speech’ for Quakers: rejection of ‘idle’ speech. preaching was another version of sacrificing seld-will, and was appropriate[...]
(166)[...notes/Ajayeb notes.txt]%19.9[...]ocalizing
Katie King reading Hayward: [...] assembling apparatuses for enfolding visions of instrumental, subjective and cognitive technologies among ciliated (مودار, ریشهدار) bodies
...................................
technologies of the literal
grain of analysis, timescale, noting/creating hybrid objects of study
[comparing the incomparable --> lumping --then--> splitting]
***starting off a research project which eventually hopes to have something to say about that hybrid “thing”*** ...with some despised members of a particular time period (--> switching those who count as major or minor characters), promises to make it possible to build in *a range of genders (not just two), a range of writing technologies, a range of self-effacing acts, and a range of publics*, while working from a particular place and time
***there are many different interests creating the pasts***, the possible worlds...
/>
(Leigh Star ☞ Katie King ☞ Sina) “comparing the incomparable”
here i am trying an outline of my interrelated research practices in a preliminary character, the intersection of which I am just at the beginning to understand
ajayeb: writing technologies of the 12th century Iran
plain style
soing naked as a sign
dress and address
ecology of writing technologies
(Katie King:) writing technologies: ideologies layered in time and space * under which writing has been divided [also cannot be divided] from other generations of cultural meaning
myriad hybrid forms, commingling in material and ideological proliferations
(with Katie King's interest in women's writing technologies)
“presentist”: a practice of classification and categorization to access pasts
continuities and local discontinuities --> is ‘continuity'nuity’ (always) a universal abstraction?**
relative universalization
prescrptions for speech and silence
what is gained and what is lost when “tidying up the archive”? (a german problem)
prescriptions for speech and silence
“politeness phenomena”
‘plain speech’ for Quakers: rejection of ‘idle’ speech. preaching was another version of sacrificing seld-will, and was appropriate speech.
public preaching in particular was also a challenge to social relations and interaction --> a challenge to gender, speaking public was a cultural humiliation for individual women --> the Quaker women practiced preaching as a personal humiliation instrumental to their own salvation [! in a weird way i also did this to my self] #becoming woman-->{a liquefying aspect: “womanhood” was used metaphorically to identify those who could not preach, the surrender of (male) authority to God by men was “fem[...]
(167)[...notes/Ajayeb notes.txt]%19.9[...] />
‘nakedness’ was simultaneously literally his own, a figure of the world, an example of many others, the abstract principle, and the essential truth of the one addressed
-simplicity, economy, and plainness; to reject all the amplifications, digressions, and swellings of style
preferring language of artisans, countrymen, merchants, of wits and scholars
How sin is strengthened 1657
Milk for babes 1661
A message from the spirit of truth 1658
realized eschatology
انا الحق, an-al-hagh
(Damrosch:) the performance of the sign thus entailed a doubly negative aspect: in the person exhibiting it, a conviction of fulfilling a divine mandate in opposition to personal self-interest; and in those who witnessed it, an offense to ordinary social standards that actually served to authenticate it.
*the function of the sign was to bear prophetic witness rather than to get practical results; it fulfilled its purpose simply by being performed*
#shath, shathiat ==> tazkirat, --->{ what the saints of Tasavof (reported by Attar-{his “virtual witnessing” of “awliya” اولیا as a “realized"}, Quakers [as illegal nonconformist sect]) put together was their own writing technology infrastructure** ==> **routinization of charisma** <-- organizational structure ["advices and queries” نفحات الانس nafahat ~-> rationalized systematic intellectualizations]}
pattern of suffering that the believer literally and personally relives
(is Tasavof developed Christian modality of sacrifice? is *passivity imported from elsewhere in Islam*?)
a protagonist, like San'an, like an actor in a mystery play, enacting in a deliberately challenging form, internalized and lived as a potent sign
(Bechwith:) rendered performance of religious materials both practically impossible and conceptually unthinkable
+ exercises their discipline of the senses and the imagination
*undisciplined loss of control in enthusiasm and in this extravagant example*
(stories of) a small group of powerful and vocal actors
***to attend to the local practices of inclusion and exclusion through which some speak and others are spoken for, some act and others are acted upon***
(#ontology)
gentlemanly practices --> (ask) what that legitimacy consisted in and how far it extended?
(wellborn connoisseurs of the new science)
leave the work tacit, and it fades into the wallpaper
•(Leigh Star's) ethnography of infrastructure
•(Bowker's) infra-structural inversion
•(Katie King's) ecology of writing technologies: massive, large-scale infrastructure in dynamic motion, bits changing at differential rates across time, made up of layered sub-systems complexity interconnected and animated by distributed agencies, including [...]
(171)[...notes/Ajayeb notes.txt]%20[...]ualizations]}
pattern of suffering that the believer literally and personally relives
(is Tasavof developed Christian modality of sacrifice? is *passivity imported from elsewhere in Islam*?)
a protagonist, like San'an, like an actor in a mystery play, enacting in a deliberately challenging form, internalized and lived as a potent sign
(Bechwith:) rendered performance of religious materials both practically impossible and conceptually unthinkable
+ exercises their discipline of the senses and the imagination
*undisciplined loss of control in enthusiasm and in this extravagant example*
(stories of) a small group of powerful and vocal actors
***to attend to the local practices of inclusion and exclusion through which some speak and others are spoken for, some act and others are acted upon***
(#ontology)
gentlemanly practices --> (ask) what that legitimacy consisted in and how far it extended?
(wellborn connoisseurs of the new science)
leave the work tacit, and it fades into the wallpaper
•(Leigh Star's) ethnography of infrastructure
•(Bowker's) infra-structural inversion
•(Katie King's) ecology of writing technologies: massive, large-scale infrastructure in dynamic motion, bits changing at differential rates across time, made up of layered sub-systems complexity interconnected and animated by distributed agencies, including people, skills, devices and social powers.
the translation between ([my] deliberately) presentist (meta-)language (of cybernetic systems) and various local languages helps *to rescale particular objects of study*
(my research: “social studies of”) studying animal subjectivity --(changes the way)--> studying infrastructures --requires--> one to think (explicitly) about scale and range --> boundaries/connections between one system and another --(what counts as)--> working sub-systems and various essential forms of “black-boxing” (that describe and use these infrastructures)
-Katie King's accounts of black-boxing (that might matter in conversations about) 17th century writing technologies:
◦reification: strategic metonymic reduction, kenaye کنایه
◦enthusiasm: essentializing identities or ideas
◦members (of Royal Society): naturalizing ranges of inclusion and exclusion
◦*witnessing* rescales the infrastructure. the “work of witnessing” asserts that rhetoic as an element of witnessing is not a thing, not even a performance, but already itself a complex set of infrastructural systems with animating practices and agencies
...readers might submit to the illusion of having effectively witnessed an experiment themselves
*virtual witnessing realized an “enactment” in words*
black-boxing is totally neccessary to use/study infrastructures, they produce the “artifactual ri[...]
(172)[...notes/Ajayeb notes.txt]%20.1[...]lemanly practices --> (ask) what that legitimacy consisted in and how far it extended?
(wellborn connoisseurs of the new science)
leave the work tacit, and it fades into the wallpaper
•(Leigh Star's) ethnography of infrastructure
•(Bowker's) infra-structural inversion
•(Katie King's) ecology of writing technologies: massive, large-scale infrastructure in dynamic motion, bits changing at differential rates across time, made up of layered sub-systems complexity interconnected and animated by distributed agencies, including people, skills, devices and social powers.
the translation between ([my] deliberately) presentist (meta-)language (of cybernetic systems) and various local languages helps *to rescale particular objects of study*
(my research: “social studies of”) studying animal subjectivity --(changes the way)--> studying infrastructures --requires--> one to think (explicitly) about scale and range --> boundaries/connections between one system and another --(what counts as)--> working sub-systems and various essential forms of “black-boxing” (that describe and use these infrastructures)
-Katie King's accounts of black-boxing (that might matter in conversations about) 17th century writing technologies:
◦reification: strategic metonymic reduction, kenaye کنایه
◦enthusiasm: essentializing identities or ideas
◦members (of Royal Society): naturalizing ranges of inclusion and exclusion
◦*witnessing* rescales the infrastructure. the “work of witnessing” asserts that rhetoic as an element of witnessing is not a thing, not even a performance, but already itself a complex set of infrastructural systems with animating practices and agencies
...readers might submit to the illusion of having effectively witnessed an experiment themselves
*virtual witnessing realized an “enactment” in words*
black-boxing is totally neccessary to use/study infrastructures, they produce the “artifactual richness” [= a kind of archaeological layering of artifacts acquired in bits and pieces over time--(Lucy Suchman)] of systems
*black-boxing makes elegant some elements of the system/s differentially*
each author does it:
•Shapin black-boxing his range of systems to its complexity and elegance
•Haraway appropriating the idea of modest witness for her own feminist purpose
•
three technologies for fact-making (that Shapin and Schaffer name):
1. material
2. literary
3. social
Adrian Johns in The Nature of The Book: particular booksellers could indeed use their *stewardship* of such heterogeneous spaces to further political ideals and interests. behind the scenes and up the stairs, an interested London bookseller became a significant actor in cultural events.
nominal agency
actual person
principle archit[...]
(173)[...notes/Ajayeb notes.txt]%20.1[...] accounts of black-boxing (that might matter in conversations about) 17th century writing technologies:
◦reification: strategic metonymic reduction, kenaye کنایه
◦enthusiasm: essentializing identities or ideas
◦members (of Royal Society): naturalizing ranges of inclusion and exclusion
◦*witnessing* rescales the infrastructure. the “work of witnessing” asserts that rhetoic as an element of witnessing is not a thing, not even a performance, but already itself a complex set of infrastructural systems with animating practices and agencies
...readers might submit to the illusion of having effectively witnessed an experiment themselves
*virtual witnessing realized an “enactment” in words*
black-boxing is totally neccessary to use/study infrastructures, they produce the “artifactual richness” [= a kind of archaeological layering of artifacts acquired in bits and pieces over time--(Lucy Suchman)] of systems
*black-boxing makes elegant some elements of the system/s differentially*
each author does it:
•Shapin black-boxing his range of systems to its complexity and elegance
•Haraway appropriating the idea of modest witness for her own feminist purpose
•
three technologies for fact-making (that Shapin and Schaffer name):
1. material
2. literary
3. social
Adrian Johns in The Nature of The Book: particular booksellers could indeed use their *stewardship* of such heterogeneous spaces to further political ideals and interests. behind the scenes and up the stairs, an interested London bookseller became a significant actor in cultural events.
nominal agency
actual person
principle architect
systems move in space, time, and process
some archaeological structures (that one uncover) are stable, some in motion, some evolving, some decaying --> *“there is no way of ever getting access to the past except through classification systems of one sort or another”* (at best) the past could be reordered to better reflect multiple constituencies now and then. (Bowker + Leigh Star)
(my ajayeb research: “epistemic virtues” [or powers] of the 12th century encyclopedic wonder-books,) “epistemological decorum” --> (to capture) “truth-making practices in action” (Shapin)
==> (my commitment to ajayeb:) engendering reflection on the nature of and function of categorization itself
a wonderful bit of meta-language
The Exhausted Receiver
Margaret Cavendish description of a new world, called the Blazing World, her own brand of natural philosophy under the guise of a romance... science for ladies{
1- enthusiasm ==> new science
2- study of natural philosophy ==> cardinal virtues of ladies, modesty and religious reverence
3- leisure activity, appropriate pasttim[...]
(174)[...notes/Ajayeb notes.txt]%20.2[...] Blazing World, her own brand of natural philosophy under the guise of a romance... science for ladies{
1- enthusiasm ==> new science
2- study of natural philosophy ==> cardinal virtues of ladies, modesty and religious reverence
3- leisure activity, appropriate pasttime
*she participated in discussions central to her life and times* (am i participating in discussions central to my life and times?!)
Cavendish self-consciously produced herself as a fantastic and singular... (--> is that what i wish to produce?)
-Cavendish strangely shared with Quaker women an experimental life of proliferating genders, of dress, of personhood, og agency, of writing, of personae, but not of this *enabling collectivity*
hermaphroditical view of things: partly artificial, partly natural
status of clothing as a signifier of identity [<-- not always]
crossdressing (#my sticker period)
[modest witness] (--> Haraway's literal and figurative queering of categories)
the rhetoric of the modest witness --> the naked way of writing, undorned, factual, compelling: “naked writing” [crafted in the context of being virtually present at a demonstration, the ‘practice of credible witnessing’ (==> “truth”) in technoscience] was a proper reference point for feminist examination of objectivity and its relationship to a science founded in exclusion of women. the new man of science had to be chaste, modest, heterosexual man who desires yet eschews a sexually dangerous yet chaste and modest woman --> *female modesty was of the body; the new masculine virtue had to be of the mind* [women's presence turns out to disrupt the experiment (of the scientist or sufi) altogether] (“[...]best of women, pious, chaste, modest, and compassionate, are rendered unfit for science by the very qualities that make them the best of women”)
(Haraway, why credible witnessing is still at stake:) “this is the culture within which contingent facts [= the real case about the world, the object world] can be established with all the authority, but none of the considerable problems, of transcendental truth. this self-invisibility is the specifically modern, European, masculine, scientific form of the virtue of modesty. this is the form of modesty that pays off its practitioners in the coin of epistemological and social power. *this kind of modesty is one of the founding virtues of what we call modernity.* [...] and so he is endowed with the remarkable power to establish the facts.”
-“he [the civic man of reason] bears witness”: he is objective, he guarantees the clarity and purity of objects, as contestable representations, or as construced documents in their potent capacity to define the facts =/= queering confidence: enable a more corporal, inflected, and optically dense, if less elegant, kind of witness (to the matters of fact to emerge in the worlds of technoscience) [--> this is why i was trying[...]
(175)[...notes/Ajayeb notes.txt]%20.2[...]of the mind* [women's presence turns out to disrupt the experiment (of the scientist or sufi) altogether] (“[...]best of women, pious, chaste, modest, and compassionate, are rendered unfit for science by the very qualities that make them the best of women”)
(Haraway, why credible witnessing is still at stake:) “this is the culture within which contingent facts [= the real case about the world, the object world] can be established with all the authority, but none of the considerable problems, of transcendental truth. this self-invisibility is the specifically modern, European, masculine, scientific form of the virtue of modesty. this is the form of modesty that pays off its practitioners in the coin of epistemological and social power. *this kind of modesty is one of the founding virtues of what we call modernity.* [...] and so he is endowed with the remarkable power to establish the facts.”
-“he [the civic man of reason] bears witness”: he is objective, he guarantees the clarity and purity of objects, as contestable representations, or as construced documents in their potent capacity to define the facts =/= queering confidence: enable a more corporal, inflected, and optically dense, if less elegant, kind of witness (to the matters of fact to emerge in the worlds of technoscience) [--> this is why i was trying to enable that kind of “optically dense” and “less elegant” kind of corporeality in our work on Olearius#]
(Haraway + Potter + Shapin + Schaffer:) elaboration on the idea of modest witness in which “modesty” might flip between either two sides:
1- historically masking a masculine solipsism as a preciously unmarked category: modest witness =/= haec vir : God forbid that the experimental way of life have queer foundations
2- (working across partialities) to create “a more adequate, self-critical technoscience committed to situated knowledges”
a nameless sin about which, without describing, he sought counsel
oratory
tension between dedication and prevarication (zaban bazi زبان بازی)
([let's not] being a member of) a “class” of those whose truth-telling was privileged
in certain sorts of people credibility was embodied
ajayeb.net's style of writing =/= a style of writing driven by the needs of readers who are relatively unskilled (in practical divinity, casuistry, or theology, and so on)
*** what kind of classification work, work of historical representation, is necessary now to show over time with greater clarity, in cooperation with more and more communities of practice, that in the best of all possible worlds, at any given moment, the past could be reordered to better reflect multiple constituencies now and then? ***
(Katie King + Bowker + Leigh Star)
[my ajayeb-making is about] partial connections (across time) ==> communities
([my poi[...]
(176)[...notes/Ajayeb notes.txt]%20.3[...]ically modern, European, masculine, scientific form of the virtue of modesty. this is the form of modesty that pays off its practitioners in the coin of epistemological and social power. *this kind of modesty is one of the founding virtues of what we call modernity.* [...] and so he is endowed with the remarkable power to establish the facts.”
-“he [the civic man of reason] bears witness”: he is objective, he guarantees the clarity and purity of objects, as contestable representations, or as construced documents in their potent capacity to define the facts =/= queering confidence: enable a more corporal, inflected, and optically dense, if less elegant, kind of witness (to the matters of fact to emerge in the worlds of technoscience) [--> this is why i was trying to enable that kind of “optically dense” and “less elegant” kind of corporeality in our work on Olearius#]
(Haraway + Potter + Shapin + Schaffer:) elaboration on the idea of modest witness in which “modesty” might flip between either two sides:
1- historically masking a masculine solipsism as a preciously unmarked category: modest witness =/= haec vir : God forbid that the experimental way of life have queer foundations
2- (working across partialities) to create “a more adequate, self-critical technoscience committed to situated knowledges”
a nameless sin about which, without describing, he sought counsel
oratory
tension between dedication and prevarication (zaban bazi زبان بازی)
([let's not] being a member of) a “class” of those whose truth-telling was privileged
in certain sorts of people credibility was embodied
ajayeb.net's style of writing =/= a style of writing driven by the needs of readers who are relatively unskilled (in practical divinity, casuistry, or theology, and so on)
*** what kind of classification work, work of historical representation, is necessary now to show over time with greater clarity, in cooperation with more and more communities of practice, that in the best of all possible worlds, at any given moment, the past could be reordered to better reflect multiple constituencies now and then? ***
(Katie King + Bowker + Leigh Star)
[my ajayeb-making is about] partial connections (across time) ==> communities
([my point in work on ajayeb:] we need) the possbility of competing and shifting claims on individuals (=/= self-making individual), rather persons with partial connections (across time) and queer relations with pastpresent ==> negotiating forms of evidence ==> units of analysis ==> past reordered
[with the help of Katie King's figure of writing technologies:] i am interested in and interested to help make historical representations of nonhuman iranians in writing technological ecologies (which are inevitably products of new social movements, new research a[...]
(177)[...notes/Ajayeb notes.txt]%20.3[...]n dedication and prevarication (zaban bazi زبان بازی)
([let's not] being a member of) a “class” of those whose truth-telling was privileged
in certain sorts of people credibility was embodied
ajayeb.net's style of writing =/= a style of writing driven by the needs of readers who are relatively unskilled (in practical divinity, casuistry, or theology, and so on)
*** what kind of classification work, work of historical representation, is necessary now to show over time with greater clarity, in cooperation with more and more communities of practice, that in the best of all possible worlds, at any given moment, the past could be reordered to better reflect multiple constituencies now and then? ***
(Katie King + Bowker + Leigh Star)
[my ajayeb-making is about] partial connections (across time) ==> communities
([my point in work on ajayeb:] we need) the possbility of competing and shifting claims on individuals (=/= self-making individual), rather persons with partial connections (across time) and queer relations with pastpresent ==> negotiating forms of evidence ==> units of analysis ==> past reordered
[with the help of Katie King's figure of writing technologies:] i am interested in and interested to help make historical representations of nonhuman iranians in writing technological ecologies (which are inevitably products of new social movements, new research agendas, new publics of interest, and new contests for historical meaning)
with ajayeb this became immediately my concern: *infrastructures of historical representation*
...................................
(what are the) stickiness of ajayeb's being (?) or, in which affective economy they are ‘passed around’? [social goods, accumulating affects, contagious مسرى? it tends to pick up whatever comes near, or gives us a certain kind of angle on what comes near*]
•wonder
•cause ==> ?
•
}--> social bond is always rather sensational*
(Ahmed suggests) thinking through affect as “sticky”: affect is what sticks, or what sustains or preserves the connection between ideas, values, and objects
{ affects as contagious =/= (inside/outside) “outside in” model of emotions (for axample, when we say: atmosphere “getting into the individual”)-->[part of the intellectual history of (crowd) psychology and the sociology of emotions] }--> affect becomes an object only given the contingency of how we are affected
“what we will receive as an impression will depend on our affective situation” --> Julia's post-Lacanian feedback: bodies never arrive neutral
*everything depends on the angle of our arrival* (<-- my point in lecture-performances) ~-> **pedagogic encounter is full of angles** (--> is that why i am becoming increasingly pedagogic?)
(by distinguishing between “did/h[...]
(178)[...notes/Ajayeb notes.txt]%20.4[...]
fantasies of proximity (in sense8 TV series) --> if only we could be closer, we would be as one
the happiness of the characters of sense8 is the promise of “the one”
...................................
how to learn to read the discursive practices of being of ajayeb? the ways each being proposes its own (or another's) changing geometry and topology, their boundary-drawing practices, their differential productions, and how each being makes sense of its world
-(the authors and beings of ajayeb,) what are their capacity to discern the reality of their (relational) nature?
-how their determinate position (in their relational nature) is or may be (usefully) (con)figured as *specific connectivity*? [the question of specific connectivites of ajayeb]--> this requires from me poetics: diffractive descriptive acts
-what are the ajayeb's beings and mine intertwined practices of knowing and being?
the agential cut of the brittlestar is a survival kit: the arm is “cut” and becomes part of the other (predator)
Barad is reading the brittlestar to rework (challenge conventional conceptions of) her discipline's ontologies and boundaries =/= scientist's usual frame of application and amusement of “discovery” that feeds technological advancement, “the excitement and romantic overtones that inevitably accompany the story of the scientist as explorer breaking into new frontiers” (Barad)
(embodiment-->) *bodies are not situated in the world. They are ‘of’ the world (in its dynamic specificity)* (Barad) (@Femke)
[*]objectivity
=/= occupying a determinate position in a given environment
=/= occupying a particular coordinates in space and time, in culture, and in history
=/= seeing from somewhere [=/= “objectivism” (view from nowhere) or “everywhere” (relativism)]
=/=
(like Barad's brittlestars) which ajayeb's being's bodily dynamism resists (or constructs) the familiar notion that space is preexisting container:
•space: a stage on which actors take their place
•time: the mere uniform ticking of clock
(how ajayeb's worlding is similar or different than the familiar notion of Shakespeare's “world is a stage...”?)
[Barad, poet of matter, time and space:] “Matter does not move in space and time. Matter materializes and dynamically enfolds different spatialities and temporalities.”*
*there is only exteriority within*
--?--> models that position representation as the lens that mediates between the object world and the mind of the knowing subject --> (an optics that reflects) a geometry of absolute exteriority between ontologically and epistemologically distinct kinds =/= ajayeb's diffractive differential materializations
perhaps that arm that got detached from you, could have a chance of not becoming a jettison phantom limb forever haunting [...]
(180)[...notes/Ajayeb notes.txt]%20.7[...]e an image*
•(to evolve a creative tension,) a trade-off, between the resolution of detail and diffraction effects, between geometrical and physical optics
ajayeb's ecologies mixed (less of) reflection and (much more of) diffraction, are taken from a yet not detachments of the experience of phenomena and the apparatuses of its description, of percepts and affects
#my findings of composites of ajayeb:
•animals varying number of legs --?--> animal + movement
•fantastic creatures --?--> animal + environment + affect
•fable poetics --?--> animal + apparatus of description
•tentative citationality [other name of “rumor”?] --?--> nonhuman + human relational histories
•remembering is an extremely creative (& imaginative) practice
•
--> ongoing, open-ended articulation of the world (<-- my work on ajayeb)
--> these are the diffraction patterns in ajayeb that are (artistically, politically, ethnically) significant for me (?)
--> these are instances of resistance against biomimesis in ajayeb (?) [biomimesis is involved with mirroring, imitation, or reflection, and other tropes of “sameness"] =/= trans-materialities of the creatures of the world, they transgress the sacrosanct divides between techne and episteme
(many creatures of our shared world have) evolved in intra-action with their environment, and old bestiaries, such as ajayeb, critically inhabit a mode of description and affect situated within the intra-activity of technologies of writing and perception
•the creatures of the mud know better not to get caught up in a “geometrical optics of knowing”
we are seeking a different genus of knowing =/= mediating machine, inscription devices, lenses, panopticons, and various other epistemological tools that many science studies and cultural studies scholars fancy. (is that also what Marialena fancies? her list of tools)
[*]intelligibility: an ontological performance of the world in its ongoing articulation
not a specifically human capacity, intelligibility does not require an (usually human) inttelective agent
the problem with design is that designers (as well as scientists and engineers) are busy with building ‘enhanced communication networks’ and principles of ‘usefulness’, in the way they relate to the “forms” of nature
*connections and commitments (come together)*
the copyright symbol © should be a sign not of the right to copy but, if anything, of the responsibilities entailed in producing differential materialization (for whom and at what costs?)*
Barad ♥
(brittlestar, the plant in my room, ajayeb's creatures,) ...their being is a flexible distributed growing and regenerating multi-oriented shape-shifting topologically variant dynamical system of diffraction gratings
(rhetoric of) re-veiling, which provokes the seemi[...]
(181)[...notes/Ajayeb notes.txt]%20.8[...]and death, that are not always harmonious to popular narratives of nonviolence
...................................
ajayeb: mythoepic literature in translation from a Middle Persian corpus
-when i say ‘Middle Persian corpus’ what i actually mean is a shared world of ritual, religion, and mythology between Iranian, Urdu, Turkish, Zoroastrianism in Iran and Vedic Hinduism in India, Indo-European inheritance in ancient Iranian culture, South-Southeast Asian literatures, translations and transcreations (and transliteration) of stories (prose, poetry, drama, epic, jokes, parables, figures [that are not always part of the canon], the irreverent بى ادب, ) in Indian and Southeast Asian contexts,
my project is about learning the ‘how’ of cultivating the ability to fruitfully approach texts from different cultures and pasts
-(to study) the radical poetic force of the Persian texts--in ajayeb
-to become enhanced and enchanted in skills of reading wider ranges of linguistic registers
-to open up an approach to a dauntingly complex region of islamicated thought (not the ideological enterprise of “Islam”, which is usually badly politicized in the historical memory of the West. we could get interested in the economics of corruption and technologies of rule, the evolution of government bureaucracies and classificatory schemes, anti-colonial critique,)
ajayeb is on the side of counter-classical traditions of standard Muslem-ness, and its less elite histories and cultural forms,
(intellectual identity:)
cross-dresser of the order
autodidact odds
sufis, merchants, nomads, poets, pilgrims, smugglers, laborers,
religious identity, religious knowledge, religious violence,
medieval persian mysticism:
•oral, temporal nature of speech
•speaking I to the unknown and unknowable Other
•the discourse of love
•apophatic discourse -->? politically subversive
•linguistic fragmentation, edges of meaning
•
...................................
dense and textured stories
(generativity is fueled by) densely felt textures
worlding of the place:
•the material, sensory labor of attending to an emergent and enduring hum
•the force of things amassed of phantom limbs
•actual residue of people “making something of things”
direct materiality of people's shared sense = attending to what is happening
a racist violence in the dark
a space of condensed displacement
watching things arrive in the company of others
*nameable clarities:
•family
•friendship
•love
•collapse
•laughing
•telling stories
•violence
•place
•
--> all atmospherics*** : forms of attending to what's happening, sensing out, accreting atta[...]
(183)[...notes/Ajayeb notes.txt]%21[...]d, some buttom line humanity (called Ungeschicktheit) that depends on giving up competence*** (and often finding oursevels orienting with that rainbow caterpillar disoriented on your forehand)
---our shared ‘should-have-been-obvious'es with Janina
---Janina's misshapen forces*** --somehow--> reach a plane of expressivity (for me--because i love her?)
---the event, its affective structure, is familiar from childhood and strangely satisfying, like a loop i had to make, *an emotive-agentive place i had to check in with* --?--> Janina + Sina forms of belonging
(sometimes that place is a fully-invested connection and weighted, like home)
***forms of belonging: tactile + full of force + tentative + risky /--{"+” : are, and, yet}
--> an ecology of paths that matter by means of the things that happen in a present in which we are *lost yet attuned*
--> all the ways that people and things venture out into reals [my mother, Sina, Janina, ...]
[*]town: currents of difference, affiliation, history, ordinary dullness and comforts, characters and their stories
psyching out ethnicity
(my old attunement:) the fear of cockroaches
the miracle mile of computer technology
the elitism of the historical societies
localness nests in:
•tastes
•bodies
•neigborhoods
•a valley
•a state
•a geographical region
“in each scene of the production of history there are events that are storied or otherwise pulled into play” (Stewart)
Stewart on salem witch trials
the accusations spiraled through families, catching people up like magnetic strips
“wicked little sorceries” -->{jumpy moments that suddenly lay the charge of a half-known intensity onto ordinary people and roads, regionality becomes a wicked little sorcery. a vortex that pulls possible forms into life into a moment's alignment}, {the adjective ‘wicked’ marking *excess* of all kinds}
astrology
fortune-telling
*an attunement to specters*
-a farmer admitted getting into ‘the snare of the devil’ because he had a large family and ‘the world went hard with him.’
robustness in cold weather
[title]
making of edges and scenes in ajayeb
character or texture of an edge
(ajayeb is made of elements that were) a thing sensed with certainty (yet made up of a shifting, edgy composite)
[a sentient shadow called jinn, God, darkness of a pit, a cycle, etc.]
--or--> made scenic *as a site of a world's potential* (= ajayeb)
--the scene of a thing's demise
an edgy irruptive event
rules and edges are OK when separate, but together, a bad combination
(Karin + Sina + Hanno) we were humans together
[...]
(184)[...notes/Ajayeb notes.txt]%21.4[...]posite transformations of artefacts from the time of myth* [for example] Wari pay much attention to human bodies to ensure proper growth, which is regarded as a collective responsibility: they are moulded and shaped by kin from foetus through to adult. actions carried out on the body, such as massage, painting and piercing [and negarani of iranian mother] are seen to have profound and lasting effects
•each being is stabilized through acts of care --> what are babies for iranians (and iranian mothers)? {[*]affect: dispositions or capacities which render the body of every species unique: what it eats, how it moves, how it communicates, where it lives, whether it is gregarious دسته اى or solitary ==(such practices ensure that)==> **individuals act and see in the same ways as their kin** }--> is this what mother does? (has to do with the ability or threat of transformation? -->) *#practices of care and نگرانی negarani are the production of a distinctly human body ~ naturally human ~=> different bodily constitutions of the subject ==> different worlds
a process that crucially entailed inconstancy: a continuous creative response to the exigencies of somatic uncertainty and ontological risk =/= intentional image into a realized product (a bad story of technology)
let's resist:
•the vessel metaphor
•the body's dual character as biological and cultural
archaeologists’ understanding of what bodies and artefacts are ==> a model (based on analogy) ==> “pot =/= body”
****sex and aging, defined as the real “physical characteristics” of the body that underpin human experiences --> usually remains unaltered
(for instance check the TV series Six Feet Under, how David's gay-ness is an intrinsic absolute fact of his body that underpins all his experiences)
we “wear”:
•sex
•aging
•personal feelings
•Iranian, or German, (basically being anything)
•
(basically in all Hollywood imaginings and standard archaeology) artefacts are only assigned secondary agency --> animacy is not considered as inherent attribute of the artefactual *** (Gell)
--✕--> pots as living organisms subject to processes of growth
(Ingold's) ecology of materials is characteristic of work that focuses on the inherent vitality of things (Barad)
*production: an ongoing process that produces both maker and object
(Alberti proposes) a change in focus: (from) *stopped up objects* --(to)--> *leaky things*
in his writing Alberti finishes 3 or 4 times his paragraphs with the same characterization of his field: “chronic instability of a world constantly at risk of transformation”
“if everything can be human, then nothing is human in a clear and distinct way.”
Viveiros de Castro
[...]
(185)[...notes/Ajayeb notes.txt]%22.9[...]nceptualize ontology: as a people's “beliefs about” reality / as people's actual ontological commitments (~ people's reality)
Latour's modes of existence: ontological tendencies that exist more or less precariously under the assault of modernization
conversion of ontological questions into epistemological questions ==> deontologizing other peoples’ *ontological commitments* [--> that Goda mistook for ideology]
*problem with pluralizing “reality” is that it might appear to be a form of cultural relativism, (demotion of) “ontology ~= culture (~ cultural beliefs about reality =/= reality)” ==back==> cultural construction
anti-Cartesian, relational, and antiontological exceptionalism
[a] Heideggerian idea: *the world we encounter is preinterpretive*
posthuman ~ nonrepresentational ~ realist ~ new materialism
(realism: an ontological approach)
•Latour's network
•Ingold's meshwork (commonality of processes across the ‘life =/= not life’) --> processes ~ becoming ~ growth ~ decay
•Barad's entanglement (relations are primary and relata are a consequence of relating ==dynamics==> intra-action {phenomenon = experiment + measuring device + techician + previous results + setting + ...})
•DeLanda's assemblage (how humans and nonhumans produced communities that changed in composition and through time... =/= linguistic model of context)
•
**relational ontology : stronger your “allies” are, the more reality you can claim** [= (Latour's notion of) truth]
[critique of human exceptionalism ==>] open ontology --> contingent categories: phenomena and assemblages are temporary, contingent, and unbounded
flat ontology: one made exclusively of unique, singular individuals, differing in spatio-temporal scale but not in ontological status --symmetry--> *to get at differences without determining what they are in advance* (<-- useful for ajayeb studies)
•archaeological types/objects: reified sets of relations
•job of the archaeologists: establish alternative taxonomies of being
ruin memories
nonrepresentational =/={"world of ideas =/= world of things” ~= the ideas must correspond to a truth demonstrable in the world of things}
(Lucas's) materialization: we can still say things about the past with great certainty
theories + apparatuses + material remains
ontological realism --claim--> objectivity and truth may be contingent but are nonetheless demonstrable and robust
archaeologist ontological approach: working on “material pasts in the present” ~= ‘how past actually gathers in the present’ =/= “material record = fragmentary evidence of history”
•(material's temporary sensitivity ==>) [*]residue: the idea of memory objects, material entities in which the mem[...]
(186)[...notes/Ajayeb notes.txt]%23[...]estions of representation --to--> questions of ontology
simplification of ontology (--> objects pacified and silenced) ==> complication of epistemology (--> subjects proliferate and chatter) [--> “discursive practices” and “politics of knowledge” are results of that pacification?]
***someone must be wrong, something has to be explained*** (<--?-- we have never been modern, they has ever been primitive)
(Viveiros de Castro)
formerly, savages mistook (their) representations for (our) reality; now, we mistake (our) representations for (other people's) reality. rumor has it we have even be mistaking (our) representations for (our) reality when we “occidentalize”
*culturalism, relativism, textualism --> reduces reality to representation
*cognitivism, sociobiology, evolutionary psychology --> reduces representation to reality
it has been obvious (for more than seventy-five years) that at the heart of the matter, there is no stuff; only form, only relation
...................................
“ajayeb” a term i use inclusively to examine a living and nonliving ‘historical site’ / ‘heritage web’ in order to learn/talk/speculate about what counts as writing ~= writing technologies ==> production of knowledges
(Katie King's) bits of pastpresent, a tool for scale making
~(Weston's) time claims
[*pastpresent: decline epistemologically charged purifications that devout complaints of “presentism” mandate]
-in my research (willing and required to become a beginner) i am asking: why past and present are so easy to separate?
(~~--> how our vision of past and future creates our present?)
==> directions, spinning dynamics,
in a sense my work on ajayeb is a critique of “presentism"[= overvaluing historically and culturally local constructions of the meaning and importance of a particular set of stories and their conditions of production (of “ours”). (for example the “future” story)]
-->? speculative presentisms (Dinshaw's queer historiography)
*globalization: “that travelogue of distributed, heterogeneous, linked, sociotechnical circulations that craft the world as a net called the global” (Haraway)
~= processes responsible for the power and mobility of media, money, politics, sexualities, and knowledge practices*** --> these meanings and powers can be “glocalized”: altered, filled in, indigenized, and reunderstood *within local agencies*(: people, art forms, practices of everyday life)
(globalization processes) ==> academically uncomfortable and sometimes politically reprehensible سزاوار سرزنش forms of hybrid histories
(Katie King's flexible knowledges:) layers of locals and globals
my aim in my research is creating *struggle for understanding* [= many communities involved in reading, writing, interp[...]
(187)[...notes/Ajayeb notes.txt]%23.8[...]n seventy-five years) that at the heart of the matter, there is no stuff; only form, only relation
...................................
“ajayeb” a term i use inclusively to examine a living and nonliving ‘historical site’ / ‘heritage web’ in order to learn/talk/speculate about what counts as writing ~= writing technologies ==> production of knowledges
(Katie King's) bits of pastpresent, a tool for scale making
~(Weston's) time claims
[*pastpresent: decline epistemologically charged purifications that devout complaints of “presentism” mandate]
-in my research (willing and required to become a beginner) i am asking: why past and present are so easy to separate?
(~~--> how our vision of past and future creates our present?)
==> directions, spinning dynamics,
in a sense my work on ajayeb is a critique of “presentism"[= overvaluing historically and culturally local constructions of the meaning and importance of a particular set of stories and their conditions of production (of “ours”). (for example the “future” story)]
-->? speculative presentisms (Dinshaw's queer historiography)
*globalization: “that travelogue of distributed, heterogeneous, linked, sociotechnical circulations that craft the world as a net called the global” (Haraway)
~= processes responsible for the power and mobility of media, money, politics, sexualities, and knowledge practices*** --> these meanings and powers can be “glocalized”: altered, filled in, indigenized, and reunderstood *within local agencies*(: people, art forms, practices of everyday life)
(globalization processes) ==> academically uncomfortable and sometimes politically reprehensible سزاوار سرزنش forms of hybrid histories
(Katie King's flexible knowledges:) layers of locals and globals
my aim in my research is creating *struggle for understanding* [= many communities involved in reading, writing, interpreting,] --> ***we are all members in these communities struggling for understanding***
Urton paying attention to decompiling intermediaty positions between so-calles reading and writing --> string records --> numerical accounts or maps or... ==> histories and narratives
my research on ajayeb in apass as a practice is about *disassembling and reordering classifications we use to access pasts*
the excursion i did in Vladmir's block was somehow about examining sites of implicitly or explicitly knowledge production in commercialized forms
museum, TV documentry as a metaphor {a richly contaminated set of crafty metaphors and realities} and narrative frame, a momentary melding of pastpresents in imaginative reenactment --> economic globalization figuring in artistic/academic capitalism
(--> ajayeb is also of this kind,) *site of heritage* culture as promoting particular versions [...]
(188)[...notes/Ajayeb notes.txt]%23.9[...]ith problems and possibilities) are also necessary in art research ([Katie King:] and in scholarly knowledge production), (building, creating, constructing, laboring means to learn how to become sensative to the contrary requirements, to the exigencies اقتضا, to the pressures of conflicting agencies where none of them is really in command; Latour)
‘industrial model of distributed production’ <--> ‘a version of the responsibilities and pleasures of professional and intellectual autonomy’
-TV shows are animated with folks from our time who invite audience identification as “us”: we are the viewers mentally enacting [~ playing at, reenacting, experimenting, speculating, trying to provide evidence for] various understandings of the so-called past***
melodramas of reenactment and experimentation ==> professional knowledges are elevated, while their bondaries threatend
in the production of an ‘object’ things (and meanings) get lost, they might be registered in “interference”
*anachronism, anachronistic --> #sleep-walking
“slippages in time” within the past as well as between “us” and the past
desire for tales of progress, with some particular “us” on top ~ chronology as essential origin {what we see often in technology tales such as Lucy (2014) or X-Men opening scenes}=/= to mix up who counts as “us” {what i have been trying to do, mixing up with Iran, Germany, etc.} to offer different timescales
•local details that animate generalizations
•archival labors dramatized and experienced as immediacy
•transparency of the material limitations of selection
spectacle of production
critique of the living-history ethos
giving science war pep talks... [TED]
(don't!)
[*]witnessing: “root of the experimental life”
[*]science: important and witnessable
freestanding photo-figures of scientists that work to situate and create scales of importance
commenting and making alliances across space-time with other figures
_[audience and markets]_
audience polyphony
audience and markets shift and converge in [flexible knowledges] complex address of multiple audiences, in that contradictory nest of niche political and epistemological “markets”
(**the story of the ‘interactive’:) “rich contradictory nestings permit an require visitors to select among possible salient narratives by animating differently layers of locals and globals”
to call oneself in and out of allience and its classifications, that *momentary universalism* shades into other ranges of affiliation and disaffiliation (*)
[...] --> [ ? ] --> salience --> tangible --> literal --> experimental
...................................
conceptualize the intensities of form and force
affect studie[...]
(189)[...notes/Ajayeb notes.txt]%24[...]all oneself in and out of allience and its classifications, that *momentary universalism* shades into other ranges of affiliation and disaffiliation (*)
[...] --> [ ? ] --> salience --> tangible --> literal --> experimental
...................................
conceptualize the intensities of form and force
affect studies has made me feel less alone because before it
...................................
There are [always] other epic and epochal forces in our midst.
...................................
evil eye --> دیو چشم زخم --> غش --> اغشی
...................................
باغ plethora of old and new humanities, selves - with Sardar: There are plants that provide various colors of foliage, or hedges and borders, or climb up fences, or play architectural roles (=/= presumption that we must have a identity & supposition that we discover our identity & the Socratic “know thyself” as a fundamental human urge) we exist with multiple identities invoked differently in different context. subscribed to an imagined “heritage” ready to kill and be killed to save some “essence” (=/= San'an)
sake of the difference, scum and finest of men
(for example “black”: to be confused: once excluded, now technically empowered, a dominant group in the rainbow, but still practically marginalised by the history that created and continues to operate practical exclusion.)
@Iranians: how much of the Other is actually located within me?
“a perfectly permissible aspiration” --into--> “an instrument of war” (Maalouf)
British identity is based on an assumption of authority that makes the world a familiar place, a proper theatre in which to continue being British. #Olearius
exclude the (unsavoury) foreigners <==> romanticised history and frozen tradition
*history as a deliberate human creation ==> acknowledgement of a common past ==> (a difference called) identity [= “our” similarity against “their” difference,] (submerging, barbarising and differentiating itself from another identity) [for example ancient Greece + Rome + Christianity = Europe] ==> monolith ==> conflict and death
•my (jub جوب) gutter photos =/= Tehran's Americanization of the high street.
•my photos of Rima =/= her selfie's merchandised model of individualism
a deep desire for association
various and diverse traditions ==> identity: “the means to synthesise similarity through difference and to see difference as discrete means of expressing basic similarity” (Sardar)
“balance of similarities and differences as a way of locating what it is that makes life worth living and what connects us with the rest of the changing world”
*...continuation of the Enlightenment project of progress through instrumental science. One source of Truth, and one Civilization, continues in its trajectory
garden =/= {North America's arrogance in cosmological[...]
(190)[...notes/Ajayeb notes.txt]%24.1[...]>
...................................
[body politics]
Greeks --> body politics --> elaborated images for human society ==> citizen, city
(Haraway on) the junction of natural forces and economic progress in the formative years of capitalist industrialism
(Haraway's emphasize and telling stories about the) union of the political and the physiological
ancient and modern justifications --> differences (seen as natural, given, inescapable ==>) as *moral*
the ‘content’ as well as the soicla function of science --> renderd utopian: (that means) we leave this central, legitimating body of skill and knowledge to undermine our efforts
[we must fight with all our power against utopian(~= dystopian) stories of science ~-> accepting that there are natural objects (bodies) separate from social relations] --> (we must refuse) the damaging distinction between pure and applied science & double ideology of firm scientific objectivity and mere personal subjectivity
we have granted science the role of a *fetish*: an object human beings make only to forget their role in creating it
...agreeing that “nature” is our enemy and that we must control our “natural” bodies (by techniques given us by biomedical science) at all costs to enter the hallowed kingdom of the cultural body politic as defined by liberal (and radical) theories of political economy
[a traditional reduction of the body:] Freud --> (a theory of body politics:) “culture in the cost of sex” [<-- no!] : human social developement = progressive domination of nature (particularly of human sexual energies) --> *sex as danger and as nature* are central to Freud's system
*** Freud (, Brown, and Firestone) are useful tools in a dissection of the theories of the political and physiological organs of the body politic because they all begin their explanations with sexuality, add a dynamic of culturla repression, and then attempt to liberate again the personal and collective body
civilization = body politic
(in iran:)
personal body =/= social body }--> both not natural
(a fundamental human condition:) through labor, we make ourselves individually and collectively in a constant interaction with all that has not yet been humanized ♥
[animal body politic]
[the science of animal]
animal sociology (in fables since millennia [--> Kelile Demne stories of natural basis of cultural cooperation and competition]):
•construction of oppressive theories of the body political
•science of animal groups
•a tool in the reproduction of world
•enhancing material power
*animals* (played an importan role in)
•the project of human engineering: the project of design and management of human material for efficient, rational functioning in a scientifical[...]
(191)[...notes/Ajayeb notes.txt]%24.2[...]e fundamentally tied to the central index of intelligence
#merchant
*entrepreneur in primate studies* --> (merchant seeing himself) working to foster a rational society based on science and preserved from old ignorance
[transformation of human sex into a scientific problem]
-trading sex for “privilege”:
primate intelligence --allowed--> sexual states --stimulate--> the beginnings of human concepts of social right and privilege
physiology <--economic--> politics }--> scientifically confirmed to life at the organic base of civilization
sex-linked differences,
the primacy of sex in organic and social processes,
scientific managers over women's lives
monkey and apes as:
•natural objects
•unobscured by culture
•organic base in relation to which culture emerged
--> *human engineering*
(Haraway naming those) scientific networks crucially determined who did science and what science was considered good
(#sohrevardi)
Darwinian conception of natural political economy of population
(in Attar, Kelile Demne, Ajayeb, i am hunting for) *** early systems theory *** --> providing the technical base for (different claims such as:) the claim to scientific maturity of the social sciences based on concepts of culture and social group
“he removed the putative head from the collective animal body.” --> animal body politic
--> society was derived from complex interactions of pairs of individuals, understood and measured by psychological techniques, which constituted the social field space. one looked for axes of dominance as organizing principles on both the physiological and psychological levels
--> the theory of the function of male dominance nicely joins the political economy aspect of the study of animal behavior and evolution:
•competition
•division of labor
•resources allocation model
with the social integration aspect:
•cooperative coordination through leadership and social position
with the purely physiological understanding of reproductive and embryological phenomena
*Garden of Industry*
dominance as a natural property (with a physical-chemical base)
a cross ideological exercise (is not possible): science cannot be reclaimed for liberating purposes by simply reinterpreting observations or changing terminology --> (Princess Bubblegum) denying a dialectical interaction with the animals in the project of self-creation through scientific labor
(let's switch to a deeper look at primates, not as models of human beings, rather:) how they live and relate to their environment in ways that may have little to do with us [this is so helpful for everyone and is why i am interested in animal body politics] and that wi[...]
(192)[...notes/Ajayeb notes.txt]%24.4[...]ork and interest since 2012:) attention and allegiance to a *process of knowing*
(ajayeb.net has interest in reworking the conventions of syntax and of the sentence)
•the experience of ajayeb.net is like watching something leap; scrambled elements, something clicks into place; a stubborn suspension, not quite parsable
•the experience of ajayeb (mode of description) is like *a sudden event happening so quickly we don't have a name for what we see, cannot identify the motion* (==> animals in ajayeb have many legs and arms)--> [*]motion: the patterning life of energy ~~--> world of forms
(Doty ☞ Cummings:) “rearrangingly” + “become" = rea(be)rran(com)gi(e)ngly
ajayeb = "how everything happens” (based on the ebb and flow of percept + episteme)
(an index finger that) points to the world's ways of happening (in energetic and enigmatic waves of world's coming into [& going out of] being)
*ajayeb moves concepts in like of: the world doesn't necessarily want to be ordered into the linearity and forwardness of text
طلسمهای ایرانی
nefrin نفرین : representative of the (intricacy of) *larger actions of the world*
nefrin-nevisi نفرین نویسی --> (made by the) technologies of their moment
postmodernism's familiar hesitation on the inadequacy of language ==> giving up referentiality =/= my ajayeb
(taking up on moon, for me is about) not going in fear of that which has been looked at again and again. #moon is “deeply compelling and we probably won't ever get done with it”
...somewhere in the neighborhood of a hundred years later
morality of description(?)--> embodying the dilemma and work of the witness
...wheels of thinking turn slowly for some of us
adabiat tosifi ادبیات توصیفی
divisive consciousness (with a certain) degree of removal from the world =/= (we want) *more* language (<-- more we name what we see and do)==?==> a larger and more valuable world
(Roethke:) “when is description mere? never!”
-->
[*]صنعت تضاد san'at-e tazad, polarity: the pull of forces in opposition ==makes==> writing feel alive
[*]projection: that psychological mechanism by which we turn the world, or other people, or deer (into versions of ourselves) --> it is not a sin; it is our method of operating, our modus operandi (--> “pathetic fallacy”: inevitable perceptual work of the human; “if you are miserable, then the trees look miserable to you”)
[*]qualifiers sefat صفت gheyd (adjectives and adverbs) intended to lend a host of sensory qualities to the sentence; (sometimes too much) adjectival or adverbial flavoring. [#training: remove every adjective and adverb, and see what you have got left --> **there is always a more exact term waiting to be employed**] (Foad's severe [...]
(194)[...notes/Ajayeb notes.txt]%25.2[...]
-->
[*]صنعت تضاد san'at-e tazad, polarity: the pull of forces in opposition ==makes==> writing feel alive
[*]projection: that psychological mechanism by which we turn the world, or other people, or deer (into versions of ourselves) --> it is not a sin; it is our method of operating, our modus operandi (--> “pathetic fallacy”: inevitable perceptual work of the human; “if you are miserable, then the trees look miserable to you”)
[*]qualifiers sefat صفت gheyd (adjectives and adverbs) intended to lend a host of sensory qualities to the sentence; (sometimes too much) adjectival or adverbial flavoring. [#training: remove every adjective and adverb, and see what you have got left --> **there is always a more exact term waiting to be employed**] (Foad's severe economy of means; Janina's allusive, shimmery surfaces delight) ([*]style: a simple way of saying complex things. -Cocteau)
[*]نظم nazm: musicality of poetry, poem's body of sound is its specific particular flesh, sonic texture --> **making the language more markedly like the world** [a trail, pathway through a wood of sounds, an unmistakably specific landscape, loyal to the local]
[*]synesthesia: occasion of excitement, a skein of complicated perception, (sort of a literary technique,) something like a snapshot of the image-making mind at work --> superimposition of both events and of senses (and of scenes?) ==> a consciousness
(aim of many artists:) “to form the sensorium, the sphere of perception in which we dwell” @Hoda =/= (Doty suggests:) it is work to sort them out (what sorts out senses? question @Hoda, she must learn: an accurate rendering of an idiosyncratic process of sensory overlap and association)
[*]لحن tone: special effects, evoking a ‘moment of’ ... intense statement of feeling ==> a concretely descriptive feeling
[*]questions are always a little more trustworty than answers (?) -- sometimes things said do not take the *rhetorical form of a question* [--> in apass i was training to be able to capture those kind of ummarkedly questions] --> something said (described) with room for indeterminacy ///*convex mirror* (Doty's refractive thinking)
[*]فعل verb, the descriptive force of the right (hardworking) verb, a kind of muscular concreteness. sometimes verbs gain descriptive force when other parts of speech are newly cast in active roles
*invocation = directly addressing the thing creates a sense of immediacy and of connection
*thou, with its suggestion of divinity or beloved --> prayer
*hectic: uncomfortable alliance, inharmonious, something that might set the teeth on edge
*destroy --> a death-steeped perception that reads the wind as a “destroyer”
*world of fused duality
‘and’ --> the signature element of a place, of a landscape, the conjoined body : the animate and the inorganic as one thing
*the project of[...]
(195)[...notes/Ajayeb notes.txt]%25.2[...] Iran-Iraq war (Iranq)
lush, sensuous, flowering
parallel text to the creature
“you are gorgeous and i am coming” ♥
an approximation, unstoppable as an approachoig sound of approaching organism
testing and smelling
insight and sound --> Lili
an aphrodisiac and a chastening reminder: getting sidetracked by grief
“my portion this time”
*art is a house that tries to be haunted* ♥ (Doty ☞ Dickinson)
قافیه به تنگ آمد ghafie tang, (when a choice is) driven more by sonic than by logic
what kind of game is the sea? @Marialena
lap and drag. crag and gleam
(monosyllables --> are we reading nouns or verbs? tough, playful ocean)
syntactical ambiguity disorients
(Khayam's) desire to die into the world (~ to surrender into the life of things)
[title]
*describer's art*
autumn
a kind of logarithn of decay and rekindling
to describe description
a work of advocacy
to go description-hunting in ajayeb
evocation of sense perception (--> a technique that Adventure Times TV series uses)
...................................
Foucault [_bestiary of the imagination]
...precisely because it puts them into categories of their own, the Chinese encyclopedia localizes their [fantastic entities, fabulous animals, polymorphous and demoniacal faces, creatures breathing fire,,] powers of contagion
encyclopedia ==> quality of monstrosity does not affect any real body (=/= lurk)
animals in the non-place of language, meeting in the immaterial sound of the voice pronouncing their enumeration
“Absurdity destroys the ‘and’ of the enumeration by making impossible the ‘in’ where the things enumerated would be divided up.”
the ‘operating table’
a table --> a tabula, “that enables thought to operate upon the entities of our world, to put them in order, to divide them into classes, to group them according to names that designate their similarities and their differences--the table upon which, since the beginning of time, language has intersected space.” (Foucault, The Order of Things)
...................................
*questionable interpretations
#attention
([art/]aesthetics of noticing)--> appreciation of multispecies landscape, making living ecologies
which sectors/fields of art require artist to go out and notice things?
(engage with which) details of the world --> breaking common sense
our mamalian bias:
•predetermined body shape and size
•run toward death (pre-programmed death =/= history) ==> makes us think in terms of set-life courses[...]
(196)[...notes/Ajayeb notes.txt]%25.4[...] notice things?
(engage with which) details of the world --> breaking common sense
our mamalian bias:
•predetermined body shape and size
•run toward death (pre-programmed death =/= history) ==> makes us think in terms of set-life courses
}==> allow us to imagine a standard individual outside of history
(Tsing's) history: overlapping tracks and traces and many trajectories of world-making, human and not human
irreversible time ==> indeterminacy (of history) --> new alliances --> the ability of assemblages to produce historical changes in our common world
what needs to be stated
what needs to be produced
context-dependent --?--> the way things are
architecture of podium <--✕--> labor-process of the actual speaker
how talks are *actually* produced
in your material practices
hybrid in digital manual tactile operations of speaking
noticing ants, spiders, little traps, species cohabiting, mutual coproduction of economics, ecology, labor-studies, house-hold studies, ajayeb-studies, and understanding of the orders of the natural and human world
(Gordon allowing) *algorithms to become stories*
(the technological enablement of some) *disciplines of attention*
“we are al lichen”: we are all ecosystem composite critters
ants, combining two kinds of noise, half-hazard patterns of interaction
half-hazard contact
half-hazard context
}==> it works (=/= perfection, precision/efficiency of clockwork)
#some Baradian models of intra-action in popular cinema:
•(intra-action received and wielded through discipleship and pre-programmed talent:) The Force in Starwars. [the story don't allow any other story of The Force and its contingencies other that good and evil tool-use of it]
•(intra-action resisted by individual subjectification:) the shadowy monster from the Upside Down in The Stranger Things, possessing the character. [the story is based on non-intra-active models and mode of being in the world of multispecies in multi-dimensions, it wants clear boundried subjects encapsulated by psychological ego and self-possession persons, ideas of identity and power --> life insurance system]
•(intra-action resisted by the political modern concrete individualism:) relationship with the phantom of state in The Handmaid's Tale. [overlapping a flat image of totalitarian society into religion]
...................................
technosphere: (conceptualized as) an unintended muddle of multispecies relationships emerging from contaminated landscapes, dumps
--reconsider-with-> feral technologies: novel and weedy capacities for materially significant change
invasive artificial intelligence
anthropocene: a multidimensional puzzle structured arou[...]
(197)[...notes/Ajayeb notes.txt]%25.5[...]f attention*
“we are al lichen”: we are all ecosystem composite critters
ants, combining two kinds of noise, half-hazard patterns of interaction
half-hazard contact
half-hazard context
}==> it works (=/= perfection, precision/efficiency of clockwork)
#some Baradian models of intra-action in popular cinema:
•(intra-action received and wielded through discipleship and pre-programmed talent:) The Force in Starwars. [the story don't allow any other story of The Force and its contingencies other that good and evil tool-use of it]
•(intra-action resisted by individual subjectification:) the shadowy monster from the Upside Down in The Stranger Things, possessing the character. [the story is based on non-intra-active models and mode of being in the world of multispecies in multi-dimensions, it wants clear boundried subjects encapsulated by psychological ego and self-possession persons, ideas of identity and power --> life insurance system]
•(intra-action resisted by the political modern concrete individualism:) relationship with the phantom of state in The Handmaid's Tale. [overlapping a flat image of totalitarian society into religion]
...................................
technosphere: (conceptualized as) an unintended muddle of multispecies relationships emerging from contaminated landscapes, dumps
--reconsider-with-> feral technologies: novel and weedy capacities for materially significant change
invasive artificial intelligence
anthropocene: a multidimensional puzzle structured around complexities and ruptures --> when ways of being & ways of belonging can no longer be studied exclusively
(human-nonhuman-machine)
•who orders the technosphere?
•who inhabits the technosphere?
•
...................................
“unmediated experience” --(signals a danger)--> naive realism (+ its polar opposite: naive subjectivism)
soup operatic
operatic (--> opera)
aporetic (--> aporia)
operative (--> secret agent)
...................................
‘learning’ in biology: (how to overcome X that) its ancestors would have not met
--> stories of ‘trial-and-error’ in animals
the idea of having ‘varying technique’ (closer to human) in regard to biological stasis
how the idea of ‘intelligence’ in animals is construted according to venture capitalism predatory preferences
...................................
mileu --> part of the history of the idea of animal
the living being and its environment, Canguilhem
[mileu: in French “middle,” in the midst of, medium, between, ... set, circle]
(the notion of) *environment* [relentlessly universal and required] --for--> capturing both the experience and existence of living beings
[...]
(198)[...notes/Ajayeb notes.txt]%25.5[...]ete individualism:) relationship with the phantom of state in The Handmaid's Tale. [overlapping a flat image of totalitarian society into religion]
...................................
technosphere: (conceptualized as) an unintended muddle of multispecies relationships emerging from contaminated landscapes, dumps
--reconsider-with-> feral technologies: novel and weedy capacities for materially significant change
invasive artificial intelligence
anthropocene: a multidimensional puzzle structured around complexities and ruptures --> when ways of being & ways of belonging can no longer be studied exclusively
(human-nonhuman-machine)
•who orders the technosphere?
•who inhabits the technosphere?
•
...................................
“unmediated experience” --(signals a danger)--> naive realism (+ its polar opposite: naive subjectivism)
soup operatic
operatic (--> opera)
aporetic (--> aporia)
operative (--> secret agent)
...................................
‘learning’ in biology: (how to overcome X that) its ancestors would have not met
--> stories of ‘trial-and-error’ in animals
the idea of having ‘varying technique’ (closer to human) in regard to biological stasis
how the idea of ‘intelligence’ in animals is construted according to venture capitalism predatory preferences
...................................
mileu --> part of the history of the idea of animal
the living being and its environment, Canguilhem
[mileu: in French “middle,” in the midst of, medium, between, ... set, circle]
(the notion of) *environment* [relentlessly universal and required] --for--> capturing both the experience and existence of living beings
Canguilhem going through the historical stages of the formation of the concept of milieu/environmentr />
-imported into biology in the second half of 18th century from (mechanocal notion) Newton by Lamarck
-later they [1870s Giard, Le Dantec, Houssay, Roule, etc.] take the idea from Lamarck, but they get the word, as an abstract universal term, from Taine
18th century French mechanics ‘milieu’ what Newton understood by ‘fluid’
problem of mechanics:
•(Newtonian:) problem of mechanics: *action at a distance of distinct physical individuals ==> *ether*: fluid medium of action at a distance [--> moon, lunar], continous in air
physics of central forces ==> “environment: a between two centers”
•(Descartes:) collision: the only mode of physical action (‘environment’ has no place in Cartesian physics)
*individuals occupying distinct points in space* --> they cannot act without joing their action [”?!” --> i am very conscious (and suspicious) about that which i feel that i don't understand --> what kind of nununderstander is at work [...]
(202)[...notes/Ajayeb notes.txt]%25.5[...]ts we still have to deal with this idea or image, it is about the reality the artist receives and what they make of it)
process of reduction:
(ajayeb --to-->) biology --to--> behavior --to--> neurology --to--> energetics (--to--> electronics)
the perfect work of behaviorist psychology: construct man as a machine reacting to machines
Condillac's fable of the statue: in the rose's perfume, the statue is the rose's perfume ==> living organism = respond to sensory stimulation (the physical mileu, light and heat, carbon and oxygen, calcium and gravity)
(Canguilhem asking) where is the living being? <-- Kohn
==> subjects “taking action” =/= objects “in movement”
we see individuals --but--> these are objects
we see centers --but--> these are environments
we see machinists --but--> these are machines
environment of behavior --coincides-with--> geographical environment --coincides-with--> physical environment
“in a human environment, man is obviously subject to a form of determinism, but it is the determinism of artificial creations in which the spirit of invention which calls them into existence is alienated.”
*psycho-technique of engineers*
...to grasp the presence in man of his own originality --> @Maarten, Mobed
as an irreducible center of resistance
“man, even when subordinated to the machine, never manages to grasp himself as a machine. his efficiency is greater the more he is aware of his central situation with regard to the mechanisms intended to serve him” [<-- *a bad story (of The Terminator, The 100, The Magicians, etc.)]
(Darwin, Laeb's) pragmatism: generalization of the notion of adaptation to the theory of knowledge
reference of organis movement to the organims itself as essential
(prepared by Kantor, Tolmann's) teleological behaviorism: recognizing the sense and intention of animal movement
(where, for whom, the individuality of the living organism stops?)
•at its ectodermic borders
•at the cell
•
cell: an environment of infra-cellular elements, it lives in an internal environment which sometimes has the dimensions of an *organ* and sometimes of the *organism*
Uexküll --> Umwelt =/= Umgebung =/= Welt
•*Umwelt* distinguishes the environment of behavior specific to an organism
•*Umgebung*: the ordinary geographical environment
•*Welt*: the universe of science
Umwelt ~ the specific environment of behavior (for the living being): a set of excitations
to be effective it must be anticipated by an attitude of the subject ~ ‘if the living being is not seeking, it won't receive anything’
Buffon & Lamarck --> time and favorable circumstances gra[...]
(203)[...notes/Ajayeb notes.txt]%25.9[...]e sense and intention of animal movement
(where, for whom, the individuality of the living organism stops?)
•at its ectodermic borders
•at the cell
•
cell: an environment of infra-cellular elements, it lives in an internal environment which sometimes has the dimensions of an *organ* and sometimes of the *organism*
Uexküll --> Umwelt =/= Umgebung =/= Welt
•*Umwelt* distinguishes the environment of behavior specific to an organism
•*Umgebung*: the ordinary geographical environment
•*Welt*: the universe of science
Umwelt ~ the specific environment of behavior (for the living being): a set of excitations
to be effective it must be anticipated by an attitude of the subject ~ ‘if the living being is not seeking, it won't receive anything’
Buffon & Lamarck --> time and favorable circumstances gradually constitute the living
=/= Uexküll --> time and favorable circumstances are relative to such and such living beings
==> Umwelt: an elective sample in the Umgebung }--> milieu
environment: “man's Umwelt” ~ the ordinary world of his perspective and pragmatic experience
*human suject: creator of techniques and values
==> animal's Umwelt: a centered environment/milieu relative to this living being as essentially a subject of vital values
a subjectivity at the root of this organization --> شپش shepesh tick
Uexküll story of the tick --> *mechanical theory of the reflex*
...the animal may remain completely indifferent and insensitive for a considerable length of time to all the excitations of an environment like a forest, and that the only excitation that is capable of triggering its movement, to the exclusion of any other, is the odor of rancid butter.
--> *an organism is therefore never equal to the theoretical totality of its possibilitilities
organism =/= preferential behavior
reversal of organism-environment relationship:
•“the meaning of an organism is its being” (Goldstein)
•“the living being's acquisition of its form” (Mendel)
•“the environment is not an agent of formation strictly speaking, but rather of realization” (Brachet)
•
(Soviet) ambition of complete domination of nature and limit the possibilities of an intentional alteration of living species
*which stories of life and why emphasize the separation of the organism from the environment (and make this separation intuitive and ready-to-hand)? [--> ajayeb]
(Lamarck focused on the point where) life coincides with its own meaning, where through sensibility the living being is positively or negatively *situated absolutly in existence* --> ***the indivisible totality of organism and environment*** [<-- Barad has to say a lot about that]
for Lamarck:[...]
(204)[...notes/Ajayeb notes.txt]%25.9[...]i am torn apart between describing the challenges of life within the ruins created by modernization's vast “improvements” and my own country's revolutionary consciousness to emerge fanatically from those ruins
catachresis استعمال غلط کلمه
a figure of speech in which words are misused from their conventional usages
***to use language out of place*** [~~--> oxymoron]
•Marianne Lien's “homeless salmon”
•Hokkaido's “frontier spirit”
•
(i constantly use catachresis in my own language, the abuse of language in describing things. did the mice “speak,” “wrote”? “The choices we make [of words] matter. Words make worlds.” [creatures] are enacted in the semiotic and material practices we weave through them ==opening==> new grounds for conversation)
world's misplacements
catachresis helps Tsing as she grope for language to describe an impossible program: a program dedicated to confusing disciplinary boundaries and to describing the challenges of life within the ruins created by modernization’ vast “improvements” --requires--> a crisis in language
Tsing's non-threatening descriptive biology
multiple rendering of salmon
U.S. and Japanese frontier technologies
(human and nonhuman) enactments of the mixed-up
*landscape*: a lens that refuses the abstraction of human-nonhuman relations in a vacuum
talking fish
acting landscapes
the still-living (~ still-kicking) as a series of misplacements
world produces its own catachresis
Tsing asks “so why is anything still alive?” (in the time of massive human disturbance)
your willingness + my dreaming
•social scientists tried to be more “scientific”: by counting and putting things into boxes (missing the interesting stuff in the sciences, including our relations with other species)
•scientists tried to be more like humanities: decoration (missing the important insights of these fields, such as the fact that ethics is useless as long as the categories it assesses are already set in place)
[*]curiosity: alighting on common excitement to learn about the world and its goings on
[*]imagination: staying with (our) observations until we find frames for thinking about pattern and trajectory
to create new genres of translation (==> play)
(the problem of) *unintentional design*
(what i am learning with ajayeb is the art of) paying **close descriptive attention** (to human interactions with other species)
-to re-learn the arts of description, that the art of 20th century is so deprived of
“population genetics and neoclassical economics each made description unnecessary through a calculus in which self-contained individuals could be posited without attention to soc[...]
(205)[...notes/Ajayeb notes.txt]%26.2[...]r />
(the problem of) *unintentional design*
(what i am learning with ajayeb is the art of) paying **close descriptive attention** (to human interactions with other species)
-to re-learn the arts of description, that the art of 20th century is so deprived of
“population genetics and neoclassical economics each made description unnecessary through a calculus in which self-contained individuals could be posited without attention to social relations and histories” (Tsing)
sciences that are designed specifically not to tackle problems of living together
#project on Tehran trees, on anthropogenic landscapes of Tehran
-descriptive methods for the study of social relation and histories
-learning (directly) about worldly objects of Tehran ==> take part in the kinds of creative play that are the hallmark of the research --> draws readers outside common-sense assumptions
using:
◦anthropology --> its expertise in ethnographic methods
•history --> its turn to environmental narration
•biology --> (ecological evolutionary-developmental trends) that have shown how species come into being with each other
•science studies --> its lively juxtaposition of technological and philosophical methods
Tsing: there is no reason that anthropologists cannot study nonhumans using some of the very same methods we use to study humans--or close parallels to them
...................................
walking is the speed of bodily pleasure
the speed for looking for mushrooms
mushrooms jump into your hands with all three pleasures of the unasked for
*they are not the product of your labor* <-- we should be able to work and depend on those things
Tsing saying ‘bismillah’ in her writing
delight ==make==> impression
*noticing* and *coming back* to familiar places is the beginning of appreciation for multispecies interactions
Tehran expansive and overlapping geographies resist common models (which divide the world into “them” and “us”)
lichen: an association of a fungus and an alga or cyanobacteria, where the non-fungal partner fuels lichen metabolism through photosynthesis
assumptions of human constancy --> autocratic military ideology =/= historically webbed interspecies dependence -=> a different cultural research trajectory
(to understand more about) domestication: web of entanglements
=/= neoliberal hard-line [human =/= wild] understanding of “domestication = human control” (ignoring that such relations might change humans too, ignoring the complex relations of interdependency) <== ideological commitment to human mastery (--> Sana's political commitment to liberalism) }==> (fantasies of) *the wild species self-making* =/= fantasies of control
==> life impr[...]
(206)[...notes/Ajayeb notes.txt]%26.3[...] rise of state (and their specialised civilization) is associated with the spread of intensive cereal agriculture
(Tsing ☞ Connor)
a political configuration:
states encouraged sedentary, stable farms, family-based households, and guaranteed the forms of family property and inheritance (that drew lines within and between families) ==> both women and grain confined and managed to maximise fertility
--Engels--> interspecies love affair
it was in the 19th century that standardization became itself the “modern standard”
[*]plantation: ordered cropping systems worked by non-owners and arranged for expansion
==>
•deepen domestication
•reintensifying plant dependencies
•forcing fertility
superaboundance of a single crop (without the ‘love’ [connector romance of people, plant, place] that was key in state-endorsed cereal agriculture)
(in plantation) the plants were exotic and labor was coerced slavery
only with **hierarchy and managed antagonism** in place enormous profits (+ complementary poverty) could be produced
plantation produced the wealth and the modus operandi that allowed Europeans to take over the world
(not technologies and resources, rather) *plantation system made the navies, science, and industrialization possible*
taking the alienation of people (from their crops) for granted
==> human subspecies were formulated and enforced : biology came to signify the difference between free “owner” and coerced “labor” --> racial divisions were produced and reproduced in each dowered marriage and inheritance
-poor families needed more labor, particularly where child labor kept many adults alive
-privileged families were charged with the advancements of the race, women must bear its heirs --> late 19th century discourse of scientific hygiene and eugenics اصلاح نژاد informed white women's species segregation
{ boundaries of home = boundaries of love }--> fetishization of the home as the space of purity and interdependence ==> extra-domestic intimacies (within/between species) =
•archaic fantasies (the community, small farmer, etc.)
•passing affairs (feminism, animal rights, etc. )
+
outside the home = domain of economic rationality and conflicting individual interests
--> mid 20th century allowed other species accepted: pets are models for family devotion. but the model of the loving and the beloved pet does not spread love; it holds tight inside the family (-Tsing)
[biosocial plan:] other people & other species are judged by their ability to live up to one standard of domestic intimacy (USA or iran):
they love their children and pets ==> imagine themselves as compassionate and moral --> makes them ‘good people’ ==> equip them [...]
(207)[...notes/Ajayeb notes.txt]%26.4[...]n's species segregation
{ boundaries of home = boundaries of love }--> fetishization of the home as the space of purity and interdependence ==> extra-domestic intimacies (within/between species) =
•archaic fantasies (the community, small farmer, etc.)
•passing affairs (feminism, animal rights, etc. )
+
outside the home = domain of economic rationality and conflicting individual interests
--> mid 20th century allowed other species accepted: pets are models for family devotion. but the model of the loving and the beloved pet does not spread love; it holds tight inside the family (-Tsing)
[biosocial plan:] other people & other species are judged by their ability to live up to one standard of domestic intimacy (USA or iran):
they love their children and pets ==> imagine themselves as compassionate and moral --> makes them ‘good people’ ==> equip them to make decisions for the whole world ==> moral hierarchy (~ your goodness is qualification for global goodness) ==> other people & other species are judged --> project to improve the world ==> *collateral damage is unfortunate but not inhumane*
urban jungle
jumble of diversity + imperial planners
excessive teams
technique of unmapping, for separating paired projects and effects and places and things. (for example unmap state and capital from diversity places)
•spread obscurity
•to know something from disordered edges (=/= ptoductive edges)
•what grows in the seam (to begin with)
•pleasure of variety beyond the domestic
•how places are differentiated and specific
...................................
Global Futures
(a game of) possibilities of contingent connections
a game that develops our ideas of the productivity--for better or worse--of contingency
a game to appreciate contingent connections [=/= stale and dangerous predictions (==> mithridatism)]
futures of all sorts are forged in the contingencies of strange connections
•foreclosed in the narrow channels of corporate expansion
•clashing state and popular terrorisms
•our best hopes (as well as our inchoate terrors)
*Tsing: “Contingency surrounds us, but we ignore its power to shape the future.”
**europe's secular prophecy's formulaic tropes for encapsulating time**
•most powerful future-making stories have told of the fulfillment of principles of progress and rationality
•driving force of technology will transform society
•ideal of democracy will be progressively encoded in law
=/=
**anti-progress prophecy's formulaic tropes for encapsulating time**
•national genius of a chosen people will blossom
•human nature will reestablish historic gender roles and racial hierarchies
•the essence of ancient civilizations will ris[...]
(208)[...notes/Ajayeb notes.txt]%26.5[...]ping, for separating paired projects and effects and places and things. (for example unmap state and capital from diversity places)
•spread obscurity
•to know something from disordered edges (=/= ptoductive edges)
•what grows in the seam (to begin with)
•pleasure of variety beyond the domestic
•how places are differentiated and specific
...................................
Global Futures
(a game of) possibilities of contingent connections
a game that develops our ideas of the productivity--for better or worse--of contingency
a game to appreciate contingent connections [=/= stale and dangerous predictions (==> mithridatism)]
futures of all sorts are forged in the contingencies of strange connections
•foreclosed in the narrow channels of corporate expansion
•clashing state and popular terrorisms
•our best hopes (as well as our inchoate terrors)
*Tsing: “Contingency surrounds us, but we ignore its power to shape the future.”
**europe's secular prophecy's formulaic tropes for encapsulating time**
•most powerful future-making stories have told of the fulfillment of principles of progress and rationality
•driving force of technology will transform society
•ideal of democracy will be progressively encoded in law
=/=
**anti-progress prophecy's formulaic tropes for encapsulating time**
•national genius of a chosen people will blossom
•human nature will reestablish historic gender roles and racial hierarchies
•the essence of ancient civilizations will rise again to vie and clash
}--> There is no room for contingent connections in any of these predictions
(most important story of our time:) *the story of globalization*:
•the world is entering a global era without political or economic rifts
•nation-states and cultures are increasingly irrelevant
•a global menu of consumerdesires and entrepreneurial standards frames identity and sets individual and collective goals
--> since the end of the Cold War:
•global expansion of a few giant corporations
•the great flows of people from one continent to another
•forging of transnational standards for economics and politics
•development of widely spread audiences for once parochial forms of popular culture
--> Global capitalism is not seamless:
•leapfrogging financial crises
•“antiglobalization” politics springing up
•deflating policymakers’ hopes for a smooth transition to corporate empire
ultimate fantasy of an *era without politics*
ultimate fantasy of a *more complex evolutionary plan*
=/= contingency & interconnection
principles of (Tsing and Pollman's) Global Futures game:
you tell the story[...]
(209)[...notes/Ajayeb notes.txt]%26.5[...]ly’ like as opposed to how they appear to me? [...] objective processes can have a subjective nature.”
what it would be like for me to behave as a bat behaves =/= what it is like for a bat to be a bat
schematic conceptions of Eszter
(old model of understanding:)
* --> stimulus (things sparkling) --> perception (hiting the senses) --> apprehension (mind aware without judgement) --> comprehension (psychological judgement about the manner of situation) --> knowing ==> world of doing, in which “action” is: expected (mother attending the child, free liberating the prisoners), commanded (soldier's hierarchy, job's duty), solved (engineer puzzling out a problem)
the things apprehended from a particular point of view (particular visual phenomenology) are not connected to that point
Neobeobachtungen
moshahedat مشاهدت
نگاه جدید
*essence of the internal world* --> who is busy with this? (this will define the fate of animal subjectivity)
*view from nowhere*: that their particular viewpoint is not part of the common reality (--✕--> sociology of science)
X is Y
“is”: converge, a technique of modeling (~~> sync)
X, Y: two referential paths
we know how X is supposed to be true
people are no told at an early age that *all matter is really energy* (--> capitalist physicalism. then what you say abnout ‘energy’ is saying something about the nature of reality)
physicalism: the hypothesis that a mental event is a physical event
someone with instinct metamorphosis
(my feedbacks in apass does not only apply to intentional mental events of each other)
(Nagel asking for:) to devise a method of expressing in objective terms much more than we can at present [but he is stuck in the idea of] “a phenomenology that is objective*
...................................
with Jassem and Mia
Norway ~= (a breakable) illusion --> that somebody is living it
green competition and technopositivist hubris
question of topology (in dream)
(topology: those qualities that remain invariant after transformation --> persistent forms)
fantastic peasant
a piece of hanging cloth that suggests horrors to receptacle receiving eyes
•landscape --> sounds
•poems
•divisions in Norway (<== second world war)
•sami cultural disappearance
◦domestic violence
◦racism
◦refugee geopolitics
•seagull, fish, salmon farming
•interviews
•doom --> delirium, murder, hallucination, whispering,
•ruin (of signs)
•entropy (=/=? emergence)
•
*affliction l[...]
(210)[...notes/Ajayeb notes.txt]%26.8[...]دید
*essence of the internal world* --> who is busy with this? (this will define the fate of animal subjectivity)
*view from nowhere*: that their particular viewpoint is not part of the common reality (--✕--> sociology of science)
X is Y
“is”: converge, a technique of modeling (~~> sync)
X, Y: two referential paths
we know how X is supposed to be true
people are no told at an early age that *all matter is really energy* (--> capitalist physicalism. then what you say abnout ‘energy’ is saying something about the nature of reality)
physicalism: the hypothesis that a mental event is a physical event
someone with instinct metamorphosis
(my feedbacks in apass does not only apply to intentional mental events of each other)
(Nagel asking for:) to devise a method of expressing in objective terms much more than we can at present [but he is stuck in the idea of] “a phenomenology that is objective*
...................................
with Jassem and Mia
Norway ~= (a breakable) illusion --> that somebody is living it
green competition and technopositivist hubris
question of topology (in dream)
(topology: those qualities that remain invariant after transformation --> persistent forms)
fantastic peasant
a piece of hanging cloth that suggests horrors to receptacle receiving eyes
•landscape --> sounds
•poems
•divisions in Norway (<== second world war)
•sami cultural disappearance
◦domestic violence
◦racism
◦refugee geopolitics
•seagull, fish, salmon farming
•interviews
•doom --> delirium, murder, hallucination, whispering,
•ruin (of signs)
•entropy (=/=? emergence)
•
*affliction landscapes* --> Leid: existence thriving in the wound --> anticipation of oblivion
doom, ruin, entropy --> udyr (in norwegian u-: non- or bad, dyr: animal) bad or corrupted animal, nonanimal, monster, (rootless existence)
udyr (gate keepers creepers) <--?--> div (defeated)
--performance--
rotating styles of: folkloric ballads, existential meditation, doomsday rant, elegiac oration, children lullabies --into--> a singular blast of an account of a devastated space --mobilizing--> legend, omen, song, myth, fairy tale, mutated war cry
[these potent signs are sneaking in the work “stranger within,” it is not just a historical dreamscape]
-the masked actors on stage have taken a venom (becoming faceless engravers) to cross into the next level of temporal experience --> ???
-muted rage and ecstasy indeterminacy positioned as creeping towards the midnight of moving & [...]
(211)[...notes/Ajayeb notes.txt]%26.8[...]ng the world: decay, emergent, atrophy, new identities, crisis in language, confusing boundaries, challenges of life,,,]
(origins of bad feeling -->) looking at:
•damaged bodies
•damaged subjectivities
•damaged communities
•damaged relations ==> Udyr monster
•damaged ecologies
•damaged histories ==> insomnia
•
(@Jassem and Mia) is there (only) death at the end of entropy?
sequence of events from the point of view of plague narrative
extermination + determination, laws of identity, repetition
the material despair of a colonial capital modern condition leading in high speed to the entropy of cultural-individual ethics, under the overwhelming weight of tangible misery --(Jassem and Mia)--> cognize the immediate material urgency of the endangered subjectivity
--faceless--
nonanimal --> nonhuman + nonanimal ==> destabilizing effects
with their flexible plasticity, has an issue with appearance --> subjectivity's disassociation from the world
[in no (or which) calculus of assurance are they moving?]
ruined main body (of the performance)
ruin is (a fictional being) adding additional variety to technical being (frontier technologies) of Norway
-obsolescence (and why not adjustment? =/= extremist position ==> to emerge fanatically from the ruins)--(can we use our imagination not for world scale future speculation, and rather for small adjustment of this space?)
-give expression and meaning to the material culture
--landscape--
using it in the performance: a lens that refuses the abstraction of elements relation in a vacuum (as its optics, not a Blickmaschin)
show us: big stories take their form from seemingly minor contingencies, asymmetrical encounters, and moments of indeterminacy
(with “stranger within” [=? ‘desire within']) are we at the space of complain? <-- dispositions of Beschwerde
a form of protest --> (disenfranchized language of) *mutated rage* --> always innocent ==> agent of delivery
(protest part of) the proud and brutal history of break-out syntax of civic responsibility (=/= adjustment)
rage & ecstasy
ruin --> doom --> rage --> innocence --> delivery: performance
--ruin--
we can and should ***navigate the ruin***
(navigate =/= asset-production)
-capitalist (owning the rhetoric of progress) telling us / teach us to ignore ruins (in the making)
-is there life in ruin? --Tsing--> place of unsettled identities, *in it each of us become ourselves with the help of a less-than ideal collaboration*
bring your curiosity
contaminated diversity [=/= doom: a form of missing that which is contaminated, (an affect typical of Tehran,) one has lost the pulse of the world[...]
(212)[...notes/Ajayeb notes.txt]%27.1[...] pure)
-homesick
-seasick
-sickened in home
چیقزستن
شخصیت توصیفی --> descriptive? (drift in describing)
شخصیت حاشیهای --> digressive نامربوط پرت, excursions superficial relevances, off the subject [=/= انحرافی]
شخصیت خود محور --> rotating along the axis of ego, tangled subjective schemas with objective reality, talking regardless of the listener [egoist: vampire without self-reflection =/= narcissistic personality]
شخصیت مقایسهای --> comparing?
}=/= (always asking) how do you make a subject of conversation out of what you are concerned with --> make ‘your subjects’ into ‘subjects of conversation’ with others --> موضوع
•غیر قابل حل کردن =/=
•تفکیک کردن
(مطرح کردن به صورت که تکه تکه کرد)
[*]research: problem of entering a culture from outside
points of the lecture:
-a nano-expose
-of kicking off this...
-not dramatically pitched at you
-cartography of collapse and sublime
-coming down or crushing down the watching post
-(disclosures and) promises of frontier technology
-
ghosts of the project:
/poltergeist --> not really capable of knowing different things and different types of relations they are entered into, bad at perspectival communication
/Hamlet's father --> wanting you to remember ~= revenge
/Cinderella --> doesn't show any psychological symptoms (she has no psychology?), she is not the master of anything, not even her name
/ruin --> place of unsettled identities
questions of:
•doom [=/= adjustment, management]: “contamination = end”
•subject surging to bear an affect, subject who goes with the flow in an intoxicated moment
•traumatic realism
•(endangered ==>) survival: fighting for “your right against others”
•less-than ideal livable collaborations
•
•constructing interest (not that ‘you want to know’ --> historically crafted and naturalized modalities of “knowing more”)
•contingent (~ lure, abstraction, fragile [--> they create interested bodies]) =/=? analytical [--> they create disembodied subjects]
[poem can do all of these:]
/proposition --> right/wrong declaratives
/exposition --> systematic explanation
/disposition --> affective orientation ~~> attitude ==> perspectives ==> selves
poet [=/= archivist] can be responsible for the ‘remainders’ --> good at greeting =/= traumatic realism
(1) traumatic realism
(real understood as traumatic:) “shock ==> subject”
a way of figuring that fails to bring the inflicting force (of real) into the symbolic order ==> mime, miming: you bring it into the pr[...]
(214)[...notes/Ajayeb notes.txt]%27.6[...]ilty, survivalist udyr? the evil horse? (we need more description of the evil horse)
Cinderella --> (not) the master of your house, of your name, of you
-sometimes it is not you who makes you
...................................
--Morris--> ghost problem --✕--> possbility of a politcal form
contingent politicization and the accidental in the Southeast Asia
theatrical acts of civil disobedience
democracy protestors
conjure the spirits of those who have been killed
political vengeance
(wherever there is) violence in Southeast Asia (even if this violence is merely the
force that possesses machinery) ==> ghosts
~=
(wherever there is) force that would oppose life (even and perhaps especially by resembling it) ==> ghosts
[the doxa of] {(no preparation) premature death / banished by disbelief ==> unhappy ghost, vindictive melancholy}[= *effect of context*]--in-->
•pulp novels
•secular humanist elite literature
•rumor
•folklore
•
(Morris points that) such specters are densest in the places where the accidents of modernity are most like to occur
*the death that is caused by another death*
technologization of life and death, movement and war --> *making one vulnerable to death* <== (often) a function of technology (technologization of life and death, movement and war, etc.)
*ghostliness (in Southeast Asia): an idiom with which to address issues about the difficult delineation of a boundary between the living and the dead* (=/= matter of improper burial)
if the dead cannot join the living, the living can die and thereby mingle with the already deceased ~-> fright
the location (where ghostliness arises) is not spatial but temporal (“something happened”)--> in a strange way, for the “occurrence” has no place in time ==> stop time and to displace other narratives (--> it has the structure of trace)
[@Marialena's summoning to life =/= (living) beings who can be summoned to death]
}~~?--> (Freud's) death drive (<== traumatic neuroses) + (Kantian conception of)
accident
(for Freud:) [*]consciousness: the form of a resistance to the world
unconscious is “timeless” : incapable of discerning order (in a Kantian sense)
trauma (=/= anxiety) ==> disables the pleasure principle but not the compulsion to repeat (which is typically a source of pleasure)
[*]trauma as precisely such a disturbance of time and of causal sequentiality
{earlier philosopher's analogy: substance (essentially unchanging) =/= accident (the name of that which metamorphoses over time) }=/={ Kant's analogy: accidents = the “particular ways” in which substance is determined to exist}
--Morris--> causality: a concept that responds to and covers over a gap in the [...]
(215)[...notes/Ajayeb notes.txt]%27.8[...]dental politicization (~ movements emerging from crowds without ever becoming masses or classes)
--✕--> from the state
--✕--> from the transnational media + whose circuits the images of these convergences travel
--> an experience of immediacy (as the origin of politics =/= encounter with representations of the world), sudden activation of an immediate presence in the public sphere --> political conceived as itself being contingent
to resignify and reorient the problem of the political in terms of civilizational difference (rather than ideological, and hence economic, difference)
the so-called nocturnal sudden death syndrome
rapacious female specter
in the fear of being killed by this nearly limitless desire for female dead, men (Thai constructor workers in Singapore) started to paint their nails, attired themselves as women before going to sleep
[seek to accomplish in advance what is feared, emasculation]--> **mimesis of a crisis foretold**
(khwan)
a thread of unspun cotton tied about the wrist --to--> prevent the dissipation of one's vital essence
(mostly men's) satisfaction of commodity desire --entails--> absence from home
woman's work in technology and textile manufacturing and in the tourism sector (whether as service worker or prostitute) --> is deemed lamentable, even contemptible, but still tolerable
anxiety over lost male potency ==?==> widow ghost
the queen had a dream (that all the men in Thailand had vanished)
--> anxiety expressed as *extreme anticipation* (and not as an opposition to the feared object)
-the phenomena materializes what they seek to differ and mime (the force thday the want to stave off)
collective spirit possession
periods of commodification --> waves of witchcraft (traversed Thailand in 1905)
•episodes of disruption
•social crisis
•economic transformation
•attended reordering of social relations (including those of class and gender)
•
(khwan) rite: a try to evade loss by soliciting misrecognition (on the part of the ghost), but they cannot cover over the fact of an already existent loss
working as a repetition compulsion --> the widow ghost (بختک bakhtak?) as an example of death drive
(waking up nightly having felt themselves robbed of breath and speech)
--Mills+Morris--> capital (not war) as the source of this trauma
trauma that arises in war ~/= injury that is the function of insertion into new and painful economic structures
mastering the wounds produced by capital, depend on:
•not the production of cathartic discharge through aberration or historisization through narrative
•on some kind of socialization or collectivization through which the source of injury can be ad[...]
(218)[...notes/Ajayeb notes.txt]%28[...]iving
(the interiority of the other is unknown and unknowable ==>)
[*]witchcraft ==provides==>
•an idiom in which the world's very immunity to explanation is affirmed (often with violent and terrifying consequence)
•figures and narrative forms in which to address (also reproduce) the opacity and ambivalence of sociality
[context:]
the other (like the empty seashell) is unknowable, though we must engage others and seek recognition from them to escape solitude and death [...] in forms of giving and reciprocation that demand generosity but that are also likely to provoke avarice --emerge--> witchcraft: a relentless question about appearances and the problem of knowing what they disclose
doubling of genitalia and mouth in Buli dream imagery
(marriage: to manage witchcraft)
tradition “establishes the ideal format for conviviality” ==ensuring==> sexuality and consumption are made the basis of sociality =/= witchcraft (as a perversion of marriage)
in Buli (against mistranslation or misrecognition of the foreign modern):
•Christian missionization (19th and early 20th century, and again in the 1930s)
•modernist developmentalism and statism under Suharto
•technologization associated with natural resource-based capitalism
}--scenario--> effort to become modern ==> enter an order of truth and knowledge (=/= dissimulation and doubt)
valorization of reciprocity (in Halmahera)
Morris asks: is not the coimbrication of doubt/belief precisely what the discourses of the Enlightenment science, namely knowledge through revelation of what is, promised to replace?
(Bubandt's assumptions in Kant/Morris terms:)
•doubt <== anxiety, fear, suspicion, rage (--> affective dimension)
•doubt <== an incapacity to transcend the aporia that defines the relation between the empirical and the transcendental (--> epistemological dimension)
“I have never seen a cannibal witch” --> anthropology's epistemological conundrum (an a priori postulate) --Kant--> an irreducible impasse between the empirical and the transcendental, of the incapacity of sensory experience (intuition) to provide the basis of absolute knowledge (=/= merely general knowledge)
Foucault --> intuition cannot ground knowledge of the absolute ~=> knowledge of individual human beings and their empirical histories cannot provide knowledge of “the human”
Evans-Pritchard --> witchcraft satisfies the demands for an explanation of the singular event: this death, of this individual, in this moment (not death in general)
~-> for Bubandt, witchcraft: reproduction and valorization of this aporia (between the transcendental and the empirical)
James Siegel naming the witch (not only a political history but an investigation into the entire history of anthropological disc[...]
(219)[...notes/Ajayeb notes.txt]%28.4[...]anthropological discourse on witchcraft and sorcery)
-he links the crisis of recognition brought on by the collapse of an authoritarian state that *had appropriated for itself the function of recognition*, to the rise of witchcraft accusations, to efforts to name a witch --> witches and not witchcraft were seen to proliferate after the fall of Suharto
•how the labor to designate the source of a menace that exceeds the empirical and that fails to explain the singular is inevitably failed
•the misrecognizing belief that eliminating witches could eliminate witchcraft
discern death drive in the very place that there is an effort to escape death
{ radical empiricism = close reading }==> attentive listening
...................................
https://www.journals.uchicago.edu/doi/full/10.1086/689012
(two competing conceptions and aspirations,) two paradigms of communication:
•an ideal public sphere that recognizes the task of mediation but also requires its effacement
•to bypass mediation through apparently immediate forms of speech that range from visual slogans to messianic utterances that can be heard even by the dead (--> frustrated by deferral)
Morris: the social scene is technologically heterogeneous ==> epochal and ontological schemata of mediatic displacement must thus be rethought
structure: an eruption of the mediaticity of the medium onto the horizon of reflexive consciousness (Kittler)
(in still decolonizing nations) the function of mediation has implicitly emerged as an agonistic exchange about the very possibility of exchange (not of deliberation) --> possibility of political representationalism
..stranded in its imaginary between the twin phantasms of the mining town in postapartheid South Africa
aspiring to a radical openness and threatened by it...
limits and the contradictions of democratic consciousness
environment as a monstrous hybrid of statistical hysteria and narrative compulsion as well as real violence (that takes its shape under conditions of largely racialized economic inequality)
[i have been working and listening to that which] call our attention to ***other spaces, identities, and structures of obligation*** (=/= defensive strategies)
cell phones
•technological mediums of absent voices
•lighting up, buzzing, or ringing
•ciphers of a profane immanence
•fetishes in which are concealed the histories of mining and labor elsewhere
•promise contact with elsewhere + obstacles to the desire for full presence and the performative power of words ==> frustrated desire
a public whose membership cannot be known in advance--even when exclusionary limits are constitutive of its domain --> [*]public sphere: social formations enabled by technomedia phenomena (=/= spaces[...]
(220)[...notes/Ajayeb notes.txt]%28.5[...] range from visual slogans to messianic utterances that can be heard even by the dead (--> frustrated by deferral)
Morris: the social scene is technologically heterogeneous ==> epochal and ontological schemata of mediatic displacement must thus be rethought
structure: an eruption of the mediaticity of the medium onto the horizon of reflexive consciousness (Kittler)
(in still decolonizing nations) the function of mediation has implicitly emerged as an agonistic exchange about the very possibility of exchange (not of deliberation) --> possibility of political representationalism
..stranded in its imaginary between the twin phantasms of the mining town in postapartheid South Africa
aspiring to a radical openness and threatened by it...
limits and the contradictions of democratic consciousness
environment as a monstrous hybrid of statistical hysteria and narrative compulsion as well as real violence (that takes its shape under conditions of largely racialized economic inequality)
[i have been working and listening to that which] call our attention to ***other spaces, identities, and structures of obligation*** (=/= defensive strategies)
cell phones
•technological mediums of absent voices
•lighting up, buzzing, or ringing
•ciphers of a profane immanence
•fetishes in which are concealed the histories of mining and labor elsewhere
•promise contact with elsewhere + obstacles to the desire for full presence and the performative power of words ==> frustrated desire
a public whose membership cannot be known in advance--even when exclusionary limits are constitutive of its domain --> [*]public sphere: social formations enabled by technomedia phenomena (=/= spaces of rational deliberation and consensus making--as in liberal political theory, public sphere characterized by deliberative processes)
*scenes of overhearing* --> public speaking makes that overhearing its goal
“migrant pirates of deindustrialization” (speak only to threaten) --> liberal opposition between language and violence ~~--> the rhetorical grace appropriate to leadership (inauguration speech of Obama, his charisma emanated from his identification with a righteous struggle --> *his being more than himself* [<-- young artist selflessness syndrome in aspiration with the right politcal cause])
zamazamas’ illiteracy, not eligible for a public sphere that depends on literacy. for without literacy, they cannot submit to the law. *defined in its essence by legality* (sustained by a desired opposition between language and violence)
a signature (sign your own name): a form of writing recognizable across all (mainly romanized) languages and is the ideal condition of possibility of recognition from within its constitutional order
mimic the address of someone wit charism[...]
(221)[...notes/Ajayeb notes.txt]%28.6[...]very possibility of exchange (not of deliberation) --> possibility of political representationalism
..stranded in its imaginary between the twin phantasms of the mining town in postapartheid South Africa
aspiring to a radical openness and threatened by it...
limits and the contradictions of democratic consciousness
environment as a monstrous hybrid of statistical hysteria and narrative compulsion as well as real violence (that takes its shape under conditions of largely racialized economic inequality)
[i have been working and listening to that which] call our attention to ***other spaces, identities, and structures of obligation*** (=/= defensive strategies)
cell phones
•technological mediums of absent voices
•lighting up, buzzing, or ringing
•ciphers of a profane immanence
•fetishes in which are concealed the histories of mining and labor elsewhere
•promise contact with elsewhere + obstacles to the desire for full presence and the performative power of words ==> frustrated desire
a public whose membership cannot be known in advance--even when exclusionary limits are constitutive of its domain --> [*]public sphere: social formations enabled by technomedia phenomena (=/= spaces of rational deliberation and consensus making--as in liberal political theory, public sphere characterized by deliberative processes)
*scenes of overhearing* --> public speaking makes that overhearing its goal
“migrant pirates of deindustrialization” (speak only to threaten) --> liberal opposition between language and violence ~~--> the rhetorical grace appropriate to leadership (inauguration speech of Obama, his charisma emanated from his identification with a righteous struggle --> *his being more than himself* [<-- young artist selflessness syndrome in aspiration with the right politcal cause])
zamazamas’ illiteracy, not eligible for a public sphere that depends on literacy. for without literacy, they cannot submit to the law. *defined in its essence by legality* (sustained by a desired opposition between language and violence)
a signature (sign your own name): a form of writing recognizable across all (mainly romanized) languages and is the ideal condition of possibility of recognition from within its constitutional order
mimic the address of someone wit charisma (~= authority)
(Morris on) mediaticity of speech (and not merely of media technologies)
Morris reading of a scene (of quotidian exchange) in HIV/AIDS NGO office: a metonym and a metaphor for a kind of South African public sphere that aspires to inclusiveness but is terrorized by its incapacity to know what that opens it up to
•arms itself against potentially aggressive others
•narratives of violence work *to reinforce the sense of necessity* (for a general securitizati[...]
(222)[...notes/Ajayeb notes.txt]%28.6[...]ial formations enabled by technomedia phenomena (=/= spaces of rational deliberation and consensus making--as in liberal political theory, public sphere characterized by deliberative processes)
*scenes of overhearing* --> public speaking makes that overhearing its goal
“migrant pirates of deindustrialization” (speak only to threaten) --> liberal opposition between language and violence ~~--> the rhetorical grace appropriate to leadership (inauguration speech of Obama, his charisma emanated from his identification with a righteous struggle --> *his being more than himself* [<-- young artist selflessness syndrome in aspiration with the right politcal cause])
zamazamas’ illiteracy, not eligible for a public sphere that depends on literacy. for without literacy, they cannot submit to the law. *defined in its essence by legality* (sustained by a desired opposition between language and violence)
a signature (sign your own name): a form of writing recognizable across all (mainly romanized) languages and is the ideal condition of possibility of recognition from within its constitutional order
mimic the address of someone wit charisma (~= authority)
(Morris on) mediaticity of speech (and not merely of media technologies)
Morris reading of a scene (of quotidian exchange) in HIV/AIDS NGO office: a metonym and a metaphor for a kind of South African public sphere that aspires to inclusiveness but is terrorized by its incapacity to know what that opens it up to
•arms itself against potentially aggressive others
•narratives of violence work *to reinforce the sense of necessity* (for a general securitization)
•work in the mode of a **negative meritocracy** (= those who would violate the rights of others are to be excluded, but no others --but--> how to know in advance who has perpetrated or intends to perpetrate such a violation?)
...in the shadow of communicational technology's fashion industry
...bountiful banality of the technologies and artifacts of mass reproducibility
[...] --> lithography --(superseded by)--> photography --(gives way to)--> cinema --(transformed by)--> sound technology --(displaced by)--> integrated and multiplatform digital media --> [...]
(teleological fantasy:) ontologized in epochal schema (these sequences become something more and different) --> analog media are said to be displaced by digital media ==> logic of representation gives way to that of information
=/= (Morris questioning) the conflation of media with mediation, which is itself symptomatic of both a technological determinism and an effort to ontologize technology --> a crises of mediation (not media): the communicative aspiration and the presumptive unity of medium and message in language are brought to their limit (--> media technologies play a role in this drama, but they do not explain it. @OSP & Femke)[...]
(223)[...notes/Ajayeb notes.txt]%28.6[...]t eligible for a public sphere that depends on literacy. for without literacy, they cannot submit to the law. *defined in its essence by legality* (sustained by a desired opposition between language and violence)
a signature (sign your own name): a form of writing recognizable across all (mainly romanized) languages and is the ideal condition of possibility of recognition from within its constitutional order
mimic the address of someone wit charisma (~= authority)
(Morris on) mediaticity of speech (and not merely of media technologies)
Morris reading of a scene (of quotidian exchange) in HIV/AIDS NGO office: a metonym and a metaphor for a kind of South African public sphere that aspires to inclusiveness but is terrorized by its incapacity to know what that opens it up to
•arms itself against potentially aggressive others
•narratives of violence work *to reinforce the sense of necessity* (for a general securitization)
•work in the mode of a **negative meritocracy** (= those who would violate the rights of others are to be excluded, but no others --but--> how to know in advance who has perpetrated or intends to perpetrate such a violation?)
...in the shadow of communicational technology's fashion industry
...bountiful banality of the technologies and artifacts of mass reproducibility
[...] --> lithography --(superseded by)--> photography --(gives way to)--> cinema --(transformed by)--> sound technology --(displaced by)--> integrated and multiplatform digital media --> [...]
(teleological fantasy:) ontologized in epochal schema (these sequences become something more and different) --> analog media are said to be displaced by digital media ==> logic of representation gives way to that of information
=/= (Morris questioning) the conflation of media with mediation, which is itself symptomatic of both a technological determinism and an effort to ontologize technology --> a crises of mediation (not media): the communicative aspiration and the presumptive unity of medium and message in language are brought to their limit (--> media technologies play a role in this drama, but they do not explain it. @OSP & Femke)
-women's understanding of improper English of Zuma's speech: a communicational fail that (from their perspective) is associated with illegality, corruption, and violence
(not to embrace) the kind of logocentric historiography that imagines literacy to constitute a secondary mediation of a primal and autoaffective orality
witches: *technicians of a speech* in which the identity between word and world reaches its maximal extent, when the mere utterance of a spell (even when that utterance is nonverbal) is thought to cause things to happen
zamazama's literacy: the means for communication across difference ==> the mastery of mediation and thus its effaceme[...]
(224)[...notes/Ajayeb notes.txt]%28.7[...]wart, Shapiro) to explain body's relation to the world --> ancillary process of being a living body as:
•becoming sensitive
•embodying atmospheres
•somatically judging environments
•becoming corporeal aware of nonhumans
•protracted low-level encounter with domestic chemicals --accumulate--> *chemical sublime* <== (indistinct and distributed harm of) late industrial material ecologies (=/= enlightenment sublime: spectacle material threat with transcendence of immaterial reason)
silent and invisible microemissions accrue within the envelope of the home --> residents reckon with how their homes are decomposing into them as they decompose in their homes
somatic work of the chemically concerned is enmeshed with an *apprehension of their own bodies that is simultaneously sensuous and epistemological* (~ “bodily knowledge” situated within a process of “bodily reasoning” that tempers not just what one knows but what one becomes with or is estranged from [=/= forensic architecture notion of knowledge])
‘sustained bodily reasoning ==> chemical sublime’
Shapiro + Kim Fortune --> call for ways to differently know and reimagine our ongoing late industrial present, which is marked by deteriorating sociotechnical systems and economic, climate, and infrastructural instability
**somatic susceptibility and epistemic capacity** common to human life --(informed by nonhuman life)--> molecular and relational appreciation --Shapiro--> domestically exposed (the ‘chemically wounded’ attuning to their own effects and affects ~ discerning the barely perceptible constituents of their environment [=/= “deviant agents,” diagnosed, resistors]
toxic = potency --implicate--> vulnerability of a living body
years of exposure --> biochemically magnified effects --> semiotically enflamed
somatic cognizance
(Shapiro on affect and phenomenological studies of environmental exposure -->) formaldehyde indicators and agents of social abandonment and precarity
(growing literature on) the body as existential, pedagogical, and ethical grounds of (cultures of) science
Shapiro: “how can expanding the avenues and temporality of sensing yield an appreciation of what many of us are abbreviating from our own sense of the world?”
Shapiro ethnographically elucidates the *somatic mode of attention*
--> bodies are sites for both actively absorbing the world and being put into motion by its constituent medley of humans and nonhumans
-becoming with (Haraway)
-orienting toward (Ahmed)
-bodily reasoning (Shapiro): the dynamic process through which knowledge of individual spaces of chronic exposure is somatically attained
women's accounts of self-monitoring for bodily dysfunctions (--> feminization of body care)
[Shapiro discover[...]
(231)[...notes/Ajayeb notes.txt]%28.9[...]constant as regards either function or position) =/= (male fantasies of) armored body
(Deleuze and Guattari suggest) dismantling of the organism (~ molar organic body) ==>
•hypochondriac body (suffering from imaginary symptoms)
•paranoid body
•schizo body
•drugged body
•masochist body <-- my favourite
•
}--> these are all about the body from the point of view of its *potential* [=/=? method]
}--> we are at (an anthropological / psychoanalytic discourse of) excess and transgression --Artaud-->{ organs: functional articulations forced on the body }==> separation, determination, representation
body without organ =/= body image http://ajayeb.net/?q=body+image
-what feminist theory has to say about that? --Irigaray--> is not the body without organs women's own historical condition?
...the machinic, the inorganic, as well as the notions of loss of self, dispersion, and fluidity are all too familiar to women
(and to non-western subjects, i would say. Tasavof has been advocating body without organ within the context of mysticism in Iran)
are Deleuze and Guattari “cyberpunks, constructing fictions of terminal identity in the nearly familiar language of a techno-surrealism”? ~-> (to dissolve the body ==>) will to regain the world <~~--> [death of the auratic object ==> subject: a condemned and useless vestige alongside the simulacra that precede and envelope it]
...................................
(?we need) political metamorphosis
the tensions between:
[*]artist's “special task” (to oppose intellectual divisions) {(art of) forming, inventing, fabricating concepts (<== Deleuze and Guattari), (a “task” that) proceeds with a plane of immanence (or consistency) ~= self-referential (=/= referential) --> syntagmatic (word associations)}
and: [*]the increasing difficulty to ask questions (as a result of the constant increase in the specialization of the knowledges --> science) {propositions in discursive systems, (a “task” that) proceeds with a plane of reference --> paradigmatic (a worldview) ==>? to *confront chaos* ~= to provide chaos with reference points [<-- artists need to learn this]}****
(my work in lecture-performance: to provide chaos with reference points)
Barad, Stengers, <== stable foundations of physics had broken up and it is time for science to become philosophical
science becomes philosophical philosophy becomes artistic art becomes anthropological anthropology becomes poetic poetry becomes biological biology becomes archaeological archaeology becomes speculative speculation becomes scientific science becomes aesthetic aesthetics becomes adventurous adventure becomes rigorous rigor becomes Iranian Iran becomes German Germany becomes Arabic Arab becomes Egyptian Egypt becomes animalistic animal becomes fabulous fable becomes political polit[...]
(232)[...notes/Ajayeb notes.txt]%29.2[...]uired the mutation of old categories and the creation of new ones
==> “witch = misdiagnosed”
epilepsy, the sacred disease, erroneously perceived as resulting from hostile magic
=/= hysteria (hold a special place in the moral imaginary)
the special susceptibility of women to witchcraft mirrored the “feminine weakness” associated with the hysteric, exacerbated by low social status
-in countless accounts of possession, we find descriptions of demons speaking through the mouths of girls
[Baxstrom + Meyers =/= Federici's flat analysis of witch hunt as the tool of subjugation of the local population or of woman by men]
tableau vivant --into--> tableau clinique --into--> tableau critique
hysterical reliving of the original symptom --> reframed trauma: an attempt to suspend the two temporalities (real and reimagined) in the same image
@Hoda
one element of fascination with hysteria was its “look” --> hysteria's aesthetic link to forms of possession
possession --> aneasthesias, amnesias, subconscious acts, somnambulisms, fixed ideas
a scaffolding: conceptually arranged chasm between outer and inner states ==>
•exorcists building on the techniques of inquisitors and witch hunters --> possession acts as the bridge across this chasm
•neurologists and psychologists construct the same
--✕--> (Malinowski's) anthropologists: fieldworkers as truth-tellers returning from the dark corners of the real (the witches are no longer explicitly the target of the inquiry)
Häxan's real object: the specter of sheer nonsense
hunt (even in objective scientific mastery) --> fueled by a desire operationalized in a method of being close enough to something to sense it
...................................
(?every time we have to) show how *the word (that we are using) relates to meaning*
Christensen makes every effort to craft a witch that is real to us : ontological fluidity of a cinematic image ==> “Häxan = word + image + thing”
metoposcopy: the expression of reasoning was to be found on the face, (dating back to Girolamo Cardano and the Renaissance) the operation of reason as the weaving together of images in the mind --> a proto-cinematic theory of the relation between image and thought if ever there was one
•respectable scholar indexes himself through his sources
•authoritarian first-person tenor --> instrumentally impersonal tenor
•establishing the X as a chapter within a much longer constellation of practices, discourses, traditions, and institutions
Kieckhefer --> how the long history of practical natural magic was enfolded into the specificity of European witchcraft in the late Middle Ages
Christ in Limbo --> Christensen's parallel editing ==> moving representation of a terra-centered [...]
(233)[...notes/Ajayeb notes.txt]%29.6[...]th Our Heroes at the Somme (Bei unseren Helden an der Somme, 1917)
(Baxstrom + Meyers) question of mimesis
-what is the relation between a fragmentary visual artifact drawn “from life” and the truth value of any such fragments?
-what sorts of filmmaking practices can felicitously mimic life as such?
[for example in Curtis's In the Land of the War Canoes] status of reenactment ==> prevailing standards of expressing the real
--later --> crypto-structuralist origin myth that falsely represented what “documentary” meant to pre-Griersonian filmmakers ==> “realist” Lumiere =/= the “fanciful” Melies
}--> *gap between witnessing and the real* in Europe (this question of evidence occupied inquisitors and theologians long before the invention of cinema)
preparing viewers for the “diegetic absorption”
(telling of a story by a narrator) diegesis =/= mimesis
the strategy of “reimaging” is methodological and intentional (in the opening minutes of the film Häxan) --> (in European terms, for a very long time:) “knowledge = recitations of the known”
+ creation of new images --> constituting its own evidence for what is at stake
(Christensen designating) **techniques of presentation rather than simple content**
****the “truth” gained by the reproduction of archival images**** <==through== their mobility in the context of their new use
--> (similar to Farocki) Christensen empties out such visual artifacts, expressing through their preestablished frame a meaning that was hidden and resisted
(Baxstrom + Meyers carefully treating the) methodological element of Christensen's image-making practices --in--> Häxan's depiction of the violent moral disorder of the Wild Ride of the witches to their Sabbats
(16th century) Wild Ride: a standard element of both demonological and popular literary accounts of the activities of witches, folding:
•older legends of wild hunters
•restless travels of the dead at night
•tales of the Furious Horde (a super natural band that was not originally associated with witchcraft)
•twisted chaos of the deep forest
Canon Episcopi regarding the power of demonic illusion to deceive women into imagining that they could travel great distances at night, often in the company of the goddess Diana
}--> conjoining of witch image to demonological discourse [<-- an empirically verifiable invention in the late medieval period and the Renaissance]
*the oscillating value of the non-fictive* (of its discrete artifacts)
hybrid human–animal creatures with each “natural” species being traceable within the complete appearance of the demonic creature
(coming into contemporary performance art -->) figures from antiquity:
•Saturn @Ale
•Circe @Bryana [...]
(234)[...notes/Ajayeb notes.txt]%29.8[...]ryana (changing men into beasts, games of chance, gambling, tricks, slight of hand, illusion, hybrid animal–human forms of the demons dancing around the “grandmother” with surprisingly young and beautiful appearance --melancholy--> general sense of sexual and societal disorder swirling around a placid, passive female protagonist) + empirical strain of the discourse of the witch
•Sabbat @Jassem
•
-->
pact of the witch
obsessed state of the hysteric
interplay of face and tableau
(Warburg's assertion that) donning a mask constitutes an active attempt “to wrest something magical from nature through the transformation of the person”
[putting on a mask --> transformation of the person --> obtaining omething magical from nature]
Christensen formally constructing “the witch” through a cinematic iteration of metoposcopic naturalism
(metoposcopy: a form of divination in which the diviner predicts personality, character, and destiny, based on the pattern of lines on the subject's forehead.)
(Avital) scientific imperative (the demand in the 19th century for an epistemological reliable inquiry in the nature of things) <-- fascination for the freak and the occult <-- on the way to technology
(Baxstrom + Meyers ☞ Philippe Alain-Michaud on Warburg) “in Mnemosyne, photographic reproduction is not merely illustrative but a general plastic medium to which all figures are reduced before being arranged in the space of a panel. In this way, the viewer participates in two successive transformations of the original material: different types of objects (paintings, reliefs, drawings, architecture, living beings) *are unified through photography* before being arranged on the panel stretched with black cloth. The panel is in turn *rephotographed in order to create a unique image*, which will be inserted into a series intended to take the form of a book. The atlas, then, does not limit itself to describing the migrations of images through the history of representation: it reproduces them. In this sense, it is based on a cinematic mode of thought, one that, by using figures, aims at not articulating meaning but at producing effects.”
transgressive approach to the archive:
•Gerhard Richter's Atlas, 2006
•Jean-Luc Godard's Histoire(s) du cinema, 1988
•Christensen's Häxan
•Warburg’ Mnemosyne (presentation of a series of visual cliches and stereotypes, fragments which were most likely already familiar to the viewer ~ figurative givens ==> empirical evidence + media to conjure with)
•Bataille's journal ‘Documents’ 1929–30 --> seizes cliched objects and then systematically empties them out in the course of its own expressions. Bataille and his contributors sought to defamiliarize the cliches, disturbing the placidly deceptive surface of the mundane in their fragmentary, juxtaposing meth[...]
(235)[...notes/Ajayeb notes.txt]%29.9[...]it reproduces them. In this sense, it is based on a cinematic mode of thought, one that, by using figures, aims at not articulating meaning but at producing effects.”
transgressive approach to the archive:
•Gerhard Richter's Atlas, 2006
•Jean-Luc Godard's Histoire(s) du cinema, 1988
•Christensen's Häxan
•Warburg’ Mnemosyne (presentation of a series of visual cliches and stereotypes, fragments which were most likely already familiar to the viewer ~ figurative givens ==> empirical evidence + media to conjure with)
•Bataille's journal ‘Documents’ 1929–30 --> seizes cliched objects and then systematically empties them out in the course of its own expressions. Bataille and his contributors sought to defamiliarize the cliches, disturbing the placidly deceptive surface of the mundane in their fragmentary, juxtaposing methods of critique and presentation =/= Warburg + Christensen collecting mythological, figurative givens seemingly quite distant from the “really” real
}--> unsettling distances between myth and the everyday
-weave together episodic fragments in order to draw parallels (across domains of sense that cut across time) and correspondences across situations and characters
-Häxan deploys the techniques associated with Warburg's Mnemosyne and Bataille's Documents for purposes of affectively emphasizing the dark, chaotic forces that lurk under the smooth surface of the everyday
(Häxan's episodic structure ==>)
•characters seemingly out of a dead past to live again
•draw the phenomenology of the hysteric
•draw the work's own contemporary time to the surface
promiscuous: neither wholly artistic nor scientific =/=? hybrid artistic and scientific
traverse steep slope between past and future in the form of an event =/= plot
inability to automatically categorize Häxan (or any work of art) <== ***formal strategy rooted in an epistemic virtue***
***(in later Middle Ages) practices such as persecuting witchcraft to meditating on Christ = techniques (of sorting operation) to draw distinctions among visual phenomena, differentiating, say, physical objects from fantasies, dreams, and diabolical or artful deceptions
<--artist-- image-makers specialized in manipulating one thing (their materials) in order that a viewer should see something else ~ *to make something invisible visible* [<-- this is always ideological, and is very common in art]
(#testing) the objective knowledge possessed by the uncanny (in witch's pathological language of diabolic proofs) ==> witch must be experienced in her own milieu, a satanic biome, her state in nature
...................................
typical in 17th century: tacit mutuality of word & image
-artists habitually gave their paintings titles, mottoes, tags and quotations, and their works abound in litera[...]
(236)[...notes/Ajayeb notes.txt]%30[...]mentary, juxtaposing methods of critique and presentation =/= Warburg + Christensen collecting mythological, figurative givens seemingly quite distant from the “really” real
}--> unsettling distances between myth and the everyday
-weave together episodic fragments in order to draw parallels (across domains of sense that cut across time) and correspondences across situations and characters
-Häxan deploys the techniques associated with Warburg's Mnemosyne and Bataille's Documents for purposes of affectively emphasizing the dark, chaotic forces that lurk under the smooth surface of the everyday
(Häxan's episodic structure ==>)
•characters seemingly out of a dead past to live again
•draw the phenomenology of the hysteric
•draw the work's own contemporary time to the surface
promiscuous: neither wholly artistic nor scientific =/=? hybrid artistic and scientific
traverse steep slope between past and future in the form of an event =/= plot
inability to automatically categorize Häxan (or any work of art) <== ***formal strategy rooted in an epistemic virtue***
***(in later Middle Ages) practices such as persecuting witchcraft to meditating on Christ = techniques (of sorting operation) to draw distinctions among visual phenomena, differentiating, say, physical objects from fantasies, dreams, and diabolical or artful deceptions
<--artist-- image-makers specialized in manipulating one thing (their materials) in order that a viewer should see something else ~ *to make something invisible visible* [<-- this is always ideological, and is very common in art]
(#testing) the objective knowledge possessed by the uncanny (in witch's pathological language of diabolic proofs) ==> witch must be experienced in her own milieu, a satanic biome, her state in nature
...................................
typical in 17th century: tacit mutuality of word & image
-artists habitually gave their paintings titles, mottoes, tags and quotations, and their works abound in literary allusions
-explicit interleaving of the verbal and visual
cat feces and dove hearts boiled in the moonlight
stereotype of a debased and corrupted priest
object of the customer's affections
Protestant discourse against the Catholic Church in the 16th century --> artists of the period extended the instrumentalization of slander through the production of proto-pornographic images of bishops, priests, and the pope engaged in myriad obscene acts --depicting--> the emotional states and desires of the clergy
magical salves (considered particularly powerful and troubling by demonologists)
Häxan self-positioning as a scientific investigation + constantly pull back from the dramatic outcomes of what Häxan depicts
Häxan's demonstration of th[...]
(237)[...notes/Ajayeb notes.txt]%30[...]-knowledge <-- mastery of nonsense
= ***a deep appreciation of (that might seem misguided to us):
•cause-and-effect relations
•forces at work in the natural world
(=/= indifference to the truth, retreat into superstition)
~
[these] cases suggestive of and empirically linked to general laws. the case said something about the world, and once a case was established, it would spread like a contagion (=/= proof of misogy or genocide as Federici asserts)
Flaherty ==> a certain truth regarding the total social environment : force of Nanook's life not only provides empirical evidence as to his mode of living but also allows for a refl ection on “nature”, “humanness”, “modernity” rooted in the haptic qualities of Flaherty's images
maleficium (of the witch --> palpable: destructive weather magic, assault of farm animals, sickness, unexplained death, etc.)
saturn's mythological violence <--> satan
the idea that saturn serves as patron to social outliers: the poor, elderly, disabled, criminals, jews, cannibals, magicians, witches
(early modern period -->) **satan = the principal authority of the natural world**, “master of the knowledge of natural properties and the techniques of their instrumentalization” =/= techniques of the healer =/= empirical instruments
(de Certeau observed that) every exercise of trained judgment is authorized through the [*]dark: ratifying force of theology
**dark forces --ratify--> all forms of natural expertise**
mastery of nonsense --driving--> confirming the suspicion of witchcraft = a form of non-knowledge ==opens==> a gap in knowing (specifically, ‘who’)
line of accusation that was quite common in the early modern period --> “the desperate search for the cause of what was other wise an unexplained illness or misfortune was frequently the catalyst for specific witchcraft accusations between friends, acquaintances, and often between family members themselves”
16th century --> this violence now bore the sanction of both secular and religious institutions (<== peasant complaints of maleficium زيان <== human beings have been suffering misfortune, illness, and death long before the power of the witch was felt during this time)
Dominican order --> aggressively promoting the cult of the virgin, to the status of the “perfect” woman {elevating the status of sexual neurosis to a virtue} =/= lustful credulous nature of common women (who were often associated with the temptations of Eve)
*conflicted status of women*
•in Häxan --through--> sternly patrilineal visual motifs (condescension + bemusement --> frail + hysterical)
•in ajayeb bestiary -->
(Häxan's) witch hunters act in accordance with their own procedures for investigating truth and falsehood and not simply out of[...]
(238)[...notes/Ajayeb notes.txt]%30.2[...]
“nonsense” of the “native”
(Baxstrom's work on witch craze [in 16th century] --arguing-->) the problem of establishing proof in reference to the invisible forces has durably shaped our modes of investigating human social and cultural life
[ajayebnameh =/=]
social or cultural anthropology in the 21st century = (human sciences’ contemporary equivalent of the) *old efforts to master the invisible* -->{test ==> felicitous information as to the “true” nature of obscure forces and their operations within empirical real-world contexts}
[ajayeb: (part of the histories of)] systematic, empirical investigation of strange events, singularities, miracles, and other types of staple phenomena ~~--> scientific method and the forms of knowledge that emerged as the foundation of an ensemble of *sciences proper to humans* --> yet has been unable to expel (the unprovable forces) considering the origins and forms of human diversity
>
[*]anthropology: the desire to credibly master nonsense
[with ajayeb studies i am learing to be] able to argue for a world below the threshold of perception (of medicine, biology, physics --> defined their relation to the nonsensical via a *visibility to come* ==> [embodied in new technologies:] photograph, microscope, telescope)
Deleuze --> when writing of communication between heterogeneous systems --> [we must pay attention to] what is this agent, this force which ensures communication? (<-- role of difference and resemblance)
forensic anthropology
[title]
imaging and imagining technologies
the confusion of the empirical (knowledge traversed by our everyday observations, sensations, passions) and the transcendental (construction of an ideal knower, now it is the queer) in apass
figure of man foundational to the human sciences [did not exist in classical thought ~ ajayeb] --move-to--> empirically institute the experience, witnessing, and testimony of an individual human subject = *the central linking relay between evidence, judgement, and the real* --> the ability of a human being alone to serve as the sole source of evidence in an investigation of “the real” (#feedback) [=/= Gilgamesh]
(in Qazwini's ajayebnameh the testimony of an individual human subject is ambiguous)
(Baxstrom + Foucault) *insist on rooting our form of knowledge in the figure of the human being and the human being alone --yet--> our gaze is continually drawn to a host of beings and phenomena (the witch, the spirit, the shaman, etc.) that cannot properly be enfolded back within this figure*
fabled definition (@apass relationship with defining)
fable of anthropology (a disposition with regard of the interlocutor other as truly “other”) -->
“This goal is, briefly, to grasp the native's point of view, his relation to life, to[...]
(240)[...notes/Ajayeb notes.txt]%30.7[...] Bastille, in Paris
=/= the nuns and devoted female members of the church, who raised special concern when they were “possessed” by unexplained forces of demonic or neurologic origin
***(Ulrich Baer ☞ Baxstrom:) Charcot ==> transformation of *tableau vivant* --to--> *tableau clinique* : a hysterical reliving of the original symptom and reframed trauma that attempted to suspend the two temporalities (real + imagined) in the same image***
[Sina ==> --to--> *tableau critique* : ??]
--> Freud and Breuer's efforts (in “reliving” with hypnosis) to isolate the mechanisms of hysteria
Acta Sanctorum [---> go to Attar's tazkirat ~ hagiography]
countless early descriptions of entities speaking through the mouths of girls and of the manifestation of “external signs” in the possessed @Bryana
(associated with) possession:
•anesthesias
•amnesias
•subconscious acts
•somnambulisms
◦fixed ideas
•
***conceptually arranged abyss between outer and inner states ==> *literal mastery of nonsense* ==> gaining empirical purchase over forces openly acknowledged to be invisible and insensible in themselves***
•the exorcists (building upon the techniques of inquisitors and witch-hunters) take on possession acted as the *bridge across this abyss*
•the neurologists and psychologists draw unknowable forces out of the inner voids via the *symptom* --Malinowski--> witches, spirits, demons acting as middlemen and guids (=/= explicit target of inquiry) in the field of worker's journey to the dark cornerss of the real
----> (Baxstrom's anthropological insight is useful in artistic feedback, for) in apass: (we use exorcist technique + clinical symptomology) to bridge across the abyss between the artwork and artist (~ the enunciation and enunciator) --Sina--> ‘enunciation is the guide to an enunciator’ #feedback
/>
Levy-Bruhl's haughty binarized “us and them” (his focus on “the primitive” as a category of social analysis and his insistence upon an unbridgeable epistemic gap) --> darker history of human sciences: an embarrassing historical curiosity... *an unsunstainable position* --Baxstrom--> Levy-Bruhl lost his position in th canon because the logic of his arguments regarding the forces that shaped the life-worlds of non-western people denied the possibility of a field researcher's being able to assume the *point of view* of the native in the bold manner that Malinowski declared was not only possible but actually the highest aspiration for anthropology [--> also the aspiration for critical feedback?]
(counterepistemological) Levy-Bruhl =/= Malinowski --> ([*]feedback: an art of engagement informed by critical relatedness and) **anthropological expertise grounded in the careful cultivation of a *sympathetic knowledge of the other* as a way of empirically knowin[...]
(242)[...notes/Ajayeb notes.txt]%31.2[...] invisible forces that produced beings wholly unlike us =/={ method of sympathetic association --> participant observation: the felicity of evidence produced through the qualitative experiential methodological instruments [--> comes to define the modes of critical relatedness in apass]
(since 15th century) investigators ==> staking one's claim to the real on the mastery of those forces that relentlessly elude a plain direct visibility or sensibility ~~--> human sciences
*we still hunt ghosts, fueled by a desire operationalized in a method of being close enough to something to sense it, because our form of mastery demands a closeness to things unseen, unprovable, indeed ‘nonsensical,’ yet unquestionably ‘there’* -Baxstrom
...................................
Despret on Derrida's animal
the act of being seen by an animal ==> Derrida groups together on the end hand “scientists and philosophers =/= prophets and poets”
{ Bateson, Goodall, Bekoff, Smuts, and many others have met the gaze of the living diverse animals and in response undone an redone themselves & their sciences =/= Derrida }--Haraway--> why did Derrida leave unexamined the practices of communication outside the writing technologies he did know how talk about? ==> philosopher (speak in the absence of animal) =/= theoreticians (speak face to face with the animal) =/= scientists
•Derrida's original positioning: to speak (starting) from [~ a partir de] a real animal and not about animality [being animal] : to speak in the animal's presence and not in its absence --> this [this way of talking about animal is against his philosophical tradition] is not particularly original, it is part of the very game of philosophy: *to fight with ancestors and contemporaries [~=? recalcitrance تمرد tamarod] about great and noble ideas* (to denounce inequality and violence)
maintaining distance is a characteriscteristic of the episteme of the French philosophical tradition
the topic of animal in French tradition:
•the animal can be a topic of philosophy if it is called up as a figure of otherness (or a figure of deprivation) [--> is that why i started to work and think about animal fables after i moved to germany? because i became identifiable as deprived other? and reading about the naming and denunciation of philosophical violence towards the animal became a proxy for philosophical violence towards myself as a foreigner?]
•animal as ancient ancestor (a search for difference with appeal)
•
}--> **as a figure caught up in theoretical and abstract issues** (a philosophical animal) --> animots: paper animals, abstract inexistent animals
=/= Derrida taking up the topic of the animal ==> to oppose a certain humanist hegemony, denouncing philosophical violence towards the animal
•Derrida's rejection of philosophical game par excellence [...]
(244)[...notes/Ajayeb notes.txt]%31.3[...]d to be ...
(the influence of) Anglo-Saxon animal studies [on me]
(in Despretian way) learning to think from love
(the bad) fable of coming out of the closet
there is no closet. there are transformations.
falling from a horse, on a path that no longer leads to Damascus
(the story of) Saul does not answer God; he politely asks him to wait two minutes while he comforts his horse. let God wait; other things matter <--Despret-- this is where true conversation takes place
(a philosophy, or thought) one of: obligation =/= distance
(Stengers:) obligation =/= requirements -->{*a distinction that is to be made*, to be created, to be invented, not acknowledged as already manifest in the state of things}
obligation (is much more demanding than) =/= right
(Sina:) obligation =/= commitment
[*]being obligatet = agreeing to expose oneself to failure, refusing to construct the words of order that would protect oneself from the requirements of the activity
{not all activities arise from obligations = not all activities put themselves at risk, not all activities make an effort to present themselves politically}
Haraway's writing technique: a remedy for indifference and contempt --> *becoming attached to the multiple threads that make up the fabric of the world*
(Despret obligated to hear) the blackbird sang as if the world itself depended on its song --and-->
*the importance of things came to dwell in its voice*
*the blackbird made importance exist in another way*
*importance became incorporated in the world*
and this importance rises like a question [a question that comes after “what matters for..."] --Despret--> how can i now write in such a way as to be worthy of what matters, with a similar insistence, for another being? (my question in Cinderella diaries)
r />
...................................
my history (of continuous interest, or what created the next “-->”):
iran / visual arts --> germany / lecture and performance --> research / heritage study --> case / ajayeb bestiary --> epistemology / animal --> science / anthropology
...................................
home funerals put into practice an important dimensino of the lives lived by the deceased --> participates actiively in the instauration of their existence
-instauration: [re-storying] restoring, participating in a transformation that leads to a certain existence = to more existence, in the case of the deceased: both a biographical supplement and the accomplishment of an existence in another realm of reality ==Souriau==> brilliance of reality (of the dead): regards of the existence of the deceased, provided we agree on the right regime of reality that can be granted to them --> (envisioning definition of the mode of existence)==enabl[...]
(245)[...notes/Ajayeb notes.txt]%31.6[...], one will define the animal above all, whenever possible, by its essence (by what it is)]
--Latour--> reinstituting nature, *one does not learn from beings turned into zombies* (deanimated) ==> (ethology is required to) address an animal defined as non-indifferent: an animal for which the way it is addressed matters
--Despret--> [*]ethology: a practical science of the modes of interrogating and experimenting with ways of being = ****a practical science of the modes of attention**** (that are required by the ways of being of those it aims to study)
...................................
working on:
•[with Despret and Katie] How my “special things” belong also to others, and how in this belonging i can unlearn something about my things, call it heritage
•in my own performances, the proposal that “story” and “medium” do not need to fit... is also why my lectures don't produce similar joinings (for the audience)
every phenomena is at the same time experienced, resisted, measured, enunciated, performed, narrated
politics, poetics and affects of finitude
fossil nihilism
...................................
Frankenstein: an all-purpose modifier to denote technological crimes against nature--a criminal only after being left alone by his horrified creator
--Latour--> we have failed to care for our own creations : Frankenstein as a parable for political ecology
to be coextensive with...
to become compositionist: one that sees the process of human development as a process of becoming ever-more attached to nonhuman natures (=/= fallen from nature)
story of modernity:
•humankind's emancipation from nature
•***progress (forward movement of the arrow of time) = indifference to the past*** ==> “past: an archaic and dangerous confusion”
•the confidence of being able to differentiate clearly what in the past was still mixed up: facts & values
green politics ==> gloomy asceticism, a terror for trespassing nature, and diffidence toward industry, innovation, technology, and science
my work has been against the notion of “nature = a hierarchical totality”
emancipation =/= attachment =/= intimacy
*environment: what appeared when unwanted consequences came back to haunt the originators of collective modernizing actions
*environmentalism: when the unwanted consequences are suddenly considered to be a monstrosity (#apocalyptic) ==> abstain & repent --> Leo:
environmentalist logic: “precaution = abstention”
‘global warming’ is an unintended consequence (like anything in earth) <-- narrative of attachment =/= an scandal, end of the world (<-- apocalyptic narrative of emancipation, modernist myth of mastery)
pristine nature =/= our nature ~= national park: a rural ecosys[...]
(246)[...notes/Ajayeb notes.txt]%31.9[...]eed to fit... is also why my lectures don't produce similar joinings (for the audience)
every phenomena is at the same time experienced, resisted, measured, enunciated, performed, narrated
politics, poetics and affects of finitude
fossil nihilism
...................................
Frankenstein: an all-purpose modifier to denote technological crimes against nature--a criminal only after being left alone by his horrified creator
--Latour--> we have failed to care for our own creations : Frankenstein as a parable for political ecology
to be coextensive with...
to become compositionist: one that sees the process of human development as a process of becoming ever-more attached to nonhuman natures (=/= fallen from nature)
story of modernity:
•humankind's emancipation from nature
•***progress (forward movement of the arrow of time) = indifference to the past*** ==> “past: an archaic and dangerous confusion”
•the confidence of being able to differentiate clearly what in the past was still mixed up: facts & values
green politics ==> gloomy asceticism, a terror for trespassing nature, and diffidence toward industry, innovation, technology, and science
my work has been against the notion of “nature = a hierarchical totality”
emancipation =/= attachment =/= intimacy
*environment: what appeared when unwanted consequences came back to haunt the originators of collective modernizing actions
*environmentalism: when the unwanted consequences are suddenly considered to be a monstrosity (#apocalyptic) ==> abstain & repent --> Leo:
environmentalist logic: “precaution = abstention”
‘global warming’ is an unintended consequence (like anything in earth) <-- narrative of attachment =/= an scandal, end of the world (<-- apocalyptic narrative of emancipation, modernist myth of mastery)
pristine nature =/= our nature ~= national park: a rural ecosystem complete with post offices, well-tended roads, highly subsidized cows, and handsome villages
(Latour giving the example of theology:) ‘mastery ==> attachment’ : “the christian God gets folded into, involved with, implicated with, and incarnated into his creation.” =/= a master who is freed from dependents
}--Latour--> dominion means attachment
...................................
Mi You
modernization process of European societies ==> secularity ==> “religion = only one option among other ways of self-fulfilment and human flourishing”
*self-sufficient humanism has never existed on the same scale before in European societies before the Enlightenment*
...................................
#writing for mini-series bestiaries
inspired by the https://www.instagram.com/ajayebedid[...]
(247)[...notes/Ajayeb notes.txt]%31.9[...]lace under the sway of the Tarof?
-repeatability of the Tarof is built into its singular occurrence
-Tarof, a *reciprocal promise* that aims to correspond to the most essential level of the other.
-the greeted is first and newly returned to his essence
-Tarof corrupts greeting
-the story of turtle and two storks in Kelile Demne (کلیله و دمنه): friedship due to adjacency and terms of nearness or farness to the other. (Tarof is activated by and sustains adjacency) --- delicate trajectories of greeting
-how do we greet a dog. the submission necessary in greeting. we submit to it when we greet the dog. hi dog. what would a practical Tarof with dog look like? do we have Tarof with animals? The Tarof's affection itself cannot be separated from a desire to dominate.
Levinas narrates a greeting, when he was in a concentration camp in germany, they call them dog. then a stray dog shows up and they call him Bobi. when they came back from the dehumanizing labor of the camp, Bobi would run to them every day and greet them. and that was what rehumanize them.
tarof and complaint
(is tarof capable of forming a protest?)
using tropes of traffic in different cultures with relation to tropes of technology, mobility and constitution of freedom. in Germany talking about ‘rail’ and ‘track’, changing tracks, shifting tracks and so on, meaning there is a predefined trajectory systematically mobilizing the individual in plain of possibilities. in US people more use cars and car can go anywhere, park or decide when and in which speed to move on, including complete autonomy on the direction and velocity of movement, accompanying the North-American notion of freedom and relation to destiny. in Iran the movement is also based on personal cars but everyone is stuck in traffic, so there is a freedom of choice implied and is initially available but then on the plain of possibilities there are all sorts of technologically situated block-roads that traffic in and hinder motility. this is also a condition of Tarof. “shoma befarmayid!” (after you!)
*Tarof might be as well a mode of resistance in order not to enter the economy of the other (--> at the mercy of the other), when they say “it's on me.”
•رودربایستی <--> ? a [در رودربایستی گیر کردن] (a --?--> حیا)
shah: one who sits while others stand --> tarof as king's behaviour (tarof is adab-e salatin?) ~~--> tasavof's tarof: takalof (=/= javan-mardi: ‘self = guest’)
Khhv0M9n5_g
...................................
every call to speak involves some violation and over-joy, putting oneself in a persecutory way on the line, what Sa'di calls in “Dar Favaede Khamushi” in 4th chapter of his Golestan ‘on the disadvantages of speaking’ or “On the Advantages of Silence” (Written in 1258 CE)
literate or obliterat[...]
(248)[...notes/Mona rat race.txt]%32.3[...]e? do we have Tarof with animals? The Tarof's affection itself cannot be separated from a desire to dominate.
Levinas narrates a greeting, when he was in a concentration camp in germany, they call them dog. then a stray dog shows up and they call him Bobi. when they came back from the dehumanizing labor of the camp, Bobi would run to them every day and greet them. and that was what rehumanize them.
tarof and complaint
(is tarof capable of forming a protest?)
using tropes of traffic in different cultures with relation to tropes of technology, mobility and constitution of freedom. in Germany talking about ‘rail’ and ‘track’, changing tracks, shifting tracks and so on, meaning there is a predefined trajectory systematically mobilizing the individual in plain of possibilities. in US people more use cars and car can go anywhere, park or decide when and in which speed to move on, including complete autonomy on the direction and velocity of movement, accompanying the North-American notion of freedom and relation to destiny. in Iran the movement is also based on personal cars but everyone is stuck in traffic, so there is a freedom of choice implied and is initially available but then on the plain of possibilities there are all sorts of technologically situated block-roads that traffic in and hinder motility. this is also a condition of Tarof. “shoma befarmayid!” (after you!)
*Tarof might be as well a mode of resistance in order not to enter the economy of the other (--> at the mercy of the other), when they say “it's on me.”
•رودربایستی <--> ? a [در رودربایستی گیر کردن] (a --?--> حیا)
shah: one who sits while others stand --> tarof as king's behaviour (tarof is adab-e salatin?) ~~--> tasavof's tarof: takalof (=/= javan-mardi: ‘self = guest’)
Khhv0M9n5_g
...................................
every call to speak involves some violation and over-joy, putting oneself in a persecutory way on the line, what Sa'di calls in “Dar Favaede Khamushi” in 4th chapter of his Golestan ‘on the disadvantages of speaking’ or “On the Advantages of Silence” (Written in 1258 CE)
literate or obliterate
infinitely less violent --> that there is never absolutely nonviolent, a value infinitely small but never zero; infinidecimals
degree of violence = 1/x {while “true”: x+1}
(Augustine:)
(Because of the arbitrariness of being:) “to love" = "I want you to be”
[we need to be witnessed:]
because “we have not made ourselves,” we “stand in need of confirmation. We are strangers; we stand in need of being welcomed”
*strangers and exchangers (sarraf)
this is an artistic concern with foreign-policy
[Arendt:] (in 20th century) shifts in the terms in which we locate the et[...]
(249)[...notes/Mona rat race.txt]%32.3[...]minimum presence) of animal in my family, and the ways the animal story circulate and live there. what is the animal holding in my family?
-stories or fables that permit wonder, or allow perhaps to approach crows or cats as creatures who could be capable of contingent cooperation or multispecies companionship. [i am referring to the video of the wild animal taking care of the baby pet, the popular video in social media that triggered the discussion about wild and domesticity during the lunch between my family members. an object that captured the dialectic of desire and disgust in my human family's response to the animal.]--> this is what I call cosmology: beings that depends on their placing within a particular cosmology. cosmology is very much alive --- [animals fitting in the visual rhetoric of web-based digital media is itself to be investigated... social relations, social animal, contemporary cosmology]
-the minimum relationship with feral cats, and rats, and pigeons (and their material environment.) and ambiguity towards them. evoking responses of affection, disgust, fear, and indifference.
-relationships between people, animals and place**** [a place as complex as Tehran's urban environment with its politics, televised operations, its ‘wilderness,’ and technologically mediated stories and rumors that populate its landscape.] --> are we having a Historical change? in epistemic principles --> what is inside and what is outside [keep in mind the historical moment in iran's political isolation. is this reflecting the exclusion of feral animals of everyday life?]
-my family was able to talk differently and find other expressions about violence in the landscape of tehran by applying the animal story (to the head and heart.) [this is also Kelile o Demneh.] the video was a heart-breaker. it had a healing moment, and their resistance to its originality as a tale of friendship is meaningful, the violence is solid and a-priori to companionship, and it supported the story of kinship instead of friendship. This story also promoted the Descartes’ beast-machine hypothesis, that the wild-being is devoid of intentions and is like a timepiece with regular motions, that the animal is object and not subject, beast-machine.
-my mother's relationship to the lions eating their offspring, octopus eating their mate, or cats licking their genitals and dogs filth scavenging--polluters of domestic space, cockroaches “belonging” to an stratum below civilized life, the “out of place” and abject owl, species sexual dispositions and different coupling, suggest difficulty in an anthropocentric expectation of alterity. animals simultaneously despised and admired --- the idea of eating your (so-called) “loved-one” (not a suitable object for affection) refutes cross-species identification according to anthropocentric standards. [windows of opportunity for cross-species bonding, domestic-wanna-be-feral story, myth of mental intention and animal f[...]
(250)[...notes/Mona rat race.txt]%32.5[...] />
delivery (not ‘from’ but) ‘of’ punishment
(for Varinia: what about the people feeling guilting and destructive who rush to the judge or the penal system confessing and begging for punishment? --where is the figure of persecutor located at her practice? if at all addressed.)
(@Sana: how do i deal with helplessness? the Hilflosigkeit is primal, [the start-up engine of psychoanalysis, powerlessness and power-failure.] --> (then let's ask) where does it hurt? in the eyes? ears? --for Varinia it hurts on the neck)
-and despair
-and distress
when I punish you...
i cannot say if our encounter is specifically Levinasian
...................................
[Chris Philo and Chris Wilbert]
‘natural’:
-scientist's site of fieldwork
-naturalist's site of biological conservation
-entrepreneur's site of capital accumulation
-poacher's site of prey
-soldier's site of refuge
--> geographies of human struggle, politics, colonialism, capitalism, intervention,
what is shapping in these sites (science labors, natural parks, pig and chicken farms, mobile phones, etc.) human-animal relations (in their widely divergent kinds)?
(technology, ethics, welfare and politics in Tehran)
the ways my mother thinks about the diffission of animals’ bodily wastes beyond the bounds of their immediately present: dog's poop, etc. --> spatial externality of animals (--"they contaminate!”)
in the case of mobile phone animal meme, the human-animal relation does not operates solely through the physical proximity of humans and animals, but rather a wider geography, and networks the interiority of Tehran domestic environments.
-as the house becomes cleaner, the public domain becomes more feral, and the animal more contagious, and the proximity more virtual, and the cross-species relationships and pictural,
-questions of the vital, the dangerous, and the wild (in tehran)
“[...]animals, especially dead ones, enter centrally into what humans can themselves be and do in the world.” (Cockburn)
i am trying to establish an anthropological, sociological and psychological investigations in this matter, calling for a ‘cultural animal geography’ that focuses on the complex entanglings of human-animal relations with space, place, location, environment and landscape. ~-> topology(s) {it means that spaces and places involved make a difference to the very constitution of the relations in play}
[Tehran: wilderness ~ public ~ non-domesticity]
...differing peoples in differing periods and worldly contexts***
societies in a host of settlements, fields, farms, factories, imaginary, literary, psychological and virtual spaces (--> and how animalhuman is socially defined)
technologies of human orderings : telegram? [enc[...]
(251)[...notes/Mona rat race.txt]%33.1[...]perates solely through the physical proximity of humans and animals, but rather a wider geography, and networks the interiority of Tehran domestic environments.
-as the house becomes cleaner, the public domain becomes more feral, and the animal more contagious, and the proximity more virtual, and the cross-species relationships and pictural,
-questions of the vital, the dangerous, and the wild (in tehran)
“[...]animals, especially dead ones, enter centrally into what humans can themselves be and do in the world.” (Cockburn)
i am trying to establish an anthropological, sociological and psychological investigations in this matter, calling for a ‘cultural animal geography’ that focuses on the complex entanglings of human-animal relations with space, place, location, environment and landscape. ~-> topology(s) {it means that spaces and places involved make a difference to the very constitution of the relations in play}
[Tehran: wilderness ~ public ~ non-domesticity]
...differing peoples in differing periods and worldly contexts***
societies in a host of settlements, fields, farms, factories, imaginary, literary, psychological and virtual spaces (--> and how animalhuman is socially defined)
technologies of human orderings : telegram? [encountering all kinds of inventiveness that go on cross-species (human, animal, story, image, media), the kind of semiotic work]
*Space* (de Certeau) : A place (lieu) is the order (of whatever kind) in accord with which elements are distributed in relationships of coexistence. It thus excludes the possibility of two things being in the same location (place.) The law of the ‘proper’ rules in the place: the elements taken into consideration are beside one another, each situated in its own ‘proper’ and distinct location, a location it defines. A place is thus an instantaneous configuration of positions. It implies an indication of stability.
--> space as the ‘scheme of things’ --> species-identifying
=/= imaginal space, animal space, memory, dream, etc.
‘species-identifying’ (classification) in:
•pre-Neolithic totemic societies (Shepard 1993)
•biblical classifications of the different beasts (Leviticus: Sibley 1995)
•ancient and medieval ‘great chain of being’ thinking (Lovejoy 1936)
•Linneaus's Systema naturae
•tabular representations of the natural world (Frangsmyr 1983; Spary 1996)
•...
understandings of what comprises an animal is different in each case.
what should be interested?
“(elaborating on Shepard,) Ingold (1994) suggests that hunter-gatherers generally view the distinction between humans and animals as permeable and easily crossed, unlike what is taken as read in much Western science and philosophy.”
when/how you are persuaded to portray yourself as the relevant ‘expert’ in whate[...]
(252)[...notes/Mona rat race.txt]%33.1[...]ngs to be described or imagined; concepts are lived; the subject is present as witness to the moment in which some worlding is about to disclose itself in some form or event. the result is a subject attached to worlds throwing together in a sensory refrain, a literally unbelievable image, or a muscle of sociality or belief. theory: drawn through writing into the ways that people and things venture out into reals. a world in the present tense is always other than its representation [<-- another argument for #excess]. nonrepresentational writing : *a phenomenal method of attending and composing* =/= epiphenomenal: an expression of knowledge already garnered انبار from scholarship. to spin out of critical thinking's bad habits: the prizing of prefabricated good objects over bad objects.)
(--> Singh, Anand; agency as a threshold of life with its own immanent forms of movement and flux, studying spirits and shifts in intensity)
(--> )
(--> )
(the dangerous and bizzar idea of) a pure ‘human’ society
‘anthropomorphism’ actually ‘underestimates our humanity,’ in that the ‘anthropos’ and the ‘morphos’ together mean both that which has human shape and that which gives shape to humans (Philo + Wilbert ☞ Latour)
technomorphism, zoomorphism, ...
anthropocentrism of the standard anthropomorphism critique --> human-referenced starting-point
trophies, stuffed parts, drawings
urine, faeces and other dirts
feral =/= wild =/= tame =/= feral
in-between animal-findings and animals finding
appropriate places of animals: in zoo or animations
(the 2016 film Fantastic Beasts and Where to Find Them is about proper zoology and not animal epistemology. here what comes after “Find Them” is crucial.)
(the developement moral identities and psychological interiorities for Pixar's human teller in anthropomorphist films such as Ratatouille.)
-we need to imagine a new animal geography
*territory: “...sites of a completed cycle of parentage and exchanges [...] spaces of insurmountable reciprocity.” (Baudrillard)
(is Baudrillard sentimentalizing animal territoriality? and giving them ‘psychic life’?)
...................................
[Michael Woods]
...through representation an entity becomes ‘immutable mobiles’ (Latour) that allow political debate to take place by presenting to decision-makers convincing representations of things which they have not directly experienced. (--> Hollywood)
...................................
[Avital]
the maternally contacting child is menaced
it is the mother who call(ed) first
mother and child, each the absolute hostage of the Other
to face the immense, faceless Someone
the nature of our encounter is on a timer
ask for subtitle if I go foreig[...]
(253)[...notes/Mona rat race.txt]%33.3[...]
super-ego [that part of you that exercises authority, “I am gonna make you swallow this” --> jouissance] ~=? Div-mardom دیو مردم (paternal correctional voice, “don't drink!” --> Nezami) =/= Div (says “benush!” بنوش)
...................................
(with Haraway;) the relation between what counts as nature and what counts as culture (in Tehran)--judging whether a behavior is the stuff of genes or rearing
the domestic animal is the epoch-changing tool --> (free) wolf/dog (servant) ==> civilization
what are the things we hate in the name of Wilderness (~=> “fall” into culture)
...................................
[lecture at apass, 10.03.2017]
i follow the scribbles of jamming and jam session
welcome to this metaphysical place
like you, i am also sometimes in heaven, sometimes in hell, in no-land, nowhere, elsewhere, in Belgium; also interested deeply in what signals my and our arrival in the metaphysical entity of Belgium. like Christian, as i am fantasizing his excursion that i missed, we went out and walked back into the city, studying what really signals our arrival, when and how and where on the body we feel that we are there. and my guess is that it is always technological. but in an another universe your arrival might be registered by greeting. and in an Iranian sense...
...................................
my lecturing, when it is about going after a term or a metaphor or a subphenomena or a paraconcept, {to arrive at its essential qualities or range, its meaning and historical rootedness, how does it hold things together, what holds it together (in related but different speculative milieu,) its intractable necessity, its ghostly effectiveness, its phenomenological maintenance, in which framework they maneuver, and so on} is a tentative intervention that i reside in the weaker neighborhoods of thought, even vandalizing (authoritative knowledge-)claims of legitimacy and abandoning the controlling of possibilities of comprehension.
-(purposeful?) anarchy of questioning, unfolding my thoughts anarchically
*not to work on X in order to get the point across that one remains susceptible (mosta'ed مستعد, dar khatar در خطر, dar ma'raz در معرض) to and in need of X : what X almost was, or is still about to be
(the character of X, and? the X-ian character)
-rather, ask, in what way X allows an approach?
{Avital on} **authority, violent shores of human governance
what happened to authority after the demotion (tanazol-e rotbe تنزل رتبه) of the “big Other” (death of God, State, Pir, and other mostly masculinist idols)?
a primal impulse in the cuing of group formation; pre-givenness of our way of handling private and public spheres of encounter, domestic and foreign affairs;
-disappearance of authority functions as a figure[...]
(254)[...notes/Mona rat race.txt]%33.5[...] an implicit contract based on norms and conventions
the sentiment (and performance of Tarof in a weird way, and) of verguenza construct relations of social solidarity, the tie --> to give structure to the relationship to the gods (as well as that between persons) --> *aidos* becomes constitutive of shame civilization (that continues to mutate)
shame, sham, to “cover up” shameful parts
aischune[=/= *aidos* (==> *kleos* “fame”) defines the Homeric hero, aidos precisely identifies the definitive requirement of the hero, his “regard” for his philoi (φίλοι royal friend/advisor of the king) and his genos (γένος, social group claiming common descent)]: to dishonor [=/= beauty, in Plato] }--> to disfigure; tied to the body, and in the case of the female body --> blush, as in the sensitive plant
aidos (~= moderation [provoked by the regard and expectations of the other]) =/= *excess* [--> in my lectures i usually don't respect/regard the expectations of the other]-->? that which separates me from the Homeric hero
(these are all about the regulation of the world)--> in a way also that which Mona demands
Mona need to analyse her question of (caused) violence and calamity:
•disposal the Promethean technai [τέχναι] (when she asks “who gave them the tool to kill?”)
•the logos [λόγος] of the arts and discursivity (when she demands conscience and justice [~ dike, another greek tool])
for Aristotle: aidos ==> clean ethics: pathos (an affection that involves the body)
*the form of fear proper to free men* --> properties proper to truth
from aidos [linked to the Latin videre (to see)], to vergüenza [linked to the Greek horan (to see)], we remain in the space of the *gaze*
...................................
Veena on *how knowledge is secreted in relation to catastrophic events*
‘inordinate knowledge’ --> beyond the act of merely knowing
=/= pale intellectualized distracted archived knowledge --> it is the subject who has
to discover which aspects of knowledge matter to her and where her attachments lie
--Veena--> (with pale or excessive, it is not the form of knowledge, rather) it is the way in which knowledge enters the realms of the social
those who have to endure what they cannot ignore
pale --> bare --> dark --> filled with plenitude
different modes of knowing as means of navigating the catastrophic (=/= simply knowledge about an object)
*reality does not have that frontal character*, (it is rather) like atmosphere, deeply embedded within context
[*]context: the weaver's loom that is discerned within the cloth it weaves
Donatelli --destruction--> small, recurring, repetitive crises that define everyday life itself or are grown within the everyday
*event of tr[...]
(255)[...notes/Mona rat race.txt]%34.7[...]ng been rendered either unintelligible or naive (in feminism --> an avowed interest in the body + a persistent distaste for biological detail)
interested in antiracism and politics of globalization --✕--> crucial dimension of research: body <== “the precarious, accidental, contingent, expedient, striving, dynamic status of life in a messy, complicated, resistant, brute world of materiality, a world regulated by the exigencies, the forces, of space and time” + the conditions under which bodies are encultured, psychologized, given identity, historical location, and agency
*(you can) speak (back) to postmodernism (or democracy etc.), rather than simply speak on (your relationship to) it*
...................................
Hayward on the role of embodiment in visual cultures + meaning of animals in representation
*to envision animal* = to visualize, to experience, to figure, to image, kinds of species, discourses, representations, institutions, histories, epistemologies + to “imagine possible” a set of material and ethical relationships between species
envisioning:
•a mode of seeing and embodying, of immersing and inhabiting, and of storytelling and theorizing in a techno-scientific world of “eye machine”
•a range of practices for situating the “self” (that tender thing in postmodernity) in places and spaces grown thick with entanglements and consequences; a form both of “to face” and “to perceive”
aesthetic conceptions of beauty and/or ambiguity coupled with biological epistemology and phenomenology of the organisms --in--> in Jean Painleve, Genevieve Hamon, Leni Riefenstahl, David Powell ==construct==> a host of hybridized and enmeshed “encounters”
biosemiotics
zoosemiotics
-humanist fascist aesthetic --> desires to memorialize “beautiful and unpolluted” coral communities
-promise of immediate and luminous experience of “jellyfish otherness”
-systems (of power?) that constitutively produce animal and human actors
human-animal + nonhuman-animal + apparatuses --> co-constitutive in the process of trying to know something about whale ecology
(Hayward ☞ Whitehead:) concrescence: “we” (con prefix) ere- (create) scence (sense, or the “scene,” that which is seen), the present is given by a consense of subjective forms. We are multiple individuals, but there are also multiple individual agents of consciousness operant in the construction of the given.
-literal materialization of a dynamic produced
photograph (only one part, a kind of lively limb, of the relay):
(ajayeb style -->) a bumptious and lively event of the processes of whale studies and whales themselves =/= a still record of a whale “that had been there”
the image: a kind of connective tissue, soliciting one's senses
[...]
(256)[...notes/Mona rat race.txt]%35[...]nly one part, a kind of lively limb, of the relay):
(ajayeb style -->) a bumptious and lively event of the processes of whale studies and whales themselves =/= a still record of a whale “that had been there”
the image: a kind of connective tissue, soliciting one's senses
solar light --> brushed up against, even touched, the whale --> translated through the camera --> into film --> into chemical bathes --> into photo-paper --> through my eye as a research assistant
}==> ‘photograph: material, immanent, interconnected’ ==> somatic intelligibility (embodiment) to my own somatic intelligence ~ enacted an encounter between the senses (subjective feelings) and their sense (objective knowledges)
a mutual embodiment <-- shared in the event of the photographic space
experience of these photographs [whale or telegram animal video]: an instance of *sensuous knowledge* --> way we are in some carnal modality able to touch and be touched by the substance of images (to feel a visual atmosphere envelop us)
(Grosz's) [*]perception: flesh's reversibility ~ the flesh touching, seeing, perceiving itself, one fold (provisionally) catching the other in its own selfembrace
human/animal and technological sensorium
-Hayward asking how coral communities create representational ruptures in photographs
-Sina asking how telegram virtual communities create representational ruptures in the real of human-animal of Tehran, how the enfleshed animal mobile phone photograph touch us
}--> liveliness of humananimal encounters [the way in which my aesthetic and ethical senses merge with animals in the flesh]
-how people get along in concrete, metamorphic, phantasmatic ways
**sensible and sensual ensembles of materialized capacities and activities that literally and metaphorically make sense of, and to, ourselves and other animals**
(Ihde >) [*]phenomenology: a philosophical style that emphasizes a certain interpretation of human experience and that, in particular, concerns perception and bodily activity --Hayward--> a theoretical practice grounded on the carnal, fleshy, material foundations of subjectivity as it engages and is transformed by and in the world
we attend to: content + form + context
invertebrates, product of displacement and comparison, a ruinous verb turned noun turned classification --Hayward--> foregrounding and rethinking the syntax, optics, and heterogeneity of vertebrate and invertebrate relationality
accountability and responsibility in the enmeshment of knowing, doing, seeing, and being
(we need less philosophizing and more) *envisioning: an enactment of dynamic en-figurings that imperil boundaries that clearly differentiate self and other without the loss of historical, cultural, and species specificity*
[...]
(257)[...notes/Mona rat race.txt]%35.1[...]classification --Hayward--> foregrounding and rethinking the syntax, optics, and heterogeneity of vertebrate and invertebrate relationality
accountability and responsibility in the enmeshment of knowing, doing, seeing, and being
(we need less philosophizing and more) *envisioning: an enactment of dynamic en-figurings that imperil boundaries that clearly differentiate self and other without the loss of historical, cultural, and species specificity*
...................................
☾
light has illuminated western stories
•God said, let there be light: and there was light
•solar radiance --> refracted planetary atmosphere --> earth's watery matter --> lively forms
•life shaped by ice (Meloy)
•life shaped by dark (Mohaghegh)
•life shaped by animal (Sina)
•life shaped by light (Hayward) --> the invisible medium that makes a knowable world visible; *seeing light: a trope for making visible in a comprehensive form (such that they are real)*
1. *philosophy is photology* : language of philosophy is constituted by metaphors of light
2. sunlight metaphorizes into transcendent light : a heavenly light promising liberation from the flesh
transgenic technologies ==>
jellyfish + GFP (green fluorescent protein)
rhesus monkey
glowing kittens
transgenic pigs
(...animal examples of chimeric and impure)--Hayward--> articulation of carnal interdependence across species boundaries
bacteria, yeast, fungi, plant, fly, human cell
chimeric borderlands of GFP and transgenics
pushing against the perceptual and affective registers of laboratory walls embodied selves, eating practices, living conditions
bio-capitalism
animal industry
(Hayward on) carnality and radiance of naturecultures
(welcoming a) multidisciplinary table of where light is being eaten
visuality as corporality
light = meat
(Latin word) lumen: light, lantern, lamp, clairity, understanding, the central cavity of a hollow structure in an organism or cell
*somalumenal: how might luminosity, effulgence and illumination be about embodiment or corporality? light transubstantiated into flesh and matter (=/= body transcended by the thrills of enlightenment and radiance)*
(my work on telegram bestiary:) *post-animal studies*
[*]tranimal: a synecdochically imagined correspondence written as a portmanteau word --> changes in our understanding of bodily transformation, somatic and sensual synthesis that manifests synecdochically (a figure of speech in which a part is used for the whole or the whole for a part) =/= metaphorically
[Cinderella is synecdochic]
*trans-
ongoing labor of cross-species agents
energetic and material crossings th[...]
(258)[...notes/Mona rat race.txt]%35.1[...](Haraway + Hayward) metaplasm قلب حروف: a change in a word (by adding, comitting or transposing its letters, syllables or sounds) that can signify a mistake, stumbling, a troping that makes a difference [in joined natureculture --Haraway--> flesh and signifier, bodies and words, stories and worlds]
to inflect tranimals with its tropic kin of antimeria that turns nouns into verbs, that mobilizes, incites, activates persons, animals, places, things and ideas
*i am rubied by your attention* : the relay of energies and forces (not just encounter) ==constitute==> ontology
[*]ontology: what there is + what debts we owe to it --> we owe ‘sensation’ to life's ‘insistencies’ : (Hayward arguing) we must respond to *life's insistencies* through sensation (corporal prehensions)
--(?why to write:)--> **noun = transitional responses to relationships** (=/= direct products of environment)
==?==> percussive distribution of affect
boundary: refracted interfaces of passage, prepositional orientation
sensuous being: unmetabolizable more, the residue of passing
jellyfish sting story
“a jellyfish stings human skin, leaving an empurpled mark that inscribes the boundaries of tentacle and skin (somatic technologies), but the excitation (sensorial transit) of burning and blistering energy remains partly unmetabolizable--this remainder is differentiating and binding. so excitation is not necessarily predicated on positive joins of ever expanding units of life, but emerges between them and therefore can be generated through haemorrhaging [flow of blood from a ruptured blood vessels], excising, amputating” [& killing(?)]
breaking fast with glowing light
Kac's GFP bunny: (chimera of) rabbit + jellyfish + human + technology
making bodies materially luminal --Hayward--> تابش effulgence bound to meatier substance =/= extraterrestrial force of more heavenly bodies
(-what about the moon?)
sexual planktonic medusa
دو شکلی dimorphic life history
جانور دریایی pelagic drifters
[*]drift: to be carried slowly by a current of air or water :
•move passively, aimlessly or involuntarily into a certain situation or condition
•a steady movement or developement from one thing toward another
•*your body is an index of its environment* (= jellyfish: when provoked give off a green glow... *glowing in response to provocation*)
•to be sent adrift as mutation
•the general intention of an argument (--> in writing: *technique of drifting*)
◦poetic joints
◦mixing ontologies into larger organizations
◦
blend of tissue
reorder not only life but also light
-(Sagan -->) life: how matter interacts with interconnected systems that include organisms in their distinct perceiving worlds
[...]
(259)[...notes/Mona rat race.txt]%35.2[...] and forces (not just encounter) ==constitute==> ontology
[*]ontology: what there is + what debts we owe to it --> we owe ‘sensation’ to life's ‘insistencies’ : (Hayward arguing) we must respond to *life's insistencies* through sensation (corporal prehensions)
--(?why to write:)--> **noun = transitional responses to relationships** (=/= direct products of environment)
==?==> percussive distribution of affect
boundary: refracted interfaces of passage, prepositional orientation
sensuous being: unmetabolizable more, the residue of passing
jellyfish sting story
“a jellyfish stings human skin, leaving an empurpled mark that inscribes the boundaries of tentacle and skin (somatic technologies), but the excitation (sensorial transit) of burning and blistering energy remains partly unmetabolizable--this remainder is differentiating and binding. so excitation is not necessarily predicated on positive joins of ever expanding units of life, but emerges between them and therefore can be generated through haemorrhaging [flow of blood from a ruptured blood vessels], excising, amputating” [& killing(?)]
breaking fast with glowing light
Kac's GFP bunny: (chimera of) rabbit + jellyfish + human + technology
making bodies materially luminal --Hayward--> تابش effulgence bound to meatier substance =/= extraterrestrial force of more heavenly bodies
(-what about the moon?)
sexual planktonic medusa
دو شکلی dimorphic life history
جانور دریایی pelagic drifters
[*]drift: to be carried slowly by a current of air or water :
•move passively, aimlessly or involuntarily into a certain situation or condition
•a steady movement or developement from one thing toward another
•*your body is an index of its environment* (= jellyfish: when provoked give off a green glow... *glowing in response to provocation*)
•to be sent adrift as mutation
•the general intention of an argument (--> in writing: *technique of drifting*)
◦poetic joints
◦mixing ontologies into larger organizations
◦
blend of tissue
reorder not only life but also light
-(Sagan -->) life: how matter interacts with interconnected systems that include organisms in their distinct perceiving worlds
-(Uexküll -->) Umwelt: perceptual bubbles (of the most unidentifiable animals: ticks, spiders, inverts) ==> ‘organs of animals are counterparts of lived environments’ : ***animal body: inverted map of its environment*** (mediated by its capacity to interpret habitat through bodily sensation) [Uexküll using music to define the laws of nature: “life = musical response,” effects of *animal capitalism*]
to travel through stages of evolution of the consumer product ~=> becoming a new harmony (<-- using jellyfish as advert[...]
(260)[...notes/Mona rat race.txt]%35.3[...]and blistering energy remains partly unmetabolizable--this remainder is differentiating and binding. so excitation is not necessarily predicated on positive joins of ever expanding units of life, but emerges between them and therefore can be generated through haemorrhaging [flow of blood from a ruptured blood vessels], excising, amputating” [& killing(?)]
breaking fast with glowing light
Kac's GFP bunny: (chimera of) rabbit + jellyfish + human + technology
making bodies materially luminal --Hayward--> تابش effulgence bound to meatier substance =/= extraterrestrial force of more heavenly bodies
(-what about the moon?)
sexual planktonic medusa
دو شکلی dimorphic life history
جانور دریایی pelagic drifters
[*]drift: to be carried slowly by a current of air or water :
•move passively, aimlessly or involuntarily into a certain situation or condition
•a steady movement or developement from one thing toward another
•*your body is an index of its environment* (= jellyfish: when provoked give off a green glow... *glowing in response to provocation*)
•to be sent adrift as mutation
•the general intention of an argument (--> in writing: *technique of drifting*)
◦poetic joints
◦mixing ontologies into larger organizations
◦
blend of tissue
reorder not only life but also light
-(Sagan -->) life: how matter interacts with interconnected systems that include organisms in their distinct perceiving worlds
-(Uexküll -->) Umwelt: perceptual bubbles (of the most unidentifiable animals: ticks, spiders, inverts) ==> ‘organs of animals are counterparts of lived environments’ : ***animal body: inverted map of its environment*** (mediated by its capacity to interpret habitat through bodily sensation) [Uexküll using music to define the laws of nature: “life = musical response,” effects of *animal capitalism*]
to travel through stages of evolution of the consumer product ~=> becoming a new harmony (<-- using jellyfish as advertising in posthuman consumerism)
-(Lingis -->) [*]sensation: ملقمه amalgamations made of movements and affects that shape the energetic relay between subjects and objects,, an intensity --that--> pressures us --feel--> our cohabitation --in--> a sensible environment --that--> opens outward (=/= simulation of our sensorys or nervous systems) ==> subject is *involved* into the sensuousness of being : *excitation of affect and desire within a sensuous environment ==generate==> substance of self*
•percepts oringinating in environmental harmonization
tranimals invoke the social, affective, sensorial response-abilities of becoming and eating [<-- Hayward's affirmative poetics of trans- --✕--> Stewart's much more complex pattern of description]
-my art work ha[...]
(261)[...notes/Mona rat race.txt]%35.3[...]iders, inverts) ==> ‘organs of animals are counterparts of lived environments’ : ***animal body: inverted map of its environment*** (mediated by its capacity to interpret habitat through bodily sensation) [Uexküll using music to define the laws of nature: “life = musical response,” effects of *animal capitalism*]
to travel through stages of evolution of the consumer product ~=> becoming a new harmony (<-- using jellyfish as advertising in posthuman consumerism)
-(Lingis -->) [*]sensation: ملقمه amalgamations made of movements and affects that shape the energetic relay between subjects and objects,, an intensity --that--> pressures us --feel--> our cohabitation --in--> a sensible environment --that--> opens outward (=/= simulation of our sensorys or nervous systems) ==> subject is *involved* into the sensuousness of being : *excitation of affect and desire within a sensuous environment ==generate==> substance of self*
•percepts oringinating in environmental harmonization
tranimals invoke the social, affective, sensorial response-abilities of becoming and eating [<-- Hayward's affirmative poetics of trans- --✕--> Stewart's much more complex pattern of description]
-my art work has been more about intensity + techne (= baroque?), than aesthetics ==> ([{when i make images} sharing] our) subjugation to sensation
( sensibility [ ... ) sensuousness ]
|
affect <-- sensation --> affect
affect affect
affect affect affect
affect ::{~body~}::
sensation --distribute--> affects & percepts (across bodies)
excitation (unleashes bodily organization at the site of contact) = zone of an *expressed threshold* =/= zone of contact
multispecies materialities --Grosz--> life folds over itself to embrace its contact with materiality
r />
rabbit mammalizes light
glow: a dynamizing force ==> making matter more
Hayward: through [Alba's] glow, her artfulness, we are reminded that species are not just relationships, nor are species ever directly in relationship with other species, we are resonances and dissonances of intensification, energetic cadences of one another--a sensorial ensemble [<-- what marketing would say about this?]
space between scientific experimentation (biocultural) & domestic cohabitation (composition #Cinderella, pet) --evoke--> invisible labour of jellyfish, research on the proliferation and patterns of cancer cells and the sensation of somalumenality [Hayward's Alba]
(Anker ☞ Hayward:) the chimera must be understood in a social context: these beasts have always reflected the social, scientific and religious circumstances <-- my project in zoological vandalism
(Hayward's neologism --> posthumanist r[...]
(262)[...notes/Mona rat race.txt]%35.3[...]es light
glow: a dynamizing force ==> making matter more
Hayward: through [Alba's] glow, her artfulness, we are reminded that species are not just relationships, nor are species ever directly in relationship with other species, we are resonances and dissonances of intensification, energetic cadences of one another--a sensorial ensemble [<-- what marketing would say about this?]
space between scientific experimentation (biocultural) & domestic cohabitation (composition #Cinderella, pet) --evoke--> invisible labour of jellyfish, research on the proliferation and patterns of cancer cells and the sensation of somalumenality [Hayward's Alba]
(Anker ☞ Hayward:) the chimera must be understood in a social context: these beasts have always reflected the social, scientific and religious circumstances <-- my project in zoological vandalism
(Hayward's neologism --> posthumanist repositioning of visuality) carnophallogocentric visual appetite
...glow (intensifying vision) drifts through the bodies of consumers
eating (ingesting and killing of) jellyfish usually takes the form of dried crisps sprinkled into salads and Chinese food
Cinderella's techne --> companion
Crusoe's techne --> human
-fictional kitchen where Cinderella works (and is not a master of)
[learning from] Cinderella (her room has been undone and remade by cohabitation with birds, mice, evil mother --> changing the self and adapting) ==> ontology: a practice of co-constitutive awareness
Alba --engineered--> to glow
pig --engineered--> to become sausage
...................................
Seymour
bad affect
(bad environmentalism's) respond to mainstream environmentalism + questioning its broader ideals of nature
=/= conventional environmental affect
both identify & respond to the aforementioned absurdities and ironies, through absurdity and irony + related affects and sensibilities:
•irreverence بى ادبى
•ambivalence
•camp
•frivolity هرزه
•indecorum بى نزاکتى
•awkwardness
•sardonicism زهر خنده
•perversity
•playfulness
•glee شاد شاد
affects and sensibilities typically associated with environmentalism:
•gloom
•doom
•guilt
•shame
•didacticism
•prescriptiveness
•sentimentality احساساتى
•reverence حرمت
•seriousness
•sincerity
•earnestness
•sanctimony تقدس
•self-righteousness
•wonder
assumptions:
•that reverence is required for ethical relations to the nonhuman
•that knowledge is key to fighting problems like climate ch[...]
(263)[...notes/Mona rat race.txt]%35.4[...] taboo, a place of great fear, a cursed world full of monsters lurking in shadowy fathoms, (waters: low and deep =/= air: domain of morality and aspiration, closer to heaven)
-19th century europe victorian glass *aqua vivarium* --> windows that interfaced between human sight and subaqueous scenes (the unknown provoked feelings of bot curiosity and apprehension)--Stott--> for the naturalist the marine or freshwater aquarium provided a constantly changing, glass-fronted theater of bizarre and exotic bodies, moving, metamorphosing, interacting and breeding in sensational ways
-aquariums became sacred spaces where cohabited forces of godliness and nature were contained, compartmentalized, and studied --> animal = metonymic of particularly nonhuman environments --> victorian sensibilities
(Darwinan trope...) monstrously minute, potent and parasitic, characterized by missing body parts
efforts to know, classify, and conquer the oceanic (--> capture for visual pleasure) ==> counter-conquest of the home by monsters and sexual deviants
the most prized organisms were “exotics” from non-european environments that fueled ongoing colonialism in the mode of animal husbandry
Hayward:
differences in display technologies
variations in viewer experience and perception
alterations in cross-species encounters
aquarium's promise of immediacy(?)
the rhetoric of animal domination is not the only discourse at work (in aquarium display, telegram, in ajayeb, in zoo, etc.)
Hayward's attention to the expressiveness of sensation, display technologies, and the animals themselves =/=? my attention to telegram animal media
(modern) aquarium: turning toward the monstrous oceanic but updated for a technoscientific postmodernity and anticipating a sci-fi futurity
exhibits as idealizations
the aquarium visitor is entertained into caring about environmental ethics and marine biology. enacting a moral imperative to protect local ecosystems, the aquarium is a savoir --> the parochial becomes the new cosmopolitan
technology + artistry + biology
playing with scale, volume, space
refractive technology:
•produces the visceral and optical experience of immersion...
•makes us profoundly aware of our bodies in space
•producing a disorienting visuality
*refracted vision = textured light*
refraction = corporal جسمى + carnal (جسمانى marked by the appetites and passions of the body) ==> effective stimulation
osmotic space
amniotic
eroded
bad boundaries
concretions
immersive medusa or jellies transducingly
snaky tresses of the mythical gorgon
more-ness of sensation
destroyed, transformed, conserved
jelly scatters
diffracting ci[...]
(265)[...notes/Mona rat race.txt]%35.6[...]ction (always live together)
telegram animal carousel: nonhuman-animal-machine
my room/bedroom (~-> Cinderella's attic, architecture of containment)
overlapping perceptual worlds
synaesthetic force of perceiving and feeling, processing and mattering --> transposing of senses
immersion
kinesthesia
numerous haptic registers
we are transsensual
[*]sensation: the vibratory force in all organisms that seduces, sexulizes, entices, and mesmerizes the body
vibrate
oscillate
wave
aquarium ==> new sensations: deep-sea drifting and shimmering for upright opaque hominids --> that are sent further adrift through experience in yet unknown expressions
[*]ecology: ambivalent powerful elusive ways of composing through histories of interation, relationality, interconnection, and materiality
relational matter =/= matter of who has agency
/>
Hayward's [and my] attention and sensuous reach are solicited by the ctenophores in the display, a display that instrumentalizes the jellies diffracting cilia and solicits my senses
-jellies participation in worldhood (further becomings)?
immersed in deep marine technoscience worlds...
...................................
Marx: human begin to distinguish themselves from animals as soon as they begin to produce their means of subsistence ==> they produce their actual material life
--Haraway--> Marx understood relational sensuousness, and he thought deeply about the metabolism between human beings and the rest of the world enacted in living labor --> the humanist teleology of that labor: making of man himself
horses
oxen
police dogs
rescue dogs
messenger pigeons
Despret ☞ Ridout
(theological critical roots of theater:) beforebefore tragedy is its infancy [infans: the condition of those who are without language]
the division of labor, the death of god, the establishment of human dominion over the animals, the birth of tragedy may all be seen as simultaneous(?)
--> animals off stage in western theatre, to hide its origins in these moments of *inaugural violence* + the institution of division of labor
what was the animal doing on stage before the birth of tragedy?
mythical origin ==create==> stories (fabulous, fabulating): [storytelling: seeking for] means of making a vanished experience available again in the contemporary world (~ storytelling) ~/= *storymaking: creation of memories, the construction of a history that renders the present and the future richer in possibilities* [not just for your self and your kind, as Hollywood or the brands do it: personalize experiences at scale]
animals do not appear to work, in the referential framework that emer[...]
(270)[...notes/Mona rat race.txt]%35.8[...]the only place that the question (considering whether animals do work) can be brought forward is the place where only the meaning associated with exploitation can matter (in places where both humans and animals are greatly mistreated)
-place where the evidence of such work is found, are places where animals are industrially “produced” --> their behaviours appear very definitely as belonging to a work relationship
director of animal resources --> (in such frame) animal: occupy the place of an obscure underclass, malleable, serviceable, and disposable in the end
moder feeder operations --Porcher--> animals sometimes wanted to help
asking the breeders: could you help us learn how to ask our question so that it has a chance of making sense to other people? ==> they also could explore the *manner in which we were obligated to formulate our questions*
(Harawayiean) responsibility: a relationship crafted into intra-action through which entities, subjects, and objects, come into being
lead cow (the one who trusts the breeder, and one the herd trusts, usually is in the front) =/= dominant cow (in the hierarchy of the herd, is found in the middle of the herd)
a theme in animal technicians
paying attention to animals = being able to feel the limits that animals ask us to take into account (more than questions of well-being)
[many times] *work often leaves no evidence behind* (=/= publishing)
@apass
ethology ==teaches==> certain questions cannot be answered unless one constructs concrete conditions beforehand --> those that allow the questions to be asked + those that render those who ask capable of discerning the answer, capable of grasping it when it emerges
peace-maintaining gestures of the cows
why the work of the cows was invisible?
*because work only becomes perceptible when the cows resist* (when they place limit on what can happen) --shows--> when everything goes correctly it is because of an active investment on the part of the cows
***when everything happens as it should, we don't see the work*** (=/= notion of work in art)
@apass
(when they do what has to be done in response to an order, cow's) obedience looks “mechanical” (~/=? Cinderella's obedience [?not in a mechanical age])
[=/= art's work <== conflict that disturb this order of things]
(the fieldwork of Despret helping me to realize that) *the moments without conflict* are not something merely natural, self-evident, or mechanical --> they require from the cows (or someone whose work is invisible) the activity of pacification, in which they make compromises (groom each other, exchange gestures of politeness, etc.)
•dogs and horses who are asked to serve as therapeutic assistants for humans: these animals often have a passive air an[...]
(271)[...notes/Mona rat race.txt]%36.1[...]ies (that are made) are enacted multiples (in medical practice)
+
(Despret -->) how bodies are undoing and redoing themselves through different scientific practices with animals? = *how are bodies growing multiples in diverse practices?* + (its corollary) *how do each of these practices (+ animals they are addressing) enact each of these bodies?*
Mowat's *modest embodiment* ==Despret==> partial affinities [=/= seeing like a wolf or mouse] ==> feeling or being like a wolf or mouse = ****to be taken in a radically non-psychological sense**** (--> Cinderella's non-psychological relation to her birds and mice =/= contemporary western psychological subjects)
---> go to wildboyz, Cinderella under a mouse regimen
-using his body as an experimental tool --> eating a wolf's diet (=/= empathy, romantic dream of being a wolf)
submit his own body to mouse diet
one uses one's own body to meet the needs of another
Mowat used his own body as a means of generating scientific proof, and turned it into an apparatus for validity [--> how do we apply or misapply our body in artistic environment for generating truth and validity? to be careful with the context of generalization]
([artist's and] scientist's) body: a technical device, the witness
(companion story -->) ***to embody the way other beings solve their survival problems***
“the business of curling up to start with, and spinning around after each nap” (was vital to success with a dozing wolf) --> Cinderella's choreography of the morning greeting ceremony
limits of endurance
i feld that i, because of my specific superiority as a member of Homo sapiens, together with my intensive technical training, was entitled to *pride of place* =/= being under observation
Mowat's humour =/= Derrida not laughing at his own worries (concerned with: what distinguish animals from man is their "being naked without knowing it”)
•naked body is a pretext, a pre-text for more philosophy
•Derrida is talking to his colleagues (the very people who are **seeking grandiose difference** <-- also artists) =/= a difference that happens to him
•(my problem with the old tiring trend in philosophy [after encounter with Manning]:) looking for locus of things [a generality] : talk about ‘the figure of the cat' = the allegory for all the cats on the earth (~ the felines that traverses our myths and religions, literature and fables)
***what the cat might actually be doing***
(this is my relation to description, what is the world, that cat, the demon, the mice up to? and use my best imaginative crafts and precise descriptive acts, the answers are many. that is not about definition or defining ‘what is’ the cat that visits me or the spider in my room. i only try to well define concepts and not subjects. my style of presenting my research on ajayeb be[...]
(272)[...notes/Mona rat race.txt]%36.8[...]scribe meaning in different ways --Annemarie--> yet they perform or enact reality together --> they *do the reality of a disease [problem, artwork]*
++{Annemarie uses the term “enact” to show that objects (such as body and disease) exist as articulations of the practices that produce them (~= Butler's performance), enacting (not explained by what went before, present remains unstable, patterns and routines and surprises) =/= making (‘causes’ lie when ‘making’ happened)}
[*]theory: conversations about the realities our words help to explore (=/= seeking to fix concepts)
in knowledge practice realities are various brought into being (+ limits of that adaptability) --> *ontology:
--anthropology--> people order “reality” seriously differently
--biomedical--> why, when, where is this truth realized? what does it depend on? what are its alternatives? --> *ontology does not precede knowledge practices* (various practices are closely linked ==> ontologies are linked [for example a patient who talks to a doctor in a consulting room may receive a clinical diagnosis, while laboratory measurements ‘do’ her disease in a different way. or in artistic research environments such as apass.])
(Annemarie's) praxiography --> asking what are the techniques that make things (their empirical, epistemological found objects) visible, audible, tangible, knowable (for this artist in front of me #feedback @apass)**
‘empathy’ is a word that is often recruited when bodies are involved --> resonances with troublesome romantic meanings (magic, fold knowledge)
embodied empathy shifts its meaning from one situation to another --> different meanings ==> different outcomes
[*]empathy: the process by which one delegates to one's body a question, or a problem, that matters and that involves other beings’ bodies --> bodies are articulating and become articulated in the asking and in its responses
= making the body available for the response of another being (=/= feeling what the other feels)
==create==> possibility of an embodied communication (=/= experiencing with one's body what the other experiences)
---> go to Cinderella's empathy: make one think with & with the body
--Despret--> *empathy becomes a scientific tool* that need to be shaped, forged, refined, embodied, a tool that attunes bodies
[*]care: it matters for them that it matters for their animals (***what matters for the other person becomes your matters***)
how to act in a polite manner in a baboon's world? (or in an artist's world, when we give feedbacks)
{seeing like a baboon =/= acting like a baboon = corresponding with a baboon}--> *they transform themselves in order to create partial connections* (James’ “acting as if”) =/= performative
•to act with the baboons (learn how a tree gives you dirty looks, how it resists the proposition of your presence)
•L[...]
(274)[...notes/Mona rat race.txt]%37[...]rselves as authorized by them to speak in their names = we want to (required to) offer them the opportunity to show what they can do (with the *great flexibility of our interpretation*)
[*]trap
(enigma of the apparently inexplicable behavior) --> *how to ask the ravens, with the same politeness, to take a position in relations to all the possible conjectures of the investigation?* how to ask them to teach us the good explanation, the right motive? ==> the researcher will have to learn the ***art of the trap and the net*** = the art of the lure and the trick = ***the art of learning from those whose enigma you are trying to solve*** (and have no intention of helping you) --> ‘how that which counts can count for them’
•*the art of metis / cunning intelligence* : the particular form of intelligence that the greeks (learning from hunters and fishermen) cultivated = intuition شهود + cunning مکر + perspicacity فراست + dissimulation فریب + improvisation بدیهه + vigilant attention هوشيار + sense of timeliness بجا (<-- this type of “getting to know” was constituted exaclty to be found in a domain where human intelligence is constantly at grips with the land or sea animals in an are where humans saw their intelligence and techniques transform in learning from animals**** [-how to prolong the possibility of this transformation?]) <-- *it is the only way of getting to know that can hope to address intelligent highly flexible* (Despret ☞ Heinrish) = ravens who require of those who want to know them the same flexibility and the same intelligence
}-->[reading ajayeb bestiary as enigma; Bambi's mother studies; little mermaid; (using Despret's ethological research to think about) art of feedback ~= getting to know you =/= audience engagement]
strange politeness
art of cunning (lures + manipulation) --> enticing ravens
*seeing without being seen*
obliging them : luring them to actualize the choices : ***creating situations as if they were natural*** (so as to let the birds do the talking)
(it is a matter of) rendering them more robust [giving them the occasion to resists, of giving them *the power to send the researcher/storyteller to work* =/= to disarticulate (what Ferdosi does in Shahnameh to the Div)]
to find an enticement that interests them ~= to let himself be recruited by them
[from Latin “cresc-” grow, rise ==> crescent, crew, decrease, crescendo, recruit]
to trust them = to act like them
@apass feedback (differential knowledge that is created because of not trusting)
the lure could be used to respond to this question: the ravens fall for the trick
...not only do the ravens not respond to questions but they pose new ones
-how could we ask them (the ravens, trees, etc.) to verify our hypothesis (about them)?
*he has no answers[...]
(275)[...notes/Mona rat race.txt]%37.4[...]en would do = for entertainment of all kinds (including sexual intercourse, but not eating them)
relief after hardship فرج بعد از شدت
urdu romance bagh o bahar باغ و بهار
(the considerably older) misogynous motif of the unfaithful wife
husband and sife being buried together
--> part and parcel of the **narrative stock** talented storytellers would exploit to construct their tales
intertextual references
•cannibal black men
•the one-eyed person whose one eye had been picked out by a bird (a well-known narrative from premodern arabic and persian tradition, a one-eyed character is taken as an ill omen, whereas here he figures as a friendly advisor and helper)
•
--> ***stock characters*** of premodern middle eastern literature
Marzolph --> concider texts as artful creations composed by a talented narrator =/= taking texts as the products of an anonymous popular “fold” tradition that would indiscriminately غيرمشخص lump together all kinds of material ==> belittling the creative act of a single individual
*intertextual allusions (to themes, motifs, concepts familiar to the audience) : a highly effective narative technique for linking new and unknown tales to a web of tradition the audience shares*
...................................
*~._
all the familiar landmarks of your thoughts that you find in somebody else's
عجایب نامه ajayeb (doing it here in europe): the exotic charm of another system of thought (~= its limitation)
[*]zoo: terrible grounds that the child [= us] enjoys = primal scene of conquest (of nation building, of state power) --carceral--> scene of sadistic pleasure, where bodies become “flesh” [<-- telegram is all of this]
(Hayward + Borges)
[*]child: a primal scene = the promise of the social, the human, and the future --> ***child is necessary for the ongoingness of colonialism*** [---> go to the children in The 100 TV series <-- *white child: an explorer of terrible grounds*]
•conscripted labor
•enslavement
•necropolitical economy
•
--elaborating-proliferating--> productive engines of empire
}--Hayward--> how might the effects of colonialism always find children enjoying terrible places?
the subtending (entgegensetzend) logic of the zoo
sadism: the trouble of enjoying terribleness
(Lacanian) imaginary --desires--> coherence (=/= fragmentation) ==generates==> a compromise : an idealization of the self as whole, between the unbearability of interiority and exteriority
*imaginary is unavoidable, the obligatory state of existence (for speaking subjects) ==constitutes==> real effects
•Borges --> imaginary --> a world in pieces (monstrous fragmentation),[...]
(276)[...notes/Mona rat race.txt]%37.8[...]ans becomes ‘this’ (an effect of gender) then it can only serve regimes of power
[Hayward's (expected and a bit cliche)] transfigurations: (cascading provocations) suggesting questions without answering them, to break from an interpretive paradigm that demands solution-making over and against problem-generating
native
a zoological term
Derrida's blackness (skin color): unsovereign and stateless, criminal and beast
(promise of love -->) relinquishing the body to [*]flesh: pre-discoursive material, a zone of non-personhood, a state of anjection (<-- according to Hayward)
anatomo-political)
soma-politics of the body (of the racial-colonial category of the human)
carno-political question of flesh (under the regime of racial capitalism) --> human/animal divide
•animals in the afterlife of slavery are rendered as flesh (under the regime carno-political regimes of racial capitalist valuation) [<-- Hayward's misrecognition of contemporary society as “regime"]
genre of animal
Gossett + Hayward's argument --> the psychic life of zoophobia and zoophilia are tied up with negrophobia and negrophilia ~= species divides (human/animal) are technologies of race (human/black)
maroon: escaped cattle
typography: domain of style, of appearance, of aesthetic
glyph “*”
asterisk
a diminutive star
limb-y reach
a grasping
erring on the side of over-population, over-use, excessiveness
“*” can denote a database search or censorship
designate multiplication
a disclaimer
mark genetic identity
pseudonyms that have been changed
* --> *the star of life*
xenogenesis --> proliferating difference (genesis) built through pessimism (xeno)
Sun Ra (in Space is the Place ~= earth is “nowhere,” no longer a place [+ Octavia, Delany]) signaled the failed projects of planetary humanist and earthly liberalism, inviting blacks living in Oakland to leave the gratuitous violence of the world
afro-futurism is about the impossible, the unbearable, the failure of the world <--> afro-pessimism (blackness as loss, as nothingness)
(mode of imagination:) “anti-black racism ==> radical politics of abolition”
==> “being (white) is made possible thourgh and with black bodies cannibalized by a racial capitalism and its scientific jaws” [<-- Hayward's politically correct and simple fantasy about good and bad]
...................................
*body* --> sociohistorical construct & constrain
=/=
*embodiment* --> sense of being bodily (pain, ...) [<-- my focus has been on this one more than the other] --> **never embody ironically!** (<-- maybe irony is OK in visual or written medium?)
•embodiment goes beyond body (my body is sti[...]
(277)[...notes/Mona rat race.txt]%38[...]itations of location, of neighborhood
sensation: a composite of affects and percepts
personal =/= individual
Hayward's story is shaped by repression : a wish to be seen as she wants to be seen =/= Sina
story: act of violence and deception
medicalized legacy of transsexual's self-narrativizing --> synchronous field of wrong body-ness ==> account
accurate accounting =/= describe transitional sensations
described: formalistically detailed transpositional
post-animal: the afterward of the animal is meat
bumptious coherence of bodies
(neighborhoods) designed to make some vulnerable while others safe
percussed by bullets or by traffic
*threat as invitation*
جراحی زیبایی who alter themselves through surgeries and hormonoes *to feel themselves differently*
(shia in iran is islam after a cosmetic surgery to feel their religion differently)
*changing sex is about changing senses and species* @Foad
depending on my needs, i pretend not to understand
instrumentalization of animal life
surgically changing body
technique of eschew اجتناب
eschewing a nature or culture distinction
sex in pieces
spheres of imagination
[my work:] transhistorical diagnosis: reading in pieces neighborhoods of imagination (opposed to what is available)
#sleep-walking
web-building beasts (spiders) [webbing =/=? weaving: a feminine trope?] }--> expression of the body
my fleshy referent 🕷
over-reaching subjects
*spider's web ==propose==> home and territory are of and with the body*
spiders are scenes of arachnophobia and revultion
extending bodily substance through sexual transition
(arrangment of) sensorial milieu of the self + profusion of the world
(trope for fear as emancipation)
an urban designer
weaver of cityscapes
[*]web: skeletalization of the surface, extension of the surface affects of the spider, dynamic threshold of sensibility --Hayward--> (the body is strengthed) react through a spatial and temporal generativity --> body: inter- and intra-threadings of many sensuous vectors that relay like the spider in its web ~= cities, web-builders
*center of her web = her touch world*
-moves quickly, even uncannily, there/then not, sill/in motion, unsettling/reassuring (seems to trap only dust)
*lived-web = optic skin, a resounding connective tissue
(spider's capacities to) create, syncopate, improvise
(spider and me in the appartment) we resonate in relation to our different movements and processes
[*]trap: a mouth, a mode of utterance, the “O” curve of lips and throat that sounds out and na[...]
(278)[...notes/Mona rat race.txt]%38.1[...]ntinuity with an era that was already nostalgic for the unrealized transformative potential (of real socialism)
(Yurchak's) *frozen present* = the time of nostalgia
}<== late socialist culture itself lived in a nostalgic mode, at a certain ironic, knowing distance from what it was supposed to be according to the memories of the heroic 40s-50s and the remnants of socialist propaganda --> *a familiar ironic mode of experiencing history vicariously* (in a way that is experienced in the imagination through the actions of another person)
(looking at televisual nostalgia -->) late socialism ==> an affect & epistemology that can only access the “authentic” through contradiction ambivalence self-reflective irony
<--Holdsworth-- expression of present anxieties about history and memory in general
...................................
___[notes Tehran 2023]___
semiotics: study of the differnce between “what you say ~/= what they understand”
(my fundamentals:)
*sharing =/= communicating*
آشپز دیو سپید
it is said that the White Div had a cook --> exploring the cosmology of Div (in Shahnameh) with food, hunting for eating, bestiary, cooking technology, taste
(inspired by anime JYfdfDU9JUY)
#short story: narrartor describes the story after the defeat of the White Div (Div-e Sefid) by Rostam. “rather than worring about the kingsmen X, he was more interested in what is for dinner...”. there is another being. a baby hayula (non-formity)... what other beings Div hunts for meat? (list, bestiary) “he would think about the next hunt X and get excited about the kabab of X...” “immediately asked for more”
dungeons and dragons --> a non-cartographic space, there are no maps and one only learns by dying many times
dungeon has nothing to do with the medieval prison, it is a deterritorialized habitat, defined precisely by not having a map (or guide) --> are we in a dungeon?
...................................
journalism: professional discursive pursuit (of truth, of propaganda, etc.)
=/= journalism: proximity to the event + the risks that that entails
(Ghazzi's notion of) *affective proximity* : (a mode of consideration, a way) to make sense of local media practitioners’ reporting and witnessing of suffering in their country
--> a media practitioner =/= the event they are representing and participating in
affective proximity : what locals navigate to reconcile their emotional and embodied entanglement within events in their country =/= discursive
*emotional labour* of media practices of local reporters and witnesses
what the word “revolution” mediates (in Syria, Iran, etc.) [~/?= civil war]
1. an indication of commitment to a desired goal
2. an identity marker based on a past-oriented lament[...]
(279)[...notes/Mona rat race.txt]%39.3[...]eroism* and ...
}= *populism* (political dialectic)
(storytelling)
•the question of *what* a society remembers -->{highly formulaic plot structures --for--> narrating the past}
•the question of *how* a society remembers -->{powerful actors push for particular kinds of story forms that shape the ways they tell all stories}
zigzag structures of a rise and fall and/or fall and rise of the nation
--> future dramatically takes one of two routes: (in the direction of) either a golden age or the dark ages
}--Ghazzi--> forked historical consciousness : (an understanding & speaking of) “history = a series of junctures scattered across time”
(the problem is) ***historical consciousness*** --> orientational
“bestows upon actuality a temporal direction, an orientation that can guide action intentionally by the agency of historical memory” (Rüsen)
1. make specific references to historic events (compare them to the present [==guide==> political action])
2. *making references to “history” at large*
[*]zigzag memory structure: deploy mnemonic spins to reframe historic events
•establish equivalent between the present and the past [--!--> (fundamentally despotic?) technique that i also use in lecture performances]
authoritarian populism
(Hegelian) [*]action: pursue one aspect of history + breaking away from away from another
1. (modern) revolutionary: telling a new story, (--populist--> focus on) *exclusionary politics*, once the leader is in power the objective is to prolong the idea of historic juncture --justify--> continued exclusion
populist --Laclau--> (invocation of)
•people = empty signifier
•leader = embodiment of people's agency
***rhetoric of resentment*** --> victimhood
[*]resentment: an emotional-moral framework --aim--> continuously regenerate the felt intensities --underwrite--> demands for revenge + lamentations (of victimhood)
***nationalism ==> populism***
(many countries) national identity (& militancy) is intertwined with:
•narrative of self-victimization --
•invocation of trauma
victorious victimhood ==fuels==> aggressive militancy
for example --> Israel: nothing counts as evidence as one's own empowerment, one is always under threat, if Israel cannot maintain the omnipotent position that its victory offered (1967) it would be under existential threat
anticolonial nationalism (or postcolonial populism)
•past injury (“We have been oppressed” ==> “re-empower ourselves again”)
•decades after independence --still--> fixated on the anticolonial moment ==> perpetuate a sense of victimhood }--> to mask authoritarianism
victimhood
•Hindu nationalism --> reformulated history from a focus on c[...]
(280)[...notes/Mona rat race.txt]%39.6[...]lism --to--> neofascism
(from) generic rhetoric of an unidentified enemy --to--> articulation of an identifiable foe (who is met with political violence)
authoritarian state apparatus [= political system + culture + institutions + ?] --allow--> smoother way of operationalisation of narratives (about the dangers of adversaries)
-exactly what kind of state apparatus we have in iran?
historical victimhood --> resurgent populist discourse
•people have been enduring victimhood for too long
•fateful junctures throughout history
•authentic great path
•urgency of message
•
animating rhetoric with self-victimhood ==produce==> divisions (men =/= women, us =/= enemy, etc.)
exclusionary politics <-- homogeneous community (=/= alien intrusion, outside forces, immigrants, minorities, etc.)
...................................
Kundera
is humor modern?
*humor is not ancient* (?!)
“whatever humor touches it ambiguites”
humor = ambiguitor
...................................
globalization =/= cold war
globalization =/= enlightenment (“universal humanism + rationalized tech ==> freedom for all”)
cold war = a meaningfull relation between ideology & power [==give==> orientation + identity --> normative approach to global phenomena]
geopolitc + ideologic borders
=/=
globalization --> completly different political behaivor (definitions of national goals, friend and enemy, etc.) --> pluralist democracy (differences + contrasts) =/= social democracy (erasing differences)
globalization = attitude حالت =/= meaning
[cold war: “world ~= (a sort of) problem” --> behaviors had] meaning ==> (base for) power
cold war: war ==> identities
globalization: conflits =/=> identities
...................................
two points
•artistic research: a form of art that uses knowledge as its main medium
•artistic research has no relation to the unknown (=/= an idea of research im in which one faces something unknown or new therefore needs to research)
•my work (in general) has been about the critique of engineering (the talent of engineering)
the fossil of fire goes back before the wild-life
the history of fire related to the history of forest
In the 1950s, government officials in Sierra Juarez of Oaxaca--in southern Mexico--blamed forest destruction upon the local indigenous communities. Fire, as a symbol of disorder, became the target of state control and the subject of a state-sponsored discourse of environmental degradation. [...] Fire suppression frequently has been part of state policies of social control. [...] The vision of fire as destructive,[...]
(281)[...notes/Mona rat race.txt]%39.7[...] and rats and sheep, other four legged or mammals, fire is not designed for something, the way organisms evolved to have meanings and representations to each other. fire embodies a vast place in our material and industrial and semiotic world but itself is not a creature of evolution. it knows nothing of symbiogensis nor of molecular compartmenship. fire is an elementary radical reaction to closeness. the third person. pure manifestation.
every mountain range have personalities. rock is arrange by evolution. it tells you about itself when you feel it firm in your hand pressing to your ear, asking thousands of questions, exploring with imagination. stone is not a social creature, maybe that's why we listen to them. fires are social beings, death sentences.
their society and ecology
reaching access to the literacy of fire-work
...................................
(...) --> the black-box --> ka'ba --> an intermediate mechanism to reach beyond the door-knob --> dark medium of worship --> the jinn --> ontology of the envelopment --> an interiority that is exterior --> talking-fire --> mediums of the beyond --> put your ‘thing’ in the fire --> going through the fire --> test some fossils --> ice age --> databases that survive --> promises of futurity --> tech --> black-box is always about the-envelope and the-beyond --> going back to the cave --> monotheism invented darkness (praying in the dark marked singulaity of worship as the begining of subjectivity) --> there is a sudden big shift from telling-stone to talking-fire (introducing the spectacularization of truth-event, where risky aesthetic of fire coded as masculine is traded for a mutuality of slower wilderness a more feminine trope. the telling-stone proposes a totally different ecological model than the survivorship narratives encoded in the trial of the talking-fire. truth became untouchable visual spectacle that can burn and annihilate charging off the haptic closeness of the stone to the ear. truth became the matter of untouchable, visual. the angry truth god came with the fire both as tool of worship and punish (human taking lessens and used fire to discipline the forces of nature) --> the darkness that enveloped the worship, made the absence of light crucial for constructing interiority [note: before going to light-fire the worshipers must wash themselves in Vozu, in Namaz the worshpers wash themselvs before going to the darkness of prayers---is this water that we make vozu the same as ‘abe heyvan’? before going into the hyper space, the ritual plays a key role and a key hole. like all hyper spaces that forwards you yo the beyond the box as well is about deliverence (to the lover?): (for the sake of) salvation ‘rastgari’ is about delivering ‘you’ (--> Ma'ad --> masaleye “enteghal” [be alame digar] [dar tarikh falsafeye eslami irani ---> go to footnote in Motakhabat 2nd volume page44]) --> for *Rumi people is firewood, hizom, inflammables; fire is the present tense[...]
(282)[...notes/fire notes.txt]%40[...] material as well, not as counterparts, rather as its play-mate.
(fire suppressing) an older ecology of reflection (namely the stone)
the telling stone is the same as spirit stone(?)---non-animal container (@Karin)
(stone is related to the spirits of the ground. the prisoner who throw a pebble into the pit, the pebble's sound is going to tell about the depths and darknesses that the human, on death sentence, does not have a long enough rope to carry too. so the rope is never enough, the linear connection, the closed chain of links, but the throwing stone can risk a disjunction between that mother->king->prisoner->darkness)
--> sending a guy into the pit is not typical for the cultures of Pleistocene: (using linear connection, darkness ~= unkown, and so on)
[Shepard] Prehistoric humans were autochthonous, that is, “native to their place.” (related to the earthly stone =/= fire that perpetually evacuates) (it is not that of the introvert stone and the extrovert fire, but the opposite, stone was social and fire allied interiority, it sent/banished the subject to the land of the mediated, ‘from now on you are coming from mediation.’ (Where the subject comes from? it comes from the mediation.) --> use me --> industrialize with me --> technologize with me --> stone-tech are 1.5 million years earlier than fire-tech --> with stone you can't reach the sky but by controlling combustion you can go up ==> alienation as the touchstone of humankind --> then comes the “reflective consciousness” of humankind --> and later the invention of the very strange object: the mirror [---> go to amazon#2DifficultForests] ==> a change in the “structure of existence” --> then the idea of “selftranscendence” by monotheist religions --> adventures of power and ideology --> then a very bad idea called “history” was introduced---an active, psychological force that separates humankind from the rest of nature because of its disregard for the deep connections to the past.[Shepard 2004] --- Lévi-Strauss points out, historical thought is analytical and concerned with continuity and “closing gaps and dissolving differences” to the point that it “transcends original discontinuity.”)
[in east mirror was never used as mean to self reflect, rather it was weaponized agains evil, although this evil was female and men used mirror to defeat it. unlike the western thought since the greeks in the Narcissus story where mirror is the foundation of self-absorbance and knowledge and madness, the easterns since they did not posses the same brand of selfhood they found mirror strange and uttelized it in curious ways, another optical problem ---> go to mirror and the laughing snake - mar-e ghahghahezan, img]
...through the speaking fire, events “on earth” were finished except for a final judgment by fire --> invention of sin, spiritual existence : selftranscendence. anthropoce separating themselves from earth and its processes
-‘essen[...]
(283)[...notes/fire notes.txt]%40.2[...]
our contract with Allah
with fire we are at a testing site, at least of the the God of the Old Testament who showed a will to perpetual pursuit, perpetual rupture, fire is a testing device for subsidiary admission policy. this function or figure is precisly that which permeats modern existance
...drafts that describe an outer domain of signification
contaminative and communicative
...................................
in talking about our agreements with fire, i like to read how our rapport to the beyond has mutated (--undergone considerable mutations--) by means of our adherence to the imperatives of... trial by fire(?), test of the beyond. ==> our relation to (explanatory and descriptive) language, truth, process, and identity. (---> go to Ferdosi's poetic site)
what kind of grid the fire produces?
beyond cannot be tested, it tests you***
testability? we want everyone and everything tested
after testing the fire...
monitor time according to the pulse of German/Iranian Idealism/Metaphorism,
[God] singular infinity (~= beyondness) --> [death of God] unlimited finiteness
the temporality we associate with informtion technology is originated with fire
what ciruits are installed by this?
how the mediality of talking fire designs an actual real materially enabled?
what reality has stood its ground since Siyavash trial?
what form of trial discovers, exposes, establishes, or perhaps even invents the ground (on which Sudabeh has no standing)?
how my threading between black-box, darkness, and beyond helps us to spot those figures that makes claims of absoluteness?
(energizing the creative imagination in Iranian Islamicate phiosophy?)
interpretation <--?--> experience
fire-tech conscience translated and sublimated into a scientific conscience?
-transvaluation
...................................
[Serres]
technologies concerning heat--thermodynamics--shocked the traditional world and shaped the one we are working in now.
...theories concerning processes of transformation
...stages of alchemical initiations; archaic figure of fire
(ice and fire) is only relatively cold
fire, and transcendental subject
[my body lives still in that space that the society of sudabeh-fire-siyavash has formed, with fixities and social variieties. it is not an euclidian house.]
siyavosh/sohrab is one of the descendants of disseminated spaces, of catastrophic separation of the continuous
when Rostam recognizes the mark of his son, Ferdosi giving a version of recognition scene, connects --> Oedipus
the son, the mother
-we can recognize a typological space:[...]
(286)[...notes/fire notes.txt]%41.1[...]l by fire(?), test of the beyond. ==> our relation to (explanatory and descriptive) language, truth, process, and identity. (---> go to Ferdosi's poetic site)
what kind of grid the fire produces?
beyond cannot be tested, it tests you***
testability? we want everyone and everything tested
after testing the fire...
monitor time according to the pulse of German/Iranian Idealism/Metaphorism,
[God] singular infinity (~= beyondness) --> [death of God] unlimited finiteness
the temporality we associate with informtion technology is originated with fire
what ciruits are installed by this?
how the mediality of talking fire designs an actual real materially enabled?
what reality has stood its ground since Siyavash trial?
what form of trial discovers, exposes, establishes, or perhaps even invents the ground (on which Sudabeh has no standing)?
how my threading between black-box, darkness, and beyond helps us to spot those figures that makes claims of absoluteness?
(energizing the creative imagination in Iranian Islamicate phiosophy?)
interpretation <--?--> experience
fire-tech conscience translated and sublimated into a scientific conscience?
-transvaluation
...................................
[Serres]
technologies concerning heat--thermodynamics--shocked the traditional world and shaped the one we are working in now.
...theories concerning processes of transformation
...stages of alchemical initiations; archaic figure of fire
(ice and fire) is only relatively cold
fire, and transcendental subject
[my body lives still in that space that the society of sudabeh-fire-siyavash has formed, with fixities and social variieties. it is not an euclidian house.]
siyavosh/sohrab is one of the descendants of disseminated spaces, of catastrophic separation of the continuous
when Rostam recognizes the mark of his son, Ferdosi giving a version of recognition scene, connects --> Oedipus
the son, the mother
-we can recognize a typological space: the same and the other: the separated
-the space of the world is described requiring connection
-family tree
-parts are to be joined
-Rostam and Sohrab, Siyavosh and Sudabeh, cannot be composed to form a single homogeneous space. (Rostam and Siyavosh do that)
transsubstantiation
...................................
the “call” comes from me and from beyond and over me.
...................................
against the curtain of fire trial stands a stack of iranian proverbs about stone triggering often ideas of rigidity ~= stupidity:
aghlesh par-sang barmidare عقلش پاره س[...]
(287)[...notes/fire notes.txt]%41.1[...]ted a visual form for itself)
(its social practices)
fire, not subordinate, as spectacle comes as means of unification, locus of illusion, generalized apparition --> seperation
(its general truth) fire untouched by evolution and form binding constrains, is a universal mater, the spectacle of burning flame manifests itself as a positivity out of reach and beyond. the case of fire is different than Deobord spectalcle who speaks: “Everything that appears is good; whatever is good will appear.”
therefore fire specatle is not image, rather social relationship between subjects that are mediated by it
thus the function and phenomenon of separation mediated by fire becomes part and parcel of the unity of the world, from now on
-a new form of the sacred emerged with the discovery of fire's image
-produced new worshipful subjection
the language of the fire as spectacle is composed of signs that talk to Moses, Zaratostra, and others
-in this writing i like to rewind theology and pause at the moment Moses meets Fire in mount sinai, go after some media theoretic specualtions, asking what are the conditions of this (inter)mediated encounter? and what are the consequences of talking to fire? (technicity and affectibilty)
(mount sinai : cradle of stone, rendered dead matter when ‘he’ comes out of stone-age)
•the Israelite's God, who appeared “by day as a cloud and by night as a fire” (Exodus 13:21)
[fire and brimstone, an idiomatic expression of signs of God's wrath in the Hebrew Bible (Old Testament) and the New Testament.] --> the fate of the unfaithful
(--> perceptible to the naked of the prohpet)
fire's mechanisms of contemplation
(in my preaching here i won't do what christians used to encourage repentence)
it is important not to put fire in abstract opposition to concret stone activity
mystic order ~?-> spectacular order
the spectalce of fire reciprocal alienation was part and parcel of human social life and its essence underpinning its relations to the real
diversities and contrasts in looking into the image of flame
what is already in society that fire (spectacle) gives expression? the beyond
(fire, we are) governed by its agenda
***monopolization of the realm of appearances*** (excluding other illusions, apparition, tellings, etc.)
-with fire a new brand of storytelling
***fire's spectacular aspect (accumulated to the point that) produces an image-object that is a seperate entity [accumulation --> generality/category --> new object], that of the mediated, from the fire itself, a second objecthood detached from its materiality, introduing transcendent immateriality --?--> metaphysics
-taking over life and existence
from vision to wi[...]
(289)[...notes/fire notes.txt]%41.5[...]ession? the beyond
(fire, we are) governed by its agenda
***monopolization of the realm of appearances*** (excluding other illusions, apparition, tellings, etc.)
-with fire a new brand of storytelling
***fire's spectacular aspect (accumulated to the point that) produces an image-object that is a seperate entity [accumulation --> generality/category --> new object], that of the mediated, from the fire itself, a second objecthood detached from its materiality, introduing transcendent immateriality --?--> metaphysics
-taking over life and existence
from vision to wisdom
categories of visulaity took human cognition hostage, gave rise to a metaphysical tradition/abundance imposing itself upon existence, regulating the perception of material life, philosophizing ‘reality’ to ‘beyond nature’ : *alienated thought* (due to the alienated power of fire) --- immaterial specatle of the afterlife, the world-beyond rendering life dead
abounding in metaphysical subtleties
-metaphysical abundance
...allegiance to the frozen
(Rumi's calling) “You must burn!” - this is very selfish
[to Siyavash?]
still today in sci-fi we are talking to a technoilogized light (as the messenger of beyond)
fire, transforms the world, not in terms of changing manifest matriality, rather the mind and thinking
fire in its temporal animation renders space fixated, giving the illusion that (visual) animation = life {~= spectacle}
the fire spectacle colonizing our participation with the beyond, colonizing the way our flux of senses make tentative contact with the other sides,
(what a stone suggests? the senses that never stop participating, never stop throwing themselves beyond the immediatly visible)
every phase of existence
...................................
[Scott Gilbert]
(all organic beings have been formed on two general laws, according to Darwin:)
(1) unity of type and (2) conditions of existence --> inorganic? fire?
natural selection --> adaptation --> conditions of existence
embryonic homologies --> unity of type
==> “descent with modification” (or decent modifications)
[(embryology =/=) ‘fire’ could transform matters, “change” their class, their type and its unity --> “parvaneh sho!” Rumi wants embryology undermined?]
construct phylogenies
(phylogeny : branching out evolutionarily)
small genetic changes was not sufficient to generate evolutionary novel structures such as teeth, feathers, cnidocysts or mullusk shells (Goldschmidt, 1940) (--> lizards had birdness in it --> potentiality [~-> mutation is not random])
(Waddington then launched into a) critique of the notion of “random mutation,” noting that there are de[...]
(290)[...notes/fire notes.txt]%41.5[...]ssential element for ongoing, as well as an agent of double death, te killing of ongoingness. The material semiotics of fire is our times are at stake.
[]three icons (suggestions by Haraway, three “-cene” tuned tor the touch of its critters):
1- ‘missing ice’ of the Capitalocene
2- ‘flame’ of the Anthropocene
3- ‘red clay pottery’ of the Cthulucene
(Conley >) Rosolato treats perspective in terms of the origins of sensuous affect:
infant's projective activity + infant closes its eyes to fend off menace, hence negotiating with the real in a space and time prior to the mirror stage
...................................
The artful sandwich of Rostam-rock-div provides a thinking mode of who-caries-who: whose being is dependent on whose existence. The earth that the Rostam is laying on, is sacred, on the hands of an ancient creature, who has a very delicate way of “wounding” very much different than Rostam’s quick hit-man style.[23] The div does not “end” Rostam as efficiently as the protagonist might have done it, but introduces the intermediate being of the lithic and the riddle. The div engages in a game. Rostam wants to kill. Finish a job.
The techno-sci-story of the bacteria producing the air, earth and mitochondria,[24] is the one I like to delink-with the Rostam of Shahnameh from its chain of meanings and relations to the div that he must kill. The Rostam-stone-div compilation is about the abyssal div’s death-forming and life-forming powers. Rostam, himself coming from certain transvaluative body-buildings, is taking a nap on a billion-years-old stromatolite. Is the div’s self a form of fossilization story of the now? “Do you want to go to the mountain or ocean?” An old form of preying. He introduces an intimate perspective into the geological time-continuum. The thousands-years-old div as geological phenomena (in Ferdowsi + Mu'in diagram:) structure and morphology of a landscape made by bacteria, [“...pay attention to your ‘place’ in] the bedrock I am carrying you on.”
The div Akvan, coming from Akoman and Aka Manah, in Avestan relates more or less to “noxious thinking.” Divs are old and skillful ancient biotic entities with disagreeable characteristics. Their definition is yet open and subject to interpretation. But always disobedient to the sovereign’s project and abyssal in nature, divs promoted another kind of order, other than the old Gods. Their project was always to disillusionize the ideas of divine nondestruction and nontechnological purity. They are on the side of destruction, technology and death. When Rostam captures the great White-Div, Div-e Sepid,[25] a nasty metamorphosical sentient master in “unsympathetic magic” and an expert in the crafts of necromancy [ارتباط با مردگان —> he works with form, apparition and spirit, “dead bodies,” h[...]
(291)[...notes/fire notes.txt]%41.7[...]arth and mitochondria,[24] is the one I like to delink-with the Rostam of Shahnameh from its chain of meanings and relations to the div that he must kill. The Rostam-stone-div compilation is about the abyssal div’s death-forming and life-forming powers. Rostam, himself coming from certain transvaluative body-buildings, is taking a nap on a billion-years-old stromatolite. Is the div’s self a form of fossilization story of the now? “Do you want to go to the mountain or ocean?” An old form of preying. He introduces an intimate perspective into the geological time-continuum. The thousands-years-old div as geological phenomena (in Ferdowsi + Mu'in diagram:) structure and morphology of a landscape made by bacteria, [“...pay attention to your ‘place’ in] the bedrock I am carrying you on.”
The div Akvan, coming from Akoman and Aka Manah, in Avestan relates more or less to “noxious thinking.” Divs are old and skillful ancient biotic entities with disagreeable characteristics. Their definition is yet open and subject to interpretation. But always disobedient to the sovereign’s project and abyssal in nature, divs promoted another kind of order, other than the old Gods. Their project was always to disillusionize the ideas of divine nondestruction and nontechnological purity. They are on the side of destruction, technology and death. When Rostam captures the great White-Div, Div-e Sepid,[25] a nasty metamorphosical sentient master in “unsympathetic magic” and an expert in the crafts of necromancy [ارتباط با مردگان —> he works with form, apparition and spirit, “dead bodies,” his knowledge-cosmos includes textures of mineral assemblage and recrystallization,[26]] his blood is eventually instrumentalized in bringing back the lost eye-sights and unearthing the captured ones.
The athleticism of Shahnameh doesn’t allow Ferdowsi to have another take on the order of div. The poem will not permit chaos.[27] In Shahnameh, divs are the defeated ones. Ferdowsi’s contest-oriented poetic site is towards the defeat of victory of defeat. For him, transcendence, truth, and growth are generated from the outcome of the scene of contest.[28] He locks “dishonor” indefinitely to “defeat.” The defeated-ones become inescapably monsters, divs. So, upon a Ferdowsian landscape of heroism and agon, the way I am trying to archaeologically (re)locate the being of div on Earth and put him in relationality to the lithic techniques of geo-poiesis, is a way for me to ask: how Ferdowsi is disarticulating div’s bodies to rearticulate other bodies? The humanoid Middle-Ages Persian body, the stoned, the fleshy mineral, the decaying ones, the creaturely, and so on. How can we reversely remetaphorize his tropes? How can we arrive at the stone? How can we unfinish the (death)sentence div is uttered with, and pre-epically recompose him in order to syntactically arrive at his kinship? OK. We are testing questions o[...]
(292)[...notes/fire notes.txt]%41.7[...]Gods. Their project was always to disillusionize the ideas of divine nondestruction and nontechnological purity. They are on the side of destruction, technology and death. When Rostam captures the great White-Div, Div-e Sepid,[25] a nasty metamorphosical sentient master in “unsympathetic magic” and an expert in the crafts of necromancy [ارتباط با مردگان —> he works with form, apparition and spirit, “dead bodies,” his knowledge-cosmos includes textures of mineral assemblage and recrystallization,[26]] his blood is eventually instrumentalized in bringing back the lost eye-sights and unearthing the captured ones.
The athleticism of Shahnameh doesn’t allow Ferdowsi to have another take on the order of div. The poem will not permit chaos.[27] In Shahnameh, divs are the defeated ones. Ferdowsi’s contest-oriented poetic site is towards the defeat of victory of defeat. For him, transcendence, truth, and growth are generated from the outcome of the scene of contest.[28] He locks “dishonor” indefinitely to “defeat.” The defeated-ones become inescapably monsters, divs. So, upon a Ferdowsian landscape of heroism and agon, the way I am trying to archaeologically (re)locate the being of div on Earth and put him in relationality to the lithic techniques of geo-poiesis, is a way for me to ask: how Ferdowsi is disarticulating div’s bodies to rearticulate other bodies? The humanoid Middle-Ages Persian body, the stoned, the fleshy mineral, the decaying ones, the creaturely, and so on. How can we reversely remetaphorize his tropes? How can we arrive at the stone? How can we unfinish the (death)sentence div is uttered with, and pre-epically recompose him in order to syntactically arrive at his kinship? OK. We are testing questions of nonhuman alterity at Ferdowsi.
...................................
“the mind needs wild animals”
Meloy
more often, there are places where mammal should be but is no longer, *and in this emptiness, too, there is fieldwork to be done*
[*]euphemism: roads that are too civilized
Jesuit padre-historian
Je suis padre (wanna-be-father) historians
(18th century) calling the deserts of Baja California “destitute” without asking the natices if they were misreable
*for many natives in the Jesuit era, christianity was not a means by to give order to mystery (or give order to misery)* it was food. [...] another kind of appetite could lead people there...
*the christian hell looked a lot like the life they had left [...] many Indians so hated the cold that on a chilly day at the mission, a sermon about the fires of christian hell delighted them ♥
Meloy ☞ Steinbeck: “food is hard to get, and a man lives inward, closely related to time”
better roads and bigger tourism = predatory brand of industrial leisure examplified by Cabo San Lucas (and Dubai in the middle east)
[...]
(294)[...notes/fire notes.txt]%41.7[...]s fieldwork to be done*
[*]euphemism: roads that are too civilized
Jesuit padre-historian
Je suis padre (wanna-be-father) historians
(18th century) calling the deserts of Baja California “destitute” without asking the natices if they were misreable
*for many natives in the Jesuit era, christianity was not a means by to give order to mystery (or give order to misery)* it was food. [...] another kind of appetite could lead people there...
*the christian hell looked a lot like the life they had left [...] many Indians so hated the cold that on a chilly day at the mission, a sermon about the fires of christian hell delighted them ♥
Meloy ☞ Steinbeck: “food is hard to get, and a man lives inward, closely related to time”
better roads and bigger tourism = predatory brand of industrial leisure examplified by Cabo San Lucas (and Dubai in the middle east)
(Meloy herself part of a group) a goofy one with animal notes, plant books, and ‘je suit’ literature
(clinging to) the delusion of *feral self-reliance* --> [*]fishing: citizenry in the public of resourcefulness
“do not go to the hunt carrying meat from home.”
in my work the technique of storytelling: to create a stage for a wider out-of-control explosion of gesticulating arms
...................................
“wherever you are, wherever you go, there are untamed creatures nearby that need you attention. unplug your modem. slam shut your self-help books. quit standing around like a wall trout. get to work.
invite warblers to your neighborhood with shaggy plots of greenery. learn everything you can about the bandit-eyed racoon that stares at you through your sliding glass door, demanding enchiladas.
mark the direction of jet black darkling beetles marching up a red dune like a troop of miniature helmets. east? south?
let black widows live in your soffits.
lie on your back on a breezy sweep of beach and stare at the undersides of magnificent frigate birds. master a hyena's laugh and use it when in the presence of politicians.
admire the make midwife toad, who carries fertilized eggs on his back for a month. understand that certain species of mollusk can change their gender, know that from a ball afloat on tiny filaments inside its fanned shell, a sea scallop can tell which way is up.
crane your neck. worm your way. wolf it down. monkey with things. outfox your foe. quit badgering your tax attorney.
take notes on the deagness of coral, the pea-size heart of a bat. be meticulous. we will need these things so that we may speak.
the human mind is the child of primate evolution and our complex fluid interactions with environment and one another. animals have enrished this social intelligence. they give concrete expression to thoughts [...]
(295)[...notes/fire notes.txt]%41.8[...] we can articulate these forms? What are the operations that connect the form-embedded self to the others?
4 billion years ago, the gravitational force of a mass of hydrogen atoms accumulated into a dense point of critical state. As a result of this formation new fusions released many sip-offs of different energies and materials which we perceive today in our bodies and in the light that reaches our eyeballs from the time immemorial of that hydrogen cloud. This fossil of materiality implies the existence of traces of an ancient reality before the existence of the familiar--the terrestrial life. While these traces are gauged in theoretical experiments in which radioactive ratios of nuclides inform us of such ancestral events, in Amerindian cosmogonies not so differently steered hypothesis are explored. Yawanawa, the origin myth of the people of Pano from the western Amazon, imagines the anterior of the world where nothing existed, yet there only people existed--everything was made of people. Before the diversification and classification of kinds there was a primordial human, as the only substance of which everything eventually fabricated.
Like Yawanawa, Hayula (Persian: هیولا) literally in today's usage with the meaning of unformed monster, is a technical term in Iranian-Islamic cosmology indicating the first principle of everything material of which all other constitutive layers of beings are molded--minerals, plants, animals, etc. Hayula in one hand locates the lowest of the lowest, the bottom of the scalar existence where God resides at the very top, and on the other hand possesses a great anatomical plasticity, a persistent pre-cosmological being that undermines the second law of thermodynamic. First were the object then came the subject--to give away to the results of the stabilization of the infinite potential for transformation contained in Hayula, as universal substance, a matter out of which the world could have come to be formed.
The narratives of the time before form, an era of pre-cosmological beings, primordial people with unlimited and unbound corporeality, is the story of the originality of Hayula's virtual potential for being. Hayula, not fully human, tasting beyond morality (destruction, anthropophagy, etc.), becomes the subjects of other interventions and morphs into spheres and features of the world--of biological aspects, celestial bodies, humanoid zones, etc.
The realm of Hayula comes to interpret, and thus permit and strain, who and how an I can be, at the same time that it provides the vessel for the continuity, the survival, of that I. Here the I is the continuity of an inhabitation of a point of view. It marks a relative position within a hierarchical logic that spans the cosmos, a hierarchy that ranges from the nonhuman to the human realm and from the demons to the realm of the formless. Following the classic joke, that one goes to a place in order to discover t[...]
(296)[...notes/hayula notes.txt]%43[...]tske Maas)
materiality that is specific to the eye
similar to a plant, the eye is not a simple aperture to absorb light, but a filter to mitigate external stimuli.
unveil vision as a process of chemical contamination and digestion stemming from plants. vision is rooted in the materiality of digestion.
the human eye is an organ complicit with plant photosynthesis.
in fact, seeing is a process of photosynthesis. as much as plant photosynthesis absorbs excessive light and turns it into the carbon structures of sugar molecules, the human eye has to mitigate light and turn it into the neural structure of vision, cognition, and memory. in this process the eye protects itself from the corruptive metabolism of light, tapping into some ancestral mechanism shared with plants.
if human eye protects itself like a plant, we can think of photosynthesis itself as a sort of primeval organ of vision spread out across the skin of the vegetable kingdom.
material commonality (worth exploring)
incarnate an external organ of vision
our tie with the general metabolism of light
correlations between human vision and the organic world
using a technique to record the surface of reality or using to reveal the internal chemical composition of matter
in the chromatogram, a light reaction reveals the inner chemistry and transforms matter composition into visual patterns
different regime of visibility
light is not just a stream of waves to be passively refracted and recorded but an active and autonomous medium of image-making
mineral kingdom -- forces that drive the becoming of both organic and inorganic matter
drive to formation (Bildungstrieb)
“Runge's willingness to attribute a life force to chemicals is a continuation of Romantic natural philosophy but meshed with Geothean morphology and experiment.” (Leslie)
chromatogram is an image, which discloses it's own bodily formation
here our focus should shift from the eye as a globular organ in the head of a vertebrate animal to the eye as an epidermic lens, a light-mitigating organ that attenuates the visceral contamination of radiation.
our inseparable alliance with plants
our eyes are immersed within a vegetative metabolism of a kind. we look at plants, but plants have already cannibalized our gaze as they become part of us looking back at them.
complex architecture of light:
plant photosynthesis is probably the most abused metaphor and analogy of life, widely quoted across a diverse spectrum of schools of thought to justify naturalist ideologies. it is believed that photosynthesis is behind a process of energy accumulation central to natural equilibrium and the food chain. however, there are various[...]
(297)[...notes/hayula notes.txt]%43.1[...]niverse that is not void therefore there can't be void in the universe since it has to be infinite.
Hayula has no resistance to different apparitions/surat/صورت
surathaye jesmani صورتهای جسمانی
...................................
[...]
pandora’s complexity
purely (?) material objective agent (evolving?)
Hayula--the first principle of everything material
bi-surat بی صورت
اشکال تن ashkal-e tan***
virtual proto-humanity (to different corporalities) --> pre-organic / anthropo*morphic* --> inter-corporal predation --> (sets post-mythic relations between species) --> trans-ontological intentionalities
hayula is a state of latency or potentiality --> possibility of metamorphosis in interpersonal relations...
every apparition demands a recipient
(مولوی) Rumi wants to be able to read the return-state to the hayula:
تبدیل شدن به tabdil shodan:
...be arkan (ارکان instrument)
...be heyvan (حیوان animal)
...be jan (جان aliveness? liveliness of artifacts? --?--> agency)
...be hilat (حيله, tech---means & ways) [tech? #ruse]
(in Rumi:) ruse ==> قید صید gheid-e seyd
Hafez is all about farib (فریب ruse)
material agents: {//complex forms of movement //affiliation into space}
stones, a substance indigenous to every place. (those who give up or try to stop or turn back become stones.)
the meta-fall of the material (in hayula هیولا)
apparition/surat/صورت (essence/mahiyat/ماهیت)?
matter/madeh/ماده (hast/هست/being/is-there)?
--(surat)-->--(surat)-->
animal---flora---inanimate---hayula
<--(madeh)--<--(madeh)--
/>
in Sohrevardi, he removes the light as projection and ray-tracing, and proposes a theory of light (of theory of being) as “Filter” (veril?, hejab حجاب). (there is no filter between the sphere of the eye and the sphere of the planet Mars.)
apparition is essential or part of the essence or itself the essence
Hayula: mojude mobham o bi-ta'ayon, joz ghove-e mahz va este'dad-e serf nist. (jesme basit)
هیولا: موجود مبهم و بی تعین, جز قوه محض و استعداد صرف نیست
(جسم بسط)
[...]
...................................
(Delanda)
we are taking “real history” as starting-point
-to capture the dynamics of human historical processes, we must allow the nonhuman physics to infiltrate the human society---complex materials that form human culture. --> (for example) water in its several distinct states (solid, liquid, gas) in phase tran[...]
(298)[...notes/hayula notes.txt]%43.4[...]nda)
we are taking “real history” as starting-point
-to capture the dynamics of human historical processes, we must allow the nonhuman physics to infiltrate the human society---complex materials that form human culture. --> (for example) water in its several distinct states (solid, liquid, gas) in phase transition (intensity of temperature)---that which human society “see” as material-change
example of spontaneous structural generations are coherent waves:
*solitons* - forming in many different types of materials, from tsunamis (ocean waves) to lasers. --> *attractors* {stable states, which can sustain coherent cycles activity {periodic / chaotic}}
*monsoon* - a wind circuit that has powered all sail ships in Asian waters for centuries---in those urban centers in contact with monsoon, knowledge of its dynamical behavior and skills in tapping its energy accumulated.
“materials” are {-energetic -genetic -linguistic} --> the flow of human and the animal gene we have domesticated
the specific dynamic pattern of turbulent urban evolution in (European) towns should not be view as the result of “progress” but as the result of certain dynamics that intensify the accumulation of knowledge and technologies, and of certain institutional norms and organization. for instance, the 11th century industrial revolution can be viewed in terms of reciprocal stimulation between technologies and institutions, fueled by: -solar energy (agricultural) -gravitational energy (water) --> to power grain wills --> intensified by the flow of money.
*story of the bone*
(organism never forgot its mineral origins)
in organic world, soft tissue (gels and aerosols, muscle and nerve) reigned supreme until 500 million years ago. at that point, some of the conglomerations of fleshy matter-energy that made up life underwent a sudden mineralization, a new material for constructing living creatures emerged: bone. it is almost as if the mineral world that had served as a substratum for the emergence of biological creatures was reasserting itself...
genes as sorting algorithms, are themselves sorted out by selection pressures such as: -climates -predators -parasites
structure-generating processes sort things (1) take heterogeneity [collection of materials---pebbles, genes, roles, etc.] (2) homogenize them [through sorting operations] (2) consolidate them (into more permanent state)
catalyst: a chemical substance capable of “recognizing” specific material and altering that material's molecular state --> now it reacts with certain substances with which it would not normally react.
catalyst provokes a meeting of two substances
autocatalytic loops
superposition (interconnection of diverse overlapping elements),
catalysts,
stable patterns,
sp[...]
(300)[...notes/hayula notes.txt]%43.5[...]br />
eukaryotic cells leveling cytoplasmic calcium concentrations ==> [our] calcium phosphate of bone (mineral infrastructure of our bodies):
because seawater concentrations of calcium are often four orders of magnitude higher than [one in ten million], ocean-dwelling cells must exude calcium to avoid poisoning. in the full-fathomed sea did the bones of our ancestors and the shells of their eukaryote relatives evolve. skeletons dramatize an ancient waste, whispering a ghostly testimony to the useful internalization of hazardous waste sites. this givesa good indication of how life within the general economy evolves to deactivate, sacrifice and eventually incorporate the dangerous excesses that accrue from its solar growth. -Sagan
--> the body is multiple (even if orchestrated by vicissitudes and the need for harmony over evolutionary time
--> *nature is chimerical through and through*
intraorganismic genetic transfers
*health = matter of maintaining an ecology =/= matter of defending a unity*
[*]body: ornately elaborated mosaic of microbes in various states of symbiosis
the fiction of the self
**self is not only corporal but corporate**
-Sagan
telescopic technologies ==> Earth as a living entity ~= gaia: (a species of noble lie) biosphere behaives as a body
-temperature, pH and the distribution of reactive gases have remained extraordinarily stable for hundreds of millions of years
animal body --> exposed to natural selection =/= living Earth
•gaian worldview
•animism
•native Americanism
•deep ecologism
--> inhabits the responsive tissues of a planet-sized complex organism
--threatening--> into the muck of planetary personification New Age joy [---> go to the latest godzilla film industrial apologetics and ecological satanism --> tales of human accountability]
--> *biocentrism* [of our time 2019] ~=> noble fictions
cross-disciplinary science
mythopoetic
atmospheric chemistry
earth: organized, self-contained look of a live creature, full of information, marvelously skilled in handling the sun
-Lovelock
--depending--> on the forever unfinished and eroticized nature of human symbolization
gaia <== narrative integration of cosmology and morality (<-- can we do without it?)
eukaryote made from prokaryotes and of the mesocosmic level of animal and plant bod-ies made from reproducing eukaryotes
(three billion years ago, the oldest type of sex on the planet:)
bacterial omnisexuality --> promiscuous: not delimiting sexual exchanges with species barriers (+ it needs intermediaries such as plasmids or viruses to do so)
--> lateral transfer
omnisexuality: a means of genetically “locking” together once-diverse groups (o[...]
(302)[...notes/hayula notes.txt]%44[...]dentities of the group and the chief are produced)
(from a gift-theory perspective) chief: donator of goods and words, and a receiver of spouses <-- unilateral direction ==> “chieftaincy کدخدايى: a place of nonexchange” [~ signs are deprived of their circulation value + reciprocity is denied under the demand that society make visible the foundations of power, maintaining them under the control of the collective body] --> ‘creditor position of chief’ would imprison power and assume control of the place where it could emerge =/= society of the state
ritual polity
public rituals are the main motor of collective life / @apass
chieftaincy <--> ritual
ritual condensation: the simultaneous enactment of nominally contrary modes of relationship:
•affirmations of identity are at the same time testimonies of difference
•displays of authority are also demonstrations of subordination
•the presence of persons or other beings is at once corroborated and denied
•secrets are simultaneously dissimulated and revealed
•
==> combination of contradictions ==> distinctive context of communication
ritual efficacy of images and objects
ritual relation to mnemonic technologies
relations between images and words
--Severi--> concept of chimera helps (an indigenous mode?) in understanding power and dealing with it
(Severi and Lagrou + Guerreiro)
[*]chimera: every image that, by designating a plural being by means of a single representation, mobilizes its invisible parts, by purely optical means or by a set of inferences
-chimerical image associates, in a single visual form, indexes from different beings (a bird and a human being, a serpent and a jaguar, a wolf and a sea lion etc.), provoking a projection by the eye, which gives rise to an image implying at the same time the presence of these different beings
-evokes something that is implicit or absent to the observer
-chimerical images present a specific link between iconic representation (by imitation and convention) and indexical indication (visual, tactile or other) of a presence whose mode of existence, especially mental, is not realized materially
--> game between:
•perception & projection
•iconic representation & indexical indication
==> intensification (of the efficacy of chimeric images) : “capture the eye = capture the imagination” + demand that by projection [the observer] mentally “complete” the image
indexical signs have a causal contiguity (spatiotemporal contiguity) with what they signify
ritual action and artistic creation --Severi--> synesthetic
(my lecture-performances? ~ chimeric image of chiefs’ talk [khotbe خطبه fluent at combining different aesthetic resources] -->) linguistic + extralinguistic media in ritual performance (working/pr[...]
(303)[...notes/hayula notes.txt]%44.1[...]ent of resistance?)
messianism = intense propagation + paradoxical identification
--> convert entire populations in a short amount of time
pragmatics of communication --> appearance of a paradoxical “I” personified by the prophet
(warrior shaman messiah's) contradictory self-definition ==able==> enunciate paradoxical statements
--Severi--> to be faithful to the local tradition
Appache --> opposition to Christianity take the firm of conceptualizing Christianity as a different religion
•absorbing but not understanding the elements (of Christian religion) ~= being impressed by story {<-- i do this in my artistic work but i don't ask for devotion or trust}
--> using typical imagistic methods, ritual of dance
the old man Arnold
chant (ritual symbolism) -->
•treat illness
•accompany rite of passage
•impart magical powers
-
>
(amerindian) shamanism --> establishes a metaphorical link, a set of analogies ~= mystical relationships between ritual objects and living being [--> construct its own truthuniverse, supernatural dimension thought of a possible world]
bleeding pearl
parallelism : (a technique of) threading verbal images together
[Severi's early interpretation of] tradition (would need to) preserve the text + instructions to use --by--> verbalizing them (store them in the chant)
Kuna --> description of the position of the speaker (“shaman is now seated there and is saying...”) characterizes the special kind of communication (appropriate for ritual changing)
shaman: novel sort of enunciator (lending his voice to other invisible beings --> plural and contradictory identity)
acoustic mask: a reflexive means to define the ritual identity of the speaker
reflexive application of parallelism
(@Isabel, how to make community without becoming a cult?)
use snake --> capture the imagination of the followers ==> authority
imagistic (iconic mode, sequence of acid) + doctrinal (discursive mode, text, prayer) = pragmatics context of enunciation ==> messianistic religion
both paradoxical & parallelistic
new ways to be faithful...
...................................
exhibition-making and preventive conservation --> inspection and exposition <-- (different understandings and use of) *touch = curatorial*
professionalisation of curating
short-term education
cultural exchange
@apass feedback: (terrain of) peer engagement --> understanding each other’s practices
education, research, literacy, management, networking, custodianship, audience development
research (overdue) relationship with intelligence --✕--> **research: ad[...]
(304)[...notes/hayula notes.txt]%44.5[...] or Shakespeare or kleinen Maulwurf, der wissen wollte, wer ihm auf den Kopf gemacht hat.
i am not just interested in my own foundational metaphors.
is there an amateurishness at the intersection of art and philosophy that i am drawing?
what is amateur?
the fact that i am giving talks is very much related to the social culture around me, in Germany the culture has a taste to listen and there is an interest for speech. now i get it like in the case of warhol he is rethinking his surrounding culture which is dominated at that time by pop, media and celebrity. i am rethinking the academia and philosophy that is in relationship with the arts, my issues and interests are different than warhol for that matter. i am enthusiastic and extremely interested in the material that i am working with, and at the same time overthrown by it and i believe in it, in the same way that maybe warhol believed in pop culture and business.
the nightmare after performance
the notion of skill in art, performance, life, work
trauma, in the experience of the trauma, the source mixes, and articulate in metaphors and hubric signifiers.
relationship between older works and performances, the issue of skill and technology.
it took 60 years after the developments in tempering metal, for barnors to learn new nigf techniques. this is common in the history of technology, that a tool appears before people know how to use it. do we know how we can use computers? when we master a technique, its uses are not immediatly clear.
getting interested in the wrong answer in the four answer question.
no skill develops without a good dose of curiosity. which enables us to think about what might be, rather than what is.
There is a half-remembered discussion of Sigmund Freud I read once in a book and which I have been paraphrasing regularly ever since. It said that for Freud dreams were a way of thinking by doing. You run, you cry, you kiss, you love, you cheat, you argue, you fall, you kill, you eat, you sing, you get lost, you travel back in time, you become somebody else – but you do it all in your head. You do it in your head and so it is thinking, just not a thinking we recognize as thinking. When I am dreaming I am composing thoughts in the way an artist composes a painting or a witch a potion – an assemblage made of bodies and places and actions. An embodied thinking, that is no less eloquent or extraordinary or transformative for being so.
...................................
...One can chat and gossip but it is forbidden to preach, lecture or instruct.”
Claudio Magris’ Micronismi
...................................
(butler)
the structure of address itself
although I did not know in whose voice this person was speaking, whether the voice was his own or not, I did feel that I was being addressed.
[...]
(305)[...notes/notes Personen.txt]%45.6[...] between the two domains
•arena of alienation
•Cut the Noise
•mirrors with (/without) memories
•substitutability
•optical appearances (mind ~ eye)
•Dioptrics (science of refraction), catoptrics (reflection),
•that could not be spoken of or represented, because it was empty of discourse and thus of meaning.
•innocence of the eye
•Poor Unfortunate Souls
•being useful, like a prison guard
•autopoetic (complex self-referential systems)
•to take up the motives from the external world
•will-less perception, “the pure eye of genius”
•bringing from the artificial world to the art world
•object oriented programming / subject oriented
•Observer, system and environment
•a system (designed) with a purpose of itself
•magnifying or light-collecting optical device
•social selfish
•un-computational
•gray area
•self-identity is bad visual system
•Vision requires instruments of vision; an optics is a politics of positioning. Instruments of vision mediate standpoints;
•Identity, including self-identity, does not produce science; critical positioning does, that is, objectivity
•docile body
•technological visioning (vector of secret texts, books within books, ancient curses, digital dreams, and medieval cyber-art)
•empty space left by theory and philosophy
•technical visioning
•Technology is never merely “used,” never merely instrumental. It is always ” incorporated” and “lived.”
•In his last paintings, such as the Bride of 1912, Duchamp both elaborated an iconography that combined mechanical and visceral forms and began to move away from any procedures that revealed the artist's hand to create “retinal” or “anecdotal” art.
lemon grass plant, marigold
Saeed 0012063108222
Tehran Wi Fi: 88 57 27 92
newer medium may be ‘nested’ inside of an older medium (or vice versa)
mental life (memory, imagination, fantasy, dreaming, perception, cognition) is mediated and is embodied in the whole range of material media… we not only think about media, we think in them (Mitchell)
The shock of new media is as old as the hills
Franz Reuleux described this correlation: the more primitive the technology, the less attuned the parts of the machine to each other, the greater the degree of play -- the more perfected the technology, the closer the fit, the less play between the individual parts.
(For Winnicott,) play is a psychological state where the boundaries between self and the world remain labile and fluid, (a state which is important not only for the development of the child, but with significant ramifications for human life and culture in general.)
Representation is a distinctive manner of imagining the real, [...]
(309)[...notes/notes Personen.txt]%45.9[...]standpoints;
•Identity, including self-identity, does not produce science; critical positioning does, that is, objectivity
•docile body
•technological visioning (vector of secret texts, books within books, ancient curses, digital dreams, and medieval cyber-art)
•empty space left by theory and philosophy
•technical visioning
•Technology is never merely “used,” never merely instrumental. It is always ” incorporated” and “lived.”
•In his last paintings, such as the Bride of 1912, Duchamp both elaborated an iconography that combined mechanical and visceral forms and began to move away from any procedures that revealed the artist's hand to create “retinal” or “anecdotal” art.
lemon grass plant, marigold
Saeed 0012063108222
Tehran Wi Fi: 88 57 27 92
newer medium may be ‘nested’ inside of an older medium (or vice versa)
mental life (memory, imagination, fantasy, dreaming, perception, cognition) is mediated and is embodied in the whole range of material media… we not only think about media, we think in them (Mitchell)
The shock of new media is as old as the hills
Franz Reuleux described this correlation: the more primitive the technology, the less attuned the parts of the machine to each other, the greater the degree of play -- the more perfected the technology, the closer the fit, the less play between the individual parts.
(For Winnicott,) play is a psychological state where the boundaries between self and the world remain labile and fluid, (a state which is important not only for the development of the child, but with significant ramifications for human life and culture in general.)
Representation is a distinctive manner of imagining the real, and is a fundamental phenomenon upon which all culture rests.
Henri Lefebvre distinguishes Representations of space and Representational spaces . ... Representational spaces are “directly lived” through associated images and symbols which overlay physical space, making symbolic use of its objects.
the conceiving mind over the perceiving body (vision/touch)
touching was considered “a cruder scanning at close range,” and seeing “a more subtle touching at a distance.”
for Berkeley there is no such thing as visual perception of depth, and Condillac's statue effectively masters space with the help of movement and touch. The notion of vision as [Ouch is adequate to a field of knowledge whose contents are organized as stable positions within an extensive terrain.
•a technological gaze
•way of seeing (Derridean deconstructed)
•high-tech images
•artifact (cultural artifact, social)
•image of the or a body and its environment
•impossible subject-positioning, the codification of flesh, [...]
(311)[...notes/notes Personen.txt]%45.9[...]closer the fit, the less play between the individual parts.
(For Winnicott,) play is a psychological state where the boundaries between self and the world remain labile and fluid, (a state which is important not only for the development of the child, but with significant ramifications for human life and culture in general.)
Representation is a distinctive manner of imagining the real, and is a fundamental phenomenon upon which all culture rests.
Henri Lefebvre distinguishes Representations of space and Representational spaces . ... Representational spaces are “directly lived” through associated images and symbols which overlay physical space, making symbolic use of its objects.
the conceiving mind over the perceiving body (vision/touch)
touching was considered “a cruder scanning at close range,” and seeing “a more subtle touching at a distance.”
for Berkeley there is no such thing as visual perception of depth, and Condillac's statue effectively masters space with the help of movement and touch. The notion of vision as [Ouch is adequate to a field of knowledge whose contents are organized as stable positions within an extensive terrain.
•a technological gaze
•way of seeing (Derridean deconstructed)
•high-tech images
•artifact (cultural artifact, social)
•image of the or a body and its environment
•impossible subject-positioning, the codification of flesh, a visualization of scientific narratives and the aestheticization of information, all of which tell us about a longer line of cultural fantasies about information, code and technology. (Norah Campbell)
•Everything said is said by an observe (Maturana and Varela)
•framing the world
•virtual gaze (Baudrillard)
•achieve absolute vision, while seeing nothing.
•very much as real; human and technological, both
•i say this as someone who thinks that we are part of this digital world, but we are not necessarily subject to its terms
•splicing of direct and tactile human perception of reality with another reality, one that is mediated and technical
•the naration is not pure nor whole (why cyborg?)
•place of visibility (/ field of articulability)
•it is an aesthetic dream, dream of ismorphism between the discursive object and the visible object
•exteriorization of the body (relation between face / hand / tool )
•The “exact meeting place” of form, matter, tool, and hand is the touch(Henri Focillon)
•
////////////////////////
In this interconnection of embodied being and environing world, what happens in the interface is what is important.
--Don Ihde, Bodies in Technology
At first glance, strapped to the body of critters such as green turtles in Shark Bay, off Western Australia[...]
(313)[...otes on kinect performance.txt]%45.9[...] real; human and technological, both
•i say this as someone who thinks that we are part of this digital world, but we are not necessarily subject to its terms
•splicing of direct and tactile human perception of reality with another reality, one that is mediated and technical
•the naration is not pure nor whole (why cyborg?)
•place of visibility (/ field of articulability)
•it is an aesthetic dream, dream of ismorphism between the discursive object and the visible object
•exteriorization of the body (relation between face / hand / tool )
•The “exact meeting place” of form, matter, tool, and hand is the touch(Henri Focillon)
•
////////////////////////
In this interconnection of embodied being and environing world, what happens in the interface is what is important.
--Don Ihde, Bodies in Technology
At first glance, strapped to the body of critters such as green turtles in Shark Bay, off Western Australia, humpback whales in the waters off southeast Alaska, and emperor penguins in Antarctica, a nifty miniature video camera is the central protagonist. Since the first overwrought seventeenth-century European discussions about the camera lucida and camera obscura, within technoculture the camera (the technological eye)seems to be the central object of both philosophical pretension and selfcertainty, on the one hand, and cultural skepticism and the authenticitydestroying powers of the artificial, on the other hand. The camera--that vault or arched chamber, that judge's chamber--moved from elite Latin to the vulgar, democratic idiom in the nineteenth century only as a consequence of a new technology called photography, or “light-writing.” A camera became a black-box with which to register pictures of the outside world in a representational, mentalist, and sunny semiotic economy, an analogy to the seeing eye in brainy, knowing man, for whom body and mind are suspicious strangers, if also near neighbors in the head. Nonetheless, no matter how gussied up with digitalized optical powers, the camera has never lost its job to function as a judge's chamber, in camera, within which the facts of the world--indeed, the critters of the world--are assayed by the standard of the visually convincing and, at least as important, the visually new and exciting.
... first we have to plough through some very predictable semiotic road blocks that try to limit us to a cartoonish epistemology about visual self-evidence and the lifeworlds of human-animal-technology compounds.
Gilbert stresses that nothing makes itself in the biological world, but rather reciprocal induction within and between always-in-process critters ramifies through space and time on both large and small scales in cascades of inter- and intra-action. In embryology, Gilbert calls this “interspecies epigenesis."43 Gilbert writes: “I think that the ideas that Lynn [Margul[...]
(318)[...otes on kinect performance.txt]%46[...]a, within technoculture the camera (the technological eye)seems to be the central object of both philosophical pretension and selfcertainty, on the one hand, and cultural skepticism and the authenticitydestroying powers of the artificial, on the other hand. The camera--that vault or arched chamber, that judge's chamber--moved from elite Latin to the vulgar, democratic idiom in the nineteenth century only as a consequence of a new technology called photography, or “light-writing.” A camera became a black-box with which to register pictures of the outside world in a representational, mentalist, and sunny semiotic economy, an analogy to the seeing eye in brainy, knowing man, for whom body and mind are suspicious strangers, if also near neighbors in the head. Nonetheless, no matter how gussied up with digitalized optical powers, the camera has never lost its job to function as a judge's chamber, in camera, within which the facts of the world--indeed, the critters of the world--are assayed by the standard of the visually convincing and, at least as important, the visually new and exciting.
... first we have to plough through some very predictable semiotic road blocks that try to limit us to a cartoonish epistemology about visual self-evidence and the lifeworlds of human-animal-technology compounds.
Gilbert stresses that nothing makes itself in the biological world, but rather reciprocal induction within and between always-in-process critters ramifies through space and time on both large and small scales in cascades of inter- and intra-action. In embryology, Gilbert calls this “interspecies epigenesis."43 Gilbert writes: “I think that the ideas that Lynn [Margulis] and I have are very similar; it's just that she was focusing on adults and I want to extend the concept (as I think the science allows it to be fully extended) to embryos. I believe that the embryonic co-construction of the physical bodies has many more implications because it means that we were ‘never’ individuals”
caring: becoming subject to the unsettling obligation of curiosity, which requires knowing more at the end of the day than at the beginning
//////////////
Nietzsche also said, at the very beginning of the second treatise of The Genealogy of Morals, that man is a promising animal, by which he meant, underlining those words, an animal that is permitted to make promises (das versprechen darf). Nature is said to have given itself the task of raising, bringing up, domesticating and “disciplining” (heranziichten) this animal that promises.
Microlandscapes:
the talk, also works the notion of mirror stage and what does it mean for us and for the companien species that are entangled. what threads of meaning are taken apart by pulling on the thread of self reflection and self vision, what will gets account as nature for whom and when. the animal that is in ch[...]
(321)[...otes on kinect performance.txt]%46[...]mising animal, by which he meant, underlining those words, an animal that is permitted to make promises (das versprechen darf). Nature is said to have given itself the task of raising, bringing up, domesticating and “disciplining” (heranziichten) this animal that promises.
Microlandscapes:
the talk, also works the notion of mirror stage and what does it mean for us and for the companien species that are entangled. what threads of meaning are taken apart by pulling on the thread of self reflection and self vision, what will gets account as nature for whom and when. the animal that is in charge of her own image is the representation of the universala man.
Appearance of eukaryotic cells around 2 billion years ago is probably the most significant event in the history of life on earth. It gave the creatures with DNA two important things: a nucleus that contained all the genetic materials and an interface to communicate with the world outside of the cell--a complex membrane--to talk with the materials alien to itself. Interface is a critical point of intersection between different life worlds, fields, or levels of organization. They are the areas in which social friction can be experienced and where diffusion of new technology is leading to structural discontinuities (which can be either positive or negative), the interface is where they will occur. The argent issue of interfaces in social interaction and flow between human animal, nonhumans, and computers is today becoming a zone of transition of ephemeral technologies, physical contact, socio-political boundaries, and metaphor-representation.
Since antiquity, representation has been the foundational concept of aesthetics and semiotics. In the modern era, it has also become a crucial concept in political theory. In a discussion of law and ethnography, Clifford Geertz calls into question the Western distinction between matters of fact and matters of value. “Facts and law we have perhaps everywhere; their polarization we perhaps have not.” Geertz's hermeneutic approach leads him to focus on the relation between the grounding of norms and the representation of fact. Therefore, he concludes, representation is a distinctive manner of imagining the real, and is a fundamental phenomenon upon which all culture rests.
The performance-talk is divided into three tangled narratives, one the social mode of traveling that includes the child--the opposite of the lonely masculine traveler--based on the real experience and a personal story in a trip to Amazon in Colombia with Karin Demuth and her three years old boy--Hanno--, second a multi-headed reading of technologies of interfacing within computer culture and the worlds of other species, the meaning of inter-facing with the other, and third a visual representation of the highly technical images recorded by Kinect infrared 3D-scanner/motion-detector. The result of the visualization is a[...]
(322)[...otes on kinect performance.txt]%46.1[...] they will occur. The argent issue of interfaces in social interaction and flow between human animal, nonhumans, and computers is today becoming a zone of transition of ephemeral technologies, physical contact, socio-political boundaries, and metaphor-representation.
Since antiquity, representation has been the foundational concept of aesthetics and semiotics. In the modern era, it has also become a crucial concept in political theory. In a discussion of law and ethnography, Clifford Geertz calls into question the Western distinction between matters of fact and matters of value. “Facts and law we have perhaps everywhere; their polarization we perhaps have not.” Geertz's hermeneutic approach leads him to focus on the relation between the grounding of norms and the representation of fact. Therefore, he concludes, representation is a distinctive manner of imagining the real, and is a fundamental phenomenon upon which all culture rests.
The performance-talk is divided into three tangled narratives, one the social mode of traveling that includes the child--the opposite of the lonely masculine traveler--based on the real experience and a personal story in a trip to Amazon in Colombia with Karin Demuth and her three years old boy--Hanno--, second a multi-headed reading of technologies of interfacing within computer culture and the worlds of other species, the meaning of inter-facing with the other, and third a visual representation of the highly technical images recorded by Kinect infrared 3D-scanner/motion-detector. The result of the visualization is a heavily glitchy image, which aims in the performance to link the spatial practice to the perceived and the representational spaces to the lived. Affirming the “unnaturalness” of the image makes it a transposition of universal means of communication--the language--that would like to provide a direct, unmediated, and accurate representation of the jungle.
The performance is an engagement with the notion of companion species elaborated by Donna Haraway, in an experience of walking in a tropical jungle with a computer in one hand and in the other hand the hand of the human child. The work deals with questions of the other-space that is mentally filled with projections and projects. The recording of the walking in the rain forest --as spatial and sensual experience-- is thus dematerialized and has acquired a digital character. The dense and hot environment of the Amazon is replaced by an abstract graphic structure, thus bringing a new understanding of the locality of the walk. The noise and the randomness of the technical coloring the surface of the jungle provoke an aesthetic fascination, and an appropriation of the imposible image of the forest.
Traveling to the Amazon to experience its radical Otherness is a European tradition. It unintentional affirms the ideology of a “state of nature” that is prior to culture.
Lacan: i am led to rega[...]
(324)[...otes on kinect performance.txt]%46.2[...]nterfacing within computer culture and the worlds of other species, the meaning of inter-facing with the other, and third a visual representation of the highly technical images recorded by Kinect infrared 3D-scanner/motion-detector. The result of the visualization is a heavily glitchy image, which aims in the performance to link the spatial practice to the perceived and the representational spaces to the lived. Affirming the “unnaturalness” of the image makes it a transposition of universal means of communication--the language--that would like to provide a direct, unmediated, and accurate representation of the jungle.
The performance is an engagement with the notion of companion species elaborated by Donna Haraway, in an experience of walking in a tropical jungle with a computer in one hand and in the other hand the hand of the human child. The work deals with questions of the other-space that is mentally filled with projections and projects. The recording of the walking in the rain forest --as spatial and sensual experience-- is thus dematerialized and has acquired a digital character. The dense and hot environment of the Amazon is replaced by an abstract graphic structure, thus bringing a new understanding of the locality of the walk. The noise and the randomness of the technical coloring the surface of the jungle provoke an aesthetic fascination, and an appropriation of the imposible image of the forest.
Traveling to the Amazon to experience its radical Otherness is a European tradition. It unintentional affirms the ideology of a “state of nature” that is prior to culture.
Lacan: i am led to regard the function of the mirror stage as a particular case of the function of the imago, which is to establish a relation between the organism and its reality - or, as they say, between the Innenwelt and the Umwelt.
This developement is experienced as temporal dialectic that decisively projects the function of the individual into history. the mirror stage is a drama whose internal thrust is precipitated from insufficiency to anticipation - and which manufactures for the subject, caught up in the lure of spatial identification, the succession of phantasies that extends from a fragmented body image to a form of its totality that i shall call orthhopaedic - and, lastly, to the assumption of the armour of an alienating identity, which will mark with its rigid structure the subject's entire mental development. thus, to break out of the circle of the Innenwelt into the Umwelt generates the inexhaustible quadrature of the ego's verifications.
Electronic Reserve Text: from Jacques Lacan, Ecrits, New York: W. W. Norton, 1977.
The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience
Delivered at the 16th International Congress of Psychoanalysis, Zurich, July 17, 1949
...................................
Fluss[...]
(326)[...otes on kinect performance.txt]%46.2[...]blem, and that racial purity projects and fantasies drive resurgent pronatalism?
posthuman: a mode of listening for the nonhuman + simultaneously acknowledging the impossibility of fully hearing it --> impossible position ==expand==> our range of socialities, causalities, temporalities and ethics because it contains the **stubborn anthropomorphic residual** within any ‘new’ theory of society
--> (not infinite) co-constitution of the social + the extra-social (vaccines & markets, planetary systems & telescopes, catastrophes & laws, etc.)
feminist science studies *demand a normative responsibility* towards ontological inclusivity and humility
(now that there is no objective -->) interrogatives are object-makers
*strangeness (of nonhuman life) [acts as a guide] --> mobilising new prepositions of connection ==> to think differently about the social ==> new conceptions of society (as planetmate, messmate, natureculture, mindbody, thing-power, odd kin, etc.)
parallels drawn between theories of evolution & theories of social change:
•Gould --> concept of punctuated equilibrium
•Serres --> ontology of the social as parasitism
•Hayles --> translation of epigenesis and technogenesis
•
{phenomenon of serial endosymbiosis theory <-- social theorists deploy this in the search for accounts of how change and creativity originate}--> (bio-econornic context) *symbiosis* has long been recognised as a theory which demonstrates the co-constitution of the social and the biological
=/= Darwinian story of: small variations, random mutation, long time scales, natural selection, fitness and incremental development:
•complexity derived by brute mechanical climbing from the base already built by the efforts of earlier climbing
•unit of change: the gene, or individual organism, the zoocentric, ‘big like us’ epistemic culture of both science and social science (=/= weird worldings of protists, archea, eukaryotes [Wertheim])
bacteriology ==> new organisms were often stemmed from profound and prolonged symbiotic relationships that have proven difficult to analyse =/= discrete
•traits are inherited outside of sexual dissemination (digestion, infection, donation, other complex forms of partnerning) --> consortia: amorphous symbiotic complexes (metabolic energetic networks) =/= organism: anatomically bounded objects (systems of information and exchange)
}==Margulis==> focus on how perceptual, political, social and scientific conditions precede objects: *objects = boundary-work*
--> differential speeds of change (sudden and unlikely mixes + slow and causal)
--> deconstruction of individuality
(co-constitutive bio-econornic-political-social context:)
**ideological contest between individualism and collectivism in political economy <==> intellectual develop[...]
(327)[...otes on kinect performance.txt]%46.5[...]tion [at the cataclysmic endings =/= catastrophic ending]
3. a way to think about temporalities (when a bacterium nestled into a simple cell, creating an intimacy that has lasted four billion years)
4. a template for unlikely intimacies
Harman's philosophical monologue on social theoretical practice (which might yet be remedied by actual dialogue with social theorists) ==> performative fallacy (<-- common in artist writing)
@apass****
(Campbell asking) why has object-oriented ontology become such a popular force in other disciplines?
<== complex interplay between sociological + logical factors
+ rise of *para-academia*
@artist (in proliferation of artist writing)
****speculation = the alibi for a doctrine that wishes to spare itself the trouble of justification****
--> we need closer attention to rationality as the basis of judgement when we talk about speculation
--> we need to be more informed by (sciences) when we stretch relations to our rational outposts, without ignoring their appeals
...................................
posthumanism --> any discursive or bodily configuration that displaces the human, humanism, humanities --> (21st century) technology is the center of critical thought about culture and about nature
[*]posthumanism: a structure of feeling (sense of an era starts to be experienced in the social imagination --> social forms become more recognisable when we had some time to classify them, articulate them, theorize them)
(Williams ☞ Campbell) structure of feeling
we can point to times in the past and say that as an X sensibility (they were romantics, enlightenment, post-modernism) =/= sensing here and now --> practical consciousness, a period at an embryonic stage, at the very edge of *semantic availability*
what structure of feeling is forming in the contemporary western world? --> posthumanism
(postbiological, postcorporal, cyborg existence, etc.)
to be human <--attack-- genomics, global finance, nature of social in virtual communities (telegram) ==> yet-to-be formalized paradigms of human experience
==> fracture the concept of legal self [legal theory (arbiter of human rights) --> concerned with what is to be human]
(taxonomies of the human species at its time -->) humanitas: legal term used in public in ancient Rome to distinguish Romans and Greeks from Barbarians
humans in persistent vegetative states
international trade of human organs
human genome project
xenotransplantation
technological unconscious
(tree of life replaced by) a model that:
•classifies species according to DNA
•disregards morphological type (how elements of body appear)
•reveals human to be a tiny subspecies in a mass of absolu[...]
(328)[...otes on kinect performance.txt]%46.7[...]n era starts to be experienced in the social imagination --> social forms become more recognisable when we had some time to classify them, articulate them, theorize them)
(Williams ☞ Campbell) structure of feeling
we can point to times in the past and say that as an X sensibility (they were romantics, enlightenment, post-modernism) =/= sensing here and now --> practical consciousness, a period at an embryonic stage, at the very edge of *semantic availability*
what structure of feeling is forming in the contemporary western world? --> posthumanism
(postbiological, postcorporal, cyborg existence, etc.)
to be human <--attack-- genomics, global finance, nature of social in virtual communities (telegram) ==> yet-to-be formalized paradigms of human experience
==> fracture the concept of legal self [legal theory (arbiter of human rights) --> concerned with what is to be human]
(taxonomies of the human species at its time -->) humanitas: legal term used in public in ancient Rome to distinguish Romans and Greeks from Barbarians
humans in persistent vegetative states
international trade of human organs
human genome project
xenotransplantation
technological unconscious
(tree of life replaced by) a model that:
•classifies species according to DNA
•disregards morphological type (how elements of body appear)
•reveals human to be a tiny subspecies in a mass of absolute diversity
classical philosophy --> scientized for a momden audience (by Descartes 17th century) --> special status of human <-- seen as a totally transparent, secular, scientific, liberal way of thinking about the world
humanism = a belief in progress (implicitly conceived as a technological instrumental profit-oriented) + technological masery over nature + ‘human =/= animal’ + therapeutic approach to scientific inquiry }<-- a 19th century anachronism --> deeply ingrained in contemporary self-consciousness and everyday common sense
human: hero of liberty <-- french in origin, political in purpose
August Comte --> the universe can only e understood when the scientific exploration of phenomena was separated from supernatural superstition =/= ajayeb
Campbell making the case --> humanism needs to be deconstructed (not in a blithe نرم وملایم postmodern discursive way, rather) the definitions of what it means to be human are of life-changing importance --> humanism's supposed universality and transparency masks the fact that it is *an inherited western relatively recent philosophical perspective of the world*
in consumer research --> human: culturally inflected, psychosocial producer of + produced by the market =/= human: a disembodied information-processor with a rationalistic indentity and [...]
(329)[...otes on kinect performance.txt]%46.7[...]r />
(postbiological, postcorporal, cyborg existence, etc.)
to be human <--attack-- genomics, global finance, nature of social in virtual communities (telegram) ==> yet-to-be formalized paradigms of human experience
==> fracture the concept of legal self [legal theory (arbiter of human rights) --> concerned with what is to be human]
(taxonomies of the human species at its time -->) humanitas: legal term used in public in ancient Rome to distinguish Romans and Greeks from Barbarians
humans in persistent vegetative states
international trade of human organs
human genome project
xenotransplantation
technological unconscious
(tree of life replaced by) a model that:
•classifies species according to DNA
•disregards morphological type (how elements of body appear)
•reveals human to be a tiny subspecies in a mass of absolute diversity
/>
classical philosophy --> scientized for a momden audience (by Descartes 17th century) --> special status of human <-- seen as a totally transparent, secular, scientific, liberal way of thinking about the world
humanism = a belief in progress (implicitly conceived as a technological instrumental profit-oriented) + technological masery over nature + ‘human =/= animal’ + therapeutic approach to scientific inquiry }<-- a 19th century anachronism --> deeply ingrained in contemporary self-consciousness and everyday common sense
human: hero of liberty <-- french in origin, political in purpose
August Comte --> the universe can only e understood when the scientific exploration of phenomena was separated from supernatural superstition =/= ajayeb
Campbell making the case --> humanism needs to be deconstructed (not in a blithe نرم وملایم postmodern discursive way, rather) the definitions of what it means to be humae human are of life-changing importance --> humanism's supposed universality and transparency masks the fact that it is *an inherited western relatively recent philosophical perspective of the world*
in consumer research --> human: culturally inflected, psychosocial producer of + produced by the market =/= human: a disembodied information-processor with a rationalistic indentity and a computatinoal approach to the market
--Campbell--> how can interpretative consumer research benefit from a perspective which acknowledges this ideology of humanism?
the term posthuman has been used to describe anything which extends human capcity --ironically--> something as ubiquitous banal ancient and human as *tool-use* could itself be described as posthuman (Hayles, Stiegler, Wills) ==> **posthuman is as ancient as the human itself** }--> [*]posthuman: (a radical recognition that) technological = *originary logic* + *ethical sensibility* (= [...]
(330)[...otes on kinect performance.txt]%46.7[...]/>
August Comte --> the universe can only e understood when the scientific exploration of phenomena was separated from supernatural superstition =/= ajayeb
Campbell making the case --> humanism needs to be deconstructed (not in a blithe نرم وملایم postmodern discursive way, rather) the definitions of what it means to be human are of life-changing importance --> humanism's supposed universality and transparency masks the fact that it is *an inherited western relatively recent philosophical perspective of the world*
in consumer research --> human: culturally inflected, psychosocial producer of + produced by the market =/= human: a disembodied information-processor with a rationalistic indentity and a computatinoal approach to the market
--Campbell--> how can interpretative consumer research benefit from a perspective which acknowledges this ideology of humanism?
the term posthuman has been used to describe anything which extends human capcity --ironically--> something as ubiquitous banal ancient and human as *tool-use* could itself be described as posthuman (Hayles, Stiegler, Wills) ==> **posthuman is as ancient as the human itself** }--> [*]posthuman: (a radical recognition that) technological = *originary logic* + *ethical sensibility* (= a stepping-out [=/= coming-after] of the enclosure of what is only important and necessary to the human)
•a concept that draws attention to the cracks that have always existed in the water-light descriptions of the human
•the ethical and radical realisation that the human only comes into existence by the work of (organic + technological) nonhuman others
cyborg --> associated with liberatory modes of identity
**technology deconstructs everyday human experience of agency, free will, choice, self** @apass
21st century --> technology is the center of critical thought about culture and nature (--> that is why it became organically part of my ajayeb research)--> *to think about technology in a manner which reflects its ubiquity, its deeper symbolic and aesthetic dimensions, the way in which it can radically chnage humanness and human-centered approaches
(humanistic epistemology ==>) mode of the human:
1. information processor
2. cognitive subject
3. cultural subject
posthuman mode:
1. to widen the temporal range of research (deep future, deep past)
2. take the form of an ethical inquiry (where the human is no longer the center of the world)
3. to think about the ontology of technology
4. the relationship of the human and the nonhuman (sustainability)
20th century --> gene
21st century --> posthuman (postgenetic metaphors)
robotic revolution + biotechnology revolution ☞ agricultural revolution + industrial revolution + information revolution[...]
(332)[...otes on kinect performance.txt]%46.8[...]coming-after] of the enclosure of what is only important and necessary to the human)
•a concept that draws attention to the cracks that have always existed in the water-light descriptions of the human
•the ethical and radical realisation that the human only comes into existence by the work of (organic + technological) nonhuman others
cyborg --> associated with liberatory modes of identity
**technology deconstructs everyday human experience of agency, free will, choice, self** @apass
21st century --> technology is the center of critical thought about culture and nature (--> that is why it became organically part of my ajayeb research)--> *to think about technology in a manner which reflects its ubiquity, its deeper symbolic and aesthetic dimensions, the way in which it can radically chnage humanness and human-centered approaches
(humanistic epistemology ==>) mode of the human:
1. information processor
2. cognitive subject
3. cultural subject
posthuman mode:
1. to widen the temporal range of research (deep future, deep past)
2. take the form of an ethical inquiry (where the human is no longer the center of the world)
3. to think about the ontology of technology
4. the relationship of the human and the nonhuman (sustainability)
20th century --> gene
21st century --> posthuman (postgenetic metaphors)
robotic revolution + biotechnology revolution ☞ agricultural revolution + industrial revolution + information revolution
(consumer research started to develop an outlook that) things are just as complex and social as people
•brand: entities that talk to and interact with other brands, entities that form relationships with humans
(lives that seem to exist in on the edges of simple humanist life:)
•*massive* life of market
•*excessive* life ofife of the brnad image
•*virtual* life of Facebook
•
consumer research focuses on the ontological and epistemological givens of only the consumer
(Turkle theorizing) how consumers change through their relationship with the nonhuman
•children view certain objects in the world around them as having degrees of aliveness
•children who have grown up with computers do not experience a dichotomy between biological and computatinoal processes
•playing with a toy like transformers, the toy shifs from being machines to being robots to being animals --learning--> fluid boundaries between mechanism and flesh
•(the ontological stickiness of the) [*]computer: a mind that is not yet a mind, inanimate yet interactive, it does not think yet neither is it external to thought
(Menser + Aronowitz) television: a complex object constituted by and related to many fields (solid-state physics, politics, etc.)
La[...]
(337)[...otes on kinect performance.txt]%46.8[...]ract with other brands, entities that form relationships with humans
(lives that seem to exist in on the edges of simple humanist life:)
•*massive* life of market
•*excessive* life of the brnad image
•*virtual* life of Facebook
•
consumer research focuses on the ontological and epistemological givens of only the consumer
(Turkle theorizing) how consumers change through their relationship with the nonhuman
•children view certain objects in the world around them as having degrees of aliveness
•children who have grown up with computers do not experience a dichotomy between biological and computatinoal processes
•playing with a toy like transformers, the toy shifs from being machines to being robots to being animals --learning--> fluid boundaries between mechanism and flesh
•(the ontological stickiness of the) [*]computer: a mind that is not yet a mind, inanimate yet interactive, it does not think yet neither is it external to thought
(Menser + Aronowitz) television: a complex object constituted by and related to many fields (solid-state physics, politics, etc.)
Latour...
}--> (such way of theorizing ==> precondition of) an era where radically mew technologies produce entities as indefinable complex global (as the Human Genome project) biofuel supply-chains or climate change models [--> also cryptocurrencies, blockchain]
}--Campbell--> consumer researchers are creating new concepts and figurations in order to expand the borders of waht constitutes life [for example “living-product” metaphor]
(the problem of the) [ontological division of] consumer =/= world of objects ==> (ideological move -->) privileges human : it is understood by the human, because the human (the only source of analytical attention) is the only thing doing the consuming, having the experience, making the meaning
figuration: new ways of taking account of the world =/= anthropomorphism
--Haraway--> practices that create *knots* of material-semiotic actors {<-- art does that? art's sometimes unreal figurations =/= **interpretative consumer research makes the most realistic figurations of this century**}@Chloe2
the metaphors of our time:
•becoming (=/= being) <-- a shift towards a *process metaphysics*
•
(Parsons + Maclaren)
items of disposal (do not fail to exists, but rather they) are *moved along* to other spaces or politics and become other things
•becoming a precious antique
•becoming a water blockage
•becoming a source of marine death
•becoming a materially precious thing (in another part of the world)
•
--> **how things actually move, how they transition between many states**
--> *object = data about the object =/= tangible thing* <-- (transition) from thinking of object as the prim[...]
(339)[...otes on kinect performance.txt]%46.9[...]t of the world =/= anthropomorphism
--Haraway--> practices that create *knots* of material-semiotic actors {<-- art does that? art's sometimes unreal figurations =/= **interpretative consumer research makes the most realistic figurations of this century**}@Chloe2
the metaphors of our time:
•becoming (=/= being) <-- a shift towards a *process metaphysics*
•
(Parsons + Maclaren)
items of disposal (do not fail to exists, but rather they) are *moved along* to other spaces or politics and become other things
•becoming a precious antique
•becoming a water blockage
•becoming a source of marine death
•becoming a materially precious thing (in another part of the world)
•
--> **how things actually move, how they transition between many states**
--> *object = data about the object =/= tangible thing* <-- (transition) from thinking of object as the primary reality --to--> perceicing the object as data in computatinoal environments
==?==> (change of the nature of object ==>) radical shift in theorizing consumer behaviour
posthumanism
•a key term in contemporary western postindustrial era
•a term htat has been used ti describe a highly technologized future existence
--variationally--> other stories (fables) about technology exists =/=
1. the claim of (often monolithic) novelty of the historical moment in the west
2. that technology is a sterile instrument
3. that technology aids the human in his ascent to ever greater degrees of humanity
(greek tradition -->) *to think deeply about technology, we have to think about its ontology*
•techno-sociology --> Latour
•ecological feminism --> Haraway
•post-Marxism --> Tiziana Terranova
•
•philosophy of tech --> Heidegger: the most dangerous thing we can do is to think of technology as something neutral --> we often make two ***intuitive ideological jumps of reason*** when we think of technology:
1. “technology = means to an end”
2. “technology is created by humans”
}<-- example of anthropological truth (about technology) ~ it is a truth as it appears to human beings & it is an *instrumental truth: truth aimed at getting things done or making things work* =/= [*]technology: the mode by which realities are brought into existence in the world (hervorbringen) {unconcealing ==> a concealment of another reality}= (process of) *poiesis = bring out + conceal*
-the greek word *techne = technology + art* derived from the term episteme (the ways in which one can know reality) ==> ****technology: a type of epistemology, a way of knowing****
}==Heidegger==> *technology needs to be understood beyond its instrumentalist humanist history* --Campbell--> *seeing technology historically as an ancient phenomenon*
technology thought o[...]
(340)[...otes on kinect performance.txt]%47[...]hich realities are brought into existence in the world (hervorbringen) {unconcealing ==> a concealment of another reality}= (process of) *poiesis = bring out + conceal*
-the greek word *techne = technology + art* derived from the term episteme (the ways in which one can know reality) ==> ****technology: a type of epistemology, a way of knowing****
}==Heidegger==> *technology needs to be understood beyond its instrumentalist humanist history* --Campbell--> *seeing technology historically as an ancient phenomenon*
technology thought of as something that comes from the west & does something to other people in other placers <-- a framework (even well-intentioned) that denies both agency & contemporaneity to the ‘other’
(-McQuire)
(we are told that)
•the era we exist in is the “information age”
•the world is “networked”
•marheting is “service-dominant”
--Campbell--> what realities do the terms “information” “network” “service-dominant” create, unconceal, conceal?
==> questions of:
-what is the consumer?
-the nature of consumer consciousness, knowledge, desire
*far from being a neutral uncomplicated relationship, consumers develop strategic behaviours for *coping with technology* that is paradoxial + fantastical + ideological + multidimensional
(-Konzinets)
•DIY technologies: forms of competence redefined + redistributed between hardware & human
•technology & identity interpolate each other
global debates of:
•fear of genetic determination
•nature of consciousness --> similarities and differences between computation and human being
•
--> intimately concerned with the status of humanness
1990s theories of gift-giving, possession, labour, self-concept =/= *cyber consumer* --> circulation of desire and commodities in environments that are so highly mediated and technological that it begins to generate behaviour and situations that are quite foreign to existing thinking about that markets are and what consumers want
**technology: an active force that both consumes & creates consumers**
(problem of) sustainability
1. to sustain: rest, retreat --> humannes is a major threat to all nonhuman planetary existence ==> the idea that radical threats to nonhumanness must be warded off by radical decreases in human population, consumption, normtive standards of living
<-- this notion of sustainability exists radically at the limits of human capability (more than ecological crisis or human inequality, more than the threat of terrorism or nuclear proliferation)
2. to sustain: to extend, strengthen --> the idea that if we are not here then nothing on the planet has worth; if humans ado not exists, then the earth does not exists ==> our efforts of ecological sustainability are intrinsically human-centered [--(implicit[...]
(359)[...otes on kinect performance.txt]%47[...]ion, labour, self-concept =/= *cyber consumer* --> circulation of desire and commodities in environments that are so highly mediated and technological that it begins to generate behaviour and situations that are quite foreign to existing thinking about that markets are and what consumers want
**technology: an active force that both consumes & creates consumers**
(problem of) sustainability
1. to sustain: rest, retreat --> humannes is a major threat to all nonhuman planetary existence ==> the idea that radical threats to nonhumanness must be warded off by radical decreases in human population, consumption, normtive standards of living
<-- this notion of sustainability exists radically at the limits of human capability (more than ecological crisis or human inequality, more than the threat of terrorism or nuclear proliferation)
2. to sustain: to extend, strengthen --> the idea that if we are not here then nothing on the planet has worth; if humans ado not exists, then the earth does not exists ==> our efforts of ecological sustainability are intrinsically human-centered [--(implicit attitude)--> prolonging humanness]==> ecological problem = crisis: an intense, short-lived episode in human history + it will be solved by high-technology solutions
technology has co-evolved with being throughout billions of years --Hayles--> (myriad profound subtle ways) to make nature
--paradox--> *it is “human nature” to use technology + technology changes “human nature”*
--Campbell--> ***while not everything is technical, everything is technological***
*posthuman stance (strategically oriented towards deep future, pays attention to the lives of nonhuman others) gets ontological with technology*
...................................
McQuire
defining the technological --activate--> the border between nature & culture = (the heart of) what it means to be human<br />
...................................
[title]
system attic
...................................
(in my work with apass digital designs, i have been trying to negotiate with the notion of)
*technological gaze*
what new modes of subjectivity are filtered through technological gaze?
(?how) high-tech images are cultural artifacts
technological gaze's method to put its meaning together:
1. impossible subject-positioning
2. codification of flesh
3. visualization of scientific narrative
4. aestheticization of information
(Maturana + Varela) everything said is said by an observer =/= philosopher
marketing communication theory
[*]gaze: (a technical term for) the ways we visually consume images of people and places + the ways images are constructed to entertain & encourage certain ways of seeing
•(using psyc[...]
(364)[...otes on kinect performance.txt]%47.1[...]en trying to negotiate with the notion of)
*technological gaze*
what new modes of subjectivity are filtered through technological gaze?
(?how) high-tech images are cultural artifacts
technological gaze's method to put its meaning together:
1. impossible subject-positioning
2. codification of flesh
3. visualization of scientific narrative
4. aestheticization of information
(Maturana + Varela) everything said is said by an observer =/= philosopher
marketing communication theory
[*]gaze: (a technical term for) the ways we visually consume images of people and places + the ways images are constructed to entertain & encourage certain ways of seeing
•(using psychoanalysis) Mulvey's gaze: the way in which the camera acts as the eyes and ears of the spectator, presenting ways of framing the world (power-laden + not neutral position) ==> certain understanding of the world is assumed
•Shroeder --> gaze signifies a psychological relationship of power --> the gazer is superior to the object of the gaze [---> go to zoo]
how “human” ways of experiencing the world are gradually being integrated with non-human, technological ways of perceiving and understanding reality:
•Baudrillard --> virtual gaze
•Virilio --> automation of perception (war weaponry --> the idea that in west we have technologies so advanced we achieve absolute vision)
•Balsamo --> cosmetic surgery (~= new visualization technologies) ==> new forms of dominance [---> go to Kardashians TV shows], *replacing the male gaze with a normative disembodied technical gaze
•Haraway --> technocratic gaze
•Strafford --> (starting in enlightenment) *automated spectralization* (in visual presentation of the world) --> the intention and purpose of the gaze became medicalized and technologized [---> go to cartography]
•
}--> (from technoscience to feminism) theorists have noticed a *splicing* of direct and tactile human perception of reality with another reality, one that is mediated and technical ==produce==> a new reality that negotiates the individual's knowledge of the universe in diverse and complex ways (<-- not catastrophic =/= Hörl)
(time of) intellectual and artist upheaval ==> new and surprising modes of imagining the human
1950s concept of cybernetics constituted a fundamental change in thinking about control, communication, information, life itself (+ new language of feedback, autopoiesis, cellular automata, neural net)
1990s
computers + information --> cybernetic theory: (stressed that) information patterns are more important in understanding organisms than materiality
*cybernetic view of the world --> information coded in pattern & randomness =/= material absence & presence*
•(both) h[...]
(377)[...otes on kinect performance.txt]%47.2[...]ormative disembodied technical gaze
•Haraway --> technocratic gaze
•Strafford --> (starting in enlightenment) *automated spectralization* (in visual presentation of the world) --> the intention and purpose of the gaze became medicalized and technologized [---> go to cartography]
•
}--> (from technoscience to feminism) theorists have noticed a *splicing* of direct and tactile human perception of reality with another reality, one that is mediated and technical ==produce==> a new reality that negotiates the individual's knowledge of the universe in diverse and complex ways (<-- not catastrophic =/= Hörl)
(time of) intellectual and artist upheaval ==> new and surprising modes of imagining the human
1950s concept of cybernetics constituted a fundamental change in thinking about control, communication, information, life itself (+ new language of feedback, autopoiesis, cellular automata, neural net)
1990s
computers + information --> cybernetic theory: (stressed that) information patterns are more important in understanding organisms than materiality
*cybernetic view of the world --> information coded in pattern & randomness =/= material absence & presence*
•(both) human and technological = informational entities
•human = cyborg: (human conceived as) cybernetic organism
[?how] discourses (narratives + metaphors + symbols) of science and technology --Campbell--> use in advertisement to create meaning
**technological imagination --seize--> social imagination**
always reinforcing the *awesome power of technology to capture reality* (objectively + without any agenda)
•movie Fantastic Voyage 1966 <--Dijck-- fascination with envisioning the body from a different perspective
•status of foetus (float in black and white) <--Haraway-- meanings whose legitimacy comes from technological systems of perception
•[computer-generated images =/=?] camera-generated images <--Cartwright-- (paradox of) camera's role in capturing the real + camera's capacity to evoke emotion and present a sense of the unattainable ~= (to appear to be at once) both *magical* & *truthful* ==introduce==> new subjectivities into marketplace
mediation of visual phenomena through the eye of technology ~=> new sets of truths (about the body, environment, etc.) --often--> a **disembodied technological gaze looks at the body**
advertisement becomes more highly finished, excessively produced, artificialized --> a technological gaze is found in the discourse of advertising --> scientized & technologized images celebrate a particular view of ***life as information***
...................................
(techniques of the observer - september 9, 2012)
•What is the relation between the dematerialized digital imagery of the present a[...]
(385)[...otes on kinect performance.txt]%47.2[...]gy ~=> new sets of truths (about the body, environment, etc.) --often--> a **disembodied technological gaze looks at the body**
advertisement becomes more highly finished, excessively produced, artificialized --> a technological gaze is found in the discourse of advertising --> scientized & technologized images celebrate a particular view of ***life as information***
...................................
(techniques of the observer - september 9, 2012)
•What is the relation between the dematerialized digital imagery of the present and the so-called age of mechanical reproduction?
•ongoing abstraction of vision - Problems of vision
•transformation in the makeup of vision
•history of art <-> history of perception?
•onlooker (Zuschauer)
•historically important functions of the human eye ==> medical, military, and police hierarchies
•Most of the historically important functions of the human eye are being supplanted by practices in which visual images no longer have any reference to the position of an observer in a “real,” optically perceived world.
•where abstract visual and linguistic elements coincide
•avoid mystifying it by recourse to technological explanations (this was my mistake!)
•an observer is more importantly one who sees within a prescribed set of possibilities, one who is embedded in a system of conventions and limitations.
•measurable in terms of objects and signs
•newly constituted human sciences in regulating and modifying the behavior of individuals.
•it was through these disciplines that the subject in a sense became visible
•passage from the geometrical optics of the seventeenth and eighteenth centuries to physiological optics
•to expose the idiosyncrasies of the “normal” eye
•Retinal afterimages, peripheral vision, binocular vision, and thresholds of attention
•outcome of a complex remaking of the individual as observer into something calculable-and regularizable and of human vision into something measurable and thus, exchangeable.
•standardization of visual imagery
•in the amphitheatre / on the stage / in the Panoptic machine
•dissociation of touch from sight ==> “separation of the senses” and industrial remapping of the body in the nineteenth century
•unloosening of the eye from the network of referentiality incarnated in tactility ==> fitted for the tasks of “spectacular” consumption
•Perception for Benjamin was acutely temporal and kinetic;
•a mobile consumer of a ceaseless succession of illusory commodity-like Images.
•Machines are social before being technical
•desiring machines
•The paintings of J-B. Chardin are lodged within these same questions of knowledge and perception His still lifes, especially, are a last great presentation of the classic[...]
(395)[...notes/notes.txt]%47.3[...]ions and limitations.
•measurable in terms of objects and signs
•newly constituted human sciences in regulating and modifying the behavior of individuals.
•it was through these disciplines that the subject in a sense became visible
•passage from the geometrical optics of the seventeenth and eighteenth centuries to physiological optics
•to expose the idiosyncrasies of the “normal” eye
•Retinal afterimages, peripheral vision, binocular vision, and thresholds of attention
•outcome of a complex remaking of the individual as observer into something calculable-and regularizable and of human vision into something measurable and thus, exchangeable.
•standardization of visual imagery
•in the amphitheatre / on the stage / in the Panoptic machine
•dissociation of touch from sight ==> “separation of the senses” and industrial remapping of the body in the nineteenth century
•unloosening of the eye from the network of referentiality incarnated in tactility ==> fitted for the tasks of “spectacular” consumption
•Perception for Benjamin was acutely temporal and kinetic;
•a mobile consumer of a ceaseless succession of illusory commodity-like Images.
•Machines are social before being technical
•desiring machines
•The paintings of J-B. Chardin are lodged within these same questions of knowledge and perception His still lifes, especially, are a last great presentation of the classical object in all its plenitude, before it is sundered irrevocably into exchangeable and ungrounded signifiers or into the painterly traces of an autonomous vision.
•that the very process of becoming tired was in fact perception. “When the eye fixes itself on a single color...
•the clear eye of the world
•The more Schopenhauer involved himself in the new collective knowledge of a fragmented body composed of separate organic systems, subject to the opacity of the sensory organs and dominated by involuntary reflex activity, the more intensely he sought to establish a visuality that escaped the demands of that body.
•the physiological makeup of the subject as the site on which the formation of representations occurs.
•Of these only the cerebrum, together with the sensory nerves attached to it, and the posterior spinal nerve fascicles are intended to take up the motives from the external world. All the other parts, on the other hand, are intended only to transmit the motives to the muscles in which the will directly manifests itself. (Schopenhauer)
•It is knowledge that Simultaneously provided techniques for the external control and domination of the human subject and was the emancipating ground for notions of subjective vision within modernist art theory and experimentation.
...................................
bad visual systems
narcissism as a cultural practice (that also moti[...]
(396)[...notes/notes.txt]%47.4[...]din are lodged within these same questions of knowledge and perception His still lifes, especially, are a last great presentation of the classical object in all its plenitude, before it is sundered irrevocably into exchangeable and ungrounded signifiers or into the painterly traces of an autonomous vision.
•that the very process of becoming tired was in fact perception. “When the eye fixes itself on a single color...
•the clear eye of the world
•The more Schopenhauer involved himself in the new collective knowledge of a fragmented body composed of separate organic systems, subject to the opacity of the sensory organs and dominated by involuntary reflex activity, the more intensely he sought to establish a visuality that escaped the demands of that body.
•the physiological makeup of the subject as the site on which the formation of representations occurs.
•Of these only the cerebrum, together with the sensory nerves attached to it, and the posterior spinal nerve fascicles are intended to take up the motives from the external world. All the other parts, on the other hand, are intended only to transmit the motives to the muscles in which the will directly manifests itself. (Schopenhauer)
•It is knowledge that Simultaneously provided techniques for the external control and domination of the human subject and was the emancipating ground for notions of subjective vision within modernist art theory and experimentation.
...................................
bad visual systems
narcissism as a cultural practice (that also motivates and steers technological inventions)
accelerationism
(Accelerationism may also refer more broadly, and usually pejoratively, to support for the deepening of capitalism in the belief that this will hasten its self-destructive tendencies and ultimately eventuate its collapse.)
Selfie
seems to me the perfect example for this submission of the unconscious to the globalized machine
latest theoretical buzzwords
control over the interpretation of the world
circulation of the global image machine
tree-made paper
who are (not) allowed (not) to have a body?
all forms of knowledge claims,
acting on the ideological doctrines of disembodied scientific (cinematic) objectivity
all seem just effects of delayed render algorithms in the play of signifiers in a virtual force field
space of simulations
not giving up to the paranoid science fiction
getting to know the world effectively by practising the sciences
tools of semiology
rhetorical nature of truth
not Romantic nor modernist objects:
1. infective vectors (microbes)
2. elementary particles (quarks)
3. biomolecular codes (genes)[...]
(397)[...notes/notes.txt]%47.4[...]r />
Selfie
seems to me the perfect example for this submission of the unconscious to the globalized machine
latest theoretical buzzwords
control over the interpretation of the world
circulation of the global image machine
tree-made paper
who are (not) allowed (not) to have a body?
all forms of knowledge claims,
acting on the ideological doctrines of disembodied scientific (cinematic) objectivity
all seem just effects of delayed render algorithms in the play of signifiers in a virtual force field
space of simulations
not giving up to the paranoid science fiction
getting to know the world effectively by practising the sciences
tools of semiology
rhetorical nature of truth
not Romantic nor modernist objects:
1. infective vectors (microbes)
2. elementary particles (quarks)
3. biomolecular codes (genes)
view of the relationship of body and language (the problem of metaphor)
those of us who would still like to talk about reality
imagery of moves in the fully textualized and coded world
high tech (military) field
recognizing our own ‘semiotic technologies’ for making meanings,
life is semiotic as well as technology
(commitment?) to faithful accounts of a ‘real’ world
Haraway writes: All components of the desire are paradoxical and dangerous, and their combination is both contradictory and necessary.
We need the power of modern critical theories of how meanings and bodies get made, not in order to deny meaning and bodies, but in order to live in meanings and bodies that have a chance for a future. (reductionism?)
insist on the embodied nature of all vision, and so reclaim the sensory system that has been used to signify a leap out of the marked body and into a conquering gaze from nowhere. (how the exhibition can make visible my positing in the work? ground me in an embodied vision? my situation. to situate me. not necessarily organic embodiment? what have i need to learn in my bodies?)
perverse capacity of the eye
culture disembodies. (nature embodies?)
to distance the knowing subject from everybody and everything
visualizing technologies are without (apparent) limit?
linked to:
-artificial graphic manipulation systems
-computer aided scanners
-colour enhancement techniques
mapping is at stake. what kind of mapping the Kinect image provides? that is opposite to the zeiss lens?
how to go there with the technology and not fuck the world? carefully not give birth to mythical ideological seeing or promising transcendence
Kinect's generative, but not devou[...]
(399)[...notes/notes.txt]%47.5[...]ke to talk about reality
imagery of moves in the fully textualized and coded world
high tech (military) field
recognizing our own ‘semiotic technologies’ for making meanings,
life is semiotic as well as technology
(commitment?) to faithful accounts of a ‘real’ world
Haraway writes: All components of the desire are paradoxical and dangerous, and their combination is both contradictory and necessary.
We need the power of modern critical theories of how meanings and bodies get made, not in order to deny meaning and bodies, but in order to live in meanings and bodies that have a chance for a future. (reductionism?)
insist on the embodied nature of all vision, and so reclaim the sensory system that has been used to signify a leap out of the marked body and into a conquering gaze from nowhere. (how the exhibition can make visible my positing in the work? ground me in an embodied vision? my situation. to situate me. not necessarily organic embodiment? what have i need to learn in my bodies?)
perverse capacity of the eye
culture disembodies. (nature embodies?)
to distance the knowing subject from everybody and everything
visualizing technologies are without (apparent) limit?
linked to:
-artificial graphic manipulation systems
-computer aided scanners
-colour enhancement techniques
mapping is at stake. what kind of mapping the Kinect image provides? that is opposite to the zeiss lens?
how to go there with the technology and not fuck the world? carefully not give birth to mythical ideological seeing or promising transcendence
Kinect's generative, but not devouring vision
the perversion of the zeiss lens is in that it tries to let the viewer ‘experience’ the moment of discovery in immediate vision of the ‘object’
the exhibition is about a writing of the body that metaphorically emphasizes vision
= and commit to deconstruction and passionate construction.
= and passionate detachment, which is dependent on the impossibility of innocent ‘identity’ politics and epistemologies as strategies for seeing from (any) standpoints, in order to see well. (refer to lecture-performance Standing on the Shoulders of Giants - Sina Seifee 2015, on a critical epistemology of seeing-from-far)
= whom to see with?
Haraway: only partial perspective promises objective vision. This is an objective vision that initiates, rather than closes off, the problem of responsibility for the generativity of all visual practices.
The ‘eyes’ made available in modern technological sciences shatter any idea of passive vision? these prosthetic devices show us that all eyes, including our own organic ones, are active perceptual systems, building in translations and specific ways of seeing, [...]
(402)[...notes/notes.txt]%47.5[...]niques
mapping is at stake. what kind of mapping the Kinect image provides? that is opposite to the zeiss lens?
how to go there with the technology and not fuck the world? carefully not give birth to mythical ideological seeing or promising transcendence
Kinect's generative, but not devouring vision
the perversion of the zeiss lens is in that it tries to let the viewer ‘experience’ the moment of discovery in immediate vision of the ‘object’
the exhibition is about a writing of the body that metaphorically emphasizes vision
= and commit to deconstruction and passionate construction.
= and passionate detachment, which is dependent on the impossibility of innocent ‘identity’ politics and epistemologies as strategies for seeing from (any) standpoints, in order to see well. (refer to lecture-performance Standing on the Shoulders of Giants - Sina Seifee 2015, on a critical epistemology of seeing-from-far)
= whom to see with?
Haraway: only partial perspective promises objective vision. This is an objective vision that initiates, rather than closes off, the problem of responsibility for the generativity of all visual practices.
The ‘eyes’ made available in modern technological sciences shatter any idea of passive vision? these prosthetic devices show us that all eyes, including our own organic ones, are active perceptual systems, building in translations and specific ways of seeing, that is, ways of life.
partial way of organizing worlds
is unlocatable irresponsible?
is my visual exhibition a knowledge claim?
To see from below (or the perspective of the mathematics, Kinect, hacker?) is neither easily learned nor unproblematic
ways of being nowhere while claiming to see comprehensively (i did not claim any of these - i didn't try even. i was there traveling with relation to my co-travelers and a technology relation) my issue with the images is their generality and perhaps that is their unlocatablilty. but to situate my knowledge and myself i am not solely depending on the image rhetoric. i was committed to mobile positioning, and that is critical.
mediate vision
knowledge potent for constructing worlds
trying to be less organized by axes of domination
Science has been utopian and visionary from the start? that is one reason ‘we’ need it.
my eye were crafted by the blood of mosquitoes...
translations and exchanges, material and semiotic
what has the property of systematicity in my Amazon?
orientations and responsibility in material semiotic fields of meaning.
is Here, Kinect's vision not immediately a very powerful metaphor or technology (for political epistemological clarification)?
The visual metaphor invites us to investigate th[...]
(405)[...notes/notes.txt]%47.6[...]endent on the impossibility of innocent ‘identity’ politics and epistemologies as strategies for seeing from (any) standpoints, in order to see well. (refer to lecture-performance Standing on the Shoulders of Giants - Sina Seifee 2015, on a critical epistemology of seeing-from-far)
= whom to see with?
Haraway: only partial perspective promises objective vision. This is an objective vision that initiates, rather than closes off, the problem of responsibility for the generativity of all visual practices.
The ‘eyes’ made available in modern technological sciences shatter any idea of passive vision? these prosthetic devices show us that all eyes, including our own organic ones, are active perceptual systems, building in translations and specific ways of seeing, that is, ways of life.
partial way of organizing worlds
is unlocatable irresponsible?
is my visual exhibition a knowledge claim?
To see from below (or the perspective of the mathematics, Kinect, hacker?) is neither easily learned nor unproblematic
ways of being nowhere while claiming to see comprehensively (i did not claim any of these - i didn't try even. i was there traveling with relation to my co-travelers and a technology relation) my issue with the images is their generality and perhaps that is their unlocatablilty. but to situate my knowledge and myself i am not solely depending on the image rhetoric. i was committed to mobile positioning, and that is critical.
mediate vision
knowledge potent for constructing worlds
trying to be less organized by axes of domination
Science has been utopian and visionary from the start? that is one reason ‘we’ need it.
my eye were crafted by the blood of mosquitoes...
translations and exchanges, material and semiotic
what has the property of systematicity in my Amazon?
orientations and responsibility in material semiotic fields of meaning.
is Here, Kinect's vision not immediately a very powerful metaphor or technology (for political epistemological clarification)?
The visual metaphor invites us to investigate the varied apparatuses of visual production, including the prosthetic technologies interfaced with our biological eyes and brains.
should i have an argue for (politics and) epistemologies of location, positioning, and situating?
view from a structuring and structured body
we love stuttering, and the partly understood
Translation is always interpretative, critical, and partial
Amazon (location) resists (the politics of) closure
logic of culture (nature made flexible)
science coded body
black coded body
colonised coded body
coded as self sufficient (when?)
[...]
(406)[...notes/notes.txt]%47.6[...]f organizing worlds
is unlocatable irresponsible?
is my visual exhibition a knowledge claim?
To see from below (or the perspective of the mathematics, Kinect, hacker?) is neither easily learned nor unproblematic
ways of being nowhere while claiming to see comprehensively (i did not claim any of these - i didn't try even. i was there traveling with relation to my co-travelers and a technology relation) my issue with the images is their generality and perhaps that is their unlocatablilty. but to situate my knowledge and myself i am not solely depending on the image rhetoric. i was committed to mobile positioning, and that is critical.
mediate vision
knowledge potent for constructing worlds
trying to be less organized by axes of domination
Science has been utopian and visionary from the start? that is one reason ‘we’ need it.
my eye were crafted by the blood of mosquitoes...
translations and exchanges, material and semiotic
what has the property of systematicity in my Amazon?
orientations and responsibility in material semiotic fields of meaning.
is Here, Kinect's vision not immediately a very powerful metaphor or technology (for political epistemological clarification)?
The visual metaphor invites us to investigate the varied apparatuses of visual production, including the prosthetic technologies interfaced with our biological eyes and brains.
should i have an argue for (politics and) epistemologies of location, positioning, and situating?
view from a structuring and structured body
we love stuttering, and the partly understood
Translation is always interpretative, critical, and partial
Amazon (location) resists (the politics of) closure
logic of culture (nature made flexible)
science coded body
black coded body
colonised coded body
coded as self sufficient (when?)
the project and me are not boundary object (i am not tarzan)
suppress the lost text of aristotle on the rhetoric of humor
how can something work and not work?!
mathematical competition
what is the other story (of forest, journey, etc.) that i want urgently tell?
or the rhythm of what story i want to change?
...................................
In 1905 the French neurologists G. Deny and P. Camus recounted the case of Madame I who had lost body awareness. She described her “general insensibility” as follows: “I'm no longer aware of myself as I used to be. I can no longer feel my arms, my legs, my head, and my hair. I have to touch myself constantly in order to know how I am. I [...]
(407)[...notes/notes.txt]%47.6[...] body. (see Strange, Familiar and Forgotten pp 40-42)
“If all self-reference were destroyed, consciousness and understanding would not be possible.
“Meaning and understanding are parts of the structure of consciousness that emerge from self-reference; they cannot exist without a body image.” (p.55)
“Self-reference is not a hypothetical idea but a demonstrable part of the structure of consciousness; a partial breakdown in the physiological mechanisms that create it give us the phenomenon of phantom limbs.” (p.56)
Two English neurologists, Lord Russell Brain and Henry Head (!) coined the phrase “body image” for the internal image and memory of one's body in space and time. The body image is not only a picture of the body but also an anticipatory plan for the detailed movements of the body, and rather than a fixed structure, it is dynamic and plastic, capable of reorganizing itself radically with the contingencies of experience.
The body image can also incorporate external object, implements, and instruments. When they are being used, they can become intimate, vital, even libidinally cathected parts of the body image.
(Don Ihde:) “To embody one's praxis through technologies is ultimately an existential relation with the world.” (Technology and Lifeworld, p.72)
Embodied relations such as the experience of “seeing through” glasses (or the use of hearing aids, blind man's cane, or driving a car) take the technology into the perceptual-bodily self-experience. The mediating technology becomes part of the body image, and achieves “instrumental transparency”
...................................
(Giuliana Bruno)
This tangible, superficial contact, in fact, is what allows us to apprehend the objects and the spaces of art, turning contact into the communicative interface of a public intimacy. (but not in the Amazonian skin contact) (it is different than Lucretius reflecting upon the nature of things)
(materiality of) cultural surfaces
As a form of dwelling that engages mediation between subjects and with objects, the surface also can be viewed as a site for screening and projection.
The surfaces of the screens that surround us today express a new materiality as they convey the virtual transformation of our material relations. And these screens, which have become membranes of contact, exist in our environments in close relation to the surfaces of canvas and walls—also undergoing a process of substantial transformation. And so it is here—in this meeting place that is surface—that art forms are becoming reconnected and creating new, hybrid forms of admixture.
who shares (deep) engagements with superficial matters?
layered space of interaction between subject and object
s[...]
(409)[...notes/notes.txt]%47.7[...]expand one's universe and eventually to project it, to exhibit personal passionate voyage of imagination -- effects of a spectatorial movement that is evolving further in Selfie. that is the emergence of such sequential virtues motion capturing that comes to inhibit the train of thought = interconnection in the sequence of ideas expressed during a connected discourse and how this sequence leads from one idea to another (modernity).
(i don't do filmic voyage)
...................................
By Consequence, or train of thoughts, I understand that succession of one thought to another which is called, to distinguish it from discourse in words, mental discourse.
“When a man thinketh on anything whatsoever, his next thought after is not altogether so casual as it seems to be. Not every thought to every thought succeeds indifferently.” (— Thomas Hobbes, Leviathan, The First Part: Of Man, Chapter III: Of the Consequence or Train of Imagination)
/>
...................................
the current forms of biotic forests is due to the spreading of seed-dispersing plants millions years ago (what about abiotic? Kinect)
one of issues related with rate/speed is synchronicity
the effects of biotechnically / bioculturaly situated people
Amazon's nature in opposition to slave gardens (slave plantation systems with factory machine) (along with imperial botanical gardens)
for travel and propagation of...
moving material semiotic
part-time organisms
when visuality is looked at in a haptic modality (the tentacular face for example), vision can be figured as touch, not distance. negatively curving in loops and frills, not surveying(/surviving) from above.
...................................
when a depiction (poetic, visual, etc.) is dangerously ambiguous?
are we really immersed in data realities? aies? and that really means we are losing the sight on experiences fetched by our bodies?
co-existing and contradictory incomplete models that ground us in our critically limited existence. what does beyond the (techno-cartographic-episto-cogno-histo-) map's horizon means for this situated “us”?
...................................
(Amanda Boezkes)
the ontological purification apparatus
we are now on an idea of the earth in so to calibrate our sensorial systems to adjust to human-born unpredictabilities that override and neutralize long-standing histories of local knowledge.
how an ecological perspective can be incorporated into vision -- become a visuality? -- mobilization of visuality
how an artwork may account for the ways ecological change registers in vision?
geo-aesthetics
information is not energy-specific (Gibson)
theory of affordance : information pi[...]
(412)[...notes/notes.txt]%47.8[...]pter III: Of the Consequence or Train of Imagination)
...................................
the current forms of biotic forests is due to the spreading of seed-dispersing plants millions years ago (what about abiotic? Kinect)
one of issues related with rate/speed is synchronicity
the effects of biotechnically / bioculturaly situated people
Amazon's nature in opposition to slave gardens (slave plantation systems with factory machine) (along with imperial botanical gardens)
for travel and propagation of...
moving material semiotic
part-time organisms
when visuality is looked at in a haptic modality (the tentacular face for example), vision can be figured as touch, not distance. negatively curving in loops and frills, not surveying(/surviving) from above.
...................................
when a depiction (poetic, visual, etc.) is dangerously ambiguous?
are we really immersed in data realities? and that really means we are losing the sight on experiences fetched by our bodies?
co-existing and contradictory incomplete models that ground us in our critically limited existence. what does beyond the (techno-cartographic-episto-cogno-histo-) map's horizon means for this situated “us”?
...................................
(Amanda Boezkes)
the ontological purification apparatus
we are now on an idea of the earth in so to calibrate our sensorial systems to adjust to human-born unpredictabilities that override and neutralize long-standing histories of local knowledge.
how an ecological perspective can be incorporated into vision -- become a visuality? -- mobilization of visuality
how an artwork may account for the ways ecological change registers in vision?
geo-aesthetics
information is not energy-specific (Gibson)
theory of affordance : information pick-up process --> threshold between the sense-system of organism and the invariance of the environment
an experience of an observer that is not a property of the observer, it is invariant and relational.
that is, it acknowledges that objective information about an environmental system can be obtained both in spite and because of perceptual change. in this respect an indigenous knowledge is not simply an order of cultural perspective, they are rather a form of objective testimony, by the people who are attuned to the environment's invariant structure. they are not simply a traditional or local “point of view.”
in this sense what kind of info is the image of Kinect about the environment? it is not objective info nor culture, what is it? personal testimony? descriptions of a technological reading?!
affordance, as a concept, allows complexity and refusal to reduce environments,[...]
(413)[...notes/notes.txt]%47.9[...]systems to adjust to human-born unpredictabilities that override and neutralize long-standing histories of local knowledge.
how an ecological perspective can be incorporated into vision -- become a visuality? -- mobilization of visuality
how an artwork may account for the ways ecological change registers in vision?
geo-aesthetics
information is not energy-specific (Gibson)
theory of affordance : information pick-up process --> threshold between the sense-system of organism and the invariance of the environment
an experience of an observer that is not a property of the observer, it is invariant and relational.
that is, it acknowledges that objective information about an environmental system can be obtained both in spite and because of perceptual change. in this respect an indigenous knowledge is not simply an order of cultural perspective, they are rather a form of objective testimony, by the people who are attuned to the environment's invariant structure. they are not simply a traditional or local “point of view.”
in this sense what kind of info is the image of Kinect about the environment? it is not objective info nor culture, what is it? personal testimony? descriptions of a technological reading?!
affordance, as a concept, allows complexity and refusal to reduce environments, objects, and actions to the basic function they may have to the perceiver in her/his/its world -- it permits a level (horizon) of consciousness of the world beyond function.
how a beetle may rest on the retina of bird's eye like pieces of puzzle fitting together
facts of environment
to what extent can an ecological perception become virtualized, represented, and returned to vision as a condition, or style of being? that is how to take conscientious of the ecological beings that we are in any project? -- that is attuning vision to an ecological reality
E. h. Gombrich understood the perception of art as a process of cultivating the visual skills of recognition in the eye itself
historical ways of seeing
any skill we have in spite of environmental variances, is operating from visual schema that are geared to trigger pattern recognition, (art?)
visuality vs vision
the caricaturist does not teach us how to see, but rather instantiates a new code of recognition. a visuality is nested into vision; vision is reciprocally primed to recognize a visuality ***
visuality involves more than pattern recognition
perception is not the tool by which we experience art, but its very content and substance. john Onians concludes that “each painting forms its own ‘eye’.”
what kind of eye the art (of my Kinect) cultivates? (a techno-aesthetic eye?) (the diagrammatic eye?) (referring to the diagram project “sadistic statistics”)
t[...]
(414)[...notes/notes.txt]%47.9[...]unction.
how a beetle may rest on the retina of bird's eye like pieces of puzzle fitting together
facts of environment
to what extent can an ecological perception become virtualized, represented, and returned to vision as a condition, or style of being? that is how to take conscientious of the ecological beings that we are in any project? -- that is attuning vision to an ecological reality
E. h. Gombrich understood the perception of art as a process of cultivating the visual skills of recognition in the eye itself
historical ways of seeing
any skill we have in spite of environmental variances, is operating from visual schema that are geared to trigger pattern recognition, (art?)
visuality vs vision
the caricaturist does not teach us how to see, but rather instantiates a new code of recognition. a visuality is nested into vision; vision is reciprocally primed to recognize a visuality ***
>
visuality involves more than pattern recognition
perception is not the tool by which we experience art, but its very content and substance. john Onians concludes that “each painting forms its own ‘eye’.”
what kind of eye the art (of my Kinect) cultivates? (a techno-aesthetic eye?) (the diagrammatic eye?) (referring to the diagram project “sadistic statistics”)
the ways we see ...ly (historically, ecologically, evolutionary, technologically,) more part and parcel of the visuality of the anthropocene
the neuro-aesthetic eye
to “read” environment in terms of info pick-up and accommodation
to simply perceive as we do
but to parlay (double up) our perceptual system into a modality of processing, response, and responsiveness
(the aesthetics of) the visual brain is the contact (not contract) between the individual and the ecosystem
modulation of ethos in landscape?
Kinect is not bringing a knowledge that is neurobiologically imperceptible to the naked eye nor is it technologically making a worldview accessible.
“it is low tech”, its images are born of partial recognition, attunement, and attention
low-tech works may be critical for developing a visuality that is not yet integral to or explicit within new media, visualising the specifically neurological dimension of ecologicity and mobilizing vision as a perceiving organ to cultivate this self-awareness.
...................................
(McKenzie Wark)
climate science, a key science of our time, rests on an apparatus of very powerful computers and communication vectors, which overcome the “friction”, as Paul Edwards calls it, between data and communication. it brings together global data according to global standards, mathematical models of physics of climate drawn from fluid dynamics, and massive [...]
(415)[...notes/notes.txt]%48[...]icaturist does not teach us how to see, but rather instantiates a new code of recognition. a visuality is nested into vision; vision is reciprocally primed to recognize a visuality ***
visuality involves more than pattern recognition
perception is not the tool by which we experience art, but its very content and substance. john Onians concludes that “each painting forms its own ‘eye’.”
what kind of eye the art (of my Kinect) cultivates? (a techno-aesthetic eye?) (the diagrammatic eye?) (referring to the diagram project “sadistic statistics”)
the ways we see ...ly (historically, ecologically, evolutionary, technologically,) more part and parcel of the visuality of the anthropocene
the neuro-aesthetic eye
to “read” environment in terms of info pick-up and accommodation
to simply perceive as we do
but to parlay (double up) our perceptual system into a modality of processing, response, and responsiveness
(the aesthetics of) the visual brain is the contact (not contract) between the individual and the ecosystem
modulation of ethos in landscape?
Kinect is not bringing a knowledge that is neurobiologically imperceptible to the naked eye nor is it technologically making a worldview accessible.
“it is low tech”, its images are born of partial recognition, attunement, and attention
low-tech works may be critical for developing a visuality that is not yet integral to or explicit within new media, visualising the specifically neurological dimension of ecologicity and mobilizing vision as a perceiving organ to cultivate this self-awareness.
...................................
(McKenzie Wark)
climate science, a key science of our time, rests on an apparatus of very powerful computers and communication vectors, which overcome the “friction”, as Paul Edwards calls it, between data and communication. it brings together global data according to global standards, mathematical models of physics of climate drawn from fluid dynamics, and massive computational power. the model and data coproduce each other in a way, as the data sets are all partial, and many data points have to be interpolated to make the models work. and then all of that has to be mediated back to human awareness via tables, graphs, computer simulations, and so forth.
...................................
(Irmgard Emmelhainz)
(anthropocene) change in the conditions of visuality
transformation of the world into images
phenomenological + epistemological consequences
images participate now in the forming of worlds, they have also become forms of thought
the optical mind
the radical change in the conditions of visuality has brought about a new subject position or point of view, announc[...]
(417)[...notes/notes.txt]%48[...]ction (one of the reasons i am not using the zeiss-lens-camera recordings)
(for Susan Sontag) taking photographs [...] is a way of certifying experience, also a way of refusing it - by limiting experience to a search for the photographic, by converting experience to a souvenir. [...] the very activity of taking pictures [...] assuages (erleichtern) general feelings of disorientation that are likely to be exacerbated (worsened) by travel.
cognitive activity
giving form to experience, also transforming things into signs, welding image and discourse
the contemporary experience is also made of sharing/tweeting/liking images
the contemporary political economy: communicative capitalism derives surplus value from the volume and velocity of sings and data circulating in the infosphere.
proliferation of cognitive signs is another feature of communicative capitalism, submitting the mind to an ever-increasing pace of perceptual stimuli
(for Berardi) seeing means accelerating perception in the fields of everyday experience, accelerated tautological vision derived from constant passive observation. this is another of communicative capitalism's form of governance, as this kind of vision generates techno-linguistic automatisms by carrying information without meaning
is Kinect image-compilation a creature of infosphere? (boring question?)
normalization of groundless seeing (exemplified in google earth)
“picture does not make an image” (Serge Daney, before and after image)
image against vision
life persists irrationality, not given form by imagination, ceasing to cohere into a higher truth. (Fox, cold world)
...................................
(Ada Smailbegovic)
nature of things (2013, Sina + Elisa)
related to temporalities and velocities (plant politics of movement)
r />
the video registers different rhythms and textures of change in the event of weather
methodological impulse to draw on descriptive practices of natural history
attuning to particulate differences that compose change
the temporal dimension of human “umwelt” is tuned into a limited set of rhythms and durations. therefore many of the temporalities that are relevant for developing a politics of time (such as longe duration of geological time) may not be directly available to human sensorium.
not just something that it is difficult to sense, but temporality as a compound entity of other variables. (temperature, etc.)
binding times together
an alternative perspective on (anthropocene) temporality involves developing a poetics of description as a mode of affective and aesthetic amplification
=> developing an experimental poetics of technology as a mode of aesthetic amplification towards a less perspectival[...]
(420)[...notes/notes.txt]%48.2[...]
image against vision
life persists irrationality, not given form by imagination, ceasing to cohere into a higher truth. (Fox, cold world)
...................................
(Ada Smailbegovic)
nature of things (2013, Sina + Elisa)
related to temporalities and velocities (plant politics of movement)
the video registers different rhythms and textures of change in the event of weather
methodological impulse to draw on descriptive practices of natural history
attuning to particulate differences that compose change
the temporal dimension of human “umwelt” is tuned into a limited set of rhythms and durations. therefore many of the temporalities that are relevant for developing a politics of time (such as longe duration of geological time) may not be directly available to human sensorium.
not just something that it is difficult to sense, but temporality as a compound entity of other variables. (temperature, etc.)
binding times together
an alternative perspective on (anthropocene) temporality involves developing a poetics of description as a mode of affective and aesthetic amplification
=> developing an experimental poetics of technology as a mode of aesthetic amplification towards a less perspectival visuality -- the writing tends to operate in a more tentacular mode of perception --> sweating on every negative space
+++ sweating again was crucial in our sensorial (and therefore cognitive) relation when we were in Amazon. Kinect and sweating both propose modes of perception other than perspectival shadow casting system of vision.
(organic or inorganic/technological?) processes that constitute the planet/plant
=> intimacy with the organic/inorganic/technological processes that constitute the planet
(my work is to create or find out) poetics and the methodologies that register the bite and indexes its significance
(+ bite of the critter on my skins)
(Chakrabarty in The climate of history:) “man's environment did change but changed so slowly as to make the history of man's relation to his environment almost timeless and thus not a subject of historiography at all”
the collapse of this age-old humanist distinction between natural history and human history
plant writing
formulate transitional categories that would be responsive to differentiated modes of activity attuned to the difficulties of depicting natural phenomena that are continuously in flux.
reader of the meteorological registers
envision the temporal flux
the shifting edges (of the Kinect building generics)
(Kinect image) as architectural form composed of different (transitional) materially instantiated temporalities
transposition of qualities
[...]
(421)[...notes/notes.txt]%48.2[...]lege--is forced. they are wired-up, networked carriers of social and cultural capital set in perpetual motion, transforming cities in their passage through them on the art circuit--sophisticated nomadic clans who travel to survive.
...................................
nature of things (2013, Sina + Elisa)
places marked with zones of limited habitation--you can't live there, you are a visitor
a place that is both wasteland and wilderness at the same time
wasteland tourism (museum in chernobyl)
1. the christian tradition: it was our obligation to use up the earth before the apocalypse
2. the romantic view: we humans are the servants of the land, we are its eyes, we are its expression
we are becoming visitors of waste wilderness, most natural and unnatural land simultaneously
...................................
the moment the world enters my body it has already been transformed
for Elisa and me Bochum's forest was a location, with its decay, it's subtropical humidity and toxins, and because of the way it is trapped between the natural and the man-made.
“we are forever collecting ourselves” (Baudrillard)
we have always encountered the world via technology
(now internet)
...................................
(Zoe Todd)
Zapatista (a revolutionary leftist political and militant group based in Chiapas, the southernmost state of Mexico) principles of “walking the world into being” (as locus of thought and practice to decolonize posthumanist geographies)
(for Juanita Sundberg) the zapatista movement theorizes walking as an important practice in building the pluriversale, a world in which many worlds fit. [...] as we humans move, work, play, and narrate with multiplicity of beings in place, we enact historically contingent and radically distinct worlds/ontologies.
the epistemic violence inherent both in academic treatment and dance (they both bring things to life?) (is dance controlled form of violence? does violence always bring things to life contrary to the belief that it kills life?)
(i don't want to) trivialize (Amazon and my Amazon trip) as case-study and neutralize its indigenous ontologies
(John Hartingan:) Anthropocene as “charismatic mega-category”
(of the white intellectual space of the Euro-Western academy)
(which sweeps many competing narratives under its roof?)
(indigenous artists, Rebecca Belmore & Jolene Rickard:) material might act as a bridge, instead of a mirror
(narcissistic obsession of Western civilization/art with material-as-mirror)
(Dwayne Donald:) place-based cultures and knowledge systems
colonialism is basicly “disconnection”, denial of relation
(in its heart is written “we are not related”)
(so few indigenous bodies a[...]
(424)[...notes/notes.txt]%48.3[...]gment
the device would remove the process of abstraction from the artist's pen
what characterized the creation of late 19th century pictorial objectivity was self-surveillance
(note of Geppetto, Younus, Pinocchio)
personal equation: a systematic error correction
to produce reliable images
While in the early nineteenth century, the burden of representation was supposed to lie in the picture itself, now it fell to the audience. The psychology of pattern recognition in the audience had replaced the metaphysical claims of the author. Mistrusting themselves, they assuaged their fear of subjectivity by transferring the necessity of judgment to the audience.
(Grashey's) police metaphor was entirely appropriate. Not only was the history of late-nineteenth-century photography thoroughly bound up with the history of crime control, the x-ray photography itself was increasingly finding its way into court.
scientific evidence
legal evidence
at issue was, once again, the shifting border between judgment and mechanization, between the possibility (or necessity) of human intervention and the routinized, automatic functioning of the technology.
medico-legal concept of evidence
the image of the x-ray appeared (in court at least) to preempt and displace all other forms of knowledge.
(Allan Poe:) “if we examine a work of ordinary art, by means of a powerful microscope, all traces of resemblance to nature will disappear--but the closest scrutiny of the photographic drawing discloses only a more absolute truth, more perfect identity of aspect with the thing represented.”
trompe l'oeil (new note)
in X-ray, the encryption of information takes place in the technology itself
photographs did not carry a transparent meaning
once so policed, and presumably only then, could the photographic process be elevated to a special epistemic status, putting it in a category of its own
in contrast to drawings, photograms were tarnished by the crudeness imposed by the limited palette of the color raster. Given the choice, the author clearly favored the crude but mechanical photographic process. Accuracy had to be sacrificed on the altar of objectivity. (is Kinect pure mechanical? why i have been insisting to remove my hands?! why i was craving for objectivity?)
=> to leave imperfections in the photograph as a literal mark of objectivity
testimony to objectivity
rejection of subjective temptation
sophistication could corrupt an individual? (you can be accurate but not sophisticated) (not cleaning up the image of plates)
The moral narrative surrounding this mechanical construction of pictorial objectivity took many forms.[...]
(425)[...notes/notes.txt]%48.8[...]taphysical claims of the author. Mistrusting themselves, they assuaged their fear of subjectivity by transferring the necessity of judgment to the audience.
(Grashey's) police metaphor was entirely appropriate. Not only was the history of late-nineteenth-century photography thoroughly bound up with the history of crime control, the x-ray photography itself was increasingly finding its way into court.
scientific evidence
legal evidence
at issue was, once again, the shifting border between judgment and mechanization, between the possibility (or necessity) of human intervention and the routinized, automatic functioning of the technology.
medico-legal concept of evidence
the image of the x-ray appeared (in court at least) to preempt and displace all other forms of knowledge.
(Allan Poe:) “if we examine a work of ordinary art, by means of a powerful microscope, all traces of resemblance to nature will disappear--but the closest scrutiny of the photographic drawing discloses only a more absolute truth, more perfect identity of aspect with the thing represented.”
trompe l'oeil (new note)
in X-ray, the encryption of information takes place in the technology itself
photographs did not carry a transparent meaning
once so policed, and presumably only then, could the photographic process be elevated to a special epistemic status, putting it in a category of its own
in contrast to drawings, photograms were tarnished by the crudeness imposed by the limited palette of the color raster. Given the choice, the author clearly favored the crude but mechanical photographic process. Accuracy had to be sacrificed on the altar of objectivity. (is Kinect pure mechanical? why i have been insisting to remove my hands?! why i was craving for objectivity?)
=> to leave imperfections in the photograph as a literal mark of objectivity
testimony to objectivity
rejection of subjective temptation
sophistication could corrupt an individual? (you can be accurate but not sophisticated) (not cleaning up the image of plates)
The moral narrative surrounding this mechanical construction of pictorial objectivity took many forms. As we have argued, pictures (properly constructed) served as talismanic guards against frauds and system builders, aesthetes and idealizers.
extending the mystique of the visual to the dense symbolic presentation of functions and graphs
inscription instruments
(Marey, method grafique) “the graphical method translates all these changes in the activity of forces into an arresting form that one could call the language of the phenomena themselves, as it is superior to all other modes of expression.”
graphical representation could cut acr[...]
(426)[...notes/notes.txt]%48.9[...] for objectivity?)
=> to leave imperfections in the photograph as a literal mark of objectivity
testimony to objectivity
rejection of subjective temptation
sophistication could corrupt an individual? (you can be accurate but not sophisticated) (not cleaning up the image of plates)
The moral narrative surrounding this mechanical construction of pictorial objectivity took many forms. As we have argued, pictures (properly constructed) served as talismanic guards against frauds and system builders, aesthetes and idealizers.
extending the mystique of the visual to the dense symbolic presentation of functions and graphs
inscription instruments
(Marey, method grafique) “the graphical method translates all these changes in the activity of forces into an arresting form that one could call the language of the phenomena themselves, as it is superior to all other modes of expression.”
graphical representation could cut across the artificial boundaries of natural language to reveal nature to all people,
they were the words of nature itself
the search for this rendition of objective representation was a moral as much as technical, quest.
morality of self-restraint
(for the scientific atlas makers of the later nineteenth century,) the machine aided where the will failed. (at once a powerful and polyvalent symbol,) the machine was fundamental to the very idea of mechanical objectivity.
the machine, in the form of new scientific instruments, embodied a positive ideal of the observer: patient, indefatigable, ever alert, probing beyond the limits of the human senses. (what other relationships exist with the machine? other than this self-disciplined observer)
(rhetoric of) wonder-working machine
the machine, (now in the form of techniques of mechanical reproduction,) held out the promise of images uncontaminated by interpretation.
...the scientists’ continuing claim to such judgment-free representation is testimony to the intensity of their longing for the perfect ‘pure’ image. in this context the machine stood for authenticity: it was at once an observer and an artist, miraculously free from the inner temptation to theorize, anthropomorphize, beautify, or otherwise interpret nature.
one type of mechanical image, the photograph, became the emblem for all aspects of noninterventionist objectivity ... not because the photograph was necessarily truer to nature than hand-made images--but rather because the camera apparently eliminated human agency
(what is the difference between systematic image and mechanical image? same? -glitch..)
(mechanical) images that could be touted as nature's self-portrait
aura of stoic nobility
painstaki[...]
(427)[...notes/notes.txt]%48.9[...]d graphs
inscription instruments
(Marey, method grafique) “the graphical method translates all these changes in the activity of forces into an arresting form that one could call the language of the phenomena themselves, as it is superior to all other modes of expression.”
graphical representation could cut across the artificial boundaries of natural language to reveal nature to all people,
they were the words of nature itself
the search for this rendition of objective representation was a moral as much as technical, quest.
morality of self-restraint
(for the scientific atlas makers of the later nineteenth century,) the machine aided where the will failed. (at once a powerful and polyvalent symbol,) the machine was fundamental to the very idea of mechanical objectivity.
the machine, in the form of new scientific instruments, embodied a positive ideal of the observer: patient, indefatigable, ever alert, probing beyond the limits of the human senses. (what other relationships exist with the machine? other than this self-disciplined observer)
(rhetoric of) wonder-working machine
the machine, (now in the form of techniques of mechanical reproduction,) held out the promise of images uncontaminated by interpretation.
...the scientists’ continuing claim to such judgment-free representation is testimony to the intensity of their longing for the perfect ‘pure’ image. in this context the machine stood for authenticity: it was at once an observer and an artist, miraculously free from the inner temptation to theorize, anthropomorphize, beautify, or otherwise interpret nature.
one type of mechanical image, the photograph, became the emblem for all aspects of noninterventionist objectivity ... not because the photograph was necessarily truer to nature than hand-made images--but rather because the camera apparently eliminated human agency
(what is the difference between systematic image and mechanical image? same? -glitch..)
(mechanical) images that could be touted as nature's self-portrait
aura of stoic nobility
painstaking, humble, laborious (work)
moral virtuosity never exists without an appreciative audience
by ringing the changes on the resonant cultural themes of self-purification through self-abnegation, scientists persuaded themselves and others of their worthiness to assume priestly functions in an ever more secularized society.
humanity and self-restraint, the one imposed from without and the other from within, thus define the pride-breaking morality of the scientists.
objectivity is a morality of prohibitions rather than exhortations
subspecies of interpretation: projection, anthropomorphism, insertion of hope/fear into images/facts of n[...]
(428)[...notes/notes.txt]%48.9[...]s immigrants, but never as settlers, paradoxically divides human from nature. it elides the forms of displanting--of botanical colonization--that were part and parcel of the colonial encounter.
Myths of the ‘noble eco-savage’ and the ‘ecological Indian’ have been shown to be inaccurate (Krech, 1999; Whelan, 1999)
(the notion of the Anthropocene implies) an ecology in which humans are immanent to the natural world
...................................
(eyes are) visual possibilities
“eyes” (are always) made available [...] with a wonderfully detailed, active, partial way of organizing worlds... [Haraway, SK]
...................................
lecture khm Luis
trans or cross ecological movement, from amazon to shahname, because i like it and i care for thoses ecologies.
and because we can't keep clean. i love to talk about clean and dirt. maybe some other time. if we can say anything about the world is that it is dirty and excessive and lunetic. literally lunar. the moon. if you think your bio and biology is not scheduled by moon or lunar forces think again.
do i need a bit of ego to sustain this skin-encapsulated organism (pointing to myself. this is another pointi dance)
tech interface amaz div device literature
...................................
[Avital]
in the conflict of rhetorics, the victory never goes to any but the third language. The task of this language is to release the prisoners: to scatter the signifieds, the catechisms
to enter areas of conflict [...] fragile zone where non-knowledge dominates knowledge
Self-dissolving and regathering, the subject became linked to the possibility of a new autonomy, and opium illuminated in this case (Baudelaire, though under De Quincey’s influence, was to use it differently) an individual who finally could not identify with his ownmost autonomy but found himself instead subjected to heroic humiliation in the regions of the sublime. Opium became the transparency upon which one could review the internal conflict of freedom, the cleave of subjectivity where it encounters the abyss of destructive jouissance.
mapping the body as an intensive conflictual site
scenography and rhetoric of armed conflict
(Avital on) the maternal trace in the technological revealing from Heidegger to the Bushies
the readers and nonreader
the scene of the proto-pedagogy (involves only two persons): The master and pupil together produce an allegory of being struck, enlightened
(for Levinas:) expérience =/= épreuve
•experience --> a knowing of which the self is master is always said
•épreuve (text, trial, proof) --> the idea of life and of a critical ‘verification’ which overflows the self of which it is only the ‘scene’ ~~> a t[...]
(429)[...notes/notes.txt]%49.2[...]forces think again.
do i need a bit of ego to sustain this skin-encapsulated organism (pointing to myself. this is another pointi dance)
tech interface amaz div device literature
...................................
[Avital]
in the conflict of rhetorics, the victory never goes to any but the third language. The task of this language is to release the prisoners: to scatter the signifieds, the catechisms
to enter areas of conflict [...] fragile zone where non-knowledge dominates knowledge
Self-dissolving and regathering, the subject became linked to the possibility of a new autonomy, and opium illuminated in this case (Baudelaire, though under De Quincey’s influence, was to use it differently) an individual who finally could not identify with his ownmost autonomy but found himself instead subjected to heroic humiliation in the regions of the sublime. Opium became the transparency upon which one could review the internal conflict of freedom, the cleave of subjectivity where it encounters the abyss of destructive jouissance.
mapping the body as an intensive conflictual site
scenography and rhetoric of armed conflict
(Avital on) the maternal trace in the technological revealing from Heidegger to the Bushies
the readers and nonreader
the scene of the proto-pedagogy (involves only two persons): The master and pupil together produce an allegory of being struck, enlightened
(for Levinas:) expérience =/= épreuve
•experience --> a knowing of which the self is master is always said
•épreuve (text, trial, proof) --> the idea of life and of a critical ‘verification’ which overflows the self of which it is only the ‘scene’ ~~> a test site in which the self is placed at absolute risk, life submitted to incessant probes, find themselves subjected to the rigors of the épreuve
conflict's another logic of rigor in certain types of non-Western practices (such as Zen and yogic teachings)
the pupil is led to an inner experience without interiority, to understanding without cognition, without a history ==> subjectivity
the Zen pupil, often a wanderer, listens differently, stilling herself to consider the sonic eventfulness of growing grass
...understanding no longer crowns the end of a labored process of appropriation =/= Western narratives of testing
going after the grail or attempting to reach a metaphysically-laden Castle
...cannot be properly located or possessed
the inaction hero
(?are we accustomed) to viewing the test as a way of mobilizing courage
The Sphinx marks the porous boundary between Western and Eastern domains of questioning and tells of bodies menaced by pulverization: should th[...]
(431)[...notes/notes.txt]%49.2[...]mps upon by staring at an accidental moment of encounter in the evil eye, brings together the narrative of the random traveler who casts a gaze in another world of virtual and visual agency, and emphasises the randomness and hideousness of looking. The transaction between the eyes in the evil eye goes both ways to posses both the beholders. The target of the evil eye is always missed[ar] due to the internal conflict of perception and will. The intersection of visions is feared and programmed in the modalities of material talisman and culturally protective performances for the subject from meeting the other’s gaze. But the evil eye is precisely so powerful and real because of its ability to name the uncanny event of encounter. “Nothing is wholly obvious without becoming enigmatic.”[12]
[Serres]
does experimentation, in art science, excludes subjectivity? More the importance of experiment on self. Returning the aim back to knowledge, instead of the division of knowledge. Our subjectivity is not an illusion to be overcomed, but that is another part of reality.
Displacement on the space of myth. Myth informs science.
To know is to navigate between local fragments of space , to reject techniques of classification and separation, to implement a philosophy of transport to counter the dogmatism of united and systematic knowledge.
...the itinerary traces the transmission, transformation, and multiplication of messages through diverse spaces of communication.
The spatial language of the writing of the world, geography, language of paths, movements, marks the moment of passage towards a new epistemology.
World is the space of your inscription, scientists. To read and to journey are the one and same act.
Fantastic flow of myth. The sacred and the religious words are spoken at the same time and in the same breath as those of science and of journeys.
Two speakers, united against the phenomenon of interference and confusion. Who's stake is in interrupting communication? The above interlocutors are on the same side, far from the dialogical game.
Demin includes himself in the circuit, blurs the message, renders it unintelligible, and exactly by that assures transmission. Parasite produces by the way of disorder a more complex order.
..penetrative grasp of a text, discovery and recreative apprehension of it life-forms, is impossible to paraphrase or systematize.
..temporal and local settings of one's text. (to master it?)
to read X, is literally, to ‘prepare’ to read X
in certain civilizations there comes epochs in which syntax stiffens...
Changing landscape of fact
unexamined smiles
worn tropes
words, the guardians of meanings, are not immortal.
Metaphysical scandal
note on histo[...]
(432)[...notes/notes Hermes.txt]%49.4[...]to answer two questions: what is reservoir? What is circulation?
question regarding iranian literature reservoir: what is the reservoir? Where is the reservoir? What are its configurations?
(the last question syntactically proposes also the possibility of reconfiguration)
Is it metaphorical? Is it closed?
What is its plan? How it transports according to this plan? What are the circulating elements? What is stable there? What are the transformations when it transports?
Reservoir is libidinal*
capital, quantity of energy, constancy of force,
what can be applied to the pattern of circulations?
(of vocabulary, value, money, desire, etc.)
what blocks circulation? Who or what governs it?
In answering, you reconstruct (the entire set of what you consider interpretive)
application: strategy of conformity
explication: archaic and vague approximation
it is not necessary to introduce methods to read a text: the method is in the text. The text is its own criticism, its own explication, its own application.
Texts that operate = texts that are operated on ==> there are just texts
(there is no dichotomy in the operation)
technologies concerning heat, thermodynamics, shocked the traditional world and shaped the one we are now working in.
...theories concerning processes of transformation.
...stages of alchemical initiations, archaic figure of fire,
How to make the history of science as effective as science itself?
...................................
suddenly science falls silent and mythology speaks
transsubstantiation
the astronomer falls in ==> the truth comes out
(ask maryam's astronomer: what disconnects the connected?)
throw the key to the text
for classification, connection is at stake, space is at stake
the formal invariant is something like a transport
what is worse for classification?
non-connections that are at stake
we shall never be free of space
fire, and transcendental subject
accidents of space (at work upon the multiplicity of spatial varieties
what is the program of topology?
My body lives in as many spaces as the group (the society) has formed.
The euclidian house, the street and its networks, open/closed garden, closed space of the sacred, school and its fix points and social varieties, complex ensemble of flow charts, those of language, of factory of family, of political party, and so forth.
..my body is plunged in the intersection of this multiplicity
culture : constructing precise and particular connections between such spatial varieties --> “original intersection”
topology;[...]
(433)[...notes/notes Hermes.txt]%50.1[...]d
geometric reasoning
industrial revolution, a revolution operating on matter
one takes force or produces it
matter transformed by fire
Turner saw the introduction of fiery matter into culture
an axis of (roaring) fire
matter is no longer left in the prison of diagram, fire desolves it, makes it vibrant, tremble, oscillate, makes it explode into clouds.
New matter ==> new world
fire delivers one from the ice***
steam engine triumphs over forced immobility, inertia
the cut of the reference
product of furnace, the cold product of fusion
old-style riddle
navigate between two pronouns
...................................
properly formed cluster (of letters) = standardization
standard compromises the non-essential, or inessential, those without meaning
what is a logician interested in?
Form --> pathology
misguided sciences
if static is accidental, background noise is essential to communication
pathology
spocken: stammering, mispronounciation, regiomil accents, dysphonia, cacophony
technical: background noise, jamming, static, cut-off, hyteresis, various interruptions
to communicate oraly (in performance work with Ali ) is to risk losing meaning in noise.
A successful communication is the exclusion of the third man, the demon, the interference.
Mathematics has triumphed so well over noise
the (un)logical beginning of logic
to render a form independent of its empirical realization --> universal
drawing a square on sand, i evoke an idea, i eliminate the empirical, dematerialise reasoning
(what is rematerialised reasoning? aesthetic form..?)
the inevitable fact of the historical existence of mathematics
(math's historicity)
(a different word for every yesterday)
...................................
... one had a discourse which often concluded either with the cosmos in general or with the organic life in particular.
19th century
negentropic islands in entropic sea, pockets of order in rising entropy, crystal depositions sunk in ashes, diamond in the rough
organism = meaning + direction
organism combines memory, invariance, plan, message, loss, redundancy, etc
it is old, mortal, and transmiter of new cycle
تو نیکی میکن و در دجله انداز
to niki mikono dar dejle andaz...
(organism?) is a quasi stable turbulence that a flow produces, the eddy closed upon itself for an instance, which finds its balance in the middle of the current and appears to move upstream, but is in fact undone by the flow and[...]
(434)[...notes/notes Hermes.txt]%50.3[...]: organize a visual representation of that which defies physical contact.
•a civil or epistemological genesis: take astronomy as a starting point, reverse the question of the gnomon.
•a genesis that is either conceptual or esthetic: erase time in order to measure and master space.
exchange of the stable and the variant
in a culture with oral tradition, story takes the place of schema, and theater equates intuition.
In Thales story, the schema is the invariant of the tale instead of the tale being the origin of the schema. To teach the theorem is to tell the pseudo-myth of the origin =/= mythical tales being the dramatization of content
Thales theorem is itself anecdotal in relation to the invariable concept that it expresses its own genre: that of similarity***
from a practice he gets another practice
which messages, and how, answers and questions was covered over the centuries by the scenography of shadow-light opposition?
Descartes story: perspectival geometry, theory of shadows.
Plato's story: the sun of the same, the other and empirical object, cast shadow on shaded surface, similarity, the cave of representation.
The tales of origin? --> origin of a technology? Of an optics? Of a geometry?
The ruse of applied mathematics
cultural settings of an architect and an expert builder...
Descartes followed by Descartes
archaic forms of pre-mathematics that run through history
(thinking with geometry must be careful because of its roots in engineering and ruse)
Plato's cave: even flat wall bright, light creates a shaded area; my knowledge is limited to these two shadows. And it is only a shadow of knowledge.
Conclusion of the story of confrontation with solid objects, compact volumes, objective indefinite unknowns.
recognizing the object by its shadow => geometry* (-- transparency and emptiness. the world they constitute is thoroughly knowable)
or
i allow a kernel of shadow within the object --> history of science: the solid always envelopes something that can be rendered explicit***
radical negation of interior shadows
pyramid is itself fire, sun passes through it
Plato kills the hen that laid the golden eggs
“the future of the square and the diagonal is decided as much on the sand where we describe them through the language that names them as it is decided in the sky of ideas.”
the realism of transparent idealities is still immersed in a philosophy of representation.
Iconography is replaced by scenography
the shadowless theatre
the inevitable realism is (still) an idealism
without shadow ~= without secret
kernel of an implicit science: what are the relationships of a technique, (wi[...]
(435)[...notes/notes Hermes.txt]%50.6[...]
Plato's cave: even flat wall bright, light creates a shaded area; my knowledge is limited to these two shadows. And it is only a shadow of knowledge.
Conclusion of the story of confrontation with solid objects, compact volumes, objective indefinite unknowns.
recognizing the object by its shadow => geometry* (-- transparency and emptiness. the world they constitute is thoroughly knowable)
or
i allow a kernel of shadow within the object --> history of science: the solid always envelopes something that can be rendered explicit***
radical negation of interior shadows
pyramid is itself fire, sun passes through it
Plato kills the hen that laid the golden eggs
“the future of the square and the diagonal is decided as much on the sand where we describe them through the language that names them as it is decided in the sky of ideas.”
the realism of transparent idealities is still immersed in a philosophy of representation.
Iconography is replaced by scenography
the shadowless theatre
the inevitable realism is (still) an idealism
without shadow ~= without secret
kernel of an implicit science: what are the relationships of a technique, (with) of a myth, (with) of a communication.. ?
The idealities implicit in technology --> mobilized in representation
(--> dramatized by myth) : obscure articulation of rigorous knowledge (--> totality of human activity)
the birth of beauty never stops
.
.the eternal geometer
(mathematical science's) sudden fits
...................................
on defeat:
the original power: ‘victorious’ [--> mastery is (so far presented as) victorious]
=/= a song to the pleasures of life, a guilt-free knowledge
-choosing between springtime or plague
[--> “phenomenology of defeat"]
-(can we) be and think (, stay, come from, or arrive) on the side of the *retreat* (whether strategic or historically mandated) ? (@Leo)
retreat --> (re)trace ...{is about the traces of things that are left that need to be read, condition of research practice, but never coming with a full-on truth-telling logos, rather stay in the twilight(ment) and not the blinding sun of an enlightenment}--> learning from Derrida and Avital
-when things start getting internalized --> ‘depressive position’ --> you can manage your relations to the ‘good object’ --> integration [=/~-> the twin-other: melancholia] [=/= when everyone is out to get you --> schizophrenic paranoid position]
...dealing with what we are left with, the reminiscence, die Reste, and so on
(Rousseauian, Heidegger also,) there is too much action, let's back off, let's retreat, let's listen to what the retreat is...
-retreat not as a military tactic, which means you are do[...]
(436)[...notes/notes Hermes.txt]%50.6[...]ith)-->? contract; (for example, making peace treaty after war)
[]
{*strategy, “art of generals,” from French stratégie, from Greek strategia “office or command of a general,” from strategos “general,” from stratos “multitude, army, expedition,” literally “that which is spread out” (--> “structure”) + agos “leader,” from agein “to lead” (--> “act”).}
(strategy/contract/...)
***science is conditioned but unconditional***
(Serres:) science is conditioned by postulates or by decisions that are generally social, cultural, or historical in nature, which form it and orient it
--(nevertheless)--> sci is universal and free from contract #science-story
“I can't think of a mountain, a border, or a date which makes the agreement of scientists and everyone else relative on these points.”
-they say sci is conditioned but not determined
conditions that do not determine the contents of what they condition
(mathematics?)
but they determine the map of what they condition : the schema of its relations --> the topology of science; the clay remains the same but the shape changes
Fluid Mechanics can be a basis for biology (--> constitution of living being) or for a technology of the inert (--> theory of ship building).
...crazy!
Education is conducted by duce
method ~=? path
strategy is not only a form of dynamics or energetics but first of all a topology*
the master pays no attention to the content
murder (increases) along the chain
...if one is the master of justice
freed from violence, he goes forward unnamed
-against the mechanisms of Mars (or moon) , we now let things to come to being as objects, outside the mechanisms that regulate our unregulated violence
-sacred forms a field of knowledge --of-->{intersubjective & polemical relationship}
first, sacred is located elsewhere, placed outside the world, then Nature is born objectively --> in the new contract, the exact word can be spoken
...but a new crisis make it start over again
-the sacred is formed by (this) catastrophic and repetitive dynamic
ruse (kalak کلک, che kalake khubi چه کلک خوبی): the “laws” of nature a projection of a (usually political) constitution on the world; to give a status of a natural necessity to arbitrary power
ruse ~ reason---the dominance of the here and now
no one is better endowed by nature for trickery than a Greek. These masters invented dichotomy, separation, and partition. ... They invented the theory of the specificity of various realms (~ cosmology?)
their divisions and clarifications ==> “we today have the weak and awkward fancy to read the world as polysemic and out of sync”, polytomy {from Greek: πολυ-, poly-, “many"[...]
(438)[...notes/notes Hermes.txt]%50.9[...]br />
ruse (kalak کلک, che kalake khubi چه کلک خوبی): the “laws” of nature a projection of a (usually political) constitution on the world; to give a status of a natural necessity to arbitrary power
ruse ~ reason---the dominance of the here and now
no one is better endowed by nature for trickery than a Greek. These masters invented dichotomy, separation, and partition. ... They invented the theory of the specificity of various realms (~ cosmology?)
their divisions and clarifications ==> “we today have the weak and awkward fancy to read the world as polysemic and out of sync”, polytomy {from Greek: πολυ-, poly-, “many” and σῆμα, sêma, “sign” ==> multiple semes or sememes and thus multiple senses. ---(soft/hard) polysemous ontologies---(polytomy =/= homonymy اشتراک لفظی ,یک لفظ =/= synonymy یک معنی)} ~--> the awareness of any metabasis to another genre, “discrete” (--> 3D apps today)
(Greek) mathematic =/= illusionist
“if there is a separate field in which no one can keep cards up their sleeves without being resoundingly defeated, it is definitely mathematics.” (Serres)
Greeks theory of segments in the representation of distinct worlds *** (when one uses greek technologies today, which worlds are rendered distinct?)
mathematics, myth, medicine, theory of exchange, ...
Serres's field trip
(Lucretius and our answer to the) what is a living thing?
•! a thing in equilibrium and disequilibrium, a flow, a vortex, heat, etc
•atomist physics
what ‘abundance’ means for Juan?
For me? for Sa'di in golestan...?
abundance is when it seems the artist hasn't put limitations on the flow of signs and meanings.
#my basic methods(?): abundancies, adjacencies,
~-/?--> simplest complex, simplex (concern of comparative topology) ~= the stable network of compositions
my ajayeb hypertext, what is there the specific ‘law of putting together letters’ ([and atoms?] to produce a text)? That means the question of Greekness and syntax technology, and my reworking articulated
•alphabetical proto cloud (Serres) --?--> without law, random
•what are the laws of ‘good combination’ that i am reworking or resisting or acquiring or answering to, in my ajayeb hypertext? (how composition is reproduced?)
--> (the law enunciates [تلفظ کردن ,مژده دادن] the federated,) * the law repeats the fact =/= the ‘things’ of ajayeb are (still) in the process of being formed (--> the morality of reading that i am working on)
(in the facts of the law there is no space between things and language is reduced to zero)
-language and things are born together with the very same process (Serres - Hermes.) --> stable gathering of elements
•ajayeb's version of the network of primordial elements [...]
(439)[...notes/notes Hermes.txt]%51[...]the awareness of any metabasis to another genre, “discrete” (--> 3D apps today)
(Greek) mathematic =/= illusionist
“if there is a separate field in which no one can keep cards up their sleeves without being resoundingly defeated, it is definitely mathematics.” (Serres)
Greeks theory of segments in the representation of distinct worlds *** (when one uses greek technologies today, which worlds are rendered distinct?)
mathematics, myth, medicine, theory of exchange, ...
Serres's field trip
(Lucretius and our answer to the) what is a living thing?
•! a thing in equilibrium and disequilibrium, a flow, a vortex, heat, etc
•atomist physics
what ‘abundance’ means for Juan?
For me? for Sa'di in golestan...?
abundance is when it seems the artist hasn't put limitations on the flow of signs and meanings.
#my basic methods(?): abundancies, adjacencies,
~-/?--> simplest complex, simplex (concern of comparative topology) ~= the stable network of compositions
my ajayeb hypertext, what is there the specific ‘law of putting together letters’ ([and atoms?] to produce a text)? That means the question of Greekness and syntax technology, and my reworking articulated
•alphabetical proto cloud (Serres) --?--> without law, random
•what are the laws of ‘good combination’ that i am reworking or resisting or acquiring or answering to, in my ajayeb hypertext? (how composition is reproduced?)
--> (the law enunciates [تلفظ کردن ,مژده دادن] the federated,) * the law repeats the fact =/= the ‘things’ of ajayeb are (still) in the process of being formed (--> the morality of reading that i am working on)
(in the facts of the law there is no space between things and language is reduced to zero)
-language and things are born together with the very same process (Serres - Hermes.) --> stable gathering of elements
•ajayeb's version of the network of primordial elements in communication with each other
my interest in the devil is in the details of my makings (and others)
--> to touch details that establishes a direct contact
...................................
“Venus states the foedus, the contract, as an ego contiugo vos, Venus assembles the atoms, like the compounds. She is not transcendental like the other gods, but immanent in this world, the being of relation. Venus is identical to relation.”
Aphrodite governs
guarantee of repetition
parallel paths
pseudo returns
“Time itself would be nothing without objects situated in space [...] the clock that Lucretius placed right in the middle of nature cannot mark Newtonian time; as the clock is the totality of things, between their birth and death, it marks a Bergsonian, that is, thermodynamic, time--an irre[...]
(440)[...notes/notes Hermes.txt]%51[...]eason evolved historically* ==> puts the analyst outside the humanist legacy of reason ==restore==> the metaphysical illusion of mastery and control
=/= Derrida
(my problem with making alternative *archives, gardens, and maps* in art:)
•metaphysical complicity (with archive and garden) + critique we direct against complicity (with archive and garden) --> we cannot give up the “+" = slip into the form, logic, implicit postulations of precisely what it seeks to contest
logocentrism operates in images by appealing to sources of transcendence outside of the image --> for example
[*]map: visual organization of the world --> quickly erase or black box the circumstances and history of their own construction ==> marshal vision into logocentric coherence --> act as reflection (=/= representation) of the world
radical cartography is now an established sub-discipline of geography (*maps are deconstructed to identify their logos*) @Sina's mimesis of Olearius's cartography
deconstruction is most needed at precisely those images where our immediate reaction is to say “there's nothing to be deconstructed here” (“that's just the way it is”)
software design (website interfaces) --> images of technology
critical practice: producing a new knowledge of the text (==> explain the ideological necessity of its silence) =/= make a whisper audible, complete what the text leaves unsaid
other: other meanings of a text, other ways of seeing things
self/other --Derrida--> it only has meaning insofar as it differs from something else
•every concept has its opposite or its other (somehow marked within it)
•the good one can be designated only through the metaphor of the bad one #fable
deconstructing an image:
•looking at what the image includes and excludes
•detecting the social roles it creates
•examining the hierarchies that appear natural in the image
}<== **visual representation works as much through what is not shown as what is shown** (Hall), through feints and deceptions (Mitchel), through gaps and silences (Joy + Venkatesh), through stated and unstated (Stern), through the not seen or said (Rose)
reading: detailed and specific examination (of a piece of text) = لاروب dredging machine --> disturb the text (dissecting patiently and minutely the narrative, structure, syntax, figuration, images, metaphors, metonyms استعمال لفظ در معنای غیرحقیقی majaz) ==(draw out)==> complexities, ambiguities, aporias, ironies, taken-for-grantedness, just-is-ness
--imply--> a critique of objectivity
{revelation = disturbance}-->{alternative meaning = site of simultaneous deconstruction}
dynamics of reading (close reading)
1. working of a text hides itselg (images of soap powder, chil[...]
(441)[...notes/Derrida old notes.txt]%52[...]speech as another sort of writing; he actually uses a writing metaphor to describe the “true nature” of speech “not merely as a knowing, living, animate discourse, but as an inscription of truth in the soul”
deconstruction =/= re-interpretation
| |
impossible + providing a
plausible story different story
deconstructive reading (idiosyncratic to the text) ==offer==> multiple & contradictory potential meanings to the text
Derridean approach to meaning making:
•cricular
•paradoxical
~= it requires us to *deconstruct the deconstruction* --> *work against meaning and interpretation*
name of man: (the name of that being who throughout the entire history has dreamed of full presence = the reassuring foundation, the origin =/= play)
[my fable workshop was about this -->] Derridean deconstruction of images -->
•drawing attention to the way image constructs itself in order to implicitly represent a single history (=/= seeking to tell the truth about what X means)
•keeping alive the contradictions within it (=/= solutionizing)
(?how to deconstruct [iamges of]) nanotechnology: practice of manipulating all types of living and non-living matter at its atomic level
•corporations portraying nanotechnology as a positive and legitimate force (+ visually close down the possible meanings of its products) = Iron Man
•nanospace: planetary bodies afloat in the darkenss of intergalactic space
•fantastical unserious endeavour
([what is?] my problem with) message شعاری
**advertisement ==> confuse agency & ownership**
the fantastic is rescued by the human (face)
(in advertisement -->) **the ways in which knowledge & reality are marshalled into collective visual consensus**
visual deconstruction --> rigor towards the idiosyncrasy and singularity of any text
restricted economy of the text ==> particular meaning =/= Derrida: moveing from a restricted --to--> general economy of the text
...................................
metaphysics: enterprise of returning (strategically, ideally) to an origin (a priority) thought to be simple, intact, normal, pure, standard, self-identical [=/= to think in terms of derivation, complication, deterioration, accident]
<--Derrida-- (the most constant profound potent metaphysical gesture in Western philosophy:) conceiving simple before the complex, essential before the accidental
}--> logocentric thought: thought which does not adequately attend to the contradictions inherent in its own medium ==> [logocentrism:] (fable) faith in the status of language as a lucid carrier of meaning (=/= attentiveness to the materiality of communication and the[...]
(442)[...notes/Derrida old notes.txt]%52.1[...]
in your process in becoming woman, you might end up becoming a female robot.
(Tarsaa's part)
whose testicles are smashed here?
to the less molested .... (body of the pupil)
psycho-history
human preparedness for inter-relations with technology and technologization
***test some failures
a different brand of anxiety (?)
walking on groundlessness, literature, house of literature?
protest against “was”
give literature in its totality
initiate a program
we don't love our selves nor our neighbors
San'an, when he thinks he is getting close, he has abysses he has to clear
which language the house speaks? or which language German speaks?
house of literature, house is the site of kinship too.
if literature is like a house at all
unreadable algorithm of encounter
...................................
I hope we can get along famously
my work has been really about old forms in the city, how should we build,
tyranny,
packaging (packaging existing knowledge, the way for example the IT industry does it.)
am I against packaging?
rationalizing and separating functions in the city
place, space, face,
in the history, the leg-less-stone and the lying-visage have been together. a study of apparition must include the physical material as well, not as counterparts, rather as its play-mate.
...................................
the structure of space in San'an poetry
distinction between subject and object, between signifier and signified, encompassing the whole of dualistic logic through its branching patterns, through its definitions of set pathways betwe[...]
(444)[...notes/sanaan full text.txt]%52.3[...]
(in) a parasitical golden age
what is “education” in a mystical world (or actually a mystical world-view)
how can be undermined or rewired, (“teaching” without education)
magical idealism
from Delphi-magiscism to the San'an
(does San'an actually wants to go to Greece?! but went to Italy?)
اقصای روم
the space we are founding ourselves in is not neutral, not innocent, not un-signed
it is paid for, has a certain architecture, (phallic work)
the intellectual mask...
semiotic of learning and thinking
(Maulwurf,) shit on your head, shit is the origin of all gifts, when a child offers his first donation, “look what I have produced!” I honor you with this Kacke.
--> http://www.sinaseifee.com/VomkleinenMaulwurf.html
how can we bring the variety of animals into the singular butterfly metaphor? (Attar's bird's butterfly effect)
Schmetterling! (parvaneh - پروانه)
(‘schmettern’ in German: v. smash, shatter, slam; blare, fanfare, bellow, roar) --- in schmettern you already have the ‘smashing,’ the butterfly smashing in the windshield, by that we are in the land of technology.
Schmetterlinghaus? (The Imperial Butterfly House in Vienna)
خرمن پروانه
Schmetterling is also a German (Reich Air Ministry) air-to-air missile project developed during the WWII, which is detonated by acoustic and photoelectric proximity fuses (Abstandszünder)
(Jason Bahbak Mohaghegh)
time, space, being, death, subversion, pain, transcendence, victory, blood, Nietzsche, Heidegger, Adorno, Benjamin, Baudrillard,
•poetic violence, obscure elsewhere,
•imaginative reservoir.
•political, poetic, spiritual, or aesthetic sources of inspiration.
•the rebel factor
resistance-fight / ideological dictator
artist-forerunner / experimental thinker
constellation of desire
ambush of destruction =>
...internalization of toxicity
to assimilate the poisonous
mithridatic (“mehr-dad” معجون مهرداد)
what is the dominant information in San'an world?
(ideological and) literary apparatus
issues of belonging and desertion
to endure the direct
epistemic fear
I suggest we go through the rhetorical treatises of Middle East political past century
(mystic war:)
the decadent view of the obliterated
(swallowing partial glances of the)
“extinction of society”
drinking it
these signals of vanishing are forms of training?
a formula of continuation?
ancient models of defense****
مکانیزم د[...]
(446)[...notes/sanaan full text.txt]%52.5[...]f defenses:
•sublimation
•projection: a characteristic that one perceives in oneself but seems unacceptable is instead attributed to another person, denial in attribution [still popular Feuerbach's idea of “religion = projection”, “God = outward projection of a human's inward nature” informing secular anthropological explanation] نسبت دادن احساس خود به دیگری
◦it changes the reality (for the person who projects)
◦it operates unconsciously (the person won't accept that they project)
•rationalization: irrationalities are explained in a seemingly rational or logical manner and are made consciously tolerable, ad hoc hypothesis: to save it from being falsified [<== introspection illusion: cognitive bias of the origins of one's own state]
•fantasy
•denial
•reaction formation: responses to internal threats and anxieties, anxiety is mastered by exaggeration of the directly opposing tendency. phobia is always reaction formation: the person wants what he fears. [solicitude (may be a reaction formation) against cruelty, pacifism against sadism, etc.] when *instincts (and their derivatives) are arranged as pairs of opposites* (life/death, construction/destruction, action/passivity, dominance/submission); techniques: exaggeration, compulsiveness, inflexibility: “reactive love protests too much.” “the lady doth protest too much, methinks.” (it cannot adapt itself to changing circumstances as genuine emotions do)
◦intellectualization {memory of event --> intellectualization ==> conscious analysis of non-anxiety provoking information about an event}
◦dissociation
◦displacement: means of dream-distortion, ego relocates anxiety somewhere else, transference of emotions/wishes
◾sublimation والایش [a form of displacement]: long-term conversion of the initial (negative) impulse, (alchymical in Jung) transformation of shit into gold. [in Freud: ‘sublimation = plasticity of the sexual instincts’ ~/= in Lacan: ‘sublimation = (usually cosmic?) process of creation in ex nihilo style’ : an object (manufactured or not) defined in relation to the emptiness of Das Ding (empty canvas) --> sublimation ~ dismissal/Verwerfung: obsessional relational behaviour attributed to the avoidance of the primordial emptiness (of Das Ding) ==>? religion/art...
**penis sublimates into seriousness**, adolescence into poetry, emotions into mystical art into dominance,,,]
◦repression/suppression: subduing in the unconscious (under the influence of the superego?)
•withdrawal
•regression: a way of relating to the world that was formerly effective (to recapture some childhood satisfaction)
•
•pathological defense mechanism: delusional projection, denial, distortion, extreme projection, splitting
•immature defense mechanism: acting out, fantasy, idealization, passive-aggression, projection, projective identifica[...]
(447)[...notes/sanaan full text.txt]%52.6[...]r (---> desire to future)
(elegy assumes that there is something in the information that makes a difference and not in the receiver of info.)
(question to an Iranian friend:) “why must we fasten our gaze to the objects of damage and derangement?” “why light lanterns to behold the corpse?” “or extend our focus on them?” (I am using Mohaghegh's words,) the extremist (or other aesthetic-philosophical strands of extremisms) would tell us not to look away, for the thought and expression have taken the shape of a ‘meteorological device,’ forecasting seasons (of storm)...
(you take the mithridatic venom to) cross into the next level of temporal experience
he makes “engravings of the atrocity”
(حکاکی از) سبعیت
a fanatical response to the storm
a charismatic authority undertakes a poetic articulation
or a poetic articulation becomes committed to an ideological program
[Iran Iraq war]
mysticism, a protocol of extremity, geared towards the immensification of narrow vision
gigantic singularity
itself the house of many paradoxes: that of wisdom and rage, that of boundlessness and confinement, that of precision and enormity, nature and technology (apprentices to a lesser artisan-metallurgist god interested only in functional architecture and instrumentalized objects), betrayal and devotion,
mysticism is one of postmodern ‘mask,’ there are many others (the chaos-mask / face?, etc.)
one of many existential prototypes, subjectivity constellations, etc.
sliding between hostile and relaxed patterns of ...
with a sixth sense for disappearance
gained attunement to nothing
what are the athleticism of this stillness?
the turn in the thought of the mystic to externalize that same meditative daze!
what if an enthusiasm took hold to transfer this personal, self-contained oblivion onto a universal plane?
a single mood-shift: interiority feels the need to stretch out into exteriority.
without the logic of judgment
(in the aftermath of the 2th century) many visionaries of western thought (--postmoderns--) have emphasized a (desperate) need to inject ambiguity and doubt into our collective imagination
where is absolutism in San'an?
own descent (Abstieg) into paranoia
when in master-disciple relationship one is asked/taught not only read the works of past visionaries: rather to entertain the same mania, drunkenness, cruelty, or absorb temperament that engendered the very materialization of that text.
[Attar asking us to entertain the same mania when reading Tazkirat al-Awliya?]
...lending cryptic terminologies and cosmic ideas
to become an echo of a profound legacy
we ask again: which ph[...]
(448)[...notes/sanaan full text.txt]%52.7[...]ll-engulfing one thing.
these preferences: on some remote place of calculation or in terms of immediate force?
(this talk might be) a critical rant
(eastern thirds:)
the voice of a strange immunity
sacred crimes
one is hard pressed to find a truth that does not have a dead body
never-ending allegory of loss and primal innocence
irrational desire of a no-man's land of an eternal immaturity
(an existential evacuation)
committing oneself to erratic wanderings in the desert => translation of a familiar topology into an ontological modality?
the extravagant paradox of proximity and distance
(interiority and exteriority, presence and absence)
civilizational taxonomies (--> versus animist taxonomies, in Attar's animal-birds)
the (sacred boundaries of mysticism) and mystic boundaries of the civilized city
the peripheries of the city became mystic/sacred
mystical channels*
they present worlds immersed in a kind of constructed a priori
two irrational analytical strands:
(1) to isolate the rare technical and conceptual arsenal behind an ethnographically imagined space (San'an's biography missing in Attar's Tazkirat al-Awliya--Attar's obsession with biographies, he is drugged by bios, totally high---he can't let go of them, he cannot detach from the absents, the paternals? his master-complex? has he forgotten to mention his teacher, San'an, in Tazkirat al-Awliya? --Attar is himself San'an? drugged and doped by tastes and spices of his shop, his establishment. OR San'an is Ibn-Sagha (ابن ساقا)? (Ibn-Sagha was a Islamist jurist who lived in Baghdad 11th century, lived Muslim and died christian.) Attar's engagement with remembrance and bios --> is the San'an's narrative also about forgetting? Tazkirat (تذکره) --> Tazakor (تذکر) --> remember! --we are now on how Attar's San'an influences Hafez--(حافظ) The Memorizer. Hafez loves the story of San'an the non-memorizer, San'an loses his ‘hafeze’ (حافظه). (according to Hafez and San'an, the best student is the one who doesn't remember. precisely because they are trying so hard to remind San'an of what they thing ‘he’ is) --> [Indian MATSYENDRANATH amnesia tale, tells the story of a yogi who falls in love with the woman kind--one of his students puts makeup and dances his memory back to him. he must become the woman. there is a queer moment in the origin story of the San'an, which Attar censures(?). he erased his name from the black-list of death-‘the forgottens’, then danced for him as a woman-story-teller. (muse is the mother of memory.) the class struggle has obviously a Bollywood touch to it]-->Attar's source and storage?)
regarding Hafez and San'an, the poet must leave the home, the poet mu[...]
(449)[...notes/sanaan full text.txt]%52.9[...]ate to exist (which is why it degenerates into totalitarian declarations--do the San'an's students have that?)
is Attar, in his poetry, obsessed with constructing mythologies of presence (and being represented)? (when he repeatedly tries to synthesize an “authentic” discipleship, ﻣﺮﯾﺪى, Anhängerschaft?, for the San'an's “teachings”) --whereas the exile, the animal, the shadow, the monster, the machine, the thing, the contagion --> carries none of the anxiety of ontological authenticity
رسوایی - using treachery for the sake of vitality
(‘Verrat'--betraying the student, in order to produce truth-event)
going into vicious levels of self-consciousness
between all the lines of statement that Attar constructs, what is being suggested in his music or words?
San'an, taken by otherworldly crafts that signal him to become (gracefully) transfixed
‘naaareh’ - نعره
>
far cry from the mystic's encounter with divinity
disavowal of (an explicit) narrative (trajectory)
[sunken tranquility, relaxed self-annihilation, ascetic renunciation of material] *mystic* =/= or? =~ *postmodern* [obsession with speed, with narcissistic technologies, hyper-materialistic]
is there in postmodernism then an alternative version of mystical experience?
...
feeling like a foreign body, until you find a job?! (Attari as a job)
let's jam on this
this story is prior to psychoanalysis (?)
positionality, placements, displacements
a system that doesn't have access to its own knowledge
historical struggle for the definition of the real
I can't keep clean boundaries
rituals (of promise and contract), (things that) must address anxiety --?--> a religious stamp
/>
what is the San'an text promising the Other? (like every text does, every utterance)
what it cannot *not do?
my childish playful inventiveness and its relationship to weakness.
so I come up week, saying ‘let us do this or that,’ but that is a will to power (?)
we are here to understand the appropriation of meaning.
what does or does not belong to the protocols of reading, etc.
(think in terms of de-appropriation, which entails a form of rigorous hesitation when assuming responsibility for the work or thought of another) is that what I am practicing encountering the work of Attar? as an ally or ancestor or an unknown sidetrack of writing
different modalities of love and loving
I guess what I wanted to ask you is your love
I have been teaching Islam to you?! in a shattered and transgressive way
of course this not teach-according[...]
(450)[...notes/sanaan full text.txt]%53.2[...]ome serious Sado-Masochist interactions with nonhuman animals, his favorite book, and Tarsaa as stage-manager
we are left with the task of reading the enigma of something that no longer is. if things ‘were’ we wouldn't need to be thinking, reading, running after them.
(I am reading the enigma of something that no longer is)
precisely Bayazid defines Tasawwuf/Tasavof as something that ‘was’ and had no name and today ‘is not’ and has name.
I am taking in terms of constructions and phantasms
everything that comes at you, which is persecutory, is absorbed. that being able to crucified by the other.
doesn't have an experience to fire aggression
is it possible to be kind in a non-manipulative non-cognitive or non-calculative way?
San'an was booked “elsewhere,” he had a transcendental hearing, he had to take a call
[we should here study a ‘hauntology'---the science of morning-disorder. all prophets have it also]. haunt---the figure is neither present nor absent --> (and “real” presence has always been the religion's obsession)
از شبح به شیخ
از صنع به صنعان
صنع = fake, صانع fabricated, made-up, technological, dead, etc.
صنم = idol
صنع = eidolon
-(eídōlon, “figure, representation”), from εἶδος? (eîdos, “sight”), from εἴδω? (eídō, “I see”)
-a phantom, a ghost or elusive entity (=/=? haecceity)
-‘you still see them'---is this an origin of metaphysic?
-eidolon is the image in water, apparition, ‘surat,’ a double / technical. idea comes from the word “to see” in Greek verbs, linked to the notion of ‘eidolon’ is the ‘visible image’ (in ancient optics and theories of perception) [the visible image is what appears to operate San'an's dream]
-why eidolon has the tendency to become an idol that talks back? (San'an practically encounters an eidolon and converts it to an idol. what Tarsaa asks San'an to worship is the confirmation of what sheikh has already done.)
-what is the secret of the vitality of the image that bewitches San'an? why dream/images, works of metaphors have lives of their own and cannot be explained as epistemological windows onto reality?
-San'an is first captive of apparition (صورت), then captive of meaning (معنی)
-originality of the site is abolished by technological register of the ‘sent,’ (the telephonic cyber-space) of the eidolon =?=> displacement (-how San'an loses a sense of place first in order to move)
[in the beginning of Miyazaki's 2013 The Wind Rises 風立ちぬ, a boy, vivid dreaming, meets an Italian aerospace engineer, who is shocked when he hears that the boy thinks he is dreaming. then he deceivingly says to the boy: “yesssss yes you are in a dream, boy” and saying to himself “how naive the boy is."]
-how is it naiv[...]
(451)[...notes/sanaan full text.txt]%53.3[...]
از صنع به صنعان
صنع = fake, صانع fabricated, made-up, technological, dead, etc.
صنم = idol
صنع = eidolon
-(eídōlon, “figure, representation”), from εἶδος? (eîdos, “sight”), from εἴδω? (eídō, “I see”)
-a phantom, a ghost or elusive entity (=/=? haecceity)
-‘you still see them'---is this an origin of metaphysic?
-eidolon is the image in water, apparition, ‘surat,’ a double / technical. idea comes from the word “to see” in Greek verbs, linked to the notion of ‘eidolon’ is the ‘visible image’ (in ancient optics and theories of perception) [the visible image is what appears to operate San'an's dream]
-why eidolon has the tendency to become an idol that talks back? (San'an practically encounters an eidolon and converts it to an idol. what Tarsaa asks San'an to worship is the confirmation of what sheikh has already done.)
-what is the secret of the vitality of the image that bewitches San'an? why dream/images, works of metaphors have lives of their own and cannot be explained as epistemological windows onto reality?
-San'an is first captive of apparition (صورت), then captive of meaning (معنی)
-originality of the site is abolished by technological register of the ‘sent,’ (the telephonic cyber-space) of the eidolon =?=> displacement (-how San'an loses a sense of place first in order to move)
[in the beginning of Miyazaki's 2013 The Wind Rises 風立ちぬ, a boy, vivid dreaming, meets an Italian aerospace engineer, who is shocked when he hears that the boy thinks he is dreaming. then he deceivingly says to the boy: “yesssss yes you are in a dream, boy” and saying to himself “how naive the boy is."]
-how is it naive to think that you are dreaming? that what you are seeing and hearing is not ‘real’? ----San'an is not naive in that sense. he knows that the dream is not just a projection of his subjectivity. he is not Freudian, or he knows his own subconscious too well.
San'an going to Italy (Vatican?)
a mapping is going on
his cognitive defend system is down (=/= ‘rend’ رند)
رند =? idiot [~=? the one who cannot be tricked]
[rend: the paragon of indifference; an iconoclast; an informal trickster; prone to drunkenness, sin, and heresy; he is forever scorned but *shows no sign of injury*(?!); he is without shame or conformism; he is vivid, energetic, guiltless]
and the question of technology?
how technology breaks up and breaks into all sorts of metaphysical premises
San'an is at a primal scene of aggression?
provoking hostility
there is no sweet device that should supposed to suspend hostility, there is no magic flute in San'an story
why am I taking so many detours? whether this is describable at all
discursive formations
the teacher vs. trainer[...]
(453)[...notes/sanaan full text.txt]%53.3[...]
-originality of the site is abolished by technological register of the ‘sent,’ (the telephonic cyber-space) of the eidolon =?=> displacement (-how San'an loses a sense of place first in order to move)
[in the beginning of Miyazaki's 2013 The Wind Rises 風立ちぬ, a boy, vivid dreaming, meets an Italian aerospace engineer, who is shocked when he hears that the boy thinks he is dreaming. then he deceivingly says to the boy: “yesssss yes you are in a dream, boy” and saying to himself “how naive the boy is."]
-how is it naive to think that you are dreaming? that what you are seeing and hearing is not ‘real’? ----San'an is not naive in that sense. he knows that the dream is not just a projection of his subjectivity. he is not Freudian, or he knows his own subconscious too well.
San'an going to Italy (Vatican?)
a mapping is going on
his cognitive defend system is down (=/= ‘rend’ رند)
رند =? idiot [~=? the one who cannot be tricked]
[rend: the paragon of indifference; an iconoclast; an informal trickster; prone to drunkenness, sin, and heresy; he is forever scorned but *shows no sign of injury*(?!); he is without shame or conformism; he is vivid, energetic, guiltless]
and the question of technology?
how technology breaks up and breaks into all sorts of metaphysical premises
San'an is at a primal scene of aggression?
provoking hostility
there is no sweet device that should supposed to suspend hostility, there is no magic flute in San'an story
why am I taking so many detours? whether this is describable at all
discursive formations
the teacher vs. trainer
the teacher that asks for your interiority**** (love?) any kind of transfers of emotional funds. or other economies of approval
Attar, the great and complicated poet
also my own attachments to certain formations
<br />
what kinds of poetic bodies Attar sacrifices?
what cognitive back-up system he uses?
and so on
(the students) cannot cognize (San'an's program)
forecloser, foreclosing you
توقيف
distribution of value, action, and non-action in San'an
to discover San'an where it dwells, what kinds of figures and disfigurations it is responsible for, and what else does it mask culturally?
we also add on cultural anthropological tracks to see which cultures or groups-psychologies practice San'an's teachings and in the service of what--what kind of will to power. because rarely something is practiced and it is not in service of some sort of buffing off a self or something.
(does San'an practice the will to obedience and to listening?)
what (the hell) does he want (from Tarsaa, from her Being)?!!!
to let the other go
I am talking about Attar [...]
(454)[...notes/sanaan full text.txt]%53.3[...]br />
de-system or to desist, nondialectical negativity
‘Integrieren’ is transitive verb, has a virtual object or project
I am in Ausländerbehörde, the opposite of hospitality?
I have to stop talking opposite rhetoric. but this was not an antithesist opposite, it was a logical opposite
violences of the encounter
San'an's love-story, ist nicht das Tristan und Isolde
‘watch your back’ is the origin of surveillance {?}
I hope I am not interrupting here!
killing it and loving it completely
so we are working (fine-tuning) on phantom noises, parasite emissions, we have a sound-track here
we want to be aware of where we speak from, what kind of other sonic layers are somehow offering themselves, or coughing in (‘sorfe’ سرفه)
to point out the static, dormant, inert, ambient
and I like to hand myself over
how flowers make sense
(in Iranian metaphysics)
(---> go to Baudelaire's Fleurs du mal)
the rhetoric of desire in San'an, how is it (technologically{?}) determined?
how are things turned on or turned off in San'an? etc.
right at the moment that he is allegedly at an emission of a dream/call, we are dealing (or working) with (the essence of) technology, there is a mitten, trans-mitten, transmitting, emission, etc.
[he is welcoming a call---it was Heidegger who linked thinking with welcoming---to arrive] --- [to San'an, ‘what (the hell) was he thinking!!!?’ both in the sense of the ‘blame’ and the ontology -and epistemology of it]
(how is he revealed to experience the call of a more primal truth? the girl)
[if San'an was medium-reflective he would pose himself with the call/dream and never never set foot out or act or take an ego-suicidal mission---but that is also a problem;
*footnote: Hafez trying to travel (to India, invited kindly with Reisef?rderung (travel grants) from Sultan Ghias al-din himself, singing شکرشکن شوند همه طوطیان هند زین قند پارسی که به بنگاله میرود, he is going to shake India and so on.) but returning by -and because of a language-turn, when he is standing in front of the stormed sea, he turns back to Shiraz via a trope: چه آسان مینمود اول غم دریا به بوی سود غلط کردم که این طوفان به صد گوهر نمیارزد it is so interesting how scholars and other poets are trying to map out his itineraries and travel-logs from his poesies/poiesis. the nagging and complaining Hafez, always annoyed by weather or something, and can't stop saying how much he misses his friends in Shiraz and so on]
(Hafez takes on San'an because [...]
(456)[...notes/sanaan full text.txt]%53.6[...]>
[if San'an was medium-reflective he would pose himself with the call/dream and never set foot out or act or take an ego-suicidal mission---but that is also a problem;
*footnote: Hafez trying to travel (to India, invited kindly with Reisef?rderung (travel grants) from Sultan Ghias al-din himself, singing شکرشکن شوند همه طوطیان هند زین قند پارسی که به بنگاله میرود, he is going to shake India and so on.) but returning by -and because of a language-turn, when he is standing in front of the stormed sea, he turns back to Shiraz via a trope: چه آسان مینمود اول غم دریا به بوی سود غلط کردم که این طوفان به صد گوهر نمیارزد it is so interesting how scholars and other poets are trying to map out his itineraries and travel-logs from his poesies/poiesis. the nagging and complaining Hafez, always annoyed by weather or something, and can't stop saying how much he misses his friends in Shiraz and so on]
(Hafez takes on San'an because he also fucks up the travel, he falls with face down in the mud. for him also travel is traumatic, disruptive, and unpleasant; so they both demand another kind of trans-portation system)
This essence of technology, however, has nothing to do with technology. [this is Heideggerian] --> technology is a means of revealing the truth
[it is not the machines that we are at the age of technology]
technology is always sent to us
in the story we are shifting to ‘send’, this doesn't mean that there is a sovereign subject or some sort of powerful ‘self’ responsible or at the origin of the productive behavior (or accomplishment) of San'an.
(Heidegger collects:)
destiny, destination, schicken, Schicksal, etc.
[ungeschickt =? destinal failure, existential clumsiness]
[~= technical error in destiny. what is the future of error?]
- according to Heidegger, nobody (that also means everybody) can take at the wheel and make certain determinations and destinations
[this is his notion of ‘techne']
•Tarsaa's technical intervention in San'an's destiny
that is another kind of relatedness
you can no longer talk about the subject or object
is one in full possession of oneself? one doesn't belong to oneself or anybody else---that would be a post-Lacanian critique, which is the self-sabotage of the mystic is not necessarily attached to a inevitable devouring authority, “I don't belong to myself or anybody else.” nor God, nor teacher, etc. ==> the self is not necessarily devourable. [what are the certain components of the self of San'an that will remain unavailable, those that underlay a pervasive sense of not-belonging?---> longing (‘vermissen’) the girl/Tarsaa, ‘to-be-longing']
(why) am I including in my speech a rhetoric of faltering, self-sabotage, and hesitation?
[...]
(458)[...notes/sanaan full text.txt]%53.7[...]surgent:
resistance to modernism, and revolutionary agency
<== exhaustive disintegration of belief-structures in modernity
otherless individuation
eternal war
killer's freedom
(affective) overreaction
[*]poet:
will to chaos (--a type of consciousness that perceive the catastrophic-apocalyptic hint at each turn)
<== cataclysmic time of modernism (<-- great social disorder: prison, exile, censorship, etc. [==> Hedayat, Shamlu, Forough, Nima's tone of aggression --> a proto-sectarian space: secret societies, iconoclastic trajectories, *the compartmentalized and esoteric iranian avant-garde with aesthetic devices of: unity, isolation, subversion])
fugitive postmodern map of escape from the grasp of the experience of the modernist phenomenon
|
responses to historical events of atrocity and transition
mystical, criminal, mercenary, revolutionary edifice
amorphous, obscure, versatile (thinker/writers)
conceptual axes/archetypes of: power, hostility, banishment, solitude, desire, sacrifice
[*]mystic:
sunken tranquility, relaxed self-annihilation, ascetic renunciation of material (=/= postmodernism's obsession with speed, with narcissistic technologies, hyper-materialism)
neomystial trajectories of new-wave iranian cinema filmic style --> hypnotic effect =/= audition, dialogue, narrative
& exile space
[*]sectarian:
will to extremity
(apocalyptic writing)
breakaway modality
نوچه پروری noche-parvary's effective radars and tactics of attunement, detection, narration
(annihilatic temptation to) convert the text into a closed circle
(sect's threats of) forbidden power, moral ambiguity, collective density(/destiny)
...................................
[this project works with:]
[]
contributions/responses of:
•radical leaders (Jala Al Ahmad, Ali Shariati, Khomeini) --> ideological suspicion towards models of machinism and cosmopolitanism in the modern age
•intellectual forerunners (--> sectarian)
•literary icons (textual innovations of Hedayat, Shamlu, Akhavan, Baraheni) --> *poetic violence* and its apocalyptic tendencies --> that the declared east is plunged into a catastrophic epoch ==freed==> a “will to chaos”
•artistic visionaries (Naderi, Forough, iranian new-wave cinema neomystical) --> strategies of withdrawal, aims of disappearance, situated in obscure elsewheres of auditory and visual landscape
}--> #ideology #literature #mysticism #sectarianism
(from the middle eastern front) to (the issues of):
◦post-historical instant
◦catastrophic resistance
◦creative imagination
}--> issues of:
◾technology
◾representation
◾globalization
◾colonialism
[...]
(466)[...notes/sanaan full text.txt]%55.5[...]ure elsewheres of auditory and visual landscape
}--> #ideology #literature #mysticism #sectarianism
(from the middle eastern front) to (the issues of):
◦post-historical instant
◦catastrophic resistance
◦creative imagination
}--> issues of:
◾technology
◾representation
◾globalization
◾colonialism
+}--> drastic reinterpretations of:
◽time and being
◽death
◽pain
◽transcendence
◽victory
◽blood
~~(modernity is an extremist epoch)==> mithridatic approaches
anticultural visionaries
extreme --> resistance-fighter/ideological dictator, artistic forerunner/experimental thinker, different constellations of desire
***mithridatism مهردارو mehr-daru: *internalization of toxicity* (the gradual ingestion of lethal substances so as to gain immunity) --> an archaic protective tactic, an ancient model of defense, (subterranean practice of pirates, alchemists, cult leaders, shamans, guerrilla columns, spies, paranoid kings's *logic of encounter*)
(poetic extremism -->) mithridatic: dispensing fragmented verses, aphorisms, and engravings of the atrocity; invitation and unleashing of the malevolence itself, to seduce obliteration;
-affliction, existence thriving in the wound
(assumptions of) inevitability + anticipation + projection ==> mithridatic remedy (in ideological & literary apparatuses): “swallowing partial glances of the extinction of society, actuality, and being itself” (Mohaghegh) [a form of training? for continuation?]--> the poet asking us to fasten our reeling gazes to the objects of damage and derangement (@Ali ) ==> (extremist:) thought and expression have taken the shape of a *meteorological device*, forecasting seasons of pestilence and mutilation [<-- my whole work has been against that]
fanatical responses to the evolving storm [=/= [...]
(467)[...notes/sanaan full text.txt]%55.6[...]society, actuality, and being itself” (Mohaghegh) [a form of training? for continuation?]--> the poet asking us to fasten our reeling gazes to the objects of damage and derangement (@Ali ) ==> (extremist:) thought and expression have taken the shape of a *meteorological device*, forecasting seasons of pestilence and mutilation [<-- my whole work has been against that]
fanatical responses to the evolving storm [=/= the fool (the one whose cognitive defend-system is down), the joker (figure of the always problematic, with its speculative sense for potent tie between meaning and bodies), the cheerleader (porpoising socially deviant, corrupting forerunner), the sleep-walker (moving in anachronistic temporality, in non-explicit non-intentional acting), the eros (weaker than the problem it tries to solve), the queer (optically dense and less elegant kind of corporality in our encounters), the rabbit-chaser (detouring off the ontological anxiety of humanity's enigmatic destination)]
cyclopean protocols of extremity --> narrowest vision (immensified)
the cyclopean organ (of doing/thinking) ==> ‘oracle = explosive device’
|
--> wisdom + rage
--> boundless confined
--> precision + enormity
--> nature + technology
--> betrayal + devotion
|
....three brothers سه برادر
----[they were said to have primordial understanding, having monitored the building of creation itself--yet this brings no consolation تسلى, no spiritual composure ارامش, only chronic infuriation, such that they remain at once eternal and impatient]
----[they are gargantuan, immortal, and among the rarest exceptions to be released from the underworld after the great defeat of the chthonic orders, and yet brought back to the surface to dwell among/away from men and the new gods in hard labor on a faraway island, discharged from one hell only to find another imprisonment]
----[they alone can swing the hammers that form mountains, bedrock, ocean floors, tectonic plates, seisamic, yet there is such insane detail even within their most jagged strokes, a punishing symbiosis of the minuscule and the colossal]
----[they are the initial inventors of the earth's wild proportions, yet now are condemned to serve as apprentices to a lesser artisan-metallurgist god interested only in functional architecture and instrumentalized objects]
----[they are traitors to the new line of anthropomorphic gods, having fought against their false ascent, and thus still fiercely loyal to the old titanic codes, even in their captivity and forced collusion, forever scarred by the robbery perpetrated against the older deities, able to picture the drainage ditches into which the others are now outcast, such that each episode of mastication and uproar is hurled like a psychic bomb intended to free this discarded confederation]
isolationism + monumentality
[...]
(468)[...notes/sanaan full text.txt]%55.7[...]ity
third world subjectivity must transmit itself through the affective matrix of radical coldness
Nietzsche and Sartre locating their own becoming-frigid within the realm of otherless individuation, neither hesitate to look at Eastern corridors
insurgent becomes the writer of (Manning's) impersonal event
touchstone of a rare immunity and a weapon
to evoke the anxiety of the audience (-Hoda?)
“kill him” --> shortening of language to mirror the contradiction of being : most horrifying manifestation of formalized coldness. not just the license to kill, but the mechanistic invocation of the license
the ‘what has always been’
eternal war
همیشه اینجوری بوده --> proposition of the insurgent stoicism یاغی رواقى [~ a self-without-other: has experienced firsthand the detriment of othering, @Foad]
(the rant, the taunt متلک, the insult فحش, the battle cry)
axis of eternity, middle eastern recourse to an original circularity of things
a concept of time as pure circle (from medieval mysticism)
=/=
deconstruction's uncanny
psychoanalysis's trauma
[a technique i use in my lecture-performances, i work reverentially = reverie + reference] --> could be helpful for Eszter
*(colorfulness ==> entanglement)*
the ligature (خط پيوند)
the outliner
unimagined destiny
(little freedom called) curiosity =/= alertness (<-- freedom of nerves)
(my problem with the) discourse of the trace (=/= heritage, tradition studies)
“let's leave a trace” --> you create your own kind of starting from yourself. you have no ancestors and your roots are in your footsteps
(it is never my concern how to leave a trace. rather, reading the fubar that is left by others for me to read)< others for me to read)
(contemporary colonialism is tentacular)
contemporary colonialism with its *clash of civilizations rhetoric* [~=>? multiculturalism] =/= ancient warlords and dynasties (--Foucault showing the difference between a medieval monarch’s beheading of a subject and the self-regulating disciplinary apparatus of the modern state) }<-- they don't get it: Middle Eastern response of Adonis, Darwish, Shamlu, Hedayat, and others. that is, to perceive modernity as the manifold extension of an eternal atrocity
the problem is those who have no patience for either concepts of “the world” or “the historical”
(eastern insurgent has been:)
•technically innovative
•epistemologically and ideologically distinctive
•existentially grounded in the waters of ‘what has always been’
Mohaghegh making a link between Hassan Sabbah and Ahmad Shamlu:
•Sabbah: leader of the Ismaili [...]
(469)[...notes/sanaan full text.txt]%56.4[...]
*(colorfulness ==> entanglement)*
the ligature (خط پيوند)
the outliner
unimagined destiny
(little freedom called) curiosity =/= alertness (<-- freedom of nerves)
(my problem with the) discourse of the trace (=/= heritage, tradition studies)
“let's leave a trace” --> you create your own kind of starting from yourself. you have no ancestors and your roots are in your footsteps
(it is never my concern how to leave a trace. rather, reading the fubar that is left by others for me to read)
(contemporary colonialism is tentacular)
contemporary colonialism with its *clash of civilizations rhetoric* [~=>? multiculturalism] =/= ancient warlords and dynasties (--Foucault showing the difference between a medieval monarch’s beheading of a subject and the self-regulating disciplinary apparatus of the modern state) }<-- they don't get it: Middle Eastern response of Adonis, Darwish, Shamlu, Hedayat, and others. that is, to perceive modernity as the manifold extension of an eternal atrocity
the problem is those who have no patience for either concepts of “the world” or “the historical”
(eastern insurgent has been:)
•technically innovative
•epistemologically and ideologically distinctive
•existentially grounded in the waters of ‘what has always been’
Mohaghegh making a link between Hassan Sabbah and Ahmad Shamlu:
•Sabbah: leader of the Ismaili assassins and keeper of their Nizari fortress at Alamut: that he was said to have never left his inner quarters [the library, courtyard, or bedchamber] for thirty-five years except twice to stand on the rooftop and look out beyond the mountain --> this is the worldview of the eternalist at work. He participated in ‘change,’ manipulated them toward fatally constructive ends even, but did not honor these developments as a journey of any substantial kind.
[flash forward a thousand years...]
•Shamlu: same attitude: when he was asked to comment on his country's most recent uprisings offered the following metaphor: he said to think of the event as when a man who is sleeping on one side of his body for most of the night begins to ache and so rolls over to his other side and continues sleeping --> the movement is not sufficient as to prove impressive
(Mohaghegh stresses in postmodern Middle Eastern thought:) the prominence, variability, and magnification of the willing subject
-Foucault's early outright support for the Iranian Revolution of 1979
-Baudrillard's theoretical flirtation with Islamic terrorism
-Badiou and Zizek's dazzled looks toward the Arab Spring
}--> they mistake fireworks for explosions, and ill-equipped for such far-off archaeological digs
internal saboteur
heritage of deconstruction[...]
(470)[...notes/sanaan full text.txt]%56.4[...] euphemism for death’ [life (if it has worth) is meant to be disrespected, contested, and hounded] --> ‘insurgent = warrior’(<-- the substance remains the same)
Adonis: “don't come closer, the wound is nearer than you / don't come closer, the wound is more beautiful than you” (@Hoda, Ali )
ancillary فرعى کمکى, تابع, مستخدم بومى --> کلفت
avarice حرص
affective overreaction <~=-> radical coldness
**literal**
western inability to understand the turbulant reaction abroad --> loss of the power of the literal (--> *democracy depends and works with the literal*:)
literal has given way in the west to the transference of image, language, and thought to a purely representational or metaphoric domain (to talk about things, but not speak the event itself)
“one cannot grow angered over a film, sculpture, treatise, or drawing (or a dance), then one also cannot experience captivation with a film, sculpture, treatise, or drawing” (Mohaghegh)
[yet the literal is sneaky in that is always decontextualizes, it vibrates and swings so conspicuously from its point of origin]
(old Marxist, anarchist, and postmodern critique: ‘hyper-mediation + technological diffusion ==> obliteration of the sharpness of the senses in modernity’) =/= loss of the radioactive potential of the world of appearances --> *rabbit chaser* [a mask that i am invested in,] a middle eastern existential cost at stake : the myriad and triggers that alone make possible the descent into Alice's Wonderland--the child chases the the white rabbit(~a partial flashing image) without real thought to its enigmatic reasons or destinations (“why and where is he going?”) Alice (like Janina) is only consumed by his color, speed, movement, and nervous incantation افسون of lateness*** (--> metaphorology of “depth” in east)
code of urgency: “mean what you say and say what you mean”
a (monumental problem or) discord in the West between: saying (or showing in terms of images) and meaning () }--> problem for the propensity of acting, running, hungering, wanting, and living itself --this-is-why--> most groundbreaking ideational products in the West often fail to penetrate enough to excite or instigate (the avant-garde can not longer shock [--> bankruptcy of the contemporary artists in europe]) =/= in the East: 1400 year mythologies can still provoke hysteria and radical fever }<-- a scary difference***!!
*the visual, the auditory, the spiritual, the philosophical are still fulminating currencies of animation in the context (in the East --> that is why most art theory and conceptions don't apply to everywhere at the same time. values of European contemporary art scene don't fully dig the notion of art in middle east)
Mohaghegh asking: how can the sentence, picture, musical note, poetic, stanza, ideologi[...]
(471)[...notes/sanaan full text.txt]%56.6[...]m or) discord in the West between: saying (or showing in terms of images) and meaning () }--> problem for the propensity of acting, running, hungering, wanting, and living itself --this-is-why--> most groundbreaking ideational products in the West often fail to penetrate enough to excite or instigate (the avant-garde can not longer shock [--> bankruptcy of the contemporary artists in europe]) =/= in the East: 1400 year mythologies can still provoke hysteria and radical fever }<-- a scary difference***!!
*the visual, the auditory, the spiritual, the philosophical are still fulminating currencies of animation in the context (in the East --> that is why most art theory and conceptions don't apply to everywhere at the same time. values of European contemporary art scene don't fully dig the notion of art in middle east)
Mohaghegh asking: how can the sentence, picture, musical note, poetic, stanza, ideological or theological concoction, genrate so much energy in certain atmospheres, unleashing irregular storms while reviving millennia-old ones? [--> Stewart's affect theory and atmospheric attunement could be helpful]
a fable of difference (between W&E):
a tension between an agoraphobic West (with its endless barricades, shelters, and technocracies of dilution رقيق سازى raghigh-sazi) & an overexhilarated East (with its endless throngs, zealotries, dogmatic caresses, and emergencies)
dysmorphic labor
emetic estefraghi استفراغ اور
[*]insurgent = revolutionary of the unreal (=/= [Nasser's kind of] the traditional freedom-fighter who picks up a weapon and takes to the mountains, singing anthems of liberation or reveling in the simple metanarrative of some diorama شهر فرنگ of good and evil)
the insurgent does not fall victim to:
•collective mythologies of nation, language, and culture
•elusive rhetoric of ethics and justice ==> provide power with a convincing smokescreen
the third world insurgents are anarchists of a higher order of *aneurysmal consciousness and affect*
(gaze of the aneurysmal:) an uncompromising gaze that sees what power tries so hard to mask--that there is nothing there to see
*practice of irregular warfare ==> irregular subject of war*
(weeds of) modernity:
•as ideology --> power
•as institutional mechanism --> society
•as phenomenology --> perception
•as ontology --> being/death
•as cultural emergence --> spectacle
•as temporal orchestration --> time
•as configuration --> body/space
•as political economy --> capital
•as epistemological framework --> knowledge
•as discursive apparatus --> language/meaning
•as epoch --> history
immediacy =/=? alienation
brutal =/=? idealistic
retrograde =/=? futuristic
esoteric [...]
(472)[...notes/sanaan full text.txt]%56.7[...]ns, singing anthems of liberation or reveling in the simple metanarrative of some diorama شهر فرنگ of good and evil)
the insurgent does not fall victim to:
•collective mythologies of nation, language, and culture
•elusive rhetoric of ethics and justice ==> provide power with a convincing smokescreen
the third world insurgents are anarchists of a higher order of *aneurysmal consciousness and affect*
(gaze of the aneurysmal:) an uncompromising gaze that sees what power tries so hard to mask--that there is nothing there to see
*practice of irregular warfare ==> irregular subject of war*
(weeds of) modernity:
•as ideology --> power
•as institutional mechanism --> society
•as phenomenology --> perception
•as ontology --> being/death
•as cultural emergence --> spectacle
•as temporal orchestration --> time
•as configuration --> body/space
•as political economy --> capital
•as epistemological framework --> knowledge
•as discursive apparatus --> language/meaning
•as epoch --> history
immediacy =/=? alienation
brutal =/=? idealistic
retrograde =/=? futuristic
esoteric =/=? banal
technological =/=? carnal
genesis =/=? apocalypse
system =/=? chaos
...................................
iran: transition from a semi-colonial to postcolonial space --> anticolonial islamic front
the self-other construct
***islamic revolutionary thought borrows heavily from Marxist theory (at the same time equating them with colonial mastery)
}==> forge a specific revolutionary mind-set out of its own historical realities/myths (=/= “ill-trafficked remedies of an outsider ideology”, a *second-hand personality* [<-- this is OK!])
cartographies of entrapment
Al Ahmad binary reasoning in his Westoxificationr />
-the “eternal” struggle of east and west --> a rhetoric of transcendental struggle
-to perceive the “west” as merely an *epistemic fabrication* and not a civilizational reality <-- the enemy is authenticated
(-he makes a very bad move: relocate the structural site of resistance to somewhere outside the walls of the university)
*Al Ahmad's orchestration of degrees of cultural estrangement --into--> a tone of nationalist triumphalism ==> ***vanished premodern subjectivity to be restored*** (<-- i have to be careful with this)
-[that] the colonized intellectuals and political officials participate together in the eradication of third world heritage
-agents of foreign ministries: orientalists, ambassadors, advisors, who write hideous scrolls when they have finished their assignments that say “yes, you have the head of a lion and the tail of an elephant” (--> is this also close to my account of Olearius?!) ==> *devitalization* ==> *damaged subjectivi[...]
(473)[...notes/sanaan full text.txt]%56.7[...] configurations in the wake of nascent capitalist formations to such a drastic extent that it gives rise to a well-digger's being cheated of his life savings
-Kimiai's The Deers, ...
}--> strong consonance with the anticolonial ideologues (examined thus far)
...caught up in your prose
on Sa'edi’ short story “Dandil” [--> grotesque cultural disaffection of the masses within Sa'edi's Dandil]
-depicting the horrors of daily life within a semicolonized atmosphere of a red-light district of a northern Iranian city
-there is an imagery of closure and suffocation
(Sa'edi revealing:) the material despair of a colonial condition leading (in high speed) to the entropy of cultural-individual ethics
under the overwhelming weight of tangible misery
--cognize--> the immediate material urgency of the third world subject
(Dandilian gathering around to watch the taking of the picture -->) the third world subject has assumed the schizophrenic role of a voyeur himself, spectating his own literal-symbolic rape but not fully understanding it as such, while the real agent of power remains camouflaged in semi-invisibility
(Mohaghegh:) the ideological content of Dandil stands the notion that the technological advancement of the western world has turned the peripheral individual into its unknowing accomplice همدست, a vital participant in the abuse and mutilation of his own locality
(a Dandilian policemen remarking:) “They [westerns] are not beggers like us. they all have private cars. their whores spend four or five hours a day just playing around in the beauty shops.” --> for Sa'edi that is the pathological fantasy endemic to the inner workings of a colonized mind. the third world subject perceiving itself as the negational instantiation of occidental greatness ==> swallowing down the civilizational hierarchies of its oppressor's self-projecting image
(preparing for the coming of rapist colonizer) the Dandilians rush to make the Madame's house clean and tidy: “[...]the curtains had been drawn aside. Pots of geranium had been placed on the wall and beside the steps[...]” ~-> Baudrillard's theory of simulation : the Dandilian presenting to the colonizer a Disneyland, *a play of illusions and phantasms* [~->? Dubai: self-affirmation via the domination of the constructed other]
(the american officer leaves the next morning with a mocking laughter and he refuses to play and the Dandilians can't do anything)--> the civilizational dichotomy remains intact in spite of the horrifying events that have transpired, with the trafficked deflowered child serving as a metaphor for the cultural-political mistreatment of the third world under colonial rule
on Akhavan's “Adamak” (“Stick-Figure”) [--> historical treachery committed within Akhavan's nostalgic Stick-Figure]
demonization of the television's arr[...]
(474)[...notes/sanaan full text.txt]%57[...]e wall and beside the steps[...]” ~-> Baudrillard's theory of simulation : the Dandilian presenting to the colonizer a Disneyland, *a play of illusions and phantasms* [~->? Dubai: self-affirmation via the domination of the constructed other]
(the american officer leaves the next morning with a mocking laughter and he refuses to play and the Dandilians can't do anything)--> the civilizational dichotomy remains intact in spite of the horrifying events that have transpired, with the trafficked deflowered child serving as a metaphor for the cultural-political mistreatment of the third world under colonial rule
on Akhavan's “Adamak” (“Stick-Figure”) [--> historical treachery committed within Akhavan's nostalgic Stick-Figure]
demonization of the television's arrival
-television as a “magical box” an artificial phenomenon that “entrances” its audience
again the idea of authenticity is largely emphasized here, as the television is perceived as a “foreign” entity and therefore an enemy to the millennial history of the province
new medium =/= indigenous modes of communication/expression (of which the roving storyteller is the ultimate instantiation)
(poignancy of the) poet's anthropomorphic profile of the new technologically oriented media
-Akhavan's representation symbolizes the storyteller himself, lamenting his own erasure from the moment of the now (or it is his prophecy for the imminent destruction of the new media in the coming islamic regime?)
--> aesthetic testament to the possibility for a third world revolutionary imagination to emerge from the ruins of the colonial era [, *from the ruins of the empire*]
--> representing the third world as in a state of complete existential-cultural atrophy (tahlil تحليل رفتن) @Hoda
**anticolonial literature reaffirms the all-encompassing grasp of modernity over peripheral subjectivity [--> marginal leader (Mamitua Saber's Marginal Leadership in a Culture Contact Situation)]
(Mohaghegh ☞ Huyssen on Baudrillard:)
Baudrillard's notion of the *silent mass* of the spectators disables any analysis of *heterogeneous subject position in the act of reception* @Laura
any economic or institutional analysis of apparatuses of image production is rendered obsolete by Baudrillard's notion of an almost self-generating and monolithic machinary of image production [...] (<-- Laura should be very aware of this)
Baudrillard's society of simulation does not allow for such distinctions ... simulation, after all, may simply be the latest version of the ideology of the end of ideology
}--> part of the theoretical apparatus of *anticolonial ideology*
one immediate danger of this approach is that it recklessly dismisses anything associated with the other side of the binary (of West/East, self/other, first-world/third-world, modern/premodern, etc.) ==> overlook the subv[...]
(475)[...notes/sanaan full text.txt]%57[...]d world as in a state of complete existential-cultural atrophy (tahlil تحليل رفتن) @Hoda
**anticolonial literature reaffirms the all-encompassing grasp of modernity over peripheral subjectivity [--> marginal leader (Mamitua Saber's Marginal Leadership in a Culture Contact Situation)]
(Mohaghegh ☞ Huyssen on Baudrillard:)
Baudrillard's notion of the *silent mass* of the spectators disables any analysis of *heterogeneous subject position in the act of reception* @Laura
any economic or institutional analysis of apparatuses of image production is rendered obsolete by Baudrillard's notion of an almost self-generating and monolithic machinary of image production [...] (<-- Laura should be very aware of this)
Baudrillard's society of simulation does not allow for such distinctions ... simulation, after all, may simply be the latest version of the ideology of the end of ideology
}--> part of the theoretical apparatus of *anticolonial ideology*
one immediate danger of this approach is that it recklessly dismisses anything associated with the other side of the binary (of West/East, self/other, first-world/third-world, modern/premodern, etc.) ==> overlook the subversive utility and democratic accessibility of certain technological innovation --> evident in Shariati's ultra-atavistic endorsement for an aesthetic tradition: “intrusion of the machine into the humna-half may go so far as to paralyze man; it destroys creativity. imagine a type-written page that can be imposed upon millions of people, while before the advent of the typewriter everyone was free to use his creativity to the utmost in calligraphy” --Mohaghegh--> it is not reflecting on the historical reality that the exercise of calligraphy was always linked to a feudalist class structure, and often exclusively to the confines of the palace court, whereas the printed word open to a more widespread audience independent of material status
--> anticolonial ideology ==>
•carries out the presupposed will of modernity by homogenizing its very own constituency, diminishing any possibility for individual initiative or insubordination
•precludes the advent of outsider radicalism independent of some religio-civilizational confrontation with modernity
--> “there can be only one diagnosis ==> only one elixir” ==> produce an antidote that is equally colossal in scope, shape, and execution
}==> ***the local is no longer accepted by anticolonial ideology as a worthwhile site of contestation***
}--> (Sa'edi + Akhavan + ...) ~=> *messianic defender* of the national history : the sole harbinger جلودار of a *return to the real* ☠ [=/= cheerleader]
_,-+-._
.-’ ‘’-._
/ \
‘ ~. \
/ ~`’ ) .=” , )
| I ( ~ (
\ ‘"” `=' +
[...]
(476)[...notes/sanaan full text.txt]%57.1[...]oy the same reactionary elements in order to stir the masses, to restore awareness, and to fight superstition”
[still very common within critically-minded humanist social science schollar artists is the tendency to use critical theory (as diverse as it is) *to interrogate reality*
for us ([left inheritance] as postcolonialist, feminist, or biopolitician) the modus operandi of critical theory is to derealize, is to say: “this is an expression of paar.” “this is discursive formation.” “this is material assembly of objects.” ~= (an attempt to say) “this isn't real.” <-- this has been essentially a really powerful force and set of political strategies of the left @apass; this modus operandi is a killer blow for climate change from a leftist perspective (because the climate change is very real) (=/= speculative realism)]
Khomeini's cassette-tape revolution (radio medium infused with anticolonial propaganda) demonstrates the insufficiency of Benjamin's stance that “mechanical reproduction of art changes the reaction of the masses toward art...”
the symbolic fury of Khomeini's voice is only magnified in its cult-value through its transmission over the air waves, testifying more to MacLuhan's interpretation of the persuasive impact of radio
--> technological media in iranian anticolonialism does not elicit the democratizing effect anticipated by Benjamin
from--> metaphysical awe --to--> banalized horror
each year the islamic republic itself reenacts the arrival of the Khomeini in tehran airport through a procession of myriad cardboard interact and converse with these mock-images of the imam in a kind of makeshift, state-run passion play
post 1979 iranian cinematic renaissance
•medium of film achieved in the decolonized space
•hooked into the contemporaneity of the localized apocalyptic (infinitesimal becomings)
•present as close an interpretation of the unthinkable strangeness of reality as possible
•on an ongoing desertion of the real
Adorno: “works that make socially univocal discursive judgments thereby negate art as well as themselves” @Laura's judgment on the fascist body (--> can consumption be resistance? @Laura: becoming fascist body ==> ? )
the medium of film-making in present-day iran attempts solely to bring the crypto-vantage of the everyday into obscurity-ridden view (to leave less clear --> my pre-2012 videos ‘Vagabond,’ ‘Constant Prince,’ and ‘city of domes’), allowing for a critical distance on the part of the spectator to examine one's own being-in-the-world in raw, blurred form (the truth is haze itself --> Hoda)
exoticization of the local --> reduce it to a nativist enterprise
(Mohaghegh ☞ Tomlinson:) the everyday culture has ingested foreign elements from exogenous sources, with the various elementss gradually brcoming “naturalized” withi[...]
(477)[...notes/sanaan full text.txt]%57.2[...]ously for its chance to unleash and envelop a national identity in its now-seething ideology
-bringing the celestial abstractions of a faith crashing down into tangible existence --> they must ***sew, lash, and brand their righteous-ecstatic modalities into awesome materiality***
the vocabulary of: the prophetic, the messianic, the inspired, the sacred
}--> *Shamlu's avant-gardism had always led him to experiment with rotating styles of folkloric ballads, rebel anthems, existential meditations, doomsday rants, elegiac oration, children's lullabies --into--> (a singular blast of an) account of a devastated urban space that moves somewhere between legend, omen, song, myth, fairy tale, and war cry [--> Shamlu responding to an islamic revolutionary ideology that had enlisted its own alchemy of proclamation, lethal consortiums of drives that fuse the most savage, the most medieval, the most modern, and the most postmodern]
•being coming completely seized beneath the density of revelatory vision
•the ultra-alertness and insomnia of pure anticipation : a calculus of assurance that ‘they are coming’ --> omen
Pasdaran: the unpredictable and insatiate arc of extremity of a paramilitart coalition
=/=
SAVAK: formulaic technocracy of a scientific approach to persecution, extraction, and confession
Pahlavi monarchy: the administrator of urban violence was part amateur, part pseudo-scholar, part civil servant, part serial killer
=/=
Ayatollah theodracy: the administrator of urban violence was part vigilante, part crusader, part cult member, part thug
--> poet must epitomize the last unequivocal administrator of urban violence
does writing have a redemptive (=/=? reparative) function?
the author would necessarily venture to rescue something profound (from the state of dejection)
poet's keyword: *conflagration* حريق, fire --> a middle eastern aesthetics
most iranian writers of the new poetry movement have eviscerated, melted, flooded, iced over, or burned down a city at some point in their artistic career (--> Shamlu's Yal-o Ejdeha یل و اژدها)
cumulative angers
towards a harmful eloquence شيوايى --> Shamlu
pay attention to the hyper-subjective positioning (=/= hospitality, cosmopolitanism, transindivualism) of the “I” of the iranian poet:
*Akhavan: “It is I, your nightly guest, a forlorn gypsy. It is I, an afflicted stone that has been kicked around. It is I, the lowly insult of creation, an untuned melody.”
منم من، میهمان هر شبت، لولی وش مغموم / منم من، سنگ تیپاخورده ی رنجور / منم، دشنام پست آفرینش، نغمه ی ناجور
*Baraheni: “I am the rotten well of history ... Throw your matches down so that[...]
(478)[...notes/sanaan full text.txt]%57.5[...]al philosophy:
•Schopenhauer: existence = reckless collision of transience and nonsensibility <== *dramatic dissociation of the aesthetic from the historical* (<-- Sana's current stance, for Sana the world is will and representation):
history: will's vicious reign over existence
art: space of escape (from the profanity of history, a rare fleeting opportunity to reimagine existence as it potentially could have been but never will be (~=? fiction --> is that why science fiction for iranians does not have the same signification?) [=/= redemptive corrective to the barbarism of the will, =/= weapon by which one might attempt to overthrew the will]
•Hegel: (paradigm of a) complete collapse of subjectivity with history. reason is sovereign of the world
*Dasein: work within the preconceived framework (barriers) of historical consciousness in order to modify its stance within the world
•Marx: the intention of restoring humanity to its actual historicity, positivism + humanism, epochal advancement, *dialectical materialism*: placing subjectivity in a state of subservience to a larger “historical reality”
•Althusser --> *interpellation: power first manifactures a conception of the self that it can later subjugate through the surveillance techniques of the institution
*subjectivity exists solely within the revolutionary progression of the prevailing modes of production*
•Adorno: the discourse of individuality within modernity operates as an accomplice to techniques of reification and the overall obfuscation of the culture industry ~= *assimilation/execution of myth by instrumental reason* -->{ art can be understood only by its laws of movement, not according to any set of invariants ~ antinomy: art is defined by relation to what it is not (separating itself from what it has developed out of)
(Adorno + Frankfurt School:) **subjectivity thrives in the decisive act of interpretation, one through which the ideological saturation of society finds itself unmasked and history is restored to its contestatory complexitoes**
•Sartre: existential liberation + historical “engagement” + artistic subjectivity --> writing = a praxis-based motioning toward futurity [~=? accelerationism]
Adorno/Sartre --> ***واجب indispensable search for a writing act tied to revolutionary desire, negational change, futural hope, pseudosalvatinoal intentionality*** [=/= Hedayat, Nietzsche]
==> invalidating mimesis as a legitimate conceptual category (!?*)
through an account of self and world as *mythopoetic entities* (~= willed immateriality) --> *chaos-consciousness* (interlacing experience + thought + desire) effectively disbands the Marxian hierarchy of true and false consciousness by virtue of its dissolution of all paradigms of historical “reality”
nowhere-zone between desolation and the everything --> experiential anarchy ==> the poet/artist (~=[...]
(479)[...notes/sanaan full text.txt]%57.6[...]society
distancing himself from the symbolics of divine authority
forsaking empty promises of metaphysical longing
consciousness rushes to disguise and camouflage its own lack of purpose
حاجی آقا Haji Agha: “my existence is useless [...] hence the greatest and most noble poem in my life will mark the destruction of you and your kind”
--> streamsof betrayal, defilement, seclusion, degradation, anonymous deaths
(subversively, through a series of hallucinogenic contraptions) crash the unchained terrain of neo-fantasia into the claustrophobic region of socalled reality
این همه سودا است to return with fascinated sockets to the world-as-illusion
chaos in حکایت باخه و دو بط in Kelile Demne --> history: the myriad series of spectral constructs by which subjectivity comes to be constituted as an ordered entity
chaotic desire --> a temporary pact with radical aloneness --> Hoda
=/= homogenizing abstraction of “human”
(Foad, Hoda, Sartre's) exilic disposition, always alone, always apart
tranjective frenzy
to come down from the mountain and infest the back-alleys --> wtf!
deterritorialization one's owb footprints --> identitatian technologies
@Shervin commission the wanderer: a nameless eyeless character sitting on the outskirts of a wasteland in conversation with his own shadow --> (beyond time and space) as a gesture toward discarded worlds without clocks or maps --> *the will to aimlessness*
(Hedayat in The Blind Owl) “I had no idea in what direction I was going [...] I did not care whether or not I ever arrived at any palce”
Mikhail Bakhtin --> art for iranian artists = (carnivalesque) a site that grants the right to understand, the right to confuse, to tease, to hyperbolize life; the right to parody others while talking; *the right to not be taken literally*, not ‘to be oneself’ [...] [...] the right to rip off masks, the right to rage at others with a primeval (almost cultic) rage--and finally, the right to betray to the public a personal life, down to its most private and prurient little secrets
Baudrillard: the real is no longer possible ==> illusion is no longer possible ==>{impossibility of rediscovering an absolute level = impossibility of staging illusion}--> hollows the inability of existence to escape its own fictive composition (=/= epistemologies of repair, reading, weaving, etc.)
(Hedayat's) techniques of stealing from the reader the most basic hermeneutic device of distinguishing between imaginary and the actual --> Hoda, Ali
***annihilation: ontological death ==> death of ontology***
زنده به گور buried alive, an unmediated experiential sensitivity to the randomness of existence
***chaotic imaginary =/= tyranny of historicity***
--> ahistorical figure, having tra[...]
(481)[...notes/sanaan full text.txt]%58[...]ne's owb footprints --> identitatian technologies
@Shervin commission the wanderer: a nameless eyeless character sitting on the outskirts of a wasteland in conversation with his own shadow --> (beyond time and space) as a gesture toward discarded worlds without clocks or maps --> *the will to aimlessness*
(Hedayat in The Blind Owl) “I had no idea in what direction I was going [...] I did not care whether or not I ever arrived at any palce”
Mikhail Bakhtin --> art for iranian artists = (carnivalesque) a site that grants the right to understand, the right to confuse, to tease, to hyperbolize life; the right to parody others while talking; *the right to not be taken literally*, not ‘to be oneself’ [...] the right to rip off masks, the right to rage at others with a primeval (almost cultic) rage--and finally, the right to betray to the public a personal life, down to its most private and prurient little secrets
Baudrillard: the real is no longer possible ==> illusion is no longer possible ==>{impossibility of rediscovering an absolute level = impossibility of staging illusion}--> hollows the inability of existence to escape its own fictive composition (=/= epistemologies of repair, reading, weaving, etc.)
(Hedayat's) techniques of stealing from the reader the most basic hermeneutic device of distinguishing between imaginary and the actual --> Hoda, Ali
***annihilation: ontological death ==> death of ontology***
زنده به گور buried alive, an unmediated experiential sensitivity to the randomness of existence
***chaotic imaginary =/= tyranny of historicity***
--> ahistorical figure, having traversed the borders of language, humanity, time, space, and reality --> Foad's poem (--> world as endless becoming or nightmaze) =/= historicized existential experience (folloing only two distinct path, of subject and object)
*philosophy = learnign how to kill* (=/= Socratic-Platonic versoin of “philosophy = learning how to die”)
Hedayat straying beyond signification, mortality, and ontological or phenomenological framing =/= my work with ajayeb
([why?] many artists do that) ***to make oneself unrecognizable***
consciousness: only a host of many someones
Nietzsche's transvaluation of historical limitations --> experience would no longer find itself entrapped by apparitions of objectivity and cohesion and could theretofore invite chance, risk, and endless experimentation
will to power --> a premediated calculable claim to mastery
Nietzsche: art as an active competitive exchange =/= Schopenhauer's mystical retreat: art to lure aside from the great road of suffering of humanity those who are wretched, exhausted, and sick, and to offer them a brief lustful moment--a little intoxication and madness (--> a view that many artists today hold)
[...]
(482)[...notes/sanaan full text.txt]%58[...]ose who are wretched, exhausted, and sick, and to offer them a brief lustful moment--a little intoxication and madness (--> a view that many artists today hold)
Nietzsche + Hedayat + Aslani + Hoda's immediate acknowledgement of the world-as-unreal =/= obstacle of historicity =/= Sina: I am following a very different critique of historicity in ajayeb
بادیه نشین فلسفی Nietzsche + Hedayat (elicit repercussions for) subordination of history to a kind of literary-philosophical piracy or bedouinism =/= citadel (of geography, civilization, culture)--> many fabricatoins of art happens in citadels in Europe
Pierre has always been busy with the question of synthesis
entitlement: way of intrusion in homogenous axes of existence
xxxxx 164
...................................
xxxxx 213
most of Mohaghegh's attacks are rhetorical
the (sacred?) boundaries of mysticism
(the boundaries of cities became mystic/sacred)
mystical channels
presenting worlds immersed in a kind of constructed a priori (arising from an amorphous collection of sound and image. @Hoda)
Mohaghegh working to isolate the rare technical and conceptual arsenal behind an ethnographically immagined space
initiatives toward the horizons of a mystical inquest
...................................
sect's threat
breakaway modality of a sectarian consciousness
hermeneutic arsenals
organic theoretical apparatuses
(its own) effective radars and tactics of attunement, detection, and narration
Adonis, Samih al-Qasim, Ghada Samman, Nazim Hikmat, Ahmad Shamlu, Farrokhzad --> all tempted to (antihumanist) convert the text into a closed circle
forbidden power
moral ambiguity
collective destiny
will to extremity
shadow nears and targets
itself presumed source of all tension and unhappiness
while also spreading its influence over others
many are susceptible to its whisperings
thus he develops a perpetual alertness to its approach
schemes are everywhere
it seeks
to slip into (the sectarian's own) camp under disguise
penetrating the inner circles in dissimulated form and thus unspotted
no mediation
revenge in closeness
and even more than this,
shadow will attempt to escape accusation if possible
the spectacle
enemy's overhanging presence
--> continual motion
--> time is restless
tower, bastion, citadel, stronghold
operational apparitional center
phantasmatic points of references
a spiritual geoscape of concentration
it must appear formidable, immut[...]
(483)[...notes/sanaan full text.txt]%58.1[...]owing
sectarian lives by code, but cannot be deciphered or analyzed* --methodological--> leaves one undetected (--> assassins who are inflexible, precise, and systematic to the highest degree, and traceless for this very reason)
...they remind of the ungovered body, the accidental, and death
xxxxx 280
...................................
(Mohaghegh's work on the middle east in his book) it is ***a theory that does not speak for ‘the East’(= a construction) but rather *an East*(= a radical illusion)***
-it offers careful insight into singular, distinctive episodes of thought and writing in the Middle East (and to explore their relevance across the topology of world thought at large)
-the fractal nature of his four separate subject-positions point to the *exceptional diversity and heterogeneous makeup of Middle Eastern cultural imaginaries*
...the insurgent carries a hundred masks within one, the poet a hundred more, the mystic a hundred more, and the sectarian a thousand
(@Geert)
[*]modernity: a self-naming historical epoch that redefines/fuses the exercise of power and knowledge and for which the enlightenment, capitalism, colonialism, technology, humanism, ideology, simulation, and the domination of instrumental reason become the main pillars of subjectivity
Mohaghegh offers a list of secondary literature that forms the relevant archive from which his manuscript borrows, and **marks its axis of engagement with preexisting interventions**
#bibliography
Nietzsche's conception of chaos
“nature and mask determine phenomenal being, the phenomenon in its being, as chaos”
(Deleuze interprets Nietzsche's chaos as:) a philosophical overture toward “the pure unformed”
--> the subject is this free, anonymous, and nomadic singularity which traverses men as well as plants and animals independently of the matter of their individuation and the forms of their personality [~~> #write a short story for hayula]
*Eastern insurgent's participation in the chaotic event* --> there is no natural or pure ==> (a more) apocalyptic response ==> to became available
[--> to deal with sense as a predicate مسند or a property دارايى =/=? to deal with sense as an event]
community
(on Eastern postmodern gathering)
(alternative categories that express the potential for “relationality”: assemblage, alignment, circle, swarm, etc. that are based on multiple vantages of intersection and divergence =/=) *community*:
•tends to evoke an essentialist claim
•there is typically some centralized discourse of unity, some absolute principle that binds everyone
•functions as self-enclosed and exclusionary phenomenon
•breeds insularity and protectionism
=/= vulnerable, permeable, susce[...]
(484)[...notes/sanaan full text.txt]%58.4[...]eculation:
•Benjamin's temporal arabesque
•schizoid desire-production of Deleuzian nomadology
•Artaud's hysterical demand (-demand is always hysteric)
•fable of “chaos outside the system” (Schlegel's concept)
•active presence of an inhuman turn in Camus
•Serres's ‘genesis’ a quasi-mystical force of an immemorial nature
•Mohaghegh's ‘chaotic’ marks (no resurrection of a primitive world but rather) an extravagant departure from the history of being, an expressive wire being shaped as we speak
[*topologies of imagination / mode of consciousness / their specific poetic-philosophical mind:]
Europe/West --> possessive (when it is colonialist)
Europe/West --> schizophrenic
Sout East --> nomadic
Middle East --> chaotic
*chaotic writing*
(artistic research writing as it is practiced in apass [--> *closure of a whole system*] =/=) a *writing-toward-chaos* (--> Hoda =/= closure ~? catharsis تزکیه غیر روحانی)
the protocols of understanding are challenged and not left standing
no dynamics of meaning-formation solidified
no acculturation (~ integration) of the reader is embarked upon
no (de)codification successful
all techniques of truth-telling must fail
--> refusing the closure (of a whole [subject/person])
its own raw self-refracting (textual event) --> *forever refracting itself* (--> is refractive writing/thinking really useful for iranians today?)
-transparently nebulous vision of darkened vantages
[Reza, Setareh, Ehsan, Foad, Hoda's conceptual register and incorporating themes:]
annihilation, rage, ecstasy, madness, deception, apocalypse, desertion, contagion, eternity, the shadow
imperative to restlessness
writing-act as inherently antagonistic
borders of subjectivity:
•dominant ideologies of history
•conspiracies of identity
Foad's poem “farar”
textual experience as a prism of subversion, innovation, and becoming
•hardened instinct for ruin kharabat خرابات
•fusion of:
◦appearance & disappearance
◦tragedy & delirium
◦creation & destruction
•(unsteady condition of the writing-act [unpacks itself without origin] where) *nothingness & excess* tangle
bluring of possibility and impossibility
to compose an affective universe without recourse to the myth of origin (*?) ~= to express a singular voice without access to a name
his literary-poetic mosaics
tracking the chaotic imaginary
(subjectivity's) disassociation from the world --> Hedayat's The Blind Owl (<-- an overreactive consciousness?)
*one that owes nothing to what came before*
a consciousness once held hostage
*carving inward and then assuming a combatitive[...]
(485)[...notes/sanaan full text.txt]%58.7[...]ctivity is overcome : *acceptance of cruelty* (=/= death wish) : raising the stakes of existential experience by transmitting the authorial self beyond its own limits and toward its chaotic possibility (=/= death wish)
annihilation epitomized as instance of vicious travel*** --> ?!
thought-scarring affect
(radical modification of consciousness:)
•Kierkegaard: “I die death itself”
•Bataille: “he who does not ‘die’ from being merely a man will never be other than a man” ~~--> Rumi's bemirid بمیرید بمیرید
•Nietzschean call for an experience of the end: “from love of life, one should desire a different death: free, conscious, without accident, without ambush”
•Cioran's futurity that would “let all form become formless, and chaos shwallow the structure of the world in a gigantic maelstrom, that would be tremendous commotion and noise, terror, and explosion, and then let be eternal silence and total forgetfulness”
•Deleuze and Guattari's meditation on life overrun by “desiring machines for whom the self and the non-self, outside and inside, no longer have any meaning whatsoever”
•Benjamin's “destructive character” clearing away
an annihilative technique
writing-act and the *conceptual terrain of fatality*
an ecstatic mode
bringing consciousness to sleep
***rage = excess + shadow (~ blackout) }--to--> formlessness [example: Hedayat: author's misshapen hallucination, beggin for an end to subjectivity and existence to “surrender myself to the sleep of oblivion"]
*individous potentials* of the rage (<-- lure of the rage)
-(Sana's) angered disposition
(as a) performativity of ignition and collapse
**rage/anger is always (sees itself as) innocent**
rage proceeds as a state of innocence, a forward moving clearance, to become an agent of sheer delivery, to commit at will
innocence tries to remember ~ that which “remembers” has become foremost innocent. wants its members/phallus back
[rage components: innocence, forgetting, coldness]
--> impact without imprint (--we must always have an imprint of our impacts)
the text becomes existence itself (--> the monsterous consciousness of Hedayat's narrator in The Blind Owl)
every object, event, or image, is synthesized back into the empire of the narrator's own account***** [=/= my work, my storytelling]
...fastened itself to...
(...currents of)
chaos**~~
annihilation**~~
rage**~~
*shadow*
--> **to elicit the transfiguration toward an emergent literature of the inhuman**
•Hedayat's shadow
•Nietzsche use of the shadow as a guarantor of the overman: “how his shadow stands even now behind everyone” , “now light, now shadow of that which must come” , “i wi[...]
(486)[...notes/sanaan full text.txt]%58.8[...]nt (--we must always have an imprint of our impacts)
the text becomes existence itself (--> the monsterous consciousness of Hedayat's narrator in The Blind Owl)
every object, event, or image, is synthesized back into the empire of the narrator's own account***** [=/= my work, my storytelling]
...fastened itself to...
(...currents of)
chaos**~~
annihilation**~~
rage**~~
*shadow*
--> **to elicit the transfiguration toward an emergent literature of the inhuman**
•Hedayat's shadow
•Nietzsche use of the shadow as a guarantor of the overman: “how his shadow stands even now behind everyone” , “now light, now shadow of that which must come” , “i will complete it: for a shadow came to me--the most silent, the lightest of all things came to me! the beauty of the superman came to me as a shadow: what are the gods to me now”
tilted destiny
beyond the need for being
chaos experienced as a *deception*
Ali motioning to chaotic discord, his rhetoric of video editing: phantasmatic lawlessness --> surrender the text to a certain sorcery(!), schemes of a textual unreality
=/= restrictive epistemologies of truth
=/= technologies of regulation
convulsive discontinuity (=/= systematicity)
carries the will to execute fantasia
(yet transpiring morphologies that carve in) authoritarian injunctions of being-in-the-world [=/= experimentation]
--> (Ali's mirage:) suffocated prism of reality --> rebellion becomes instinctive
-narrating graphic instances of sociopolitical violence --view--> modernity as a state of permanent collapse
(for Ali :) literature/art = espionage عمل خرابکارانه در مواضع دشمن (=/= bribery)
(in order to say no to being) “passive witness to an overconstructed world” =/=
•Beckett: absurdism (with minimalist penteration)
•Nietzsche: intoxication (Dionysian assault against surface/depth binary)
•Adorno: fantasy (is the real act of knowledge)
[*]text:
•mimetic transposition of the ideal
•reflexive treatment of the world
the invention of transparent**
[who invented transparency?]
deception --?--> suggestion of the world as unreal [==>?! pragmatism]
lucid interchange of untruths
existential distortion
San'an + moridan (مریدان) --> authority of authenticity
annihilated consciousness of the disciple (morid)
(volatility of) lived dreamscapes <-- (always) staged imaginary
(illusions go on unarrested)
Hoda's visual techniques (in video) ~ her special effects (--> launches what?):
*unreality of the emergent world* (+ production of emergent illusion)
•hazing of self and world
•cu[...]
(487)[...notes/sanaan full text.txt]%58.9[...]-world [=/= experimentation]
--> (Ali's mirage:) suffocated prism of reality --> rebellion becomes instinctive
-narrating graphic instances of sociopolitical violence --view--> modernity as a state of permanent collapse
(for Ali :) literature/art = espionage عمل خرابکارانه در مواضع دشمن (=/= bribery)
(in order to say no to being) “passive witness to an overconstructed world” =/=
•Beckett: absurdism (with minimalist penteration)
•Nietzsche: intoxication (Dionysian assault against surface/depth binary)
•Adorno: fantasy (is the real act of knowledge)
[*]text:
•mimetic transposition of the ideal
•reflexive treatment of the world
the invention of transparent**
[who invented transparency?]
deception --?--> suggestion of the world as unreal [==>?! pragmatism]
lucid interchange of untruths
existential distortion
San'an + moridan (مریدان) --> authority of authenticity
annihilated consciousness of the disciple (morid)
(volatility of) lived dreamscapes <-- (always) staged imaginary
(illusions go on unarrested)
Hoda's visual techniques (in video) ~ her special effects (--> launches what?):
*unreality of the emergent world* (+ production of emergent illusion)
•hazing of self and world
•curved mirroring
•shape-shifting
•aerial, apparitional,
•فرّار evasive and amorphous
-=> seamless apparition
--> ***eradicated storytelling*** + “I” as a spectral outcast of consciousness
*Hoda works on the unsaid (--> the imperceptible)
*Sina works on the incomprehensible (-->? the incidental)
Hoda's insurgent imagination in her cinematic techniques (part of the intellectual-aesthetic facet of middle eastern subjectivity):
•into a terrain of necessary ambiguity
•demanding an interpretive participation of a disturbed audience
--> (Benjaminian) “public is an examiner but an absent-minded one”
(how can Hoda in her medium of film create points of departure from insurgent imagination? she constantly reconsitutes the insurgent imagination *یاغی yaghi* --> one of the most important postmodern masks of iranian contemporary art)
(Elen? no longer convinced of her own entitlement to a reality principle)
the imaginary and symbolic functions of the penis --> Elen has to study ‘phallus’
Lacan's phallus is a (privileged) signifier of lack and sexual difference --> both of them are initiator for Elen's performance in the first week of apass 2018
phallus anchors the chain of signification (the imaginary, the symbolic and the real) for her
is it about an Oedipus complex? in all her work she is identify with the imaginary phallus. (her staged “flaw"[...]
(488)[...notes/sanaan full text.txt]%58.9[...]antasy (is the real act of knowledge)
[*]text:
•mimetic transposition of the ideal
•reflexive treatment of the world
the invention of transparent**
[who invented transparency?]
deception --?--> suggestion of the world as unreal [==>?! pragmatism]
lucid interchange of untruths
existential distortion
San'an + moridan (مریدان) --> authority of authenticity
annihilated consciousness of the disciple (morid)
(volatility of) lived dreamscapes <-- (always) staged imaginary
(illusions go on unarrested)
Hoda's visual techniques (in video) ~ her special effects (--> launches what?):
*unreality of the emergent world* (+ production of emergent illusion)
•hazing of self and world
•curved mirroring
•shape-shifting
•aerial, apparitional,
•فرّار evasive and amorphous
/>
-=> seamless apparition
--> ***eradicated storytelling*** + “I” as a spectral outcast of consciousness
*Hoda works on the unsaid (--> the imperceptible)
*Sina works on the incomprehensible (-->? the incidental)
Hoda's insurgent imagination in her cinematic techniques (part of the intellectual-aesthetic facet of middle eastern subjectivity):
•into a terrain of necessary ambiguity
•demanding an interpretive participation of a disturbed audience
--> (Benjaminian) “public is an examiner but an absent-minded one”
(how can Hoda in her medium of film create points of departure from insurgent imagination? she constantly reconsitutes the insurgent imagination *یاغی yaghi* --> one of the most important postmodern masks of iranian contemporary art)
(Elen? no longer convinced of her own entitlement to a reality principle)
the imaginary and symbolic functions of the penis --> Elen has to study ‘tudy ‘phallus’
Lacan's phallus is a (privileged) signifier of lack and sexual difference --> both of them are initiator for Elen's performance in the first week of apass 2018
phallus anchors the chain of signification (the imaginary, the symbolic and the real) for her
is it about an Oedipus complex? in all her work she is identify with the imaginary phallus. (her staged “flaw” in doing so is camouflaging an Oedipus complex?)
==>? Elen: will to possession
who possesses a penis? --> masturbatory jouissance
*the one who possesses the phallus = the one desired* [~ phallus = desire ‘of’ the other =/= desiring the other]. phallus is the signifier of jouissance within Elen's performance
Elen's retribution of the boy who symbolically ‘have’ the phallus --> (we are back to) castration
**Elen's true woman-power lies with giving up her phallic identification. (the image of innovation in her work: she is still busy with ‘inovative creativity,[...]
(489)[...notes/sanaan full text.txt]%59[...]ach breath. But for whom words are inadequate.”
...in the unexpected expanse of global relating
“a poetics not of the tree but of vegetation”
[poetics of the decentered subject]
epitomise (pure) revolt (--> tree grows to reveal human configurations, fierce and solitary revolt against the plantation system)
modest forms of resistance
fragmentation of fiction --to--> polyphonic quiltwork of stories
[system of imagery]
(Glissant's) insistence on marine symbolism
transforming, restorative power of water
harsh bitter truth of the sea <--> inscrutable, ambiguous nature of the experience
preoccupation with the need to create a literary language --> specificity of lived experience
*narrateur enfant*
narrator distorting and simplifying my experience
“burning with a silent and stubborn multitude”
/>
Mishra
[the evidence of Europe's advantages -->] an expression of europe in terms of a 19th century progress, which has been be increasingly hard to refute:
place of West in the avant-garde of progress <== manifold achievements of technology, constitutional government, secular state and modern administration <== (a separate and
distinct ‘nation-state’ <==) American and French revolutions
}--> unable to assess by Muslims? ~~?--> the tale of the bewildered Asian:
•dast-e gheyb دست غیب divinely ordained dispensation
•dast-e taghdir دست تقدیر mysterious workings of fate
•charkh-e ruzegar چرخ روزگار cyclical rise and fall of political fortune
•uncreative dynastic rulers
(=/= organized human energy and action)
cultural arrogance
...................................
paranoia (=/= schizophrenia), an instinct (fort (for the original hostility of the world, name of the world is ‘conflict’ =/= instinctual needs for acceptance and for the assignment of a place)
para + nous (~ out of mind, beside the mind) --> part of the everyday life : when you think you are “somebody” or you have “agency” you are on a small dose of paranoid delusion. {do we always need some dose of paranoia to form critical relations with our current condition?
according to Lacan: *Knowledge (connaissance) itself is paranoiac* --> psychoanalytic treatment = inducing controlled paranoia into the human subject***
*preconditions of all human knowledge is the “paranoiac alienation of the ego”* (ego: a [paranoiac] construction formed by identification with the specular image in the mirror stage)}
==> high thoughts and abstract thinkers, especially when they believe “nobody understands them”
==> also promotes you to go to forbidden zones, attack sacrosanctities, breaking taboos, take the side of the [...]
(490)[...notes/sanaan full text.txt]%59.2[...]...)
•stimulate the other person sexually (in a setting where gratification is impossible--for example to behave in a seductive way toward the child) ==> conflict (between sexual needs on the one hand, and rigorous super-ego retaliations)
parental double bind
**simultaneous or rapidly alternating stimulation-and-frustration of other needs** ==Searles==> a disintegrating effect
**chronic pleas for sympathy** --> child's desire and felt-duty to be helpful
Jassem/Sina typically engaging the other in some politico-philosophical debate, in which he talks with machine-gun rapidity expressing himself with a virile kind of forceful, businesslike vigour (while the other feels quite strongly urged to argue some of these points with him, though not being given a chance to say much), while he strolls about on his mobile phone and posing himself physically irrelevant to the other --> when in-fronted with Jassem or Sina, one feels strange (losing your mind, feeling like an insecure child *engaged in such a broadly divided interrelatedness with a parent*) while that feeling appears as simply a ‘crazy’ product of one's own imagination
(is non-verbal interaction always sexual?)
nonsequitur (a typical schizophrenic technique)
(to get free from) the delusion that you had had not one mother but many different ones
a continual unexpected switching from one conversational topic to another without any marked shift in feeling-content is in itself a mode of interpersonal participation which can have a significantly disintegrating effect upon the other person's psychological functioning --> a remark for me in my lecture-performances, i can't cause disintegration on other people's thinking for the sake of art --> *to undermine the other person's confidence in the reliability of their own emotional reactions and of their own perception of outer reality* ==> de-maintain grasp on reality <-- (often) artist's failure to develop **adequate reality testing**
-the artist is not allowed to make the audience crazy!!?? @Jassem, Dominguez's “mental cruelty”
techniques of undermining of ego-functioning (in the form of: deliberate experiments in the service of totalitarian political ideologies, cultural undercurrents in present-day democratic societies, and in the lives of the schizophrenic)
-what are the effects of your work on other's ability of participation in life?
Searles: effort to drive the other person crazy can be motivated predominantly by a desire to externalize the threatening craziness in oneself
(-artists do that?)
*introjected crazy parent* (==> predominance of the one's own irrational and cripplingly powerful superego)
(parents, crazy or not crazy, are always introjected[?])
love and solicitude (in mother-child relatedness) ==> impel the child to collaborate w[...]
(491)[...notes/sanaan full text.txt]%59.6[...]imself physically irrelevant to the other --> when in-fronted with Jassem or Sina, one feels strange (losing your mind, feeling like an insecure child *engaged in such a broadly divided interrelatedness with a parent*) while that feeling appears as simply a ‘crazy’ product of one's own imagination
(is non-verbal interaction always sexual?)
nonsequitur (a typical schizophrenic technique)
(to get free from) the delusion that you had had not one mother but many different ones
a continual unexpected switching from one conversational topic to another without any marked shift in feeling-content is in itself a mode of interpersonal participation which can have a significantly disintegrating effect upon the other person's psychological functioning --> a remark for me in my lecture-performances, i can't cause disintegration on other people's thinking for the sake of art --> *to undermine the other person's confidence in the reliability of their own emotional reactions and of their own perception of outer reality* ==> de-maintain grasp on reality <-- (often) artist's failure to develop **adequate reality testing**
-the artist is not allowed to make the audience crazy!!?? @Jassem, Dominguez's “mental cruelty”
techniques of undermining of ego-functioning (in the form of: deliberate experiments in the service of totalitarian political ideologies, cultural undercurrents in present-day democratic societies, and in the lives of the schizophrenic)
-what are the effects of your work on other's ability of participation in life?
Searles: effort to drive the other person crazy can be motivated predominantly by a desire to externalize the threatening craziness in oneself
(-artists do that?)
*introjected crazy parent* (==> predominance of the one's own irrational and cripplingly powerful superego)
(parents, crazy or not crazy, are always introjected[?])<br />
love and solicitude (in mother-child relatedness) ==> impel the child to collaborate with mother in this pathological integration
-child loves her mother so deeply that he sacrifices his own developing individuality to the symbiosis necessary to her personality-functioning
Foad's psychology: bringing upon himself any catastrophe which is sensed as being inevitable, in his effort to diminish intolerable feelings of helplessness and suspense in the face of it
(parents who are not sufficiently openly psychotic ==> child secret knowledge of parent's craziness -->) child's transference phenomena --> always one or another of the parents was “a little crazy”
[+ not to mention that one strugghng against a developing psychosis will project his or her own threatening ‘craziness’ on to one or another parent]
desire to find a soul-mate to assuage unbearable loneliness <-- a parental motive ref[...]
(492)[...notes/sanaan full text.txt]%59.6[...]
modern culture of obsessive-compulsive character traits as orderliness, competitiveness, intellectualization ==> obsessive-compulsive type of basic personality structure (is made very common among artists, people who are busy one way or another with analysis and psyche of the other) ==> **reaction formation** (which is one of the major defense mechanisms of the obsessive-compulsive) ~= long-repressed desires **to dismember the personality-structure of other persons**
[obsessive-compulsive personality type is very common in expertise societies: tavahosh-e takhasos, clean (+ “contaminated” things), one is deeply immersed in research, mental control, not wasting time, adherence to routines/rituals, washers, checkers, impairment in formulating an organizational strategy, etc. ==> cognitive inhibition, or violent disinhibition]
wishes to foster personality-disintegration in other persons + genuine and powerful interests in helping them <-- how is this possible?!
-Searles suggests that the desires to drive the other person crazy are a part of (the limitlessly varied personality-constellation of) emotionally healthy human beings
feelings of infantile satisfaction & omnipotent-mother fantasies
recrudescence of symbiotic techniques
the [same] sensation of being driven utterly mad by the impossible object [patient, economy, system, self, world, love object, etc.] --> symbiotic relatedness (development of symbiotic reciprocal dependency)
(@apass, the tale we say in artistic research environment:) critical feedback = 'making ill’ of one another, is an effective forms of opening up anxieties which can be interpreted and worked through ==> to become independent (integration) and to leave
}=/={ to acknowlede our highly immature and ‘sick’ but deeply gratifying symbiotic mode of relatedness with the other (disintegration) (in Searles's terms: our efforts in keeping the other person crazy)
*how can we develop *untherapeutic techniques* of critical relatedness?
*how can we face our own conflict between desires to help (the student to become better integrated, that is more mature and healthy) and desires to destroy (the student in the state of poor integration)? --> schizophrenic conditions of artistic feedback
...................................
مماس
schizophrenia: (a general understanding of all) content-thought disorder (=/= form of thought)
*the disease of cognitive abnormality : abnormal sequential thinking*
*tangential thinking*
•disorganised thinking ==> disorganised speech
•mood disorders
•dementia
•mania
•clanging (situationally inappropriate association of words based upon sound rather than concepts)
•echolalia (unsolicited repetition of vocalizations made by another person)
•[*]tangentiality: deviation from relevancy; wandering train of thought, lack [...]
(493)[...notes/sanaan full text.txt]%59.8[...]organizational strategy, etc. ==> cognitive inhibition, or violent disinhibition]
wishes to foster personality-disintegration in other persons + genuine and powerful interests in helping them <-- how is this possible?!
-Searles suggests that the desires to drive the other person crazy are a part of (the limitlessly varied personality-constellation of) emotionally healthy human beings
feelings of infantile satisfaction & omnipotent-mother fantasies
recrudescence of symbiotic techniques
the [same] sensation of being driven utterly mad by the impossible object [patient, economy, system, self, world, love object, etc.] --> symbiotic relatedness (development of symbiotic reciprocal dependency)
(@apass, the tale we say in artistic research environment:) critical feedback = 'making ill’ of one another, is an effective forms of opening up anxieties which can be interpreted and worked through ==> to become independent (integration) and to leave
}=/={ to acknowlede our highly immature and ‘sick’ but deeply gratifying symbiotic mode of relatedness with the other (disintegration) (in Searles's terms: our efforts in keeping the other person crazy)
*how can we develop *untherapeutic techniques* of critical relatedness?
*how can we face our own conflict between desires to help (the student to become better integrated, that is more mature and healthy) and desires to destroy (the student in the state of poor integration)? --> schizophrenic conditions of artistic feedback
...................................
مماس
schizophrenia: (a general understanding of all) content-thought disorder (=/= form of thought)
*the disease of cognitive abnormality : abnormal sequential thinking*
*tangential thinking*
•disorganised thinking ==> disorganised speech
•mood disorders
•dementia
•mania
•clanging (situationally inappropriate association of words based upon sound rather than concepts)
•echolalia (unsolicited repetition of vocalizations made by another person)
•[*]tangentiality: deviation from relevancy; wandering train of thought, lack of focus, never returning to the initial topic --> *topic maintenance*
◦self-centered social responses
◦attention to one's own speech is overcome during the occurrence of cognition ==> evasive vocalized content
(language use”)
referential (for the sake of context)
poetic (for the sake of message)
emotive (for the sake of addresser)
conative (for the sake of addressee)
pathic (for the sake of interaction)
metalingual (for the sake of itself)
...................................
-the concept of “wearing” from Alberti (prehispanic South America)
-the concept of “mask” from Mohaghegh (postmodern Middle East)
-the concept of “style” fr[...]
(494)[...notes/sanaan full text.txt]%59.9[...]ver valley or delta --> detritus [residuum alone is left to control the universe?]
Ishtar
guardian of prostitutes
surrounded in myth by death and disaster
goddess of contradictory connotations and forces (fair play & enmity, etc,)
Lillith (derived from the Akkadian lilitu: evening creature, specter, or monster)
kidnapping sleeping children
(according to the Babylonian cosmology) night requires (non-identitarian) gods capable of abomination (backstabing)
-recognized by their tangible outlines as actual constellations in the night sky
-related to the more expansive domains of animality, vehicles, and objects
-emanate from a perceptual faculty closer to the child's imagination of cloud-shapes (=/= archetypal meaning)
Tiamat
primordial goddess of the salt sea, darkness, chaos, and creation
from the time of permanent nightfall
a destroyer-deity and yet whose sliced body parts form the heavens and earth
represented as unconscious, reckless annihilation and yet also holding diabolical intelligence
bathed in eternal blackness and yet known as “the glistening one”
Girra
dystopian potentials of technological invention
figure of wicked logos (undoing words)
(leader of the terrible)
non-metaphysical and equally nonhumanist devotion to the artificer (apparatus)
cosmic ballistics: scientific field of mechanics concerned with the launching, propulsion, flight, and effect of projectiles (trajectory and impact)
nocturnality and contagion
snakes and dragons of constellations
paradox (the beast)
instrumentality (the builder)
unleashing (the despoiler)
death-spell
نابودی gesture of *extispicy: ancient Mesopotamian practice of reading animal organs (often a sheep's liver) spattered upon a wall's surface
-a discipline involved less with knowing than with watching
The Egyptian Book of the Dead
philosophy of night, dusk, shadow
egyptian night-deities
-with astounding narrative-theoretical flexibility
-some slither, hunch, fly, or remain seated
-not residing on Olympian heights but rather in the subterranean below
star-covered nude woman
cow arching over the earth
--> night does rule from transcendent distances but rather envelops (or swallows) whole the existent into its gut (or uterus) [<-- digestion?]
[metaphysics:] (away from) patriarchal gaze --into--> maternal stomach
Khonsu
•bloodthirsty (eating the organs of royal opponents)
•merciful --> [its creative epithets:] traveler, embracer, pathfinder, defender, “He Who Lives on Hearts”
one who resembles his own waning moon
[...]
(495)[...notes/sanaan full text.txt]%60.7[...], another register [not an “obscure” knowledge, or a “pre-conceptual” knowledge, or a “global,” “immanent,” or “immediate” knowledge]
•philosophy calls “body” presupposes the determination of something like an
authority of “immediate knowledge,” a contradiction in terms, which inevitably becomes “mediated” (as “sensation,” “perception,” synaesthesia, and as immense reconstitutions of a presupposed “representation”)
the site of nonknowledge that the body traverses --Nancy--> *is related to thought* <-- the body thinks (in a sense) beyond giving or making sense
==> *thought is itself a body*
-Heidegger was the one who unhitched “thought” from philosophical operations and gave it weighs in as body ==> Nancy
in Dostoevsky --> the body commended by *illness* bears a memory trace of the *sacred* (+ finitude of all bodies)
“God is dead = God no longer has a body” ==Nancy==> bodies (bereft of trickle-down symbolicity) will have to be:
•pumped up
•prosthetically amplified
•steroid-enhanced
•“built”
•buffed
•bionically ensured
•drugged
•“medicated”
•cloned
•remade
==> the technobody or replicant will be made to substitute for the lost body of the divine trait
last night he dreamed of (apocalypse technological dominion:) spread of the railroad and the distribution of connectors installed by new technologies as instigators of the unsacrificeable...
(in literature) apocalypse = vehicle (a technological momentum)
the unnamed God has vanished together with this unnameable thing...
Myshkin’s illness still binds him to the sacred --> this body retains and persists in making sense, the illness continues to produce sense
...poverty, hunger, deportation, torture, deprivation, ugliness, horror --> bodies sacrificed to nothing
[*]sacrifice: a body's passage to a limit where it becomes the body of a community
(after Christ -->) body is nothing but a wound =/= illness
(when it persists) pain ==> I'm not well, I'm in trouble, therefore I am.
jouissance: a pain that succeeds <-- a place where being, utterly exposed, is external to itself
[*]body: surplus of objectivity
our body acts as a traumatic place (that causes a series of failures)
(idiot's seizure) epilepsy
Then suddenly something seemed torn asunder before him; his soul was flooded with intense inner light. The moment lasted perhaps half a second, yet he clearly and consciously remembered the beginning, the first sound of the fearful scream which broke of itself from his breast and which he could not have checked by any effort. Then his consciousness was instantly extinguished and complete darkness f[...]
(496)[...notes/sanaan full text.txt]%61.1[...] />
(going to fetal position)
seizure: an enactment of a wish to return to the womb
epilepsy --Sutterman--> sadomasochistic phantasms that feature the self as murdered child
breaking a prized vase
delivering rants in place of conversation
Dostoevsky's idiot:
•repugnant
•uncanny
•a kind of Bataillean reversal (at bottom is unmistakably Christian)
•provokes love
according to Dostoevsky: *idiot ==provoke==> love*
Faust had reported that two souls inhabit his body [==> switching body types] {--> two sick bodies} (hallucinated + internalized)
1. the ailing body --> you can get rid off with drugs (dealt with Mephistopheles)
2. the abandoned body --> inglorious corpse
body doubles reflecting one another (---> go to mirror)
Avital --✕--> movements [such] as Positive Action, Positive Choices, and the marks of similar tags of empowerment that issue from the hope that we know what we’re doing, that we can take charge and act up and affirm our bodies, our selves, that we can now stop being victims and relinquish passivity.
torturer <--> healer
...................................
شطح shath: literary technique (san'at adabi صنعت ادبی)
(jCzF0RD-a_M)
shath: contradictory speech (kofr + iman)
del-bari (dressing up and going out[?]) =/= gush be harf kasi dadan (listening)
گوش به حرف کسی دادن =/= دلبری
خجسته khojaste: thinking all the time that everyone is saying hello to you
Hafez = connected pockets of meaning =/= Ferdosi's organized pockets of meaning =/= bestiary's listed pockets of meaning
...................................
indian ocean diaspora
indian ocean slave trade ==> atlantic slave trade and the new-world diaspora
Lee --> influence of African and afro-iranian people on other iranians and on persian society and culture
Ziba Khanum (d. 1932 Yazd)
the life of one enslaved African woman who lived in iran
(recovering what can be recovered of their industrial lives)
iranian history --> issues of:
•race
•gender
•religion
•elite social and economic networks
•nature of slavery
•value of subaltern history
the idea of (academioc study of) history: study of structures, institutions, abstractions ==> generalizing categories (such as slavery, freedom, modernization, etc.) =/= (biographical turn) towards biography of one woman
****(biography ~~>) *personal experience* =/= (category of) slavery: an abstraction that bunches together and confuses historical instances of displacement, isolation, dependence, unfree labor****
(--Cinderella-->)
personal experience =/= displacement
per[...]
(500)[...notes/sanaan full text.txt]%61.2[...]ught, sounded and unsounded, and how voice is incorporative [tending to incorporate or include things] of these gestures
(Heidegger shows)
metaphysical relation: think ==> speech
(only when one speaks, does he think--not the other way around)
temporality of memory
(...it took them two years to remember to tell me this)
possession: is to be struck by any number of somatic illnesses or psychic effects of mysterious origins (Bown 1993)
mythopoetic (registers of Qur'an)
mythopoetic registers of everyday life
Jinn can trick the humans into looking at a copy of them (and then change form or into formlessness)
the copies of time-honored practice of embodying and transmitting the islamic tradition is now haunted by *modern anxieties*
Asb-e Imam-Hossein
it is in islamic tradition that being a muslim entails keeping up the illusory nature of everyday life while also participating in it. (not excessive withdrawal nor excessive attachment)
[why isis breaks this?]
...................................
[✕] technologies of the “here and now”
[✕] semiotic-tech of “elsewheres”
}-->
(separated in the past, *ontological difference*, a fiction) in West: (--> that is why Latour anthropologizes modernism)
*[philosophy]--signals--> here (in Europe and West), selves
*[anthropology]--signals--> elsewhere, others }--> a wannabe discourse on Others
}--> (ontological difference between anthropology & philosophy [in their mode of immersion in the metaphysical] is part of) colonial community, a form of ‘negation’ =/= my recent antagonism [the way i am studying is for *extension*{= extending but also standing in tension with, a lineage(=/= rupture)} rather than *negation*]: since i got into Olearius, 2017, I am developing recently a philosphpical-genealogical antagonism. (in Iran we are used to philosophy naturally inhabiting the otherness of Europe, among others, we never see them as anthropological objects, but they see us as such. *we don't think ethnographically about Others*)
}--> my aim is to mix this while i am “here” --> i say life (also power and ethics) comes to attention simultaneously anthropologically and philosophically from elsewhere and here [--> to reed something from the outside ~= reterritorialization (of concepts, interests, affects, percepts,)]--> when concepts are reterritorialized they illuminate the world differently
*we need better construction of past for building truly decolonial community* <-- is my antagonism needed for this?
anthropology: a mode of heightened attentiveness to life
(Singh)
Foucault, Benjamin, Derrida, Deleuze --> a loss of anthropolog[...]
(501)[...notes/note jinn.txt]%61.9[...]osophy, then, are two distinct but related ways in which life may be examined
to think affirmativelt ==> our negations become sharper
my recent knee-jerk reaction (for example to Olearius) would be to invoke Eurocentrism
(resist: “west” and “non-west”, built on entirely negative images of Europe, from which perspective postcolonial settings appear with double negativity from which they can never recover)
thoughtful moments among friends but scholastic and conversational traditions (--> Greek) =/= “sage”, part of a larger conversational contest culture (not always between “friends” but is an agon -->? Kelile-o Demne)
-other conceptual-conversational traditions (in Iran,,,?) [for example “taking an author from behind and giving him a child that would be his own offspring, yet monstrous”, producing an anthropologically oriented Deleuze, a reading of ___ that produces a ___ically oriented ___]
*** it is not a question of negating dialectices but of setting out a different style of thought and examining the ethnographic and political consequences that follow ***
“when you asked him the question about deities, you began a type of conversation called gyan-charcha --> knowledge-talk technique (<-- my favorite mode of reading of literature, and basically everything, is like that)
?which concept(s) you use to think through these things:
•bonded and legitimate labor
•power relations
•marriage
•sacrifice
•kinship
•intimacy
•buying
•selling
•
}--> the fabric of human relatedness depends on it
*[lunar enlightenment]*
(Singh's beautiful lunar reterritorialization of “enlighting”:) what kind of light do we assume as our image of plenitude?
عجایب ماه #moon's inflow-ence, waxing and waning intensities, fluctuating thresholds, the rise and fall of gods, tutelage of moon, a lunar rather than a solar sense of enlightenment, blemished and inconstant, the moon is nondialectical, *neighbors lunacy*
Derridean moment of negative transcendence
waxing and waning plenitude of that flux
Singh:
•varying thresholds and intensities
•logics of a/not-a
•ethics and energetics @Sana
•
•
*** a shift of even a degree (say, a different mode of contract or force) could be the difference between social life and death, happiness and despair, or exploitation and freedom ***
(Singh teaching me to think about Tehranians)
دروغ بد را با دروغ بهتر جایگزین کنیم نه با حقیقت
Nietzsche's double affirmation, yes yes
Deleuze, “the ass does not know how to say no because he says yes to everything with is no” --> to affirm is “to release, to set free what lives”
--[...]
(503)[...notes/note jinn.txt]%62.5[...]n the general poblic? (<== ‘evidence =/= proof’)
-age of testimony (-public truth-)
-citizon photo journalism --> “witnessing ~= action”
-the appearance of nonhuman objects as evidence (in forums and courts) as records of imperssions [sense perception] --> object = sensor (waiting to be interpreted by justice-seekers) ~-> ***proxy for an absent victim***
[*]forensic: process of making claims of what the evidence is “saying” [--> what is made evident remains in dispute]
“forensic production of evidence (in art) ~= radical rejection of representation” --> *adjudication of information* @Ali
(Keenan:) ideological and formal continuities that run from the geometrically precise drawing of human cargo slave ships [==> public delegitimization ==> collapse of slavery], or infrared images of boats carrying humans across the mediterranean today.
(artist's claim of) “the failure to see” (or “how could they not see the injustice”) (==> “I make them see” ~ violence of slowing down brutality videos, zooming, saturating, freeze-framing, obssesing with the visual details, etc.) --✕--> what we “see” is structured by other factors (race, etc.)
-recourse اعاده
(we can always do aggressive) counter reading --> counter forensic: the technical rhetorical work making evidence speek : “voice + image = task of persuasion” --claiming--> public truth and rights
•(Thrall and Keenan:) alternative modes other than using images (visual evidence, fundamentally a peaceful way of wanting ‘change’): using force(?)
•forensic ~ advocacy ~= configuration of claims and evidence --> claiming is always claiming rights [=/= commitments]}
Keenan: rights are something we claim (=/= something we have) --through-->
1. advocacy
2. forensics
(Spivak's question: can the subaltern speak?) --> (Veena suggests forms of attentiveness to) myriad fluctuations between yes and no (=/= Derrida's notion of absence of voice)
we come to recognize the expressiveness of our interlocutor (in its different and difficult forms)
[...working for the expressivity of others, and not yours]
(Veena research in Sultanpuri:) *theatrical performances of violence created a subjectivity that would not be carried forward in time*
-to what extent subjects posses the knowledge they enact? (~ do we know what we do?) --?--> question of structure and cognition (~ the extent to which we know the structures that we are part of, and what vulnerabilities and events this leaves us open to)
(let's stop throwing easy) political and moral posturing about neoliberalism
...there are only particular regions of the past that we potentially or actually have access to. we do not know in advance which regions of the past life might lead us to, or express through us --Veena--> we are not necessarily *cognizant of the structure*, but [...]
(504)[...notes/note jinn.txt]%63.1[...]case) --toward--> producing the readiness for change
-attitudes of toleration comes with belief in dogma
Mohammad
the prophet's return is creative : insert himself into the sweep of time with a view to control the forces of history ==> create a new world of ideals
*prophetic consciousness: a mode of economizing individual thought and choice by providing readymade judgment, choices, ways of action
Islam is strongly informed by *teleology: final causes and ends
•(a tradition of) biding worshippers to act in this world with the knowledge of brevity of earthly existence (and the certainty that they will meet their maker)
--> perception of time
Bergson --> enabling change in the human perception of time so that humans could see how their present was charged with open-ended potential
(1934:)
•duration: reality of time as a dynamic continuity
•intuition: imaginative means by which humans could perceive duration
(picture of) life = vital impulse through matter
--> (positive account of) evolution: continual discharge of creative ideas (and tendencies) moving through a world of matter
[*]metaphysics: a technique to avoid “false problems”
Bergson's understanding of intellect: denying humans the experience of time as duration ==> Iqbal
how Iqbal rendered (Bergson's) vitalist philosophy (which denied teleology) acceptable to Islam (which strongly is based on teleology):
the idea of a forward-looking aspect to the intelligence permeanting life --> for a Muslim an “ought to be” stands in the forefront inflecting the present well before any final end
human-God copartnership --imply--> advancement of the self as the object of striving {the self arcs towards God and partners with God in order to advance}==> change in the world
“the finite ego must be distinct, though not isolated, from the infinite”
(Iqbal)
Iqbal's striving:
•the end of one's striving is one's *next self*
•nonprogressive: one's next self could lay ahead, alongside of one, or in one's past
•not to part with their finitude too quickly (no fana dar hagh)
Iqbal's pholosophy -->? aesthetics of the self (~ creation of personality)
--(preoccupied with)--> *muslims crafting and tethering their subjectivity to the commentary world*
Iqbal's self-seeking individuals : actualize qualities attribited to God [(impersonal qualities:) majesty, beauty, grace] (to the best of one's ability) --Naveeda--> (individual impersonality) ***individuality marked by a certain impersonality*** : the more impersonal the qualify that is manifested the more unique one is
=/= [*]modern identity : right-bearing citizen in nation-state, a subject distinguished by the peculiarities of his[...]
(505)[...notes/note jinn.txt]%64.4[...]respect to everyday life and public culture)
expressions of striving
•International Committee for the Protection of the Finality of Prophethood
•Blasphemy Law (Pakistan)
•...my alim is superior and provides the best guidance toward being a good Muslim
•
[debate as an omen:]
debate: indication of self-deception
(practical aspects of piety <--) rightful instruction =/= self-deception (--> quarrel ~= debate & disputation)
--> debate & argue : competitive exchange --✕--> cajoling, explaining patiently, waiting to be understood
umma: moral community (--> my problem with community in artistic research is rooted here)
ejtehadi --> interpretive
nazariati --> ideological
“...being bitten by the rabid dog of wrongful ideology”
bedat, gomrahi --> world as illusion (experiencing the world as fictional) --> one's capacity to be alienated --> problem of one's striving
reply to the letterwriter
fatwa فتوا --attention--> scene of aspiration as expressed through religious discussion and debate in everyday life
mofti مفتی jurist
(from) giving technical religious advise --to--> assessment of the shredded nature of social life [<-- like how artists give fatwa, *artistic fatwa and research*]
“fetne فتنه ~= civil discord” --> the idea that it is wrong for ordinary people to engage in religious debates, for they will land definitely in error ==> spark for uncharitable behavior
riya ریا
hypocrisy, ostentation, dissimulation
--> excesses of speech: gossip, rumor
Thanawi's suggestion: use different parts of the body to flatter the tongue
(from) riya --to--> adat (habit) --to--> ebadat (worship) --to--> ekhlas (sincerity of character)
}--> Thanawi's exploration of persistence presence of skepticism within everyday acts of piety and religiosity =/= Ludhianvi's overcoming of skepticism
Iqbal =/= (Pakistan progressive 1950s) aesthetics of social realism
Mumtaz Mufti
writing style invitation to chat --> radical contingency of conversation and the surprising places it might lead us
(running around) asking “who is a muslim?”
(when you have) no one to help you with the child ==> child becomes your companion =/= child
the art of vagrancy ولگردی
“...for two years they [Mufti and his son] roamed markets together for days on end, drank endless cups of tea, and ate what they could find from stalls, ending each night at the cinema halls.”
Mufti's wonderment =/= Western culture of hippies
Qur'an: God's sense of wonderment towards his creation (*Qur'an's inner child* --Mufti--> youthful openness to the world)
=/= scholarly skepticism (d[...]
(506)[...notes/note jinn.txt]%65.4[...]•[(for example myself in my lecture performances) when one engages in] finding (new) readings within (older) X [narratives, fables, etc.] ==> expand the periphery of one's social bound
(in apass we approuch problems in) [*]Nietzschean mode --> (emphasize on) ‘will to power = condition of our own making’ (=/=nihilistic view of life on this earth as “done for” or death as a means of escape to the after-life)
to loosen some terms carefully: memory, form, order,
[The arts of memory- Comparative perspectives on a mental artifact. Revised and updated by the author Carlo Severi. Translated by Matthew Carey - Severi - HAU- Journal of Ethnographic Theory]
memory as a domain of social life
archive
“order” constitutes a principle to engender other forms of knowledge
totem poles, simply records the different circumstances that marked a particular social group, were comprised of organized series
occupied with the transmission of ‘names’, but necessarily, paralleled by a form of logical power, implies sequential ordering of different forms of knowledge.
the “art of memory” applies different types of relationships or archival techniques that are not limited to mere numerical calculation: mnemonic, iconographic, and logical techniques.
provide a convincing account of the complex process of ordering
in a measured rigorous way...
what characterizes the system
development of taxonomic principle
system endowed with a high degree of logical power
the idea of pure quantity, based on decimal numbers applicable to wide range of categories: people, objects, units of time or space, etc.
an “art of memory” possessed of rudimentary form of visual salience and an extremely complex ordering of representable knowledge
what matters are system's logical implications and not its visual manifestations
salience
(colors, shapes of knots, folds)
the qualitative categories (meant to be named)
(finding) the organizing principles
precisely calibrated
oriented space
(geometrically?)
what constitutes the logical poles of the vast spectrum of the projects in the archive (people, objects, units of time or space, etc.)
(concerning the archive) we can negotiate two types of knowledge: lists and narratives
to identify a series of key elements that allow us to rethink a wider chronology
textual archaeology - evaluates and decrypts, layer by layer
discovering (evidential) mnemonically oriented means of organizing traditional knowledge
(Montesinos's book:) “list of one hundred kings”
should we abandon the conventional terms of “narrative"<[...]
(507)[...notes/khmarchive.txt]%65.7[...]der chronology
textual archaeology - evaluates and decrypts, layer by layer
discovering (evidential) mnemonically oriented means of organizing traditional knowledge
(Montesinos's book:) “list of one hundred kings”
should we abandon the conventional terms of “narrative”
the term narrative used to describe mnemonically oriented lists of names..
narrative was just one of several different means of organizing knowledge..
graphical representation, capable of developing further degrees of complexity
“form”
recreate the ‘form’ (form : ‘state of organization of matter’)
within (this/a) variable system
“text” as sequences of cords
memorization (the creation of mnemonic relation) necessarily implies the modular organization of the knowledge it represents
constitutive dualism in many forms of the art of memory:
- order (Anordnung) and salience (Hervorspringen)
•expressivity (and power)
•encoding (Verschlüsselung) and evocation (Herbeirufen)
possible course between the twin rocks of writing: “social” and “arbitrary”
at the end it is the mental operation
(techniques of thought)
the image plays a central role in the construction of relations between (visual) themes and particularity of words, which in turn help organize narratives
...................................
these all were technical or formal questions so far
memory is a way consistency maintains itself
civil society is afraid of personal recollections and perverse databases, digital collections
is khm’s archive a state sponsored memorialization, monuments of a consistent history? (that assumes a sublime ending?)
the immemorial (in memorial)
have a strong philosophy of technology with this project
there is never merely a technological question, always already ontological
who wants to remember, solidify, and memorialize?
and for whom?
building a technological temple of memory, khm aesthetic narrative of its own history?
(first there is one big account of property that all these fragmented histories of numerous people who worked in khm are singed under one signature, of khm)
should we disavow any notion of “spirit” in khm?
we must agree that khm's render of its own history is pure aesthetic what so ever.
we must remain committed to the experimental, when dealing with archival domains in the school of media art where experimentation was in its original conception and foundational roots (as Zielinski expresses in one interview: “+25 KHM: Siegfried Zielinski” https://www.youtube.com/watch?v=S3JQ3aTwu2s)
arte
DAS KURZFILM-MAGAZIN
KURZSC[...]
(509)[...notes/khmarchive.txt]%65.8[...] what Lévi-Strauss called the “systematization [of] what is immediately presented to the senses,”
(Jakobson)
transmutation: cognition involved by the form of translation
data ontology
what is the point of view of rationality in this for us?
(what is the point of view in witchcraft? knowledge is a performative recipe)
what is the point in point of view?
...................................
(Jorge Luis Borges - ‘Funes the Memorious’ in ‘Labyrinths: selected stories & other writings’ 1964)
in Borges story, Funes, the character unable to forget is incapable of the concept of ‘general’
solitary and lucid spectator of [...] an intolerably precise world
not capable of thought
in order to sleep, he had to imagine a direction he would turn his face, made of homogeneous darkness
“To think is to forget differences, generalize, make abstractions.”
Borges ‘homogeneous darkness’ is what we as forgetful immortals afraid of to turn to?
maybe the directions we sleep into, orientation to the cosmos?!
...................................
is archive naturally and necessarily generated (out of regular form of activity)?
a (technologically implemented) beyond
the drive to animate and mobilize; and the drive to conserve, to fix, and so forth, are mutually constitutive for modern imagery and media (from museum to archive)
archive performs a strange dialectics
to see the archive as a technological rational question, and engineering assignment, is to naively avoid the thinking about your own activity as a constructive activity
depriving yourself of any tools to act
is archive a tool to act?
the agency of an archive..
“other ways” of composing?
marking its territory? how to make a map without giving way to the territory as an extension of the map?
["Angels Without Wings” A conversation between Bruno Latour and Anselm Franke]
the mechanical extension, Res extensa, the (descartian) extended thing, the visualizing technologies, technical drawings, has been so strong that the temptation so say “well, that's what the world is really like” is very great, especially when your foreground is all of the engineering talents and engineering skills that are necessary to assemble.
to attribute strangeness...
what ‘will’ you inherit?
you have little idea of what will you inherit
(other way of not thinking about your activity now)
*the question of future
[Ronell]
false remembrance, displaced memory, that actually repeatedly represses and disturbs ‘giving’
any remembrance involves forgetting
an official [...]
(514)[...notes/khmarchive.txt]%65.9[...]r />
Borges ‘homogeneous darkness’ is what we as forgetful immortals afraid of to turn to?
maybe the directions we sleep into, orientation to the cosmos?!
...................................
is archive naturally and necessarily generated (out of regular form of activity)?
a (technologically implemented) beyond
the drive to animate and mobilize; and the drive to conserve, to fix, and so forth, are mutually constitutive for modern imagery and media (from museum to archive)
archive performs a strange dialectics
to see the archive as a technological rational question, and engineering assignment, is to naively avoid the thinking about your own activity as a constructive activity
depriving yourself of any tools to act
is archive a tool to act?
the agency of an archive..
“other ways” of composing?
marking its territory? how to make a map without giving way to the territory as an extension of the map?
["Angels Without Wings” A conversation between Bruno Latour and Anselm Franke]
the mechanical extension, Res extensa, the (descartian) extended thing, the visualizing technologies, technical drawings, has been so strong that the temptation so say “well, that's what the world is really like” is very great, especially when your foreground is all of the engineering talents and engineering skills that are necessary to assemble.
to attribute strangeness...
what ‘will’ you inherit?
you have little idea of what will you inherit
(other way of not thinking about your activity now)
*the question of future
[Ronell]
false remembrance, displaced memory, that actually repeatedly represses and disturbs ‘giving’
any remembrance involves forgettingr />
an official call for design an archive from khm also invoked that the institution is ready to forget, announces institutional forgetting, and disavows remembrance
remember includes the lost-member, bringing my member, the phalus (in English ‘member’ also means the male organ of copulation)
[Hegel, Georg Wilhelm Friedrich. “Das Gedächtnis.” ‘Enzyklopädie Der Philosophischen Wissenschaften Im Grundrisse’ 1817. Web.]
Hegel makes a distinction of two modalities of memory:
(1) ‘Erinnerung’ (internalized memory, which is situated in the heart), (it could also be hallucinatory, might dependent on an interiority that isn't there!);
(2 and this one concerns archive) ‘Gedechnis’ (technological memory, a supplement or prosthetic device that reminds you. ==> it's mechanical, it's on the side of death and forgetting, a kind of memory that needs to be prompted) (to choose the technology of writing/archive the subject of memor[...]
(516)[...notes/khmarchive.txt]%65.9[...]ur foreground is all of the engineering talents and engineering skills that are necessary to assemble.
to attribute strangeness...
what ‘will’ you inherit?
you have little idea of what will you inherit
(other way of not thinking about your activity now)
*the question of future
[Ronell]
false remembrance, displaced memory, that actually repeatedly represses and disturbs ‘giving’
any remembrance involves forgetting
an official call for design an archive from khm also invoked that the institution is ready to forget, announces institutional forgetting, and disavows remembrance
remember includes the lost-member, bringing my member, the phalus (in English ‘member’ also means the male organ of copulation)
[Hegel, Georg Wilhelm Friedrich. “Das Gedächtnis.” ‘Enzyklopädie Der Philosophischen Wissenschaften Im Grundrisse’ 1817. Web.]
Hegel makes a distinction of two modalities of memory:
(1) ‘Erinnerung’ (internalized memory, which is situated in the heart), (it could also be hallucinatory, might dependent on an interiority that isn't there!);
(2 and this one concerns archive) ‘Gedechnis’ (technological memory, a supplement or prosthetic device that reminds you. ==> it's mechanical, it's on the side of death and forgetting, a kind of memory that needs to be prompted) (to choose the technology of writing/archive the subject of memory is so screwed.)
***everything depends on the ways we remember!
[footnote on German memory]
[blackwellreference.com, entry: “memory, recollection and imagination"]
Plato's doctrine that all learning is the recollection (anamnésis) of things previously known but later forgotten casts a shadow over the idealists’ uses of Erinnerung.
...................................
is any act of remembrance also a traumatic experience? (Freudian take on memory) -- archive is so “not” traumatic therefore a tool of amnesia. (archive in digital age: the oblivion of availability --> media theory)
can we think of a non-traumatic gesture of socialization of memory? or memorial activity “has” to be violent in order to be remembered? (--> sublime) (like what Ali does, tattooing me, every time he tells me one of his stories of trauma)
like i said before, “who” wants to remember?
(masculinity is written all over this anxiety-ridden remembrance --> re+member, bringing back the symbolically lost phallus: “member” means “the male organ of copulation” in English)
trauma makes available, brings back lost objects to the consciousness, in a psychoanalytical sense. is then the digital archive an absolute oblivion?
...................................
///////// newer notes, saved in 11 September 2016 /////////
<[...]
(518)[...notes/khmarchive.txt]%66[...]x-territorial and as a receptacle (makhzan) for the past
archive is not a fortress external to our world, with us as its pilgrims
(the ontological performance of filling a document)
(a constellation, aimed at distancing and disturbing us)
collecting --> grouping
extracting --> sharing
cataloguing --> indexing and tagging
...................................
(for Freud:) trauma <~=> memory
(for Nietzsche:) “Man could never do without blood, torture, and sacrifices when he felt the need to create a memory for himself.” ----> ‘ritual’ may be seen as a way to keep memory alive without the experience of pain?
(Bataille after Nietzsche:) ‘sacredness’: the revelation of continuity through the death of a discontinuous being
within the political art domain the “I feel your pain” has sympathetic currency. one is punished by drawing public attention to their pleasures
(I feel your pleasures =/=) “sense of pain” [an asset of the artist] ==establishes==> awareness of the existence of the body
processing is largely parallel, while, attention is largely serial
disciplines of the modern subject
(in artistic work the unsolved issue remians:) technniques for/of the external control
...................................
[*] which spaciotemporal vectors are embeded in the archive, as a modern feeling of arrow that thrusts forward differentiating past from the future, “archaic” from the “advanced”?
[*] archive produces a “yesterday”
a dangerous arrow of time that is constituted and announced
-how do we attend the histories of implication and attachment?
futurity [aghebat عاقبت, (even) akherat اخرت], the promis of the archive
...................................
trauma: that which it won't tell its story =/= total recall
how can history tell?
history, a compensatory device?
...................................
gist
جان کلام
مراد
[Geoffrey Bowker]
http://www.ics.uci.edu/~gbowker/forget.html
Grand Historiographer, Sima Qin (1994 [ca 100BC]), writing of the burning of the books in 213BC, notes that the Chief Minister adviced the emperor that: Aall who possess literature such as the Songs, the Documents, and the sayings of the hundred schools should get rid of it without penalty. If they have not got rid of it a full thirty days after the order has reached them, they should be branded and sent to do forced labor on the walls. there should be exemption for books concerned with medicine, pharmacy, divination by tortoise-shell and milfoil, the sowing of crops, and the planting of trees (31). In response to this, the Emperor ordered the famous burning of the books - to cite Qin: Athe First Emperor collected up and got rid of the So[...]
(520)[...notes/khmarchive.txt]%66.1[...]hange of identity ['clean slate’ is very well known state to mysticism, --> clearance(=? is to take away useless theory) and origins in geometry - #Serres]
organizational forgetting --producing/maintaining--> classification systems ==> move from heterogeneous forms of memory operating within multiple frameworks [like ajayeb bestiaries] to the privileging of a form of memory (potential memory) operating within a well-defined information infrastructure subtended by classification systems. (Bowker)
if your work is an intermediary profession invisible and removed at the earliest opportunity from the official record, create a “[name of your practice]-ing interventions classification” (?!) --> a fascinating system that creates a standardized language for describing what is it that your practice does in different or difficult ways
other systems (to organize and critique your accumulation of experience):
•sensitive outcomes classification scheme
◦diagnosis scheme
*sometimes what you do does not need to leave a trace, like nursing (in which your duty is to remember for others) [a professions without form ~~> nothing can be preserved, coding past knowledge and linking it to current practice---in the context of the hospital's sociotechnical system], or cleaning [doing everything that nobody else does], or storytelling [you have to go to a new country every day, going to a foreign zones], or certain kinds of performances [@Arianna --> the intensity, focus, and complexity of care], [going from being expert to novice], and many times not codable into discrete units of work practice to be carried out on specific occasions
in my hypertext writing, am i trying to enable myself to talk about my work in a language that computers could understand?
(do we need?) to get at (and maintain?) the deep structure of the one's situation
--> transformational grammar
--> bring intuitive decision-making tking to a conscious level
# the issue of the validity or not of ajayeb's knowledge is entirely orthogonal to my purpose. I am producing an anatomy of what it has meant in the case of bestiary writing to create such a science
(my issue with) [*]strategy: a way of managing a past that threatens to grow out of control
(in working with bestiaries my research question:) what could provide for a good ordering of memory?
-(which professions act as) distributed memory system (for who?)
-(what blocks between) internal memory and external memory --> the time needed to work complex representations
(we are trying to) situate our activity visibly within an informational[?*] world ==> to be factored
*in an informational world: accountability = measurable, finite, packaged, <--✕--> (other modes of) invisible and articulation work
...when technicians/artists seeking new ways of writing (scientific/p[...]
(521)[...notes/khmarchive.txt]%66.3[...]rk practice to be carried out on specific occasions
in my hypertext writing, am i trying to enable myself to talk about my work in a language that computers could understand?
(do we need?) to get at (and maintain?) the deep structure of the one's situation
--> transformational grammar
--> bring intuitive decision-making to a conscious level
# the issue of the validity or not of ajayeb's knowledge is entirely orthogonal to my purpose. I am producing an anatomy of what it has meant in the case of bestiary writing to create such a science
(my issue with) [*]strategy: a way of managing a past that threatens to grow out of control
(in working with bestiaries my research question:) what could provide for a good ordering of memory?
-(which professions act as) distributed memory system (for who?)
-(what blocks between) internal memory and external memory --> the time needed to work complex representations
(we are trying to) situate our activity visibly within an informational[?*] world ==> to be factored
*in an informational world: accountability = measurable, finite, packaged, <--✕--> (other modes of) invisible and articulation work
...when technicians/artists seeking new ways of writing (scientific/poetic) papers so that their work gets acknowledged ==(and yet)==> the nature of their (scientific/artistic) truth is not impeached***
--> and sometimes we restructure our work so that (organizational, informational or truth-related) challenges will not be necessary ----> (at the end of the day there will be [always?] an) information infrastructure for the kind of work which contains an account of your activity ==> “informational panoptica” (Bowker)
the classification systems we are giving to embed in the tools and reports we give in apass
(in apass problematically we are asked to) copy the transparency of our activity from one representational space (internal memory, nomenclature, past events, paper) to another (computerized record, giving a talk, time-framing) (=/= contingency) ==> an ecology of attention : ***what can be forgotten and what should be remembered*** ==> development of (information) infrastructure
what is remembered in the formal information systems ==> ontology of that system
...recorded on a form; and forms necessarily impose/naturalize classification systems (through the form's speed, rhythm, dimension, and how its specifications are implemented) ***
(how am i working this in my pop-up book and hypertex? --> classification scheme of relevant events for my research)
*informational space is (sufficiently well) pre-structured ==> some things/details can be assumed or are dropped out of the representational space
-in my pop-up book i am encoding a kind of memory in an organizational file ==>? “potential memory” (~= possible[...]
(522)[...notes/khmarchive.txt]%66.3[...]mory.)
it tells you what to forget (for example the religious and metaphysical,) and how to forget it
[the formation (training) of artists covers up the formation (production) of artistic knowledge]
-the social story of science is excluded from the organization of the sciences, and held outside of it =/= situated knowledge
-a natural hierarchy of sciences is offered: every discipline needs to remember only a given set of facts --> each type of memory which has been distributed in space will also be sequenced in time (http://ajayeb.net/?q=imperative+of+knowing) [for example mathematics --> physics --> chemistry --> biology --> sociology] ==> formal memory system
the problem of the detective is that for him only those facts are relevant that hand him the solution of crime (~-> goal-oriented individual disposition) =/= chasing rabbits
-the detective (has to) classify away traces: the systematic and deliberate forgetting of some actions in order to better remember others
-what makes a difference?
-in sorting animals which past knowledges (--> ajayeb) are deliberatly forgotten in order to remember them as incorporated into an information infrastructure called ‘species’? -->! the classified are remembered (in the technoscience world)
(what is the) complex ecology of memory practices (particular within apass?)
•Hoda --> politics of remembrance
•Zoumana --> situated perspective
•Sina --> narratable past
•Marialena --> type of language
•S
today, 18.07.2017, the ajayeb's knowledge can be stored and expressed in a quite restricted range of genres called myth, ancient, imaginary,
______________
http://www.ics.uci.edu/~gbowker/records.html
we have learned from Foucault that different (medical) records, different practices of reading and writing are intertwined with the production of different patient's bodies, body politic, and bodies of knowledge
@Olga
record is the story of the organizational infrastructure [@Marialena, Olga]
[Foucault on knowing in the practice of medicine:] cascade of inscriptions --> writing [--> totality of observers/observations ==> “true knowledge"] --> modern clinical gaze ==> pathological processes of individual bodies (=/= medicine of species: individual symptoms / medical knowledge, essential truth beneath the sensible individuality)
...a body which hides the essences of the disease --> production of the organizations which enact and treat it
How is the patient (or choreographic) body's specific geometry and its historicity created?
*body is produced through embodied, materially heterogeneous work
(Foucauldian) dispositif: a network within which the body acquires its specific ontology
(Latour ☜ Bowker:) the record ‘mediates’ the relations [...]
(523)[...notes/khmarchive.txt]%66.5[...]isease --> production of the organizations which enact and treat it
How is the patient (or choreographic) body's specific geometry and its historicity created?
*body is produced through embodied, materially heterogeneous work
(Foucauldian) dispositif: a network within which the body acquires its specific ontology
(Latour ☜ Bowker:) the record ‘mediates’ the relations that it organizes, the bodies that are configured through it
regarding record, we can be concerned with:
•practices of reading and writing which bring the record to life
•mapping the configurations the record helps bring into being
how the structuring of the record speaks to the structuring of the bodies (of the artists?) we investigate? (@Sofia, Olga)
record -->{
production of human bodies
organizational hierarchies
selective memories
_________
Ribes Bowker - Between Meaning and Machine.pdf
...in the wake of ontologies
in participating in knowledge projects, first we learn about ontologies and then learned how to create them
(we rarely “produce” knowledge, we always participate)
ontology: an information technology for representing specialized knowledge in order to:
•facilitate communication across disciplines
•share data
•enable collaboration
(am i) representing the knowledge of my communities (?) -- what does that mean?
*routinization* (is that which is at stake in ontologies) --?--> *apprehension*: orientation to the informational organization of ones field
(to attend the routinizations and apprehensions in one's own practice --> ontology building)
•my routines of reading, highlighting, writing, idiosyncratic talks, feedbacks, questions, silences,
--> (attend to the) transformative consequences of learning and traversing routines --[+]--> the practice and material tools that accompany the reworking of them {knowledge in informational terms, fables, etc.}--> problematic of inter-operability
--> (and asking) how a (broader) community's interests are at stake with this? {to engage and enrol that community through what activities?} #microworld
(my routines:) with confidence deliberately working with:
•interrupting stories with stories
•partial connection (and its performance)
•moving arguments through by infecting them with other arguments (=/= dialectical)
•mobilizing (multidisciplinary) fields (=/= the imperative of knowing A, B, and C first before you do D)
•mobilizing citation apparatus --> that which gives sense to what enables this work --> deliberately having a conversation with ajayeb al makhlughat
•mobilizing anachronic apparatus --> mobilizing different timescales ==> mixing up what counts as “us” (=/= chronology [?==> belo[...]
(524)[...notes/khmarchive.txt]%66.6[...]on of material resources that enable practical work
[#workshop fables] how, by traversing the routine, “knowledge” and “community” took on new meaning, as they were rearticulated in the different languages
uncertain activities of knowledge
(what i am learning in apass is that) modeling ontologies involves articulating knowledge in ways that sometimes appears alien to that domain community
[asking with Bowker:] for my ontology-building to appear representative, does my community itself have to learn the goals and language of my knowledge modeling? (the question i asked Sven, telling others ‘this or that is the language i am using.’) (i am using a language that is Harawayian, Ronellian, Sadrian)
______________
http://www.ics.uci.edu/~gbowker/actnet.html
...it is easy to get lost in Baudrillard's cool memories of simulacra (1990)
at stake: day to day work of building classification system
things to learnd from actor-network approach: (Latour, Callon ☞ Bowker)
•regimes of delegation
•centrality of mediation
•the position that nature and society are not causes but consequences of human scientific and tachnical work
--> “technoscientific societies are powerful precisely because they are so good at delegating and distributing; and that actor-network theory is well position to track and describe the work of delegation and distribution.”
fact is a consequence
(Dewey)
(in a way, my work and interest in ajayeb is about histories of standards in knowledge production, which, i argue, is key to all sorts of other productions) (& the politics of remembrance : the politics and philosophy of classifying certain textual/material activities such that they have a chance of being part of the cultural *potential* memory)-->{Olga, Hoda, Sana}
artists are using a lot of standards (of representations or materials)
(out of) control standards
-there is a huge amount of standards i am depending on in my hypertext
-international diplomacy depends on manufacturing and enforcement of standard vocabulary --> how much are we really in diplomatic businesses?
Google: “To organize the world's information and make it universally accessible and useful”
standards are often:
•making things work together
•enforced by legal bodies
•have their own (significant) inertia --> hard to change, and is not about the technically superior standards winning [DOS, VHS, A4, etc.]
standards --> *aspect of acting in the world* ==> classifications
what are (or have been) the behind the scenes, boring, background processes of the “real” work of ajayeb (and any past and practical politics of knowledge production)? (==> becoming interested in a wider scope of reading: rhetorics, semiotics, objectivity, analy[...]
(525)[...notes/khmarchive.txt]%66.7[...]
--> “technoscientific societies are powerful precisely because they are so good at delegating and distributing; and that actor-network theory is well position to track and describe the work of delegation and distribution.”
fact is a consequence
(Dewey)
(in a way, my work and interest in ajayeb is about histories of standards in knowledge production, which, i argue, is key to all sorts of other productions) (& the politics of remembrance : the politics and philosophy of classifying certain textual/material activities such that they have a chance of being part of the cultural *potential* memory)-->{Olga, Hoda, Sana}
artists are using a lot of standards (of representations or materials)
(out of) control standards
-there is a huge amount of standards i am depending on in my hypertext
-international diplomacy depends on manufacturing and enforcement of standard vocabulary --> how much are we really in diplomatic businesses?
>
Google: “To organize the world's information and make it universally accessible and useful”
standards are often:
•making things work together
•enforced by legal bodies
•have their own (significant) inertia --> hard to change, and is not about the technically superior standards winning [DOS, VHS, A4, etc.]
standards --> *aspect of acting in the world* ==> classifications
what are (or have been) the behind the scenes, boring, background processes of the “real” work of ajayeb (and any past and practical politics of knowledge production)? (==> becoming interested in a wider scope of reading: rhetorics, semiotics, objectivity, analysis, architecture,)
•historically creation of the infrastructure
•ubiquity and webbed saturation of classifying and standardizing
•materially textured (layered, tangled)
•their negotiated nature
*distribution of memory (and distribution of representationtation):
X --> historical contingencies --> a narrative --> practical politics --> standard narrative --> universal category --> erases its own narratological past, (employed internally+externally) deletion of modalities in the development of (scientific) texts; [a modality can be deleted in a number of different ways: [*] it might be distributed (held in another part of the organization than in that which produces the text), [*] built into the infrastructure (the work environment is changed such that the modality is never encountered), etc. =/= #accountability] ==> fact (+ single articulation, only one plot of data) --> mobilizing a set of black-boxes-->{Xiri's “queers,” Eszter's “participants,”: what goes inside these black-boxes and how they look like, is seen as irrelevant for them. [--> translating from the context of storage to the present situation (one might store a fact for reason X but recall it for reason Y) Latour + Bowker]}
X --> indeterminacy & multiplicity[...]
(526)[...notes/khmarchive.txt]%66.8[...]your work (artistic/scientific) can be seen as a direct translation of the quest for Iranian/French honor after defeat in the battlefield --> the actors don't see what is excluded: they construct a world in which that exclusion could occur
(Latour --> according to American pragmatist strongholds:) reality = 'that which resists’
common language ~= standard language
(we can't talk about the commons without sorting out our understanding of our standard-saturated world)
(my hypertext is not data-driven [= a system with focus on the acquisition, management, processing, and presentation of ‘atomic-level’ data] nor a process-driven (or process-sensitive system, for example delivering a care), what is it then?) (also not systematically storing [my] “knowledge” for later access, storage of information in such long-term memory, no no no)
-is it a support for my various tasks and practices outside the computer? --> excess-driven storytellings =/= minimum data set
-a non-data-driven systems in this society are named secretive and mysterious in the name of transparency
#in a way i am building an adequate mode of encounter with the “Iranian scientist”
they draw from their secret[s]
a technical issue (for example about how to code process) is also a an organizational theory
social embeddedness of scientific truth
(authors of ajayeb approached nature not in a way to sketch the boundaries of a discrete animal event, therefore, a unit of analysis, (which is very natural at 21st century;) rather an infrastructure itself in flux, providing an unnatural hierarchy)--> this is my rhetorical reading of ajayeb
as long as you/God pays attention to them, they will continue to exist
‘uninventing X’: changing society and technology in such a way that the X becomes an impossibility. (Donald Mackenzie)
development and maintenance of technical standards is a site of political decisions and struggle
______________
against the idea that “past is a different country, they do things differently there”
***how we are creating different kinds of past (out of the information infrastructures that we build)?
(pointed out by Bowker) the whole notion of big data is coming from the invention of census (amar-giri آمارگیری) in late 18th century, as its predecessor in a genealogy of techniques of government. “big data is grown up around that idea of control” --> statistics: (etymologically) the science of the state*
“I” <== me + my data
heavily informated world
flashbulb memory*
‘what were you doing when #Bambi's mother got shot?’ people have vivid but 80% of the time wronge memories of that day --> we are good at creating certainty in memory, but not very good at recognizing the ways past is differently [...]
(527)[...notes/khmarchive.txt]%67[...] acquisition, management, processing, and presentation of ‘atomic-level’ data] nor a process-driven (or process-sensitive system, for example delivering a care), what is it then?) (also not systematically storing [my] “knowledge” for later access, storage of information in such long-term memory, no no no)
-is it a support for my various tasks and practices outside the computer? --> excess-driven storytellings =/= minimum data set
-a non-data-driven systems in this society are named secretive and mysterious in the name of transparency
#in a way i am building an adequate mode of encounter with the “Iranian scientist”
they draw from their secret[s]
a technical issue (for example about how to code process) is also a an organizational theory
social embeddedness of scientific truth
(authors of ajayeb approached nature not in a way to sketch the boundaries of a discrete animal event, therefore, a unit of analysis, (which is very natural at 21st century;) rather an infrastructure itself in flux, providing an unnatural hierarchy)--> this is my rhetorical reading of ajayeb
as long as you/God pays attention to them, they will continue to exist
‘uninventing X’: changing society and technology in such a way that the X becomes an impossibility. (Donald Mackenzie)
development and maintenance of technical standards is a site of political decisions and struggle
______________
against the idea that “past is a different country, they do things differently there”
***how we are creating different kinds of past (out of the information infrastructures that we build)?
(pointed out by Bowker) the whole notion of big data is coming from the invention of census (amar-giri آمارگیری) in late 18th century, as its predecessor in a genealogy of techniques of government. “big data is grown up around that idea of control” --> statistics: (etymologically) the science of the state*
“I” <== me + my data
heavily informated world
flashbulb memory*
‘what were you doing when #Bambi's mother got shot?’ people have vivid but 80% of the time wronge memories of that day --> we are good at creating certainty in memory, but not very good at recognizing the ways past is differently configured according to different kinds of *memory practice*
the eternal flame file type/format
the psychoanalyst of Tintin
active archiving is about the framing of the present, and not about the future record
*commemoration is behind a lot of the ways in which we create memories and histories (on the web): that there will be someone who has the time to go back and recognize the values we have created --> recognize ourselves as monuments in the world
(thinking with Bowker fL94LVYjhQQ) as new entities will come to[...]
(528)[...notes/khmarchive.txt]%67[...]ntist”
they draw from their secret[s]
a technical issue (for example about how to code process) is also a an organizational theory
social embeddedness of scientific truth
(authors of ajayeb approached nature not in a way to sketch the boundaries of a discrete animal event, therefore, a unit of analysis, (which is very natural at 21st century;) rather an infrastructure itself in flux, providing an unnatural hierarchy)--> this is my rhetorical reading of ajayeb
as long as you/God pays attention to them, they will continue to exist
‘uninventing X’: changing society and technology in such a way that the X becomes an impossibility. (Donald Mackenzie)
development and maintenance of technical standards is a site of political decisions and struggle
______________
against the idea that “past is a different country, they do things differently there”
***how we are creating different kinds of past (out of the information infrastructures that we build)?
(pointed out by Bowker) the whole notion of big data is coming from the invention of census (amar-giri آمارگیری) in late 18th century, as its predecessor in a genealogy of techniques of government. “big data is grown up around that idea of control” --> statistics: (etymologically) the science of the state*
“I” <== me + my data
heavily informated world
flashbulb memory*
‘what were you doing when #Bambi's mother got shot?’ people have vivid but 80% of the time wronge memories of that day --> we are good at creating certainty in memory, but not very good at recognizing the ways past is differently configured according to different kinds of *memory practice*
the eternal flame file type/format
the psychoanalyst of Tintin
active archiving is about the framing of the present, and not about the future record
*commemoration is behind a lot of the ways in which we create memories and histories (on the web): that there will be someone who has the time to go back and recognize the values we have created --> recognize ourselves as monuments in the world
(thinking with Bowker fL94LVYjhQQ) as new entities will come to being in the world, instead of creating access to what is reconfiguring of the past we lock ourselves into single unitary visions of the past totally unnecessary --> that is exactly what i am trying to do, providing and creating a kind of approach to what would be an access to a reconfiguring of the past, ajayeb as the case in a Farsi speaking world
on way or another, databases are structured objects, they constraint the forms of narrative you can take ==> a restrict set of stories --> when we are dealing with database we don't have an infinite sets of narrative space
i am taking a theologic[...]
(530)[...notes/khmarchive.txt]%67[...]the communicative network
pidgin دست وپا شکسته ومخلوط : creative adaptations
ajayeb.net is a pidgin?
*pidginization: any process of reduction or simplification of linguistic resources {"=/=”, “=”, “==>”, “-->"}
my ajayeb writing:
step 1: redundent simplification of linguistic resources [--> creoles نژاد مخلوط: that segment of a continuum of variation which exhibits the maximum divergence from the standard but which is still connected to other portions of the meshwork (Farsi+English)]
step 2: reenriching itself with features eliminated during step 1 ~ recomplexification of creoles }==(how?!)==>
step 3: diversifying the number and type of uses it can be put to
double articulation: a sorting operation that yields a homogeneous distribution of elements and a consolidation operation that defines more or less permanent structural linkages between sorted materials.
if and when the materials on which a sorting device operates acquire the ability to replicate with variation, a new abstract machine emerges, in the form of a blind probe head capable of exploring a space of possible forms
ajayeb's (specialist) jargon <-- what intensified them? --> ? tech, colonialism, schooling,
what i am trying to do with ajayeb, in making this hypertext, is to connect its syntactical constructions to fresh reservoirs of linguistic resources ***
with ajayeb.net i am learning to resist the hierarchical weight of “received pronunciations” and official criteria of correctness of “ajayeb”
my Rigs, equipped with “knobs”: controlling parameters whose intensity defines the dynamical state of the structure-generating process
my work on ajayeb is an inquiry (or critique) in the ways we represent the world to ourselves [--> organizing objective referents and label-concepts] <--> a homogenizing social critique?
...................................
what is gained and what is lost when “tidying up the archive” ?
...................................
[Yates]
in the ages before printing a trained memory was vitally important; and the manipulation of images in memory must always to some extent involve the psyche as a whole
** mnemotechnical side of the art is always present **
Mnemosyne, said the Greeks, is the mother of the Muses
occult memory systems <== Renaissance Hermetic tradition --?--> lullism (lullaby? Hoda) <--✕-- rhetoric tradition
the history of memory
the problems of the mental image, of the activation of images, of the grasp of reality through images
...................................
the horror of no longer remembering the reason for forgetting, or, “when the times comes for our battle, the memor[...]
(531)[...notes/khmarchive.txt]%67.5[...]chine emerges, in the form of a blind probe head capable of exploring a space of possible forms
ajayeb's (specialist) jargon <-- what intensified them? --> ? tech, colonialism, schooling,
what i am trying to do with ajayeb, in making this hypertext, is to connect its syntactical constructions to fresh reservoirs of linguistic resources ***
with ajayeb.net i am learning to resist the hierarchical weight of “received pronunciations” and official criteria of correctness of “ajayeb”
my Rigs, equipped with “knobs”: controlling parameters whose intensity defines the dynamical state of the structure-generating process
my work on ajayeb is an inquiry (or critique) in the ways we represent the world to ourselves [--> organizing objective referents and label-concepts] <--> a homogenizing social critique?
...................................
what is gained and what is lost when “tidying up the archive” ?
...................................
[Yates]
in the ages before printing a trained memory was vitally important; and the manipulation of images in memory must always to some extent involve the psyche as a whole
** mnemotechnical side of the art is always present **
Mnemosyne, said the Greeks, is the mother of the Muses
occult memory systems <== Renaissance Hermetic tradition --?--> lullism (lullaby? Hoda) <--✕-- rhetoric tradition
the history of memory
the problems of the mental image, of the activation of images, of the grasp of reality through images
...................................
the horror of no longer remembering the reason for forgetting, or, “when the times comes for our battle, the memories'll be the armour”
Thyrza Goodeve
...................................
knowledge infrastructure
how do changes in knowledge infrastructures reinforce or redistributes authority, influence, and power? --> new ways of thinking and acting
create + share + dispute knowledge
(Facebook, Google, etc.:) vast stores of anonymized data to analysis and exploitation, engaging users and publics in new ways
axes of change: [fundamental transformations challenging our understanding of the ways knowledge is processed:]
1- technical systems and standards
2- new modes of analyzing social (re)organization that exploit the extensive traces left behind by users of information
including:
•education
•libraries: changing structures, services, and physical spaces
•publishing industry
•intellectual property
•global flow
•knowledge politics: filter bubble, counter-expertise,
•
unpaind individuals
“sticky” processes and routines --> *mos[...]
(532)[...notes/khmarchive.txt]%67.5[...]ulation of images in memory must always to some extent involve the psyche as a whole
** mnemotechnical side of the art is always present **
Mnemosyne, said the Greeks, is the mother of the Muses
occult memory systems <== Renaissance Hermetic tradition --?--> lullism (lullaby? Hoda) <--✕-- rhetoric tradition
the history of memory
the problems of the mental image, of the activation of images, of the grasp of reality through images
...................................
the horror of no longer remembering the reason for forgetting, or, “when the times comes for our battle, the memories'll be the armour”
Thyrza Goodeve
...................................
knowledge infrastructure
how do changes in knowledge infrastructures reinforce or redistributes authority, influence, and power? --> new ways of thinking and acting
create + share + dispute knowledge
(Facebook, Google, etc.:) vast stores of anonymized data to analysis and exploitation, engaging users and publics in new ways
axes of change: [fundamental transformations challenging our understanding of the ways knowledge is processed:]
1- technical systems and standards
2- new modes of analyzing social (re)organization that exploit the extensive traces left behind by users of information
including:
•education
•libraries: changing structures, services, and physical spaces
•publishing industry
•intellectual property
•global flow
•knowledge politics: filter bubble, counter-expertise,
•
unpaind individuals
“sticky” processes and routines --> *most knowledge workers’ salaries are still paid by bricks-and-mortar organizations with hierarchical structures, established insitutional cultures, systems of credit and compensation/
eventual rise of a scientific culture of “extreme openness”
(forms that are) human-readable & machine-readable <-- the move i made from my notebook to ajayeb.net
infrastructure =/= system
infrastructure perspective:
•modular
•multi-layered, multi-scaled (layered nature of infrastructure, navigating among different scales)
•rough-cut character
•ecologies/complex adaptive systems
-->** infrastructures consist of numerous systems, each with unique *origins and *goals, which are made to interoperate by means of *standards, socket layers [: a bony hollow into which a structure fits], social norms, and individual behaviors that smooth out connections among them
=/=
system perspective:
•fully coherent
•deliberately engineered
•end-to-end process
(Weinberger's notion of) *stoping point*
“knowledge as a series of stoppin[...]
(533)[...notes/khmarchive.txt]%67.5[...]edentialing
in Julia's seminar we were trying to examine: commodified data analysis tools and widely available software skills ==> (larger number of participants to) analyze data and run models
(*a problem with university students:) [students who do appear] more motivated by the university as a *rite of passage* (گذار از بلوغ) and a *lifestyle*
=/= learning
*professors are no longer seen as infallible experts, but as resources whose facts can be checked in real time
(question of) standard / ontology --> (desire for) universality / (need for) change
knowledge of past climates
@apass
(through my love and study for ajayeb --> infrastructure -->) questions for apass:
-what new forms of organization and community are emerging? what power relations do they rely on, create, or destroy? who wins and who loses as knowledge infrastructure change? (questions proposed by a knowledge infrastructure workshop 2012)
-(ways to) encode and reinforce existing interests and relations of power
-(we need) a design community versed in these literatures:
•different social worlds
•conflicting conceptual frameworks
•sociology of science and technology
•sociology of standards (--> standardizing data has proven to be a crucial activity in *scaling up* the sciences) #lens
•boundary objects
•trading zones
•actor networks
•how sharing works in practice
•agreements on shared norms, practices, and technical systems (problematized by Femke, she focuses my attention on how software developers are too quick to construct “ontologies”)
•
==> to scale up the generally lower-level focus of design thinking [--> how my ajayeb.net addresses this?]
--> to co-design new infrastructures
--> to look beyond the scale of a field and timeframe of a career
(we need) meaningful access to digital media (not an exciting add-on investment)
--> new forms of knowledge infrastructure may disadvantage and devalue older forms of knowledge production:
•new sensor network replacing ecological fieldwork -->? my #amazon
•“instrumenting ocean” supplanting traditions of the oceanographic cruise [in the last 20 years new sensor grids have come to cover the oceans, land, sky and space] -->? my #ajayeb's is concerned with thinking “beyond the *instrumental languages of utility and function*, which tend to cast knowledge infrastructures as *neutral instruments* whose positive and negative effects lie solely in the way they are operationalized and used”
*consequences of change are rarely socially, culturally, or economically neutral*
collectives
assemblages
configurations
try to tell yourself a “technology only” or “social only” story of knowledge infrastructure (and yo[...]
(534)[...notes/khmarchive.txt]%67.7[...]atized by Femke, she focuses my attention on how software developers are too quick to construct “ontologies”)
•
==> to scale up the generally lower-level focus of design thinking [--> how my ajayeb.net addresses this?]
--> to co-design new infrastructures
--> to look beyond the scale of a field and timeframe of a career
(we need) meaningful access to digital media (not an exciting add-on investment)
--> new forms of knowledge infrastructure may disadvantage and devalue older forms of knowledge production:
•new sensor network replacing ecological fieldwork -->? my #amazon
•“instrumenting ocean” supplanting traditions of the oceanographic cruise [in the last 20 years new sensor grids have come to cover the oceans, land, sky and space] -->? my #ajayeb's is concerned with thinking “beyond the *instrumental languages of utility and function*, which tend to cast knowledge infrastructures as *neutral instruments* whose positive and negative effects lie solely in the way they are operationalized and used”
*consequences of change are rarely socially, culturally, or economically neutral*
collectives
assemblages
configurations
try to tell yourself a “technology only” or “social only” story of knowledge infrastructure (and you will find it impossible)
(Brunton's) spam --> co-evolution of technical systems, communities, and social norms
knowledge infrastructures ==carry==> significant distributional consequences --> advancing the interests of some and actively damaging the prospects of others
(ways of producing “raw” date) davulated by “data sharing”:
•*labor-intensive* collecting practices
•site-specific expertise required
}--> long-standing craft traditions
once-vast secretarial ranks (of large organizations) [a British nostalgia for bureaucratic hierarchy fantasized and franchized by Harry Potter]
ajayeb's 13th century's “technologies” for “virtual” witnessing
--imbalance in the structure and distribution of our knowledge--
overrepresentation of research on “charismatic megafauna” (cuddly pandas, expenssive human-like chimps, tigers, hallucinogenic plants, etc.)
*dark continent fallacy*: ignorance (~ non-knowledge) = absence of knowledge : a site, phenomenon, or set of questions that we haven't yet been able or thought to investigate, as: ‘darkness = absence of light’ (--> Star Trek idea of frontier) --@!%--> the relationship between knowledge and non-knowledge may not be as simple or innocent as that
new (forms of) knowledge infrastructures (--> new ways of knowing) ==>
•new questions thinkable --> whole classes of questions, phenomena and forms of knowledge may be lost or rendered unthinkable
•new maps to known territories --> reshape the g[...]
(536)[...notes/khmarchive.txt]%67.7[...] the oceans, land, sky and space] -->? my #ajayeb's is concerned with thinking “beyond the *instrumental languages of utility and function*, which tend to cast knowledge infrastructures as *neutral instruments* whose positive and negative effects lie solely in the way they are operationalized and used”
*consequences of change are rarely socially, culturally, or economically neutral*
collectives
assemblages
configurations
try to tell yourself a “technology only” or “social only” story of knowledge infrastructure (and you will find it impossible)
(Brunton's) spam --> co-evolution of technical systems, communities, and social norms
knowledge infrastructures ==carry==> significant distributional consequences --> advancing the interests of some and actively damaging the prospects of others
(ways of producing “raw” date) davulated by “data sharing”:
•*labor-intensive* collecting practices
•site-specific expertise required
}--> long-standing craft traditions
once-vast secretarial ranks (of large organizations) [a British nostalgia for bureaucratic hierarchy fantasized and franchized by Harry Potter]
ajayeb's 13th century's “technologies” for “virtual” witnessing
--imbalance in the structure and distribution of our knowledge--
overrepresentation of research on “charismatic megafauna” (cuddly pandas, expenssive human-like chimps, tigers, hallucinogenic plants, etc.)
*dark continent fallacy*: ignorance (~ non-knowledge) = absence of knowledge : a site, phenomenon, or set of questions that we haven't yet been able or thought to investigate, as: ‘darkness = absence of light’ (--> Star Trek idea of frontier) --@!%--> the relationship between knowledge and non-knowledge may not be as simple or innocent as that
new (forms of) knowledge infrastructures (--> new ways of knowing) ==>
•new questions thinkable --> whole classes of questions, phenomena and forms of knowledge may be lost or rendered unthinkable
•new maps to known territories --> reshape the geography itself
•rework existing (stocks of) knowledge
•reorder our sense of value and structure in the world
•*write new ontologies over old ones* (--> my interest in working with ajayeb)
•embed social norms
knowledge infrastructure ~= sociology of knowledge
= robust internetworks of people, artifacts, and institutions* (--> to attend kno.infs. as wholes, rather than focusing only on their most rapidly evolving elements; #ontology. and attending to the social relations both created and broken) [#to attend to Tehran's new digitally mediated social norms of negative ditributional consequences of change]
any effective sociology of knowledge ought to provide some account of its opposite: the accidental and systematic[...]
(538)[...notes/khmarchive.txt]%67.7[...] favored ‘genetic form’ --> massive and global shift in modes of classification
standard --> *preserving the meaning of data is a human affair, requiring continuous curation
#knowledge zoom lens --> “the long now” (Bowker)
(it took 200 years for printed book's) *intellectual armature* (that now we consider intuitive:)
(in ajayeb.net i am responding and working all of them)
•index
•table of contents
•bibliography
•footnotes
•generally agreed rules on plagiarism
•page numbers (--> =^77988.1.6$shathiat)
***qualitative science*** : detailed, indepth, and meaning-oriented investigations --> analysis, statistical (for example the social network analysis strengths of scope and summation in Braudel's study)
(question of my “writing”:) how to nourish mechanisms for large-scale, long-term research?
-we need to go beyond one-off projects to develope systems and standards for collecting, curating (my knowledge, ajayeb's knowledge) while simultaneously protecting subject's identities and interests /***
=/= short-term, project-by-project work
-(constantvzw is doing this:) build collaborative sciences
sociotechnical phenomena do not rest within the domain of a single discipline
-comparative analysis techniques
comparison across cases (--> how Kobe in his case-based work produces a critically comparative data?)
creation of compatable data [: properly documented --> facilitate sharing] (--> how for my ajayeb?)
(in your work and research -->) encouraging the identification of crucial similarities and differences
-sustainable and sharable data archives, collected over multiple investigative projects --> ajayeb.net = knowledge/thoughts/notes of multiple projects (--> is this my “data”?)
cyberscholarship
#lens, to scale up qualitative social science <--> deploy data storage, visualization, hypertext, and collective-creation possibilities of the web and social media, *new tools for textual analysis*
...................................
[which] cultures (or stories) permit a graceful listening forth to our seeing[?]
(metaphorical economy of) *mnemonic deep*:
•past is a thing that you escape at all costs, our past explains who we are,
•as palimpsest, The infinite faces of the past can be read off the present face ==> narrative ideal presen
•
the time that the institution of the sciences create:
1- the time of the experiment/field study: going back billions of years, quantum units of time, tree rings; peat mosses; fossil seeds;
2- the time of the scientific enterprise, historiographical stances shared among sets of disciplines
3- the law of nature: the past which scientists create can be read [...]
(539)[...notes/khmarchive.txt]%67.9[...]knowledge/thoughts/notes of multiple projects (--> is this my “data”?)
cyberscholarship
#lens, to scale up qualitative social science <--> deploy data storage, visualization, hypertext, and collective-creation possibilities of the web and social media, *new tools for textual analysis*
...................................
[which] cultures (or stories) permit a graceful listening forth to our seeing[?]
(metaphorical economy of) *mnemonic deep*:
•past is a thing that you escape at all costs, our past explains who we are,
•as palimpsest, The infinite faces of the past can be read off the present face ==> narrative ideal presen
•
the time that the institution of the sciences create:
1- the time of the experiment/field study: going back billions of years, quantum units of time, tree rings; peat mosses; fossil seeds;
2- the time of the scientific enterprise, historiographical stances shared among sets of disciplines
3- the law of nature: the past which scientists create can be read as an eternal present
(total recall:) memory as a metaphor needed by a ‘handicapped’ observer who cannot see a complete system
(same technique was used in Gulf War, Ali's production of consensus by flat) encephalogram
Ehsan's transmission sub rosa of information: stories and practices from his wild, discontinuous, ever-changing past
(Lyell's geology of earth:) working from the position that there was no sign of the origin of the earth, nor any portent of its end--what we have access to is a set of records in the landscape which leave the impression of massive upheaval and discontinuity in the past
tools to think past =/=? tools of (our own) archive
“most groups [...] engrave their form in some way upon the soil and retrieve their collective re[...]
(541)[...notes/khmarchive.txt]%67.9[...]plines
3- the law of nature: the past which scientists create can be read as an eternal present
(total recall:) memory as a metaphor needed by a ‘handicapped’ observer who cannot see a complete system
(same technique was used in Gulf War, Ali's production of consensus by flat) encephalogram
Ehsan's transmission sub rosa of information: stories and practices from his wild, discontinuous, ever-changing past
(Lyell's geology of earth:) working from the position that there was no sign of the origin of the earth, nor any portent of its end--what we have access to is a set of records in the landscape which leave the impression of massive upheaval and discontinuity in the past
tools to think past =/=? tools of (our own) archive
“most groups [...] engrave their form in some way upon the soil and retrieve their collective remembrances within the spatial framework thus defined” (Halbwachs 1968 ☞ Bowker)
built: we often don't think of such [reworked natural landscapes] trails in memory terms, because it is not our own personal memory that is being engraved--it is the collective memory of our culture
(my favorite) specialized archival technology (~= memory practice): list*
synchronization in the 14th century, where information provided the ‘coin’ which allowed multiple endeavors--social and natural, along a (different) material substrate
...................................
idio + sync
-idio- (“private,” “one's own,” not capable of engaging in the public sphere, for Athenians: concerned exclusively with private (--> a natural state of ignorance that all persons are born into) (private soldier with no skills?) [~=? mast مست] =/= “polites” ~ police [~=? mohtaseb محتسب (--from--> احتساب, شمارنده, بشمارآورنده)])
-syn- (“with”)
r />
کرم + حلیه
hile + karam
سجده شوریده
خام کن پخته تدبیرها
اول او اول بی ابتداست
آخر او آخر بیانتهاست
کار فلک بود گره در گره
(expelled from the temple of science) the collector and the classifier --> to grosser objects that we can taste, touch, accumulate
the master of ceremonies to a cage of tigers
Bowker on Charles Lyell
Buckland: (generally speaking) all things on earth can be seen at once objects and archives:
•as objects: they function in the world
•as archives: they maintain traces of their own past
a rock:
•object of lithosphere
•document of its history (striation: past glaciation; strata: complex stories of deposition + radioactive isotopes; journy through the mantle; etc.)
[...]
(542)[...notes/khmarchive.txt]%68[...]ll things on earth can be seen at once objects and archives:
•as objects: they function in the world
•as archives: they maintain traces of their own past
a rock:
•object of lithosphere
•document of its history (striation: past glaciation; strata: complex stories of deposition + radioactive isotopes; journy through the mantle; etc.)
earth: a variable legible palimpsest
(office procedures & computer programs are both) designed as *abstract machines*
-for ajayeb i designed an abstract machine called ajayeb.net to realize a seamless interchangeability between my artist/research procedures and computer programs
bootstrap: a simple system activating a more complicated system
(i have become hypersensitive to:) progressivist telling of the history of the earth =/= strangely synchronic world where there is no effective arrow of time
[*]synchronization: the work that it takes to bring the various bits of the world into a single archival framework*** (with their metaphors and strategies) ==permit==> cohabitation of discipliness --> **synchronization of the social and natural worlds to the same temporality**
(synchronization is always at work and is technologically determined)
--> conjuring of the social and natural world into forms that render themselves amenable to recording ==> (imperial records) archiving changes the world & creates a record of it --Derrida--> sequential & jussive (imperative)
+ scientific work epitomized the developement and rigorous application of these procedures (---> go to Serres's origin of geometry and greek empire)
***synchronization brings material forms (commodity flow, train travel) together and when geological and historical time are mapped into the same time --> metaphorical & ideological & material interact (==> emerging powerful possibilities) [--> in art we also do a lot of syncing and synchronization (<-- this is perhaps what Pierre meant by saying that researchers are creating their own science)]
time management, a central issue in industrialization
Babbage: clock = regulator of time
industrial world-knowledge ==> importance of the division of the history of the earth into equal periods of time
information drive (a drive *to save as little information as possible about something*)
(Latour's) oligopticon: special places where the micro-structures of macro-phenomena are crafted, local activities become a “bigger” issue (such as parliaments, courtrooms, offices), where different strands of “macro-social” phenomena are weaved
-they see much too little, but what they see, they see it well (=/= total surveillance of panopticon)
watch (from 1800 to 1820 at least 100000 clocks and watches were produced every year)
“clockwork ocean” with waves and cycles[...]
(543)[...notes/khmarchive.txt]%68.1[...]ging present
train traveler looking out the window
a Newtonian world of abstract qualities size, shape, quanity, motion
==> space out of the window of a moving train: a new kind of geographical representation, abstract and regular
(a problem in management:) “time had conspired with capital to annihilate space
@Sana
[a ‘second nature’ being created] railway (+ telegraph) ==> commodification + communication
in our trip to Rivage with Marialena we were in terested in signs in the built landscape, the “second nature” in the nature of Rivage, which were “concrete embodiments of the environmental partitioning that made farming possible”
a heterogeneous collection of lived spaces and histories
a heterogeneous collection of lives and spaces
why translation must be a monopoly (according to railway):
you need centralized bureaucracy and effective monopoly in order to operate with efficiency [...] you could not have every train running on its own (loca) time ==> (Bahn railway map =) a representation that permit efficient operation --> *an absolute time and annihilated space*
(industrialization -->) railway/railroads --> basic accounting techniques used by American business enterprise (into the 20th century)
==> infrastructural technology: organizational form (accounting techniques, reports, etc.) synchronized with its own impact on the world (regularizing it) providing both a ***material and metaphorical implusion*** (to order its forms of inquiry/activity)
@apass monday reading
means of new infrastructural technobody ==> technoscientific representations ==> (dual process of) commodification (railway) + representation (abstract space-time)
--> “you need to be able to represent the world in a *coherent and standard* form [~ databases] in order to run railways [or program language operation] and deal in commodities
increasingly less well-defined boundaries --Serres--> we need analytic categories that allow us to account for the unified representational time and space applied to both bureaucratic and scientific work --(Sohn-Rethel)--> (relationship between) **commodity form and the process of intellectual abstraction** [-abstractness governs the whole orbit of commodity form]. when commodity is up for sale, it is by definition not to be used; it exists in a kind of “frozen time” outside the normal flow of time. it moves in an abstract spatiotemporal world (~= “second nature"[==> cognitive faculty of conceptual things] =/= concrete world of “first nature”)
*import* the ideal abstraction basic to greek philosophy and to modern science
systematizers
nested series of regions
synchronic extension --> “trace” back records in past: indian empire preceded edgyptian preceded persian preceded western. a [...]
(544)[...notes/khmarchive.txt]%68.3[...] />
that nature keeps a check on the whole process by organizing flora and fauna into “nations”
[==asserting==> nothing can survive long outside its nation]** (=/= cyborg)
“cycle” of years <--> a region
a climatic great year <--> earth over time
“revolutions” of the earth's surface <--> species change
industrial revolution, reaching its peak as Lyell was writing
--> the stillness, the ***ineluctable equilibrium between creation and destruction*** (=/= other facts available to Lyell's contemporaries)
(fable, a powerful myth still stalking our collective discourse today:) that human time was going faster now than it ever had in the past --to--> give humanity a privileged position within the geological record
(a different time for geology)
**[clockwork mechanism]
how geology in the 19th century shaped our contemporary ideas of database
-(earth is an archivist, but a bad one, it is up to the geologist to pull together information -->{ earth creates false records --> humands create false records through mudging the earth's annals with mules, hybrids, and monsters --✕--> geologist can read between the lines ==> true record of stasis)
the earth's archival technology + efficient use of information technology
astronomy was in the 19th century the science of regularity : all the apparent perturbations in the earth's orbit were reckoned to be embedded in cycles of varying duration --> universe = effectively clockwork mechanism
(for an archivist [~ Lyell]:) earth = special kind of clock, an *hourglass*
(astronomy + geology -->) (a contemplation of) the regular clockwork mechanism that seemed to govern both the heavens and the earth [+ Babbage: judged that human history was in its underlying tendency equally regular] ==> ***first and second nature converge onto a timeless present and an anisotropic flow of time***
*anisotropic: having a physical property which has a different value when measured in different directions. (wood is stronger along the grain than across it, or anisotropic filtering in computer graphic rendering at oblique viewing angles)
-varying in magnitude according to the direction of measurement. (electron scattering is anisotropic) ~-> palindromic time
*isotropic: having a physical property which has the same value when measured in different directions. not varying in magnitude according to the direction of measurement
(my project:) **picture of earth sciences**
(--> stories of macrocosm in Olearius)
picture of earth in 1830s:
earth itself as a kind of large information storage device not a very efficient one, but still remarkable -->> the inefficiencies of the storage device could be mitigated (as Beaumont and Lyell pointed out) by redundencies in the recording process -->> these re[...]
(549)[...notes/khmarchive.txt]%68.4[...]aving a physical property which has a different value when measured in different directions. (wood is stronger along the grain than across it, or anisotropic filtering in computer graphic rendering at oblique viewing angles)
-varying in magnitude according to the direction of measurement. (electron scattering is anisotropic) ~-> palindromic time
*isotropic: having a physical property which has the same value when measured in different directions. not varying in magnitude according to the direction of measurement
(my project:) **picture of earth sciences**
(--> stories of macrocosm in Olearius)
picture of earth in 1830s:
earth itself as a kind of large information storage device not a very efficient one, but still remarkable -->> the inefficiencies of the storage device could be mitigated (as Beaumont and Lyell pointed out) by redundencies in the recording process -->> these redundencies could be perceived through efficient use of the new transport infrastructure (steamboat, train, etc.) -->> then geology would converge with astronomy in calling forth a historical time as regular and perfect as that of the clockwork solar system (hymned as an accurate clock)
}-->
“archival process ~= a natural technology” --> from natural to ideal: archive being mediated by technology marked by clockwork regularity
==> “earth = clock” (associated with the triumph of industrial society, because it ran like clockwork [---> go to german pünktlich punctuality]) --> industrial time writen into Lyell's geology: two methods of factory production *the division of labor* and the *parceling up of time into regular units* are both writen into time that Lyell created for the new discipline of geology
--> factory & geology were the precisely the same problem: *organization of time*
census
statistical record-keeping, a central technology for a modern state
statistical thinking
(this is Lyell in Bowker's research on memory practices in sciences:)
through a linguistic metaphor, Lyell endeavored to explain the apparent asymmetry between past and present. this metaphor brings out the peculiar centrality of humanity in Lyell's geology and thus the centrality of human society to his problematic
idea of the ‘book of nature’
(Lyell's logic) --> we humans have access only to a limited and random grammar of the ‘book of nature’ ==> *burden of proof* lies with those with thier set of *past causes* to explain the past
[!!]
Lyell's geology is a kind of bookkeeping device that allows the storage of vast amounts of information by sorting them into a kind of filing cabinet of different kinds of events (=/= ajayeb)
(his work revolving around an understanding of archives)
Lyell's “economy of nature”
principle of division of labor into the[...]
(551)[...notes/khmarchive.txt]%68.5[...]
picture of earth in 1830s:
earth itself as a kind of large information storage device not a very efficient one, but still remarkable -->> the inefficiencies of the storage device could be mitigated (as Beaumont and Lyell pointed out) by redundencies in the recording process -->> these redundencies could be perceived through efficient use of the new transport infrastructure (steamboat, train, etc.) -->> then geology would converge with astronomy in calling forth a historical time as regular and perfect as that of the clockwork solar system (hymned as an accurate clock)
}-->
“archival process ~= a natural technology” --> from natural to ideal: archive being mediated by technology marked by clockwork regularity
==> “earth = clock” (associated with the triumph of industrial society, because it ran like clockwork [---> go to german pünktlich punctuality]) --> industrial time writen into Lyell's geology: two methods of factory production *the division of labor* and the *parceling up of time into regular units* are both writen into time that Lyell created for the new discipline of geology
--> factory & geology were the precisely the same problem: *organization of time*
census
statistical record-keeping, a central technology for a modern state
statistical thinking
(this is Lyell in Bowker's research on memory practices in sciences:)
through a linguistic metaphor, Lyell endeavored to explain the apparent asymmetry between past and present. this metaphor brings out the peculiar centrality of humanity in Lyell's geology and thus the centrality of human society to his problematic
idea of the ‘book of nature’
(Lyell's logic) --> we humans have access only to a limited and random grammar of the ‘book of nature’ ==> *burden of proof* lies with those with thier set of *past causes* to explain the past
[!!]
Lyell's geology is a kind of bookkeeping device that allows the storage of vast amounts of information by sorting them into a kind of filing cabinet of different kinds of events (=/= ajayeb)
(his work revolving around an understanding of archives)
Lyell's “economy of nature”
principle of division of labor into the profession of geology + into the economy of nature }==> cumulative reports in a stateless present (=/= situated knowledges) ==> calculus of regularity out of apparent chaos and old time
true language of geology
(from a) groundwork --> contemplation of more general questions --> complicated results -->{ indefinite lapse of ages --> the existing causes of change
(?Marialena contributing to) earth's archive
scriptural authority (=/= rigor)
halcyon future
ایام خوب گذشته ayam-e khub-e gozashte/ayande
when the center [...]
(553)[...notes/khmarchive.txt]%68.5[...]rch]
...relics of the animate creation of former ages [--> science special effects, museum of continuity,]
[title]
indifinite space as filled with worlds...
colossi
earthquakes
floods
storms
tranquil variations
“second nature”:
•(from) past
•analytical constructs of extended present
[title]
***an irregular past and a totalizing memory***
(‘chaos’ characterized of/for archive ==> human nature)
moral duty as humans [!!**] --> to recognize stasis at the heart of disorder **** (--> an ancient fable, archetype) *apperceive[~ perceive in terms of a past experience, accumulative perception] synchrony in the midst of diachrony[~ look for historical changes/roots in languages]* + to sync ([*]synchronization: to bring social and natural time into a unified form <--through-- production and storage of records)
@Marialena
the metronomic story
the mnemonic story
***spatializing time***
(for humanity) going out in space, to India, to the Orient, or within France to Brittany or the Pyrennees, was going backward in time (~ mapping technique ==> position of “humanity” out there nowhere --> anomalous, moral, short term [--> “impact” of Star Trek crew(~ a cult of people who have unlocked the secret of life and the universe) on the worlds they visit])
==> faceless scientist working in a vast and effective machine (--> Haraway talks about the same)
new memory practices
•***lie at the heart of our ways of knowing (both ourselves and the world)***
•they skew our available ontological space
it seems our contemporary memory practice is highly prosaic [~ german?] (=/= baroque)
[***mythological dimensions of new memory practices:] (*there is a compelling connection between the information revolution as an economic fact and as a statement about the nature of universe:)
19th century rationalization + bureaucracy (==> dramatic new information-processing and communication technologies) ==> today's institutions = **to oppose entropy** @apass
DNA ~= global economy --> nature of existence & new technology synchronized
(--> a history of science as successive decentralization of human) ==> ***eschatological (base of) information revolution*** : every material structure or energy flow (@Ali's pot carrier) could be used/seen to carry information
--> (mediated in 19th century:)
nature of the universe --to--> nature of humanity --to--> organization of economy
information mythology [~ “information” can travel anywhere and be made up of anything ~ “everything is information"] = interface between the social and natural worlds
}==> ‘a general statement about the nature of information' = 'a g[...]
(554)[...notes/khmarchive.txt]%68.7[...]l and natural time into a unified form <--through-- production and storage of records)
@Marialena
the metronomic story
the mnemonic story
***spatializing time***
(for humanity) going out in space, to India, to the Orient, or within France to Brittany or the Pyrennees, was going backward in time (~ mapping technique ==> position of “humanity” out there nowhere --> anomalous, moral, short term [--> “impact” of Star Trek crew(~ a cult of people who have unlocked the secret of life and the universe) on the worlds they visit])
==> faceless scientist working in a vast and effective machine (--> Haraway talks about the same)
new memory practices
•***lie at the heart of our ways of knowing (both ourselves and the world)***
•they skew our available ontological space
it seems our contemporary memory practice is highly prosaic [~ german?] (=/= baroque)
[***mythological dimensions of new memory practices:] (*there is a compelling connection between the information revolution as an economic fact and as a statement about the nature of universe:)
19th century rationalization + bureaucracy (==> dramatic new information-processing and communication technologies) ==> today's institutions = **to oppose entropy** @apass
DNA ~= global economy --> nature of existence & new technology synchronized
(--> a history of science as successive decentralization of human) ==> ***eschatological (base of) information revolution*** : every material structure or energy flow (@Ali's pot carrier) could be used/seen to carry information
--> (mediated in 19th century:)
nature of the universe --to--> nature of humanity --to--> organization of economy
information mythology [~ “information” can travel anywhere and be made up of anything ~ “everything is information"] = interface between the social and natural worlds
}==> ‘a general statement about the nature of information' = 'a general statement about the nature of the universe’
(Bowker:) the new memory modality was at root an economic process of ordering social and natural space and time so that “objective” information can circulate freely [==> democracy, science]
==> package the world + make it deterministic
--✕--> (we must) make information historical (again)*
...................................
Avital's work has concerned itself [...] with the fact that technology is irremissible. Mary Shelley projected this view of technology with her massive, monumental, commemorative work on the technobody, which was the nameless monster. The problem with (or opening for) technology is that no one is or can stay behind the wheel, finally, and no one is in charge. And the way she has tried to route and circuit the thinking of technology--indeed, in a posthumanist frame--exposes the extent to which it [...]
(555)[...notes/khmarchive.txt]%68.8[...]rmation-processing and communication technologies) ==> today's institutions = **to oppose entropy** @apass
DNA ~= global economy --> nature of existence & new technology synchronized
(--> a history of science as successive decentralization of human) ==> ***eschatological (base of) information revolution*** : every material structure or energy flow (@Ali's pot carrier) could be used/seen to carry information
--> (mediated in 19th century:)
nature of the universe --to--> nature of humanity --to--> organization of economy
information mythology [~ “information” can travel anywhere and be made up of anything ~ “everything is information"] = interface between the social and natural worlds
}==> ‘a general statement about the nature of information' = 'a general statement about the nature of the universe’
(Bowker:) the new memory modality was at root an economic process of ordering social and natural space and time so that “objective” information can circulate freely [==> democracy, science]
==> package the world + make it deterministic
--✕--> (we must) make information historical (again)*
...................................
Avital's work has concerned itself [...] with the fact that technology is irremissible. Mary Shelley projected this view of technology with her massive, monumental, commemorative work on the technobody, which was the nameless monster. The problem with (or opening for) technology is that no one is or can stay behind the wheel, finally, and no one is in charge. And the way she has tried to route and circuit the thinking of technology--indeed, in a posthumanist frame--exposes the extent to which it belongs to the domain of testing.
the contiguous neighborhoods of broken experience and rerouted memory
the myths of liveness
[my] problem with television[/news] is that it exists in trauma
-trauma undermines experience and yet acts as its tremendous retainer
*trauma: a memory that one cannot integrate into one's own experience, and as a catastrophic knowledge that one cannot communicate to others
the black-box of talking survival
Robocop: highly complex cyborg (who came equipped with memory traces, superego, id, and--ever displacing the ego--a crypt)
court's frame-by-frame analysis of video --> recording and human memory @Ali
...................................
which ‘well-defined terms,’ *qualities of persistence*, object repository, and identifier resolvers am i using in ajayeb.net?
the performance of digital objects (and identifiers) (not treated as a simple binary property)
*(to retrieve) human- and machine-readable information*
persistence of cited objects (in ajayeb.net)
[*]persistence: a prediction about an archive's commitment and capacity to provide so[...]
(557)[...notes/khmarchive.txt]%68.8[...]
(Calvert's defining “content” without using the term “meaning”:)
[*]content: abstract substance, found in such strings as writing, speech, images, and music, (=/= form, =/= style)
content that includes an actionalbe id string:
•extraversuioned, offering no direct actionalbe access
•introversioned, version is opaque, shyness?, good for longevity, bad for inferring provenance منشاء
found in the wild
found in ajayeb.net:
•constructed content reference
•scholarly web
•standardized query strings
•the question of landing page --with--> typed links navigable by software
how ajayeb.net performs analysis and prioritization of its own service definition?
how ajayeb.net translates its politics into metadata[~= machine-readable persistence statements]?
which “well-intentioned but untested” set of terms are used and addressed in ajayeb.not?
...................................
[(gendered, racialized, politicized, colonial,,,) narratives of innovation]
(i tended to this field with ajayeb [عجایب المخلوقات: a context of pedagogy and librarianship] -->) library and information science : technologically intensive profession (<-- also many other professions)
علوم بايگانی <--> علوم کتابداری
(my performance and literary interest:) *librarianship and teaching are both professions that resist commodification because they rely on embodied labor and personal interaction*
*people-centric work* (like library science and education)
quantitative =/= qualitative
measurable =/= descriptive
(objective concepts)
--> (Calvert reading) the ostensibly qualitative, measurable, and hence objective concepts of competition and competitiveness stand in contrast with qualitative, descriptive concepts of both “culture andre and collaboration”
to open up some of the ‘literature of’
(Calvert working on) the implicit notion that competition and innovation are a natural fit --> the “measure, controlm and automatic” rationality of US-style economic competition
difficult to commodify
difficult to describe
not taking apparent differences (between men and women, human and animal,,) to be timeless, necessary, or inevitable --> descriptive =/= prescriptive (descriptions not intended to be prescriptive) --> *to historicize and denaturalize concepts (of competition, innovation,,)*
Bowker + Leigh Star ☞ Calvert: *things perceived as real are real in their consequences*
market competitiveness has a plethora[~ excess, افراط ,ازدياد] of measures --✕--> profit: the seller-centric proxy measure of consumer interest
“our idealized notion of competition as a generator of innovation bla[...]
(562)[...notes/khmarchive.txt]%69[...]e --> descriptive =/= prescriptive (descriptions not intended to be prescriptive) --> *to historicize and denaturalize concepts (of competition, innovation,,)*
Bowker + Leigh Star ☞ Calvert: *things perceived as real are real in their consequences*
market competitiveness has a plethora[~ excess, افراط ,ازدياد] of measures --✕--> profit: the seller-centric proxy measure of consumer interest
“our idealized notion of competition as a generator of innovation black-boxes a host of processes for competition, including unfair practices, externalizing costs, marketing, deception, and deskilling.”
(our idealized notion of:){ competition ==> innovation }--black-boxes--> (a host of) processes for competition:
•unfair practices
•externalizing costs
•marketing
•deception
•deskilling
•
individualistic and social Darwinist overtones
[*]inovation: a form of wishful thinking that aims to bring about the desired transformations without the associated costs in time and human effort (Suchman & Bishop)
(‘labor-intensive artistic work’: noninovative creative work; deepen the density of curiosity;)
capitalism continuously applies new technology designed to fragment and deskill labor, so that labor becomes cheaper and subject to greater control (Wajcman)
(sometimes) obsolescence is created through minor redesigns of consumer commodities
“let's sell more” ~-> undesirable consequences for human rights, global trade in rare metals, and toxic waste disposal
[*]technological determinism and optimism: the belief that the present social arrangements and technologies were the inevitable byproducts of historical developement, and that any problems entailed in our technologies and their production processes can be eliminated with further technological innovations
competetiveness and the technological *savvy* implicit in innovation are themselves markers of contemporary masculinity --> “the enduring force of the identification between technology and manliness is not an inherent biological sex difference. it is instead the result of the historical and cultural construction of gender” (Wajcman)
a big part of the problem is that women's technological labor (=/= ghost busters) is culturally invisible --(Katie King in her research on writing technologies argues)--> (a metonymy:) when technologies are reduced to singular, stable, self-contained devices [~ Star Wars] =/= assemblages
[dichotomy of “enforcement =/= destruction” Star Wars either or: if you are not destroying it you are enforcing it]
problems that cannot be conceptualized in terms of measures and endpoints, or which involve holistic, qualitative solutions, will be at a disadvantage for selection
(Cowan shows) the developement of new household tachnolo[...]
(563)[...notes/khmarchive.txt]%69[...]the name of the game (in feminized fields of education and librarianship)
labs (such as laser developement) that require collaboration with other labs
trading zones: a metaphor for understanding how cooperation between researchers enables new scientific paradigms --> Galison
*the development of this or that research looks like a continuous trajectory, but the trajectory was actually discontinuous and ruptured. that fact that we have invented or discovered something makes that developement seem inevitable, but things could always have turned out some other way* --> Cowan ☞ Calvert
competition is not a guarantor of innovation, our cultural belief in it can obscure other explanations for innovation --> for example (Wylie showing:) (archaeology's enshrined belief that) male-centered hunting activities dominated prehistoric caloric intakes ==✕==> other hypotheses for the transition to agriculture --✕--> women's leading role in the development of agriculture--arguably the most significant innovation in human history--could finally be detected
[bids for status by denying the feminized and second class aspects of library work] --> ***the labor of care is at the core of library work*** --> *teaching, like technology, is always a relationship, and that relationship is undergrided by the labor of care* (--> affective labor is literally vital to the successful delivery of other kinds of services)***
the ways women are called on to manage their and other's feelings <--✕--> technology is positioned in out culture as rational and precise and therefore (masculine and) unemotional [--> look at the film Lucy]
successful education and mentorship depend on this skill, which, like household labor, is difficult to account for in “competitive” economic analysis
**articulation work**
the labor necessary to make technologies fit together seamlessly --> Leigh Star
(my work begins in) information systems may leave gaps in work processes that require real-time adjustments, or ‘articulation work,’ to complete the processes
(my research: through ajayeb i have been busy with learning to “make friends” with both technologies and theories)
every system is an assemblage --> Calvert applying Haraway's insight and think of technologies as significant prostheses ==> [*]librarianship: a work that (primarily) hooks up people with their technologies
librarians articulate technologies --> they help people adapt technologies
librarian's articulation work is both technological and affective =/= competitive
(in techno-capital) supressing labor costs ==> deskilling
deskilling and de-professionalization under the intertwined guises of competitiveness and innovation
an example of deskilling:
-Haraway: “to be feminized means to be made extremely v[...]
(573)[...notes/khmarchive.txt]%69.2[...]echnologies as significant prostheses ==> [*]librarianship: a work that (primarily) hooks up people with their technologies
librarians articulate technologies --> they help people adapt technologies
librarian's articulation work is both technological and affective =/= competitive
(in techno-capital) supressing labor costs ==> deskilling
deskilling and de-professionalization under the intertwined guises of competitiveness and innovation
an example of deskilling:
-Haraway: “to be feminized means to be made extremely vulnerable; able to be disassembled, reassembled, exploited as a reserve labor force, seen less as workers than as servers; subjected to time arrangements on and off the paid job that make a mockery of a limited work day; leading to an existence that always borders on being obscene, out of place, and reducible to sex. deskilling is an old strategy newly applicable to formerly privileged workers.”
education has been difficult to comodify, and remains labor intensive =/= innovations in online education ==> creating inroads in the deskilling and commodification of teaching labor:
•course curriculum --> course content
•teaching --> delivery
*video technologies + internet ==> face-to-face interpersonal relating to be captured and reused --> new depths of commodification
*internet technologies can be used to provide rigorous, asynchronous learning and mentorship, or they can be used to decrease labor costs, but they cannot do much of both simultaneously(? --> question @apass)
Calvert: [...however,] for competition--[or any good/bad object we are working on] to be a useful strategy, it has to happen in a larger context of cooperation and collaboration
(for example the notion of “future” has to happen in a larger context in which different futurities for diverse communities is thinkable)
r />
method <=={
+ sensitivity to the historical moment (multiculturalism, extreme changes in the meaning of ‘global,’ etc.)
+ an assemblage of tools that are ready to hand (theoretically driven, are pleasant and effective to use, etc.)
+ embody an ethical commitment to -->
◦emic: the values and meanings of those who are being studied
◦etic: within a way to explore the conventions, standards and infrastructures that both constrain and enable their experiences
Leigh Star
•qualitative methods
•lateral thinking
•poetics of infrastructure
•[*]boundary objects: examines assemblages of humans and things, and how things that exist in more than one community of practice are used in performing cooperative work
the role of practical knowledge in organizational life
sensitivity of an ethnomethodological orientation
(apass's) intellectual capital (is n[...]
(583)[...notes/khmarchive.txt]%69.2[...]are being studied
◦etic: within a way to explore the conventions, standards and infrastructures that both constrain and enable their experiences
Leigh Star
•qualitative methods
•lateral thinking
•poetics of infrastructure
•[*]boundary objects: examines assemblages of humans and things, and how things that exist in more than one community of practice are used in performing cooperative work
the role of practical knowledge in organizational life
sensitivity of an ethnomethodological orientation
(apass's) intellectual capital (is not centered in their official document repositories and databases, rather is in the largely undocumented ideas, insights, and know-how of its members: Lilia, Pierre, Nicolas, Joke, Steven, Michele,)
exigencies of work
****much of knowledge often remains embodied in the practice
commonly shared through conversations and stories among small circles of colleagues and work groups --> local vernacular --convert--> other forms ==> other members of the organization can understand & *act upon* together
Sina --> richer comprehension of socially organised work practice into the process of engineering technological systems
Calvert --> her work is about the enduring qualities of the book and how its resistance to commodification enables this thing we call a public library.
she is interested in developing library-appropriate research methods for thinking critically about old and new technologies
-we naturalize the way technological infrastructures make ethical decisions for us =/= producing methods/ethic that allows librarians to mandate characteristics in developing technologies which both preserve librarians’ prerogatives to make (necessary visible) ethical judgment calls <-- Calvert
جعبه--"containers” continue to dictate the name of the game (for the immensely diverse patronage of the public library)
...................................
bilingualism
different languages (farsi and arabic in ajayeb) refers to different value systems and to different lived experience
...................................
[Ahmed]
(complaint ~=) diversity-work = data-collection
we learn about the damage we cause, of how causes are understood as damage
...................................
my old background (in computer sciences):
•www.joelonsoftware.com (Joel Spolsky runs a company which sells bug databases, “FogBugz”)
•wiki.c2.com
•“Structure and Interpretation of Computer Programs”
computational process
abstract beings (processes*) manipulate other abstract things (data*)
--> a pattern of rules (program*)
programming: *metalinguistic abstraction* [--[...]
(585)[...notes/khmarchive.txt]%69.3[...]
object programming: model real-world objects with local state by computational objects with local variables --> identify time variation in the real world with time variation in the computer --> implement the time variation of the states of the model objects in the computer with assignments to the local variables of the model objects
--✕--> (how?) model a time function
stream: delayed (infinite) list
stream programming:
•different abstractions such as: map, filter, accumulate,
•transformations of lists
•sequence manipulations without incurring the costs of manipulating sequences as lists
•tadriji incremental computation
random: statistical properties of uniform distribution
object-orientation: polymorphic abstract data types =/= relational data model
Building Abstractions with Data
how to use:
•primitive data (numbers)
•primitive operations (arithmetic operations)
building abstractions by combining data objects to form compound data <==> *to increase the modularity* of (our) designs ==> to increase/enhance the expressive power of our language
data abstraction:
*technique of isolating* (the parts of a program that deal with) how data objects are ‘represented’ from (the parts of a program that deal with) how data objects are ‘used’
versioning
garbage collection
...................................
the question of “what [✕] can learn from [Y]?”
Calvert on Mestiza consciousness
library and information scientists
consciousness of the borderlands [~ in between categories, creative/annihilating forces a person living borderlands must struggle against]
***contradictory impulse for *hording* & *sharing*
categorizing, naming, describing --> power-laden practices we cannot do without
each *schema* reveals its priorities, legitimizes/delegitimizes, renders visible/invisible the knowledge it contains/excludes
(Foucault:) library: (places that preserve) discourses that one wishes to remember and keep in circulation [--✕--> Anand's jinn temporality and genealogy of human memory]
mestiza --> hybrid way of knowing/acting/living, as “none of the above”
what is hybrid and impure may be monstrous (in the epistemologies of power) and may experience *hightened visibility* (~= scrutiny, study, problematization, pity)
“orphans of infrastructure” (Leigh Star)
locked in a duel with the oppressor
lived experiences of marked classes
(in each duality pair, one is called “the consitutive outside” [subject/object, male/female, etc.]) --?--> switching polarity ==> valorizing feminine over masculine, black over white, nurture over nature, emotion ove[...]
(589)[...notes/khmarchive.txt]%69.5[...]ure” (Leigh Star)
locked in a duel with the oppressor
lived experiences of marked classes
(in each duality pair, one is called “the consitutive outside” [subject/object, male/female, etc.]) --?--> switching polarity ==> valorizing feminine over masculine, black over white, nurture over nature, emotion over reason
crossing of cultures
*which collectivity does the daughter of the darkskinned mother listen to?*
(while i was in apass i had a shift of attention to) the *labor of knowledge work* (in collective digital flesh life)
media ~= knwoledge form
in media arts studies i learn to ask which cruicual material limitations have been radically eased in a digital era --> impulse to hoard/share + constant tension with the epistemological work of categorization and classification (--> database) + (ongoing) feminization of the field
the library and information science knowledge --> intense expertise required to enact it =/=!? art expertise (a category of works that are expertise-free)
(gift of Marx, Foucault, Lorde, Haraway, Leigh Star in) *understanding subjugated epistemologies*
(Lorde) master's tool dismantle the master's house? = can the technologies and epistemologies that have been used to organize thinking about the world in one way succesfully uproot that way?
“recovering multivocality”
رسوب
*enact residuality
*residual (of transformations [--> sometimes wiping away previous techniques for dividing and describing, and substituting another set of categories that don't easily map to the first ==> eliminating the residuum of the old order --> case of ajayeb? --> can we make overlaps and hybridities of old/new categories? ~ *residual categories*: affective-epistemic content that often go unclassified. Calvert: *affect* is too thin, too subjective to calcify into a category. it abundantly uses its categories in a way that offers a kaleidoscopic shuffling and reshuffling of the items***)])
*residuum
categories overlapping, non-hierarchical (“animal” + “livestock”, etc.)
truthiness
melting pot
actions (filled with verbs)
nouns (both living and nonliving entities)
*score of recognizable historical era*
using:
•filmic techniques (animation, montage, time lapse)
•affective techniques (sarcasm, intimacy)
how can we address aspects of apass's exceptionalism?
(with its things: characters, colors, doings, values)
*historical/cultural specificities of apass*
enlightenment inheritances:
•quest for universality
•
apparent seamlessness and universality with the veneer روکش of helpfulness ==> purity, deny multivocality, hide the residuum produced, and exclude hybridity
[...]
(590)[...notes/khmarchive.txt]%69.6[...] Foucault, Lorde, Haraway, Leigh Star in) *understanding subjugated epistemologies*
(Lorde) master's tool dismantle the master's house? = can the technologies and epistemologies that have been used to organize thinking about the world in one way succesfully uproot that way?
“recovering multivocality”
رسوب
*enact residuality
*residual (of transformations [--> sometimes wiping away previous techniques for dividing and describing, and substituting another set of categories that don't easily map to the first ==> eliminating the residuum of the old order --> case of ajayeb? --> can we make overlaps and hybridities of old/new categories? ~ *residual categories*: affective-epistemic content that often go unclassified. Calvert: *affect* is too thin, too subjective to calcify into a category. it abundantly uses its categories in a way that offers a kaleidoscopic shuffling and reshuffling of the items***)])
*residuum
>
categories overlapping, non-hierarchical (“animal” + “livestock”, etc.)
truthiness
melting pot
actions (filled with verbs)
nouns (both living and nonliving entities)
*score of recognizable historical era*
using:
•filmic techniques (animation, montage, time lapse)
•affective techniques (sarcasm, intimacy)
how can we address aspects of apass's exceptionalism?
(with its things: characters, colors, doings, values)
*historical/cultural specificities of apass*
enlightenment inheritances:
•quest for universality
•
apparent seamlessness and universality with the veneer روکش of helpfulness ==> purity, deny multivocality, hide the residuum produced, and exclude hybridity
--> (pulling the carpet of familiarity out from under users:)
to replace ‘familiar generic conventions’ (~ universal) --replace-wiace-with--> a “universal of local application” (~= residuum)
(we rely on) [*]words: value-laden components of language that also serve as categories and moor لنگر us in the symbolic, to effect the transformations of the collections
labels ~-/==> power and oppression epistemologies <== *organizing logics* (that remain invisible when when we change the words or subsitute new sets of categories)--> that is why i am reluctant with only changing the metadata @Pierre: using metadata to manipulate the organizing apparatus ==> versions of residuality (?)
...................................
[working on apass milieu data model, summer2018]
c.r.i. (“collective research interface”)
--?--> a pathological collage
discrete object (of problem [who, when, how,]) interface
--> refering to something outside c.r.i. (outside the digital model)
face (slider) --> object monster
[...]
(592)[...notes/khmarchive.txt]%69.6[...]series of data models that was produced during a three days work session in a.pass May 2018.
The aim was to create a “filter" for the artistic research projects of each participants, in order to train in making meta-linguistic abstractions (on a given computer hardware) to construct a “thing” that enables describing the problem of Building Abstractions with Data, to increase/enhance the expressive/descriptive power of the languages we use. It addresses the question of machine/human readability in the digital imperative of computational world we are inhabiting, with the particular case of a.pass artistic research environments for advanced performance studies.
•interested in computational literacy (including data-collection, librarianship) as part of our *diversity-work* and our *articulation-work*
•interested in different languages (english, computer, non-sign languages, etc.) refers to different value systems and to different lived experience
•interested in the *labor of knowledge-work* (in collective digital flesh life)
•interested in shifts in topology (the ongoing reworking of bodily boundaries of each of our research practices)
•
TERMINOLOGY:
*articulation-work: the labor necessary to make technologies fit together seamlessly
*diversity-work: a kind of work in which we learn about the damage we cause, and of how “causes” are understood as “damage”
*librarianship: a work that hooks up people with their technologies
*data abstraction: a *technique of isolating* (the parts of your mini-language that deal with) how data/info objects are ‘represented’ from (the parts of your mini-language that deal with) how data/info objects are ‘used’ (---> i addressed this in my fable workshop in a totally different epistemology)
*model: your object decomposed into *computational compound objects* (each with their own time-varying local state variables)
(representation of data and control over data:)
*modular: localized part of the system that are produced by the perception of the system
*objective: viewing a large system as a collection of distinct objects. concerned with how a computational object can change and yet maintain its identity
*streamous: information that flow in the system. its evaluation is delayed. infinite list
*metadata: machine-readable persistence statements
*digital interface: discrete object of your “research problem” that refers to something outside the cri (outside the digital model)
*topology: a (proposed) body-plan to investigate questions of *connectivity* and *boundaries*, in order to find out what remains invariant as a result of transformation. this will direct us to propose (well-intended but not tested) *transversal objects*.
to be able to propose: in the culture of each pad+participant+research what c[...]
(594)[...notes/khmarchive.txt]%69.7[...]tem as a collection of distinct objects. concerned with how a computational object can change and yet maintain its identity
*streamous: information that flow in the system. its evaluation is delayed. infinite list
*metadata: machine-readable persistence statements
*digital interface: discrete object of your “research problem” that refers to something outside the cri (outside the digital model)
*topology: a (proposed) body-plan to investigate questions of *connectivity* and *boundaries*, in order to find out what remains invariant as a result of transformation. this will direct us to propose (well-intended but not tested) *transversal objects*.
to be able to propose: in the culture of each pad+participant+research what connects and joins, what delinks and disconnects.
PRACTICAL:
we want to find out how cri's “filter” translates its politics into metadata
and
what happens in linking the symbolic space of data-model to the (relational, procedural, emotional) qualities of the researches of participants
we will work on the block's opening week feedbacks and process them in this diagram:
feedback --> quasi object --> structured knower --> data
(or technically:)
semantic in flux --> persistence statements --> object repository --> identifiers
(Tuesday, Wednesday, and Thursday are spent on the creation of “quasi objects”)
i propose some (well-intended but not tested) internal categories:
•stickiness
•zoom
•cheat
•persistence
•repetition
•vulgar
(i will describe them later)
and these categories produce three topologies:
1. ramp
2. nest
3. skew
(this is a maneuver to replace the question of ‘strategy’ to ‘topology’, the first act of making quasi-objects)
ramp: sequential, one dimensional, ‘sliders’
nest: fractal, serializable, arborescent, ‘comments’
skew: verb-active, streching, ‘2D field color picker pointer’
each is “queryable” in different ways and propose different difficulties
each of them addapted from an existing technologies (range sliders, commenting, color pickers)
each embeds one of: colors, doings, values
slider: marking everything with decimals
comments: hypertextualizing
field picker: spreading
}--> they are all milieu-makers
ramp --> arc of necessity
nest --> mosaic divisions
skew --> chromatic/luminous effect (of mixture)
and also:
•to address (in a longer term) how apass performs analysis and prioritization of its own service definition?
•to address (in a longer term) historical/cultural specificities of apass
•to address aspects of apass's exceptionalism (its characters, colors, doings, va[...]
(597)[...notes/khmarchive.txt]%69.8[...]appens in linking the symbolic space of data-model to the (relational, procedural, emotional) qualities of the researches of participants
we will work on the block's opening week feedbacks and process them in this diagram:
feedback --> quasi object --> structured knower --> data
(or technically:)
semantic in flux --> persistence statements --> object repository --> identifiers
(Tuesday, Wednesday, and Thursday are spent on the creation of “quasi objects”)
i propose some (well-intended but not tested) internal categories:
•stickiness
•zoom
•cheat
•persistence
•repetition
•vulgar
(i will describe them later)
and these categories produce three topologies:
1. ramp
2. nest
3. skew
(this is a maneuver to replace the question of ‘strategy’ to ‘topology’, the first act of making quasi-objects)
ramp: sequential, one dimensional, ‘sliders’
nest: fractal, serializable, arborescent, ‘comments’
skew: verb-active, streching, ‘2D field color picker pointer’
each is “queryable” in different ways and propose different difficulties
each of them addapted from an existing technologies (range sliders, commenting, color pickers)
each embeds one of: colors, doings, values
slider: marking everything with decimals
comments: hypertextualizing
field picker: spreading
}--> they are all milieu-makers
ramp --> arc of necessity
nest --> mosaic divisions
skew --> chromatic/luminous effect (of mixture)
and also:
•to address (in a longer term) how apass performs analysis and prioritization of its own service definition?
•to address (in a longer term) historical/cultural specificities of apass
•to address aspects of apass's exceptionalism (its characters, colors, doings, values)
REPORT:
Geert
zoom / biger picture
perform a zoom
Geert and Michael knowledge zoom-level
Geert's strech-work
which cheats
vulgar: direct, =/= suffisticated, =/= nice(in a classical sense), =/= institutional code [--> a cheat], everyday, good taste, context?!!
suggested topology: skew --changed--> nest (tow branches answering yes and no to: “is he cheating?”)
Leo
stickiness ~ residual (left overs of impression), we couldn't find little objects, litte stickies
zoom is tooooo wide, megacategories, “fermentation” is a different zoom level
cheat --> perception/intention, value of non-doing ?, ‘order is cheat’, ritual ==> heal/cope
vulgar: ritual of popular knowledge, =/= social acceptence, communicating emotional needs, guilt on behalf of the vulgars,
suggested topology: skew (with 4 axioms: negativity, positivity, passivity, rit[...]
(598)[...notes/khmarchive.txt]%69.8[...]n, faking?
vulgar: ordinary, insultive, perjurative, of the “people”, (Geert:) a marking always coming from above, what television does: non-actual + spectacle, (Elen:) immoral, not original, not elegant, thinking in terms of the ‘same’, group forming, non-individual, twards mass formation,
suggested topology: nest
Eszter
polarized lense
confusion / being confused is ‘cheating’
stickiness absent
suggested topology: nest (with two branches: naive & political leader)
Goda
nothing sticks anymore therefor we go to swamp to stick to relevant objects
swamp as archive (refuge from the capitalist) =/=? cheat
constructing ‘bad example’ (?) --> role model
zooming in losers of capitalism
X-ray kind of lens into the opacity of swamp
(her) treasures in the swamp [--> epistemological buried objects]
criticizing how capitalism zooms for her irrelevant objects
buffoon --> vulgar
suggested topology: skew (the skew is a plain around the edges, gets deeper in the middle, and a narrow way up in the center: the exit)
Elen
presence of the working of subconscious ==provokes==> etymology
very sticki “hell yea!"s
affirmative, sometimes technical knowledge
something sold (“self”) with something morphic on it (“apparition” or ‘surat’ in farsi)
suggested topology: ramp
Hoda
cheat: sharp radical formation, playing ambiguity
totalizing vision lense (“if then all...”)
“because i asked i could feel”
anti-psychological
suggested topology: ramp
Katinka
makeover slider
vulgar: makeover show, e-bay
statements not touching her, something else is sticki object: sympathy?
slider: stack
suggested topology: ramp (makeover)
Nassia
stick: something bodily, heat, sweat, property of objects
zoom is the opposit of body
gaze inside + anatomy
cheating: on people negative / on systems positive
suggested topology: ramp
Laura
osmotic = french kiss
administered (by machine) body
the good example
beauty is invested in...
the (unchanging) core of the cuttle-fish
popular = vulgar
suggested topology: skew (regimented floor plan)
Maurice
cheat --> joker, fool
cute: getting off the leash of institution
bear blurs what...
“but I am just...”
bribe economy --> honest and human
suggested topology: nest
...................................
[title]
archives of open desire
...................................
#drawing exercises in built environment (with Sizek + Mathews https://culanth.org/fieldsights/1542-methods-for-many-anthropocenes-with-andrew-s-mathews)
1. pick a charismatic building/statue/object on your built [...]
(599)[...notes/khmarchive.txt]%69.9[...]ions/writing response questions:
•Which features of the structure stood out, and what do these suggest about the processes of its creation and use?
•How has its infrastructure changed over time, and how are these changes evidenced in the built form itself?
•How does your structure relate to others in its immediate vicinity, and in what ways do relationships between structures help reveal social relations?
•What traces of past events are embedded in infrastructure or its memories, and how can we render these traces present?
drawings has to do with the incompleteness of knowing and representing
indeterminacy at ‘the same time’
(?in which locations you can get a good) human response to:
•slow processes (soil, geology, plant form)
•fast processes (plant seasonal behavior, weather, human responses to all of these things)
*drawing as structured wondering/wandering*
use of the *dramatic* as method --> to entertain multiple worldviews
to maintain irreducible complexity and to recenter historical processes as central to understanding contemporary politics
(history and drama)
-facts as enacted and performed before audiences (--> tradition in science and technology)
**knowledge is always performed, staged, and enacted** <== my work on ajayeb
how to tell the dramatic stories
...................................
notes from Sofia's seminar on documentation
the questions i brought home with Kobe:
the ontological relationships between law and art, who protects who? what protects protection? --> which material discursive practices make the ontological boundaries of “protection”? (specially today investigating this term is more urgent in a world saturated with toxic vocabularies of security.) the figure of protection transforms the subjects of knowledge and knowability --> look at how the judge was talking about art
(question of) the production of subjectivity (of the judge himself as an active knowing agent and the dead-master as the phantasmatic place-holder of meaning)
this is related to: (question of) responsibility and individuality --> influences and efforts of the work. two interesting moments of genesis occurred:
1- in the court “his work” (Beuys) was mysteriously created
2- also when Olga got a phone call from the ministry of culture, “her work” was mysteriously created
--> both the court and the phone call are mystic producers of the subjectivity of the artist dead or alive [#this needs more investigation]
(question of) the production of significance and difference
look at the speech-acts of the judge in the case of Beuys. which nuances of difference are generated, estated, established, and propagated? we can study every syllable of the judge's speech-act. the judge goes fro[...]
(600)[...notes/khmarchive.txt]%70.1[...] Olga
the artist has chosen to protect The Green Table's meaning and message (due to her political and ethical commitments [for world peace?]) in a sense her subject of research remains unresearched, her values unevaluated, her moral settlements settled
how can she become interested in decomposing her research-bodies of The Green Table?
can we remain critically ethically responsible in thinking about the “meaning and message” of our subject of study and still be able to decompose it in interesting serious ways? (yes yes)
questions of: thinking, reminding, remaining,
Sofia's documentation
she asks “what is document today?”
-what was document yesterday (that is not anymore today)?
-how the agency and meaning of docu is (or is not) mutating in time?*
-what is beyond the question of documentation and preservation? --> *durational aesthetics*
-is document a limited way of asking questions about what we do and our relationship with time and duration? [you never know what the present brings into the future.]
what art cannot say that document can? “truth”?
when truth was invented where was document standing?
is document today a mere effect of technologies of inscribing?
why we are not talking about “file”?
(---> go to the ontology of evidence and files in X-Files TV series)
is ‘file’ the bedrock of reading today?
document assumes, constructs and promises its own labor of reading
? document is that which reads as referent, truthful, evident, economic value, , ,
Femke, with multiple understanders of the blended, blending world
the question of the metaphors of the body
manuality
manual understanders
for her “the point of origin” is at stake? --> the “ground” is at once desired and disarticulated for the sake of an idea of situatedness --> politics of positioning
placement, world, Dasein, fall
in CG bodies are articulated in differential vectors, not “grounds” --> does she want to ground the body?
she was mobilizing the metaphors of: body, ground, falling
how is she falling? in which historically contingent practices of grounding is she grounded, building her discourse?
ontology of the variable --> (question of the) figure of variation
her work with the partners of crime, getting in the front line and frontiers of CG working and practical metaphors
...................................
Sofia's textual machine, switching between binary values of faire contract --> staying with the polar syntax of ‘you’ and ‘them’
-how the rotating axis of her machine is able of creating breaks in the syntax of the contract?
-(for her machine: “understanding = an act of application”) --> how new forms of *under[...]
(601)[...notes/khmarchive.txt]%70.3[...] the) figure of variation
her work with the partners of crime, getting in the front line and frontiers of CG working and practical metaphors
...................................
Sofia's textual machine, switching between binary values of faire contract --> staying with the polar syntax of ‘you’ and ‘them’
-how the rotating axis of her machine is able of creating breaks in the syntax of the contract?
-(for her machine: “understanding = an act of application”) --> how new forms of *understanding* could change the ways we might achieve fair societies? and not merely changing the order of sentence to visualize and objectification of unfairness and precariousness of the employment economy, in the exegesis of the writen contract. what would it mean to install an understander (taking a risk), for Sofia, and not a reversal syntaxer (making aware)?
-employer and the employee as different “species” with their different “natural” tendencies to fuck with one another? --> zero-sum game
-the question of symbiotic relatedness (--> psychoanalysis) =/=? contractual relatedness
...................................
to emphasis on the contingent and the contextual
the process of becoming researcher (of science and technology studies : inquiry into the politics and practices of knowledge-making)
vignette (sketch, a brief literary description, narrate scenes from familiar activities)
the question is not ‘how can we care more?’ (as predetermined set of affective practices) rather: **what happens to our work when we pay attention to moments where the question of ‘how to care?’ is insistent but not easily answerable** (‘care’ as an analytic or provocation)
-Kenney
...................................
Manoto TV station program “sher yadet nare” شعر یادت نره respond to the questions of translation (from the UK produced program “Don't Forget the Lyrics” into an Iranian contemporary popular media culture) and memory practices (archival memory act performance pop quiz show mixed with consumer culture TV broadcasting)
...................................
*cognitive companions* (--> coordinating multiple agencies characteristically)
-tiny clay token sheep were enclosed in clay envelopes with markings indicating what was inside (*molding and inscribing clay* was the favored sensory technology for making in Mesopotamia 5000 years ago)
•maybe your makings involves “true writing” that companions preferentially with language
•maybe your makings involves spinning plant and animal fiber and feeling, tying, and untying knots
•processual affirmative re-writings
•systeming meditations
•context-sensitive pushback
•operational closure (of a system)
•fluctuation, entrainment, blocked synchrony
•
[Katie King use of a ter[...]
(602)[...notes/khmarchive.txt]%70.4[...] the contingent and the contextual
the process of becoming researcher (of science and technology studies : inquiry into the politics and practices of knowledge-making)
vignette (sketch, a brief literary description, narrate scenes from familiar activities)
the question is not ‘how can we care more?’ (as predetermined set of affective practices) rather: **what happens to our work when we pay attention to moments where the question of ‘how to care?’ is insistent but not easily answerable** (‘care’ as an analytic or provocation)
-Kenney
...................................
Manoto TV station program “sher yadet nare” شعر یادت نره respond to the questions of translation (from the UK produced program “Don't Forget the Lyrics” into an Iranian contemporary popular media culture) and memory practices (archival memory act performance pop quiz show mixed with consumer culture TV broadcasting)
/>
...................................
*cognitive companions* (--> coordinating multiple agencies characteristically)
-tiny clay token sheep were enclosed in clay envelopes with markings indicating what was inside (*molding and inscribing clay* was the favored sensory technology for making in Mesopotamia 5000 years ago)
•maybe your makings involves “true writing” that companions preferentially with language
•maybe your makings involves spinning plant and animal fiber and feeling, tying, and untying knots
•processual affirmative re-writings
•systeming meditations
•context-sensitive pushback
•operational closure (of a system)
•fluctuation, entrainment, blocked synchrony
•
[Katie King use of a term, how she shifts it from mechanism to affect:] [*]stigmergy: feeling of being in among and as the self-organizing bits that are system-ing (=/= a method of communication in emergent systems, mechanically cally defined as “indirect coordination” self-organizing termites and ants or flash mobs or political action)
@apass: how do you provide different *undisciplined ways of envisioning* new kinds of environments, artifacts and practices? (entangle design, science, fact and fiction, boundary objects, system-ing, [*]design: ***making things that tell stories*** [=/= telling stories])
(my encounters with) ajayeb's vibrating particularism
[*]website, talksite: play, trial and error, permutation and mistakes (none of it innocent or exemplary @ERG's website) ==> *cognitive reassembly*
-->{relations between developers and users to create and work out a technical interface ==> communicative tangle}
transmedia story (with its origins commercial and suspect, often entangled with social critique and social panic ~= conditions of making knowledge today; we knowingly or without reflection, gather and pin together such stories across media...)
-you can't take *[...]
(603)[...notes/khmarchive.txt]%70.4[...]volves “true writing” that companions preferentially with language
•maybe your makings involves spinning plant and animal fiber and feeling, tying, and untying knots
•processual affirmative re-writings
•systeming meditations
•context-sensitive pushback
•operational closure (of a system)
•fluctuation, entrainment, blocked synchrony
•
[Katie King use of a term, how she shifts it from mechanism to affect:] [*]stigmergy: feeling of being in among and as the self-organizing bits that are system-ing (=/= a method of communication in emergent systems, mechanically defined as “indirect coordination” self-organizing termites and ants or flash mobs or political action)
@apass: how do you provide different *undisciplined ways of envisioning* new kinds of environments, artifacts and practices? (entangle design, science, fact and fiction, boundary objects, system-ing, [*]design: ***making things that tell stories*** [=/= telling stories])
(my encounters with) ajayeb's vibrating particularism
[*]website, talksite: play, trial and error, permutation and mistakes (none of it innocent or exemplary @ERG's website) ==> *cognitive reassembly*
-->{relations between developers and users to create and work out a technical interface ==> communicative tangle}
transmedia story (with its origins commercial and suspect, often entangled with social critique and social panic ~= conditions of making knowledge today; we knowingly or without reflection, gather and pin together such stories across media...)
-you can't take *citation pools* for granted
-how we will take what each other says
companion gatherings (do not exactly cohere or consort well) ==sometimes==> violation of standardization (that some believe is more equal)
(companions need to) [*]learn: emergently sensitize and attune among new cognitive and political circumstances (in and as their very moments of unknowing, when ethical and moral sortings are properly in flux)
(with) Bateson's negative sensitivities to systems, and with Katies King, I keep discovering just how literal is our many being-ness in multiply embedded sorts of biomic sympoiesis
{[*]lecture: feeling-in-the-mouth system, (the word-as-world inhabited by) alternate and overlapping peoples, memories, attunements, citation pools, histories, communities of practice, knowledges, ocean and freshwater “edges"}
{?can i propose (Katie King and Sandoval's) “oppositional consciousness” instead of (Mouffe's) “agonistic pluralism"}
responses, abilities, infrastructures, distributed embodiments,
[*]traumas: intensities crowded with affiliations, loyalties, essential truths
(Bateson ☞ Leigh Star ☞ Katie King) *transcontextual* (transcontextual circumstances: moving from one context to another, one world to another, one set of knowledges to another) ==> [*]boundary objects: [...]
(604)[...notes/khmarchive.txt]%70.5[...]ary pleasure)
*sharing = making*
*communicating = making*
clues --for--> contexts --shapes--> how we will take what each other says
(Katie King ☞ Anzaldua:) who and what facilitates such movement among worlds?
home = domination + domestication + love
Katie King:
•why science fiction matters?
•how cultural studies helps us make SF meaningful?
interactive possibilities of media art, commercial production, mass culture
SF = effect of defamiliarization
(problem with Star Trek is that it is over familiar)
Janet, from a lesbian utopian future (death by disease of all the men)
Jeannine, from an alternate present (US never entered WWII)
Jael, where “War Between the Sexes” has become deadly literal
Joanna, the author of the book, Joanna Russ (in a shimmering joking literalization has enfolded into her own story)
my ajayeb studies --> *cultural studies: how cultural products are part of cultural processes* (=/= what makes an art work good) --> getting around the term “art”
-mysteries, romance novels, movies, (bestiaries,) all of them deeply commercial forms of entertainment and often produced in complicated technical collaborations [--> and that's what makes them interesting (=/= simple single authorships)]
-genre, formula, (style, fashion,) are intrinsic to the ways these products are produced and the ways they are enjoyed
genre --> subtle shifts possible across many repetitions (=/= something that happens only one time)
premodern literary forms (bestiary) --> structural variations + their pleasurable effects
fandom (collectivities of fans): venues in which high intensities of engagement and collaboration occur --> social and collaborative, (writing) reengineered with various apparatus, [pre-internet Trekkers:]
•...audio tape each episode and listen to the voices over and over in my bed at night, until I had the dialog memorized
•wrote long letters about each episode several times a week, coast to coast, analyzing each in great detail, and writing out particularly memorable bits of repartee
•
--> SF media fandoms (=/= SF literary fandoms), first really organized around Star Trek in the late 60s, early 70s and increasingly international, have tended to be dominated by female fans
[*]poaching: how fans and fandoms appropriate commercial products for their own informal uses
*commercial exuberance* <== media franchises (<-- take advantage of the structure of multinational corporations [film and tv production, book, music and video publishing and distribution, theme parks, theaters, book stores, and so on. tie-in novels and coffee table, graphic novels, toys and games, other paraphernalia such as telephones, t-shirts and porcelain plates, music, commercial internet sites and catalog buying, and [...]
(605)[...notes/khmarchive.txt]%70.7[...]br />
Verran in her work with Yoruba (West African) and Yolngu (Aboriginal Australian)
=/= thinking of numbers used in enumerating the real world as helping us to work relation ==> numbers (and mathematical objects) as cognitive tools
elements of schooling --> learning to use mathematical tools
*can number be considered as an inventive frontier in social, cultural, political and moral life?* --Verran--> *number = materialized relations*, enumerated materiality
people having kin relations
people are relations (in an embodied sense + semiotic in the sense of expressing a formal relation [for example wife/husband])
example:
•in river water --> taking numbers as semiotic = to identify numbers as the formal relation unity/plurality
•in working markets --> numbers enact generalizing iconically in the whole/parts mode
--**--> numbers as particulars, in place and time, in situ, realized in specific practical ways
Platonist account of number
intuitionist account of number
instrumentalist account of number
Iranian accounr of number
(Verran's rhetoric --> the term) semiotic (an opaque term, both vague and highly technical) + material modifies
(Verran not refering to) [*]semiotic: the summoning up the baroque complexity of French structuralist and post-structuralist thought, and alternatively the specific categorical proposals of Peirce's philosophy and its offspring, american pragmatism.
the paradox of worlds as already/always meaningful, recognizing that doing worlds as knowable (whether by science or by trading) or for that matter through Yoruba, or Yolngu knowledge traditions --involves--> engaging with the world as it is here and now --accepts--> *studying ‘forms of life’ and ‘language games’ as complex clots of signs and collective actions*
--Peirce--> numbers can be:
•iconic (icons are deeply coconstitutive with clots of collective actions that generate entities)
•indexical
•symbolic (symbols and their objects enact a relation of supervenience امر غير مترقبه, objects are accepted as affecting and effecting their signs but not vice-versa)
--> degrees of reciprocal co-constitution of signs and collective embodied and embedded actions in which objects come to life
--Verran--> ethnographically found forms of the workings of signs
(depending on) how one understands ethnography ==> names work as icons, indexes, or symbols
removing the stigma of Yoruba number as primitive
numbers as working indexically or symbolically --> for examine: are being used to represent the ecological health of Australia's creeks and rivers, lakes and billabongs
difference between these relational forms:
the first thing we need to know about [...]
(606)[...notes/khmarchive.txt]%71[...]vant to what it does?**)
•Ferris wheel on Juhu beach
•the weighting machine at the local station
(Rai + Keenan --> give me) new resources for imagining justice and democracy
all habits are preindividual : where the subject and population meets
photographs (photoshopped life) ==enable==> a hauntology to emerge in the viewing subject
a priori conceptualism =/= a practice of perception that is involved in the emergence of ecologies
like Rai's photos, the image assemblages that i am making are experiments in perception given the ecology of sensation that i am working through
--> attempts to produce an affect that resonants with a conceptual and bodily reasoning =/= philosophy
my telegram collection <== (Stengers) we do not know a priori the difference between what we must take into account and what we can ignore
(for you, X is deterministic, as are the questions that describe it)
[*]emergence: the appearance of the unanalyzable totality of a new entity that renders irrelevant the intelligibility of that which produced it
...................................
Ticineto Clough
media technological developements ==> (often and perhaps necessarily) put the transformation of being and the transformation of knowing out of sync with one another
why Hollywood concerns me:
•reconceptualization of labor from the cinematic mode of production to the affective mode
•the colossal projection of cinema as a guarantor of a culturally uniform memory
relevant for artists too (they cannot ignore this) --> to rethink the ontological grounds of knowing [and representation] (in the wake of) deprivileging or decentering human perception and cognition (and reconcider these artistic tools and episteme:) sensation, affect, matter, energy
*digital media technology is being redefined in terms of a subtraction of human perception as the presumed center of being and feeling* @apass
(media understood in terms of) *nonanthropocentric affect* --> affect = transition, gateway, passages between dimensions ==> ‘everything = media’ (~ entities can feel or whose vibrations can be felt by other entities)
affect --> [*]media: contractions of forces of the world into specific resonating milieus
**mediation = modulation = (vibration =) intensifying or deintensifying rhythmicities and forces, below and above human perception**
[*]human perception: assemblage of measuring that is irreducible to human agency or human agency alone ==> “non-conscious phenomena”
-this is Barad pointing the way to an epistemology put in terms of measuring that affects as it renders effects
(i need to work on such specific epistemology for ajayeb)
(ajayeb's speculative reals --> s[...]
(607)[...notes/khmarchive.txt]%71.2[...]oduce an affect that resonants with a conceptual and bodily reasoning =/= philosophy
my telegram collection <== (Stengers) we do not know a priori the difference between what we must take into account and what we can ignore
(for you, X is deterministic, as are the questions that describe it)
[*]emergence: the appearance of the unanalyzable totality of a new entity that renders irrelevant the intelligibility of that which produced it
...................................
Ticineto Clough
media technological developements ==> (often and perhaps necessarily) put the transformation of being and the transformation of knowing out of sync with one another
why Hollywood concerns me:
•reconceptualization of labor from the cinematic mode of production to the affective mode
•the colossal projection of cinema as a guarantor of a culturally uniform memory
relevant for artists too (they cannot ignore this) --> to rethink the ontological grounds of knowing [and representation] (in the wake of) deprivileging or decentering human perception and cognition (and reconcider these artistic tools and episteme:) sensation, affect, matter, energy
*digital media technology is being redefined in terms of a subtraction of human perception as the presumed center of being and feeling* @apass
(media understood in terms of) *nonanthropocentric affect* --> affect = transition, gateway, passages between dimensions ==> ‘everything = media’ (~ entities can feel or whose vibrations can be felt by other entities)
affect --> [*]media: contractions of forces of the world into specific resonating milieus
**mediation = modulation = (vibration =) intensifying or deintensifying rhythmicities and forces, below and above human perception**
[*]human perception: assemblage of measuring that is irreducible to human agency or human agency alone ==> “non-conscious phenomena”
-this is Barad pointing the way to an epistemology put in terms of measuring that affects as it renders effects
(i need to work on such specific epistemology for ajayeb)
(ajayeb's speculative reals --> speculative grasp of what exists outside human knowing =/=) correlationism: impossibility of a world without human knowing
(one of our obligation today is) [nonapocalyptic] ***recognizing a world without us*** (<-- this is what we must imagine and not “our future” @Pierre)
[by] making use of poetic, affective, rhythmic processes of resonance (--> Sarah's fermentation concert, Sina's popup book)
}==rethink==> *media technologies = technologies of measure*
sensual mathematics
rethink the digital in terms of the “numerical dimension of the virtual”
the potential for mutation immanent to the numerical code itself
(indeterminacies unde[...]
(608)[...notes/khmarchive.txt]%71.2[...]
(media understood in terms of) *nonanthropocentric affect* --> affect = transition, gateway, passages between dimensions ==> ‘everything = media’ (~ entities can feel or whose vibrations can be felt by other entities)
affect --> [*]media: contractions of forces of the world into specific resonating milieus
**mediation = modulation = (vibration =) intensifying or deintensifying rhythmicities and forces, below and above human perception**
[*]human perception: assemblage of measuring that is irreducible to human agency or human agency alone ==> “non-conscious phenomena”
-this is Barad pointing the way to an epistemology put in terms of measuring that affects as it renders effects
(i need to work on such specific epistemology for ajayeb)
(ajayeb's speculative reals --> speculative grasp of what exists outside human knowing =/=) correlationism: impossibility of a world without human knowing
(one of our obligation today is) [nonapocalyptic] ***recognizing a world without us*** (<-- this is what we must imagine and not “our future” @Pierre)
[by] making use of poetic, affective, rhythmic processes of resonance (--> Sarah's fermentation concert, Sina's popup book)
}==rethink==> *media technologies = technologies of measure*
sensual mathematics
rethink the digital in terms of the “numerical dimension of the virtual”
the potential for mutation immanent to the numerical code itself
(indeterminacies understood in terms of) new processes of quantification that recognize the “full densely packed zones of information that are the intensive surrounds of zero and ones
Clough - Goodman - Parisi
*question of knowing = a politics of capacities* (that crosses every scale of matter/energy)
=/= interpellation and determination of the subject
=/= identity politics (politics of difference)
control society = collection of dynamic quasi-subjects (constituted by a grear number of variables) =/= collection of subjects of right (constituted by the partial alienation of their natural rights to the sovereign)
[*]population only reveals probabilistic regularities once considered at the mass level (=/= collection of controlable subjects)
(in both terms of capital and governance) *modulation and mutation are operative in relations of power* (---> go to Campbell)
[*]publics: addresses of communicated affective states (=/= subjects of discourse about and argumentation over narrative knowledge with truth claims)****
--> matters of vitalizing information
*digital technologies have been fundamental to the deterritorialization of the relationship between individual and collectivity* --Terranova--> (digital technologies through provisional capture and dissemination of affect ==>) constitution of publics
[*]biopolitics: a mat[...]
(609)[...notes/khmarchive.txt]%71.3[...]"numerical dimension of the virtual”
the potential for mutation immanent to the numerical code itself
(indeterminacies understood in terms of) new processes of quantification that recognize the “full densely packed zones of information that are the intensive surrounds of zero and ones
Clough - Goodman - Parisi
*question of knowing = a politics of capacities* (that crosses every scale of matter/energy)
=/= interpellation and determination of the subject
=/= identity politics (politics of difference)
control society = collection of dynamic quasi-subjects (constituted by a grear number of variables) =/= collection of subjects of right (constituted by the partial alienation of their natural rights to the sovereign)
[*]population only reveals probabilistic regularities once considered at the mass level (=/= collection of controlable subjects)
(in both terms of capital and governance) *modulation and mutation are operative in relations of power* (---> go to Campbell)
[*]publics: addresses of communicated affective states (=/= subjects of discourse about and argumentation over narrative knowledge with truth claims)****
--> matters of vitalizing information
*digital technologies have been fundamental to the deterritorialization of the relationship between individual and collectivity* --Terranova--> (digital technologies through provisional capture and dissemination of affect ==>) constitution of publics
[*]biopolitics: a matter of distributing affective capacities unevenly across population (--> is volatile)
***distribution of affect reshapes society*** --requires--> to restore discursive argumentation (over narrative and its truth claims --> *narrative = a form of truth claim*)
(#telegram with Rai, we need more analysis of... in terms) *ecologies of sensation*: media assemblages with emergent properties that impel new tendencies, new forms of attention, new forms of intention, new forms of distraction, new forms of habit, new forms of practice
*politics of intervention: a matter of entering in the middle in order to *modulate* ~= (Rai's) counter-actualization (~= criticism): moving down from the extended, back to the intensive or potentiality (not merely a deconstructive practice, but) an ontologically oriented practice, a performative intervention brining a change of speed, rhythm, vibration --> politics of vibration (Pia's method)
media technological developement ==deploy==> (which?) ontological and epistemological implications
to give criticism more specificity and width
measure and media technologies
...................................
(Rai) [hacking jugaad practices] they operate within and against the plasticity (both neural and spatial) of India's “smart cities”
-feedbacked assemblages of affect, matter, poli[...]
(611)[...notes/khmarchive.txt]%71.3[...]s of vitalizing information
*digital technologies have been fundamental to the deterritorialization of the relationship between individual and collectivity* --Terranova--> (digital technologies through provisional capture and dissemination of affect ==>) constitution of publics
[*]biopolitics: a matter of distributing affective capacities unevenly across population (--> is volatile)
***distribution of affect reshapes society*** --requires--> to restore discursive argumentation (over narrative and its truth claims --> *narrative = a form of truth claim*)
(#telegram with Rai, we need more analysis of... in terms) *ecologies of sensation*: media assemblages with emergent properties that impel new tendencies, new forms of attention, new forms of intention, new forms of distraction, new forms of habit, new forms of practice
*politics of intervention: a matter of entering in the middle in order to *modulate* ~= (Rai's) counter-actualization (~= criticism): moving down from the extended, back to the intensive or potentiality (not merely a deconstructive practice, but) an ontologically oriented practice, a performative intervention brining a change of speed, rhythm, vibration --> politics of vibration (Pia's method)
media technological developement ==deploy==> (which?) ontological and epistemological implications
to give criticism more specificity and width
measure and media technologies
...................................
(Rai) [hacking jugaad practices] they operate within and against the plasticity (both neural and spatial) of India's “smart cities”
-feedbacked assemblages of affect, matter, policy, culture, biology, perception, value, force, sensibilities, practices, and discourses
-sensorial, algorithmic, material, and territorial makeshift infrastructures enabling digital cultures in India today
cultures of pirated workarounds (jugaad) in digital technologies
emergent digital cultures
stratified data
*hacking empiricism: a self-reflective practice of linking a problem to both its ecology of sense and sensation and to its processes and dimensions of change*
•empiricism --> pragmatic experimentations in becoming other
•[*]hacking: (informalized workaround practices) inchoate unvollständig movement of workaround, informal (disorganized), extralegal, democratic, subaltern, collective repurposing of found materials shifting ecologies from relative stasis to absolute flux, at times and usually in the interests of narrow class segments, in innovative and “game-changing” ways
ecologies of workaround practices
...subaltern and autonomous sensibility imprisoned and controlled by forms of monopoly and habituation
...nodes of algorithmic capital
traverse and exceed
islamophobic co-brandin[...]
(613)[...notes/khmarchive.txt]%71.4[...]es that impel new tendencies, new forms of attention, new forms of intention, new forms of distraction, new forms of habit, new forms of practice
*politics of intervention: a matter of entering in the middle in order to *modulate* ~= (Rai's) counter-actualization (~= criticism): moving down from the extended, back to the intensive or potentiality (not merely a deconstructive practice, but) an ontologically oriented practice, a performative intervention brining a change of speed, rhythm, vibration --> politics of vibration (Pia's method)
media technological developement ==deploy==> (which?) ontological and epistemological implications
to give criticism more specificity and width
measure and media technologies
...................................
(Rai) [hacking jugaad practices] they operate within and against the plasticity (both neural and spatial) of India's “smart cities”
-feedbacked assemblages of affect, matter, policy, culture, biology, perception, value, force, sensibilities, practices, and discourses
-sensorial, algorithmic, material, and territorial makeshift infrastructures enabling digital cultures in India today
cultures of pirated workarounds (jugaad) in digital technologies
emergent digital cultures
stratified data
*hacking empiricism: a self-reflective practice of linking a problem to both its ecology of sense and sensation and to its processes and dimensions of change*
•empiricism --> pragmatic experimentations in becoming other
•[*]hacking: (informalized workaround practices) inchoate unvollständig movement of workaround, informal (disorganized), extralegal, democratic, subaltern, collective repurposing of found materials shifting ecologies from relative stasis to absolute flux, at times and usually in the interests of narrow class segments, in innovative and “game-changing” ways
ecologies of workaround practices
...subaltern and autonomous sensibility imprisoned and controlled by forms of monopoly and habituation
...nodes of algorithmic capital
traverse and exceed
islamophobic co-branding of Israel and India
marketing and hacking of digital cultures
social practice / hacking
pragmatic, ad hoc, networked approach (to an obstacle)
sufficient reason proceeding through intuition as much as probability
**what workaround repurposes our relation to technology and technique itself? <--Rai-- collective experiment in pragmatizing in mobile ecologies
heterodox political economy of contemporary digital capitalist control + its parasitical and autonomous pirate kingdoms (Sundaram ☞ Rai)
Foucault --> ****knowledge was not made for understanding, it was made for cutting****
entrepreneurial capture of digita[...]
(615)[...notes/khmarchive.txt]%71.4[...]chnologies
emergent digital cultures
stratified data
*hacking empiricism: a self-reflective practice of linking a problem to both its ecology of sense and sensation and to its processes and dimensions of change*
•empiricism --> pragmatic experimentations in becoming other
•[*]hacking: (informalized workaround practices) inchoate unvollständig movement of workaround, informal (disorganized), extralegal, democratic, subaltern, collective repurposing of found materials shifting ecologies from relative stasis to absolute flux, at times and usually in the interests of narrow class segments, in innovative and “game-changing” ways
ecologies of workaround practices
...subaltern and autonomous sensibility imprisoned and controlled by forms of monopoly and habituation
...nodes of algorithmic capital
traverse and exceed
islamophobic co-branding of Israel and India
marketing and hacking of digital cultures
social practice / hacking
pragmatic, ad hoc, networked approach (to an obstacle)
sufficient reason proceeding through intuition as much as probability
**what workaround repurposes our relation to technology and technique itself? <--Rai-- collective experiment in pragmatizing in mobile ecologies
heterodox political economy of contemporary digital capitalist control + its parasitical and autonomous pirate kingdoms (Sundaram ☞ Rai)
Foucault --> ****knowledge was not made for understanding, it was made for cutting****
entrepreneurial capture of digital cultures and their hacking (in India)
-what is the force, sense, and value of the habituation (of CG hacking, of pragmatic experimentation habits)? --Sina--> (question of) passage between affective states
-(how can we?) better diagram through connecting relations and functions of force, value, and sense in (pirated & corporate) contemporary digital media infrastructures
(how to understand effectively the knots of) ***technoperceptual*** (becoming, relations, assemblages, habituation)
negotiating the digital (irreducible to capitalist strategies of value capture ~ resistance form)
the ecology of sense and sensation that jugaad events [technical animation CG] operate through (and happen in) *requires specific pirate infrastructures*
Rai's jugaad --affirm--> becoming through a counteractualization of the infrastructures of postdigital cultures
strategic narratives of acts of consumption --> sources of new productivity
(Ris's notion of) ecological: process-oriented historical materialism
interpretation by thinking --through--> assemblages of action --through--> assemblages of thought
collective practices of habituation
([Rai's] m[...]
(616)[...notes/khmarchive.txt]%71.4[...]r />
...nodes of algorithmic capital
traverse and exceed
islamophobic co-branding of Israel and India
marketing and hacking of digital cultures
social practice / hacking
pragmatic, ad hoc, networked approach (to an obstacle)
sufficient reason proceeding through intuition as much as probability
**what workaround repurposes our relation to technology and technique itself? <--Rai-- collective experiment in pragmatizing in mobile ecologies
heterodox political economy of contemporary digital capitalist control + its parasitical and autonomous pirate kingdoms (Sundaram ☞ Rai)
Foucault --> ****knowledge was not made for understanding, it was made for cutting****
entrepreneurial capture of digital cultures and their hacking (in India)
-what is the force, sense, and value of the habituation (of CG hacking, of pragmatic experimentation habits)? --Sina--> (question of) passage between affective states
-(how can we?) better diagram through connecting relations and functions of force, value, and sense in (pirated & corporate) contemporary digital media infrastructures
(how to understand effectively the knots of) ***technoperceptual*** (becoming, relations, assemblages, habituation)
negotiating the digital (irreducible to capitalist strategies of value capture ~ resistance form)
the ecology of sense and sensation that jugaad events [technical animation CG] operate through (and happen in) *requires specific pirate infrastructures*
Rai's jugaad --affirm--> becoming through a counteractualization of the infrastructures of postdigital cultures
strategic narratives of acts of consumption --> sources of new productivity
(Ris's notion of) ecological: process-oriented historical materialism
interpretation by thinking --through--> assemblages of action --through--> assemblages of thought
collective practices of habituation
([Rai's] methodology of) *affect-as-capacity* --shift--> the focus of attention away from language (discourse and representation) toward habituated and emergent sensations in historically specific media assemblages
transformation of telecommunications in colonial and postcolonial South Asia
(Guattari's) assemblage: a prepersonal practice, a kind of style, a creative mutation that binds an individual or a group consciously or unconsciously
...................................
*traveling the bibliographic among knowledge worlds*
(Katie making a) multimedia bibliographic essay *with an argument* --> working out a practice of *transdisciplinary inspection*
(@apass, a few index of evaluation for such practice:)
•*how well it learns and models how to be affected or moved*
•*ho[...]
(618)[...notes/khmarchive.txt]%71.5[...]) ecological: process-oriented historical materialism
interpretation by thinking --through--> assemblages of action --through--> assemblages of thought
collective practices of habituation
([Rai's] methodology of) *affect-as-capacity* --shift--> the focus of attention away from language (discourse and representation) toward habituated and emergent sensations in historically specific media assemblages
transformation of telecommunications in colonial and postcolonial South Asia
(Guattari's) assemblage: a prepersonal practice, a kind of style, a creative mutation that binds an individual or a group consciously or unconsciously
...................................
*traveling the bibliographic among knowledge worlds*
(Katie making a) multimedia bibliographic essay *with an argument* --> working out a practice of *transdisciplinary inspection*
(@apass, a few index of evaluation for such practice:)
•*how well it learns and models how to be affected or moved*
•*how well it opens up unexpected elements of one's own embodiments in lively and re-sensitizing world*
•(what are) *its possibilities for immersive play among sensations and platforms amid media technologies*
•(what are) *its ways of participating in multispecies learning or self-organization across ecologies
•(what are its capacities for) *mattering without owning the action* [--> play]
transdisciplinary connections have been made on the basis of *play*--between: psychiatry, mathematical, logic, linguistic, histories and evolution of communication, ethology, biophysics, cybernetics, natural history + game industry, fine arts design, education, semiotics, animation, new media, children television, system collaborations
--play--> restructure and intermesh, are recruited in nationalisms, economies, political life
}--Katie--> ***what sorts of politics might allow us to scope and scale among these, to “play” with our own consciousness?***
culture industries
questions
-what does it take to be an intellectual actor across knowledge worlds & a trustworthy member of only some? @Jassem
-[what is] to practice knowledge beyond your control? @Lili
-[what is] to sift among forms of evidence requiring tools you do not have? @Lilia
-[what is] to be required to rank, evaluate, assess results of rules you have not played out (yet)? @Sana
Katie ☞ Bateson's *double bind*
--clue--> meanings and causes of schizophrenia (--> may speak to various conditions of biosocial systems today)
(questions at using the word schizophrenia:)
-what of the sexism of those laying blame on the “schizophrenogenic mother”?
-what of the possiblity of gathering evidence for the effects of expressed emotion in family systems of those with possibly link[...]
(620)[...notes/khmarchive.txt]%71.5[...]er, but really i am in front of a computer --> reality? not.
•
}--> double consciousness
(Katie ☞ Bateson) *play creates its own commentary in itself about itself as an intense and pleasurable interactive dynamism* = metacommunication: communicative + neurological + hormonal
***good signaling skills make nonabusive play on the edge of double bind possible***
(skills of) transcontextual movement without falling apart
finding out:
•which bits are active
•which bits are context
•which bits can be made explicit
•which rules are perceptible
•which distributed embodiments, cognitions, and infrastructures are in play
(these are the skills needed for the kind of game we play in apass)
playing/gaming (now covers): gambling, economic game theory, game art, design, learning, role playing, system theory --> *playing with our distributed being* [Katie's accounting for digital]
-what the hell are my hormonal plays? (not always including another person)
(for Haraway [*]wording:) game of cat's cradle (across a range of transmedia) pictured, described, metacommunicated, performed, extended, *relayed*
(my image assemblages: writing:) techno-organic polyglot polymorphic wiring diagrams
to pattern
to relay (passing something along, relaying =/= sharing)
to perceive multiform
rewarded by dopamine
triggered by pleasure, anticipation, yawning fields for memory [--> my ajayeb study], learning and unlearning, tenacious addictive repetitions
tools: drawing, role playing, gaming, writing, critiquing, reviewing, costuming, songwriting, singing, webby community building, techy arts, fans advocating their interests in films
--> shaping environments and contexts for imagination and cognition
*wording: a practice of displaying + crafting worlds, of sharing + enjoying expertexpertise, of noticing tiny details of connection and similarity amid the tweaks and frissons of alternative shadings across many intertextualities of association, history, genre, care*
in interface
what was obvious to one was mystery to another
what was trivial to one was a barrier to another
how do you reply in terms that are alien to you?
@apass
*actual materialities of distributed thinking* <--among-- infrastructures of:
•publication
•media
•conferences
•scholarly communication
•research results and processes
•
elegant parsimonies of explanation
clever bodies at the edge of apprehension (Despret's Clever Hans Effect)
an interative agency (Katie calls) *learning to be affected* =/= “mearly the effect of...” ...ولی اون فقط داره
odor kit
a device organized in a careful pallete of small differences
learn[...]
(621)[...notes/khmarchive.txt]%71.7[...]ure assemblaged and stacked (extensively scaled, intensely scoped) =/= disciplinized archives of references (a knowing that linkages exist and can be assumed and must be consciously made explicit as “new”)
•my “=/=” set the focus of lens unsed in examining --> alter the grain of detail (deliberately and dismissingly) --> a “we” is needed --to--> pull back --to--> include alternate knowledge worlds
ajayeb.net/bibli: bird's-eye view of the bibliographic growth
mobility and detachability of “nots” provoking frission
@ERG's new website: what if the worlding here needs to scope and scale along ranges of detail, indications of shifts from one knowledge world to another assemblaged through boundary objects?
-who gets to say in which knowledge world?
routinized rhetoric about feminism
apparatus: open-ended practices
****(ok yes) “we honestly believe that there are no positions that are epistemologically superior to any other” --but--> at the same time [Katie and i totally] argue with and try to overthrow those i don't agree with****
neutrality (<-- moral commitment) =/= relativism: forswearing claims to absolute epistemological authority
(learning from Katie) my technique in ajayeb study --> i brazenly detach words from their original context and mobilize then all together for my own irritating purposes [...] i both reduce and add to the complexity (of globals and locals)
**(my play:) double or multiple consciousness ==> [*]ajayeb: growing boundary objects
**(my project in apass:) to be curious and value how claims to epistemological authority operate and how comparative relativism can be accountable + can i irritatingly passionately disagree with
democratization of oppression (?)
reading across the media sustains a depth of experience that motivates more consumption
...the economic logic of a horizontally integrated entertainment industry
#telegram iran (commercial world of entertainment)
material examples of *stacked realities* cascading over various media and technological platforms with differing degrees of interoperability and standardization --Katie--> *transmedia stories* (inevitably commercialized)
integrationism
revolutionary action
supermacism
separatism
anarchism
political defense
redefinition of the human
to intervene in and democratically refocus social and psychic powers --> place-based ecological activism: self-consciously identifying and producing invigorating political and cultural planetary geographies
ethically augmented and affected cognitive sensorium
variable and sensitized tactics and ethics of “democratics” --Sandoval--> meta-ideologizing: functions both within and against ideology
@Leo?
(my w[...]
(623)[...notes/khmarchive.txt]%72[...]ices
****(ok yes) “we honestly believe that there are no positions that are epistemologically superior to any other” --but--> at the same time [Katie and i totally] argue with and try to overthrow those i don't agree with****
neutrality (<-- moral commitment) =/= relativism: forswearing claims to absolute epistemological authority
(learning from Katie) my technique in ajayeb study --> i brazenly detach words from their original context and mobilize then all together for my own irritating purposes [...] i both reduce and add to the complexity (of globals and locals)
**(my play:) double or multiple consciousness ==> [*]ajayeb: growing boundary objects
**(my project in apass:) to be curious and value how claims to epistemological authority operate and how comparative relativism can be accountable + can i irritatingly passionately disagree with
democratization of oppression (?)
reading across the media sustains a depth of experience that motivates more consumption
...the economic logic of a horizontally integrated entertainment industry
#telegram iran (commercial world of entertainment)
material examples of *stacked realities* cascading over various media and technological platforms with differing degrees of interoperability and standardization --Katie--> *transmedia stories* (inevitably commercialized)
integrationism
revolutionary action
supermacism
separatism
anarchism
political defense
redefinition of the human
to intervene in and democratically refocus social and psychic powers --> place-based ecological activism: self-consciously identifying and producing invigorating political and cultural planetary geographies
ethically augmented and affected cognitive sensorium
variable and sensitized tactics and ethics of “democratics” --Sandoval--> meta-ideologizing: functions both within and against ideology
@Leo?
(my work on ajayeb is aimed at:) old and new media collide ==Jenkins==> *convergence culture* --inhabited-by--> those who learn how to play with media, information, visualization, and who live among and produce hypertexted or relational and relative materialities
preemptive
proleptic
prophetic
(the way i am using the term) queer: to learn to be affected by the political economies of knowledge worlds
(my art in lecture and performances:) *to play with our own consciousness* --Katie--> to curiosly work at the edge of “this is not it”, [bits that are] some activated and activating across the tacit and the explicit
(no to) idealization
(no to) disillusionment
(Katie asks) *****which “we” gathers, locating inside of worlding processes, as elements in reorganizations that “we” matter in, but d[...]
(624)[...notes/khmarchive.txt]%72[...]e way i am using the term) queer: to learn to be affected by the political economies of knowledge worlds
(my art in lecture and performances:) *to play with our own consciousness* --Katie--> to curiosly work at the edge of “this is not it”, [bits that are] some activated and activating across the tacit and the explicit
(no to) idealization
(no to) disillusionment
(Katie asks) *****which “we” gathers, locating inside of worlding processes, as elements in reorganizations that “we” matter in, but do not control?*****
(the game we play in artistic research:) *transcontextual movement witout falling apart*
[in apass people do] sensitized transmedia knowledge practices
...................................
origin of computing goes back to 19th century insurance industry: modern elimination of risks
social theory of data science
1820s (Babbage’s) difference engine
right at the industrial revolution: division of labor (for Babbage was the highest human achievement)
==> welfare state
the state protects and promotes the economic and social well-being of the citizens
we are living by the rationality of insurance industry (==> operating our lives by technologies of information and computing)
[we can live with it differently]
logic of progress is not the issue, logic of acceleration is the problem
(idea of) frictionless economy ==> must go faster and faster
discourse of stasis =/= how to explore change?
not preserving endangered species, but preserving the possibility of change
desks are information technologies
Bowker ☞ Sina: every critical work (today) must include the centrality of data (and calculation) in our lives
(from premodern) *describe the world* [bestiaries] --to--> (modern necessity to) *calculate the world* [recognizing a calculated world --> my interest in Olearius]
...................................
(Cameron's image of) Terminator: relentless unidirectional progress [that you can't negotiate with] (~= modernity) ==> destruction of cultures and communities --> destroy ourselves
how to live with Terminator = how to live with modernity --> postmodernity
(in the film the Terminator is finally terminated by a determined woman using rather old-fashioned technology)
absolutely will not stop
inside: hyperalloy combat chassis, microprocessor controlled, fully armoured, very tough
outside: living human tissue, flesh, skin, hair, blood --> controlled by a clinical logic: *it cannot be reasoned with*, it cannot be bargained with
its metal skeleton rises from the ashes and carries on with its mission. the skeleton too is chopped to bits, the individual bits come to life and continue with their goal
(for Sardar) modernity is the conce[...]
(625)[...notes/khmarchive.txt]%72.1[...]economic and social well-being of the citizens
we are living by the rationality of insurance industry (==> operating our lives by technologies of information and computing)
[we can live with it differently]
logic of progress is not the issue, logic of acceleration is the problem
(idea of) frictionless economy ==> must go faster and faster
discourse of stasis =/= how to explore change?
not preserving endangered species, but preserving the possibility of change
desks are information technologies
Bowker ☞ Sina: every critical work (today) must include the centrality of data (and calculation) in our lives
(from premodern) *describe the world* [bestiaries] --to--> (modern necessity to) *calculate the world* [recognizing a calculated world --> my interest in Olearius]
...................................
(Cameron's image of) Terminator: relentless unidirectional progress [that you can't negotiate with] (~= modernity) ==> destruction of cultures and communities --> destroy ourselves
how to live with Terminator = how to live with modernity --> postmodernity
(in the film the Terminator is finally terminated by a determined woman using rather old-fashioned technology)
absolutely will not stop
inside: hyperalloy combat chassis, microprocessor controlled, fully armoured, very tough
outside: living human tissue, flesh, skin, hair, blood --> controlled by a clinical logic: *it cannot be reasoned with*, it cannot be bargained with
its metal skeleton rises from the ashes and carries on with its mission. the skeleton too is chopped to bits, the individual bits come to life and continue with their goal
(for Sardar) modernity is the conceptual equivalent of the Terminator (incepted in European Enlightenment: modernize traditional cultures and relentlessly lead mankind, screaming and protesting, by the nose towards a progressive utopia)
modernity ~=> (witnessed, if not caused:)
•death and elimination of numerous cultures
•destruction of countless communities and histories
•disappearance of hundreds of valuable animal and plant species
•transformed arable land into wastelands and deserts
modernity: the official culture of the world
(Nietzsche, Heidegger -->) it is not possible to think our way out of modernity with the philosophical system of thought and language supplied by modernity
--> Vattimo's (bad) philosophy of crisis:
•history
what was traditionally referred to as “history” is now perceived as having broken down into an infinity of “histories” that can no longer be (re)combined into a single narrative governed by a central theme
(today:) history = a kind of writing
•progress: *something qualitatively different from what precedes it* (a forward movement in hist[...]
(627)[...notes/khmarchive.txt]%72.1[...]ual bits come to life and continue with their goal
(for Sardar) modernity is the conceptual equivalent of the Terminator (incepted in European Enlightenment: modernize traditional cultures and relentlessly lead mankind, screaming and protesting, by the nose towards a progressive utopia)
modernity ~=> (witnessed, if not caused:)
•death and elimination of numerous cultures
•destruction of countless communities and histories
•disappearance of hundreds of valuable animal and plant species
•transformed arable land into wastelands and deserts
modernity: the official culture of the world
(Nietzsche, Heidegger -->) it is not possible to think our way out of modernity with the philosophical system of thought and language supplied by modernity
--> Vattimo's (bad) philosophy of crisis:
•history
what was traditionally referred to as “history” is now perceived as having broken down into an infinity of “histories” that can no longer be (re)combined into a single narrative governed by a central theme
(today:) history = a kind of writing
•progress: *something qualitatively different from what precedes it* (a forward movement in history) --✕--> [now:] welf established technique (of such masters as Foucault, Deleuze, Derrida, Lyotard and Baudrillard:) to deconstruct rational metaphysics in order to open it, to rewrite it and thus to lay the foundation, in terms of a Marxian-inspired historicism, of new truths for a postmodernist thought
•(Vattimo's use of) nihilism as weapon to attack notions of ‘truth’ and ‘reason’ (in western metaphysics) ==>
◦‘logic = (just another kind of) rhetoric’
◦‘truth = will to power (by those who claim to be seeking truth over those who are being addressed by them)’
◦‘science and technology = dominating metaphysical systems’
--✕--> (eliminated any) possibility of a dialogue with cultures that are truly other as the rational metaphysics of science and technology
(the idea of) plurality of cultures and discourses must become a basic premise of postmodernist thought ==> widespread and widely pluralistic religious revival [+ excessive indulgence in relativism]
(the meaning of) morality and principles of justice in a postmodern world: [democracy's western ethos:]
•recognition of human needs
•courage
•solidarity
•justice
•prudence
•(virtue of) participating in rational discourse
(Sardar's reading:)
•stating the obvious with a sense of grand discovery is an essential postmodern disease
•what modern science and technology, free market economy and multinational corporations are doing in the name of freedom, justice and fairness
--> despite wonderful sentiments, and all the arguments for justice and equify, we end up with more of the same
[...]
(628)[...notes/khmarchive.txt]%72.2[...]stelands and deserts
modernity: the official culture of the world
(Nietzsche, Heidegger -->) it is not possible to think our way out of modernity with the philosophical system of thought and language supplied by modernity
--> Vattimo's (bad) philosophy of crisis:
•history
what was traditionally referred to as “history” is now perceived as having broken down into an infinity of “histories” that can no longer be (re)combined into a single narrative governed by a central theme
(today:) history = a kind of writing
•progress: *something qualitatively different from what precedes it* (a forward movement in history) --✕--> [now:] welf established technique (of such masters as Foucault, Deleuze, Derrida, Lyotard and Baudrillard:) to deconstruct rational metaphysics in order to open it, to rewrite it and thus to lay the foundation, in terms of a Marxian-inspired historicism, of new truths for a postmodernist thought
•(Vattimo's use of) nihilism as weapon to attack notions of ‘truth’ and ‘reason’ (in western metaphysics) ==>
◦‘logic = (just another kind of) rhetoric’
◦‘truth = will to power (by those who claim to be seeking truth over those who are being addressed by them)’
◦‘science and technology = dominating metaphysical systems’
--✕--> (eliminated any) possibility of a dialogue with cultures that are truly other as the rational metaphysics of science and technology
(the idea of) plurality of cultures and discourses must become a basic premise of postmodernist thought ==> widespread and widely pluralistic religious revival [+ excessive indulgence in relativism]
(the meaning of) morality and principles of justice in a postmodern world: [democracy's western ethos:]
•recognition of human needs
•courage
•solidarity
•justice
•prudence
•(virtue of) participating in rational discourse
(Sardar's reading:)
•stating the obvious with a sense of grand discovery is an essential postmodern disease
•what modern science and technology, free market economy and multinational corporations are doing in the name of freedom, justice and fairness
--> despite wonderful sentiments, and all the arguments for justice and equify, we end up with more of the same
(problem of the East with) modernity: a European cultural construct based on specific historical legacy and condition, and its basic goal has always been to shape science, politics, arts, morality and the world according to its own image and inner logic
+
much of postmodernist thought is a sitnilar European construct and continues the old programme in a renewed attempt to justify neomarxism or new brands of liberal humanism
-what is a a genuine, radical departure from postmodernism?
religiosity: that which transcends the wor[...]
(629)[...notes/khmarchive.txt]%72.2[...] and thus to lay the foundation, in terms of a Marxian-inspired historicism, of new truths for a postmodernist thought
•(Vattimo's use of) nihilism as weapon to attack notions of ‘truth’ and ‘reason’ (in western metaphysics) ==>
◦‘logic = (just another kind of) rhetoric’
◦‘truth = will to power (by those who claim to be seeking truth over those who are being addressed by them)’
◦‘science and technology = dominating metaphysical systems’
--✕--> (eliminated any) possibility of a dialogue with cultures that are truly other as the rational metaphysics of science and technology
(the idea of) plurality of cultures and discourses must become a basic premise of postmodernist thought ==> widespread and widely pluralistic religious revival [+ excessive indulgence in relativism]
(the meaning of) morality and principles of justice in a postmodern world: [democracy's western ethos:]
•recognition of human needs
>
•courage
•solidarity
•justice
•prudence
•(virtue of) participating in rational discourse
(Sardar's reading:)
•stating the obvious with a sense of grand discovery is an essential postmodern disease
•what modern science and technology, free market economy and multinational corporations are doing in the name of freedom, justice and fairness
--> despite wonderful sentiments, and all the arguments for justice and equify, we end up with more of the same
(problem of the East with) modernity: a European cultural construct based on specific historical legacy and condition, and its basic goal has always been to shape science, politics, arts, morality and the world according to its own image and inner logic
+
much of postmodernist thought is a sitnilar European construct and continues the old programme in a renewed attempt to justify neomarxism or new brands of liberal humanism
< />
-what is a a genuine, radical departure from postmodernism?
religiosity: that which transcends the world (can be expressed in Fascism, Communism, Nationalism, Scientism, Aestheticism, Nuclearism, or in several other secular religions)
[*]secularism: a dishonest kind of religiosity***
(mark of out time:) *necessity of recovering our sense of oneness with nature* <-- our total alienation
[?my artistic research is the very expression of] (Griffin's) postmodernism : a new relationship with the past (and the future) <-- postmodernism acknowledges, appreciates and wants to learn from the wisdom of traditional societies ~= neoconservative religious fundamentalism =/= constructive nihilism
[the strive for a new ‘enchanted science’ (=/= sacred science) that] overcomes the separation between truth and virtue, value and fact, ethics and practical necessity
(Falk's) Disneyland postmodernism:
•abs[...]
(631)[...notes/khmarchive.txt]%72.2[...]en of the sciences
•the stricing prevalence of *dispute: intellectual discourse staged as agonistic duel --> (most of our) ***intellectual life is conducted as polemic***
...................................
the more you study an environment the less your inheritiability of that environment will be (?)
...................................
history: study of past as it it commemorate in traces (textual, physical, etc.) =/= [ajayeb studies =] memory studies: subjective commemoration of the past, collective forms of commemorations (for example the name of streets, or monuments, or unconscious way of navigating in Tajrish square, etc.) --> present in oral interviews
•how the past has been enlisted emotionally, politically, communally,,, (in various causes: construction of autobiography to the construction of national myth) [==> objectivity does not make sense in memory studies]
•it includes (not only that which cab be documented, it rather) includes an element of the subjective : how people feel about what happened in the past, how they reconstruct events of the past but also narratives =/= what happened in the past --Daston--> objectivity (among histories:)
◦cross-checking of sources
◦(19th century technique of) “reading against the grain”: try to discover, from the surviving sources, from what perspective they were written (what historical context they were embedded in) = “critical reading” from the stand point of all of one might say “the illusions of memory” which might cloud an objective impartial records of events (not accepting the narrative that place value in the source) [=/= my work on ajayeb]
◦securing evidence (---> go to archive) : intersection of objectivity with study of history
(since 17th century) memory has been essential to our conceptualization of what does it mean to have a self --> why we are so concerned with memory damage ceases (alzheimer, etc.)
husod3oqLds
many time when we define (say “what X is”), what we are doing is to how to make a term more precise, to make something *artificially operational*
...................................
*sciences of the archive*
depend on longed lived collections
(since 16th century, as we know it) modern science's epistemic goal: *predictive accuracy* =/= *to elevate certainty* (the case in medieval Latin Europe)
books (past discoveries) & instruments (future discoveries) interspersed --when--> they both belong to the same practice ==> library
(Goethe:) search nothing beyond the phenomena
...................................
Morris
movement of commerce's subject (=/= walking of the Parisian flaneur)
plaque's morbid sentimen --> evades the reduction of signs to mere reference
[*]public art: the art o[...]
(632)[...notes/khmarchive.txt]%72.5[...] call for judgment hides in the defensive gesture
criminality: departure from (or failure) to recognize a law
new violence
•violence against the sovereignty of local subjects
•violence against an internationalized regime that increasingly claimed exclusive sovereignty for itself
...................................
ethnography of capitalist crisis (a project on:)
•the politics of [*]transparency: the ideological pointing stick by which the market has appropriated for itself the function of regulating the state (where it was the function of the state to regulate the market)
•how capitalism ([Morris] in Thailand) disguises itself as mere monetization
•how money's total and totalizing meditations have come to be experienced in the contrary idioms of immediacy and eternal present-being
•
([i am] learning with Morris) ethnography of crisis
-how capitalism in Thailand disguises itself as mere monetization
-how money's (total and totalizing) mediations have come to be experienced in the contrary idioms of immediacy (and eternal present-being)
-rhetorics of transparency and visibility (conceived in aesthetic domains)
(narcissistic act of) teletechnic encompassment
*spirit mediumship*
[auratic threshold of representation]
(the nationally renowned spirit medium) Chuchad, flamboyant media savvy
daguerreotypy: a demonic receiving device that had the capacity to retain and thereby diminish the photographed subject's substance
(in Thai) kaan thaay [taking, wasting] ruup [picture]
•Thai word for photography
•concomitant transformation and discharge
--✕--> spirit practices were brought into conversation with the mass media
•conceptualized largely in terms of atavism and/or residue (repressed orgiastic impulse buried)
•(located on the periphery of) the *nation's geo-body* [=/= state's formed public]
(from the perspective of rationalist Buddhist orthodoxy [and in the case of iranian superstitions, Holakouee خرافه khorafe] -->) mediumship: (imagined as) a temporal interruption of the nation's modernity
communist occult practices
emasculating magic
phantasmatic triad of nation, religion, monarch
mediums = state's other
[today]
•identification between the local and the global (facilitated by transnational communication systems) compete with those of the nationalism
•*market-based discourses of civic politics in the anticipation of being seen from afar by a multinational media audience*
•
mediumship reborn as...
•circulating along with its own images
•part of an endlessly proliferating series (=/= double of a lost original) in which it merely seeks to be legible as an image of its di[...]
(633)[...notes/khmarchive.txt]%72.6[...]/>
communist occult practices
emasculating magic
phantasmatic triad of nation, religion, monarch
mediums = state's other
[today]
•identification between the local and the global (facilitated by transnational communication systems) compete with those of the nationalism
•*market-based discourses of civic politics in the anticipation of being seen from afar by a multinational media audience*
•
mediumship reborn as...
•circulating along with its own images
•part of an endlessly proliferating series (=/= double of a lost original) in which it merely seeks to be legible as an image of its displaced self
[a figure many artists today want to be: spirit] *medium* (profession of epiphanic discovery) --transmitting--> paranoiac messages --prophesying--> boundary penetration (originated with the state)
(revolution reduced to) the status of mise-en-scene
bourgeois democracy
market-based discourses of civic politics
simulacral space of the new mediascape
(Chuchad's promise of authenticity -->) violent authenticity of an exposure in which mediumship's representations would be renounced --> *techniques of the performance themselves become the object of performative inscription*
history of religious legitimacies
populist conservative monk --> religious sermon in the format of emphatically dialogic, using vernacular forms and local dialects to disseminate [--> content remaines deeply orthodox in its valorization of the foundational texts + its ritualist inscription]
+
medium's anti-ontological discovery
~=>
either there is nothing to transmit or there is no means of transmission = silence or white noise
Phra Phyom --> embodiment of fame itself, a bastardized auratic presence that is always arriving (~ imminent without specification)
-what drew these people to this performance?
(seeking the) ambivalent pleasure (not without violence) of having a secret unmasked
acolyte
to ensure a line of vision between the medium and his audience
broadcasting device = recording device
authorship --(displaced by)--> a logic of *tracking of traces without a subject* (<-- reduction of representation and inscription)
modern mediumship ~= [*]automatic writing: (most associated with surrealism, in Western contexts) the writer seeks to merely transmit his or her unconscious thoughts and, in the process, to disavow the notion of authorial agency... [it marks a more general transitional moment in the history of representation --Morris-->] ***the production of meaning ceases to be a function of writing --> actuality or facticity becomes the primary object of inscription***)
confessional performances
denunciatio[...]
(634)[...notes/khmarchive.txt]%72.6[...]writing a blunt, indecipherable hieroglyph. Chuchad then held the paper to his mouth so it was covering his face and pressed the tongue back into its original place. This time, he seemed to be rewriting, or rather, writing in reverse, and the glyph was inscribed on the tongue as though the tongue had been transformed into paper and the paper into pen. Thus did writ- ing make speech possible. The medium pulled the paper away, folded it carefully, and then, with only a little blood reddening his lips, began speaking.” (Morris)
•tongue excision = performative repudiation of mediumship
•voice = the vehicle of a simple exteriorization
•[*]fable: staged risk in the form of a bad example ==> “object of transmission = the truth”
•[*]confession: a mode of accession or conformity to the message
in Buddhism of premodern cosmologies --> a domain of natural signification where there is *a pure identity between signifier and signified*
[...]
(635)[...notes/khmarchive.txt]%72.7[...]]confession: a mode of accession or conformity to the message
in Buddhism of premodern cosmologies --> a domain of natural signification where there is *a pure identity between signifier and signified*
auxiliary hell جهنم کمکی
[a fable:] scrutiny ==> (meritorious beings:) people in question become miraculously equipped with memory
recorded on luminous jewel-encrusted gold tablets
quaint traditions عجیب و جالب
(i am learning from Morris how not to) reject the cosmology as a symptom of superstition or a relic of bygone times
ubiquity alone is inadequate to demonstrate relevance
(in the story of Yama) in the evildoer's case, speech is not the mere instrument of truth: it is both a symptom and a cause of sin
where the law rules ==>
•there is no difference between *object* and *sign*
•there is no difference between *speech* and *voice*
the language of truth (personified in the speechless child) =/= corruptions of human utterance : {truth's silent ideality =/= sin's “over-naming"}
mediumship's representational function: transmission of a referential truth + repeated registration of the mere technique of its transmission
(Chuchad's) instrumental “writing”
(like Chuchad, many performance artists are today) inhabiting the era of ***technique's fetishization*** = (Heidegger's era of) technology
occult returning in the guise of transparency
nationalized discourse of modernity: (oppositional terms of) science =/= magic
redolent of... حاکی
when *observation* (propelled by desire =/=) become a form of *attention* (propelled by labor)
[Morris ☞ Kittler on “discourse network” of Freud, Simmel, Rilke:] writing = an exhaustion that endlessly refused to end (=/= miniatures of meaning)
--> “writing is nothing beyond its materiality” and people who practice this act simply replace writing machine ==promis==> *mystical union of writing and delirium*
(from) actual magicality of script --to--> the representational capacity of inscription --to--> a deployment of writing in the mode of mathematics (bureaucratic list poetry)
incorporation of technologies of mass mediatization into the language (and performance of possession --by--> the discourses of lost tradition)
-what kind of mediation is (not simply the inscription of its technique, but) a renewed transmission of meaning?
**the fantasy of a return to meaning**
[Morris submits that] (direct marketing ~=) *pyramid schemes* are the economic counterpart of *mediumship*
= the mode of retailing in which the function of distribution and resale (and indeed the movement of capital) is masked in the *rhetoric of directness*
•[*[...]
(636)[...notes/khmarchive.txt]%72.8[...]/= corruptions of human utterance : {truth's silent ideality =/= sin's “over-naming"}
mediumship's representational function: transmission of a referential truth + repeated registration of the mere technique of its transmission
(Chuchad's) instrumental “writing”
(like Chuchad, many performance artists are today) inhabiting the era of ***technique's fetishization*** = (Heidegger's era of) technology
occult returning in the guise of transparency
nationalized discourse of modernity: (oppositional terms of) science =/= magic
redolent of... حاکی
when *observation* (propelled by desire =/=) become a form of *attention* (propelled by labor)
[Morris ☞ Kittler on “discourse network” of Freud, Simmel, Rilke:] writing = an exhaustion that endlessly refused to end (=/= miniatures of meaning)
--> “writing is nothing beyond its materiality” and people who practice this act simply replace writing machine ==promis==> *mystical union of writing and delirium*
(from) actual magicality of script --to--> the representational capacity of inscription --to--> a deployment of writing in the mode of mathematics (bureaucratic list poetry)
incorporation of technologies of mass mediatization into the language (and performance of possession --by--> the discourses of lost tradition)
-what kind of mediation is (not simply the inscription of its technique, but) a renewed transmission of meaning?
**the fantasy of a return to meaning**
[Morris submits that] (direct marketing ~=) *pyramid schemes* are the economic counterpart of *mediumship*
= the mode of retailing in which the function of distribution and resale (and indeed the movement of capital) is masked in the *rhetoric of directness*
•[*]directness: withdrawal of an infrastructure of mediation into the person of the distributor + مستتر کردن occulting of technique in the very moment of display
•[*]pyramid scheme: a structure in which retailers recruit more retailers --> (mainly serves the interests of) multinational entities parading as local entrepeneurialism
grotesquely functionalized room
abandoning the ontology of mediumship (for...)
putatively unmediated truth (of...)
magic's metamorphosis entailes a repetition
([Morris analysis of Chuchad:] a medium becoming) a middleman disavowing the mediations that he performed in order to produce the illusion of value, or meaning, or truth
•working only in the repression of its own operations --> truth-effect of marketing
--> *the market can substitute for magic*, the media can be itself, the very nature of money (its abstractions and its generality) can compensate for the differences it effaces
*rhetoric of asian family*
occu[...]
(639)[...notes/khmarchive.txt]%72.8[...] />
[Morris ☞ Kittler on “discourse network” of Freud, Simmel, Rilke:] writing = an exhaustion that endlessly refused to end (=/= miniatures of meaning)
--> “writing is nothing beyond its materiality” and people who practice this act simply replace writing machine ==promis==> *mystical union of writing and delirium*
(from) actual magicality of script --to--> the representational capacity of inscription --to--> a deployment of writing in the mode of mathematics (bureaucratic list poetry)
incorporation of technologies of mass mediatization into the language (and performance of possession --by--> the discourses of lost tradition)
-what kind of mediation is (not simply the inscription of its technique, but) a renewed transmission of meaning?
**the fantasy of a return to meaning**
[Morris submits that] (direct marketing ~=) *pyramid schemes* are the economic counterpart of *mediumship*
= the mode of retailing in which the function of distribution and resale (and indeed the movement of capital) is masked in the *rhetoric of directness*
•[*]directness: withdrawal of an infrastructure of mediation into the person of the distributor + مستتر کردن occulting of technique in the very moment of display
•[*]pyramid scheme: a structure in which retailers recruit more retailers --> (mainly serves the interests of) multinational entities parading as local entrepeneurialism
grotesquely functionalized room
abandoning the ontology of mediumship (for...)
putatively unmediated truth (of...)
magic's metamorphosis entailes a repetition
([Morris analysis of Chuchad:] a medium becoming) a middleman disavowing the mediations that he performed in order to produce the illusion of value, or meaning, or truth
•working only in the repression of its own operations --> truth-effect of marketing
--> *the market can substitute for magic*, the media can be itself, the very nature of money (its abstractions and its generality) can compensate for the differences it effaces
*rhetoric of asian family*
occult network: networks that are not publicly disclosed
(in environments that are believed not to operate as an open economy --> economies are dominated not only by particular families but by the logic of family [exclusive and unassailable ties between small communities])
=/= rationalization of local economies, market liberalization,,
•anachronistic imaginary of transnational capitalism and the racialized family (of asian nations) --> idealized
•metaphorical ruse of kinship's discourse
•*neocolonial fantasy concealed in the dream of immediacy* --> Amway: theologically informed market liberalism--pursuing a noiseless world where feedback is impossible
confessional disclosures of new capi[...]
(641)[...notes/khmarchive.txt]%72.9[...]g
...................................
(Calvert on The Nature of Difference book @Quinsy)
rise of population genomics
•efforts like Human Genome project --> refusing to afford a genetic basis for race categories
•tools to identify “deep ancestry” (indicating a geographic origin in prehistory)
postracial politics
recreational genomics --mutating--> “race” out of 19th century concept of “blood quantum” that imperfectly signals complex tribal relatedness and membership
(purchasers of) **genome = book of life** ==> racialized and medicalized subjects
*mutated racial discourses*
renaissance of race categories
science has the authority to establish truth claims that scholars in the humanities must reckon with
humanities scholars may avoid a scientific debate because:
1- they feel out of their depths interpreting scientific data
2- they resist scientific authority in response to well-documented instances of scientific exploration of people of color
3- they may have surrendered to science the work of settling matters of fact, keeping hermeneutics and textual matters for themselves
science and technology studies --> *tracing objects through the practices and discourses that produce them as settled matters of fact, made, but not made up*
(tracking) social and legal arrangements ==producing==> race
***science is coded as the interpreter of nature in western discourse*** --> that is why i have to study science in my research on bestiaries
Hammond + Herzig on how scientific practices across disciplines describe and create what thereby becomes *naturalized difference* (=/= describing the nature of difference itself)
(learn from Hammond + Herzig -->)
source material --> organize & comment --sustain--> argument
+ questions that point the reader to discoursive moves and modes of attention of the author (=/= Quinsy's ملانقطى pedantic exploration of racism)
(politically correcting the popular understanding of race =/=) to show the unsettled and ongoing nature of the debate. [asking readers] to track the rise and permutation of various features of the argument
[asking Captain America --anatomical-->] “in what larger political, economic, and social contexts might ears, noses, index fingers, or brains hemispheres attract attention as reliable signs of racial difference?”
some wrong ideas:
•adaptation to new environments signals evolution (~= degenerating groups would eventually cease to exist)
•high mortality rates could signal problems in work and living condition
•sexual dimorphism thought to be a component of degeneration
•“more often than not, the views of society have shaped science rather than the oth[...]
(642)[...notes/khmarchive.txt]%73.4[...]ups would eventually cease to exist)
•high mortality rates could signal problems in work and living condition
•sexual dimorphism thought to be a component of degeneration
•“more often than not, the views of society have shaped science rather than the other way around. in this instance, it may be time for science to reshape the views of society.” [<-- scary!]
•
to start with political agenda (good or bad) and fit evidence to that
political correctness (~ a social interest)
dogged persue of truth
*science's power to beguile اغفال imagination* (for example genomics testing to discover and reveal “truths” about unknown ancestry)
}--> (a post World War II and post-holocaust aspiratoin:) *the allure here is to finally prove we are all the same under the skin, or at least that we have more in common than we had liked to admit* <-- another project for making race matter, but differently
>
(Quinsy urgently need to learn) how not to be conversation stopper
Bland + Doan's Sexology Uncensored
...................................
scope of information science --> [*]document: organized physical evidence
new digital technologies renews old questions and also old confusions between medium, message, and meaning
document
ordniary information storage and retrieval system?
bibliography:
•collecting
•preserving
•organizing (arranging)
•representing (describing)
•selecting (retrieving)
•reproducing (copying)
•disseminating
•
(of documents)
early 20th century --> documentation adopted (in europe) instead of bibliography
[*]documentation: a set of techniques developed to mange significant (or potentially significant) [*]document: any expression of human thought (beyond written texts)
~-> *novel form of signifying objects*
objects bearing traces of...
*if you are informed by observation of it, you are looking at a document*
document: any material basis for extending our knowledge which is available for study or comparison
*capable of being used for:
•*reference*
•*study*
•*authority*
1951
document: evidence in support of a fact
any physical or symbiotic sign, preserved or recorded, intended to represent, to reconstruct, or to demonstrate a physical or conceptual phenomenon
--> viewed with access to evidence
=/= (concerned with) text
document =/= ajayeb's text object [--> pop-up book]
(object) (document?)
star in the sky no
photo of star yes
stone in river no
stone in museum yes
animal in wild no
animal in zoo yes
Briet's rules for d[...]
(643)[...notes/khmarchive.txt]%73.5[...]br />
*science's power to beguile اغفال imagination* (for example genomics testing to discover and reveal “truths” about unknown ancestry)
}--> (a post World War II and post-holocaust aspiratoin:) *the allure here is to finally prove we are all the same under the skin, or at least that we have more in common than we had liked to admit* <-- another project for making race matter, but differently
(Quinsy urgently need to learn) how not to be conversation stopper
Bland + Doan's Sexology Uncensored
...................................
scope of information science --> [*]document: organized physical evidence
new digital technologies renews old questions and also old confusions between medium, message, and meaning
document
ordniary information storage and retrieval system?
bibliography:
•collecting
•preserving
•organizing (arranging)
•representing (describing)
•selecting (retrieving)
•reproducing (copying)
•disseminating
•
(of documents)
early 20th century --> documentation adopted (in europe) instead of bibliography
[*]documentation: a set of techniques developed to mange significant (or potentially significant) [*]document: any expression of human thought (beyond written texts)
~-> *novel form of signifying objects*
objects bearing traces of...
*if you are informed by observation of it, you are looking at a document*
document: any material basis for extending our knowledge which is available for study or comparison
*capable of being used for:
•*reference*
•*study*
•*authority*
1951
document: evidence in support of a fact
any physical or symbiotic sign, preserved or recorded, intended to represent, to reconstruct, or to demonstrate a physical or conceptual phenomenon
--> viewed with access to evidence
=/= (concerned with) text
document =/= ajayeb's text object [--> pop-up book]
(object) (document?)
star in the sky no
photo of star yes
stone in river no
stone in museum yes
animal in wild no
animal in zoo yes
Briet's rules for determining when an object has become a document:
1. there is materiality
2. there is intentionality
3. the objects have to be processed (they have to be made into documents)
4. there is a phenomenological position (the object is perceived to be a document)
indexicality: *the quality of having been placed in an organized, meaningful relationship with other evidence --> gives an object its documentary status* [<-- for who and why is this useful?]
modernist mentality:
•scientific management
[...]
(644)[...notes/khmarchive.txt]%73.5[...] numerals
[signs have to be treated a something invented]
*social construction of meaning* ==> viewer's perception of the significance and evidential مدرکى character of documents ==> “relevance” is now considered to be situational and ascribed by the viewer (in digital)
}<== the property of being a sign is not a natural property <== ***property is given to objects***
Wikipedia: all signifying objects (points to) ~~> forensic aesthetic: all evidence = signifying فوری (easy + immediate) =/= aesthetic object فرار (volatile)
object in evidence --> offer it as evidence by the way it is arranged, indexed, presented
its manner --> in arranging material so that someone may be able to make use of it as new evidence for some purpose (=/= finding material that already is in evidence)
what is a digital document?
--Buckland--> becomes more problematic, unless we remember the path of reasoning underlying the largely forgotten discussions of Otlet's objects and Briet's antelope
**documenting the antelope** =/= ajayeb
antelope: Ethiopian word for the elusive unicorn
...................................
Calvert
technobibliocapital
librarians cannot hope to really change how people seek knowledge in libraries (they are not *information awareness office* ~= news agency)
will to knowledge --manifest--> in a massive electronic data processing project
[*]library science: a set of practices for producing knowledge in subjects --> *producing subjects through knowledge production*
patron: certain kinds of subjects (=/= citizen), consumers with an abiding market rationality and an interest in individualist private space
enmeshed in practices of classification, circulation, collection
technology + libraries + capital
◦capital: social, political, economic, and other relationships crystallized in things, including books and libraries
•biblio: libraries, books, knowledge
•techno: technologies (both silicon-based and not) that make producing, storing, and reproducing knowledge possible and efficient
technology and capital shaping library practices [and animation of animal practices? --> emphasize animal geography]
(legacy of bibliography and book collecting) 1930 --> library practice centered on the development of bibliographic standards emphasizing procedures for identifying and indexing authors and tides
(21st century) democracy of texts, collaboration with autodidacticism and public education, is now giving itself over to the *circulation of commodities*
**the subjects produced through 21st century librarianship are customers and consumers** (who seeks content =/= knowledge)
new librarian --> new freedom of [...]
(645)[...notes/khmarchive.txt]%73.6[...] way it is arranged, indexed, presented
its manner --> in arranging material so that someone may be able to make use of it as new evidence for some purpose (=/= finding material that already is in evidence)
what is a digital document?
--Buckland--> becomes more problematic, unless we remember the path of reasoning underlying the largely forgotten discussions of Otlet's objects and Briet's antelope
**documenting the antelope** =/= ajayeb
antelope: Ethiopian word for the elusive unicorn
...................................
Calvert
technobibliocapital
librarians cannot hope to really change how people seek knowledge in libraries (they are not *information awareness office* ~= news agency)
will to knowledge --manifest--> in a massive electronic data processing project
[*]library science: a set of practices for producing knowledge in subjects --> *producing subjects through knowledge production*
patron: certain kinds of subjects (=/= citizen), consumers with an abiding market rationality and an interest in individualist private space
enmeshed in practices of classification, circulation, collection
technology + libraries + capital
•capital: social, political, economic, and other relationships crystallized in things, including books and libraries
•biblio: libraries, books, knowledge
•techno: technologies (both silicon-based and not) that make producing, storing, and reproducing knowledge possible and efficient
technology and capital shaping library practices [and animation of animal practices? --> emphasize animal geography]
(legacy of bibliography and book collecting) 1930 --> library practice centered on the development of bibliographic standards emphasizing procedures for identifying and indexing authors and tides
(21st century) democracy of texts, collaboration with autodidacticism and public education, is now giving itself over to the *circulation of commodities*
**the subjects produced through 21st century librarianship are customers and consumers** (who seeks content =/= knowledge)
new librarian --> new freedom of information --> free market (in the form of atomized particles of “microcontent” allowing free-floating information to be freely accessed via computers and networks, without the censorious mediation of embodied librarians)
libraries --> techniques for ordering (~-> discourse of standardization)
(shifting) ways the library has operated alongside the state as a disciplinary & ideological apparatus
•18th century --> national library
•19th century --> new techniques for ordering, discourse of standardization and order (in the library) + searching and retrieval external to the mind of the librarian
•19th cent[...]
(646)[...notes/khmarchive.txt]%73.6[...]
technology + libraries + capital
•capital: social, political, economic, and other relationships crystallized in things, including books and libraries
•biblio: libraries, books, knowledge
•techno: technologies (both silicon-based and not) that make producing, storing, and reproducing knowledge possible and efficient
technology and capital shaping library practices [and animation of animal practices? --> emphasize animal geography]
(legacy of bibliography and book collecting) 1930 --> library practice centered on the development of bibliographic standards emphasizing procedures for identifying and indexing authors and tides
(21st century) democracy of texts, collaboration with autodidacticism and public education, is now giving itself over to the *circulation of commodities*
**the subjects produced through 21st century librarianship are customers and consumers** (who seeks content =/= knowledge)
/>
new librarian --> new freedom of information --> free market (in the form of atomized particles of “microcontent” allowing free-floating information to be freely accessed via computers and networks, without the censorious mediation of embodied librarians)
libraries --> techniques for ordering (~-> discourse of standardization)
(shifting) ways the library has operated alongside the state as a disciplinary & ideological apparatus
•18th century --> national library
•19th century --> new techniques for ordering, discourse of standardization and order (in the library) + searching and retrieval external to the mind of the librarian
•19th century --> [emerging understanding of the role of literacy in worker self improvement ==>] public library <==> a project of nation, citizenship, democracy, self-betterment, universal education + concurrent with a serious reconstitution of hierarchies of access to books
•late 19th centurcentury --> paternalist financial auspices of Andrew Carnegie (who funded 1689 library buildings) for the explicit objective of the self-education of
workers and immigrants --purpose--> acculturation and assimilation
•Paul Otlet --> universal decimal classification 1899
•late 20th century --> dreams of intelligent computers and objectivized information science : (from) library school --to--> school of information management systems
•
}--> *schematization efforts* --> (20th century) library science (continue producing itself) as a cooperative venture of flourishing information [triumphant rationalism]
•standardization
•automation
•propagate
•expand
(in the name of) democratization & civil rights
library ==contribute==> to the civic sphere:
•providing the information
•providing *behaviors* necessary for appropriate citizenship
library ==> classification syste[...]
(650)[...notes/khmarchive.txt]%73.7[...] of Andrew Carnegie (who funded 1689 library buildings) for the explicit objective of the self-education of
workers and immigrants --purpose--> acculturation and assimilation
•Paul Otlet --> universal decimal classification 1899
•late 20th century --> dreams of intelligent computers and objectivized information science : (from) library school --to--> school of information management systems
•
}--> *schematization efforts* --> (20th century) library science (continue producing itself) as a cooperative venture of flourishing information [triumphant rationalism]
•standardization
•automation
•propagate
•expand
(in the name of) democratization & civil rights
library ==contribute==> to the civic sphere:
•providing the information
•providing *behaviors* necessary for appropriate citizenship
library ==> classification system (DDC) --> general knowledge organization tool
late 20th century neo-liberal rationality ==intensify==>
•moral directive for self-betterment (as workers)
•reorienting the relation of subjects (toward the state and the social) as one of consumership
+ shift in the definition of knowledge
technobibliocapital --> (new era of) ordering texts & subjects
[*appreciative =/= affirmative* <-- learning from Calvert, we can be appreciative but not affirmative]
[to be critical =] ****not to:
•dismiss X (by thinking of it as) composed entirely of domination [<-- @apass, Pierre] ~= to laud something as a timeless ideal
•evoke a sense of relief that we have X that are free (of power relations, freely available to all, and filled with free-flowing information)
}--> historical + present + future-looking formulations of X
•reverence for libraries of long gone days...
•accolades مراسم اعطای منصب شوالیه for librarians as heroes...
•libraries as the saviors of the people...
•as just another manifestation of government intrusion (paternalism, library: robust civilizing apparatuses, an ideal philanthropic gift)...
--Calvert--> **libraries are potent resources with vast possibilities for creating the worlds we inhabit** -->[*]library: (collectively produced ~ both collectively funded and collected from many sources) vibrant sites of knowledge generation + of power (for those who generate knowledge through libraries in turn diffuse this knowledge through other places and other people)
without a robust definition of power ==Calvert==> librarians have been unable to see or articulate how libraries have been in the service of disciplining subjugating power (a power that is productive not just for readers but of readers)
..weak appeals to market freedom
...................................
service-dominant logic = an enfr[...]
(652)[...notes/khmarchive.txt]%73.8[...]use this knowledge through other places and other people)
without a robust definition of power ==Calvert==> librarians have been unable to see or articulate how libraries have been in the service of disciplining subjugating power (a power that is productive not just for readers but of readers)
..weak appeals to market freedom
...................................
service-dominant logic = an enframing act --> a way of framing the world (which like all logics) chooses what to include and what to exclude from its frame of investigation and theory --Campbell--> how it enframes the world
marketing history --> (delineated between) “material (raw) resources =/= immaterial (dynamic) resources”
resources-assets-capabilities
(in math)
operand: passive objects that are manipulated (3, 5)
operator: specific actions that act upon operands (+, x)
importance of the operand resource
-the relative role of operand resources began to shift in the late 20th century as humans began to realize that skills and knowledge were the most important types of resources
operand resource: (raw material and land) an act is performed on them =/= operant resource: (technologies, knowledge, skill) those employed to act on operand resources
}--> a conceptual separation with roots in Greek philosophy:
•Plato: “material embodiment = distraction to true knowledge”
•Descartes: privileging of mental life over physical matter
==> we inherit this style of philosophy (in the west) that values formal abstract objectless thinking as the standard canonical way of knowing the world
--> *information age*:
•endorses the pre-eminence of the immaterial and disembodies (mind, skill, mental life) over the material and embodied (brute matter, physicality)
•celebrate a *culture of demateriality*
•
=/= object oriented philosophy:
•Heidegger's theory of tool-being
•Latour's displacement of the human proposed by the actor-network theory
•Merleau-Ponty's sensual phenomenology
•
(continental philosophy + analytical philosophy in West -->) **philosophies of access** to the world : they assume that the human-world gap is the privileged site of all rigorous philosophy
interest in human access to objects [--> correlationism: if things exists, they do so only for us] =/=? interest in objects
(in marketing literature)
•operant resources:
human sophisticated
cultural strategic
active dynamic
agentic immaterial
specialized intelligent
relational primary
*infinite*
--link--> to notions of progrss and achievement in contemporary society
•operand resources:
inhuman machine-like
basic stuff
[...]
(653)[...notes/khmarchive.txt]%73.8[...]oup of actors
(in marketing's theory of value creation) the *role of the consumer* in the value creation process is now explicitly recognized and articulated (incorporated) through compelling concepts such as cocreation, coproduction, *prosumerism* [an individual who both consumes & produces]
@apass collaborative environments
[consumer research]
recognizing the ways in which consumers and consumption are both productive and value-adding
Holbrook's topology of consumer value
value is active = when it entails physical or mental manipulation of an object
value is reactive = when things are done by a product to the consumer (objects act on consumers to create value)
xxxxxx
...................................
Hayles
(to take) a problem-based approach --> taking a problem and looking for solutions =/= investigating problematics (<-- humanities [and art])
what are the reward structures in artistic research? (the way a work is recognized and validated by the field)
postliteracy
the future of human & the future of writing are entwined
meaning = resistance
to be human = to resist techno-language
an informed scientific-literate and humanistically educated public ==> democracy
...................................
(mass media) cultural standing (and standard) of live performance
paradigm of televisual <--✕--> digital
(Auslander historicizing) liveness --> historical (=/= ontological)
ideology of authenticity (in live music)
at the level of cultural economy --> theatre (live performance) =/= mass media
...................................
[why is contemporary art so reluctant to describe our experience of digitized life? --Bishop-->] digital ~= code (inherently alien to human perception) --> a linguistic model
Guy Debord --> (*physical and the social were pitched against the virtual and the representational* ~ “subjective =/= technological” -->) social relations today are not mediated by monodirectional media imagery ==>
•favor intersubjective exchange and homespun activities (cooking, gardening, conversation) with the aim of reinforcing a social bond fragmented by spectacle
•desire for face-to-face relations against the disembodiment of the Internet
•retro-craftiness
•fiddly collages
•tapestries
--assert--> subjectivity (+ tactility) =/= impregnable surface of the screen
reformatting
transcoding
modulation of preexisting files --> selection strategy ~~> meaningful recontextualization (of existing artifacts)
paranoid will to connect what cannot be connected
subjective rationales
arbitrary systems (=/= established taxonom[...]
(654)[...notes/khmarchive.txt]%74[...]) a problem-based approach --> taking a problem and looking for solutions =/= investigating problematics (<-- humanities [and art])
what are the reward structures in artistic research? (the way a work is recognized and validated by the field)
postliteracy
the future of human & the future of writing are entwined
meaning = resistance
to be human = to resist techno-language
an informed scientific-literate and humanistically educated public ==> democracy
...................................
(mass media) cultural standing (and standard) of live performance
paradigm of televisual <--✕--> digital
(Auslander historicizing) liveness --> historical (=/= ontological)
ideology of authenticity (in live music)
at the level of cultural economy --> theatre (live performance) =/= mass media
...................................
[why is contemporary art so reluctant to describe our experience of digitized life? --Bishop-->] digital ~= code (inherently alien to human perception) --> a linguistic model
Guy Debord --> (*physical and the social were pitched against the virtual and the representational* ~ “subjective =/= technological” -->) social relations today are not mediated by monodirectional media imagery ==>
•favor intersubjective exchange and homespun activities (cooking, gardening, conversation) with the aim of reinforcing a social bond fragmented by spectacle
•desire for face-to-face relations against the disembodiment of the Internet
•retro-craftiness
•fiddly collages
•tapestries
--assert--> subjectivity (+ tactility) =/= impregnable surface of the screen
reformatting
transcoding
modulation of preexisting files --> selection strategy ~~> meaningful recontextualization (of existing artifacts)
paranoid will to connect what cannot be connected
subjective rationales
arbitrary systems (=/= established taxonomies)
vernacular forms of aggregation --> everyone with a personal computer today has become a de facto archivist (storing and filing thousands of documents, images, and music files, + porn)
analog in appearance + digital in structure
...................................
eschatos: furthest, last (in Greek)
theological anthropology --> the theory of the person
?how eschatological attitudes changed over time + how they hovered over human experience
millenarian expectation
?how year 1000 was perceived
•preoccupation with the time of Christ second coming
•natural and political disasters and upheavals --sign--> denouncement of sacred history
medieval = fear + passion (+ expectation) ==> eschatological imagina[...]
(655)[...notes/khmarchive.txt]%74[...]he cunning of recognition [categories of the traditional, of the subsistence food (ma'ash معاش), of the enacting of a culture in view of tourist public,]
•managed belongingness
In Jean Genet's portrayal of dusk (quoted by Minh-ha 1996:101-102), he captures the ambiguity of this transitional time in the expression ‘entre chien et loup,’ between dog and wolf, that is, a time of day when one cannot be distinguished from the other, and he also describes it as ‘the hour of metamorphoses when people ‘half hope, half fear’ that a dog will become a wolf’ (our emphasis). This quotation exemplifies the ambiguously ‘unheimlich,’ [...]
security is never secure enough
Jesus knocks at your heart's door
(history's or pig's) happy ending
absence of ambivalence (in animals)
conditions of admission ---> artistic, sexual, natural *selections*
tickets to power-holding cliques that control the resources
phantoms of non-destruction
or
phantoms of ‘constructed adequately’
pausing dogs
mixed messages
who is wanted for dinner?
the moment when the message is finally received --> tech, magic, ethic, morph
poetic historiography
pivotal reading of ancient Greece --- out of day-dream fantasy
[Rickels]
*beauty is interested in action
(pure) beauty re-lingering on primary narcissism, that's why beauty must be administrated, in proper doses.
(my) animal-findings and fairy-tale associations
if dogs communicate through their trainability cats redirect lines of communication through play. the dog waits and watches, the cat looks and looks, which when is your turn to be looked at, can be therapeutic or unnerving.
meeting the cat half-way
[Ingraham]
the house, passed over in history, brings with it a great many dangers
architecture (never touches the object) is enchanted with object discourse
...all of us have been asked to “instrumentalize” architectural [or art] theory according to a particular building
material given a structure
...................................
Q & A ?, interactivity, swarovski party, servants and robots interacting with foreign bodies --> feeling at home? excited... --> disco without bouncers and borders without border check, spaces you can seamlessly in and out, labyrinthine
i am generating some vocabularies
parsite and parasitical, not all of them are predatory like the wolf
(Karen Barad)
With all mirroring practices, biomimcry has built-in optics on the geometry of distance from what which is other.
(Irigaray)
surprise (to be new): not yet assimilated or disassimilated as [...]
(656)[...notes/pigs notes new.txt]%74.3[...] shape themselves in terms of a capacity for “paying attention”*** --> disengagement from a broader field of attraction for the sake of isolating or focusing on a reduced number of stimuli
{ our lives = disconnected patchwork of stats }<== dense and powerful remaking of human subjectivity in the West over the last 150 years
the so-called crisis of subject disintegration is diagnosed as a deficiency of “attention”
attentive norms and practices ==> modern distraction
imperative of concentrated attentiveness within the disciplinary organization of labor, education, and mass consumption
+
ideal of sustained attentiveness as a constitutive element of a creative and free subjectivity
a cultivated individual gazing (~ Jassem) on a great work of art or nature
+
a factory worker concentrating on the performance of some repetitive task
--> institutional constructions of a productive and manageable subjectivity + purified aesthetic perception
["+” : inseparability]
==> experience of subjective autonomy (for example in Jassem)
+ ambivalent limits and failures of an attentive individual
19th century emergence of new technological forms of spectacle and recording
...set of terms and positions that cannot be construed simply as questions of opacity
vision is not an autonomous and self-justifying problem
(we have to rework the) forces of specialization and separation that allowed the notion of visuality to become the intellectually available concept that it is today
(we should do that with all our ready at hand concepts)
what is the genealogy of attention in Persian subjectivity?
•an embodied subject is both the location of operations of power and the potential for resistance
•vision is only one part of a body capable of evading institutional capture
social economic representational shifts and practices
visual/auditory culture
...richer and more historically determined notions of “embodiment”
spectator culture is not founded on the necessity of making a subject ‘see’ (Crary)
rather, individuals are isolated, separated, and inhabit time as disempowered.
counter-forms of attention are constituted as other temporalities and states (--> my lectures, reverie)
for Crary, “perception”: a way of indicating a subject definable in terms of more than the single-sense modality of sight
•fundamental absence at the heart of seeing
•impossibility of the perception of presence
•impossibility of an unmediated visual access to a plentitude of being
•
historical obliteration of the possibility of thinking the idea of presence in perception
*a[...]
(657)[...notes/pigs notes new.txt]%74.6[...]
19th century:
attention = will
character = unity
attention ==> mind --{attention is plainly the essential condition of the formation and development of mind}, systematic acquirement of knowledge, for the control of passions and emotions
--> powerful accounts of the nature of human subjectivity
practical or knowledge world of objects (the berlin naturkunde museum)
attention became part of the dense network of institutional discourses/practices around which “the truth of perception was organised and structured”
not part of a “regime of power” rather part of a space in which new conditions of subjectivity were articulated
19th century reconceptualization of attention: inevitable fragmentation of a visual field, an activity of exclusion, of rendering parts of a perceptual field unperceived ==>
1. attention as expression of the conscious will of an autonomous subject, as free choice, part of that subject's self-constituting freedom
2. attention as a function of biologically determined instinct, shaped our lived relation to environment
3. attentive subject could be produced and managed through the knowledge and control of external procedures of stimulation: technologies of attraction [--> formative component of a modernized mass visual culture (in the West): strategies of engaging an attentive spectator: comedians smirking at the camera, gesturing conjurers in magic film --> a cinema that displays its visibility, rupturing a self-enclosed fictional world for a chance to solicit the attention of the spectator; Gunning 1990]
Hegel's understanding of attention as “the beginning of education”
(rationalizing possibilities of) psychometrics
a site of quantification
==> subjective operations of repression and anesthetization ~~--> Freud
the model of an attentive human observer
compatible with technical conditions, insignificant “interior” faculty, a set of effects that could be measured externally
(technological transformation of physiology and psychology in the 19th century, development of electrophysiology --> cultural history of electricity)
behaviour with a historical structure: a behaviour articulated in terms of socially determined norms and is part of the formation of a modern technological milieu
1879, Wundt's psychology laboratory in Leipzig, one of the practical and discursive spaces within modernity in which human beings “problematized what they are.” Foucault/
(Wundt's account defined attention [= will] as one of the highest integrative functions [---> go to #integrative in Sennett], its essential role in producing an effective unity of consciousness)
part of the cultural logic of capitalism demands that we accept as natural switching our attention rapidly from one thing to anot[...]
(658)[...notes/pigs notes new.txt]%74.8[...]ticulated
19th century reconceptualization of attention: inevitable fragmentation of a visual field, an activity of exclusion, of rendering parts of a perceptual field unperceived ==>
1. attention as expression of the conscious will of an autonomous subject, as free choice, part of that subject's self-constituting freedom
2. attention as a function of biologically determined instinct, shaped our lived relation to environment
3. attentive subject could be produced and managed through the knowledge and control of external procedures of stimulation: technologies of attraction [--> formative component of a modernized mass visual culture (in the West): strategies of engaging an attentive spectator: comedians smirking at the camera, gesturing conjurers in magic film --> a cinema that displays its visibility, rupturing a self-enclosed fictional world for a chance to solicit the attention of the spectator; Gunning 1990]
Hegel's understanding of attention as “the beginning of education”
(rationalizing possibilities of) psychometrics
a site of quantification
==> subjective operations of repression and anesthetization ~~--> Freud
the model of an attentive human observer
compatible with technical conditions, insignificant “interior” faculty, a set of effects that could be measured externally
(technological transformation of physiology and psychology in the 19th century, development of electrophysiology --> cultural history of electricity)
behaviour with a historical structure: a behaviour articulated in terms of socially determined norms and is part of the formation of a modern technological milieu
1879, Wundt's psychology laboratory in Leipzig, one of the practical and discursive spaces within modernity in which human beings “problematized what they are.” Foucault/
(Wundt's account defined attention [= will] as one of the highest integrative functions [---> go to #integrative in Sennett], its essential role in producing an effective unity of consciousness)
part of the cultural logic of capitalism demands that we accept as natural switching our attention rapidly from one thing to another --> (capitalism as a) regime of reciprocal attentiveness and distraction
conceptualizer of a new economic and social space based on the quantification and distribution of energy:
•Wener von Siemens
•Lord Kelvin: globalization of telegraphic communication and subsequently in the commodification and marketing of electric power (in England) [telegraph: a world of anonymous, decontextualized information; moved history into the background and amplified the instant and simultaneous present/person]
•Edison: transition to centralised corporate capitalism (in late 19th century): his role in the emergence of a new system of quantification and distribution, a [...]
(659)[...notes/pigs notes new.txt]%74.8[...]on in this culture, a double bind, in which the individual is caught between subjective dislocations of modernization and imperative for institutional discipline and productivity)
(Miller @Zoumana) ...the unconscious as part of a system in which ‘automatic’ behaviour was reciprocally intertwined with the changing needs of conscious activity, including attention. in contrast to the custodial Freudian interpretation, many 19th century psychologists saw the unconscious as “actively generating the processes which are integral to memory, perception, and behaviour. its contents are inaccessible not, as in psychoanalytic theory, because they are held in strenuously preventive detention but, more interestingly, because the effective implementation of cognition and conduct does not actually require comprehensive awareness.
Darwin: a certain kind of reactive attention was believed to be an essential part of human biology, systematic response to novel stimuli (visual, olfactory, or auditory)
-an attentive observer might appear motionless
-an ideo-motor network of forces --> that which immobilizes
(the structural psychology of) associationism (theories of knowledge)
institutional discourse
techniques of the subject
attention (~= will) ~/= consciousness
(noncoincidence of attention with consciousness)
<-- modern shift to semantic and semiotic frameworks of analysis
(from epistemology --to--> hermeneutics : Mallarme, Nietzsche, Peirce, Wittgenstein, Heidegger --> the question of how a subject is provisionally constructed through language and other systems of social meaning and value --> termination of various analysis of consciousness --> epistemological crisis
observer (once understood in terms of the essential subjectivity of vision) ==> attention became constitutive (and destabilizing) component of perception
<br />
unmediated givenness of sense data --✕--> cognition
community of interpretation : a shifting and intervening space of socially articulated psychological functions, institutional imperative, and a wide range of techniques, practices, and discourses relating to the perceptual experience of a subject in time --> forms of exteriority in modernity's account of perception
eschatological dream of 19th century : “to make this knowledge of man exist so that man could be liberated by it from his alienation, liberated from all the determinations of which he was not the master” --> one made of man an object of knowledge so that man could become subject of his own liberty and of his own existence
-Foucault
exercise of a sovereign and attentive will [we see this in Olearius] --> claiming subject's self-possession --> conscious organizer of that perceptible world --> master
(Nietzsche:) “i am free” ==> “he must obe[...]
(662)[...notes/pigs notes new.txt]%75[...]rt of human biology, systematic response to novel stimuli (visual, olfactory, or auditory)
-an attentive observer might appear motionless
-an ideo-motor network of forces --> that which immobilizes
(the structural psychology of) associationism (theories of knowledge)
institutional discourse
techniques of the subject
attention (~= will) ~/= consciousness
(noncoincidence of attention with consciousness)
<-- modern shift to semantic and semiotic frameworks of analysis
(from epistemology --to--> hermeneutics : Mallarme, Nietzsche, Peirce, Wittgenstein, Heidegger --> the question of how a subject is provisionally constructed through language and other systems of social meaning and value --> termination of various analysis of consciousness --> epistemological crisis
observer (once understood in terms of the essential subjectivity of vision) ==> attention became constitutive (and destabilizing) component of perception
unmediated givenness of sense data --✕--> cognition
community of interpretation : a shifting and intervening space of socially articulated psychological functions, institutional imperative, and a wide range of techniques, practices, and discourses relating to the perceptual experience of a subject in time --> forms of exteriority in modernity's account of perception
eschatological dream of 19th century : “to make this knowledge of man exist so that man could be liberated by it from his alienation, liberated from all the determinations of which he was not the master” --> one made of man an object of knowledge so that man could become subject of his own liberty and of his own existence
-Foucault
exercise of a sovereign and attentive will [we see this in Olearius] --> claiming subject's self-possession --> conscious organizer of that perceptible world --> master
(Nietzsche:) “i am free” ==> “he must obey” }--> the inward certainty that obedience will be rendered -->{ *exclusively: (the unconditional evaluation that) ‘this and nothing else is necessary now’
co-presence of the world (can never be guaranteed [by scientific psychology])
<== attentiveness is continuous with distraction, reverie, dissociation, trance,
@apass, work on attention is so interesting because it is part of the history of modality of contemplation about processes and activities of the body
the neo-Kantian legacy of a disinterested aesthetic perception --desire--> to escape bodily time (and its vagaries)
•(Hume's) artist: someone in whom “nature has forgotten to attach their faculty for perception to their faculty for action” (<-- sounds familiar? “free” artistic perception)
•(for Roger Fry:) “imaginative life” is about contemplation disconnected from the possibility of action ([...]
(663)[...notes/pigs notes new.txt]%75[...]luded] =/= mundane or quotidian forms of seeing or listening [the object bounded by its contours, spurred/hated by modernism]
whenever we try to look at or listen to one thing for too long the attention (containing within itself the conditions for its own disintegration) inevitably reaches a threshold at which it breaks down[<-- a game i used to play as a child, playing with attention and distraction, mutating myself into a state of trance or autohypnosis, absorbed, diverted, nebulous =/= socially adaptive subject] --> *perceptual identity* (of its object) begins to deteriorate (& paralysis of will?) [_that is why in spectacle visual regimes the duration of perception must be regulated in short intervals]
attention is thermodynamic : a given force could assume more than ine form
partial sleep <--> abnormal fixation
(i am cautious at every turn to capture my own) *experience of distraction* is part of ajayeb studies. because it has to do with modes of attention and its persian history
perception is a dream
(an account of) [*]modernity: a process of fragmentation and destruction in which premodern forms of wholeness and integrity were irretrievably broken up or degraded through technological, urban, and economic reorganization
==> a “decay” in the capacity for perception [<-- to be careful in working for ajayeb not to romanticize (elitist and regressive fantasy of communal relations in) premodern modalities of looking/listening as richer, deeper, or more valuable :
modern urban life as “swift and continuous shift of external and internal stimuli” =/= premodern's “slower, more habitual, more smoothly flowing rhythm of the sensory-mental phase"]
(sensory mental schema)
understanding of distraction within a larger deterioration of experience
-distraction (not as a product of decay or anthropy, rather) as a mean to overcome bankruptcy of bourgeois aesthetic (late 19th century):
•Benjamin: absorbed contemplation purified of the excess stimuli of modernity
•Adorno: distraction as regression: perception that is “arrested in the infantile stage” =/= “deep concentration”
•Rilke: authentic attention as precious and rare survival of the lost ideal of artistic absorption in work now exiled to the margins of mechanized and routinized world
•Rodin: gazing of the handworker
-
}--> “reception in a state of distraction”, (<== absorption is psychologically grounded perception) =/= Crary arguing that attention and distraction ceaselessly flowing into one another on the same continuum (of social field)
[tales of understanding]-*
•what are the cognites of ‘contemplation’ (in german or farsi)?
the theological resonances of this latinate word --> contemplation: viewing/considering with continued attention; go[...]
(664)[...notes/pigs notes new.txt]%75.1[...]elessly flowing into one another on the same continuum (of social field)
[tales of understanding]-*
•what are the cognites of ‘contemplation’ (in german or farsi)?
the theological resonances of this latinate word --> contemplation: viewing/considering with continued attention; going into the temple, into the sphere of the holy, into the deep roots of things, into their creative ground
(to oppose) contemporary modes of distraction
modern forms of interiority, absorption, psychic isolation
Riegl's dream of a world in which art would be inseparable from an imaginary democratic harmony of individual and community (=/= harem)
collective attention (central attentive mass audience, 1900) : cinema
rational attention: attention linked to thought, one's telescope on object
(for Nietzsche:) attention: possibility of an absorption ==> forgetting --> life-affirmative }--> “focusing on the present moment”
final virtue of modern man: *presence of mind* --Nietzsche--> necessary part of the (cosmopolitan) individual's functioning within a modern world of economic facts and qualities --> ready at response to the machine, affinity with the technical, athletic political (#integration tale)
--> the (serious) modern soul is directed towards the news, focusing on the present, to employ the moment (#presentism #past-studies)
•fable of “to be at the present moment”
•fable of “to adapt yourself”
perceptual acceleration of modernized social field (work + leisure) ==> new *cosmopolitan individual* (who receives signals from many fars and nears, equipped to ‘attend’ to messages and participate in their circulation ☆ #facebook? --> diffuse anxiety of the other-directed person : gyroscope --> radar)
Arendt:
modernity: fabricating rendered meaningless =/= contemplation: beholding the truth
‘life = being’ ==> ‘contemplation = truth’
Heidegger --> characterization of Greek's primordial self-disclosing look ==> makes presence possible + glaring predatory look --of--> modern subjects = objects of conquest
dystopian story: a promising outburst (always of human) activity [such as science or exploration or artificial intelligence, etc.] that leads in the most deadlines sterile passivity [such as alien predation, industrialisation of mind, global contamination, etc.]
(theatricalization of scientific mistake in the Handmaid TV series: scientific human progress failing ==> abolishing the distinction between private and public consciousness }<-- optics of narcissistic scepticism <== psychological shock of the temporality of process)
19th century: Schopenhauer's early grasp of the link between attention and perceptual disintegration
(for Schopenhauer: [cognitive chaos o[...]
(665)[...notes/pigs notes new.txt]%75.2[...]t at another time”
--✕--> *firstness: self-immediacy, absolute presence (before synthesis and differentiation) ~ nonreferenciality (=/= perception, attention consumed/constituted in time ~= continuous quantity = *secondness)
using a more act-oriented term “thought” instead of “consciousness”
dissociation
anaesthesia
hallucination
multiple selves
--James--> temporal model of mind: ‘stream’
(=/= scenic model of mind)
[this was part of a larger institutional field in which scientific psychology generally was abandoning ‘elemental’ conceptions of consciousness in favour of operational or functional models]
==> observer: an artist confronted with the primordial chaos of sensation --> (ethics of) overlapping common choices (made of autonomous subjects [--> you can see James seeking to lessen the shock of recent works in science and psychology for an American middle-class readership])
(William James:) irreducible plurality of experience ==> (think in terms of) fluidity and immobilization
my work is usually unformed and informal: a speaking properly in terms of irradiated strata, an aggregate
emergence of increasingly powerful technologies and institutions that would determine and enforce *externally* the objects of attention for mass population --> history of cinema
•disciplinary framework: it is the aim of the teacher to fix the attention of the pupils --> habit of attention becomes amenable to the will of the teacher
attention was an indispensable component of the “normal” and “rational” subject of the late 19th century industrial society, yet had a disturbing proximity to “pathological” and “irrational” effects.
-Crary
Simondon, mold & modulation
Deleuze, on fold
by the end of 19th century attention became an inadequate simulation of (an Archimedean) point of stability from which consciousness could know the world [rather] it opened to flux and absence (=/= perceptual fixity, certainty of presence) ==> subject-object scattered provisional existence
(extreme model of a) *technology of attention* @Zoumana [spiritism, *action at a distance* --> curse, ,]
hypnosis --> unsettling outlines of of a subject whose makeup could evade both intellectual and institutional mastery + precariousness and malleability of (what had been thought of as) consciousness
hypnosis adjacent to attention?! intense refocusing and narrowing of attention + inhibition of motor responses
focalization: concentrating one's attention on some specific object
sustained looking at a single point (i used to do as a child) ==> dramatic reorganization of consciousness
Crary in his book, Suspension of Perception, shows how high science and periphe[...]
(666)[...notes/pigs notes new.txt]%75.4[...]adership])
(William James:) irreducible plurality of experience ==> (think in terms of) fluidity and immobilization
my work is usually unformed and informal: a speaking properly in terms of irradiated strata, an aggregate
emergence of increasingly powerful technologies and institutions that would determine and enforce *externally* the objects of attention for mass population --> history of cinema
•disciplinary framework: it is the aim of the teacher to fix the attention of the pupils --> habit of attention becomes amenable to the will of the teacher
attention was an indispensable component of the “normal” and “rational” subject of the late 19th century industrial society, yet had a disturbing proximity to “pathological” and “irrational” effects.
-Crary
Simondon, mold & modulation
Deleuze, on fold
by the end of 19th century attention became an inadequate simulation of (an Archimedean) point of stability from which consciousness could know the world [rather] it opened to flux and absence (=/= perceptual fixity, certainty of presence) ==> subject-object scattered provisional existence
(extreme model of a) *technology of attention* @Zoumana [spiritism, *action at a distance* --> curse, ,]
hypnosis --> unsettling outlines of of a subject whose makeup could evade both intellectual and institutional mastery + precariousness and malleability of (what had been thought of as) consciousness
hypnosis adjacent to attention?! intense refocusing and narrowing of attention + inhibition of motor responses
focalization: concentrating one's attention on some specific object
sustained looking at a single point (i used to do as a child) ==> dramatic reorganization of consciousness
Crary in his book, Suspension of Perception, shows how high science and peripheral pseudoscience never had clear-cut distinctions in the 19th century. that there were a complex and shifting relation of mutual exchange between the “luminous” physics with a huge range of other “darker” ideas about ‘action in a distance’ enacted in spiritism
@Zoumana
hypnosis & suggestion --> automatic processes (inferior, more instinctual, continuous with animality), “mental decapitation” =/= ration elicit patient with conscious participating will power [--> Star Wars will of the weaker and less independent, powerful natures exercise over weaker ones, jedi --> strance states (of the weaker ones): being instrument of undisguised power --Stengers--> deviant types of behavioural control]
(hypnosis still being researched on but) ideologically could not be acknowledged as a constitutive part of human sciences
==> (stigmata of critical position [@Ali; follow it in Marxism]:)
volitional human action modified by ex[...]
(667)[...notes/pigs notes new.txt]%75.4[...]ntinuous with animality), “mental decapitation” =/= ration elicit patient with conscious participating will power [--> Star Wars will of the weaker and less independent, powerful natures exercise over weaker ones, jedi --> strance states (of the weaker ones): being instrument of undisguised power --Stengers--> deviant types of behavioural control]
(hypnosis still being researched on but) ideologically could not be acknowledged as a constitutive part of human sciences
==> (stigmata of critical position [@Ali; follow it in Marxism]:)
volitional human action modified by external forces
Ali's tacit appeal to state secret, military secret --> importance of low-level effects of suggestion and influence in contemporary global culture (Ali's interest)
the role ‘suggestion’ plays in a society of communication --> the effects of:
•fashion
•mimesis
•mass psychology
•media-related contagions
+ influences of all kind ==> “oblige” us
}--> the assumption that attention can be controlled for specific ends
(over a hundred years) underpinning institutional strategies has been the position that *human subjects have determinate psychological capacities and functions that might be susceptible to technological management*
attention has been both: strategy of control & locus of resistance and drift
(by the end of 20th century) the attentive subject is part of an ‘internalization’ of disciplinary imperative --> individuals are made more directly responsible for their own efficient or profitable utilization
Foucault's society of discipline
Guy Debord's society of spectacle
(Guy Debord's) *spectacle: a development of a technology of separation*, [multiple strategies of isolation] --> (capitalism's restructuring of) society without community
+
(Foucault's) [production of] docile bodies ~{ body = political force }
+
(<== Weber's) inner isolation of individual [<==> capitalist modernity]
management of attention is masscultural forms has to do (less with the visual contents and much more) with a larger **strategy of the individual** }-->
spectacle:
[--✕--> looking at images]
----> (construction of conditions that) individuate, immobilize, separate subjects
}==>
attention --> operation of noncoercive forms of power
(Crary:) optical/technological objects --> arrangement of bodies in space (--modernism--> techniques of separation)
television + personal computer --> anti-nomadic procedures (that fix and striate) ==> rendering bodies controllable and useful + simulation of choices and interactivity
--> (Williams: a technological and logic of) *mobile privatization*
(through the assessment of the works of Deleuze and Guattari, and now popular narratives) the rela[...]
(668)[...notes/pigs notes new.txt]%75.5[...]tion [@Ali; follow it in Marxism]:)
volitional human action modified by external forces
Ali's tacit appeal to state secret, military secret --> importance of low-level effects of suggestion and influence in contemporary global culture (Ali's interest)
the role ‘suggestion’ plays in a society of communication --> the effects of:
•fashion
•mimesis
•mass psychology
•media-related contagions
+ influences of all kind ==> “oblige” us
}--> the assumption that attention can be controlled for specific ends
(over a hundred years) underpinning institutional strategies has been the position that *human subjects have determinate psychological capacities and functions that might be susceptible to technological management*
attention has been both: strategy of control & locus of resistance and drift
(by the end of 20th century) the attentive subject is part of an ‘internalization’ of disciplinary imperative --> individuals are made more directly responsible for their own efficient or profitable utilization
Foucault's society of discipline
Guy Debord's society of spectacle
(Guy Debord's) *spectacle: a development of a technology of separation*, [multiple strategies of isolation] --> (capitalism's restructuring of) society without community
+
(Foucault's) [production of] docile bodies ~{ body = political force }
+
(<== Weber's) inner isolation of individual [<==> capitalist modernity]
management of attention is masscultural forms has to do (less with the visual contents and much more) with a larger **strategy of the individual** }-->
spectacle:
[--✕--> looking at images]
----> (construction of conditions that) individuate, immobilize, separate subjects
}==>
attention --> operation of noncoercive forms of power
(Crary:) optical/technological objects --> arrangement of bodies in space (--modernism--> techniques of separation)
television + personal computer --> anti-nomadic procedures (that fix and striate) ==> rendering bodies controllable and useful + simulation of choices and interactivity
--> (Williams: a technological and logic of) *mobile privatization*
(through the assessment of the works of Deleuze and Guattari, and now popular narratives) the relation between human and machine is based on internal, mutual communication, and no longer on usage or action (~ human operator linked to a machine as an exterior object) [~/=? companion species]
irresistible imperative of communication ~~--> continuous effects of control
panoptic techniques & attentive imperatives (function reciprocally)
classical power:
•repression
•ideology
•
modern power:
•normalization
•mo[...]
(669)[...notes/pigs notes new.txt]%75.5[...] psychological capacities and functions that might be susceptible to technological management*
attention has been both: strategy of control & locus of resistance and drift
(by the end of 20th century) the attentive subject is part of an ‘internalization’ of disciplinary imperative --> individuals are made more directly responsible for their own efficient or profitable utilization
Foucault's society of discipline
Guy Debord's society of spectacle
(Guy Debord's) *spectacle: a development of a technology of separation*, [multiple strategies of isolation] --> (capitalism's restructuring of) society without community
+
(Foucault's) [production of] docile bodies ~{ body = political force }
+
(<== Weber's) inner isolation of individual [<==> capitalist modernity]
management of attention is masscultural forms has to do (less with the visual contents and much more) with a larger **strategy of the individual** }-->
spectacle:
[--✕--> looking at images]
----> (construction of conditions that) individuate, immobilize, separate subjects
}==>
attention --> operation of noncoercive forms of power
(Crary:) optical/technological objects --> arrangement of bodies in space (--modernism--> techniques of separation)
television + personal computer --> anti-nomadic procedures (that fix and striate) ==> rendering bodies controllable and useful + simulation of choices and interactivity
--> (Williams: a technological and logic of) *mobile privatization*
(through the assessment of the works of Deleuze and Guattari, and now popular narratives) the relation between human and machine is based on internal, mutual communication, and no longer on usage or action (~ human operator linked to a machine as an exterior object) [~/=? companion species]
irresistible imperative of communication ~~--> continuous effects of control
panoptic techniques & attentive imperatives (function reciprocally)
classical power:
•repression
•ideology
•
modern power:
•normalization
•modulation
•modelling
•*information that bear on:
◦language
◦perception
◦desire
◦movement
--> by way of microassemblages
(= *subjectification*)
-the shape of absentmindedness in my performances is skewed by the attentive imperative of modern subjectification? something unfocused, **something folds back against itself** =/= “processing” a stream of heterogeneous stimuli (in film, radio, television, cyberspace)
-my audience felt an uncomfortable sense of their own inattentiveness (in my performances of the experience of dissociation, of temporality incompatible with capitalist patterns of flow). what is they are asking me [...]
(670)[...notes/pigs notes new.txt]%75.6[...]shape of absentmindedness in my performances is skewed by the attentive imperative of modern subjectification? something unfocused, **something folds back against itself** =/= “processing” a stream of heterogeneous stimuli (in film, radio, television, cyberspace)
-my audience felt an uncomfortable sense of their own inattentiveness (in my performances of the experience of dissociation, of temporality incompatible with capitalist patterns of flow). what is they are asking me is to give a stream of heterogeneous stimuli --> ****how temporality is inhabited****
to diffuse (societies of spectacle) into (a single) integrated society of spectacle (==> separate, isolated, but not introspective individuals)
(film and television in competition with) *daydream* --> a domain of resistance internal to any system of coercion [?]-->
(?is capitalism's contemporary arrangement allowing/playing an) oscillation between spectacular attentiveness and the free play of subjective absorption
~ info/telematic systems simulating the possibility of drift ==> modes of sedentarization
--> (Crary asks) how creative modes of trance, inattention, daydream, and fixation can flourish in the interstices of these circuits? @Sven ...amid technological forms of boredom ~ *modern boredom* [--> cognitive and perceptual synthesis. boredom is involved with the intensification of a sense of selfhood? ~~--> romantic (turned inside out?)]
*perception without awareness* (vilified in art and criticism)
--?--> automaticity: performance under conditions of divided attention
...................................
Manet: disengagement of perception from a model of interiority
Manet's painting discloses some of the important reconfigurations of the status of the observer (that had occurred by the middle of 19th century)
my Olearius video figuratively repositions the observing subject outside of the term of which system of vision?
world present to the subject in relations of reflection?
...three observers by the virtue of their unmediated, unobstructed self-presence
=/= *romanticism: (maintained) resistance to externality*
[compare Manet's balcony with Goya's painting Majas on a Balcony]
(Manet's palette corresponding to) the luminous wavelengths of a new technological lifeworld...
Manet dramatizing (but not lamenting) the evaporation of a cohesive world...
(finely assembled) architecture of solitude and separation [...] in a space of a newly modern individual autonomy
modernization of urban space --> (crucial component of the) regime of perceptual adaptability
diagram = optical system --?--> ocular [~ *rationalizable spatial account of vision*] --> vision as reflexive : property of a subject figured as a geometric point (=/= ambiguity an[...]
(674)[...notes/pigs notes new.txt]%75.6[...]n
--> (Crary asks) how creative modes of trance, inattention, daydream, and fixation can flourish in the interstices of these circuits? @Sven ...amid technological forms of boredom ~ *modern boredom* [--> cognitive and perceptual synthesis. boredom is involved with the intensification of a sense of selfhood? ~~--> romantic (turned inside out?)]
*perception without awareness* (vilified in art and criticism)
--?--> automaticity: performance under conditions of divided attention
...................................
Manet: disengagement of perception from a model of interiority
Manet's painting discloses some of the important reconfigurations of the status of the observer (that had occurred by the middle of 19th century)
my Olearius video figuratively repositions the observing subject outside of the term of which system of vision?
world present to the subject in relations of reflection?
...three observers by the virtue of their unmediated, unobstructed self-presence
=/= *romanticism: (maintained) resistance to externality*
[compare Manet's balcony with Goya's painting Majas on a Balcony]
(Manet's palette corresponding to) the luminous wavelengths of a new technological lifeworld...
Manet dramatizing (but not lamenting) the evaporation of a cohesive world...
(finely assembled) architecture of solitude and separation [...] in a space of a newly modern individual autonomy
modernization of urban space --> (crucial component of the) regime of perceptual adaptability
diagram = optical system --?--> ocular [~ *rationalizable spatial account of vision*] --> vision as reflexive : property of a subject figured as a geometric point (=/= ambiguity and disorganization of intersubjective relations)
diagram --?--> coherence
(vison, it is not a coin with double sides, it is rather a labyrinth --Lacan--> desiring subject =/= point-to-point optical system)
*palpable immediacy of a modernized presence* (--> to grasp and inhabit it, then dissolution into self-absorption)
(?Sven plays with that) *nebulous obscurity of presence*
uncertain content of the interior
(in Manet:) attentive: fluctuating membrane, delicate pattern of folding and unfolding on to the world
--> rhythm of opening and closing (this “social dispersion of modernity” [--> impassive autosufficiency of the individual observer] has become part of European subjectivity, it is good[?!], and i miss it in middle east postmodernism)
Manet tentative splitting of:
•figural representational facts
•facts of autonomous pictorial substance
(--> now a European tradition)
(a movement towards “formlessness” very different than eastern chaotic imagination)
Manet's confident inattenti[...]
(675)[...notes/pigs notes new.txt]%75.7[...]onomy of excitation (within an organized and controllable body)
biological romanticism
anxiety of overstimulation --> power of suggestion
attention --> Nietzsche's reality of drives --> Freud's libidinal body (=/= physiological body) --> *drives (=/= instincts) not tied to specific conditions of satisfaction, are subsumed to an open-ended ‘plasticity’ (susceptible to substitution)
drive constantly misses its aim
(for Seurat, Fere, Nietzsche:)
art = physics (=/= semiology) : the question of meaning in art was not about representation but a relation of forces --> for Seurat color was not something accessible as a sign to a sovereign gaze but was an interpretation made by the body
(both Seurat [in his painting] and Nietzsche [in will to power] have felt that there was) an extreme calm in certain *sensations of rapture* ~ extra retardation of the feeling of time and space --> the classical style is essentially a representation of this calm, simplification, abbreviation, concentration }--> (?Sina's paintings) logical and geometrical simplification <== enhancement of strength*!
a lot of artists are still busy with:
stimulus-response mechanisms
**techniques for the external management of aesthetic response** --> quantifiable emotional engineering
@Eszter directly
(the origins of this discourse lies in 19th century automatic behaviour and nervous response, nature of mass subjectivity and desire for social integration, and since Seurat in visual art)
[*]spectator: a being that is acted apon
(does the artist want the spectator “obey” a predetermined program of effects? specially in theater... even if we say this subject [hypothetical individual observer] is a creative inventive affirmative body --still--> presupposing **a subject that is a unity with a conscious will to be overcome** ~-> method)
putting a little onlooker at the bottom of my paintings -->? potential objects of techniques for the control and management of perception and attention
(what are Foad's such objects?)
}--> the question of *how a sensory world is dismantled, synthesized, and represented (~ my paintings) is inseparable from the problem of how a world of objects, individuals, and social relations (~ my performances) organizes itself*
what concerns Seurat (in different terms of color image or human figures) is a ***tension between cohesion and disintegration*** (--> that has been also my constant aesthetic concern)
--this is evident in my work:
[*my paintings busy with] questions of how diverse stimuli become tentatively “bound” into a coherent constellation
[*my performances busy with] questions of how contents referring to a social world are fused or integrated into a network of relations
(in my work) experimenting with:
•the [...]
(676)[...notes/pigs notes new.txt]%76.7[...]
(both Seurat [in his painting] and Nietzsche [in will to power] have felt that there was) an extreme calm in certain *sensations of rapture* ~ extra retardation of the feeling of time and space --> the classical style is essentially a representation of this calm, simplification, abbreviation, concentration }--> (?Sina's paintings) logical and geometrical simplification <== enhancement of strength*!
a lot of artists are still busy with:
stimulus-response mechanisms
**techniques for the external management of aesthetic response** --> quantifiable emotional engineering
@Eszter directly
(the origins of this discourse lies in 19th century automatic behaviour and nervous response, nature of mass subjectivity and desire for social integration, and since Seurat in visual art)
[*]spectator: a being that is acted apon
(does the artist want the spectator “obey” a predetermined program of effects? specially in theater... even if we say this subject [hypothetical individual observer] is a creative inventive affirmative body --still--> presupposing **a subject that is a unity with a conscious will to be overcome** ~-> method)
putting a little onlooker at the bottom of my paintings -->? potential objects of techniques for the control and management of perception and attention
(what are Foad's such objects?)
}--> the question of *how a sensory world is dismantled, synthesized, and represented (~ my paintings) is inseparable from the problem of how a world of objects, individuals, and social relations (~ my performances) organizes itself*
what concerns Seurat (in different terms of color image or human figures) is a ***tension between cohesion and disintegration*** (--> that has been also my constant aesthetic concern)
--this is evident in my work:
[*my paintings busy with] questions of how diverse stimuli become tentatively “bound” into a coherent constellation
[*my performances busy with] questions of how contents referring to a social world are fused or integrated into a network of relations
(in my work) experimenting with:
•the unity of subjective experience (myself performing under influence, mad lectures, excessive synthesis, pathological and disruptive storytelling)
•integrity of social institution and processes (the loci and conditions of us coming together, space of art)
=/= social tranquility --> economic productivity
=/= social fantasy of “solidarity” --> health and functional unity, individuals transformed into “social beings”
in a way most of us artists unconsciously in some way in an utopian projection of a sensory wholeness and fulfillment
(dream of) fabricators of powerful imaginary social figurations
Durkheim and Seurat's question of social & sensory: from what viewpoints significant manifestation of organization become appreh[...]
(677)[...notes/pigs notes new.txt]%76.8[...] --> interaction in relation of agreement and mutuality --> new set of moral imperative --> *solidarity*: the duty to become a “social being” (~ to become socialized in relation to a wide range of institutions)
anomie: breakdown of an organized set of connections and adjacencies, deranges a normally regulated flow of communication and feedback (=/= solidarity) }--> thermodynamic framework
anomie (used to be) a celebrated passage is when the individual worker is no longer the living cell moved by continual contact with neighboring cells (=/= now in late liberal capitalism anomie is the mode of labor)
anomie (in thermodynamic framework) describes a statistical distribution of elements in which insufficient contact or adjacency prevents the flow of messages our information within the system as a whole. systemwide increase of local zones of dissociation and disintegration <-- Durkheim
(Durkheim was writing at the time of) crisis of social cohesion within a transitional period ==> a systematic response was being shaped (foreshadowed in several of Seurat's major works) -*-*-*--> the making of a society whose effective unity was founded on the ubiquity of *spectacular consumption through mass media and technologies of illusion*
if *religion* was the key “collective representation” (in Durkheim premodern mechanical solidarity) --> *spectacle* was to become the primary simulation of cohesion and unification within 20th century modernity****
--> (Debord:) capitalism's solidarity: unity of subjects in their very separatedness
(Crary >) Seurat's entire visual output: [systematic movement between:]
•large engineered representation of social collectivities (~ crowds)
•images of isolation and separation
“[...]the unity of his optical aggregates was always an ephemeral subjective construction that never objectively modified the abstract and segmented status of his dots, so his assembling of provisional social aggregates never alters the obdurately insular character of their individual human character.”
Seurat stakes out a darker and more skeptical position than Durkheim about the possibility of *positive knowledge of “social reality”* --> his works are determined by a sense of **impalpability and evanescence of the social itself**
(what is my “sociology” in my works?)
{ great social catastrophes of the 19th century + accumulated bourgeois anxiety over the disorders of revolution (1848 and 1871) }==> (emergence of French 1890s of) “science” of sociology
let's stop mourning about the earlier model of political theater being displaced by by the modernized forms of spectacle (--> my critic on Kurzgesagt is outdated?)
(for Seurat:) *art work = solicitation of attention*
play of attraction and absence[...]
(678)[...notes/pigs notes new.txt]%76.9[...]ifiable point of view])--> in every image and diagram subjectivity (~ identity and reference) is imagined in a system of relations @Eszter's binding order
zero
primal image of nothingness
•kabbalah
•the egg
•oroboros
•
my issue with contemporary ritual practices in the arts is that they are based the symbolic privileging of the معنوی noumenal =/= phenomenal
(rituals that artists practice today, Leonardo's Last Supper:) symbolic opening to a noumenal world =/= facade of appearance and semblance
(=/=? coalescence, knowledge and diversity work, etc.)
i can't insist enough (learning from Seurat) that the foreclosure of the noumenal world (the true world) is inseparable from the fragility and insubstantiality of the apparent world
(shabah az sanaat joda nist شبه و صنع)
a residue of an earlier social world (in which the sacred, the occult, and artmaking were much more closely tied together)
...Egyptian priest, medieval magus, Babylonian snake charmer, headsman or executioner,
suggestion of magician --> emblematic of a modernized order of spectacle --> mass management of attentiveness + its commodification : *rationalized magic of a technology of attraction* (that conceals its synthetic construction)
opposition of charismatic and bureaucratic domination
Weber's “routinizatiom" = castration of charisma (==> permanent institutional structures)
prophetic/oracular individual (has seen the extinction of his society) [==implying==> an unstable domination] =/= administrated and rationalized order of a money economy
priestly status of Elen in her performances implying an pathos and metaphysics of distance (and dismantling it?)
be careful with this liminal positions:
•activation of a broken collective memory
•imposition of modern oblivion on the other
presenting music:
socialized activity, indicating the *superficial appearance of a collective reception*
immediacy of an audience
“physicality of music making itself” --Leppert--> the sight of the body's labor to produce sound
19th century ideal of a musical performer as a quasi-sexual virtuoso
performing music --> suggestion of collective participation --evoke--> harmonic relationships and premodern mysteries [implicit in music and geometrical forms (even as they are collapsed into modern abstraction and the image of a fully administrated world)]
@Ali, KHM sound department
...remnant of what once might have the living Dionysian reality (of the antique chorus)
*score* (coming from the boredom of a third-rate military music band after 1850 in Europe) aligned with the rationalizing imperatives of industrial production: hierarchically ranked states *executing an external algorit[...]
(679)[...notes/pigs notes new.txt]%77.2[...]ly Pythagorean:
***number is the essence of reality ==today==> “nature must be studied quantitatively” (=/= ajayeb's quality of descriptive nature of the world)
...and appeal to mathematics in artmaking still comes from the hope of establishing clear and distinct ideas, which as such are necessarily true
Pythagorean primal cosmogenic principle: breath --> repression's binary rhythm of inhaling and exhaling, the mutual interaction of contraries (like sex) : the original generative force
(the union of the limited and the unlimited) --> still operating today in the year 2018
theories of dynamogeny on iranian traditional music radif, that certain musical proportions poses cheerful or bitter qualities, influence the person's emotional state
to transcend from quantitative number of dastgah --to--> a mysterious qualitative dimension of pardeh
(Crary's) Seurat's anarchism: (painting of the) world of mere empirical relations, cut off from the infinite (loss of the vanishing point) and from the light of either sun or moon (gaslight illuminates the scene)
Leo's primitive communism
pictorial generation of meaning
the keystone of Foad's technique:
purity of the spectral element
(Burgin >) fantasy: an arrest that domesticates the unruly movements of desire --> it takes on hieratic and tableau-like forms : phantasmatic figuration
*reconciliation*
(a formal idea, of) abstract functionings of binary oppositions {typographical distribution of energy}
=/= elevation in terms of “opposites” or “contraries” (colors, lines, forces, sexes, numbers)
technocratic dream of a quantifiable harmony that a machinic world installs or restores --> *ataraxie*: emphatically reduction of tensions into zero --Seurat--> homeostasis --> preindividuated unity : theater of equilibrium ==> erasure of both individual and historical temporality
(Nattiez:) the illusion that humanity could reach a stable point [...] at which time can be arrested. it is for this reason that androgyny and death so often appear together: social utopias end in massacres and that the structuralist utopias of an allembracing explanation of mankind reducible to torrents of binary oppositions result in “nothingness”
Freud's nirvana principle: to remove interval tension due to stimuli (--> death instinct)
Sina:
(painted and visible philosophy)
in my image assemblages what are and how they work:
•mimes of meaning
•full of graphic gestation
•figural groupings
•architecture
•compositional thinking
what sorts of structural rightness do my image assemblages make inevitable? (innocently indicating the sweet source of truth)
or, what kinds of geometric simplicities (purity of form[...]
(680)[...notes/pigs notes new.txt]%77.4[...]ure
•compositional thinking
what sorts of structural rightness do my image assemblages make inevitable? (innocently indicating the sweet source of truth)
or, what kinds of geometric simplicities (purity of form and efficiency of expression) does it betray?
what is the ‘status of idea’ in there?
what are the allegorical abstractions? (in Sohrevardi image: the mediation between heaven and earth) (horizons, vanishing points, grids, orthogonals, heavenward movements, gestures, axis or axiomatic geometry,,,)
[my performances are teachings on how to read the figural language of my image assemblages (?)]
the particular geometry of pictorial structure in my image assemblages testifies to which truth?
which pictorial realizations (knowledge of things) do they epitomize?
which metaphysical polarities translated into geometric contrasts? (integral part of revealed truth) [or that there is a or no central truth...?]
which allusions ground the abstract truth of the image in a certain reality?
(----David Rosand's) Raphael: theological truth <--> axiomatic geometry (~ congruence of simple structures) --> divinity of the circle
supernatural status of the form, reaffirmed by gold (<-- an archaic and discounseled technique) ==> *put ‘form’ beyond the reach of pictorial illusion and beyond the realm of nature*
*pictorial truth sometimes lies in the painter's choice in working on the surface* (acknowledging the powerful claims of the axis of the field and the determining control of its shape, recognizing the dialectic of circle and square, the signifying tension between picture plane and orthogonal recession, etc.) --> in the case of Raphael: theology becomes a commentary on painting : pictorial structure (directly semiotic and not mimetic) = meaning
(always?) *faithfuls need their originals*
in Helmholtz's 1856 comprehensive account of human vision, the eye emerges *empathically embedded in the thinness and opacity of the body*
eye (=/= a marvelous apparatus) : an apparatus with built-in aberrations, proneness to error, and inconsistencies in is processing of visual information --> entoptical phenomenon --James--> subjective optical sensation: example of selective attention excludes from consciousness sensations that are *nonreferential* (= irrelevant to the knowledge about the world)
(~= Ernst Mach's sight phantasms)
arborescent vocabulary of the scientific literature on the eye in the 1880s
*new diagram of the eye: photoreceptors in the human eye are placed at the back of retina, behind the blood vessels (that literally intervene seeing) --Seurat--> inseparable mix of an abstract mathematically constructed & a physiological perception more subjectivity determined, “domain of vision has been integrated Iin the field of desire” (Lacan), “phantasmatic events that occur on the surface of the bodies” [...]
(682)[...notes/pigs notes new.txt]%77.5[...]t of discussion to be rethought)
irreducible composite of properties belonging to the observer
perspective: transforming psychophysiological space into mathematical space ==> sum of all parts of space and its contents are absorbed into a single ‘quantum continuum’
-Panofsky perspective as symbolic
analysis of sensation
“one coherent mass of sensations”
(Mach's legitimate and functional) scientific impressionism
*modernization (and rationalization) of perceptual (and aesthetic) response* <-- preoccupation of Seurat, Eisenstein, Moholy-Nagy, Schoenberg
(Crary ☞ Chastel ☞ Seurat's method was) a research into archetypal forms (lines, colors, directions) which answered to a double and deliberately compound ambition, at once *****archaic regression and scientific reduction***** [<-- this describe my work!] the artist/painter's operations set up a meeting point between *an ancient hieratic art and the rationalized discipline of the future* [= my work on ajayeb] --> culturally reactionary component of my projects, progressive and regressive at once, (past and future)
=/= Meyer Schapiro's Seurat: an enlightened politically progressive artisan-artist embracing science and technological paradigms in the interests of *forging an image of a nonhierarchical social world* [<-- an uncritical stance towards “science” and “technology,” approaching “the rationality of method” (in Seurat) as a final locus of meaning =/= the site of powerful and unresolved contradictions]****
-can our modern practices be constituted without reinventing its relations to the ancient?
troublesome ambivalence of Pythagoreanism: part of an animistic premodern magical world view yet deeply embedded in the essential assumption of modernity that all of nature is understandable in terms of numbers (-Bloch, modernism: quantitative side with metaphysics proper strictly scientific =/= figural-qualitative symbolic side)
... --> Seurat's unresolvable problem: to think simultaneously the idea of universality in terms of aesthetic absolute and the inescapable universality of modern exchange and calculation
--> (Norman Brown:) the money complex, archaic or modern, is inseparable from symbolism, and *symbolism is (not the mark of rationality, as Simmel thought, but) the mark of sacred* @Luiza's diagrams [--> this is important for apass, “aesthetic experience occurs within, not above, the opposition of the symbolic and the economy, and within the lived conflict between self-activity and reification” -Brenkman]
==> undialectical disjunction of sacred and secular
silent reflective monk
mechanical assemblage of never quite integrated elements
Seurat's texture of work <== an intuition of the loss of art's immediacy --> shift of (what might have been) contemplation into mere attentiveness
[...]
(683)[...notes/pigs notes new.txt]%77.6[...]ernism: quantitative side with metaphysics proper strictly scientific =/= figural-qualitative symbolic side)
... --> Seurat's unresolvable problem: to think simultaneously the idea of universality in terms of aesthetic absolute and the inescapable universality of modern exchange and calculation
--> (Norman Brown:) the money complex, archaic or modern, is inseparable from symbolism, and *symbolism is (not the mark of rationality, as Simmel thought, but) the mark of sacred* @Luiza's diagrams [--> this is important for apass, “aesthetic experience occurs within, not above, the opposition of the symbolic and the economy, and within the lived conflict between self-activity and reification” -Brenkman]
==> undialectical disjunction of sacred and secular
silent reflective monk
mechanical assemblage of never quite integrated elements
Seurat's texture of work <== an intuition of the loss of art's immediacy --> shift of (what might have been) contemplation into mere attentiveness
(Crary) Seurat concretizes the *modern dilemma of the disappearance of aura*
...bringing into the work the forms of rationalization that eradicated aura in the first place --> appearance is privileged over essence, and technological rationality is deployed in the service of appearance
negotiating rapture
(ajayeb ~/=?) to produce a dialectic image: to criticize modernity (~ foregrounding of the aura) through an act of memory, and at the same time, to criticize archaism (~ nostalgia for the aura) through an act of essentially modern invention (substitution and designification)
color...
how forms of ‘synthesis’ (optical mixture, purely additive and accumulative functions of industrialized procedures) produce ‘qualitative’ change (pre-bourgeois non-quantitative connection to nature, for which color did not exist as an autonomous experience or as a separate and specialized science)
Seurat: surface fascinations consequences of a disappointment at the impossibility of immediacy and the historical inaccessibility of the dream of the ritual/magical practice of art --> Seurat's work's exhaustive denial of presence ==> (another kind of immediacy:) the ***fusing of image and eye*** @Foad
=/= art as a medium for disclosing essential truths
=/= redemptive optimism
...................................
a desiring system dependent on operations of rebinding and immobilization
the problem of *contrapposto* [and *chiaroscuro* (contrast of colors)]:
a Renaissance ideal, invoking a metaphysical dualism that found expression in rhetorical devices of contrast and antithesis --sumbsumed--> within the *larger ideal of opposition*
contrapposto could be decorative or structural, justified by its vividness, the clarity with which art could bring opposites into harmony
classical[...]
(685)[...notes/pigs notes new.txt]%77.7[...] the survival (or simulation) of an earlier stage of development (as a lower, regressive, or childlike state of mind or culture) [--> radically irreconcilable with dominant forms of western rationalism]
(for western rationality) hypnosis:
•influence without any logical foundation
•production of an illusory relation to the world
[--> similar to Foad's modality of freedom, wakefulness, and the notion of the intoxicated masses: loss of mastery, of ability to make decisions and reflect ==> the assertion that “hypnotic experience is formless” (---> go to Nancy)
*spectacle domination over passivity*
Foad: inner or subjective reality of a psychic state which could in fact involve residence and evasion of external authority]
=/= state of trance (as in other cultures) whether individual or collective conceived as an opening up or sharing
the 19th century exhibitions were part of a world in which people were beginning to live as tourists or anthropologists, addressing an object-world as the endless representation of some further meaning or reality
==Crary==> reality: that which presents itself as an exhibit before an observer
(Seurat's Parade de Cirque: ...a figuration of social territory where) techniques of fascination and attraction, of appearance and semblance, have the capacity to overpower an observer or audience
(شهر بازی fairground kinesthetic experiences, such as:) *merry-go-round*: a fragmentary and mechanical recuperation of carnival energies --> controlled circumstances inciting of dynamogenic bodily sensation
&
cinema later would radically displace survivals of premodern forms like the circus [--> look at Hollywood today 2018]
different modes of regression and fantasy
***late 19th century shift from “viewing machine” to “vertigo machine”
19th century's interrelations between:
•photography
•hypnosis (both medically and mythically)
•cinema
•psychoanalysis
*strong epistemological configurations* ==> a new place of subject (in western culture) linked to formation of certain images of:
•time
•past
•memory
(for Brown Sequard) collective effect of acts of inhibition and dynamogeny ==> hypnotism ==(Charles Henry)==> demonstrating that perception is fundamentally unconscious (consisting of involuntary responses to stimuli) ==Seurat==> *indistinction between the automatism of a hypnotized subject and the perceptual experience of a so-called normal subject* --Foad--> [reading people in a contemporary social phenomena of suggestion and somnambulism (~ sleep-walking):] a bypassing of intellectual process (such as reason and judgement) in an attentive spectator
-{my discussion with Foad was perhaps about the question of social justice (= sufferings and causes are constant and self-evident, sing[...]
(686)[...notes/pigs notes new.txt]%77.8[...]n of the conditions under which a subject could be activated as an attentive perceiver
(forensic aesthetics --> conditions under which a subject could be arrested as a witness)
(Sina ajayeb bestiary --> conditions under which a subject could be contested as a knowing agent)
“frame: an isolating agent” (<== Wagner ~ to make an *autonomous and luminous field of attraction* with a deliberately ambiguous spatial identity)
--> explicit renunciation of the classical (and early modern) status of the image
=/= as a windowlike plane intersecting a cone of vision
=/= as a flat plane covered with colored patches
(Seurat's optics:) ***images apparitional value*** <== effect of image's detachment from a broader visual field (=/= diaroma and stereoscop)
--> 19th century optical experiences that severed the image from any continuous or intelligible relation to the position of the observing objects
(=/= Wagnerian aesthetics)
--> *collective visual experience* ~~--> precinematic forms of moving images
(@apass: hand drawing is not about being “trapped in older artisanal modes of production” --?--> “performance =/= projection”)
to assess (the relationships between):
•your own technological products
•makeup of your audience
•economical realities of the marketplace
}==> inventor of 19th century (Raynaud, Edison, )
--> modify your machines in terms of:
•performance
•shifting audience needs (and possibilities)
phantasmagoric: occultation of production by means of the outward appearance of the product (creating an experience for a solitary and immobile spectator)
(spectral) atopic image: literally not there
shimmering --> effect of detachment from the environment
Reynaud's projected moving images --> elastic and reversible temporalities (that had little to do with Lumieres's “real time”)
Cheret's posters (joyful modern women, advertisement for cosmetics, lighting fixtures, department stores, ballets, and so on) --> a technology of attention + a specific ornamental representation of commodity culture
(--> practical functionings of consumption culture in the 1870s) @OSP
*Cheret's “personal style” in graphic design = an abstract luster جلوه a decorative formula that could be applied promiscuously to any possible object of consumption* =/= Seurat's dream of universal style
****rich textures of entertainment and visual spectacle****
-which range of optical apparatuses are available for public consumption now?
[in 1880s: peep show, magic lantern, shadow theater, large-scale stethoscope, zeotropes, etc.]
my links with Seurat --> his interest in:
•contemporary popular visual culture
•perceptual modernization
•
Crary's reading of Seura[...]
(687)[...notes/pigs notes new.txt]%78.2[...]the image from any continuous or intelligible relation to the position of the observing objects
(=/= Wagnerian aesthetics)
--> *collective visual experience* ~~--> precinematic forms of moving images
(@apass: hand drawing is not about being “trapped in older artisanal modes of production” --?--> “performance =/= projection”)
to assess (the relationships between):
•your own technological products
•makeup of your audience
•economical realities of the marketplace
}==> inventor of 19th century (Raynaud, Edison, )
--> modify your machines in terms of:
•performance
•shifting audience needs (and possibilities)
phantasmagoric: occultation of production by means of the outward appearance of the product (creating an experience for a solitary and immobile spectator)
(spectral) atopic image: literally not there
shimmering --> effect of detachment from the environment
Reynaud's projected moving images --> elastic and reversible temporalities (that had little to do with Lumieres's “real time”)
Cheret's posters (joyful modern women, advertisement for cosmetics, lighting fixtures, department stores, ballets, and so on) --> a technology of attention + a specific ornamental representation of commodity culture
(--> practical functionings of consumption culture in the 1870s) @OSP
*Cheret's “personal style” in graphic design = an abstract luster جلوه a decorative formula that could be applied promiscuously to any possible object of consumption* =/= Seurat's dream of universal style
****rich textures of entertainment and visual spectacle****
-which range of optical apparatuses are available for public consumption now?
[in 1880s: peep show, magic lantern, shadow theater, large-scale stethoscope, zeotropes, etc.]
my links with Seurat --> his interest in:<br />
•contemporary popular visual culture
•perceptual modernization
•
Crary's reading of Seurat's cirque: new experience of form deployed in time --> kinematic (=/= semantic, iconographic significance of the clown and acrobat in the painting) --> *the illusion of movement*
beginning with the phenakistoscope and zoetrope in the 1830s --through--> innumerable optical devices all the way into 1890s --> endlessly fascinating and repetitive --> sites of attentiveness (~= attraction)
{ Seurat + Reynaud + Edison (~ producers of the ***machines of the visible***, allowing the constructed and synthetic nature of machine vision to coincide with their own rationalization of perceptual process) + forms of machinic vision developing through 1880s }--> (examples of an emerging) *****industrial art***** : from *artisanal practices* --to--> standardizing industrial modes of image-making
Crary reading Seurat without isolating him fr[...]
(688)[...notes/pigs notes new.txt]%78.3[...]br />
{ Seurat + Reynaud + Edison (~ producers of the ***machines of the visible***, allowing the constructed and synthetic nature of machine vision to coincide with their own rationalization of perceptual process) + forms of machinic vision developing through 1880s }--> (examples of an emerging) *****industrial art***** : from *artisanal practices* --to--> standardizing industrial modes of image-making
Crary reading Seurat without isolating him from the effects of what Raynaud, Edison and many others (Muybridge, Fuhrmann,) were developing through out the 1880s
{ the audience in Seurat's painting = the audience of the static backgrounds used in Reynaud's machines }--> the unchanging, unreflective, even unseeing nature of modern spectatorship : *a crowd of spectators permanently in place, installed as a fundamental component of the social world* (in which the specific content displayed to them is the matter of absolute inconsequence)
shadow show
clown as magician-engineer who with his right hand opens the curtains onto an illuminated and abstractly assembled plane of visual stimulation
(Seurat were disclosed to the) congruence of an immaterial, atopic and evanescent image with powerful reality effects and techniques of attraction
techniques of perceptual modernization --constituting--> an autonomous space of invention --> imposing its own constructed visions and truths on viewers
(Crary shows how) the mechanization of vision had no intrinsic link to objectivity, but rather to new capacities for simulation, illusion, conjuration
(my paintings? ...early) dreams of an impossible and inhuman vision, of a desire for perceptual ubiquity exceeding the spacial and temporal limits of human faculties --?--> remake the self into a sovereign eye would create and impose its own truths
-the horses of Gericault and Seurat, in their airborne oneiric trajectories, incarnate a deeper truth of the body: they become abstract correlates of psychological and kinetic response to perceived movement --> ideomotor experience (=/= truth of mechanical spatial movement)
(--> ajayeb description movement animal in motion)
***animal is arrested --> presence is not directly accessible to human vision, but can only be the product of technical procedures of simulation*** --> “nature = scenographic space” (--collapse--> precondition for the impossible unseeable apparition specter --Seurat--> spectacle)
phantasmal homeostasis
detemporalization of experience
management of attention <--> techniques of attraction
(Foad and) Seurat's efforts (in Cirque): abstract conceptualization of perceptual experience
(possibility of spectacle)
differed
displaced
denied
(image of spectacle)
derealized
drained of presence
*attentiveness[...]
(689)[...notes/pigs notes new.txt]%78.3[...]s onto an illuminated and abstractly assembled plane of visual stimulation
(Seurat were disclosed to the) congruence of an immaterial, atopic and evanescent image with powerful reality effects and techniques of attraction
techniques of perceptual modernization --constituting--> an autonomous space of invention --> imposing its own constructed visions and truths on viewers
(Crary shows how) the mechanization of vision had no intrinsic link to objectivity, but rather to new capacities for simulation, illusion, conjuration
(my paintings? ...early) dreams of an impossible and inhuman vision, of a desire for perceptual ubiquity exceeding the spacial and temporal limits of human faculties --?--> remake the self into a sovereign eye would create and impose its own truths
-the horses of Gericault and Seurat, in their airborne oneiric trajectories, incarnate a deeper truth of the body: they become abstract correlates of psychological and kinetic response to perceived movement --> ideomotor experience (=/= truth of mechanical spatial movement)
(--> ajayeb description movement animal in motion)
***animal is arrested --> presence is not directly accessible to human vision, but can only be the product of technical procedures of simulation*** --> “nature = scenographic space” (--collapse--> precondition for the impossible unseeable apparition specter --Seurat--> spectacle)
phantasmal homeostasis
detemporalization of experience
management of attention <--> techniques of attraction
(Foad and) Seurat's efforts (in Cirque): abstract conceptualization of perceptual experience
(possibility of spectacle)
differed
displaced
denied
(image of spectacle)
derealized
drained of presence
*attentiveness of an observing subject* = site of increasingly specialized operations of power
...a twilight state of restricted consciousness ==> (Durkheimian solidarity --> what is at stake is that) the autonomy of the individual is reduced
--Crary--> importance of Seurat's work : to have intuited **how the collapse of scenic space allowed new imaginary figuration of immediacy** (of a regressive unity based on a corporeal engagement of the spectator) @Esther, apass, OSP, Femke
Seurat sensed something fundamental about the industrialization of contemplation (--> now fully matured in Hollywood cinema) + (he anticipated, like Wagner) the *effects of a phantasmatic luminous image on which essence had been displaced by appearance*
(you can still) escape into the psychological time (but don't erase the sense of the obdurate historical conditions out of which your dreams of equilibrium emerges)
Seurat's resisted the temptation of the phantasmagoric and of myth (=/= Wagner)
(--> are we the hairs of Seurat?)
[...]
(691)[...notes/pigs notes new.txt]%78.4[...]ce
(possibility of spectacle)
differed
displaced
denied
(image of spectacle)
derealized
drained of presence
*attentiveness of an observing subject* = site of increasingly specialized operations of power
...a twilight state of restricted consciousness ==> (Durkheimian solidarity --> what is at stake is that) the autonomy of the individual is reduced
--Crary--> importance of Seurat's work : to have intuited **how the collapse of scenic space allowed new imaginary figuration of immediacy** (of a regressive unity based on a corporeal engagement of the spectator) @Esther, apass, OSP, Femke
Seurat sensed something fundamental about the industrialization of contemplation (--> now fully matured in Hollywood cinema) + (he anticipated, like Wagner) the *effects of a phantasmatic luminous image on which essence had been displaced by appearance*
(you can still) escape into the psychological time (but don't erase the sense of the obdurate historical conditions out of which your dreams of equilibrium emerges)
Seurat's resisted the temptation of the phantasmagoric and of myth (=/= Wagner)
(--> are we the hairs of Seurat?)
•exposure of technical premises
•subversion of any stable “formation” (or Gestalt, on which the allure of the myth depends)
--Buchloh--> ***avant-garde: a continually renewed struggle over the definition of cultural meaning, the discovery and representation of new audiences, and the development of new strategies to counteract and develop resistence against the tendency of the ideological apparatuses of the culture industry to occupy and control all practices and spaces of representation*** (--> that is why i am interested in Walt Disney and Hollywood and Qur'an)
--> *to produce incompatibilities* (as an artistic strategy, visual or epistemic and otherwise; to make opacity, hostility to virtuosity and expressionism, )
your work could be adjacent to ____
but not identical to ____
your work might be built out if mechanisms for the production of subjective response --but--> it is never reducible to them
@OSP, Femke
Cezanne --> (nonoptical) art of attention
music --> a mode of experience =/= an art of time
(unstable status of an apprentice observer in 1900s) Cezanne = reinvention of synthesis (=/= Manet and Seurat's strategies of binding, homeostasis, fixation)
Crary highlighting the highly contested nature of the questions of attention (possibly of pure perception, presence, etc. in 1890s) --> recreation of attentive presence amid the impact of new conceptualizations and organizations of motion, memory, temporality (+ emerging technological arrangements)
[one of many sites in the late 19th century where a crisis in perception is diagnosed:]
[...]
(693)[...notes/pigs notes new.txt]%78.4[...]iences, and the development of new strategies to counteract and develop resistence against the tendency of the ideological apparatuses of the culture industry to occupy and control all practices and spaces of representation*** (--> that is why i am interested in Walt Disney and Hollywood and Qur'an)
--> *to produce incompatibilities* (as an artistic strategy, visual or epistemic and otherwise; to make opacity, hostility to virtuosity and expressionism, )
your work could be adjacent to ____
but not identical to ____
your work might be built out if mechanisms for the production of subjective response --but--> it is never reducible to them
@OSP, Femke
Cezanne --> (nonoptical) art of attention
music --> a mode of experience =/= an art of time
(unstable status of an apprentice observer in 1900s) Cezanne = reinvention of synthesis (=/= Manet and Seurat's strategies of binding, homeostasis, fixation)
Crary highlighting the highly contested nature of the questions of attention (possibly of pure perception, presence, etc. in 1890s) --> recreation of attentive presence amid the impact of new conceptualizations and organizations of motion, memory, temporality (+ emerging technological arrangements)
[one of many sites in the late 19th century where a crisis in perception is diagnosed:]
Cezanne + Husserl: attempt to bypass the accumulated cultural and commonsense assumptions about the world as it appears in consciousness (heritage of phenomenology --> Sina, Foad... ~~> and fable of the artist:)
•Cezanne --> forgetting everything and make an image of what you see *beneath the imposed order of humanity* (19th century preoccupation with “innocent vision” <== to be completely estranged from the world <-- Schopenhauer) ==> access to things-in-themselves
•Husserl --> pure form of consciousness *stripped of all accretions of habit and socialization* ==> “seeing essences”
--> their work challenged (sought to exceed) features of perception that apparatuses (of production and consumption) regulated and standardized
Husserl
attempt of description of objectivists in a certain atemporal fixedness =/={attention: heightened awareness of a narrowed or focused range of perception, operation of selection, question of existence of content in consciousness, empathic function which belongs in the sense of intuitional experience ~= psychophysical, associationist, sensationalist, atomistic accounts of perception and cognition ==> how reliable and consistent the knowledge about the world is possible + (classical model of vision:) privileged point of view of a perceiving subject from which the objectivity of the world could be apprehended}
issue of cognitive and perceptual synthesis
•to resecure an unconditional basis for logic and science
•to escape from refined habitual patter[...]
(694)[...notes/pigs notes new.txt]%78.5[...]istent the knowledge about the world is possible + (classical model of vision:) privileged point of view of a perceiving subject from which the objectivity of the world could be apprehended}
issue of cognitive and perceptual synthesis
•to resecure an unconditional basis for logic and science
•to escape from refined habitual patterns of perception inherent in various aspects of rationalization and compassion of experience in 1890s and 1900s (--> dynamic, kinetic, distracted texture of modern sensory life ==> attention: malleable entropic force susceptible to fatigue, distraction, and external management)
•to quest for the logic of meaning ==> primordial oneness of consciousness
----> (for Husserl) attention appears and appertains in the possibility of an *impersonal, preindividual, transcendental sphere free of anything empirical, of anything spatiotemporal* ==> attention: intentional act with an absolute structure, quasi-machine searchlight for an unwavering mode of looking at the act of looking
--Crary--> amid the dynamic dissolution of modernization (a world in which previously stable meanings, signs, social relations were being uprooted, made exchangeable, and put into circulation) Husserl proposes [in a hopeless quest] a monolithe technique of attention (to discern a halo of absolute authenticity around every object or relation) to determine the universal structure of (the authenticity of) subjective lifeworld [unable to go beyond ‘pre-cinematographic conditions’ (~ movement thought only from the anchorage of a static “pose”)]
--Varela--> Husserl's (+ MerleauPonty) turn towards experience (the “things themselves”) was entirely theatrical : lacked any pragmatic dimension [---> go to Despret, Stewart]
what Cezanne did seek to “suspend” (to forget)?
(sensitivity to) perceptual experiences that had been ignored, marginalized, or incompatible (==> unarticulated)--within--> organization of knowledge about vision
}==> (Cezanne's) “attention to anomalous* --> ***engage a discordant exterior*** (that takes a hold on your recognizable world) [<-- our heritage in art]
Cezanne: “perception = process of its formation” : confronting and inhabiting the instability of perception =/= recording the evanescent appearances of the world
(Cezanne + Manet's discovery:) looking at one thing
=X=> fuller and more inclusive grasp of its presence (~ rich immediacy)
==> perceptual disintegration and loss, breakdown as intelligible form ==> invention and discovery of previously unknown religions and organizations of forces
dissolution inherent in attentiveness ==support==> (Cezanne's) radical desymbolization of the world + perpetually modulating set of relations between the exterior and sensations
Cezanne attentive to:
•activity of the eye
•visual sensation
•myriad intricacies of subjec[...]
(695)[...notes/pigs notes new.txt]%78.6[...]
production (of other kinds) of fixed vision (amid the increasing awareness of the transitive and unstable nature of perception):
•modern psychology (late 19th century): how to incorporate the vagaries and unpredictability of subjectivity into a set of constants --> quantify subjective perceptual experience [<-- question of artistic feedback: how to perceptually isolate stimuli? how to temporally control one's exposure?]
•tachistoscope (mid 1880s--search for elemental unit of attentive behavior): the idea of instantaneous perception, mechanically producted “presence” --Crary--> fantasy of a descrete quantifiable perception detached from the lives dynamics of the body + the idea that pure nonsense reveals specific aspects of attention that hermeneutics could not conceive {based on naive realism (ignoring the existence of transient iconic memory) presupposing:
1- the subject's visual experience directly mirrors the stimulus pattern
2- the subject's visual experience begins when the pattern is first exposed and terminates when it is turned off
•Muybridge's machine ==> reconstruct appearances through the production of consecutive images
•
tachistoscope (nonconsecutive visual stimuli) --> how within the context of technological modernization, faster mechanical speeds are reciprocally related to new bodily forms of stasis (---> go to Virilio)
•chronometric device: measurement of relation time
}--> the break or interrupting of vision becomes the primary element within perceptual experience, rather than a visual continuum that maintains the cohesiveness of the world
}==> *possibility of pure sensation without perception*
“mental test”
detailed psychometrics of individual performance and behavior --preoccupied--> features of a generalized consciousness
20th century behaviorism --> abandonment of interest in any internal or introspective experience (in favor of data resulted from objective external controlled observation)
==Cattel==> application of systematized knowledge to the control of human nature
--Crary--> **accommodation of subjective life to machine operations** (+ speeds, temporalities)
new objective world: decomposed into autonomous and abstract stimuli (+ machine rythmes that differed dramatically from those of the body) ==> repositioning of the perceiver (+ motor readiness) }-->
•new patterns of production
•spectacular consumption
*machinic interface is the body* ==> related temporal shaping of everyday life
computer ==> psychic field of expectant attentiveness <--within-- one inevitably trains one self to maximize the speed of response to specific commands and functions (and derive at least one satisfaction from these habitual operations of mechanical facility)
}<--Crary-- epistem[...]
(696)[...notes/pigs notes new.txt]%78.9[...]esentation =/= human life understood in terms of it's existence in time, of functions and energies that unfolded and developed outside the **immediacy of classical visibility**
*the conditioned reflex*
a chimerical notion of the western imagination in the 20th century
reflex (central cerebral process, onset of stimulus ==> preparation of motor response)
•one of the ways in which attention was positioned within knowledge of human behavior
==producing==> new forms of sensory experience outside of (various myth of) organic wholeness of subjectivity (--> distinction between “natural” & “artificial” sensation [---> go to my work in WIELS bestiary characters: what was individual experience in middle ages?])
•practical reconfiguration of behavior + possibility of external intervention and control
=/= Dewey's (galvanic image of) subject in a perpetual sensory interface with the world = uninterrupted mass motion --> unity of activity -->{*continuity* ==sustain==> an ideal of unity and wholeness =/= disintegration of individual experience, *disconnected nature of reality*}
(domain of experience in urban capitalist lifeworld:)
•industrial production
•spectacular condonation
•technological modernization
•rational, social, managerial control
(apperceptive experience of) anticipation, memory, and preparation for future actions
(halfway modernist Dewey didn't consider) breaks in perception might also have the capacity for *revivifying or expanding the limits of thought or cognitive awareness* [<-- and today 2020 many don't consider our contemporary media culture has this capacity]
--> what if our fragmented nature is one of the forms the discontinuous nature of reality can be apprehended?
celestial camera obscura
Dewey was deeply interested in practical ways of mind-body unity
rhythm, eurhythmy
alexander technique
unwavering model of pure contemplation
“pure knowing subject = forget your own personality, lose oneself in perception" = clear eye of the world (Schopenhauerian model of knowing in Doctor Strange movie, seeing the world directly and leave entirely one's own interests, the premodern idea of *perception = presence*)
Bergson (+ Cezanne) --> deepest forms of perception are mixed and composite
(in Matter and Memory) Bergson: establish a model of perception =/= routinized and reified forms of perceptual experience within western urban and scientific culture of the late 19th century
[*]externality = dream of inhuman immediacy: a vision of matter both immediate and instantaneous
---> go to Lucy movie primordial and fundamental act of perception
Bergson (+ Dewey's ideal of coordination)
(the role of the) *body: reproduce in action t[...]
(697)[...notes/pigs notes new.txt]%79[...]s individual experience in middle ages?])
•practical reconfiguration of behavior + possibility of external intervention and control
=/= Dewey's (galvanic image of) subject in a perpetual sensory interface with the world = uninterrupted mass motion --> unity of activity -->{*continuity* ==sustain==> an ideal of unity and wholeness =/= disintegration of individual experience, *disconnected nature of reality*}
(domain of experience in urban capitalist lifeworld:)
•industrial production
•spectacular condonation
•technological modernization
•rational, social, managerial control
(apperceptive experience of) anticipation, memory, and preparation for future actions
(halfway modernist Dewey didn't consider) breaks in perception might also have the capacity for *revivifying or expanding the limits of thought or cognitive awareness* [<-- and today 2020 many don't consider our contemporary media culture has this capacity]
--> what if our fragmented nature is one of the forms the discontinuous nature of reality can be apprehended?
celestial camera obscura
Dewey was deeply interested in practical ways of mind-body unity
rhythm, eurhythmy
alexander technique
unwavering model of pure contemplation
“pure knowing subject = forget your own personality, lose oneself in perception" = clear eye of the world (Schopenhauerian model of knowing in Doctor Strange movie, seeing the world directly and leave entirely one's own interests, the premodern idea of *perception = presence*)
Bergson (+ Cezanne) --> deepest forms of perception are mixed and composite
(in Matter and Memory) Bergson: establish a model of perception =/= routinized and reified forms of perceptual experience within western urban and scientific culture of the late 19th century
[*]externality = dream of inhuman immediacy: a vision of matter both immediate and instantaneous
---> go to Lucy movie primordial and fundamental act of perception
Bergson (+ Dewey's ideal of coordination)
(the role of the) *body: reproduce in action the life of the mind*
(the role of the) *mind: hindering the thought from being lost in dream, an organ of ‘attention to life’
--> how memory and perception interpret each other
*memory coincides (diverge, intersect) with the “present” perception*
{ [*]determine: the more habitual and repetitive one's perceptual response to one's environment ==> the less autonomy and freedom characterize that individual experience }--> creativity = (zone of) indetermination
--again--> Bergson (disturbed by new arrangement of spectacular consumption posed as novelty within a mass society ==> redundancy and habit + decay of traditional forms of collective memory) his work is a response to:
-[...]
(698)[...notes/pigs notes new.txt]%79[...]e one's perceptual response to one's environment ==> the less autonomy and freedom characterize that individual experience }--> creativity = (zone of) indetermination
--again--> Bergson (disturbed by new arrangement of spectacular consumption posed as novelty within a mass society ==> redundancy and habit + decay of traditional forms of collective memory) his work is a response to:
•general standardization of experience
•automation of perceptual response
(<--Sina-- typical problem of life-philosophers lebensphilosophie at the turn of the century reaction to the “intrusion of the mechanical”)
*preconditions of a free and autonomous subject* + *endangered (coherent) system of meaning*
(weak evolutionary assumptions of Bergson's elaboration of) human subject (= the most developed organism) = potential (for indetermination) = escape from a relationship of constraint and necessity in one's lived milieu [=/= animal]
Helmholtz (research on physiological optics) ==> غیر واقعی nonveridical status of vision (and perception) ~= there is no direct correspondence between sense experience and objects in the world ==>
•uprooting: rationalization and instrumentalization of senses (--> technical prostheses)
•displacing: reterritorializing of perception
Helmholtz (~/= Bergson) committed to expanding and optimizing the productive functioning of socioeconomic world (of imperial Germany) --> vision of capitalist industrialization (exchangeability, convertibility, etc.)
Helmholtz's ontology --> physics
Helmholtz's epistemology --> semiotics: representational and quasilogical order of signs
(Helmholtz +) Bergson's attention:
1. condition of relative motor arrest (Ribot)
2. gives up the useful effect of present perception
3. backward movement of the mind
Bergson's attention: a binding together of reality to ward off both perceptual and psychic disintegration
endosmosis: process of remaking an object of perception
Deleuze's attention: gives back to duration its true characteristic... a very special coexistence (=/= succession), a simultaneity of fluxes, in which the body was always implicated --> “freedom = awareness of that coexistence”,
“reality function”
(psychic+) sensorimotor grounding in the reality
in early 20th century --> clinic designation of a condition called “the feeling of unreality” : failure of an apperceptive attention : when present impressions do not link up with memory association ==> sense of unfamiliarity of the present objects
*(inconsistent and anxious treatment of) Bergson sketching out the marvels of a multidimensional perception* (capable of apprehending and creativity engaging the immanence of the past and present) <--[...]
(699)[...notes/pigs notes new.txt]%79.1[...] the present objects
*(inconsistent and anxious treatment of) Bergson sketching out the marvels of a multidimensional perception* (capable of apprehending and creativity engaging the immanence of the past and present) <-- fantast of artistic research
---Crary--> for Bergson attention is one that does not waver, oscillate, or drift in and out of focus [---> go to Avital drug] --> his privileging of fusion, interpenetration, and continuity does not apply to borderline states: insanity, dreaming, etc. piercing forms of nonspatialized experiences: dreamwork, trance, forms of hypnagogic visions (==> powerful penetration of the present by memory)
Bergson's indetermination: a human attentive concentration, an abortion that would never lose its conscious connection to the willed activity of the body (<-- fantasy of wakeful critical subject) =/= (Crary's well argued) indetermination encompassing fluctuations in and out of trancelike states in which disassociated phenomenal might occur
Bergson's work is typical of his period --> ***great fear of perceptual behavior that is either passive or automatic***
}--historically--> construction of various forms of automatic perception in cinema, recorded sound, and other technological attachments ==> the idea of **premade images consumed passively** (...depreciation of experience when individual memory images are stiffened into ready-made things)
(for Bergson, Janet, Foad, and many others:) automatic behavior ==> dissolution of ego boundaries (in which the individual will cease to exert itself), contraction of personality, scattering of the self
drift
reverie
trance
dream
**Bergson's work = refashioning of the Rousseauian conviction of the truth and authenticity of (inner) subjective experience, without grasping how that experience is determined by forces external to the subject**
--trying--> to overcome the degradation and devaluation of experience within a modernizing culture founded on amnesia and obsolescence = collaptof auratic perception
--Crary--> Bergson and others could not see the ways in which *****capitalism itself was a nonfixable duree, a nonrepresentable variation ==> an endless chain of dislocations and destabilizations ==> its own virtual realm of novelty*****
...................................
(Cezanne and Sina's attraction to) rock motifs
various splintering and dispersal of rocks
intermingled with ruins of man-made stone structure
(rock's) precarious status as object
rock = (incarnated) resistance to drift and entropy :
forces of gravity
geological erosion
inexorable disintegration of substance
...
(?like many artists i am looking for incarnations too, for) procedures of binding : transformed representational logic
*operation of fix[...]
(700)[...notes/pigs notes new.txt]%79.2[...]ubjectivity perceptual experience as a nondirectional, acentric, multitemporal event
--> empathic decentering of the observer
+ (widespread) practical and discursive remaking of the observer as subject, vision is no longer a distinct and isolable phenomenon
Freud --> psyche = a perpetually available innocence + infinite reserve of traces
*perception arouse interest on the account of their possible connection with the object wished for* : ‘perception = question of internal excitation’
Cezanne --(in Pineapple and Rocks)--> coexistence (continuity) of:
•an attentiveness that is bound (cathected) onto established (facilitated) patterns [= one's own history + its fixation]
•a perception of animality and novelty [= relaxation of grip, musical, (Deleuze and Guattari's) *antimemory* =/= atemporal forgetting]
vertigo: auto-movement of chaos
“Cezanne's work = model of a nonhuman perception” : (reading of Cezanne as) austere project of formal rigor, performed on some remote plane of aesthetic production; an enterprise tragically detached from an engagement with the social contradiction of his time =/= (Crary's reading of) Cezanne coinciding historically with new perceptual technologies --> new metaphoric possibilities
accumulated experience --basis--> radical depersonalization --intuit--> creative forces of chaos (in your own provence)
**Cezanne's imaginative refiguration of himself as machine = translate automatically** ==> release from grounded condition of human perception : to become an apparatus = implacability apprehend a world outside of the terms (that the artist wants out) ==> novelty (~= to overcome the gravity of one's own interiority) --Cezanne--> primordial image (of irreducible formlessness, of ***world in process without horizon***, without position, of slowly vibrating colors...) [<-- *apparatus becoming* is now the cliche of contemporary artist]
glow of a geological dawn
archaic + inert
Precambrian
deterritorializing processes of capitalism (+ its imperatives of perpetual renovation) --> (its compatible) uprooted nonorientable subject
nature experienced as vibrations, animations, chromatic reverberation (+ seeking a “logic” to clarify its unfolding)
hideous sign of progress (for Cezanne: electric light, cinema, )
artistic modernism <==Adorno== (the fact that) the most advanced procedures of material production and organization are not limited to the sphere in which they originate (---> go to incarnation)
demotivated subjectivity
wants something that is neither optical nor mechanical nor intellectual ==> substitute a mode of consciousness that is predominantly intuitive : the awareness of touch
historical adjacency (<-- Crary's knowledge zoom)
*late wo[...]
(701)[...notes/pigs notes new.txt]%79.3[...]olors...) [<-- *apparatus becoming* is now the cliche of contemporary artist]
glow of a geological dawn
archaic + inert
Precambrian
deterritorializing processes of capitalism (+ its imperatives of perpetual renovation) --> (its compatible) uprooted nonorientable subject
nature experienced as vibrations, animations, chromatic reverberation (+ seeking a “logic” to clarify its unfolding)
hideous sign of progress (for Cezanne: electric light, cinema, )
artistic modernism <==Adorno== (the fact that) the most advanced procedures of material production and organization are not limited to the sphere in which they originate (---> go to incarnation)
demotivated subjectivity
wants something that is neither optical nor mechanical nor intellectual ==> substitute a mode of consciousness that is predominantly intuitive : the awareness of touch
historical adjacency (<-- Crary's knowledge zoom)
*late work of Cezanne (in spite of apparent social isolation of its production) = a site where modernization of subject occurs (of late 19th century)* --> dynamization of perception (occurring in many different domains around the year 1900 --introducing--> new techniques of vision)
Cezanne =/= contemplative distance
Cezanne =/= perceptual autonomy
Cezanne = nervous system interfacing with (a continually transforming) external environment
Cezanne = an example of a contemporary conceptualization of reality (as a dynamic aggregate of sensations)
--> emerging industries of spectacle
(fundamentally distinct) machinic visual technologies --Deleuze--> cinema =/= previous historical forms of simulation (some continuous western mode of representation, with its origins in Renaissance), represent the world
cinema --constitutes--> *an autonomous world* made up of breaks and disproportions, deprived of all centers, addressing itself as such to viewers who are in themselves no longer the center of their own perception
percipiens
percipi
nonselectivity of cinema eye =/= texture of human attentiveness
cinema = fusion = dream of the functional integrity of the world
film = validation of the authenticity of the perceptual disorientation
}--✕--> Crary's analysis of Edison's train robbery scene : serial reconfiguration of a kinesthetic constellation of moving forces (+ additional system of movements and forces: bodies, bullets, explosion) =/= question of mobile point of view
Cezanne <--> cinema camera --Dziga-->
i am a mechanical eye
i, a machine, show you the world as only i can see it
now and forever, i free myself from human immobility
i am in constant motion, i draw near, then far away objects, i crawl under, i climb onto them... i plug[...]
(702)[...notes/pigs notes new.txt]%79.4[...]
James's conception of selfhood: private property (--in--> Tasavof: the most radical of all possible alienation and disconnection) --Lentricchia--> deployed to preserve a human space of freedom interiorized from the vicissitudes and coercions of the marketplace
**modern attention** + individual evasion of memory (and history) --> habitual & commodified : an imaginary deletion of all that is unbearable in collective and individual experience
in Corridor Crew the perceptual selectivity of the CG hackers sustains efficiency of animation tools + tangled social and psychic machinery of sublimation
(?do i have) agoraphobia --> Simmel
(destructive transformation of) *modernization always preserve and carry over nonsynchronous components of past moments*
Crary, Lefebvre
Piranesi's etching of Rone = foctive and atmospheric prison
Freud's description of piazza: patchwork texture of screens and flashing signs (formless field of attraction @Foad, Sina; multidimensional field of stimuli, urban space: “a theater of memory and a theater of prophecy”) =/= Piranesian dissolution of the axial city (organized views around a coherent even if mobile subjective orientation)
Freud's technique of attention: gleichschwebende Aufmerksamkeit
‘evenly suspended attention’ (giving equal notice to everything, everything in low-level focus without the risk of schizophrenic overload) --define--> **a state of receptivity in the analyst that eill be commensurate with the spoken free association of the patient** --> dealing with a stream of information that has no evident structure or coherence + extracting from that disjunct texture (artwork, chaotic syntax of dreams, indecipherable present,) some interpretive clarity (feedback)
Freud + Cezzaine --> design a countermodel of attentiveness that surmounts an ***inhibition of the peripheral*** (=/= notion of selection ~=> finding out what one already knows)
****diffuse attention =/= critical attention**** (a faculty in which the observer is led to reject some of the ideas that occur to him after perceiving them)
(at the turn of the century) experience: compulsory consumption of information
(from) the experience of deindividualtion (in piazza) --to--> a more controllable form of loneliness (bedroom)
[this] plural hybrid space of Roman square (Crary on Freud's representation) ~= a spectacle society : a patchwork of fluctuating effects in which individuals and groups continually reconstitute themselves (either creativity or reactively) =/= (Guy Debord's) seamless regime of separation, ominous collective mobilization
...................................
Deleuze and Guattari's Varuna and Mitra --> lacking a mythology of conflict (=/= Singh's analysis)
forming a milieu of i[...]
(704)[...notes/pigs notes new.txt]%79.6[...]bullshit! --> my performances are about trying to find a way of not being theorematic while doing theory]***** (and they say ‘problematic’ the problem it is not an “obstacle”)
=/= “royal science”: reducing the “problem-element” and subordinate it to the “theorem-element.” State needs to subordinate hydraulic force ==> prevent turbulence (--✕--> Middle East =? distributed turbulence across a smooth space [<-- fucked up], [in smooth space:] vortical movement that can rise up at any point)
•civil
•static
•ordinal
/matter --assigned-to--> content
/form --assigned-to--> expression
~= hylomorphic: implying both a form that organizes matter and a matter prepared for the form (=/= hydraulic) <== *a society divided into governors and governed*
--> State science (appropriates and transforms the elements of:)
=/= “nomadic science” (Homeland TV series suggesting US government is a nomadic science: viewpoint of affections + nomadic operation of rogue CIA operatives + presidential decentralized power dynamic)
•becoming
•heterogeneity
•infinitesimal
•passage
--> in tune with the connection between content and expression, ***essentially laden with singularities*** (--> my lectures? an art, a technique, a science : following the connections between singularities of matter and traits of expression, they seize or determine singularities in the matter =/= constituting a general form)
=/= *chaotic science* (--> what kind of figure of engineer? @Sina)
*the problemata* --> vortices & projections [~~?--> chaotic imagination]
(projected into an abstract knowledge --?--> mapping knowledges)
State science --> Star Trek
imposes its form of Sovereignty on the inventinos of nomad sciencet
to administrate projections --> submit (war machine) to civil and metric rules that strictly limit, control, localize (nomad science)
“rhythm =/= turbulence”
cursing of a river*
Gothic conquered a smooth space --> the cutting of the stone (=/=? digital) + ‘plane of projection’: a plane limit, a series of successive approximations or placings-in-variations
=/= Romanesque remained striated space --> vault depends on the juxtaposition of parallel pillars
--D+G--> ***one does not represent, one engenders and traverses***
[*to engender: give you a baby from behind. *to traverse: zigzagging]
--democracy--> one represents visually
--Sina--> one suggests chaotically
roadways (well-centralized administration) =/= bridges (active, dynamic, collective experimentation)
lobby: a group with fluid contours, whose position is very ambiguous in relation to the State it wishes to influence
(for Ibn Khaldun:) war machine: families or lineages + esprit de corps
pou[...]
(705)[...notes/pigs notes new.txt]%79.9[...]
pigs --> pragmatism or expertise
-the pigs story might not predict the coming of the nomad wolf, but it constitutes the principles of architecture for which an incoming is striated. striated space is the result of the pigs story
عرفان همیشه بیابانی است؟
does mysticism always requires deprivation of life? mysticism ~=? symbolism
[*]godzilla: dramatization of where the mountain recedes, of the earth deterritorializing itself ==> providing the nomad with a territory
*vectors of deterritorialization and local operations* that:
•wolf adds to the forest
•godzilla adds to Tokio
•
#video concept
in tiktok comedy style, a group of iranians (talking Farsi, all acted by one person?) are personifying a govermental response to a godzilla who is roaming in the city.
localized =/= delimited
[the spot where the forest recedes] or the desert advances
گرگ در جنگل / آل در بیابان
.... .\ ____ _
... \_____
. .... \ __ __
.... . \ ____
. ...\ _ ___ _
assigned direction =/= direction of the crossing
(for Deleuze and Guattari) religion: a technique of converting the absolute, making the absolute appear in a particular place --> the sacred place of religion is fundamentally a center that repels the *obscure nomos*[= Bayazid بایزید]
vagabond monotheism
Sascha's relation to the absolute through the space of the machine
electrically tampered ~= electrically tamed
از چادر نشین به هجرت reterritorialization of the spiritual ==> همدستی مهاجر با چادر نشین ==> war machine
/*[khawarij خوارج during the first fitna فتنه اول --> arbitration =/= war machine in which anyone can be Imam]
...when religion becomes a war machine (==> absolute deterritorialization) --> Isis
...a society reduced to the military enterprise --> Avengers
...gravitational verticals --> forest
...generalized parallels --> agriculture
three little pigs can be nomads? --> creating the house and then leave it (as an empty stronghold)
animal raising for the most part outside the control of sedentaries
orient: absence of State-form (!)
various components plied by escape vectors ==> despotic formation (in orient)
oriental State (sheltered in striated space) =/= nomad war machine
revolution --western--> transformation of the State
revolution --eastern--> abolition of the State
the empires of the orient, africa, america run against wide-open smooth spaces that penetrate them and maintain gaps between their component (*the nomos does not become countryside*, the countryside[...]
(706)[...notes/pigs notes new.txt]%80.2[...]mic =/= harmonic (--> setar / is my whole work about harmonic? horror-nic)
order of displacement
concentration-camp society: ‘people = deterritorialized numbers’ (--> fantasy of full despotism in The Handmaid's Tale)
**the question is not one of good or bad but of specificity** (<-- when i say who what artists say could have a chance of being disputed)
complex = articulated
the Roman legion was a number made up of numbers, articulated in such a way that the segments become mobile, and the figures geometrical, changing, transformational
logistics: the art of external relations
Genghis Khan --> composition of the steppe
Moses --> composition of the desert
nomads as child stealers
(commissars, diplomats, spies, strategists, logisticians) cannot be explained away as a “whim of the sultan”
special numerical body
/>
slave-infidel-foreigner is the one who becomes a soldier and believer while remaining deterritorialized in relation to the lineages and the State --> نظامالملک سیاستنامه
*nomads have no history, they only have geometry*
Iron Man's technological definition: “weapon (destroying people) =/= tool (producing goods)”
weapon --> projection, anything that throws or is thrown
@Pierre *the notion of “problem” is related to the war machine*
introjective: preparing a matter from a distance, in order to bring it to a state of equilibrium or to appropriate it for a form of interiority
(projection: appropriate it for a form of exteriority)
#bow and arrow --> hunt (when speed is associated primarily with the hunted animal) =/= war (speed is an independent variable)
prey =/= enemy
prey =/= motor
(#bow and arrow does --> *abstracts the idea of motor and apply applying it to itself* =/= generalize the idea of prey by applying it to the enemy)
the economy of hunted animal
ecosystem situated at the origin --> garden of eden / heaven
ecosystem situated at the end --> apocalypse / end-time
discovery of a projecting and projectile system ==> war machine
war machine
breeding + training
insitutes an entire economy of violence
--> *a way of making violence durable*
two ideal models motor:
work =/= free action
•(let's) work: tool meets resistance
•free action: operates only upon the mobile body itself, is not consumed in its effect(?), continues from one moment to the next [--> style of artistic research]. the way in which the elements of the body escape gravitation to occupy absolutely a nonpunctuated space
weapon is moving
tool is moved
tool presupposes work, tool does no[...]
(707)[...notes/pigs notes new.txt]%80.4[...]
#bow and arrow --> hunt (when speed is associated primarily with the hunted animal) =/= war (speed is an independent variable)
prey =/= enemy
prey =/= motor
(#bow and arrow does --> *abstracts the idea of motor and applying it to itself* =/= generalize the idea of prey by applying it to the enemy)
the economy of hunted animal
ecosystem situated at the origin --> garden of eden / heaven
ecosystem situated at the end --> apocalypse / end-time
discovery of a projecting and projectile system ==> war machine
war machine
breeding + training
insitutes an entire economy of violence
--> *a way of making violence durable*
two ideal models motor:
work =/= free action
•(let's) work: tool meets resistance
•free action: operates only upon the mobile body itself, is not consumed in its effect(?), continues from one moment to the next [--> style of artistic research]. the way in which the elements of the body escape gravitation to occupy absolutely a nonpunctuated space
weapon is moving
tool is moved
tool presupposes work, tool does not define work
***the principle behind all technology is to demonstrate that a technical element remains abstract***, remains entirely undetermined --> as long as one does not relate it to an assemblage it presupposes
tool
-one cannot speak of weapons or tools before defining the constituent assemblages they presuppose and enter into @OSP
the tool is essentially tied to a gensis, a displacement, and an expenditure of force (whose laws reside in work) =/= weapon concerns only the exercise or manifestation of force in space and time (in conformity with free action)
when speed added to displacement ==> ?
tools & weapons = consequences ~/=? causes
the morning star and the battle-axes
variable assemblages of human, animal, and thing
*assemblage*: (passional) compositions of desire[=/= natural determination, spontaneous determination] --D+G--> there is no desire, but assembling/assembled desire
assemblage ==(bring into play)==> [*]passion: effectuations of desire that differ according to the assemblage [=/= Germany]
man-animal-weapon
man-horse-bow
assemblage of speed
...
(what Game of Thrones TV series missed:) military of men --> homosexual eros replaces the zoosexual eros of horesman [--> اسب امام حسین]
State ==>{(training of) worker --to--> (apprenticeship of) soldier}
{affect: active discharge of emotion --> projectile ~ weapon}=/={feeling: displaced, retarded, resisting emotion --> introceptive ~ tool}
martial arts: the not-doing of the warrior ~ the undoing of the subject
effectuated in th[...]
(708)[...notes/pigs notes new.txt]%80.5[...]e =/= music and drugs have differential traits --> on the side of the nomadic war machine
schizophrenic taste for the tool that moves it away from work and towards free action --> a schizophrenic taste for the weapon that turns it into a means for peace (<-- i prefer not to do this)
everything is ambiguous
rebel: a transitional figure of worker-solder (drawing the worker, on the one hand, and the soldier, on the other), a shared line of flight: “i seek a weapon & i am looking for a tool”
‘line of flight’: communication with smooth space
my work on ajayeb: to figure a transhistorical assemblage (that is untimely =/= eternal =/= historical) ==> encounter the myth anew =/= demystification: re-conquer the myth
the empire
•communicates with
•conquer
•integrates with
communication (of secret) --?--> adaptation, propagation
saber =/= sword
the flow of matter-movement
conveying singularities and traints of expression
assemblage --differentiates--> phyla (major taxonomic class) ~= flow ==> division into many different phylas + introducing selective discontinuities
technological vitalism
*refract differentiates*, retains, selects, draws together, causes to converge, invents
region of vague and material essences --> essences that are vagabond yet rigorous ==> situate fuzzy aggregates =/= fixed distinct and formed essences
corporeality = formed and perceived thinghood
•inseparable from processes of transformation
•inseparable from expressive qualities
vague = intermediary --> autonomous, stretching itself between things and thoughts --establish--> new relations (--> this is what Manning has adopted from Deleuze and Guattari)
variable intense affects
topological =/= geometrical
hylomorphic model =/= active and affective... (matter-flow can only be followed)
hylomorphic: imposing a form upon matter =/= materiality possessing a nomos : material traits of expression constituting affects (for example surrendering to the wood, then following where it leads by connecting operations to a materiality...)
-the critique of the hylomorphic schema is based on the existence between form and matter, of a zone of medium and intermediary dimension, of energetic... [and what about digital technology?]--> we need more artisan (follows the matter) =/= artist (invents/breaks the matter)
*artisan* --> one who is determined in such a way as to follow a flow of matter, of *machinic phylum* (@OSP, for example metallurgist = one who works inside the mold, the consciousness of thought of the matter-flow + metal the correlate of this consciousness)
[follow a flow of matter = to itinerate, to ambulate]
artisan =[...]
(710)[...notes/pigs notes new.txt]%80.6[...]iscontinuities
technological vitalism
*refract differentiates*, retains, selects, draws together, causes to converge, invents
region of vague and material essences --> essences that are vagabond yet rigorous ==> situate fuzzy aggregates =/= fixed distinct and formed essences
corporeality = formed and perceived thinghood
•inseparable from processes of transformation
•inseparable from expressive qualities
vague = intermediary --> autonomous, stretching itself between things and thoughts --establish--> new relations (--> this is what Manning has adopted from Deleuze and Guattari)
variable intense affects
topological =/= geometrical
hylomorphic model =/= active and affective... (matter-flow can only be followed)
hylomorphic: imposing a form upon matter =/= materiality possessing a nomos : material traits of expression constituting affects (for example: surrendering to the wood, then following where it leads by connecting operations to a materiality...)
-the critique of the hylomorphic schema is based on the existence between form and matter, of a zone of medium and intermediary dimension, of energetic... [and what about digital technology?]--> we need more artisan (follows the matter) =/= artist (invents/breaks the matter)
*artisan* --> one who is determined in such a way as to follow a flow of matter, of *machinic phylum* (@OSP, for example metallurgist = one who works inside the mold, the consciousness of thought of the matter-flow + metal the correlate of this consciousness)
[follow a flow of matter = to itinerate, to ambulate]
artisan =/= farmer
artisan =/= animal raiser
[*]artisan: take up craft activity + follow the matter-flow as pure productivity
continous development of form, chromaticism --> a form proper to matter [-->? not in middle east: metaphysics --> metallurgist =/= metamorphosist poet --> chaotic =/= harmonic, nomadic]
not everything is metal, but metal is everywhere (--> what would X-Men say about this)
--D+G--> *thought is born more from metal than from stone*(!!)
metallurgy is minor science, vague science, phenomenology of matter
metal is neither a thing not an organism, but a *body without organs*
(on the symbolic value of metal and its correspondence with an organic soul but on the immanent power of corporeality)
smiths (Sina, OSP?)
their space is neither the striated space of the sedentary nor the smooth space of the nomad (--> my room and computer desktop) --> #tent, in the manner of a cave or a hole
--> *they are cave dwellers not by nature by by artistry and need*
internal itinerancy, their vague essences ==> their relation to others
--> *smith* [follows the flow of matter ==> (surplus value:) ‘resist the State’, T[...]
(711)[...notes/pigs notes new.txt]%80.7[...]br />
the relation of ornament to void space (background)
entering the space (pointing, direction) versus filling the space
in purely perceptual terms, all that is seen is the surface, but as an idea the building involves the whole of its inner, hidden structure; hence not only what is seen, but what alse is known appears.
concept of transparency: is a charachteristic feature of intellectual realism. in a drawing, transparency means the demonstration of knowledge about -or disclosure of- that which is inside, behind and under visible surfaces. (stimulant to the imagination of grave robbers)
is labyrinth or architecture a visual system (window etc.) or a spatial construction (direction, distinction etc.)? when we look at it in this text with the object of cloud...
labyrinth ~=? architecture's ornamental activity
[*]ornament: epression of an excessive force of form, the blossoming of a force that has nothing more to achieve --> fecundity
-ornament shifts among different planes at different speeds ==illusion==> movement and depth
labyrinth --(Deleuze and Guattari)--> “smooth space” [can be explored only by legwork]
labyrinth --> immersion & navigation [--> descriptions of technology]
labyrinth --> texture field (a form of emerging visuality)
Jassem + Sina's labyrinthine polychromic activities (==> underlying artistic creation) --> interpret form symbolically through the visual residues of the technical operations
fetish: unnatural participation with things
*field theory*
behaviour of a dynamic system that is extended in space
all fields in nature are quantum fields
•[*]matter: energy bound within fields
•[=/= classical magic --> action at a distance]
•system --> a relation-concept [=/= additive whole]
--> ability to exhibit gradients, or lines of force
self-organization: (the capacity of a field) to generate patterns spontaneously
topological reading is a christian tradition, theory, and practice of interpreting the figurative meaning of the Bible. It is part of Biblical exegesis.
According to ideas developed by the Church Fathers, the literal meaning, or God-intended meaning of the words of the Bible, may be either figurative or non-figurative; for instance, in the Song of Songs (also called Canticles or Song of Solomon), the inspired meaning is always figurative. The typical meaning is the inspired meaning of words referring to persons, things, and actions of the Old Testament which are inspired types of persons, things, and actions of the New Testament.
The early uses of allegory and topology were very close. Later a clearer distinction was made between the allegorical mystical, and tropological moral, styles of interpretation
[...]
(712)[...notes/pigs notes new.txt]%82.6[...]ures arise from text-based, nonfigurative works
•textuality and figurality
...................................
*relevance is hylomorphic, it imposes meaning from the outside
•to represent the nation / to critique the nation
•to self-orientalize / to critique orientalism
•to tell stories that everyone can relate to
•to be expressive / to be conceptual
•
hylomorphic nature
in which ‘matter’ and ‘form’ meld physically in myriad ways yet remain distinct linguistic categories
anamorphic: pertaining to a kind of distorting optical system, anamorphic lense, anamorphic gaze
(تغيير شکل دهنده) a notion of knowledge inquiry
...................................
Marks’ take on Sadra's triadic ontology of sensible, imaginal عالم خیال, and intelligible realms
+cognitive trinity of:
•mental intuition
•bodily knowledge
•spiritual kn[...]
(714)[...notes/sohrevardi notes.txt]%83.4[...]articulated knowledge in explicit aggregation and appropriable without the ‘knowing subject’ but it is not. it is also part of something personal, distributive, and contextual], [my education in setar was tacit and cognitive apprenticeship, situated cognition,]
=/= “know-how”, procedural knowledge, tacit --> embodied characteristic of the expert who acts without explicitly reflecting on conditions of its involvement (body's nervous system + endocrine system دستگاه درونریز)
“know-who” (knowledge of networks)
(Gibson's) affordance --> relational account of perception (=/= encoding of environmental features into the perceiver's mind), preconditions for activity
(effects =/=) effectivity: abilities that determines what one could do and the interactions that could take place
‘perceived affordance’: perception of an object's utility =/= object's itself
affordance <--?--> mental representations (models, schemata, etc.)
...................................
#idea for a performance for ghorbat gharbia
one performer eyes closed in a room or laboratory research lab speaking the text while engaging through touch (throwing, fixing, putting, dropping) with the different optics and technologies, objects and positioned tools in the room (color, catapult, optical systems, laser, array of transparencies and opacities, etc.)
performer: Sina
director: Foad
...................................
(prehistoric)
your mother: violence
your father: tool
==> human
...................................
Geroulanos on emergence of an atheism disengaged from humanism during the second quarter of the 20th century
1925 to 1950
...in nonsecular horizon of existence and thought
conceptual reorganization of human in atheism
(19th century was marked by) “death of god” = man a[...]
(715)[...notes/sohrevardi notes.txt]%84.3[...]guments about the capacity of the human mind (to transcend and objectively pattern the things that compose the world around it)
might and violence of ideologies relied on definitions of humanity (that made this violence not only plausible and rational, but almost necessary --> communism and colonialism)
Sartre's postwar minimal humanist commitment --> “existentialism = humanism”
-call or claim to failure of foundations and of man's status in the universe ultimately called up a new ethical command --> call for man to decide and to commit politically (--> atheism + political humanisms + old metaphysical commitment)
atheist political theology
Kojeve, Bataille, Sartre, Koyre, Heidegger, Adorno
mysticism of progress, self-perfection, and history
their anti-utopian and antiprogressivist claims and that found expression in: Blanchot (The Most High), Bataille (Summa Atheologica), Camus (The Myth of Sisyphus), Beckett (Endgame)
figuration of finitude
critique of dreams of transparency
replace transcendence with excess or escape (<-- mystical background...)
=/= un-self-conscious humanist mysticism
secular interwar Europe's raising the human subject to all-powerful status ==> techno-scientific apocalypse --> waste of hope in the self and in the rhetoric of equality and humanism
(2)
philosophical antihumanism
human in suspension and deny that it owns or controls his own specificity and particularity
--> negative theology
denial to man of positive knowledge of divine nature
withdrawal from the possibility of first defining what is specifically human
=/= world deemed anthropocentric and subjectivist
•*reformulates the question of man, locating him in conceptual systems led by notions, such as Being, reality, society, or language* (--> to define him “negatively”)
•problematization of human subjectivity
--> modern determinations of “the human”
(Diderot in Encyclopedie:) “man: a sensing, reflecting, thinking being, which freely traverses the surface of the earth, which appears at the head of all other animals over which it reigns, which lives in society, which has invented the sciences and the arts, which has its own notions of good and evil, which gives itself masters, which makes its own laws, etc.”
•anthropocentrism of modern thought (Diderot --> “why do we not introduce man into our work the way he is placed in the universe? why do we not make him a common center?”)
•(18th and 19th century) offering a hierarchy and linking the human to a privileged one among them--to reason, understanding, sensation, the passions, consciousness, the intellect
he can no longer claim to be capable of scientifically understanding the entire world
(Kant in Logic, @apass, three core questions guiding his critical pro[...]
(716)[...notes/sohrevardi notes.txt]%84.5[...]ojeve, Bataille, Queneau)
•terror (Marlaux, Bataille, Kojeve, Merleau-Ponty)
•
Kojeve and Jean Wahl --> antifoundational realism --> new anthropology
antihumanism
a precondition of thought
a fluid matrix of ideas
a philosophical attitude
...................................
Malraux's (literary-metaphysical pursuits [echoes Nietzsche + intellectual Left]) heritage to us (to artists): the alternative to bourgeois individualism [can be achieved] through commitment to a justice based on a quasi-Marxist notion of human dignity --> the *uprooted, cultured, and powerless individual* who struggled against the nation-driven, science-executed destruction wrought by (arid and morally bankrupt) modern warfare [---> go to forensic architecture, apass] --> (the idea that death of man can be averted through) ***a recognition of the heroism of the resistance*** + turn to human creativity
how i have used a non-western voice (“i am from outside the west”) to provide for myself an escape from political categorization + claiming the knowledge of an insider and enjoying the analytical clarity of distance --> i make claims both *expertise in* and cool-headed *distance from* the essence of europe
(technique of) epistolary exchange
(to think of Kantian cosmopolitanism a) a genuine model for commitment =/= outdated illusion
(?apass's) ethics of egalitarian cosmopolitanism <== secular center and the left
neocriticist idealism
(criticist idealism)
Henri Bergson
decline of spiritualism
protoexistential concerns
neocriticism 1920s
(Kant's political goal:) to render man a “citizen of the world” ==> an answer to the question of man can only be sought through the critical project
--Geroulanos--> (intellectual trust in) a mild and tempered utopian rationalism
}==> protected the philosopher from:
•competition by the human sciences
•brunt of everyday politics
Brunschvicg
progress through great philosophical systems
“humanity = progress of the mind to absolute self-consciousness” <== (progressivist) Kantian anthropological demands:
1. what can i know? --> naturalist critique
2. what ought i do? --> rational psychology/ethics (the problem of the mind <--in-- Brunschvicg's Pascal)
3. what can i hope for? --> rational theology (the problem of revelation)
idealism = overcome-->
1. failure of realism
2. anthropomorphic excesses of naturalism
(mathematic ideality in) Kant = priority of the *rational living intellect* over *the data this finds
in the world*
•mathematical reason --> critical idealism --> complete rational comprehension --> optimistic cosmopolitanism (conscious + convinced of its own truth)
[...]
(717)[...notes/sohrevardi notes.txt]%84.8[...]taille, Merleau-Ponty and others] ==Geroulanos==>
•attack on philosophical anthropocentrism
•turn toward a *negative anthropology*: recognition of a human existence whose only describable aspects are its failures (the failure to concur with reality)
(using Heidegger's term) man's *thrownness* in the world: his inability to postulate himself as exceeding or contrasting to the world so as to fully understand or map out this world ==> antifoundational realism ==enable=> to treat the real as a philosophical as well as an existential problem
french phenomenology =/= classical transcendence
speculative mysticism
german idealism
romanticism
...................................
xxxxxxx
Begriffsgeschichte (on “meanings of” X) =/= semiotic history (on “uses of” X)
anxiety over the epistemic norms underpinning new forms of:
•governmentality
•bureaucratic management
•surveillance
•totalitarian domination
Kojeve: architect of *european union*: liberal empire ~= bureaucrat + sage حکیم
...................................
research method (a heritage of surrealism:) exquisite corpse technique --> (unpredictable and) innocent inventiveness
...................................
for Sohrevardi and Avicenna: nature = chah چاه shahr gheyravan (material of nature/world: ghir قیر) --> zolmatkade ظلمت کده
#comparative reading of stranded
ghorbat gharbia --> Crusoe
•daryaye sabz دریای سبز (green sea) = donyaye mahsusat دنیای محسوسات (phenomenological world)
•دایه daye = nafse nabati (vegetal self)- khahar sister = alame made عالم ماده (hayula هیولا) --> (you should) wrap it in azab عذاب
•woman = shahvani شهوانی carnal, pas-mandani پسماندنی (the one who stays, Lot's wife leaving the catastrophic city ~= mashmul-e azab مشمول عذاب) =/= salek سالک wonderer==> ba shahvat nemitavan soluk kard =/= queer mysticism
•maghak مغاک ghaar chah قعر چاه (where abe hayat is آب حیات =/= abe heyvan آب حیوان) = riazat ریاضت
from the spiritual point of view we are always at the bottom of the pit
...................................
The Midnight Gospel animated web TV series: an example of reanimation of kalam علم کلام (islamic science of discourse), basically a form of scholastic theology
an art of convincing the detractors of doctrine in the middle ages (=/= philosopher, scientist, study)
rigid bodies
http://download.autodesk.com/global/docs/maya2014/en_us/index.html?=contextId=BULLETNODES
A rigid body is a polygonal or NURBS surface converted to an unyielding sh[...]
(718)[...notes/sohrevardi notes.txt]%85.1[...]mage-warrior who violently asks us to choose between the visible and the invisible
( <-)--?--(-> )
...................................
the notion of “general purpose toolkit”
synthesis, patches,
environment --> media
interface --> physical
dataflow programming, rapid prototyping, indeterministic machine paradigms,
one-dimensional array of values
telemetry (duri-sanj دوری سنج)
...................................
an evangelist builds a monument
softimage monument
virtual?
movement and stillness in houdini?
who the 3d software, as an ontological device to recreate and study and understand being, is devided or made-up? the presebce of the notion of movement in it and essence. what is movement and apparition?
[we can have a workshop that teaches houdini just through movement. or a non-movement approuch to 3D making.]
nonrepresentational maya
epistemology and cognitive approuch to space and matter
ontology of matter in maya
worlding in autodesk industry (look at the trailers, tutorials, and so on.)
historical view?
i see maya and other 3D apps as visualization technologies enlisted as metaphors by Haraway and as languages that actively intertwine in the production of literary value
friction, forms of masks (shaders?), and play, and the dance of Dis-tanz
the separations and partings
nearness
transforming and transformative agencies
...................................
“matter refers to the materiality/materialization of phenomena” (Barad)
-let's look at my 3D-related practices again and investigate their ontological implications and rework how matter is defined, [matter, force, interdependency, appearance,,, phenomena, meaning,] Delanda-[intensification, articulation, flow-of,]
...................................
#Femke workshop: on rigging and skinning, writing stories cultivating creation and creatures before their enrollment in George Lucas film, speculating on the inorganic skeletal animacies
...................................
(Brey ☞ Ihde:) [technology:] a special class of artifacts (for example telescopes, probes, hearing aids, etc) that are capable of engaging in ‘symbiotic’ relationships with the human body. [...] means through which the environment is experienced and acted on.
essential ambiguity of technology / of material human-technology relations
hermeneutic fluency (and the special enigma) of the connection between text and world
*bird's-eye=?/!~navigational~/?=.'<-phenomenological
[...in front of the open (blank) page (of the book) (we teach children to take the) position of the industrialist, the urban planner, or the Cartesian philosopher --> outside[...]
(719)[...notes/notes on evangelist.txt]%85.3[...]br />
epistemology and cognitive approuch to space and matter
ontology of matter in maya
worlding in autodesk industry (look at the trailers, tutorials, and so on.)
historical view?
i see maya and other 3D apps as visualization technologies enlisted as metaphors by Haraway and as languages that actively intertwine in the production of literary value
friction, forms of masks (shaders?), and play, and the dance of Dis-tanz
the separations and partings
nearness
transforming and transformative agencies
...................................
“matter refers to the materiality/materialization of phenomena” (Barad)
-let's look at my 3D-related practices again and investigate their ontological implications and rework how matter is defined, [matter, force, interdependency, appearance,,, phenomena, meaning,] Delanda-[intensification, articulation, flow-of,]
...................................
#Femke workshop: on rigging and skinning, writing stories cultivating creation and creatures before their enrollment in George Lucas film, speculating on the inorganic skeletal animacies
...................................
(Brey ☞ Ihde:) [technology:] a special class of artifacts (for example telescopes, probes, hearing aids, etc) that are capable of engaging in ‘symbiotic’ relationships with the human body. [...] means through which the environment is experienced and acted on.
essential ambiguity of technology / of material human-technology relations
hermeneutic fluency (and the special enigma) of the connection between text and world
*bird's-eye=?/!~navigational~/?=.'<-phenomenological
[...in front of the open (blank) page (of the book) (we teach children to take the) position of the industrialist, the urban planner, or the Cartesian philosopher --> outside the page is outside and inside the page is inside ]@Eunkyung's scriptural enterprise --> Derridean proper space of writing
-the panopticon as observing instrument for human sciences is embeded in the page of the book we open. part of this tradition =/= first person shooter
(Ihde on) game-bodies: (on multistability -->) ‘modes of navigation’ [macro phenomenological conditions, modeling observational possibilities, ]:
[1]- third person (pretended) overhead view looking down a map-like world and plotting your course, one says “I go to X.” he calls it “the reading position” (usually a western navigator) --> using instrumental mediations to translate this (overhead) position, star patterns are with the north star
[2]- first person shooter, take your body as stable position, one says: “X is coming to me.” (usually a south pacific navigator) --> reading phenomena as instruments, dynamic motion of star patterns are without the north star
[3]-
[...]
(720)[...notes/notes on evangelist.txt]%85.3[...]'<-phenomenological
[...in front of the open (blank) page (of the book) (we teach children to take the) position of the industrialist, the urban planner, or the Cartesian philosopher --> outside the page is outside and inside the page is inside ]@Eunkyung's scriptural enterprise --> Derridean proper space of writing
-the panopticon as observing instrument for human sciences is embeded in the page of the book we open. part of this tradition =/= first person shooter
(Ihde on) game-bodies: (on multistability -->) ‘modes of navigation’ [macro phenomenological conditions, modeling observational possibilities, ]:
[1]- third person (pretended) overhead view looking down a map-like world and plotting your course, one says “I go to X.” he calls it “the reading position” (usually a western navigator) --> using instrumental mediations to translate this (overhead) position, star patterns are with the north star
[2]- first person shooter, take your body as stable position, one says: “X is coming to me.” (usually a south pacific navigator) --> reading phenomena as instruments, dynamic motion of star patterns are without the north star
[3]-
every major culture/civilization watches the *movements of heaven*
technologies of temporality, lunar calendars (mostly migratory or non-agricultural people who were into smaller cycles) and solar calendars (people who were into lager cycles), knowledge of repeated patterns of environmental phenomena
from stonehenge [= stabilizer of perception, #stone telling the movement of heavens;] to chip (, devices to record cycles) --> the technoscience has changed (phenomenologically merely) in scale
[*] science is always science-mediated-through-instrument [--> regarding ajayeb: #model is the principal instrument of (modern) science.]---> am I in which model-shift? (how? and why?):
•idealized models [~-> my “art"] (<--)to--> heuristic models [~-> my lectures] ?
•computational models [~-> my CG period] (<--)to--> phenomenological models [~-> my ajayeb] ?
•fantasy models [~-> my ?] (<--)to--> theoretical models ?
•representational models [~= my images?] (<--)to--> epistemological models ?
[*]
...................................
like the blind man's cane or probe, means through which the environment is perceived and acted on, how is the 3D computer simulations an embodiment relation? what are the (dis)embodied habituations of the hacker? ==> philosophy of action : how 3D work as an (dis)embodied artifact change our relation to the world? or, which world is experienced as perceived through embodied artifact of the 3D?
•representations of the location
•question of orientation
--> epistemological studies of scientific instrumentation
(Feenberg, passivity missing in Ihde)
(my own interest in shyness and the) passive dimensions of body--lived experience of [...]
(723)[...notes/notes on evangelist.txt]%85.4[...]d models [~-> my “art"] (<--)to--> heuristic models [~-> my lectures] ?
•computational models [~-> my CG period] (<--)to--> phenomenological models [~-> my ajayeb] ?
•fantasy models [~-> my ?] (<--)to--> theoretical models ?
•representational models [~= my images?] (<--)to--> epistemological models ?
[*]
...................................
like the blind man's cane or probe, means through which the environment is perceived and acted on, how is the 3D computer simulations an embodiment relation? what are the (dis)embodied habituations of the hacker? ==> philosophy of action : how 3D work as an (dis)embodied artifact change our relation to the world? or, which world is experienced as perceived through embodied artifact of the 3D?
•representations of the location
•question of orientation
--> epistemological studies of scientific instrumentation
(Feenberg, passivity missing in Ihde)
(my own interest in shyness and the) passive dimensions of body--lived experience of being the object of action***
Feenberg (reflecting on medical situations forward:) we live our body not only as actors in the world, but also as beings who invite action on our bodies by others
dependent body --> highly technologized experience
instrumentalized status of modernism, in which the ‘dependent body’ belongs to childhood
purified “humans” : the subject distinguished from its instrumentalities
sex: construction of the dependent subjectivized bodies
(Sartre & Merleau-Ponty:) person becomes a thing in the world of the other
lived-body =/= body [--> also the concern of Irigaray and Butler]
(this is Husserl's Körper and Leib)
~ machine-infused neuro-physical body
◦kinaesthetic sensations
◦presentational sensations
◦“internal” perception
◦“subject” -body
◦organ of perception / organ of action /
--> (identity of the ego -->) the (existentialist visualist and strange) idea of: “I am my body"--body in terms of “I can” ==> self-movement
(intra-action =/= that sensations are freestanding complexes and internally differentiated entities that can be identified and studied “before” the action)
*perception (is an act:) “animating” the data of sensation (?)
the extended body signifies itself through [=/= acts through] the technical mediation
the impersonal and atomizing (commonplace) associations with the notion of disembodiment --> the idea that in online involvement relations are abridged and trivialized, that there is a lack of commitment and risk, and moral engagement is impossible, and so on.
*what would be a situated account of the (lived-)body in CG?
“the ringing of the cell phone that embarrasses us in the middle of a lecture” --> extended body
plasticity and polymorphism of o[...]
(725)[...notes/notes on evangelist.txt]%85.4[...]not only as actors in the world, but also as beings who invite action on our bodies by others
dependent body --> highly technologized experience
instrumentalized status of modernism, in which the ‘dependent body’ belongs to childhood
purified “humans” : the subject distinguished from its instrumentalities
sex: construction of the dependent subjectivized bodies
(Sartre & Merleau-Ponty:) person becomes a thing in the world of the other
lived-body =/= body [--> also the concern of Irigaray and Butler]
(this is Husserl's Körper and Leib)
~ machine-infused neuro-physical body
◦kinaesthetic sensations
◦presentational sensations
◦“internal” perception
◦“subject” -body
◦organ of perception / organ of action /
--> (identity of the ego -->) the (existentialist visualist and strange) idea of: “I am my body"--body in terms of “I can” ==> self-movement
(intra-action =/= that sensations are freestanding complexes and internally differentiated entities that can be identified and studied “before” the action)
*perception (is an act:) “animating” the data of sensation (?)
the extended body signifies itself through [=/= acts through] the technical mediation
the impersonal and atomizing (commonplace) associations with the notion of disembodiment --> the idea that in online involvement relations are abridged and trivialized, that there is a lack of commitment and risk, and moral engagement is impossible, and so on.
*what would be a situated account of the (lived-)body in CG?
“the ringing of the cell phone that embarrasses us in the middle of a lecture” --> extended body
plasticity and polymorphism of our bodies (online) [Ihde]
programmers working in other programmers’ works (--not imaginative engagement with the other, rather) --through--> interfaces and folds in interpretation {tutorial voices, screen videos, scripts, help files, layers of codes and tools on each other, nested folders on one's own computer, named categories by oneself, horde of text files and renders, etc}--> these are (en-/de-)crypting extended bodies constructed of language
subjectively constructed phenomenon of the communed fold interpreted : the 3D computer programm
(=/= romantic refusal of all mediation)
-what is the nature of the technology involved in CG?
•what is the source of the somatic sense of place, if not the body (since Greeks) and animality (since Deleuze + Guattari), in the case of CG? --?-->{the way a good farmer will pick up soil and feel the dirt in his hands}
(Greek word) ‘soma’ refers to a corpse (in Homer,) not a living body (--> #lived-body)
Neither the living body as an entity nor the Mind as an entity had a name.
for Aristotle, ‘thinking’ part of the soul, had an existence from [...]
(726)[...notes/notes on evangelist.txt]%85.5[...]g” the data of sensation (?)
the extended body signifies itself through [=/= acts through] the technical mediation
the impersonal and atomizing (commonplace) associations with the notion of disembodiment --> the idea that in online involvement relations are abridged and trivialized, that there is a lack of commitment and risk, and moral engagement is impossible, and so on.
*what would be a situated account of the (lived-)body in CG?
“the ringing of the cell phone that embarrasses us in the middle of a lecture” --> extended body
plasticity and polymorphism of our bodies (online) [Ihde]
programmers working in other programmers’ works (--not imaginative engagement with the other, rather) --through--> interfaces and folds in interpretation {tutorial voices, screen videos, scripts, help files, layers of codes and tools on each other, nested folders on one's own computer, named categories by oneself, horde of text files and renders, etc}--> these are (en-/de-)crypting extended bodies constructed of language
subjectively constructed phenomenon of the communed fold interpreted : the 3D computer programm
(=/= romantic refusal of all mediation)
-what is the nature of the technology involved in CG?
•what is the source of the somatic sense of place, if not the body (since Greeks) and animality (since Deleuze + Guattari), in the case of CG? --?-->{the way a good farmer will pick up soil and feel the dirt in his hands}
(Greek word) ‘soma’ refers to a corpse (in Homer,) not a living body (--> #lived-body)
Neither the living body as an entity nor the Mind as an entity had a name.
for Aristotle, ‘thinking’ part of the soul, had an existence from any connection to the body.
“to experience the world is the very nature of body inside out.” (Christian Hubert ☞ John Schumacher)
a community whose members are aware of each others’ passive presence is different forms
(active =/= present)
these are issues of social subject in a technically mediated world
to look at CG embodiment relations:
•fold (Ihde)
•skill (Merleau-Ponty)
•theory of affordance (Gibson)
•intra-action (Barad)
•detour (Latour)
(Merleau-Ponty's) ‘body schema’ : space of the body = 'space of situation,’ orientation towards possible (not only existing) tasks ==> aspects of the external/virtual world
body understood in terms of their ability to enter into one's projects =/= spatial location
[what is the body schema of the hacker in CG? (an external world where there is no near or far.) what is experienced as their Gestalt? which grasp is automatically localized? what are their phantom limbs? ==> body immediately known to self]
(body as the) system of possible actions, a virtual body with its phenomenal [...]
(727)[...notes/notes on evangelist.txt]%85.5[...] voices, screen videos, scripts, help files, layers of codes and tools on each other, nested folders on one's own computer, named categories by oneself, horde of text files and renders, etc}--> these are (en-/de-)crypting extended bodies constructed of language
subjectively constructed phenomenon of the communed fold interpreted : the 3D computer programm
(=/= romantic refusal of all mediation)
-what is the nature of the technology involved in CG?
•what is the source of the somatic sense of place, if not the body (since Greeks) and animality (since Deleuze + Guattari), in the case of CG? --?-->{the way a good farmer will pick up soil and feel the dirt in his hands}
(Greek word) ‘soma’ refers to a corpse (in Homer,) not a living body (--> #lived-body)
Neither the living body as an entity nor the Mind as an entity had a name.
for Aristotle, ‘thinking’ part of the soul, had an existence from any connection to the body.
“to experience the world is the very nature of body inside out.” (Christian Hubert ☞ John Schumacher)
a community whose members are aware of each others’ passive presence is different forms
(active =/= present)
these are issues of social subject in a technically mediated world
to look at CG embodiment relations:
•fold (Ihde)
•skill (Merleau-Ponty)
•theory of affordance (Gibson)
•intra-action (Barad)
•detour (Latour)
(Merleau-Ponty's) ‘body schema’ : space of the body = 'space of situation,’ orientation towards possible (not only existing) tasks ==> aspects of the external/virtual world
body understood in terms of their ability to enter into one's projects =/= spatial location
[what is the body schema of the hacker in CG? (an external world where there is no near or far.) what is experienced as their Gestalt? which grasp is automatically localized? what are their pheir phantom limbs? ==> body immediately known to self]
(body as the) system of possible actions, a virtual body with its phenomenal “place” defined by its task and situation. “My body is wherever there is something to be done.”
kinaestheses, proprioception,
...................................
what ‘play’ does to ‘ego’?
...................................
([is for Lilia (? like Wittgenstein) all ‘certainties'] grounded in the) certainty of the body
{pain <--> certainty}--> trauma + memory
...................................
(Christian Hubert ☞ ) Rudofsky “unfashionable human body” (#veil)
Thomas Friedman “The Golden Straitjacket”
•political-economic garment of globalization era --> Straitjacket
(Cold War era:)
•Mao --> suit
•Nehru --> jacket
•Russian --> fur
•
•Islam --> hejab
(Tasavof-->{for which the body does not remain c[...]
(728)[...notes/notes on evangelist.txt]%85.5[...]wledge of our bodily event” ==> (organic) conception of nature
-masculinity: body subordinate to the mind ~=>{ body: site for feminist critique
-for contemporary feminism (Grosz): body is neither a biological nor a sociological category, but rather a point of overlap between physical, symbolic, and material conditions
the ideological representations of a “real” precultural body
[--> idealized in terms of abstract geometry, rendered primal in primates,,,]
“The theory of the body is already a theory of perception.” Merleau-Ponty
(in his studies on body, Christian Hubert quotes John Schumacher quoting) James Gibson: “The optical information to specify the self, including the head, body, arms, and hands, accompanies the optical information to specify the environment. The two sources of information coexist. The one could not exist without the other. When a man sees the world, he sees his nose at the same time; or rather, the world and his nose are both specified and his awareness can shift....The supposedly separate realms of the subjective and objective are actually only poles of attention.” (The Ecological Approach to Visual Perception)
sensuality is co-making
rituals and technologies are links between bodies and societies
(social) techniques for the inscription of locality into bodies
technology as an exteriorization of the functions of the body?
CG stands for:
•computer graphics
•computer games
•creature generator
•categorial grammar --> “==>”, “=/=”, etc
•conceptual graphs --> graph-based knowledge representation and reasoning model
•computational geometry --> geo-info-sys design
•*computational gesture* --> extracorporeal material culture
•
•(complete governance, chaotic God, commanding general, common ground, center of gravity,)
•
the well-equipped invalid (--> embodiment, Virilio)
(Foucault's radical exploration of:) body = (subject to the effects of) rhetoric of technical reason
techniques of punishment (, a “political technology”) : “an art of unbearable sensations” --to--> “an economy of suspended rights”
Deleuze and Guattari: “We know nothing about a body until we know what it can do, in other words, what its affects are, how they can or cannot enter into composition with other affects, with the affects of another body...” (what are the affects of the CG bodies?)
-for them the “body” is a discontinuous and non-totalized series of processes, organs, flows, energies, corporeal substances and incorporeal events, intensities and durations, a surface of intensities: *pure simulacra without originals*
erotogenic zones, sexuality, Freud, auto-erotic internalization, clinamen
(the formally female cyborg / techno-monster of the Ghost in the[...]
(729)[...notes/notes on evangelist.txt]%85.7[...]urces of information coexist. The one could not exist without the other. When a man sees the world, he sees his nose at the same time; or rather, the world and his nose are both specified and his awareness can shift....The supposedly separate realms of the subjective and objective are actually only poles of attention.” (The Ecological Approach to Visual Perception)
sensuality is co-making
rituals and technologies are links between bodies and societies
(social) techniques for the inscription of locality into bodies
technology as an exteriorization of the functions of the body?
CG stands for:
•computer graphics
•computer games
•creature generator
•categorial grammar --> “==>”, “=/=”, etc
•conceptual graphs --> graph-based knowledge representation and reasoning model
•computational geometry --> geo-info-sys design
•*computational gesture* --> extracorporeal material culture
•
•(complete governance, chaotic God, commanding general, common ground, center of gravity,)
•
the well-equipped invalid (--> embodiment, Virilio)
(Foucault's radical exploration of:) body = (subject to the effects of) rhetoric of technical reason
techniques of punishment (, a “political technology”) : “an art of unbearable sensations” --to--> “an economy of suspended rights”
Deleuze and Guattari: “We know nothing about a body until we know what it can do, in other words, what its affects are, how they can or cannot enter into composition with other affects, with the affects of another body...” (what are the affects of the CG bodies?)
-for them the “body” is a discontinuous and non-totalized series of processes, organs, flows, energies, corporeal substances and incorporeal events, intensities and durations, a surface of intensities: *pure simulacra without originals*
erotogenic zones, sexuality, Freud, auto-erotic internalization, clinamen
(the formally female cyborg / techno-monster of the Ghost in the Shell:) the (masculinist) fantasy of leaving the body behind and reconstituting it as a a technical object under human control as both a desire for perfect knowledge and total power and at the same time as a way of escape... [Christian Hubert] #Haraway
•the question of the “soul” is read as the question of (certain technology of) power over bodiess
(traits of) cyborg:
1. boundary transgression
2. the recognition and re-scripting of myth
3. simulations of identity
4. coalitions of affinity
reembodiment of intelligence
Hubert ☞ Serres: “My body (I cannot help it) is not plunged into a single, specified space. It works in Euclidean space, but it only works there. It sees in a projective space; it touches, caresses, and feels in a topological spa[...]
(732)[...notes/notes on evangelist.txt]%85.7[...]l graphs --> graph-based knowledge representation and reasoning model
•computational geometry --> geo-info-sys design
•*computational gesture* --> extracorporeal material culture
•
•(complete governance, chaotic God, commanding general, common ground, center of gravity,)
•
the well-equipped invalid (--> embodiment, Virilio)
(Foucault's radical exploration of:) body = (subject to the effects of) rhetoric of technical reason
techniques of punishment (, a “political technology”) : “an art of unbearable sensations” --to--> “an economy of suspended rights”
Deleuze and Guattari: “We know nothing about a body until we know what it can do, in other words, what its affects are, how they can or cannot enter into composition with other affects, with the affects of another body...” (what are the affects of the CG bodies?)
-for them the “body” is a discontinuous and non-totalized series of processes, organs, flows, energies, corporeal substances and incorporeal events, intensities and durations, a surface of intensities: *pure simulacra without originals*
erotogenic zones, sexuality, Freud, auto-erotic internalization, clinamen
(the formally female cyborg / techno-monster of the Ghost in the Shell:) the (masculinist) fantasy of leaving the body behind and reconstituting it as a a technical object under human control as both a desire for perfect knowledge and total power and at the same time as a way of escape... [Christian Hubert] #Haraway
•the question of the “soul” is read as the question of (certain technology of) power over bodiess
(traits of) cyborg:
1. boundary transgression
2. the recognition and re-scripting of myth
3. simulations of identity
4. coalitions of affinity
reembodiment of intelligence
Hubert ☞ Serres: “My body (I cannot help it) is not plunged into a single, specified space. It works in Euclidean space, but it only works there. It sees in a projective space; it touches, caresses, and feels in a topological space; it suffers in another; hears and communicates in a third; and so forth, as far as one wishes to go. Euclidean space was chosen in our work-oriented cultures because it is the space of work--of the mason, the surveyor, or the architect. [...] My body lives in as many spaces as the society, the group, or the collectivity have formed: the Euclidean house, the street and its network, the open and closed garden, the church or the enclosed spaces of the sacred, the school and its spatial varieties containing fixed points, and the complex ensemble of flow-charts, those of language, of the factory, of the family, of the political party, and so forth. Consequently my body is not plunged into one space but into the intersection or the junctions of this multiplicity.” (Hermes, pp 44-45) (@Aela)
[...]
(735)[...notes/notes on evangelist.txt]%85.7[...]tory, of the family, of the political party, and so forth. Consequently my body is not plunged into one space but into the intersection or the junctions of this multiplicity.” (Hermes, pp 44-45) (@Aela)
...................................
(feminist open-source --✕-->?) I am actually coming from a masculinist closed-source culture-thing, that is to say, my background is in masculinist black-boxed concepts of being and beyond, that means i have a different relationship with interference and parasitism
•how and when a concept becomes black-boxed? by which processes?
@Sven: what matters is the input/output, stimulus/response [--> “black-box of the beyond” (#zolmat writing)] --> transfer characteristics, data-flow, the ontology of the “internal working” : “open” exchanges inforamtion about its interactions }--> open-source is part of the tradition of anthropocene system thinking: network synthesis, system engineering, theory of the organism, evolutionary theory, thermodynamics, and world system perspective
...................................
what are the nodes of energy in interdigitalities intra-actions in human-machine relations?
***we are belonging to a set of cultures that regularly believes in the idiom of: organism =/= technology
--> this little ontological dichotomous device is doing serious worldings, making and destroying worlds
technologies of descriptive practices
technology is descriptive practice
technology: anything describable as a technology --> idiom اصطلاح
...................................
[title]
age of stone, and stories for computers
...................................
(#workshop in Stuttgart 11.04.2017 with Femke http://pad.constantvzw.org/p/possiblebodies.rigging)
provisional sketch for a workshop on “Rigging,” notes and nodes
on the notion and practice of Rig in CG
(CG as in “computational gesture”)
[title]
on Rigging and skinning: stories for cultivating creation and creatures of the industrial empire.
a practice in: rhetoric of technical reasoning in inorganic skeletal animacies.
•I begin with the position that believes in the essential ambiguity of technology
•let's look at some terms and notions and the ways they are enacted, practiced, and embodied, and to practice some hermeneutic fluency in phenomenological conditions in what we call character animation
KEYWORDS: soft bodies, skin, skinnig, Rig, Rigging, unwrapping, fold, CG, animation, locomotion, kinectics, skeleton, mechanics, interface, technology,
...................................
Rigs are about:
-ways of arranging space, time and matter : like a sentence, that sticks words sequentially together in a certain way. Rig would be a way those elements are attached to one another in time and space.[...]
(738)[...notes/notes on evangelist.txt]%85.8[...]f anthropocene system thinking: network synthesis, system engineering, theory of the organism, evolutionary theory, thermodynamics, and world system perspective
...................................
what are the nodes of energy in interdigitalities intra-actions in human-machine relations?
***we are belonging to a set of cultures that regularly believes in the idiom of: organism =/= technology
--> this little ontological dichotomous device is doing serious worldings, making and destroying worlds
technologies of descriptive practices
technology is descriptive practice
technology: anything describable as a technology --> idiom اصطلاح
...................................
[title]
age of stone, and stories for computers
...................................
(#workshop in Stuttgart 11.04.2017 with Femke http://pad.constantvzw.org/p/possiblebodies.rigging)
provisional sketch for a workshop on “Rigging,” notes and nodes
on the notion and practice of Rig in CG
(CG as in “computational gesture”)
[title]
on Rigging and skinning: stories for cultivating creation and creatures of the industrial empire.
a practice in: rhetoric of technical reasoning in inorganic skeletal animacies.
•I begin with the position that believes in the essential ambiguity of technology
•let's look at some terms and notions and the ways they are enacted, practiced, and embodied, and to practice some hermeneutic fluency in phenomenological conditions in what we call character animation
KEYWORDS: soft bodies, skin, skinnig, Rig, Rigging, unwrapping, fold, CG, animation, locomotion, kinectics, skeleton, mechanics, interface, technology,
...................................
Rigs are about:
-ways of arranging space, time and matter : like a sentence, that sticks words sequentially together in a certain way. Rig would be a way those elements are attached to one another in time and space.
[*] --> one-dimenisional skeletal Rigs are generally intereseting for my research, because of the specific sequential order that many forms of culture take. (for example, “tradition” is from that famility of Rigs, a string of things in a particular order and not another. [---> go to totem columns]. “language” is another one.)
◦what are the degrees of flexibilty, stretch and tention between the nodes in a Rig?
◦what a substitution in a string-Rig might change the ways that being is animated, and therefore change the meaning?
-that means: change the Rig, and you will change the ways space and time are arranged
-that means: thinking about Rigs is like thinking about the language, or better: ontological commitments embedded in language. and since we are interested in materiality [that means: material human-technology relations], i would ask: w[...]
(743)[...notes/notes on evangelist.txt]%85.9[...]n
KEYWORDS: soft bodies, skin, skinnig, Rig, Rigging, unwrapping, fold, CG, animation, locomotion, kinectics, skeleton, mechanics, interface, technology,
...................................
Rigs are about:
-ways of arranging space, time and matter : like a sentence, that sticks words sequentially together in a certain way. Rig would be a way those elements are attached to one another in time and space.
[*] --> one-dimenisional skeletal Rigs are generally intereseting for my research, because of the specific sequential order that many forms of culture take. (for example, “tradition” is from that famility of Rigs, a string of things in a particular order and not another. [---> go to totem columns]. “language” is another one.)
◦what are the degrees of flexibilty, stretch and tention between the nodes in a Rig?
◦what a substitution in a string-Rig might change the ways that being is animated, and therefore change the meaning?
-that means: change the Rig, and you will change the ways space and time are arranged
-that means: thinking about Rigs is like thinking about the language, or better: ontological commitments embedded in language. and since we are interested in materiality [that means: material human-technology relations], i would ask: what are the material objects that this language commits us to? to be more exact: what are the material objects that the language-Rig commits the CG-hacker to?
-ontological assumptions embeded in any “device” (English grammar, CG Rigs, architect's tools, a definition in language, etc.)
-Rigs are clever technological provisional constructions, (always) setup for a specific naturalization.
-Rigs articulate animacies, that is to say: they are almost linguistic structures that shape or determine our animations
-Rigs do consequential work
-how elements are arranged together, how they are composed, how they are brought into relation in the space of a field, narrative, text, environment, etc
whenever you give a definition (a metaphor, a concept) and work with it, and find yourself committed to certain findings, tracings and meanings because of that: you are working with a Rig. that is to say: Rigs are definitional structures, not arguments themselves, but their conditions.
then the question would be: when do you know that it is time to dismantle a Rig? how to recognize, learn to reuse or repurpose old Rigs?
in CG the business of Rigging and Rig-making is handed to the engineering talent and point of view, it has made a pure technical problem.
skeletal, it's all about the ‘arm’
http://www.toxik.sk/img/maya2011_ya.jpg
an arm is a spaciotemporal particularity
the organisms that crafted in their bodies the subphylum vertebrata, a terrestrial technology for moving the flesh.
the images we make are made in the image of the o[...]
(746)[...notes/notes on evangelist.txt]%85.9[...]the material objects that this language commits us to? to be more exact: what are the material objects that the language-Rig commits the CG-hacker to?
-ontological assumptions embeded in any “device” (English grammar, CG Rigs, architect's tools, a definition in language, etc.)
-Rigs are clever technological provisional constructions, (always) setup for a specific naturalization.
-Rigs articulate animacies, that is to say: they are almost linguistic structures that shape or determine our animations
-Rigs do consequential work
-how elements are arranged together, how they are composed, how they are brought into relation in the space of a field, narrative, text, environment, etc
whenever you give a definition (a metaphor, a concept) and work with it, and find yourself committed to certain findings, tracings and meanings because of that: you are working with a Rig. that is to say: Rigs are definitional structures, not arguments themselves, but their conditions.
then the question would be: when do you know that it is time to dismantle a Rig? how to recognize, learn to reuse or repurpose old Rigs?
in CG the business of Rigging and Rig-making is handed to the engineering talent and point of view, it has made a pure technical problem.
skeletal, it's all about the ‘arm’
http://www.toxik.sk/img/maya2011_ya.jpg
an arm is a spaciotemporal particularity
the organisms that crafted in their bodies the subphylum vertebrata, a terrestrial technology for moving the flesh.
the images we make are made in the image of the one-with-arms
mechanical
bipedal
facial
quadrupedal
many arms and legs
spinal
surficial
hair
feather
rain Rig by محمد عبدالله
eqFUnFPcuwg
an Optimus Prime transformation Rig by Eske Yoshinob
VDrAzeNS2pk?t=28
(strictly) possible tranformational arrangements
how a being is Rigged into transformational particularities
in this sense, the question of the Rig is ontoloical, specially in a world populated by devices and techniques, interfaces and folds upon folds, constructions that do things for another constructions, Rigs that translate
kinematic equations, inverse kinematics, the math of it is called the Jacobian inverse technique
https://upload.wikimedia.org/wikipedia/commons/7/76/Arc-welding.jpg
https://upload.wikimedia.org/wikipedia/commons/2/2c/Modele_cinematique_corps_humain.svg
“In robotics, inverse kinematics makes use of the kinematics equations to determine the joint parameters that provide a desired position for each of the robot's end-effectors. Specification of the movement of a robot so that its end-effectors achieve the desired tasks is known as motion planning.”
https://en.wikipedia.org/wiki/Inverse_kinemat[...]
(748)[...notes/notes on evangelist.txt]%86[...]: Rigs are definitional structures, not arguments themselves, but their conditions.
then the question would be: when do you know that it is time to dismantle a Rig? how to recognize, learn to reuse or repurpose old Rigs?
in CG the business of Rigging and Rig-making is handed to the engineering talent and point of view, it has made a pure technical problem.
skeletal, it's all about the ‘arm’
http://www.toxik.sk/img/maya2011_ya.jpg
an arm is a spaciotemporal particularity
the organisms that crafted in their bodies the subphylum vertebrata, a terrestrial technology for moving the flesh.
the images we make are made in the image of the one-with-arms
mechanical
bipedal
facial
quadrupedal
many arms and legs
spinal
surficial
hair
feather
rain Rig by محمد عبدالله
eqFUnFPcuwg
an Optimus Prime transformation Rig by Eske Yoshinob
VDrAzeNS2pk?t=28
(strictly) possible tranformational arrangements
how a being is Rigged into transformational particularities
in this sense, the question of the Rig is ontoloical, specially in a world populated by devices and techniques, interfaces and folds upon folds, constructions that do things for another constructions, Rigs that translate
kinematic equations, inverse kinematics, the math of it is called the Jacobian inverse technique
https://upload.wikimedia.org/wikipedia/commons/7/76/Arc-welding.jpg
https://upload.wikimedia.org/wikipedia/commons/2/2c/Modele_cinematique_corps_humain.svg
“In robotics, inverse kinematics makes use of the kinematics equations to determine the joint parameters that provide a desired position for each of the robot's end-effectors. Specification of the movement of a robot so that its end-effectors achieve the desired tasks is known as motion planning.”
https://en.wikipedia.org/wiki/Inverse_kinematics
{\frac {\partial p_{i}}{\partial x_{k}}}\approx {\frac {p_{i}(x_{{0,k}}+h)-p_{i}(x_{0})}{h}}
...................................
Maya's interfacial iconograhies
...................................
how do we animate quadrupeds, invertebrates, phyla, rotifera (wheel-animals), and so on; for each a mathematics must be invented in order and terms of digital computationality.
“anatomy” is always “imaginary anatomy” (in CG, comtemporary dance, medicine, love, etc.)
a skin has to deal with:
“Global Stiffness Structural Optimization”
Rig talks to mesh, telling it how to move, how to be.
how we evolved from jelly to skelletal? something tense, intensified in space, some flesh attached to it. how the concrete mineral came back to assert itself in the terms of bones of the organism?
(a mesh is a matrix of points in which the [...]
(750)[...notes/notes on evangelist.txt]%86[...]nd structure, with demands of an industry interested in the representation of surface. mesh is interested by creatures that have a skin, and have stakes in tactility?)
Rig is that constructed logic or grammar that allows mesh deformation in one way and not another. made of enfolded layers of code and constraint
story of the bone
the flow of matter and energy, flow of intensification between sortal processes, organisms, and minerals.
this is about how matter is defined, in everyday CG work
how certain kinetic skeletal rigs naturalize the relationships between volume and surface and skeleton --> which is always symbolic
...................................
notes by other participants of the workshop:
http://pad.constantvzw.org/p/possiblebodies.sina.workshop
some post-workshop notes:
questions of:
•causality: how Rig-thinking can help to have a better understanding of causal relationships between the ‘moved’ and ‘mover’?
•control: how can we have a more interesting ontology of constraints that allows more interesting articulations of control---(that one-way flow of influence between the soft and the rigid)?
•process and becoming: how the technological nature of the Rig and its relations with the image of the organism in CG can be Rigged for a different articulation of the lived-body? and to which extend the Rig can be helpfull to think about the becoming of the beings-of-the-CG (that means: hacker + 3D model)?
•identity: How within an industry such as Pixar, deeply invested in what is a feeling and affectious living characher, a whole new set of technologies and ontologies must be made and destroyed, learned and unlearned, for a different question of identity: what is a living thing? how Rig matter in a world that is made of Rigs that make Rigs for beings to articulate themselves in, through, and with them? inventing and being invented by them
•model: animation = life; asking what brings us to life, makes us alive? (what we animate and what animates us)
•reading and space of the text: the practice we did with pop-up-book making, a joint page of a book when opened wide, the meaning and influence of the reading animates itself like a Rig, coming into movement, flow and inflow as the result of the muscular skeletal gesture of a “reader” who has two hands: mechanical animacies of the act of reading set in time and space by the “writer”
•which rigs rig rigs? (with Strathernian rhetorics) ---- Rig-making practices are ontological technological choreographies that (in the case of CG) make mesh matter*-----they are involved in ‘making mesh flesh’
[14.05.2017]
...................................
rig: a higher-level description of the motion of the part (of mesh) it is influencing (--> set of “bones” may not be hierarchical or int[...]
(752)[...notes/notes on evangelist.txt]%86.1[...]tions with the image of the organism in CG can be Rigged for a different articulation of the lived-body? and to which extend the Rig can be helpfull to think about the becoming of the beings-of-the-CG (that means: hacker + 3D model)?
•identity: How within an industry such as Pixar, deeply invested in what is a feeling and affectious living characher, a whole new set of technologies and ontologies must be made and destroyed, learned and unlearned, for a different question of identity: what is a living thing? how Rig matter in a world that is made of Rigs that make Rigs for beings to articulate themselves in, through, and with them? inventing and being invented by them
•model: animation = life; asking what brings us to life, makes us alive? (what we animate and what animates us)
•reading and space of the text: the practice we did with pop-up-book making, a joint page of a book when opened wide, the meaning and influence of the reading animates itself like a Rig, coming into movement, flow and inflow as the result of the muscular skeletal gesture of a “reader” who has two hands: mechanical animacies of the act of reading set in time and space by the “writer”
•which rigs rig rigs? (with Strathernian rhetorics) ---- Rig-making practices are ontological technological choreographies that (in the case of CG) make mesh matter*-----they are involved in ‘making mesh flesh’
[14.05.2017]
...................................
rig: a higher-level description of the motion of the part (of mesh) it is influencing (--> set of “bones” may not be hierarchical or interconnected)
[a] simplified user interface allowing animators to control often complex algorithms and a huge amount of geometry --> control the deformation of the mesh data (=/= imitate real anatomy or physical processes)
modern rigging = hacking (in 3D softwares)
...................................
r />
Disney --> body-ege: feeling good about oneself
(via) the playful mastery over anthropomorphized machines
(Rickels ☞ Hanns Sachs:) the last time machines were used for play and not work was during the time of the Greeks and Romans : culture's value of the human body ==> machine used for amusement
**narcissistic investment (of interest) in the body protects against submission to the machine** --> conceived no longer as plaything but as his own prosthetic extension
movement of fantasmatization
to fantasize aggression = to turn it around upon oneself
guild: the currency of the father function
both genders (at the beginning) are phallically aggressive when it comes to mother
Kafka and de Sade despised the body for its limitations and boundaries
body (which is always also the maternal body) comes only to its mutilation [~ skinning], reb[...]
(754)[...notes/notes on evangelist.txt]%86.1[...]e deformation of the mesh data (=/= imitate real anatomy or physical processes)
modern rigging = hacking (in 3D softwares)
...................................
Disney --> body-ege: feeling good about oneself
(via) the playful mastery over anthropomorphized machines
(Rickels ☞ Hanns Sachs:) the last time machines were used for play and not work was during the time of the Greeks and Romans : culture's value of the human body ==> machine used for amusement
**narcissistic investment (of interest) in the body protects against submission to the machine** --> conceived no longer as plaything but as his own prosthetic extension
movement of fantasmatization
to fantasize aggression = to turn it around upon oneself
guild: the currency of the father function
both genders (at the beginning) are phallically aggressive when it comes to mother
Kafka and de Sade despised the body for its limitations and boundaries
body (which is always also the maternal body) comes only to its mutilation [~ skinning], rebuilding, and reanimation [rig]
body has been left behind in the wake of its media-technical range --> it can no longer be plugged back into any so-called *sensorium* or *corpus*
media --> (from the point of view of) identification with the dead [#rig #nonhuman]--> every medium acquires its only prosthetic aim on a target range of *projection* and *haunting*
media-technical innovation
3D animation industry --> new modes of disposal of the dead
-not on the side of life
phantasm of the missing child
(retrofashion and charge of child abuse)
modern military + *techno-mediatic expansion*
memory pictures
tableaux vivants
technologization
massification
teenagerization --> totally SM, friendly, cool, into being popular
...................................
the spaces between decent bodies
#waiting for render: relations between hacker as organism and the computing beast
what is being processed? intra-actions of both CPU and gut.
*waiting for a slow render to finish, i used to enjoy the process. unfinished renders, slow computers, lag, and queer forms of waiting
[title]
/waiting bodies and slow computing
/differentiated constitutions of the waiting body and the nunhuman computational labor
compositional waiting --> Stewart's attunement
the labor of the CPU, the graphical interfance, and the waiting body of the hacker are in an orientation (--> what am i asking here?)
(Alberti: among the Matis) the practice of ‘curare watching’ (the hours spent observing the process[...]
(755)[...notes/notes on evangelist.txt]%86.2[...]tra-actions with reality, humans and language are part of the configuaration or ongoing reconfiguring of the world, that is phenomena
we cannot so easily answer where the apparatus “ends”
•(but again, how can I answer) which ontological practices are embodied (or embeded) in (the productive and constraining dimension of regulatory) apparatuses of my ajayeb? (rigs, hypertext, pop-up, etc.)
•(resisting the anti-metaphysics legacy) how can I keep insisting on accountability for the particular exclusions that are enacted in (my) ajayeb and taking up the responsibility to perpetually contest and rework the boundries (of my objectivities)?
(*)effect: marks left on the agencies of observation
enacted =/= having
(agency is the matter of enactment not something that one ‘has’)
(*)disarticulation: the question of who/what gets to be imagined (and in which way)
(Barad's sentences are long in a way for the reader to feel all those particular words in one breath)
(in medical practices) the machine becomes the interface between the objectification of the spacific body under experience (for example the fetus) and subjectivation of the technician, physicianm engineer, and scientist.
...some ontologies:
•classical realist: posit some fixed notion of being that is prior to signification
•Kantian transcendentalism: being completely inaccessible to language
•linguistic monism: being completely of language
•Baradian agential realism: phenomena are constitutive of reality
...................................
kinetic, energies expressed in variables
integrated definitions:
•movements of an isolated body
•in detachment with the rest of the world
•linear function of time
•all energy is kinetic
•value of “potential energy” is zero
...................................
metallurgy concerns matter in movement
matter-flow
what about the 3D hacker? what is in flow?
form is ever-emergent =/= pre-determined -->? default
[Alberti on northwest Argentina first millennium ceramic vessels:] potters’ bodies were shaped irrevocably by their skilled practice
objects they made were never complete ==> they were aligned with others’ concerns ==> they were drawn into potters’ social identities --> into the category of potter
*skill and ontoloical risk [--> question at CG artist]
-becoming subject to the processes they are involved in --(this commitment)--> involves them in both the task and its ongoing material consequence
skilled practices situated as the mediator between one realm and the other =/= (in Amazonia) where natural and cultural processes are not distinguished in [...]
(759)[...notes/notes on evangelist.txt]%86.4[...]oncerns matter in movement
matter-flow
what about the 3D hacker? what is in flow?
form is ever-emergent =/= pre-determined -->? default
[Alberti on northwest Argentina first millennium ceramic vessels:] potters’ bodies were shaped irrevocably by their skilled practice
objects they made were never complete ==> they were aligned with others’ concerns ==> they were drawn into potters’ social identities --> into the category of potter
*skill and ontoloical risk [--> question at CG artist]
-becoming subject to the processes they are involved in --(this commitment)--> involves them in both the task and its ongoing material consequence
skilled practices situated as the mediator between one realm and the other =/= (in Amazonia) where natural and cultural processes are not distinguished in the same way, skill is conceived far more broadly and is not an exclusively human capacity
(for Kuna) [*]skill: a mark of the maker's openness to alterity, learned in dreams from animals that lost the ability to perform those activities in mythic times, it not only acts upon surfaces or moulds forms; it also transfers qualities
skill matters (=/= gauge of technical action applied to raw material--like the case of The Magicians)
hackers and potters
(potters’ identities were vulnerable, how about hackers after a millennium?)
CG artist's intervensions in 3D materials (concidered active)
(we are living in) an inconstant world in which materials (including computers?) were lively and equally capable of subjectivity
(conventionally conceived) polygon modeling: reproducing, or representing a mental image of a completed body-pot
*?how CG artist can learn, like La Candelaria potters ****to take part in an aesthetics of care that is also a response to the threat of the inconstancy of all forms****, responding to perturbations in the movement of materials, to include knowledge of its inconstancy and of materials always capable of subjectivity
(this is significant for my research on ajayeb, due to the ways iranian culture is attracted to the image, and my self to CG and digital form making)
my relationship with the digital (articulated with Alberti:) that body-polys (body-pots) are ambivalent responses to the threat of inconstancy in a world wherein forms (like statues of myrtle) were only ever apparent --> each making of a body-poly (or pot) is a performance and an improvisation, unscripted and therefore cab go wronge
[Alberti + Budden + Sofaer + Ingold + Hallam]
3D model = partial subject
...................................
in Maya particles are as little ping-pong balls --✕--> relativity theory destroyed the idea of consistent objects
--> extreme forms of realism
[...]
(760)[...notes/notes on evangelist.txt]%86.5[...]eracting with other material human bodies. it is forged in a social somewhere.
...photographed on the right sidewalks at the right times by the right photographers
-persistent logic of image accumulation and circulation
-photographer’s exceptional status: the ‘decisive moment
-making yourself into a street style sensation through sheer force of will
***practice of distinction*** (--> you have to make it appear that other people are more interested in you than you are in them)
...take someone’s photo, post it online, appropriate their social capital, then ditch them and move on (a game played throughout the fashion industry) <-- constant and well-managed visibility
(the misleading idea of) “style ==> to be picked out of a crowd” [style, that little something extra as vague and indeterminate as Weberian charisma that most people simply do not possess]
-the fashion photographer's eye: the affective instrument through which the photographers feels what she sees (intuitive, embodied, automatic, as a style radar)
street style star <== the right people like you
-what is new in new moment of public viewing? can we have a public moment (exhibition, etc.) and concider glamor and fashion and modernity coinciding with technology and digital platforms?
(for me still the inner thoughts and public life are not blured, that is why i cannot post so quick online)
why use design as a template for reworking ethnography?
*the design process is generally oriented toward transforming (or cooking) “raw” information into “useful knowledge,” a guided mutation of “mere ideas” into “workable concepts” or a “feasible design” that then becomes an “object” (in all possible meanings of the term) in the world*
design: techniques for “working out” and “working through”
charrette شارت
a balance between structure and flexibility
1. active deconstruction: (to arrive at collaboratively, of the work's otherwise obscured underlying composition) to focus on:
•ethnographic specifics
•theoretical frameworks
•(writing) style
•how arguments are constructed
•
2. projection: (to engage a bit more seriously in speculative, comparative, and synthetic thinking)
•sorting activity, posting on the wall
•identify clusters of concepts that could form new and potentially unexpected categories
•to select a few of the clusters that you feel (individually and collectively) are useful for generating possible new avenues for speculation
•
3. reconstruction: (dedicated to innovation)
to develop a “rapid prototype” for a new ethnographic/research form, method, or mode, using the clusters of concepts they had identified as interesting and useful for speculation
•thinking about possibilities for how (ethnographic/research) material can be analyzed, ar[...]
(761)[...notes/notes on evangelist.txt]%87.2[...]
*the design process is generally oriented toward transforming (or cooking) “raw” information into “useful knowledge,” a guided mutation of “mere ideas” into “workable concepts” or a “feasible design” that then becomes an “object” (in all possible meanings of the term) in the world*
design: techniques for “working out” and “working through”
charrette شارت
a balance between structure and flexibility
1. active deconstruction: (to arrive at collaboratively, of the work's otherwise obscured underlying composition) to focus on:
•ethnographic specifics
•theoretical frameworks
•(writing) style
•how arguments are constructed
•
2. projection: (to engage a bit more seriously in speculative, comparative, and synthetic thinking)
•sorting activity, posting on the wall
•identify clusters of concepts that could form new and potentially unexpected categories
•to select a few of the clusters that you feel (individually and collectively) are useful for generating possible new avenues for speculation
•
3. reconstruction: (dedicated to innovation)
to develop a “rapid prototype” for a new ethnographic/research form, method, or mode, using the clusters of concepts they had identified as interesting and useful for speculation
•thinking about possibilities for how (ethnographic/research) material can be analyzed, argued, collected, or presented, and needed to be something other than a verbal description
•using pechakucha presentation style (20 slides, 20 seconds each, a constraint intended to keep the students on their toes and to prevent dwelling on any single point for too long)
•presentation could tell us as much about how the group worked as much as what they specifically worked on
developing various ways in which stakeholders (traditionally have little or no part in the production of ethnography/research: read[...]
(762)[...notes/notes on evangelist.txt]%87.3[...]presentation style (20 slides, 20 seconds each, a constraint intended to keep the students on their toes and to prevent dwelling on any single point for too long)
•presentation could tell us as much about how the group worked as much as what they specifically worked on
developing various ways in which stakeholders (traditionally have little or no part in the production of ethnography/research: readers, informants, the public) can be brought into the process of crafting and meaningfully manipulating research/ethnographic materials
slider --> to “mix” and “remix” (ethnographic) data
to fit their contingencies
to leave open agendas that might be brought to the data
to create an infrastructure that allows to experience first-hand the theoretical constructs one uses in text
https://ethnocharrette.wordpress.com/
#research group workshop reading, charrette method
take Nicholas Shapiro's “Attuning to the Chemosphere”
•to redesign pedagogical practices for training researchers
•collaborative initiatives in which research designs could be analyzed, experimented with, and transformed.
...................................
“may all your problems be technical” (said by Jim Gray oft-quoted U.S. computer scientist)
=/= understanding what to build, for whom, for what purposes, and how their usage of the technologies will evolve over time
...................................
many artists today work within the regime of the stereotype, manipulating mass-cultural imagery ==> hidden ideological agendas are exposed [supposedly]
(artist's view:) “stereotype = something arbitrarily imposed upon the social field” therefore something relatively easy to depose [<-- they can't be more wronge]
(artist's self-grandious fantasy is that) “they pose a threat to those in power”
juxtapose
superimpose
interpose
==>
expose
oppose
depose
an artist like Kruger --> gesture (and not action) --Owens--> *stereotype's transformation of action into gesture*
positionality inscribed in language by the personal pronouns ‘I/we’ and ‘you’ --> manifesting the subject positions of partners in a conversation
(the third-person pronoun is a ‘non-person’ designating an objective existence, and not a subject position)
-linguistic class of deixis: here, now, this, that [--> carnal discourse]
-linguistic class of deictic: I, you [--> directly to the addressee: acquires body, weight, gravity]
she addresses ‘me’ ==> double address : oscillate between the personal and the impersonal ~ inclusion & exclusion --> to welcome...
personal pronouns ~-> ‘shifter’ ==allow==> speakers to ***shift from code to message*** (~ from the abstract to the concrete)
(for Barthes:) o[...]
(763)[...notes/notes on evangelist.txt]%87.3[...]sness and its other (in the play of reflection in the mirror)
ego: imaginary construct by the capture of the image (in the mirror)
see yourself ==> you are petrified ~ *arrest*
...~->? scopic drive
(Lacan on) evil eye --> arrest movement and literally kill life
(psychological concept of) sature (to join two lips of a wound): pseudo-identification of an initial moment of seeing and a terminal moment of arrest --Owens--> *medusa effect*: imaginary identification of the seer and seen (immediacy, capture, stereotype)
Lacan placing the moment of arrest prior to the moment of seeing --> what happens when we look at a picture : first an arrested gesture (a picture) then the act of seeing (completing the picture)
[*]to pose: to present onself to the gaze of the other as if one were already frozen (immobilized, suspended, a picture), **mimicing the immobilizing power of the gaze** --Owens--> pose forces th[...]
(765)[...notes/notes on evangelist.txt]%87.6[...]inside in an ongoing interchange --> *social*
Schilder's “zones of sensitivity”: bodily orifices + its sensation experienced about one centimeter from the opening (-for example how the diseases of internal organs are not experienced in their precise anatomical locations)
*zones outside the body* --> intrusion into this bodily space is considered as much a violation as penetration of the body itself, the size and form of this surrounding space of safety is individually, sexually, racially, and culturally variable [--> #clean and dirt for my mother; my body image outside space surrounding it when i am in my room is the room itself, every corner, every niche accumulates senses and thoughts...]
the space surrounding the body is not uniform:
•thinner in some places (which more readily tolerate body contact)
•thicker in some places (which are particularly psychically, socially, and culturally “privatized”)
•
-acting uses body image --> body image can shrink or expand; it can give parts to the outside world and can take other parts into itself
-playing setar --> (part of the difficulty of learning how to use instruments, such as setar) the libidinal problem of how they become psychically invested (=/= simply the technical problem of how they are used)
surgeon's body image
in driving, trying to fit into a small parking spot <-- experienced in the body image of the driver (and sometimes, to their horror, in that of the passengers) [--> by inability to drive is related to a bad body image?]
body image is capable of accommodating and incorporating an extremely wide range of objects:
•clothing
•jewelry
•other bodies
•objects
•nail polish
•jets, ships, cars
•bodily zones:
◦orifices
◦curves
◦convex spaces
◦concave spaces
•“detachable” or intermediate category of objects, midway between the inanimate and the bodily [~= Lacanian objet a, Kristeva's abject]:
◦body's excretions
◦body's waste products
◦bodily byproducts
◾urine
◾faeces
◾saliva
◾sperm
◾blood
◾vomit
◾hair
◾nails
◾skin
}--> retain something of the cathexis and value of the body (--> keeping my chopped nails, old toys, art-works... ?! --?--> ‘detachment = your work (art, etc.) is not bound up with your body image’), they remain magically linked to the body --> narcissistic investment in the body image
}--> ****human subjects never simply have a body****
the body is always necessarily the object and subject of attitudes and judgments, psychically invested, never a matter of indifference
-the body never has merely instrumental or utilitarian value for the subject --Grosz--> which organs are libidinally invested and the kinds of investments t[...]
(766)[...notes/notes on evangelist.txt]%88.3[...]they seem to have aged, whereas the subject feels as if he or she has not
--> condition of continual transformation + time lag in the perception and registeration of real changes in the body image
body image: condition of the subject's access to spatiality (including built environments) = a postural schema of the body [=/= mapping a biological body onto a psychological domain, providing a kind of translation of material into conceptual terms]
-->
•radical inseparability of biological from psychical elements
•connection between the question of sexual specificity (biological sexual difference)
•connection between the question of psychical identity
...................................
Grosz realizes two human perversion in psychoanalysis literature:
•male --> fetishism (sexual gratification from the use of inanimate partial objects alone)
•feminine --> exhibitionism, kleptomania
female fetishism --> lesbianism
fetishism --> excess of their psychoanalytic descriptions
feminism --> collective psychosis (~ a political disavowal of women's social reality as oppressed)
[*]play: a form of mastery (= a conversion of passivity into activity) + a technique for the production of pleasure
Freud:
•deviation in the sexual object --> homosexuality, pedophilia, bestiality
•deviation in the sexual aim --> transvestism, voyeurism, exhibitionism
fetishism: sexual overvaluation of a part (of the body or an inanimate object)
[--Grosz--> ‘overvaluation’ is a characteristic of masculine forms of loving]
“perversion =/= neuroses” --> pervert expresses precisely what it is that the neurotic represses (*perversion: to avoid the repression)
sexual normality = copulative nonincestual heterosexuality
fetishist: the boy/child who is unable to resolve the oedipal conflict in its various alternatives (unable or unwilling to abandon the mother as love object)
-he cannot, like the homosexual son, accept symbolic castration in order to take on the “feminine” position and adopt a passive sexual role in relation to his father
-he is not prepared to “pay” for his desire by facing the oedipal prohibition (give up the mother or lose the penis) --> fetish: a token of triumph over the threat of castration (and a protection against it) -->{makes women tolerable as sexual objects + saves the fetishist from becoming a homosexual}
[*]fetish: (a substitute for or) *a talisman of the phallus*
(most significant one in the child's erotic life -->) mother's phallus: that which endows her with power and authority
fetish --> a way of both preserving his belief in the missing maternal phallus and at the same time accepting her castration and the possibility of his own
disavowal =/= repression (--> neurosis) =/= neg[...]
(767)[...notes/notes on evangelist.txt]%88.5[...]/>
erotic stylization of deadly force --(Archer asks)--> why is it stylish for one to be attracted to the kind of power that “the uniform” signifies?
how styles (sartorial, campy, grotesque) serve as a serious index of our collective complicity in the ongoing production of state violence?
...................................
Chen on animacy
animacy --> how matter that is considered insensate, immobile, deathly (or otherwise “wrong”) animates cultural life in important ways
[*]animacy: a quality of agency, awareness, mobility, liveness
--linguistics--> grammatical effects of the sentience or liveness of nouns
change of animacy ==> violates a cross-linguistic preference among speakers
(for example “the hikers that rocks crush” --> rock: the source of causality)
animacy
filled with life, disposed, inclined, animare to breathe, to quicken
anima, air, breath, life, soul, mind (mental impulse)
--connected--> animals
animosity --> animating spirit or temper of a hostile character
animating principle [--> rigging]
...................................
Ihde: playing a musical instrument (= a technological mediation) =/= the process of genetic manipulation
=/= Heidegger's technology: a metaphysically totalizing context (<-- every technology ended up with exactly the same output or analysis)
Ihde =/= utopian & dystopian views of technology
...to understand yourself to be thinking and acting ‘in the midst of’ the pervasive technoscientific character of life (@CG hacker)
Ihde --> ***technologies and humans constitute themselves interactively***
*technological mediation: heterogeneous relationships between individual human beings and the world + artifacts used for mediations =/= ideals of efficiency and clear communication
“breakdown ==> new gestalt” : something that had usually taken for granted, which then under breakdown conditions, now gets revealed in a new way (revelatory function)
=/= Ihde's *variational practice* : variations ==forefront==> new gestalts
(our) world = powerful effective & failing technology
we =/= tragic hero (+ broken hammer) or Enlightenment scientist (+ laboratory)
matrix --> female
those that move in the matrix --> formative male principle
(Foucault's) episteme: social-moral-religious stability
Latour
modernity <== settlement: (a clear and sharp distinction) society =/= nature --obscure--> the proliferation of hybrids: entities that are both cultural & natural (for example material technologies are both “real” & “constructed”)
Ihde --> technologies are in *mediating positions*
interrelational rela[...]
(768)[...notes/notes on evangelist.txt]%88.7[...]cted--> animals
animosity --> animating spirit or temper of a hostile character
animating principle [--> rigging]
...................................
Ihde: playing a musical instrument (= a technological mediation) =/= the process of genetic manipulation
=/= Heidegger's technology: a metaphysically totalizing context (<-- every technology ended up with exactly the same output or analysis)
Ihde =/= utopian & dystopian views of technology
...to understand yourself to be thinking and acting ‘in the midst of’ the pervasive technoscientific character of life (@CG hacker)
Ihde --> ***technologies and humans constitute themselves interactively***
*technological mediation: heterogeneous relationships between individual human beings and the world + artifacts used for mediations =/= ideals of efficiency and clear communication
“breakdown ==> new gestalt” : something that had usually taken for granted, which then under breakdown conditions, now gets revealed in a new way (revelatory function)
=/= Ihde's *variational practice* : variations ==forefront==> new gestalts
(our) world = powerful effective & failing technology
we =/= tragic hero (+ broken hammer) or Enlightenment scientist (+ laboratory)
matrix --> female
those that move in the matrix --> formative male principle
(Foucault's) episteme: social-moral-religious stability
Latour
modernity <== settlement: (a clear and sharp distinction) society =/= nature --obscure--> the proliferation of hybrids: entities that are both cultural & natural (for example material technologies are both “real” & “constructed”)
Ihde --> technologies are in *mediating positions*
interrelational relativistic ontologies : there is interaction and mutual “non-neutral” and “noninnocent” productive and emergent shaping between humans + technologies + animals --> knowledge is “situated” and particular, not “transcendentally” true ==> putative symmetry between the human & nonhuman
bestiality (interrelational, sin?) is embedded in what has to appear to us today as an antiquated or surpassed stability
•(Merleau-Ponty + Ihde) embodiment is the location of all intelligent behavior [situated + embodied]
•(Pickering) cybernetic (self-organizing set) is the location of all intelligent behavior [situated]
---> go to Galison's Einstein
(the old notion that) ***phenomenology is primarily descriptive =/= prescriptive
[ethicalization of knowledge, in Iran, in artists reading choices based on gender, etc. turning research into applied ethics]
•contemporary ethics of a cosmopolitan pluricultural tolerant sort
•absolutisms o[...]
(775)[...notes/notes on evangelist.txt]%88.8[...]ian views of technology
...to understand yourself to be thinking and acting ‘in the midst of’ the pervasive technoscientific character of life (@CG hacker)
Ihde --> ***technologies and humans constitute themselves interactively***
*technological mediation: heterogeneous relationships between individual human beings and the world + artifacts used for mediations =/= ideals of efficiency and clear communication
“breakdown ==> new gestalt” : something that had usually taken for granted, which then under breakdown conditions, now gets revealed in a new way (revelatory function)
=/= Ihde's *variational practice* : variations ==forefront==> new gestalts
(our) world = powerful effective & failing technology
we =/= tragic hero (+ broken hammer) or Enlightenment scientist (+ laboratory)
matrix --> female
those that move in the matrix --> formative male principle
(Foucault's) episteme: social-moral-religious stability
Latour
modernity <== settlement: (a clear and sharp distinction) society =/= nature --obscure--> the proliferation of hybrids: entities that are both cultural & natural (for example material technologies are both “real” & “constructed”)
Ihde --> technologies are in *mediating positions*
interrelational relativistic ontologies : there is interaction and mutual “non-neutral” and “noninnocent” productive and emergent shaping between humans + technologies + animals --> knowledge is “situated” and particular, not “transcendentally” true ==> putative symmetry between the human & nonhuman
bestiality (interrelational, sin?) is embedded in what has to appear to us today as an antiquated or surpassed stability
•(Merleau-Ponty + Ihde) embodiment is the location of all intelligent behavior [situated + embodied]
•(Pickering) cybernetic (self-organizing set) is the location of all intelligent behavior [situated]
---> go to Galison's Einstein
(the old notion that) ***phenomenology is primarily descriptive =/= prescriptive
[ethicalization of knowledge, in Iran, in artists reading choices based on gender, etc. turning research into applied ethics]
•contemporary ethics of a cosmopolitan pluricultural tolerant sort
•absolutisms of politically incarnated groups had to transform absolute beliefs into “private” ones (taken off the streets and battlegrounds) <--now-- returning!
****technologies are multistable: having unpredictable side-effects and embeddable in different ways in different cultures****
[technology + embodied -->] abstract philosophical reflects + mundane work practices
to incarnate a material agency-ethic --> are also multistable: can belong to any number of [...]
(776)[...notes/notes on evangelist.txt]%88.8[...]-> technologies are in *mediating positions*
interrelational relativistic ontologies : there is interaction and mutual “non-neutral” and “noninnocent” productive and emergent shaping between humans + technologies + animals --> knowledge is “situated” and particular, not “transcendentally” true ==> putative symmetry between the human & nonhuman
bestiality (interrelational, sin?) is embedded in what has to appear to us today as an antiquated or surpassed stability
•(Merleau-Ponty + Ihde) embodiment is the location of all intelligent behavior [situated + embodied]
•(Pickering) cybernetic (self-organizing set) is the location of all intelligent behavior [situated]
---> go to Galison's Einstein
(the old notion that) ***phenomenology is primarily descriptive =/= prescriptive
[ethicalization of knowledge, in Iran, in artists reading choices based on gender, etc. turning research into applied ethics]
•contemporary ethics of a cosmopolitan pluricultural tolerant sort
•absolutisms of politically incarnated groups had to transform absolute beliefs into “private” ones (taken off the streets and battlegrounds) <--now-- returning!
****technologies are multistable: having unpredictable side-effects and embeddable in different ways in different cultures****
[technology + embodied -->] abstract philosophical reflects + mundane work practices
to incarnate a material agency-ethic --> are also multistable: can belong to any number of contexts
...to recognizes that X plays an important role in defining Y-ic meaning
Merleau-Ponty's implicit body is a sort of sports body (active and transparent in action) --Iris--> fringe awareness of wearing glasses in sports activities
visualization of phantom limbs
hermeneutic-cultural body
embodiment through technologies
Andy Clark Natural Born Cyborgs
echnology of telepresence
the measurement of time ==> changes in human existence
the idea of *science = intervention + grasping*
•grasping ==> active dimension of acquiring knowledge is a genuinely contstructive activity (=/= a representational task of trying to represent external structures)
--> experiment & instruments (==> how theoretical entities come to be proven as real)
◦experimental-manipulative realism (Hacking)
◦modelistic constructive realism (Giere)
◦instrumental realism (Ihde)
[*]performance: conception + production + witnessing of material events, the experience of which is meaning generating in that these events give us back more than what we put into them
(Crease ☞ Ihde)
experimentation need to be both:
•[*]hermeneutical: who experimental intenti[...]
(779)[...notes/notes on evangelist.txt]%88.8[...]>
---> go to Galison's Einstein
(the old notion that) ***phenomenology is primarily descriptive =/= prescriptive
[ethicalization of knowledge, in Iran, in artists reading choices based on gender, etc. turning research into applied ethics]
•contemporary ethics of a cosmopolitan pluricultural tolerant sort
•absolutisms of politically incarnated groups had to transform absolute beliefs into “private” ones (taken off the streets and battlegrounds) <--now-- returning!
****technologies are multistable: having unpredictable side-effects and embeddable in different ways in different cultures****
[technology + embodied -->] abstract philosophical reflects + mundane work practices
to incarnate a material agency-ethic --> are also multistable: can belong to any number of contexts
...to recognizes that X plays an important role in defining Y-ic meaning
>
Merleau-Ponty's implicit body is a sort of sports body (active and transparent in action) --Iris--> fringe awareness of wearing glasses in sports activities
visualization of phantom limbs
hermeneutic-cultural body
embodiment through technologies
Andy Clark Natural Born Cyborgs
echnology of telepresence
the measurement of time ==> changes in human existence
the idea of *science = intervention + grasping*
•grasping ==> active dimension of acquiring knowledge is a genuinely contstructive activity (=/= a representational task of trying to represent external structures)
--> experiment & instruments (==> how theoretical entities come to be proven as real)
◦experimental-manipulative realism (Hacking)
◦modelistic constructive realism (Giere)
◦instrumental realism (Ihde)
[*]performance: conception + production + witnessing ssing of material events, the experience of which is meaning generating in that these events give us back more than what we put into them
(Crease ☞ Ihde)
experimentation need to be both:
•[*]hermeneutical: who experimental intentions and practices arise and evolve out of and already existing involvement with, and understanding of a concrete situation
•[*]phenomenology: (taking its point of departure from what is called embodiment) the experiences of a unified being, which cannot be understood apart from concrete human experience
philosopher --> values experts --> (fit into various) applied ethics contexts
Ihde rejecting a normativity that is predetermined by a dystopian/utopian cast
“let the things speak for themselves” (after they have been critically interrogated)
...................................
Galison
(employing) kinesthetic-tactile body experiences in Ei[...]
(781)[...notes/notes on evangelist.txt]%88.9[...]s, remote regulation of pendula, telephonic, even wireless-transmission of time
}--> pass through the Swiss patent office in Bern & Einstein's desk --> Einstein's expertise on electromechanical devices (1902)
electromagnetic clock coordination : transforming small electrical currents into high-precision rotatory movements
}--> “time is money” --Galison--> no old-fashioned mechanical, hydraulic, or pneumatic system would do--electricity was the key to the future (a future that would only come about properly if humankind broke with its mechanical clock past riven by anarchy, incoherence, and routinization)
distant simultaneity --> political, profitable, pragmatic =/= anarcho-clockism
#title
international bureau of measurement
Einstein agonizing over the nature of moving bodies and electrodynamics
=/= ether: the centerpiece of nineteenth-century physical theories
kinematics: geometry of motion, behavior of matter in the absence of force
metaphysics of Einstein's relativity theory --Galison--> underlined through some of the most symbolized mechanisms of modernity ~ determining train arrival times using electromagnetically coordinated clocks (was precisely the technological issue that had been racking Europe 1902) : symbol of the interconnected sped-up world of modernity
*centralized time* distribution was the temporal-physical glory of the unified German empire
turn-of-the-century Euro-American world --> overlapping networks of coordination: webs of train tracks, telegraph lines, meteorological networks, longitude surveys under the watchful, increasingly universal, clock system
--> Einstein's special theory of relativity was (an imaginative) machine <-- Galison's technological reading of (Einstein's) most theoretical paper
Einstein had opened the zone of unification (but in the process:)
•he removed Berlin as the Zeitzentrum
•designed a machine that upended the very category of metaphysical centrality
post world war I
all the activities of man, whether conscious or unconscious (sleeping, eating, meditating, playing) take place in time; without order, without specified plans, we risk falling into anarchy (physical, intellectual and moral misery)
--Favarger--> the remedy: the precise measurement and determination of time with the rigor of an astronomical observatory
(to) democratize time : time rigor must be distributed electrically
(=/= gears and magnets)
Galison's exploring the material culture of clock coordination is to set Einstein's place in a universe of meaning --avoid--> two problematic positions (*on the relation of things to thoughts*):
1. materialism or empiricism: inductive, observation-centered account of scientific development (~ that ideas emerge causally and univalently from the dispos[...]
(782)[...notes/notes on evangelist.txt]%89[...] humankind broke with its mechanical clock past riven by anarchy, incoherence, and routinization)
distant simultaneity --> political, profitable, pragmatic =/= anarcho-clockism
#title
international bureau of measurement
Einstein agonizing over the nature of moving bodies and electrodynamics
=/= ether: the centerpiece of nineteenth-century physical theories
kinematics: geometry of motion, behavior of matter in the absence of force
metaphysics of Einstein's relativity theory --Galison--> underlined through some of the most symbolized mechanisms of modernity ~ determining train arrival times using electromagnetically coordinated clocks (was precisely the technological issue that had been racking Europe 1902) : symbol of the interconnected sped-up world of modernity
*centralized time* distribution was the temporal-physical glory of the unified German empire
turn-of-the-century Euro-American world --> overlapping networks of coordination: webs of train tracks, telegraph lines, meteorological networks, longitude surveys under the watchful, increasingly universal, clock system
--> Einstein's special theory of relativity was (an imaginative) machine <-- Galison's technological reading of (Einstein's) most theoretical paper
Einstein had opened the zone of unification (but in the process:)
•he removed Berlin as the Zeitzentrum
•designed a machine that upended the very category of metaphysical centrality
post world war I
all the activities of man, whether conscious or unconscious (sleeping, eating, meditating, playing) take place in time; without order, without specified plans, we risk falling into anarchy (physical, intellectual and moral misery)
--Favarger--> the remedy: the precise measurement and determination of time with the rigor of an astronomical observatory
(to) democratize time : time rigor must be distributed electrically
(=/= gears and magnets)
Galison's exploring the material culture of clock coordination is to set Einstein's place in a universe of meaning --avoid--> two problematic positions (*on the relation of things to thoughts*):
1. materialism or empiricism: inductive, observation-centered account of scientific development (~ that ideas emerge causally and univalently from the disposition of objects and the impressions they make upon us) ==> “theory = provisional addition”
2. antipositivist movement of the 1960s and 1970s (that programmes, paradigms, and conceptual schemes came first ==reshape==> experiments and instruments all the way down) “thoughts fully structured things”
1902 --> triumph of the *electrical over the mechanical* was already symbolically wired to dreams of modernity
*electrical chronocoordination --signified--> political, cultural, technical unity all at once [*Einheitszeit = [...]
(783)[...notes/notes on evangelist.txt]%89[...]r unconscious (sleeping, eating, meditating, playing) take place in time; without order, without specified plans, we risk falling into anarchy (physical, intellectual and moral misery)
--Favarger--> the remedy: the precise measurement and determination of time with the rigor of an astronomical observatory
(to) democratize time : time rigor must be distributed electrically
(=/= gears and magnets)
Galison's exploring the material culture of clock coordination is to set Einstein's place in a universe of meaning --avoid--> two problematic positions (*on the relation of things to thoughts*):
1. materialism or empiricism: inductive, observation-centered account of scientific development (~ that ideas emerge causally and univalently from the disposition of objects and the impressions they make upon us) ==> “theory = provisional addition”
2. antipositivist movement of the 1960s and 1970s (that programmes, paradigms, and conceptual schemes came first ==reshape==> experiments and instruments all the way down) “thoughts fully structured things”
1902 --> triumph of the *electrical over the mechanical* was already symbolically wired to dreams of modernity
*electrical chronocoordination --signified--> political, cultural, technical unity all at once [*Einheitszeit = imperial empire (~= democracy, world citizenship, and antianarchism)]
*patent office: grandstand seat for the great parade of modern technologies
==> Einstein (eliminating the master clock + raising the conventionally set time to a physical principle ==> modern 20th century physics of relativity)
...................................
James Ash
on videogame designer (<-- i am applying that to technical animators)
distribution and transmission of media affects
[animators] work to create the potential for *positively affective encounters to occur* (encounters which increase the body’s capacity to act & produce associated positive senses of intensity)
creating critically and commercially successful
*producing contingency* (that designers attempt to manage and control)
rigging
the code space of the software environment + embodied techniques hackers generate (in response to that environment)
*structural determination + emergent practice*
a key aspect of media today --Stiegler--> [*]selection: a decision is made to broadcast one story over another
testing --> calculative logics of anticipation and preemption --shape--> the contingency of the event
the actual practices of riggers (technical animator)
animation industry
the ways in which affect can be actively manipulated for commercial and economic ends in the design and production of consumer services and good
***technologies are affectively engineered*** <--Thrift--[...]
(784)[...notes/notes on evangelist.txt]%89.1[...]==reshape==> experiments and instruments all the way down) “thoughts fully structured things”
1902 --> triumph of the *electrical over the mechanical* was already symbolically wired to dreams of modernity
*electrical chronocoordination --signified--> political, cultural, technical unity all at once [*Einheitszeit = imperial empire (~= democracy, world citizenship, and antianarchism)]
*patent office: grandstand seat for the great parade of modern technologies
==> Einstein (eliminating the master clock + raising the conventionally set time to a physical principle ==> modern 20th century physics of relativity)
...................................
James Ash
on videogame designer (<-- i am applying that to technical animators)
distribution and transmission of media affects
[animators] work to create the potential for *positively affective encounters to occur* (encounters which increase the body’s capacity to act & produce associated positive senses of intensity)
creating critically and commercially successful
*producing contingency* (that designers attempt to manage and control)
rigging
the code space of the software environment + embodied techniques hackers generate (in response to that environment)
*structural determination + emergent practice*
a key aspect of media today --Stiegler--> [*]selection: a decision is made to broadcast one story over another
testing --> calculative logics of anticipation and preemption --shape--> the contingency of the event
the actual practices of riggers (technical animator)
animation industry
the ways in which affect can be actively manipulated for commercial and economic ends in the design and production of consumer services and good
***technologies are affectively engineered*** <--Thrift--Ash-- microbiopolitics of the subliminal: doing without thinking, practices of anticipatory manipulation ==> position consumers of media as passive dupes (<-- زیرپوستی *hypodermic model of media power*)
--✕--> Ash: affective manipulation is necessarily a fragile achievement that is prone to failure and always reliant upon being continually reworked in the creative responses users develop in relation to the designed environments with which they interact [---> go to fandom and fan culture]
animation design (videogame): is a complex, problematic, and ongoing struggle between:
•the openness and performative play of contingency & chance (which emerge through the techniques and intelligences that users develop as they become skilled at these games)
•the mechanical systems and calculative rationalities through which these environments are designed
affective properties of contingency ==> commercially and critically successful
rig:[...]
(787)[...notes/notes on evangelist.txt]%89.1[...]nation + emergent practice*
a key aspect of media today --Stiegler--> [*]selection: a decision is made to broadcast one story over another
testing --> calculative logics of anticipation and preemption --shape--> the contingency of the event
the actual practices of riggers (technical animator)
animation industry
the ways in which affect can be actively manipulated for commercial and economic ends in the design and production of consumer services and good
***technologies are affectively engineered*** <--Thrift--Ash-- microbiopolitics of the subliminal: doing without thinking, practices of anticipatory manipulation ==> position consumers of media as passive dupes (<-- زیرپوستی *hypodermic model of media power*)
--✕--> Ash: affective manipulation is necessarily a fragile achievement that is prone to failure and always reliant upon being continually reworked in the creative responses users develop in relation to the designed environments with which they interact [---> go to fandom and fan culture]
animation design (videogame): is a complex, problematic, and ongoing struggle between:
•the openness and performative play of contingency & chance (which emerge through the techniques and intelligences that users develop as they become skilled at these games)
•the mechanical systems and calculative rationalities through which these environments are designed
affective properties of contingency ==> commercially and critically successful
rig: assemblage of human and nonhuman actor
staging, managing, and controlling event [movement] within the limited computational architecture
(asking with Ash) how agency is distributed in the assemblages of various human and technical actors that make up rigging?
rig =/= architecture
shaping corporeal dispositions
(entertainment industry does work) to maintain and guard the contingent as a positive force
contingency: the unexpected, the random, the singular, the unrepeatable, or the surprising (that which cannot be pinned down by any process that attempts to pin it down) =/= boring
(Dastur, Dewsbury, Delanda)
--> you need *open skill: contingent tactically oriented understanding* (contextually-appropriate responsiveness, context-dependent ways, regulated improvisation) <-- hacker's talent
(Deleuzian) [*]affect: the outcome of an encounter between two or more bodies (which can be human or inhuman, organic or inorganic), which either increases or decreases a body's capacity for action
captivation --> the specificity of the ecological relationship between user and (image) environment
(game) design
cultivation of the right kinds of affects through quantitative variables in the game's database ~= (Latour's) laboratories: theatres of proof (thro[...]
(790)[...notes/notes on evangelist.txt]%89.2[...]ies are affectively engineered*** <--Thrift--Ash-- microbiopolitics of the subliminal: doing without thinking, practices of anticipatory manipulation ==> position consumers of media as passive dupes (<-- زیرپوستی *hypodermic model of media power*)
--✕--> Ash: affective manipulation is necessarily a fragile achievement that is prone to failure and always reliant upon being continually reworked in the creative responses users develop in relation to the designed environments with which they interact [---> go to fandom and fan culture]
animation design (videogame): is a complex, problematic, and ongoing struggle between:
•the openness and performative play of contingency & chance (which emerge through the techniques and intelligences that users develop as they become skilled at these games)
•the mechanical systems and calculative rationalities through which these environments are designed
affective properties of contingency ==> commercially and critically successful
rig: assemblage of human and nonhuman actor
staging, managing, and controlling event [movement] within the limited computational architecture
(asking with Ash) how agency is distributed in the assemblages of various human and technical actors that make up rigging?
rig =/= architecture
shaping corporeal dispositions
(entertainment industry does work) to maintain and guard the contingent as a positive force
contingency: the unexpected, the random, the singular, the unrepeatable, or the surprising (that which cannot be pinned down by any process that attempts to pin it down) =/= boring
(Dastur, Dewsbury, Delanda)
--> you need *open skill: contingent tactically oriented understanding* (contextually-appropriate responsiveness, context-dependent ways, regulated improvisation) <-- hacker's talent
(Deleuzian) [*]affect: the outcome of an encounter between two or more bodies (which can be human or inhuman, organic or inorganic), which either increases or decreases a body's capacity for action
captivation --> the specificity of the ecological relationship between user and (image) environment
(game) design
cultivation of the right kinds of affects through quantitative variables in the game's database ~= (Latour's) laboratories: theatres of proof (through a process of decontextualization, the scientific experiment which isolates the factors it wants to study, an entity becomes nameable & calculable ==> predictable & knowable)
•Latour's laboratory --render--> a particular object/process =/=
•game develop --render--> contingency (contingent events [within an already existing horizon of expectation / coded structure])
emergence of intelligences (of the users) --> (Massumi's) analogue: something that cannot be purely reduced to measurement through quantitative states[...]
(791)[...notes/notes on evangelist.txt]%89.2[...]gh quantitative variables in the game's database ~= (Latour's) laboratories: theatres of proof (through a process of decontextualization, the scientific experiment which isolates the factors it wants to study, an entity becomes nameable & calculable ==> predictable & knowable)
•Latour's laboratory --render--> a particular object/process =/=
•game develop --render--> contingency (contingent events [within an already existing horizon of expectation / coded structure])
emergence of intelligences (of the users) --> (Massumi's) analogue: something that cannot be purely reduced to measurement through quantitative states or mathematical modelling (for example vision --into--> imagination, noise in the ear --into--> music in the heart [body operating as transducer] --> *transduce energy*) =/= digital: exhaustively possibilistic (control represented and manipulated through discrete quantitative states)
game design as an essentially the *anticipatory practice* (practices that attempt to plan, preempt, and rationalise the potentiality of future events in order to bring this potentiality within a logic of calculation -Anderson)
•shape the potential actions of potential users --> rendering contingency visible
somatic bodily techniques + analytical ways of conceptualizing and responding to situations (within the game, or animation task in a software) --> reduce them to abstract and codified tendencies ~= rig
(design:) rendering contingency visible through the practices of testing --> build affect into anticipatory practices
airport: rigged architecture (passenger is faced with a situation in which forwards or backwards are the only directions they may go)
3D animation --> [using] digital (a form of calculative abstraction) + [to create positive encounter with] analogue body subject (irreducible to purely digital or discrete mathematical states)
rigging ~~--> envelopment: complex forms of difference (between the analogue and the digital) are transduced and rendered visible
event as a process of ecological emergence (outcome of a material assemblage of various entities, forces, and rules working together to encourage and prohibit specific forms of movement and action) --help--> *how the potential for events to happen are being designed into environments* (preemption, both digital and physical)
mania for what is surprising, for what immediately sweeps us away and impresses us for fleetingness as the basic law of constancy <--Heidegger-- a logic that is central to our experience of modern technology
~/=
games involve the development of techniques for interacting with them that subsist over longer periods of time within the body
•(gamer's) body <==shaped== through the creative responses generated by users in relation to the images they experience
•(game's) responses ==br[...]
(792)[...notes/notes on evangelist.txt]%89.3[...]s (within the game, or animation task in a software) --> reduce them to abstract and codified tendencies ~= rig
(design:) rendering contingency visible through the practices of testing --> build affect into anticipatory practices
airport: rigged architecture (passenger is faced with a situation in which forwards or backwards are the only directions they may go)
3D animation --> [using] digital (a form of calculative abstraction) + [to create positive encounter with] analogue body subject (irreducible to purely digital or discrete mathematical states)
rigging ~~--> envelopment: complex forms of difference (between the analogue and the digital) are transduced and rendered visible
event as a process of ecological emergence (outcome of a material assemblage of various entities, forces, and rules working together to encourage and prohibit specific forms of movement and action) --help--> *how the potential for events to happen are being designed into environments* (preemption, both digital and physical)
mania for what is surprising, for what immediately sweeps us away and impresses us for fleetingness as the basic law of constancy <--Heidegger-- a logic that is central to our experience of modern technology
~/=
games involve the development of techniques for interacting with them that subsist over longer periods of time within the body
•(gamer's) body <==shaped== through the creative responses generated by users in relation to the images they experience
•(game's) responses ==bring==> into being different bodily capacities and modes of attunement, which cannot be intentionally determined (by those who produce the images through the processes of design)
correct mixture of contingency and structure
...................................
prosthesis + castration complex --> “cyberspace: having your everything amputated"
prosthetic skill ~= mastery of the phantom limb
--> rigging
prosthetic --> vivid illustration of the human-technology relations in terms of the body [=/=? hyperobjects]
(set of) architectural metaphors --provide--> foundation of the university
-(in the case of rigging) mechanical metaphors --provide--> foundation of moving bodies
prosthetic technology (like the *magic lantern*)
***technology of theory***
rigging and the question of morphological correspondence (homology: systematic similarity) --> isomorphic systems of relations
•isomorphic: 1-1 mapping, structure-preserving mapping --✕--> breakable objects
homology: principle of rigging, essentially the same (parts might have different shapes and be employed for different purposes) --> geometrical similarity --> ‘abstraction: materials of organization’ [position + structure] (Geoffroy ☞ Hubert)
~~✕--> [...]
(793)[...notes/notes on evangelist.txt]%89.3[...]rious entities, forces, and rules working together to encourage and prohibit specific forms of movement and action) --help--> *how the potential for events to happen are being designed into environments* (preemption, both digital and physical)
mania for what is surprising, for what immediately sweeps us away and impresses us for fleetingness as the basic law of constancy <--Heidegger-- a logic that is central to our experience of modern technology
~/=
games involve the development of techniques for interacting with them that subsist over longer periods of time within the body
•(gamer's) body <==shaped== through the creative responses generated by users in relation to the images they experience
•(game's) responses ==bring==> into being different bodily capacities and modes of attunement, which cannot be intentionally determined (by those who produce the images through the processes of design)
correct mixture of contingency and structure
...................................
prosthesis + castration complex --> “cyberspace: having your everything amputated”
prosthetic skill ~= mastery of the phantom limb
--> rigging
prosthetic --> vivid illustration of the human-technology relations in terms of the body [=/=? hyperobjects]
(set of) architectural metaphors --provide--> foundation of the university
-(in the case of rigging) mechanical metaphors --provide--> foundation of moving bodies
prosthetic technology (like the *magic lantern*)
***technology of theory***
rigging and the question of morphological correspondence (homology: systematic similarity) --> isomorphic systems of relations
•isomorphic: 1-1 mapping, structure-preserving mapping --✕--> breakable objects
homology: principle of rigging, essentially the same (parts might have different shapes and be employed for different purposes) --> geometrical similarity --> ‘abstraction: materials of organization’ [position + structure] (Geoffroy ☞ Hubert)
~~✕--> Deleuze and Guattari's body without organs [anatomical: pure plane of immanence (~ *rig = abstract animal*)]
--> (thinkers of) *organic folding* + *comparative biological intuition* --> *science of form*
•analogue: a part or organ in one animal that has the same function as another part or organ in a different animal (--> rig is the analogue of the animal's body)
•homotypy (homotype: serially repeated parts) --> Goethe
homology: a morphological correspondence determined primarily by relative position and connection ~= rigging
--Darwin--> material ancestors (replaced metaphysical archetypes)
philosophical anatomy <~~?--> rigging
•dialectics is the search for rational laws which are active in nature
•discontent with merely empiricism
•transcendental (philos[...]
(795)[...notes/notes on evangelist.txt]%89.3[...]ir nonhuman companions [...to virtual explosive demons of Charmed TV series --> how we embody animals and how they embody us? rigging demons (my digital folk tale), rigging as sensory medium (a mode of nearness), bodies bound through appropriation]
(in apass:)
zoosemiotic registers
meaning making registers
bodily contact zones
(Charmed demons state of trans:) modes of incorporation, intimacy, inhabitation
--> tranimals: trans animals, range of kinds of sapience and being in various distributed cognitions, syntaxes,and embodiments (and affects)
animals become “animals” not just in terms of plurality but in terms of a plurality that is located within spatiotemporal coordinations
(Kelley, Hayward ☞ Katie)
‘here’ and ‘there’ ~ material partials
...
sensuous trafficking
from inorganic to organic
transcode sensoria
as refrain
by which life gets lived
play enjoyed
augmented states of being emerge
*distributed cognitions* (populated digitalities) ==Hayles==> abandonment of mastery (anthropomorphic fantasies of control)
my text rigging demons = (an unmetabolized knowledge,) play between technical animator programming + CG interface + soap opera + my affective involvement --> speciation bestiary style
not only tranimals, but national restructuring, political economies of sciences, images, culture industries, and technologies reordering in infrastructural assemblages are also sensuous refrains
•some becomings and assemblages might refuse these refrains and *demand ontological primacy*
Leigh Star
for some kinds of tasks we (humans) are highly distributed --> remembering: ***much of our memories are in other people*** (libraries and homes)
part of our selves extend beyond the skin in every imaginable way <--phantom limb
--Katie--> embodiments (and beings) are distributed among memories, capacities, corporealities
demon dematerialization --> body dissolve (vanquish) --> relinquish --> networking materializing forces --> this text
the state of cut in manga series Attack on Titan
•affective wounds
•affective formations that break the skin
•restructuring
•chaotic and unpredictable nature
•your avatar (your monster): sensuously augmented elements of self
•territory registers
•materially real scales of involvement
•
play = double consciousness --> being in both states (is & is not, assertion & rejection) --creates--> its own commentary in itself about itself <-- intense and pleasurable interactive dynamism <-- meta communications performed by embodied selves at multiple levels (of organic and social systems)
commercial entertainment drawing on understandin[...]
(798)[...notes/notes on evangelist.txt]%89.5[...]ble cognition
= a form of globally restructuring knowledge work + embodied learning + economies
exosome explosive demons, as significant other?
we love to create worlds (that is why we make and watch soap operas)
careful negotiation of meaning and tools (in apass, not careful always)
...................................
(Katie -->) [*]web: a material example of a then counter-intuitive convergence and recombination, one across forms of inscription and meaning making devices[...]in that fictional everywhere of “everyone's” lives
emerging posthumanities: humans are only some of the agencies self-organizing in altering systems of things + people + worldly processes --Katie--> being inside and moved around literally by the very material and conceptual structures you are analyzing and writing about -->
•transdisciplinary consciousness: telescoping out to engage infrastructures in their layered accretions رشد
•witing (saying what counts) [has to] diverge perpendicularly across the normative --> performative = demonstration + simulation
•knowledge workings --embed--> within culture industries + transnational educational restructuring projects
writing technologie (~= activities + skills + devices in layered assemblages + material + conceptual inscription) --literalize--> tensions in grammatology:
•between writing's many possible referent/sign relationships in historical progression <-- Ignace Gelb
•call to account of assumptions about writing's derivations from speech built into the assertion of these relationships <-- Derrida
my writing on Charmed and rigging --> a mime of writing, mime understanding [#simulacra of knowledge], (using Katie's word) a literalizing attempt to work/write in the middle of writing technologies
...................................
lord of the rings (and simi[...]
(800)[...notes/notes on evangelist.txt]%89.7[...] lives
emerging posthumanities: humans are only some of the agencies self-organizing in altering systems of things + people + worldly processes --Katie--> being inside and moved around literally by the very material and conceptual structures you are analyzing and writing about -->
•transdisciplinary consciousness: telescoping out to engage infrastructures in their layered accretions رشد
•witing (saying what counts) [has to] diverge perpendicularly across the normative --> performative = demonstration + simulation
•knowledge workings --embed--> within culture industries + transnational educational restructuring projects
writing technologie (~= activities + skills + devices in layered assemblages + material + conceptual inscription) --literalize--> tensions in grammatology:
•between writing's many possible referent/sign relationships in historical progression <-- Ignace Gelb
•call to account of assumptions about writing's derivations from speech built into the assertion of these relationships <-- Derrida
my writing on Charmed and rigging --> a mime of writing, mime understanding [#simulacra of knowledge], (using Katie's word) a literalizing attempt to work/write in the middle of writing technologies
...................................
lord of the rings (and similar movies) ~= new forms of evangelization
---> go to propaganda
temporality, time, day & night:
in ajayeb:
گویند که در حدود مغرب حیوانی است. چون آفتاب برآید، حالی بچّه بزاید و بچّه را در آفتاب نهد. به یک روز بزرگ گردد. چون آفتاب فرو رود، بمیرد و بچّه آبستن گردد. دیگر روز که آفتاب برآید، بمیرد وعمر وی یک شب و دو روز بود.
به حدود مکران وتیردابه یست بزرگ از دریا براید و در آفتاب مینگرد و بیهوش گردد تا به وقت زوال چنان شود که مرده، ملاحان با وی بازی کنند، چو آفتاب فرو رود زنده گردد، در آفتاب جان بدهد و از وی سیر نگردد
از اسکندر رومی پرسیدند که در عالم چه دیدی از عجایب؟ گفت در مشارق و مغارب گردیدم اعجوبه دیدم به چین و ماچین. در مفازهٔ درختها دیدم رسته، بوی مشک از آن میدمید و از بامداد که آفتاب برآمدی تا وقت زوال از زمین برمیخاستی و پس از زوال به زمین فرو شدی، به وقت غروب تمام به زمین فرو رفته بودی، روز دگر که آفتاب بر آمدی درختها سر از آب بر آوردی.
...................................
in Nezami (with[...]
(801)[...notes/notes on evangelist.txt]%89.7[...]سرشتن to create = مخلوط کردن to mix, compose
راه بردن = شناختن، بلد بودن
raftan = eshal gerftan
dashtan = motevaghef kardan
afzudan = toghyan kardan
TRAVEL*
-Adam Olearius (ambassador, translator, Russian+Persian)
-Sa'di (poet, traveler, theorist of love and friendship, )
-Sana+Sina (artist, researcher, translator, )
world? what is late today? trans-late: beyond being late --> travel and arriving late
travel, trans, transportation, poetry, disruption in travel, traumatic travel, log,
traumatic travel:
poetic source/act
related to refuging
voyage
exploration
investigate poetry and travel in the 12th century and 16th century and 21st century encounter
translational worlding between German Iranian cross-cultural speculative narratives that we fabulate with artistic and research methodologies
trajectory, destined beings, translations, transportation, routs, paths, maps,
transportation system
translation system
error in destination(?) [ontology of ‘error’ in 12th, 16th, 21st]
mutation in the garden(?)
technological system of destiny -?-> Sa'di
the flow of energy and material : dejle-biaban continuity
which agential force or travel agency Sa'di or Olearius or Sana or Sina is enrolled or registered in, that it sends them off to far distances?
pure political plays?
the question of ambassadorship
ambassadorial activities of Sana and Sina
the question of diplomacy
ambassador: storytelling, acting,
comparative thinking, comparative research, comparative translational methodology : *self in world* tech., lit., dis.,
which technologies (of composing, of writing, of figuring) are installed for Sa'di in the 12th century and for Adam Olearius in the 16th century that allows them to imagine and engage in/with what we call today *mondial*?
(Sa'di + Olearius:)
chance encounter, failures, writing, making figures, loving, making friends, their acts of worlding (?), composing worlds, (de-compose?)
technicity: armillary sphere, Globe of Gottorf, Golestan, drawings, star constellations with astrological and mythological symbols, inside-outside model of the cosmos,
--> they both have concerns of *global consciousness* --> and their differences: two (or more) different world knowledges
GPS: global system position, concern of both Sa'di and Olearius
an excuse to read and investigate their worldings? translations between worlds, and sewing, tearings, and so on during the Safaviten and the Russian Tsar 16th century cosmology and models of reciprocity
(Translation is always interpretive, critical, and partial.)
intersection of mult[...]
(802)[...notes/note Sana.txt]%90[...]r />
travel, trans, transportation, poetry, disruption in travel, traumatic travel, log,
traumatic travel:
poetic source/act
related to refuging
voyage
exploration
investigate poetry and travel in the 12th century and 16th century and 21st century encounter
translational worlding between German Iranian cross-cultural speculative narratives that we fabulate with artistic and research methodologies
trajectory, destined beings, translations, transportation, routs, paths, maps,
transportation system
translation system
error in destination(?) [ontology of ‘error’ in 12th, 16th, 21st]
mutation in the garden(?)
technological system of destiny -?-> Sa'di
the flow of energy and material : dejle-biaban continuity
which agential force or travel agency Sa'di or Olearius or Sana or Sina is enrolled or registered in, that it sends them off to far distances?
pure political plays?
the question of ambassadorship
ambassadorial activities of Sana and Sina
the question of diplomacy
ambassador: storytelling, acting,
comparative thinking, comparative research, comparative translational methodology : *self in world* tech., lit., dis.,
which technologies (of composing, of writing, of figuring) are installed for Sa'di in the 12th century and for Adam Olearius in the 16th century that allows them to imagine and engage in/with what we call today *mondial*?
(Sa'di + Olearius:)
chance encounter, failures, writing, making figures, loving, making friends, their acts of worlding (?), composing worlds, (de-compose?)
technicity: armillary sphere, Globe of Gottorf, Golestan, drawings, star constellations with astrological and mythological symbols, inside-outside model of the cosmos,
--> they both have concerns of *global consciousness* --> and their differences: two (or more) different world knowledges
GPS: global system position, concern of both Sa'di and Olearius
an excuse to read and investigate their worldings? translations between worlds, and sewing, tearings, and so on during the Safaviten and the Russian Tsar 16th century cosmology and models of reciprocity
(Translation is always interpretive, critical, and partial.)
intersection of multiple hierarchies:
-the Safaviten order (Isfahan architecture)
-the Duke of Holstein-Gottorp order (family architecture, court and mathematic)
-Tsar order (urban)
-literature of reciprocity***
Sana keywords: distortion, displacement, distance, alternation, collage, blur (noun), noise, voice-over, subtle changes, micro-macro, micro-politic, rhythm, turbulence, fragmentation, metaphor, persistence, repetition, disturbance,
(unexpected)
--> separation ??? =/=? compose
media/mediums: new na[...]
(803)[...notes/note Sana.txt]%90[...] noise, voice-over, subtle changes, micro-macro, micro-politic, rhythm, turbulence, fragmentation, metaphor, persistence, repetition, disturbance,
(unexpected)
--> separation ??? =/=? compose
media/mediums: new narratives (script, score, etc.), image archive, garden (material and semiotic site), performance poetry, land-art, video
why video: using performative materials, enactments and staging of speculative narratives, experimental film making, editing, cheap visual effects, animation and drawing. by using the local geography and landscape of Eckernförde, employment of fragmented scores and modest embodiment, experimental acting and storytelling, the video as a generous medium holds and hosts all our gathered materials, and enables a linear but expansive experience. we will write short scripts based on stories from Olearius's travel logs in Iran and Sa'di's Golestan in order to put them into tests after 8 and 3 centuries, and produce intensity and curiosity for a richer way of relating to our shared cultural heritages and literacies.
practical: we will explore all the mentioned ideas and storylines as starting points to create interest for material-discursive practices of ‘worlding’ and ‘encountering’ in cross-techno-cultural intersections.
...................................
[working] title:
Das Gesicht des Paradies
the cast of one Globe to another
Globe of Gottorf of Golestan
“Each serving diligently in its own appointed place”
“Deliverance from the yoke of bondage”
The Globe of Gottorf and deliverance from the yoke of bondage
The cast of Golestan and the magnitude prison of Globe
Das Gesicht des Paradies und schlichtendes Gottorfer Riesenglobus
Adam Olearius and Sa'di in bondage
magnetic fields of
intermediate category
contiguous mass of flowers and tulips
magnitude prison
Others adopt Hell
...instead you are in paradise
traveling
post travel
Paradise Roads
Gesicht
Globe of Gottorf and Golestan of Sa'di
foreign affairs
...................................
Planthroposcene, the age of gardens
...................................
[...] remembering is not a replay of a string of moments, but an enlivening and reconfiguring of past and future that is larger than any individual. [...] The past is never finished. It cannot be wrapped up like a package, or a scrapbook, or an acknowledgment; we never leave it and it never leaves us behind.
Barad's mother's question: “what good is there in offering recognition that can't be recognized?”
[...] there is only the ongoing practice of being open and *alive to each(other)* meeting
“How to disrupt patterns of thinking that see the [...]
(806)[...notes/note Sana.txt]%90.1[...]hich is both a material and paternal image of seemingly timeless symbolic order
tensions between the visible and the invisible
(what is taken to be evident or “visible” meets what remains invisible or outside of language; #amazon project)
to grid the relation of the visible and the invisible (in cartography and writing)
their certain mobility of flux and indeterminacy (in Descartes becomes a subliminal practice)
the ideological dimensions of known and unknown become crystallized
*the viewer is urged to look at things transversally [=/= tangency: having contact at a single point or along a line without crossing] --> reader invents the process of subjectivity when analyzing the differential patterns that are working in the cartographic document
--> *double bind: of cosmic and local space, of viewer included and excluded from the discourse, of weakened deixis [deictic, words or expressions that rely absolutely on context] (or dialogue) ---> mobilizes subjectivity
quasi-spatial conquest (through the extension of the delimited field of the known in the channel of a ‘polar relation with the unknown,’ according to mappings that envisage the progression of a deferred knowledge) [Conley ☞ Rosolato --> technologies that construct early modern space (--also with Olearius)]
...to produce a great geography of introspection
cosmic and affective space
illusion of a universe of infinite curvature
*the impossible “point of view” given to the observer of early world maps*
map =/=? mystical narrative --?--> depends on an itinerary through space and language
mysticism
only adjectival forms of the term had occurred (in Renaissance and before), suggesting that the nonsubstantive status of mystical activities made them more ‘real’ than we might believe ** (de Certeau)
the development of atlas-structures and of two-dimensional --> attenuation (taz'if تضعيف) of the mixture of scientific and mystical dimensions
incunabulum --> Cartesian method
from a half-named sense of the unknown --to--> a clearly articulated relation with the unknown****
[*]perspectival object: the positioning and mapping of the self in and about the world in its ongoing construction of psychogenesis + aesthetics + history of perspective + clinical practice*--> a series of junctures between a viewer and what he or she sees, projects, fantasizes, and remembers
--> body's location in the world ***
excess of mastery
absolute quest of power
*to make meaning enigmatic(?)
with Sana, we are engaged in an anti-globe making, a transitional object rather than a ‘glory globe,’ “a field of diagonical or interdiscursive ‘play’ between impressions and memories”
in our exhibition, we are[...]
(807)[...notes/note Sana.txt]%90.7[...] Persia was to establish a trade route with Persia and obtain exclusive rights to export silk from the area, thus squeezing out the other European competition, especially the Dutch”
his methodology
(Olearius's citational mobilization) a typical Baroque writer, he cites classical and Renaissance sources copiously and compares them to each other, thus paying homage to the scholarly tradition
•list the main features of a subject under discussion
•quote classical and contemporary authorities --> elicit different opinions
•
*correction of faulty source material imperative*
Harvey's new theory of the circulation of blood
Olearius:
•seasickness could be caused by motion of the waves
•“monsters” living along the Siberian coast are wrong
•
Olearius's methodology is that of a comparatist
he juxtaposes (the customs and social structures of the people he meets with those of his native land)
Olearius's trip ==> production of (superior maps)
Olearius ==> maps
Qazwini ==> lists
Sa'di ==> de-vice
Olearius's The Vermehrte Newe Beschreibung includes large, detailed, fold-out maps describing...
as well our technique in our work, with Sana
-our work/contribution includes placing maps and figures with the flux of discourse (=/= Olearius)
description of (the Persian) “natives” and their “nature” --> a codification of his human hosts
traditional western stereotypes regarding exotic eroticism
Shah Safi's banquet (sur سور) corresponds fully to a European's notion of what an oriental feast should entail
he marks the poles of Persian culture: as the site, on the one hand, of voluptuous, erotic encounters, and of unnatural cruelty and despotism on the other hand --> meant for the moral edification/codification of its western readers. (readers were taught about different countries + taught to be better European persons [with proper differences])
Baroque's excess of information
(as Pierre also noted in my style of language)
Beschreibung
*** the customs of the observed peoples ***
-->(language of pictorial representation emphasized)
temporal displacements [in his frames pictures]
inscriptions, conveying a sense of movement
scorpion bites Olearius (“Ich vom Scorpion gestochen” --> oriental danger) --> specimen scorpion (--> immobilized and tamed) --> back in the Kunstkammer --> Duke's cabinet of curiosities (--> on display)
["his” experience =/= Sa'di's technologies of writing]
Olearius + Hakwirdi --> Golestan of Sa'di
Sa'di's influence on German baroque literature:
•Grimmelshausen (Simplicissimus)
•Lohenstein (Ibrahim Bassa and Ibrahim Sultan)
[...]
(808)[...notes/note Sana.txt]%91.5[...]scription of (the Persian) “natives” and their “nature” --> a codification of his human hosts
traditional western stereotypes regarding exotic eroticism
Shah Safi's banquet (sur سور) corresponds fully to a European's notion of what an oriental feast should entail
he marks the poles of Persian culture: as the site, on the one hand, of voluptuous, erotic encounters, and of unnatural cruelty and despotism on the other hand --> meant for the moral edification/codification of its western readers. (readers were taught about different countries + taught to be better European persons [with proper differences])
Baroque's excess of information
(as Pierre also noted in my style of language)
Beschreibung
*** the customs of the observed peoples ***
-->(language of pictorial representation emphasized)
temporal displacements [in his frames pictures]
inscriptions, conveying a sense of movement
scorpion bites Olearius (“Ich vom Scorpion gestochen” --> oriental danger) --> specimen scorpion (--> immobilized and tamed) --> back in the Kunstkammer --> Duke's cabinet of curiosities (--> on display)
["his” experience =/= Sa'di's technologies of writing]
Olearius + Hakwirdi --> Golestan of Sa'di
Sa'di's influence on German baroque literature:
•Grimmelshausen (Simplicissimus)
•Lohenstein (Ibrahim Bassa and Ibrahim Sultan)
•Gryphius (Catherina von Georgien)
•Montesquieu (Letters Persanes)
•Goethe (West-östlicher Divan)
Jens from Kiel library, like Olearius, is appointed court librarian, by state/Duke, given the task of cataloging and expanding the ducal/official collection, and developing the Duke's Kunstkammer/Wunderkammer
Gotterffische Kunstkammer --> “Wunderbuch” (book of wonders), with its insistence on the concepts of writing + drawing
Olearius's genre of frontispiece, his engraved title pages --follow--> Norbert: kluger Vater or fleissiger Praeceptor
clever father / industrious preceptor مرشد مربى #Pir [--> “our common father in heaven"], wants to introduce his children and students to something in arts or sciences, “make them understand” by means of his mouth + pen :
*analogy/simile: showing something grand by showing them something small --> an astronomer shows on a small hand-globe (*globo coelesti*) the make-up of the great heaven with all its visible bodies, where a point means a star ~(in the same way)~> the geographer represents on a small terestrial globe (*globo terrestri*) the entire circle of the earth with all its landscapes ~(in the same way)~> “our common father in heaven,” the Lord, his revealed Word, he wrote for us (his children and students) the great book of wonders --recognize--> Himself
}--> (the concepts of) microcosm & macro[...]
(809)[...notes/note Sana.txt]%91.5[...]the symbolic entry into the written work [<-- we don't need to do this!!] --> *formal monumental opening* (leading the “reader” to the ‘interior of’)--> Olearius's frontispiece (monumental, awe-inspiring works that aimed to spark the viewer's interest):
◦(to commemorate) official functions at the court
◦literary activities
[*]baroque: ***the art of not rejecting anything*** (el arte de no renunciar a nada -Montesinos)
(am i baroque?)
different types of frontispiece:
1. divided into geometrical compartments (german origin?)
2. depicting a particular scene (german invention) [images/elements chosen/included for doctrinal and controversial significance]
3. single cartouche (school of Fontainebleau), a predilection for Mannerist irrationality and illusionism; interlocking, complicated scroll-work and strapwork; imitating the three-dimensional scrolling, with edges curling forward around the inscription; fantastic architectural structures, and grotesque figures and monsters taken from classical mythology
4. architectural title page (with the most monumental and most three-dimensional character), arrangement of sculpture-like allegorical figures or personifications
shifts from the techniques of woodcut --to--> engraving (--to-->? digital) ==> greater pictorial detail & better illusionism
*Sa'di's advice and devices* [title]
(Sa'di's relationship to) ‘the accumulated knowledge’(==> device)
[*]device (symbolum): a combination of a picture and a personal motto. a private adage (امثال و حکم) or clever aphorism --> heraldic image --fusion~=> device: a personal message by means of which a knight would define himself--developed from the chivalric tradition** ==?==> Sa'di's moral devices
-theoretical advice and examples of devices
-a craftsmann, a painter or goldsmith, would then supply the visual form of the idea that the learned scholar created
(moral) device --discuss--> general qualities and characteristics such as courage, nobility, obligation ==> (genre of) [*]emblem: --(pictorial + verbal)-striving--> for *universal applicability*
*emblem <-- the desire to understand the mysteries of antiquity, especially ancient Edgyptian hieroglyphs (in obelisks, sphinxes, lions), which were thought to represent a secret language [original wisdom of early man] (<== concerns of Renaissance [for example Hieroglyphica written in Greek by Horapollo 14th century])
(what are my ‘hieroglyphics’ in ajayeb?) Renaissance humanists wanting to research and understand antiquity, also wiched to *make it come alive*, by using hieroglyphics + Pythogorean symbols (were added, since metaphors and allegories of the ancients supposedly derived from the wisdom of Edgyptian priests)
ancient mythologies and medieval allegories in Renaissance applied hieroglyphic science:
•ancient coins (interpret[...]
(810)[...notes/note Sana.txt]%91.7[...]>
اصطخری Istakhri, 10th century, translated into German by Mordtmann
he met another celebrated traveler, Ibn Haukul ابن حوقل
...................................
Verran: *innovating to effect the discipline of deductive proof in ancient Greek*
(i found out--Pierre also noted--that in my work i tend to) inspire a baroque style of empirical analysis
[*]baroque
--> now you see it, now you don't
--> (a thread of innovation in) mixing words and visuals
--> wonder-filled difference
--> sensibility concerned with collective way finding through complexity
*baroque sensibility* loves unlikely juxtaposition
*baroque form lives with passionate intensity*
****forms of non-explanation [=/= to reflect of ‘what is’ from a meta position****]:
•juxtaposition
•stories
•framing
•reframing
•folds --> working within the ‘folds'
•working on the edge
-
--> *pushing and pulling at the interfaces we feel ourselves enmeshed in* [<-- that is exactly the description of what i do. #amazon project]
to recognize stories of entrepreneurship as stories of working relations between people, technology, and nature
@Setareh
acknowledge our “understanding of”(s)
(taking diagrams as involved only in) epistemic practices linking the mess of the actual and the ideal of the future =/= (account of diagrams that focuses on their unique) contribution in rhetoric --> *collective way-finding* (that #Olearius works agains for iranians and german, and Sa'di's version)
[diagrams:]
•(graphs, images, visuals that fill the) two-dimensional physical spaces
•screened images that cover the surfaces of a *tapestry*
•visuals performing in a graphic register in *tension* with linguistic registers (Verran) --> figurations designed to work with text --> open up a space for imagining their capacities as *agential devices* --> (how) diagrams intervene in the organization and governance of institutions --> *diagrams as objects of governance and organization* embeding working imaginaries (such as in the imperial enterprise of the Duke Frederick that Olearius worked for) --and--> diagramatic devices of technoscience ==> enforcing *non-equivocation* and *non-contradiction* : the standard rhetoric of Western scientific thought and argument - - --> ***devices enacting norm***
[*]diagrams: a juncture: text-graphic / graphic-text as an ephemeral clot لخته of material semiotic resources where words are embedded in graphics as much as graphics are buried in words
...not collaborate enough to benefit from each other's insights
[representing passage of a domain of innovation from past to future]
is there a way representing the many differences at p[...]
(811)[...notes/note Sana.txt]%92.6[...]ces we feel ourselves enmeshed in* [<-- that is exactly the description of what i do. #amazon project]
to recognize stories of entrepreneurship as stories of working relations between people, technology, and nature
@Setareh
acknowledge our “understanding of”(s)
(taking diagrams as involved only in) epistemic practices linking the mess of the actual and the ideal of the future =/= (account of diagrams that focuses on their unique) contribution in rhetoric --> *collective way-finding* (that #Olearius works agains for iranians and german, and Sa'di's version)
[diagrams:]
•(graphs, images, visuals that fill the) two-dimensional physical spaces
•screened images that cover the surfaces of a *tapestry*
•visuals performing in a graphic register in *tension* with linguistic registers (Verran) --> figurations designed to work with text --> open up a space for imagining their capacities as *agential devices* --> (how) diagrams intervene in the organization and governance of institutions --> *diagrams as objects of governance and organization* embeding working imaginaries (such as in the imperial enterprise of the Duke Frederick that Olearius worked for) --and--> diagramatic devices of technoscience ==> enforcing *non-equivocation* and *non-contradiction* : the standard rhetoric of Western scientific thought and argument - - --> ***devices enacting norm***
[*]diagrams: a juncture: text-graphic / graphic-text as an ephemeral clot لخته of material semiotic resources where words are embedded in graphics as much as graphics are buried in words
...not collaborate enough to benefit from each other's insights
[representing passage of a domain of innovation from past to future]
is there a way representing the many differences at play? are there other ways apart from one arrow pointing towards one futre? the answer was swift: “no, that would not be wise. we need to demonstrate that we stand united [as an industry, nation, family,,,]” --> it was mutually and tacitly agreed that this is how innovation happens : man-made devices ride into the future on arrows of progressive tinkering with heterogeneous things
(Verran reading/naming of) normative iconography of technological innovation
assumptions of technological innovation:
•physics as fundamental knowledge (--> the translation of kinetic energy to electrical energy and the variables that influence the efficiency of that translation) [--(this is)--> knowledge relating to environmental and social contextualization of the techniques described by physics ==> constitution of environmental robustness ==achieving==> social acceptability] --> the rhetoric of a diagram embeding that assumption:
◦‘additive’ : that knowledge becomes relevant at ‘later’ stages in the life of the model asserted by the dia[...]
(812)[...notes/note Sana.txt]%92.6[...]ance of institutions --> *diagrams as objects of governance and organization* embeding working imaginaries (such as in the imperial enterprise of the Duke Frederick that Olearius worked for) --and--> diagramatic devices of technoscience ==> enforcing *non-equivocation* and *non-contradiction* : the standard rhetoric of Western scientific thought and argument - - --> ***devices enacting norm***
[*]diagrams: a juncture: text-graphic / graphic-text as an ephemeral clot لخته of material semiotic resources where words are embedded in graphics as much as graphics are buried in words
...not collaborate enough to benefit from each other's insights
[representing passage of a domain of innovation from past to future]
is there a way representing the many differences at play? are there other ways apart from one arrow pointing towards one futre? the answer was swift: “no, that would not be wise. we need to demonstrate that we stand united [as an industry, nation, family,,,]” --> it was mutually and tacitly agreed that this is how innovation happens : man-made devices ride into the future on arrows of progressive tinkering with heterogeneous things
(Verran reading/naming of) normative iconography of technological innovation
assumptions of technological innovation:
•physics as fundamental knowledge (--> the translation of kinetic energy to electrical energy and the variables that influence the efficiency of that translation) [--(this is)--> knowledge relating to environmental and social contextualization of the techniques described by physics ==> constitution of environmental robustness ==achieving==> social acceptability] --> the rhetoric of a diagram embeding that assumption:
◦‘additive’ : that knowledge becomes relevant at ‘later’ stages in the life of the model asserted by the diagram. the purview of the ‘additive’ diagram : negotiation and strategy reside in the realm of subjectivity, therefore cannot be represented }==> subjects, those who do the organizing and the giverbing, do not belonge to the ‘core’ that the diagram claims to represent : [subject]--[emptiness]--[dieagram]
--> rendering innovation as a ‘general event’ of an ‘unspecifiable future’ that is progressed towards + idealizing sites [= times and places (of these affairs)] [not allowing the questioning of these sites as obligatory passage points (for innovation)]
--> claiming for itself a capacity to realistically map a stable system
(diagram of technological innovation: a cartography of stable entities and stable relations) =/= a complex and emergent system embedding ambiguity and contradiction
--> promoting an organizational regime that proceeds by conforming to standards of non-contradiction and non-equivocation in its rhetoric =/= baroque baldachin (arshe عرشه) (with other than representation capacities) explicitly recognizing complexity[...]
(813)[...notes/note Sana.txt]%92.6[...]graphy of technological innovation
assumptions of technological innovation:
•physics as fundamental knowledge (--> the translation of kinetic energy to electrical energy and the variables that influence the efficiency of that translation) [--(this is)--> knowledge relating to environmental and social contextualization of the techniques described by physics ==> constitution of environmental robustness ==achieving==> social acceptability] --> the rhetoric of a diagram embeding that assumption:
◦‘additive’ : that knowledge becomes relevant at ‘later’ stages in the life of the model asserted by the diagram. the purview of the ‘additive’ diagram : negotiation and strategy reside in the realm of subjectivity, therefore cannot be represented }==> subjects, those who do the organizing and the giverbing, do not belonge to the ‘core’ that the diagram claims to represent : [subject]--[emptiness]--[dieagram]
--> rendering innovation as a ‘general event’ of an ‘unspecifiable future’ that is progressed towards + idealizing sites [= times and places (of these affairs)] [not allowing the questioning of these sites as obligatory passage points (for innovation)]
--> claiming for itself a capacity to realistically map a stable system
(diagram of technological innovation: a cartography of stable entities and stable relations) =/= a complex and emergent system embedding ambiguity and contradiction
--> promoting an organizational regime that proceeds by conforming to standards of non-contradiction and non-equivocation in its rhetoric =/= baroque baldachin (arshe عرشه) (with other than representation capacities) explicitly recognizing complexity, openness, and emergence --offering--> [enabling graphics to offer] pilotage خلبانى
***every tool should pose not only technically complicated questions rather fundamental ones***
branched tree diagram: saying that knowledge of the ‘branches’ includes a conception of the truck, suggesting: to understand is to understand how the truck generates the branches, and that is what is learnt and transmitted by specialists (Stengers, @Eszter)
Verran ☞ Stengers working on the “gods and demons that populate physics”
[...] rejection and enclosure within the domain of ‘nonscientific’ or ‘simply subjective’ (of anything that cannot be reduced to the canon of the ‘simple’ model)
[Stengers]
(Verran on) the capacities of numbers to interpellate (رسما سوال کردن، استيضاح کردن) their users
diptych قاب دو لوحى
model of meaning-making that diagrams initiate (spatially + linguistically)
articulated sets of relations
a particularly efficacious form of certainty-generating rhetoric by ancient Greek mathematicians (appropriated by thier politicians), according to Netz: meaning-[...]
(816)[...notes/note Sana.txt]%92.7[...]ge becomes relevant at ‘later’ stages in the life of the model asserted by the diagram. the purview of the ‘additive’ diagram : negotiation and strategy reside in the realm of subjectivity, therefore cannot be represented }==> subjects, those who do the organizing and the giverbing, do not belonge to the ‘core’ that the diagram claims to represent : [subject]--[emptiness]--[dieagram]
--> rendering innovation as a ‘general event’ of an ‘unspecifiable future’ that is progressed towards + idealizing sites [= times and places (of these affairs)] [not allowing the questioning of these sites as obligatory passage points (for innovation)]
--> claiming for itself a capacity to realistically map a stable system
(diagram of technological innovation: a cartography of stable entities and stable relations) =/= a complex and emergent system embedding ambiguity and contradiction
--> promoting an organizational regime that proceeds by conforming to standards of non-contradiction and non-equivocation in its rhetoric =/= baroque baldachin (arshe عرشه) (with other than representation capacities) explicitly recognizing complexity, openness, and emergence --offering--> [enabling graphics to offer] pilotage خلبانى
***every tool should pose not only technically complicated questions rather fundamental ones***
branched tree diagram: saying that knowledge of the ‘branches’ includes a conception of the truck, suggesting: to understand is to understand how the truck generates the branches, and that is what is learnt and transmitted by specialists (Stengers, @Eszter)
Verran ☞ Stengers working on the “gods and demons that populate physics”
[...] rejection and enclosure within the domain of ‘nonscientific’ or ‘simply subjective’ (of anything that cannot be reduced to the canon of the ‘simple’ model)
[Stengers]
(Verran on) the capacities of numbers to interpellate (رسما سوال کردن، استيضاح کردن) their users
diptych قاب دو لوحى
model of meaning-making that diagrams initiate (spatially + linguistically)
articulated sets of relations
a particularly efficacious form of certainty-generating rhetoric by ancient Greek mathematicians (appropriated by thier politicians), according to Netz: meaning-making in geometry proceeds in a particular way, a way that generates deductive proof --> (Netz's notion of) oral performance origins of meaning-making with diagrammatic device =/= (Verran's) graphics embedded within flows of words --> relations graphically plotted frame the relations plotted in flows of words (and reversed): diagrams labile ناپايدار in their forms of participation in collectives***
{my research on premodern systematic investigation of strange singularities of the labile phenomena [lability: liable to err and [...]
(817)[...notes/note Sana.txt]%92.7[...]◦the barely perceptible sense of a reprieve
•
ordinary things (=/= melodrama) they matter because they shimmer precariously
...seasons magnetized to tones of voice and a quality of light
place (=/= immpasive corporeality) : affective charges:
•a mantel of redemption
•a glacier of impatience
•a high desert of anxiety dissected by fault lines of rage
}--performed--> in **little scenes of recognition** (--> “visceral complicity of those laying claim to a composed tactility[...]” =/= naturalized order per se)
(Tehran's?) drawn curtains: physical shadow of a state of hardening, a rotting from the inside out
(...curtained people, they suck the) *gestural sensory attachments of seeing and being seen* (into a world in which things are dark)
precarity ==?==> intimacy (of people in place)
(in winter with T-shirt and sandals) the townie body unfazed by the cold, endearing, a little heroic
an imaginary --> a logic of some sort --> abstracted ==> become a thing in itself
or, a thing simultaneously virtual and concrete
like the road, made not of dreams per se, but of laws, of ordinary practices, military surges, and construction technologies
...intensities pass from body to body:
•human bodies
•animal bodies
•machine bodies
•bodies of thought
•ecosystems
•visceralities and noumena
•histories
•the seamless habitus of supermarkets and credit cards
•
(Stewart's) precarity's form: compositional + decompositional
attachments, temps, materialities, states of being
[*]description: a writing culture lodged in emergence, generativity, potentiality
things that come into form through an assemblage of affects, routes, conditions, sensibilities, habits
what it means to meet the world:
(Stewart) *as a nearing* [=/= raw material for exploitation]
(Heidegger) as the ringing between composing subjects and objects
(McCormack) felt as ways of going on in the world
(Deleuze) as increases and decreases, brightening and darkening
() in a cartography distributed across a field of intensities and durations
[=/= rush to incorporate them into a representational order of political or moral significance]
...................................
[*]epistemology = stories of knowledge from before that somehow we are still living with now (#fable)
Geroulanos -->{ Ardrey --to--> Kubrick's african genesis : “weapon fathered man”
technology + prehistory (in postwar period)
“tool ==> man"}
...................................
knowing images
epistemic image : knowledge-based pictorial gestures (in my work without) --> organization + collecting +[...]
(818)[...notes/note Sana.txt]%93.3[...]thought
•ecosystems
•visceralities and noumena
•histories
•the seamless habitus of supermarkets and credit cards
•
(Stewart's) precarity's form: compositional + decompositional
attachments, temps, materialities, states of being
[*]description: a writing culture lodged in emergence, generativity, potentiality
things that come into form through an assemblage of affects, routes, conditions, sensibilities, habits
what it means to meet the world:
(Stewart) *as a nearing* [=/= raw material for exploitation]
(Heidegger) as the ringing between composing subjects and objects
(McCormack) felt as ways of going on in the world
(Deleuze) as increases and decreases, brightening and darkening
() in a cartography distributed across a field of intensities and durations
[=/= rush to incorporate them into a representational order of political or moral significance]
...................................
[*]epistemology = stories of knowledge from before that somehow we are still living with now (#fable)
Geroulanos -->{ Ardrey --to--> Kubrick's african genesis : “weapon fathered man”
technology + prehistory (in postwar period)
“tool ==> man"}
...................................
knowing images
epistemic image : knowledge-based pictorial gestures (in my work without) --> organization + collecting + demonstrating theories + scientific tools + direct references to natural objects
--> searchable interfaces (+ desire for condensed information)
(**list ==> searchable**)
(Apianus's early modern cognitive horizon -->) eye: another organ used to calibrate settings
activated eye --> new empirical pursuits
my epistemic images : work of an image fetishist
bestiary: animal character diagnosi[...]
(819)[...notes/note Sana.txt]%93.4[...]y in Arabic ==> Persian treaties on sciences
rag-shenasi (knowledge of the pulse) --> Avicenna
روضة المنجمین
rowzat (روضة to look) [~/=? nozhat نزهت] ~= garden ~= astrological site
-(iran) university garden =/= (greek) university gymnasium
book: expository discourse (رساله توضیحی، تفسیری، نمایشی)
•poems on the subject
•تحسین و تمجید lengthy laudatory adjectives to describe the dedicatee:
◦patronage of the courts
◦the teaching circles
◦the family lineages of professions
◦the existence of “amateurs de sciences” (the private individuals interested in science)
•anecdotes (historical or legendary)
•questions and answers
•observation on the usefulness and the excellence of knowledge in general
...................................
ethnography:
•set of methods for knowing about social relations [--> storytelling] (=/=?)
•cultural-analytical scholarship [--> analysis]
ethnography: [*]ethnographic stories = generalizations that intervene (~= instruments that make intervention possible <-- a knowledge product in contemporary sci & tech studies STS)
ethnography: stories that have in them a capacity represent the world in ways that are generative for the people and practices that the stories are about + authors (+ their peers + readers)
****(from) postmodern concern about the authority of the author --to--> a concern about partiality and generative critique****
@apass #feedback
(Verran giving voice to what my concern and interest is in artistic research environment)
the question of how to re-present others (their diverse practices) on good faith? <-- moral
~~> the bad idea of “good faith =/= bad faith” ==> assume a moral high ground that we have no reason to argue in favor of
altering oneself to good faith = altering oneself to the possibility of double vision
(in ethnography) good faith: writing generalizing stories that intervene, because of the partiality of research and analysis (not despite of it)
•good faith analysis: having faith in it being possible to write stories that are generative for *some of* the practices we study + for *some of* our peers
(stories --Verran-->) two moments of generalizing:
1. *onemany* form ==enable==> abstracting
2. *whole-parts* form ==bring==> a situating moment
~={ Star Wars apocalyptic stories (single vision) + lived social bodily realities = (Harawayian) many-headed monster }--> #Tehran index
ethnographic research is always embedded in multi-stakeholder situations
the Verran is proposing
=/= writing stories that narrate what collaborators hope to hear
=/= hardening the categori[...]
(820)[...notes/note Sana.txt]%93.4[...]-presentations)
a generalization: a unified text, narrative, exemplifying and enacting a particular time and space --condense--> here-now
}--> recognizing how ethnographic stories deal with necessarily being just one of infinitely many possible stories of a herenow
(John Law:) ethnography: a method of assemblage : enactment of presence, manifest absence, and absence as otherness
#Tehran index
attending to indexes for herenow that embed two logics generalization: one-many & whole-parts
1. one kind of story embeds a logic of one-many generalization --> represents its here-now as an example of something in general [--> story = evidence base of a general statement about human, world, erc.]--Kwa--> *romantic*
3. one kind of story embeds a logic of whole-parts generalization --> presents its here-now by first building this world [--> story = an emergent entity on a vague whole]--Kwa--> *baroque*
20th century history of complexity theory
*romantic =/= baroque ways of doing complexity*
--Verran--> we should use both simultaneously ~= Haraway cyborg double vision
---> go to Latour's analysis of Ambassadors painting (~= illustration of an ethnographic story)
•technique of anamorphosis: invite the viewer to shift their perspective --> *they are invited to do the work of recognizing the alternative logics of generalization*
•agential instrumentality
•dual logic: ambassadors & skull
•skull/brownish object --signal--> a ‘viewer’ must ‘lean over’ in order to see the database (in Verran's example) as authoritative & as autonomous and *capable of making new kinds of knower* emerge (worker, storyteller, ethnographer)
-
my image assemblages are whole-part generalizations, one-many pictures, vague whole with emergent parts
#workshop on training two modes of generalization, use of drawing and image making, writing ethnographic stories
(artists typically make the mistake of making these two identical -->)
*indicator =/= outcome*
•indicator: for example you implement something
•outcome: a change in behavior (= accomplished indicator)
*one-many generalization*
x is one of many possible stories about X in general (--Latour--> purification:) spacetime specificities are transformed into general claims }--> abstracting
=/=
*whole-parts generalization*
x is a participant on an assemblage where all actors are somehow emerging parts --> one does not yet know what X is or may become (X remains a vague whole) (--Latour--> translation work:) working a number of herenows into the picture }--> situating
--> how to write (ethnographic) stories embedding the dual logic of generalization? = *how to arrive at a non-relativizing non-universalizing description that nevertheless works as a generalizat[...]
(821)[...notes/note Sana.txt]%93.6[...]World War II ~=> systems theories (attempt to explain the structure and behavior of complex objects
Charney + von Neumann
deterministic description of the atmosphere
“long-range forecasting”
computer-based metrology
==> *field* became the essence of atmospheric state (field =/= structure, phenomena such as cyclones, fronts, cyclogenesis, frontogenesis)
<--Lorenz-- a given that the atmosphere is a single whole
romantic & nonromantic Darwin
evolutionary theory
phylogenetic tree
-“war of nature ==> higher animals directly follow”
-individual organisms engage in various interactions with each other ==> speciation
Tansley (fulfilling a romantic expectation with regard to complex systems) --1926--> maintenance of equilibrium by ecosystem ["life = equilibrium"]
=/= Schrödinger (showed that equilibrium is unfit as a metaphor for life) --> life = islands of low entropy (complex locations) in a sea of high entropy (of decreasing complexity)
Lokta
(evolution of) chemical systems = general systems
Patten
ecosystem ecologist
“ecosystem = natural control system” ~= (single equilibrium simple cybernetic) technical control device <-- the metaphor of *automatic machine* (taken literally)
representing whole ecosystems by (mathematized and fit for simulation on digital computers) models
1960s 70s --> system ecology
--lurck--> (romantic trope of) rigorous functionalism [every little plant or insect had its place as a cog on a giant machinery]
Rene Thom
chemical reaction kinetics
biological morphogenesis
catastrophe theory: slight change in a single variable of a system can give rise to sharp discontinuous change
==> existence of multiple equilibria
Slobodkin
game theory
management of natural systems
Prigogine + Stengers
brusselator device (--> strange attractor) --> behavior and evolution of complex systems --illustrate-->
•discontinuous development
•bifurcation (points at which the system may go in either of two directions --> the system behaves as a whole)
local random fluctuations (around a mean) --> bifurcation point --> the system as a whole evolves to a new order
=/= cybernetic system (control center)
=/= steam engine (governor)
Robert May
the more complex a system is, the more likely it is that small fluctuations (will be just large enough) to be critical
complexity ==> unstability
~~~~> chaos theory
(for Prigogine) fluctuation: essential condition for order of physical universe, life, civilization
[the most humble aspect of the behavior of matter:] white noise --(chaotic phenomena)--> order [on macro lev[...]
(822)[...notes/note Sana.txt]%93.9[...]ed to be able to play with other words (other than ontology) @Sina
*valuing
*facting
(let's learn and engage more in valuing, and not facting. not that things or practices “have value” but how they are valued, given value or worth to them)
valuing (when done as ritual nothing follows), might include variations of:
•measuring
•assessing
•appreciating
•qualifying
•tasting
•judging
•critiquing
•praising
•caring
•
***(more than aften) a mode of value developed ‘here’ is put to work ‘there’ [= generalization]
--Annemarie--> (pertinence of) ‘where questions’
(costs of) generalization ==>
•stabilizes what counts ==> silences subjects (<-- do it, but pay the cost)
•fosters proving, not improving
•offers managerial solution, not citizen satisfaction
•
•
(a modern sentence:) people tend to think that their quality of life depends on themselves, that means: what ‘you’ are going to do about ‘you being miserable’
the (good or bad) worlding of university's counter-fact-ism and functionalism
(Manning's mistake:) “evaluation or valuation techniques ==> boosting” (=/= tinkering*)
(in rehabilitation clinic) scale of independence to map the condition of a person --> a process in which valuing is transformed from a ‘tool for improving’ into a ‘tool for proving’
(enough food)
shifts from ‘want’ to ‘need’
counting calories (=/= enjoying food) --> orchestrate guilt (=/= satisfaction) --> limit oneself --> hide hunger
[*counting* (a protestant value?) has been a behavioral technique to produce self-conscious being, still a way of making responsible persons, “counting the number of times they were hit...” *rhetoric of counting (a socio-material practice) ==> civic world witness*]
rumors travel
facts travel
practices travel
clean city --> (19th century quest, classic goal of) hygiene
what do citizens value? <-- let's (take a step back and) ask that (@NRW cultural fund, governmentality Regierungsfähigkeit, the city of Cologne)
[this question is asked by people in certain socio-material practices with stakes in producing citizens, such as professional of cleanness municipal responsibility ==often==> citizens disappear]
-maybe we like the lively dandelions (repertoire of green) and messy weeds (repertoire of clean) that grow in the cracks
being happy with cleanliness
being happy with seeing people cleaning --> seeing municipal care
leanring ‘where question’ from Annemarie: if you are local that doesn't mean you are local --> ***the local is not obvious*** : the local does not explain itself in its own terms, it is rather explained in terms that ha[...]
(823)[...notes/clean notes.txt]%94.4[...](Law, Moor, Araujo, Ruiz)
marketers may try to establish stable brand images by mobilising networks of celebrities, scientists, consumption communities and various media outlets --but--> are contested, there is no ‘lead actor’ in assemblages
[*]marketing: iterative attempts to weave together networks of products, services or brands with heterogeneous allies in order to extend the usefulness of a particular market offering across wider consumption assemblages in time and space
-marketers think in terms of catalyzing interactions and consistencies amongst stubborn, messy and dynamic assemblages of spaces, representations, things and consumers
knowing: an intervention in the world
(Bettany)
[*]ethnography: stories that have in them a capacity to represent the world in ways that are generative for the people and practices that the stories are about @constantvzw
(Winthereik and Verran)
in the case of data streaming: what are the people, objects, texts and practices that constitute processes of assembling?
-in our research let's not prioritize either people or things in advance ==> unexpected sources of influence in markets and consumer cultures @Foad
-to map together material/technological as well as linguistic aspects of consumer culture: narratives, phenomenological techniques, etc.
-consumers ‘become’ during consumption
*[?why become interested in] consumption/markets: hybrid networks of narratives, objects, devices and practices (that [it seems] are necessary to create conditions for any ‘human’ action)*
(still use other more old-fashioned research techniques: depth interviews [Xiri], phenomenological methods [], hermeneutic analysis [Sina], etc.)
-(how to account for) tech-mediated flows of information and knowledge that pass through the massive assemblages of the Internet
-majority of interactions are technology-to-technology and system-to-system interactions
this assemblage-thinking is against[?]:
•Virilio's way of ‘questioning technology'--for him: “to be a subject or to be subjected, that is the question.” he sees crisis in the temporal dimensions of the present moment: the lack of a future-oriented longer time-frame connects “real time”, pollution, and economic inequalities. All of them result from a lack of shared responsibility for the future. (<-- noted by Hubert); or: “The now immaterial environment is connected to the “terminal” body of men and women with interactive prostheses who become the virtual equivalent of the well-equipped invalid.”
•Guattari's machinic (=/= simple construction partes extra partes): omnipresent homogenized capitalist exchange value
•Nancy's ecotechnics: critique of globalization and sovereignty
•Avital's narcotics: on Heidegger: the notion of ‘addicted to technology’ --asking--> under what conditions we could arrive at a *fr[...]
(825)[...notes/clean notes.txt]%94.6[...]: hybrid networks of narratives, objects, devices and practices (that [it seems] are necessary to create conditions for any ‘human’ action)*
(still use other more old-fashioned research techniques: depth interviews [Xiri], phenomenological methods [], hermeneutic analysis [Sina], etc.)
-(how to account for) tech-mediated flows of information and knowledge that pass through the massive assemblages of the Internet
-majority of interactions are technology-to-technology and system-to-system interactions
this assemblage-thinking is against[?]:
•Virilio's way of ‘questioning technology'--for him: “to be a subject or to be subjected, that is the question.” he sees crisis in the temporal dimensions of the present moment: the lack of a future-oriented longer time-frame connects “real time”, pollution, and economic inequalities. All of them result from a lack of shared responsibility for the future. (<-- noted by Hubert); or: “The now immaterial environment is connected to the “terminal” body of men and women with interactive prostheses who become the virtual equivalent of the well-equipped invalid.”
•Guattari's machinic (=/= simple construction partes extra partes): omnipresent homogenized capitalist exchange value
•Nancy's ecotechnics: critique of globalization and sovereignty
•Avital's narcotics: on Heidegger: the notion of ‘addicted to technology’ --asking--> under what conditions we could arrive at a *free relation to technology*? being ‘fast’ --> on the run ==> dumps understanding along the way. (for Heidegger) freedom depends upon Dasein's openness to anxiety ==diverts==> addiction [a certain type of being-on-drugs] }--> drugs have something to do with technology? @constantvzw
drugs in warfare: taking pills (or tranced by nohe مداحی جنگ) into superior performance, technologizing himself into the war machine (hero on heroin) --> technically calibrated culture
‘chemical prosthesis’ (a technology of the human) has been part of man-machinic hybridizations
-hallucinated exteriority
-stimulant, opening another hallucinogenre in life, at the edge of being
-our culture is bascially the history of ‘high culture’
(Avital suggests) drugs [master object of considerable libidinal investment] have been about exploring ‘fractal interiorities’ (and not exterior dimensions)
ecstasy of intoxication, forgetfulness, mimetic poisoning (of literature [= singular staging of the imaginary]): as sedative, as cure, as escape [= forced decision upon the subject]
-for Baudelaire opium became the transparency upon which one could review the internal conflict of freedom, the cleave of subjectivity where it encounters the abyss of destructive jouissance.
-(Emma Bovary had busted) a logic of reappropriation, collapsing the dreams of restoring a self
@constantvzw's investment in the critique of hallucinated plenitude and pure communication[...]
(832)[...notes/clean notes.txt]%94.7[...]aunae, connecting me to the 35 billion ancient barrels that are drilled, fracked, refined, and transported every single year. Climate change is in the 100 trillion objects that are in, that are the Earth, traversing the stomach lining of the Burmese python and the Atlantic Meridional Overturning Circulation, which churns a quarter of the planet’s heat flux. Climate change is the daily operations of simplification, extraction, purification, replication, and acceleration--all of which are needed to create the philosophy of ‘progress’ that is embodied by nearly every human in this world.” -Campbell
= *a context which will last for thousands of years and will be the fundamental starting point of every action, every thought, every expression of organization*
==> irreversible *death of difference* (biodiversity), end of “human project” (--✕--> despondency دلسردى)
creative foreclosure of the old World
preparing for an end without apocalypse @Jassem
/>
(we need to) experiment with (organizational forms of) justice, ethics, politics, reason**
Holocene ==> fundamental modes through which we organize still today:
•births of language and religion
•concept of resources and exchange
•invention of all known technology
•development of agriculture
•development of domestication
•development of urbanization
Campbell's posthuman
•computation of life
•laboratorization of life (simple categories of liveness and deadness over the last 30 years)
•miniturization of life
•complexification of life
•automation of life
relation: smallest possible unit of analysis, extremely prosaic and mundane ==> world
theorizing in the way of relation (as in feminist science, actor-network theory, or nonrepresentational theory) ==Haraway==> engendering a more humble, more modest attitude in the human observer --Xer --✕--> Meillassoux's non-relational theory
(since Kand) western philosophy has been epistemological [~ investigating human relationship to things =/= ontological]
--> correlations (between thinking and being), we turn things into affordances when we think about them --> correlationism: we only have access to the correlation between thinking (thing-for-us) and being (thing-in-itself) ==> ‘all knowledge is relative’ [=/= realism]
Meillassoux's absolutes:
•there might be something outside thought
lack of a necessary ultimate cause or meaning (facticity) --Meillassoux--> fundarnental source of being (ontological contingency ~ “facticity itself is necessary”) : no ‘higher’ or ‘supreme’ force or reason (metaphysical, physical, spiritual) is guiding it [~ total ontological absence of a necessity] ==> *contingency* is absolutely necessary in the universe
“Everything in the universe is without reason and is therefore [...]
(839)[...notes/clean notes.txt]%94.8[...]ryone's interpretation of the real is legitimate [equal status of interpretation] =/= (Meillassoux's) speculative realism
understand the world at the level of the hyperobject <== we are creating (consumer) objects that are massive in scale and temporality
inter-generational justice (imagining till your grandchildren)
service-dominant logic (of consumer research) =/= object oriented (more than humanist/naturalist trophies)
service: that intangible value extracted from stuff by humans --to--> the increasing ability to separate, transport, and exchange information, apart from embodiment in goods and people
Meillassoux's arche fossil ~=? jinn
witnesses of the universe before humans
objects withdraw infinitely from humans
universal quality of all objects: *reserve*
==> (narcissistic) philosophy of a uniquely lonely human fate [--> popular contemporary depiction of human with one foot in animality and the other in consciousness]
----> then how *withdrawal* (should) play out in social theory?
Lingis's ‘imperative’: worlds are filled up with imperatives (human and nonhuman) that summon us --> enmeshed pre-cognitive, atavistic, technological, embodied modes in which we respond to the world --> how this does not get recuperated into the existing models of sociology
[flipside of withdrawal:] to think of capital: an extraordinarily force overthrowing any imagination of an alternative --> there is no possibility of ‘intervention' in Capital ==> ‘accelerationism’: an inside-out radicalism, believing in unleashing productive forces of human wrought to continue its dynamism : “the only way out is to plunge further in”
Campbell: ‘withdrawal from capital' = passing through the eye of the needle
[that which is expressed in philosophy, political economy, science and science fiction, and in transhumanist, lifehacker, accelerationist movements:] *flight from consumption*
}--✕--> Campbell's *speculative consumption*
what if consumption has something relational about it?
(we must become interested in consumption @apass, Pierre, Foad, constantvzw)
*non-correlationist marketing theory* [=/= correlationism: humans doing things in the world to inanimate objects to make immaterial effects happen ~-> access]
interobjective consumption
...................................
ask anyone to give a definition of ‘food’ --> ‘a source of fuel or energy for the body’ --> most people will give you the engineer's perspective of the world when they are asked =/= the marketers know that everything we buy has a deeper, emotional motivation behind it
innocuous purchase:
•pleasure-seeking
•status seeking
•identity-building benefit
•
ask anyone to give a definition of ‘cl[...]
(840)[...notes/clean notes.txt]%94.9[...] we do not have categories)
Meillassoux's concepts { nonhuman + rational --Campbell--> ontologically think about climate change =/= (despondency & passivity) equivocal status of climate change }==> bleak optimism: climate change has already happened + human civilization must learn how to die in a way that is a *creative and just foreclosure of the earth's organizational forms*
organization: an environment-making process
--> drawing of ‘general lines’ in the fabric of the whole ==constitute==> most basic mode of existence
--> making of some sort of cut in the universe to simultaneously create & order an inside from an outside [~ *bracket ‘a’ reality out from an undifferentiated plasmic whole* ~= framing]
==produce==> elements of a reality that can be controlled by human intervention
*how we frame climate change will determine the future of life on earth*
[--Sina--> that is why we need more curatorial skills: variational + organizational]
frame: strategic device, a mode of coping with the hugeness of reality (framing moves:)
1- bounding --> defining, separating, assimilating
2- stabilizing --> fixing, delimiting, controlling
3- bring into view --> empirical, technologies of representation, controlling
frame:
•useful models for viewing reality
•recursive lenses through which that phenomenon is measured and acted upon
climate change and new frames emerge side-by-side:
climate change as:
•externality
•superwicked problem
•anthropocene
**what if climate change is unframeable?** [<-- art is good at dealing with this]
climate change qualities:
•unboundedness: hard to separate what is climate change and what is not
•incalculability: intotalizable effects ==> emergencies and materialities that are beyond known forms of planning and organizing
•unthinkability: it escapes each time we try to capture it empirically, organizationally, psychologically
}--> *questions that have no logical or empirical answer ==> ontological* (they concern its ontology) ~ we do not see its fundamental being
end of empirical/logical = beginning of ontological (secular)
=/=
end of empirical/logical =? beginning of eschatological (nonsecular)
}--Campbell--> **ontologization of climate change**
*climate change = the world we live in =/= a problem within the world*
[*]climate change: the absolute context that determines what is possible + what has replaced a previous world
(i find Meillassoux + Campbell argumentation more convincing than Morton's hyperobject)
climate change as “problem” (that can be framed), “thing”, “within the world” [=/= the world: generative context from whe[...]
(841)[...notes/clean notes.txt]%95.2[...] epistemology (=/= ontology) in artistic research
--Sina--> the danger of ontologization...
**massively expansive vista of rationality** =/= disavowing rationality
(the old philosophical idea of) the absolute =/= equivocal status
bleak optimism: organizing without hope <== climate change has already happened
--> how to die : a creative form of foreclosure that unlocks a justice that cannot exist without realizing the ontological dimensions of climate change
frame: general organizing device ==>
•define problems
•diagnose causes
•suggest solutions
(their) argumentative strength ==influence==> organization
frame --> define climate change ==> produce climate change --through--> (the work of:)
•problem-identification
•claim-making
•attribution-laying
•boundary delineation
•counter-framing
•bridging
•amplification
•constructing identity-forming vocabularies and discourses
==> *alter an audience's ideological beliefs*
climate change literature has been dominated by economics, (geo)engineering, legal theory/policy studies ==> solutions (to climate change) --invoke--> markets, technologies, policies (with differing criteria about what constitutes legitimacy, authority, efficacy) }<--Campbell-- *before they get a solution, the phenomenon has already been scientized, politicized, mediatized, organized*
indigenous framing of climate change
drawing from indigenous cultures in the hope that a deeper emotional maturity might lead to a deep engagement with the environment which ultimately bestows life }--> framed as an existential threat ==> (question what it means to be) an ecologically interdependent species with moral agency @Chloe2
eschatological cliche --> “existentially significant activities are no longer possible ==> the loss of meaning” (=/= Cinderella)
[*]frame, framing: enfold audiences into an enclosure that is conceptually accessible
for example
•*ecological modernization* : a frame for climate change that seems to enclose the grreatest number of diverse stakeholders --- uses carbon as a way to engage diverse stakeholders, a centrifugal locus that is calculable, non-political, scientific ==> presents opportunities for innovation }--Campbell--> short-term strategy: a reification process that transforms climate change into “the carbon problem” ==> production of carbon markets that ironically serve as creative new modes of accumulation <-- reifies ecological maladaptation
•*catastrophic framing* of climate change --> backfires, moomerang effects, causing audiences to disbelieve the entire message
•*frame-bridging* --> when two issues ostensibly different are linked in complementariness in the same sphere as the concept in question (for example emphasizin[...]
(842)[...notes/clean notes.txt]%95.3[...]ange into the *local emotional landscape* ==establish==> new norms ==> alter the emotional salience of climate change (in the workplace) [<-- 26/06/2021 this has become the dominant framing in artistic research environments @apass, Pierre, Chloe2]
*(successful) frames: work through the integration of the phenomenon into a reality that is manageable* (=/= Campbell)
focus on the sustainability of discourses that are imaginable and thinkable and connectable with people's existing world =/= focus on the reality of the moving target
‘climate change’ politically more palatable مطبوع به ذائقه than ‘global warming’ in conservative circles
discursive evolution of climate change:
•1932 --> externality --> economics
•1960 --> wicked problem --> policy studies, public management
•1980 --> threat --> public media
•1988 --> global warming --> physical chemistry
•2000 --> contested debate --> science
•1968 --> tragedy of the commons --> ecological philosophy
◦collective action dilemma, common property dilemma, non-commitment =/= responsibility, transnational commons dilemma, historical versus new emitters, fossil fuel lobby and corporate power }--response-->{ develop techniques for more thorough understanding of ecological interdependencies, manage multi-stakeholder interests, unite common goals in public bad game, transnational issue-spanning, pragmatic incremental gains, address value-action gaps in individual consumption regimes
•1990 --> risk --> mathematics
•1990 --> war --> political economy
•1990 --> crisis --> science
•1990 --> catastrophe --> mathematics (used differently in public imaginary)
◦“dnd of days”, worst-case scenario, complete system collapse, extreme events, irreversible, non-calculative, non-gradual }--response-->{ use catastrophe framing to induce immediate action, fix temporal focus on visualization of the possible aftermath to prevent it Disrupt business-as-usual regimes, use urgency and fear to engage immediate action, emotional re-education, emergency planning
•2007 --> super wicked problem --> policy studies
◦time is running out, those who cause the problem are also seeking to provide a solution, the central authority needed to address it is weak or non-existent, current responses discount the future irrationally, psychological short-termism =/= long-termis }--response-->{ incentivize organizations, create path-dependent organizational interventions, progressive incremental trajectory, consensus-building, small coalitions
•2002 --> anthropocene --> geology
◦human-geological epoch (following holocene), new temporalities and spatialities, re-purposed as capitalocene, necrocene,, chthulucene etc. to incorporate political economy dimension of planetary terraforming, plantation, hyperobject }--response-->{ re-settlement of populations, adapti[...]
(843)[...notes/clean notes.txt]%95.4[...]progressive incremental trajectory, consensus-building, small coalitions
•2002 --> anthropocene --> geology
◦human-geological epoch (following holocene), new temporalities and spatialities, re-purposed as capitalocene, necrocene,, chthulucene etc. to incorporate political economy dimension of planetary terraforming, plantation, hyperobject }--response-->{ re-settlement of populations, adaption, repurposing the frame: capitalism to blame, not humans; capitalism surviving through exploitation
•negative externality --> should be internalized
•wicked problem --> climate change as threat
•emotional frame --> focus on values and morality
•debate frame --> balance-as-bias: dedicating half of the frame to counter-evidence of climate change --> fundamental paradox of collective action @Chloe2 --> tragedy of the commons @Nicolas
•risk framing --> forgrounding the endemic nature of the problem --> a logic of translatability : ‘risk خطر ==> commensurability توافق’
•war frame (turf wars of positions) --> a problem framing that rhetorically amplifies climate change --> logic of outsideness : ‘climate change = an enemy that is fought against’, (drawing from) emergency logic ==urge==> single-shot unified geotechnical solutions
•crisis frame --> emotional framing --leverage--> temporal logic : a climax point (peak oil, peak carbon, etc.) points to the narrowing window of opportunity to act -->
•catastrophic framing --> (using emotional language) locates the frame in the aftermath of a climate changed [<-- a popular public framing of the problem]
•super wicked problem --> temporal logic of time running out --pointing-->
◦irrational future disounting
◦lack of a central organizing authority
◦
•anthropocene --> temporal logic + pervasive spatiality ==> situating the category in deep time + planetary scale [<-- a frame used by organizations]
[*]problem: analytical techniques that lend themselves to core framing tasks of “what, who, why, when, where” of a particular issue (<-- ‘research problem’ is a foundation of this technique)
define boundaries of climate change --to-->
•focus on who is responsible
•ask why is it happening
•identify when is it happening
•locate where
(Campbell's) meta-observation ==> more each field discovers about climate change ==> category expansion (the more it seems to grow in scale)
*what Campbell finds in the discursive evolution of climate change*: a manifestation of (what the philosophical movement known as speculative realism criticizes as) [*]correlationism: we only ever have access to the correlation between thinking & being, a means to temper the real, to constrain it such that is becomes thinkable to human categories (yoke thinking & being together : we cannot think the unthought without re[...]
(844)[...notes/clean notes.txt]%95.5[...]ing half of the frame to counter-evidence of climate change --> fundamental paradox of collective action @Chloe2 --> tragedy of the commons @Nicolas
•risk framing --> forgrounding the endemic nature of the problem --> a logic of translatability : ‘risk خطر ==> commensurability توافق’
•war frame (turf wars of positions) --> a problem framing that rhetorically amplifies climate change --> logic of outsideness : ‘climate change = an enemy that is fought against’, (drawing from) emergency logic ==urge==> single-shot unified geotechnical solutions
•crisis frame --> emotional framing --leverage--> temporal logic : a climax point (peak oil, peak carbon, etc.) points to the narrowing window of opportunity to act -->
•catastrophic framing --> (using emotional language) locates the frame in the aftermath of a climate changed [<-- a popular public framing of the problem]
•super wicked problem --> temporal logic of time running out --pointing-->
◾irrational future disounting
◦lack of a central organizing authority
◦
•anthropocene --> temporal logic + pervasive spatiality ==> situating the category in deep time + planetary scale [<-- a frame used by organizations]
[*]problem: analytical techniques that lend themselves to core framing tasks of “what, who, why, when, where” of a particular issue (<-- ‘research problem’ is a foundation of this technique)
define boundaries of climate change --to-->
•focus on who is responsible
•ask why is it happening
•identify when is it happening
•locate where
(Campbell's) meta-observation ==> more each field discovers about climate change ==> category expansion (the more it seems to grow in scale)
*what Campbell finds in the discursive evolution of climate change*: a manifestation of (what the philosophical movement known as speculative realism criticizes as) [*]correlationistionism: we only ever have access to the correlation between thinking & being, a means to temper the real, to constrain it such that is becomes thinkable to human categories (yoke thinking & being together : we cannot think the unthought without relating it to existing correlates) }--Meillassoux--> never able to get out of the relation being thought and being to distinguish between an object & properties belonging to the subjective access to the object --> bad idea of epistemology ==> recuperates climate change within categories that make it seam manageable =/= (Campbell claiming) *climage change : ontological world* ==> it is everywhere and nowhere, present at all levels and yet absent as a distinct “thing” we can point to
Meillassoux --> how difficult it is to think anything without in some way introducing a qualification that one cannot know it without rendering it “for-us” though our framing = *it cannot be known absolutely*
(problem of access:[...]
(845)[...notes/clean notes.txt]%95.5[...]ing to the subjective access to the object --> bad idea of epistemology ==> recuperates climate change within categories that make it seam manageable =/= (Campbell claiming) *climage change : ontological world* ==> it is everywhere and nowhere, present at all levels and yet absent as a distinct “thing” we can point to
Meillassoux --> how difficult it is to think anything without in some way introducing a qualification that one cannot know it without rendering it “for-us” though our framing = *it cannot be known absolutely*
(problem of access:) anti-realism within continental tradition of philosophy ==> the idea that reality is inaccessible in-itself =/= Meillassoux's attempt to ***fuse reality with speculation in a logical manner***
to deploy speculative leap to defuse the problem of access --> *weird realism* to avoid the paths of analytic thought, positivism, scientism (~?!=> religion, faith, conspiracy theory, paranoia, ,,)
correlationism ==> despite repeatedly showing that it creates massive sudden fluctuating geologic singularities, climate change is still folded back into known organizational coordinates
}--> *interactional openness* (+ temporal boundedness) (@apass) ==> negotiation complexity, high technical policy instrument, multiplication of actors, multiplication of negotiation tracks
}==> *solutions shift from a field-endogenous catalyst of institutional change --to--> a mechanism of field maintenance*
}--Campbell--> framing of climate change ==dictate==> the organizational structure to address it ==> misrecognize what it is
=/= ***a world [=/= a problem] ==generates==> problems (that no current organizational form can address)***
correlationism (--> prevailing belief that human reason cannot attain certainty in metaphysical, religious, moral matters) ==Meillassoux==> fear of dogma/absolute (deep-seated desire to be non-dogmatic) ==> *knowledge becomes a matter of belief* ==>{ reason undergoes a process of religionizing : ‘reason = a means to buttress claims based on faith’ =/= aiming to capture absolute knowledge itself, condemning irrational claims upon it }==> ***discourage hierarchies of reason (always to slightly disblieve waht we believe) [<-- happens in apass!]
speculative realism ==>
1. *organizational research* (@Chloe2) in the future must be deidicated to finding the right categories to account for a new worl (and not for a superwicked problem)
2. enables us to approach climate change from the *widest rational angle*
3. (‘climate change = world’ ==>) we can begin to theorize the escalation and absolutization of ethics that is necessary to authentically occupy it --Campbell--> bleak optimism: acceptance of ecological collapse + begin the necessary work to organize within the new world of climate change (@Inga)
dialectical process of critique and [...]
(847)[...notes/clean notes.txt]%95.6[...]tent’ bearers of eternity (--> cannot be reduced to life processes)
}--> ****n the transition from non-life to life : the laws of biological life were not contained in the pre-life world --> they emerged ex nihilo (they were not immanent in [nor emerged from] the previous laws)****
--> (Meillassoux:) reality can generate advents on its own =/= the idea of vitalism: the idea that reality contains a hidden organization guided by transcendent intervention
to think of an ontological core for climate change where it is regarded as a world (in the Meillassouxian sense) --> situate climate change as a discontinuity --> *new world will create novelty in organization that exceeds thinkability today*
(from the position of speculative realism) what is important is (the “=/=” of) ‘holocene =/= anthropocene’ (and not the anthropocene)
•what did the world look like at the beginning of holocene?
holocene ==created==> epistemological categories that lasted thousands of years and became the most fundamental modes through which we understand & organize:
◦birth of language
◦birth of religion
◦concept of resources
◦concept of exchange
◦concept of exchange
◦invention of all known technology
◦development of agriculture
◦domestication
◦urbanization
==(by this metric)==> ‘climate change = world’ marks the end of organization as we can think it 😱
(let's widen rationality rather than abandoning it)
speculative realism --Campbell--> (a strategy for thinking at the) widest rational angle
example of speculative realism --> Meillassoux's spectral dilemma: [theist] resurrection of the dead (to provide justice for unjust deaths) + [atheist] inexistence of God (to absolve God of past injustices ~ meaningless deaths) ==> it is possible that God might emerge in the future --> complete justice has an ontological & real basis }-->
•the possibility of living according to *absolutizating thoughts* (one of Meillassoux's main tactics is to raise the stakes extremely high to show that *ethical commitments are either absolute or not* [--Campbell--> to speak in absolutizating ways about climate change]) (=/= focus on rthical dilemmas as epistemological conundrums and escalation of ethics to the status of a universal absence of justice ==> despondency + cynicism)
(the problem of) critical philosophy wants to avoid dogmatism, but it also incubates dogmatism because in abandoning any ratinoal access to the absolute (they want to be devoid of the slightest pretension to rationality) it renders this space accessible only by dogmatic faith and irrationality
--> (an unintentional and undesirable by-product of healthy scientific scepticism:) the mild sensible scepticism we hold towards “reality” cab be exlpoited to undermine any and all belief in it : climate chan[...]
(848)[...notes/clean notes.txt]%95.8[...] with conflict [~= buying (the quintessential perfect) wedding dress at Filene]
consumers engage and overcome conflicts (by enacting power, achievement, and mastery ~ mythic agency) and cross the mythic threshold ==> transform consumption process into extraordinary event
Saussure's “words considered as signifiers to signs where meaning is held” & meaning is dependent on difference (and not on concepts outside language) --structuralism--> “myth = a form of speech that exists before ideas”
==> Strauss: [speech and remembrance ==>] pre-literary societies produce images and narratives that resembled nature and the meaning of the mind --> mythic narrative = embodied resolution of contradiction [=/= archives of achievements]
--Doja--> mythic structures: generalizable forms (common in all types of societies and universal categories of the human mind) ~ “collective structures ==> superstructures = myth”
Strauss: “myths operate in men's minds without their being aware of the fact”
[for example Mauss's gift: obligation of reciprocation = power-relationship creating a binary of giver and receiver ==reciprocity==> synthesis of the gift]
•Geertz's ‘thick description’ (--> an antidote, symbolic anthropology =/= technocratic, mechanistic means of understanding cultures and settings, exercise of bridging perceived binary oppositions and creating triadic arrays of meaning)
•Derrida's random movement of signifiers (=/= origin as a transcendental anchor to build signification, Strauss's concept of the exemplar model)
Saussure ==>
•Barthes: “myth = manifestation of ideological tendencies of cultures” --> distorts history, depoliticizes speech ==> “language of the bourgeoisie becomes the myth of universal truths, obscuring the power relations and blocking the perspective of power between class, race, gender and other marginalized people” --> perpetuate existing social conditions
=/= Peirce: systems of signification create discourses (~ practices create the meaning behind an individual's interaction with a sign)
}--> ‘advertisers and marketers use signs and symbols to create meaning surrounding their brands. consumers interpret these signs and symbols in different ways’
‘perspective theory’
naturalization of ideological assumptions and how consumers problematize those assumptions in creating individual identity (shared identity and symbolic significance through consumer narratives)
[Thompson and Haytko]
problematization --highlight--> ideological subtexts --formulate--> binary opposition --naturalization--> constructed consumption meaning
four major imaginaries within stock shows:
1. ‘symbolic freedom and independence of rancher life =/= commercial ranching’ ==> mythically relieve anxiety
2. ‘ove and respect for nature =/= need for food and control over nature’
3. ‘co[...]
(849)[...notes/clean notes.txt]%96.1[...]
Barthes ==>
•critical theory: “myth = naturalising socially constructed and historical discourse” ~ dominant societal actors oppress subordinates by normalising markers of segregation and subordination --> the concern is to take the side of the oppressed's language and *emancipation*[= demythologising (dominant ideology)] <== Marx's ‘false consciousness’ (for example capitalist ideology conceals and naturalizes managerial power and implicit subordination of workers) --> either side of a power duality can become valorised
•Hegel: “mythology = ideology aesthetically expressed for easy adoption by society” --> “ideology = an imaginary map”; political breakdowns ==> ideologies become apparent (independent of mythology)
-(Murray and Ozanne:) meanings people attribute to social structures change more slowly than the structures themselves --> reality[= the meanings given to social structure and the objective structures] is contradictory <== *inconsistency between subject and object* (~ societies both create reality and are shaped by it)
}--> consumers as the oppressed class in postindustrial society
Thompson: natural health myth (based on ‘cultural creatives’: dominant consumer segment of natural medicine):
•*romantic ideology derived from technologies’ ill effects on humanity and nature --> nature is mythologized as a state of harmony, science and technology as forbidden knowledge
•*gnostic myth emerged from a desire of consumers to bridge technology and spirituality --> “the immune system is metaphorically rendered as a mysterious immaterial force, constituted by intricate mind-body connections and ephemeral energistic forces, which can be brought to practical ends through quasi-magical practices of holistic healing” [Thompson 2004]
}--> advertisers exploit these tensions as conflicting ideologies converge with reality
brand ==> a point of difference + oppositional meanings --> [for example the attraction of the coffee shops that don't personify the Starbucks hegemony ~] anti-hegemonic consumers hold strong preferences for decor that symbolises the counter-culture
(Thompson + Barthes ==> Kristensen, Boye, Askegaard:) how communities develop conceptualizations of right and wrong
*moral systems are inherently ideological* in order to emancipate consumers from these forces critical reflection must occur***
@constant and apass: ***consumers don't escape the market per se but instead reshape collective identity through counter-mythology***
(for example) hipster consumer's attempt to demythologize a consumption ideology in order to protect themselves from mainstream consumers or ‘followers’ (when followers encroach on inside values:) consumers demythologize their consumption practices ==allowing==> new avenues of consumption to occur in an emancipated state
(critical theorists:) **market = arena of domination and power struggle**
==> [...]
(850)[...notes/clean notes.txt]%96.3[...]>
•conduct piecewise and local metaphysics (not universalist metaphysics, not science fiction)
•balance naturalism and normativity
◦naturalism --> learn about different scientific practices that have different aims
◦normativity --> evaluate how well those practices achieve those (epistemic and pragmatic) aims
•
...................................
filial piety --> family formation + consumption behaviours (in Asian context)
(public policymakers and) social marketers addressing family dissatisfaction
understanding family identity has important implications for consumption --western-->
•how meal consumption helps to maintain family bonds
•how home-made meals are useful in constructing and communicating family identity (@apass, Leo, Sarah, food-ing, ‘formulations of family identity ~=!? collective’)
•how families preserve identity through the transfer of inalienable possessions
•how families navigate complex consumption choices such as involving parenthood
•
...................................
(Campbell + Saren -->) [*]posthumanism: an aesthetic (not just an epistemology) that blends:
1. the primitive
2. technology
3. horror
[*]metamorphosis: (an engine that encourages the viewer) to recognize life not as being, but as perpetual becoming =/= (liberatory promises of) ‘flow’
(each articulating opposing fantasies of posthumanism:)
morphing =/= mutating
primal technology
proto-atavism نياکان گرايى --> ***multiple paradigms of life exist on the peripheries of humanist life***
Campbell --> a posthuman biology (an ethical imperative that in a technological age, that life is not just life)
Golem --> perennial horror in western imagination
Jewish psalms of the 6th century
formation of life (golmi: unformed limb) <==emanate== mother's womb & nonhuman earth itself
--exemplifies--> how *western humanist versions of technology tend to create a master-servant dialectic* (master-slave) and anything that threatens this divide invokes horror
(roots embedded in the Romantic tradition:)
•“frankenfood” (mash up original and unexpected food combinations, genetically modified crops)
•genetic engineering technologies
•“revenge of nature”
•“nature out of control” leitmotif
•
*since antiquity (in the west) technology has been simultaneously imbued with magic and rationality, evil and redemption, trickery and transparency [---> go to Baxstrom + Meyers Realizing The Witch]
Descartes: the philosopher who provided the western imagination with the most enduring model of the human --> preoccupation with mechanism as something that pervaded machines, bodies and animals but never the non-materia[...]
(853)[...notes/clean notes.txt]%96.4[...]technological
(teratology, wider context of studies on monsters)
logic of contemporary technoculture --trope-->
•primitive
•technology
•horror
(Campbell drawing from a larger) intertextual repertoire consisting of advertising, film, and other images in visual culture
--> aesthetic conflation of the primitive, technology, and horror points to three new concepts:
•metamorphing: {<<--** exactly my problem with Manning's process philosophy}
◦(a logic of) ***identity as constant becoming***
◦***emphasis on flow*** (as a necessary way to understand process)
•primal technology =/= (humanist and pervasive) concept of technology as modern, progressive, clean, nonalive
•proto-atavism: evolutionary traits from the future can exist in the present (=/= atavism: evolutionary traits from the past can exist in the present) []
==> type of posthuman biology conception of life
>
(let's have atavism instead of activism)
Campbell --> *critique the almost universal celebration of flow in contemporary philosophical thought* {<-- yes yes! thank you! ♥}
primitive: a site of primordial simplicity ~= originary unity }<== history of technology <--(told from a western lens)-- gradual progression and sophistication of the technical (for example Black Panther film)
-the presence or absence of specific technologies has often been read as a marker of cultural ‘backwardness’ <== “technology = something that comes from the West (rich-world technologies) and does something to other people in other places such as the “third world” (a well-intentioned framework that denies both agency and contemporaneity to the ‘other’ --> for example Eliasson's Little Sun)
technological progress is not a force unique to modern ‘civilized’ society; it is intimately bound with art and antiquity
•Heidegger (seeks the origin of technology in ancient Greece) --> technology referred to the ways in which realities are brought into the world, a mode of unconcealing reality (hervorbringen) [=/= mere means or instrument]
+ every unconcealment of reality is also by necessity a concealment of another reality
*poiesis: bring hither out of concealment forth into unconcealment* --> techne = tech + art
paleolithic hunters (so-called primitive societies) have been shown to have been affluent and technologically advanced
technological primitivism, as aesthetic in subcultures of high-technology, incorporating into their philosophies icons of: shamanism, esotericism, hermeticism, the occult, mythology
=/= my ajayeb.net
horror in commercial images (Campbell's investigation =/= fear appeals that act to discourage or warn)
horror (like primitive) is a historically specific form =/= an eternal constant (~ whay is horrific today might be compl[...]
(871)[...notes/clean notes.txt]%96.5[...]brought into the world, a mode of unconcealing reality (hervorbringen) [=/= mere means or instrument]
+ every unconcealment of reality is also by necessity a concealment of another reality
*poiesis: bring hither out of concealment forth into unconcealment* --> techne = tech + art
paleolithic hunters (so-called primitive societies) have been shown to have been affluent and technologically advanced
technological primitivism, as aesthetic in subcultures of high-technology, incorporating into their philosophies icons of: shamanism, esotericism, hermeticism, the occult, mythology
=/= my ajayeb.net
horror in commercial images (Campbell's investigation =/= fear appeals that act to discourage or warn)
horror (like primitive) is a historically specific form =/= an eternal constant (~ whay is horrific today might be completely unhorrific tomorrow --> for example ajayeb's horror)
horror = science fiction + primitivism
liberatory/avant-garde horror
female-as-victim
female-as-horror
--> apparatus of phallogocentrism
--Campbell--> *horror works to produce figures that contain within them an overflow of contradictory signs*
20th century high-tech machines induce horror : depiction of *technology out of control* inducing horror in the humanist consciousness (for example Black Mirror TV series)
(both primitive & technical) borderline figures of contemporary culture: replicants, androgynes, zombies, androids, posthumans, avatars, clones, undead
}--> *almost-not-quite ontologies* <-- displacing the unitary subject of classical humanism <== {new processes and quasi objects} <==create== ***{globalization, questions of history, social change, political movements, collapse of communism, fundamentalism, feminism, post-communist nationalism, global immigration flows, transnational projects such as human genome, digital human}***
•mothers
•machine: the scientific, political and discursive field of technology
•monster: emblematizes the history and philosophy of the biological sciences + their relation to difference and different bodies
enlightenment ==> a comprehensive philosophical and scientific discourse of positioning “people of color, native australians, females, slaves (+ scaipods, cynocephali, tailed men, giants) = nearly-human =/=liberal human subject (white male)
-in the interstices between humans and apes, there was plenty of space to locate speculative or imaginary creatures: *similititudines huminis* (beast-men, monsters with human resemblances, degeneracy)
posthuman
•celebratory declaration of the end of humanity as we know it
•heralding an era of:
◦human being will be superseded by technical being (+ ironically promissing to vouchsafe human being for eternity)
◦(liberatory seeks to) disp[...]
(884)[...notes/clean notes.txt]%96.6[...]imitive) is a historically specific form =/= an eternal constant (~ whay is horrific today might be completely unhorrific tomorrow --> for example ajayeb's horror)
horror = science fiction + primitivism
liberatory/avant-garde horror
female-as-victim
female-as-horror
--> apparatus of phallogocentrism
--Campbell--> *horror works to produce figures that contain within them an overflow of contradictory signs*
20th century high-tech machines induce horror : depiction of *technology out of control* inducing horror in the humanist consciousness (for example Black Mirror TV series)
(both primitive & technical) borderline figures of contemporary culture: replicants, androgynes, zombies, androids, posthumans, avatars, clones, undead
}--> *almost-not-quite ontologies* <-- displacing the unitary subject of classical humanism <== {new processes and quasi objects} <==create== ***{globalization, questions of history, social change, political movements, collapse of communism, fundamentalism, feminism, post-communist nationalism, global immigration flows, transnational projects such as human genome, digital human}***
•mothers
•machine: the scientific, political and discursive field of technology
•monster: emblematizes the history and philosophy of the biological sciences + their relation to difference and different bodies
enlightenment ==> a comprehensive philosophical and scientific discourse of positioning “people of color, native australians, females, slaves (+ scaipods, cynocephali, tailed men, giants) = nearly-human =/=liberal human subject (white male)
-in the interstices between humans and apes, there was plenty of space to locate speculative or imaginary creatures: *similititudines huminis* (beast-men, monsters with human resemblances, degeneracy)
posthuman
•celebratory declaration of the end of humanity as we know it
•heralding an era of:
◦human being will be superseded by technical being (+ ironically promissing to vouchsafe human being for eternity)
◦(liberatory seeks to) displace the arrogance of the human (as the ultimate and sole authorities of meaning)
•replete with ideological positions (ranging from horrific to hopeful)
•concerned with deconstruting the human as an ancient concept [~?~> dissatisfied and alienated by nature]
ectogenetic foetus (growth of an organism in an artificial environment)
surrogate mother جایگزین
pregnant man {in the fear-fantasy of miscegenation
(crossing:)
animal
human
inanimate
technologies
}==> horror (accompanying the posthuman)
[title]
monstrous logic of ajayeb
monstrous =/= neat categories
teratology
in a wider context of studies of monster[...]
(887)[...notes/clean notes.txt]%96.6[...], avatars, clones, undead
}--> *almost-not-quite ontologies* <-- displacing the unitary subject of classical humanism <== {new processes and quasi objects} <==create== ***{globalization, questions of history, social change, political movements, collapse of communism, fundamentalism, feminism, post-communist nationalism, global immigration flows, transnational projects such as human genome, digital human}***
•mothers
•machine: the scientific, political and discursive field of technology
•monster: emblematizes the history and philosophy of the biological sciences + their relation to difference and different bodies
enlightenment ==> a comprehensive philosophical and scientific discourse of positioning “people of color, native australians, females, slaves (+ scaipods, cynocephali, tailed men, giants) = nearly-human =/=liberal human subject (white male)
-in the interstices between humans and apes, there was plenty of space to locate speculative or imaginary creatures: *similititudines huminis* (beast-men, monsters with human resemblances, degeneracy)
posthuman
•celebratory declaration of the end of humanity as we know it
•heralding an era of:
◦human being will be superseded by technical being (+ ironically promissing to vouchsafe human being for eternity)
◦(liberatory seeks to) displace the arrogance of the human (as the ultimate and sole authorities of meaning)
•replete with ideological positions (ranging from horrific to hopeful)
•concerned with deconstruting the human as an ancient concept [~?~> dissatisfied and alienated by nature]
ectogenetic foetus (growth of an organism in an artificial environment)
surrogate mother جایگزین
pregnant man {in the fear-fantasy of miscegenation
(crossing:)
animal
human
inanimate
technologies
}==> horror (accompanying the posthuman)
[title]
monstrous logic of ajayeb
monstrous =/= neat categories
teratology
in a wider context of studies of monsters
written texts (not only physical manifestations) ~ defy canonical categories
[*]gothic: (not only a genre,) any type of text that makes coherent interpretation fail*** <== text suffers from an overload of contradictory meanings which make it literally fall apart at the seams
(Derrida:) monster: *species of the nonspecies* = as-yet unnameable which is proclaiming itself --> make people turn their eyes away
-the figure of the monster embodies a means of thinking otherwise
-event of the Derridean text signalling a rupture with the discourses in which it is gestated
--Campbell--> both Derrida and Darwin were engaged in the *practice of revealing monstrosity to the world*
***contemporary Iran =[...]
(888)[...notes/clean notes.txt]%96.7[...]r />
enlightenment ==> a comprehensive philosophical and scientific discourse of positioning “people of color, native australians, females, slaves (+ scaipods, cynocephali, tailed men, giants) = nearly-human =/=liberal human subject (white male)
-in the interstices between humans and apes, there was plenty of space to locate speculative or imaginary creatures: *similititudines huminis* (beast-men, monsters with human resemblances, degeneracy)
posthuman
•celebratory declaration of the end of humanity as we know it
•heralding an era of:
◦human being will be superseded by technical being (+ ironically promissing to vouchsafe human being for eternity)
◦(liberatory seeks to) displace the arrogance of the human (as the ultimate and sole authorities of meaning)
•replete with ideological positions (ranging from horrific to hopeful)
•concerned with deconstruting the human as an ancient concept [~?~> dissatisfied and alienated by nature]
ectogenetic foetus (growth of an organism in an artificial environment)
surrogate mother جایگزین
pregnant man {in the fear-fantasy of miscegenation
(crossing:)
animal
human
inanimate
technologies
}==> horror (accompanying the posthuman)
[title]
monstrous logic of ajayeb
monstrous =/= neat categories
teratology
in a wider context of studies of monsters
written texts (not only physical manifestations) ~ defy canonical categories
[*]gothic: (not only a genre,) any type of text that makes coherent interpretation fail*** <== text suffers from an overload of contradictory meanings which make it literally fall apart at the seams
(Derrida:) monster: *species of the nonspecies* = as-yet unnameable which is proclaiming itself --> make people turn their eyes away
-the figure of the monster embodies a means of thinking otherwise
-event of the Derridean text signalling a rupture with the discourses in which it is gestated
--Campbell--> both Derrida and Darwin were engaged in the *practice of revealing monstrosity to the world*
***contemporary Iran = postmodern gothic***
آخوند akhoond: social imaginary of post-industrial society producing teratological monstrous formations <== their technological character transgresses conventions of taxonomical description --Braidotti--> cyber-teratological (fascinatino with grotesque + technological)
-what are the non-unitary subjectivities in Tehran today? (monster = horror + marvel)
monster =/= demonstrate, de-monstrate <-- vision + monstrosity
*monster: sites of otherworldliness* --used--> teratoscopy
1- Greek and Roman --> race of monsters: ethnic entity horrific & fantastic
2- baroque and enl[...]
(889)[...notes/clean notes.txt]%96.7[...]sy of miscegenation
(crossing:)
animal
human
inanimate
technologies
}==> horror (accompanying the posthuman)
[title]
monstrous logic of ajayeb
monstrous =/= neat categories
teratology
in a wider context of studies of monsters
written texts (not only physical manifestations) ~ defy canonical categories
[*]gothic: (not only a genre,) any type of text that makes coherent interpretation fail*** <== text suffers from an overload of contradictory meanings which make it literally fall apart at the seams
(Derrida:) monster: *species of the nonspecies* = as-yet unnameable which is proclaiming itself --> make people turn their eyes away
-the figure of the monster embodies a means of thinking otherwise
-event of the Derridean text signalling a rupture with the discourses in which it is gestated
--Campbell--> both Derrida and Darwin were engaged in the *practice of revealing monstrosity to the world*
***contemporary Iran = postmodern gothic***
آخوند akhoond: social imaginary of post-industrial society producing teratological monstrous formations <== their technological character transgresses conventions of taxonomical description --Braidotti--> cyber-teratological (fascinatino with grotesque + technological)
-what are the non-unitary subjectivities in Tehran today? (monster = horror + marvel)
monster =/= demonstrate, de-monstrate <-- vision + monstrosity
*monster: sites of otherworldliness* --used--> teratoscopy
1- Greek and Roman --> race of monsters: ethnic entity horrific & fantastic
2- baroque and enlightenment --> began to produce a scientific, wondrous, fantastic, rare, entertaining --(such as: madmen and dwarfs and other marvels participated in the life of his or her town and enjoys certain privileges [...] jesters and fools can transgress social conventions and do things that “normal” human beings cannot afford -Braidotti)
3- genetic turning point in the post-nuclear era --> cybernetic teratology: effects of toxicity and environmental pollution ==> new monsters [--> Tsing]
experience of the world of high-technology
artifacts of visual culture, (TV advertisements) dealing with the tropes of the primitive, technology, horror:
(these artifacts connote دلالت ضمنى long histories of techno-mytho-political dramas)
•Audi spider; where Audi is likened to a preditor, ensnaring, devouring its rivals; Vorsprung durch Technik written in gothic-style jagged, suspended cobwebs {<-- Ridley Scott's alien's technology as dirty; a lair swathed in a thick cobweb-like substance --> *technology as life* <== the dirt and dampness of *dirty technology* suggest an animate, sweating, breathing life-force [~ an aesthetic]} --> [...]
(890)[...notes/clean notes.txt]%96.7[...]ractice of revealing monstrosity to the world*
***contemporary Iran = postmodern gothic***
آخوند akhoond: social imaginary of post-industrial society producing teratological monstrous formations <== their technological character transgresses conventions of taxonomical description --Braidotti--> cyber-teratological (fascinatino with grotesque + technological)
-what are the non-unitary subjectivities in Tehran today? (monster = horror + marvel)
monster =/= demonstrate, de-monstrate <-- vision + monstrosity
*monster: sites of otherworldliness* --used--> teratoscopy
1- Greek and Roman --> race of monsters: ethnic entity horrific & fantastic
2- baroque and enlightenment --> began to produce a scientific, wondrous, fantastic, rare, entertaining --(such as: madmen and dwarfs and other marvels participated in the life of his or her town and enjoys certain privileges [...] jesters and fools can transgress social conventions and do things that “normal” human beings cannot afford -Braidotti)
3- genetic turning point in the post-nuclear era --> cybernetic teratology: effects of toxicity and environmental pollution ==> new monsters [--> Tsing]
experience of the world of high-technology
artifacts of visual culture, (TV advertisements) dealing with the tropes of the primitive, technology, horror:
(these artifacts connote دلالت ضمنى long histories of techno-mytho-political dramas)
•Audi spider; where Audi is likened to a preditor, ensnaring, devouring its rivals; Vorsprung durch Technik written in gothic-style jagged, suspended cobwebs {<-- Ridley Scott's alien's technology as dirty; a lair swathed in a thick cobweb-like substance --> *technology as life* <== the dirt and dampness of *dirty technology* suggest an animate, sweating, breathing life-force [~ an aesthetic]} --> horror <== damp dark leaking space containing moulding cocoons of spider --Campbell--> motivation, goals or logic of this life form cannot be recovered within the economy of the human (=/= clean cold untouched technological artefact)
◦***technology covered in its own dirt --implies--> life --implies--> disorganization --implies--> disintegration of borders between ‘us’ (bounded) and ‘them’ (unbounded) --implies--> loss of control
◦ajayeb-e spider // links the world (of primitive + high-technology), its metamorphosis into automobile ==> its multiple and contradictory genealogy; sight of spider --Freud--> induce crisis of neurotic anxiety (arguing that this fear comes from an unconscious association of the spider with the image of the phallic mother and the web --> threatens to engulf us --> mpnstrous feminine, Ridley Scott's alien = technologized embodiment of the phallic mother)
◾ancient activity of weaving [computer emerges out of the history of weaving; the first computers were based on the logic of the loom, qu[...]
(892)[...notes/clean notes.txt]%96.8[...]cts embody the logic of high-technology which values decenterdness, microprocessing, and swarm intelligence. colonies, swarms, teems ==acts==> *metaphor & epistemology & ontology* to understand decenterdness, rhizomaticity, distribution and microprocessing ==> *insect aesthetic* [#use the term collapse as marketing storytelling, divided entities now mixed with eachother to induce mixed feelings in the audience --> chimera in advertisement]
◽matrix, from the latin ‘mater' = womb, the term matrix possessing the potential to nurture & to trap (---> go to Matrix film series)
◽Arachne: a younge woman, was so skilful at weaving that she was rash enough to challenge the goddess Athene to a contest. she was transformed into a spider and was doomed to weave forever
•Nike mutant foot; to convey the feeling that running with these shoes is like running in bare feet (--> chimera?); the mutant foot evokes a worn and labored transition from human to posthuman which leaves behind traces of pain; ‘foot of the future’ contains within it the supplement of its embodied visceral human existence, a potent reminder of the human within the posthuman. Nike mutant foot *suffers from origin horror* (= no secure telos of origin which can link back to a primary source of either technology or organicism) we cannot trace it back to an originary ideal category of existence ==> it horrifies
•Nissan pathfinder; shape-shifting technology, moves between the animal and technical --> *automobile metamorphoses without any trace of its metamorphosis* (it bears no marks, scatches, dents, damage); mighty industrialized rendering (transformers film series) --> (an X-Men fantasy:) a future world of *ontological mobility* : entities are not fixed, their morphing into other entities is not painful, but a natural instantaneous reaction to their environment [=/= ajayeb]
•BBC digital faces; a giant disembodied head that roams across hilly countryside ~ *an affront to a humanist sensibility of integral bounded being*; filled with tiny selves --> genealogy of monstrous and mythical forms (Matrix 3rd episode the machine face) --> *visualization of the idea that the self possesses no central consciousness* [<-- posthuman: all mental thought, all consciousness and spirit, can be attributed to the operation of micro-material processes distributed in autopoitic (~ self-creating) body] /ERG website
metamorphing
critique of becoming (of consumer)
Cartesian (human logic of a world of fixed entities) =/= posthumanism (polymorphic unfixity, articulating a logic of identity as decentered and in the state of transition)
mutating =/= morphing (universally regarded as positive, apolitical <-- in poststructural theory)--> imagined technological posthumanism which cruises effortlessly and seamlessly through ontologies [like T1000 in Terminator]
digital morphing is a common production device in contemporary visual[...]
(904)[...notes/clean notes.txt]%96.9[...]omobile metamorphoses without any trace of its metamorphosis* (it bears no marks, scatches, dents, damage); mighty industrialized rendering (transformers film series) --> (an X-Men fantasy:) a future world of *ontological mobility* : entities are not fixed, their morphing into other entities is not painful, but a natural instantaneous reaction to their environment [=/= ajayeb]
•BBC digital faces; a giant disembodied head that roams across hilly countryside ~ *an affront to a humanist sensibility of integral bounded being*; filled with tiny selves --> genealogy of monstrous and mythical forms (Matrix 3rd episode the machine face) --> *visualization of the idea that the self possesses no central consciousness* [<-- posthuman: all mental thought, all consciousness and spirit, can be attributed to the operation of micro-material processes distributed in autopoitic (~ self-creating) body] /ERG website
metamorphing
critique of becoming (of consumer)
>
Cartesian (human logic of a world of fixed entities) =/= posthumanism (polymorphic unfixity, articulating a logic of identity as decentered and in the state of transition)
mutating =/= morphing (universally regarded as positive, apolitical <-- in poststructural theory)--> imagined technological posthumanism which cruises effortlessly and seamlessly through ontologies [like T1000 in Terminator]
digital morphing is a common production device in contemporary visual culture (transformers, X-Men <-- to resist that in our web designs)
morphing =/= ontological fixity
•how technology does not oppose nature, but stimulate it (Nissan pathfinder)
•how the morph causes a radical splintering of consciousness (BBC digital faces)
•how morph is the a visualization not of being, but of becoming
--> *flow, universally coded as positive* (sensibility of process and flux considered liberatory)
--> a logic of quick-change (embedded in entertainment and computer industries)
high-technology embodiments:
•cyborg
•foetus
•ecosystem
•database
•genome
•cellular automata
•insects
•
morphing =/= mutating: the visceral, painful, embodied experience that results from ontological boundary clashes
mutating into otherness =/= morphing into otherness
(pain of the flow -->) ***mutation is a concept that stops the flow***
(utopian:) technological imaginary portraying a simple and painless ascent into a silicon existence
chimera: (a term biotechnological discourse uses to refer to) the evolution of elements that do not belong together
[in greek mythology, a savage beast part lion part goat part snake =/= natural order]
•(Iron Man's definition of) technology: an instrument which accords the human with a gradual ascend towards increasing civilization[...]
(907)[...notes/clean notes.txt]%96.9[...]ormer time but still exist in the present
*proto-atavism: (exhibiting of) future evolutionary traits in the present ==> collapsing the quality of linear time [~=? my sleep-walking] (=/= human approaching a state of technological perfection through an orderly ascent of increasing complexity and sophistication)
--> technological progress = nonlinear, punctuated, multiple [<-- used in marketing today]
proto-atavism --argument--> that multiple paradigms of life exist on the peripheries of humanist life ==Campbell==> (how) *human life: a cacophony of co-existing interacting states of past present future existences with no recourse to a single reassuring origin* (=/= singular progression)
(like animal rumors in old bestiaries ajayeb in a story-starated world) found telegram videos and internet pic used in my image assemblages --> (found images which make it difficult to trace their lineage) in an image-starated world ==construct==> ambivalent visual representations that do not have a signifier in an external “real” world (Baudrillard's rhetoric simulacrum: an object that is a copy of something which does not “exist”)
==Toffoletti==> potentiality: exceeding the bounds of description
(we are living in an) age of **technosubjectivity**
(Margulis theorizes) the symbolic basis of eukaryotic cells
(Dawkins posits) the existence of selfish genes and the extended phenotype
*system theory: human life subsumed radically into an all-encompassing concept of system, of which the human is merely a psychic system, where the only important unit of analysis is systems (human, cell, society, law)
(Sagan's) metametazoa: a multiple creature afloat in the omnisexuality of bacterial exchange
(Octavia Butler's) xenogenesis: polysexual interspecies reproduction
(Haraway's) differential artifactualism: (~= SF, science fiction) a diffractive interruptive mutative anti-reflective monstrous logic (to a humanist eyes) --> generation of novel forms which need not be imagined in the stodgy bipolar terms of hominids ==make==> ontological room for naturecultures
-mixotricha paradoxa: “a mixed up, paradoxical, microscopic bit of hair [...]they are nested in each other's tissues in a myriad of ways that make words like competition and cooperation, or individual and collective, fall into the trash heap of pallid metaphors and bad ontology”
(Thacker speaks for) extrinsic life: the kinds of life that cannot be contained inside itself (such as: the epidemic) ~ lifelike death ==> depict the strangeness of life in a technological era
(diffraction ==>) myopic: eyesight abnormality resulting from the eye's faulty refractive ability --> posthuman: an essentially ethical precondition of life in high-technology
background of posthuman theory:
•metamorphing --> premised on the liberatory potential of flow : processes objects and living s[...]
(921)[...notes/clean notes.txt]%97[...]es) the symbolic basis of eukaryotic cells
(Dawkins posits) the existence of selfish genes and the extended phenotype
*system theory: human life subsumed radically into an all-encompassing concept of system, of which the human is merely a psychic system, where the only important unit of analysis is systems (human, cell, society, law)
(Sagan's) metametazoa: a multiple creature afloat in the omnisexuality of bacterial exchange
(Octavia Butler's) xenogenesis: polysexual interspecies reproduction
(Haraway's) differential artifactualism: (~= SF, science fiction) a diffractive interruptive mutative anti-reflective monstrous logic (to a humanist eyes) --> generation of novel forms which need not be imagined in the stodgy bipolar terms of hominids ==make==> ontological room for naturecultures
-mixotricha paradoxa: “a mixed up, paradoxical, microscopic bit of hair [...]they are nested in each other's tissues in a myriad of ways that make words like competition and cooperation, or individual and collective, fall into the trash heap of pallid metaphors and bad ontology”
(Thacker speaks for) extrinsic life: the kinds of life that cannot be contained inside itself (such as: the epidemic) ~ lifelike death ==> depict the strangeness of life in a technological era
(diffraction ==>) myopic: eyesight abnormality resulting from the eye's faulty refractive ability --> posthuman: an essentially ethical precondition of life in high-technology
background of posthuman theory:
•metamorphing --> premised on the liberatory potential of flow : processes objects and living systems are thought to be in a constant state of becoming =/= Campbell: flow is not always a liberatory metaphor -->{ (a politics or logic of) *inertia* =/= contemporary politics of flow }
•primal technology --> technology is not always s progressive civilizing inanimate force, rather it is a destructive-constructive rich-poor lively-inanimate force in the world
•proto-atavism --> modes of living at the edges of humanist life
•posthuman biology ==> *monolith of humanist life is myopic*
in a way, in my research i have been seeking ways to acknowledge the place of posthuman ways of being in the world --through-->
•observing the high-tech (cellular automata, database, bibliographic technologies)
•observing the ancient (medieval bestiaries ajayeb al makhlughat ajayeb technologies)
•
...................................
roots of ‘emancipate ourselves’ --in--> “being critical" = ability to be self-reflexive and to translate criticality into action and expressions of art (Renan)
transform knowledge sites --to--> knowledge scenes --> *communities of concepts* (=/= communities of people)
-(to form an artistic site not into a theme, a subject or a project --> discursive architecture)
how we could actually initiate soli[...]
(922)[...notes/clean notes.txt]%97.1[...]er-institutional structures driven by economic liberalism, subsequently confirmed by the participation of civil society*
...a practice of dialogue between art and development, across geographies: banking on the coalition of ethno-nationalism and globalization, and promoting “indigenous” forms of capitalism, while avoiding the optics of exoticization }==>
•divides and controls localities
•contextual differences are distributed as needs and urgencies
•juridico-engineering structures (symbolized progress)
•cultural globalism with consumption at its core
•regions soused on the liberal democratic fantasy of salvation via harmonious, multilateral exchange
(we don't want dialogues, we need meaningful dialogues)
--Renan--> [to relocate the “struggle for exchange” in] monological circuits across the topographies of power and restitution =/= geographies of guilt and embarrassment
antagonistic knowledges (organise and rally actions and thoughts for resistance) --> changes how you are socialized
Robinson Crusoe
a miniature history of human development according to bourgeois individualism [...] changed into an encyclopedic storytelling of religious virtues
•using European technology, agriculture, economic individualism [<== spiritual autobiography], (rudimentary) political hierarchy, (civilizing effect of) Christianity [--> pursuit of meaningful spiritual engagement]
...as the inertia of the colonial world's knowledge system breaks into the streams of exploratory capital, the relay of fragments crystallizes before seeping through the colonial subject's social ground
http://www.curators-network.eu/blog-entry/lightning-studies-ctcccs-part-1-3 (Renan)
Cinderella's precarity
the question of: how can we translate contexts? (the context of which I bring my precarity differs from here in Brussels)
(the notion of *difficulty* in) Cinderella =/=? Robinson Crusoe
Crusoe's precarity (European) is something that you can overcome
•technology --> I can develop something out of my precarity and survive being struck on an island
•Crusoe's techne --> human =/= Cinderella's techne --> companion
•Crusoe ==> *rise of the ordinary individual in the nation* <== every individual values themselves high enough to consider themselves the proper subject of serious literature
◦modern individual: an ordinary & alone person is able to triumph over physical environment ~ to be able to exploit every situation
using diary format for Cinderella was inspired by respond to Crusoe's epistolary and confessional method of writing
(one of the earliest genre of) realistic fiction
written during the Enlightenment
one of the most widely published books in history
==> castaway narrative: improvise the means of survival from limited resources at h[...]
(929)[...notes/clean notes.txt]%97.3[...]logical circuits across the topographies of power and restitution =/= geographies of guilt and embarrassment
antagonistic knowledges (organise and rally actions and thoughts for resistance) --> changes how you are socialized
Robinson Crusoe
a miniature history of human development according to bourgeois individualism [...] changed into an encyclopedic storytelling of religious virtues
•using European technology, agriculture, economic individualism [<== spiritual autobiography], (rudimentary) political hierarchy, (civilizing effect of) Christianity [--> pursuit of meaningful spiritual engagement]
...as the inertia of the colonial world's knowledge system breaks into the streams of exploratory capital, the relay of fragments crystallizes before seeping through the colonial subject's social ground
http://www.curators-network.eu/blog-entry/lightning-studies-ctcccs-part-1-3 (Renan)
Cinderella's precarity
the question of: how can we translate contexts? (the context of which I bring my precarity differs from here in Brussels)
(the notion of *difficulty* in) Cinderella =/=? Robinson Crusoe
Crusoe's precarity (European) is something that you can overcome
•technology --> I can develop something out of my precarity and survive being struck on an island
•Crusoe's techne --> human =/= Cinderella's techne --> companion
•Crusoe ==> *rise of the ordinary individual in the nation* <== every individual values themselves high enough to consider themselves the proper subject of serious literature
◦modern individual: an ordinary & alone person is able to triumph over physical environment ~ to be able to exploit every situation
using diary format for Cinderella was inspired by respond to Crusoe's epistolary and confessional method of writing
(one of the earliest genre of) realistic fiction
written during the Enlightenment
one of the most widely published books in history
==> castaway narrative: improvise the means of survival from limited resources at hand
•progress through technology
•rebuilding of civilisation (civilisation = a form of triumph)
•unfriendliness of nature
◦he is with a dog, two cats and a parrot but he cannot talk to them =/= Cinderella
◦Crusoe starts making Bible fals (فال انجیل opening the Bible to a random page and read a verse that he believed was addressed at him)
◦he makes list (pro & cons --> debit & credit [--> mentality of business studies] --Weber--> book-keeping: distinctive technical feature of modern capitalism)
◦
•Crusoe: true protagonist of the empire (--Joyce--> prototype of British colonialism, *mythology of colonialism* --Sina--> #fable of imperialism)
•(romantic notion of) nature: idyllic =/= (Crusoe) nature: unforgiving + sparse }<-- utopian =/= dystopi[...]
(930)[...notes/clean notes.txt]%97.3[...]s-network.eu/blog-entry/lightning-studies-ctcccs-part-1-3 (Renan)
Cinderella's precarity
the question of: how can we translate contexts? (the context of which I bring my precarity differs from here in Brussels)
(the notion of *difficulty* in) Cinderella =/=? Robinson Crusoe
Crusoe's precarity (European) is something that you can overcome
•technology --> I can develop something out of my precarity and survive being struck on an island
•Crusoe's techne --> human =/= Cinderella's techne --> companion
•Crusoe ==> *rise of the ordinary individual in the nation* <== every individual values themselves high enough to consider themselves the proper subject of serious literature
◦modern individual: an ordinary & alone person is able to triumph over physical environment ~ to be able to exploit every situation
using diary format for Cinderella was inspired by respond to Crusoe's epistolary and confessional method of writing
(one of the earliest genre of) realistic fiction
written during the Enlightenment
one of the most widely published books in history
==> castaway narrative: improvise the means of survival from limited resources at hand
•progress through technology
•rebuilding of civilisation (civilisation = a form of triumph)
•unfriendliness of nature
◦he is with a dog, two cats and a parrot but he cannot talk to them =/= Cinderella
◦Crusoe starts making Bible fals (فال انجیل opening the Bible to a random page and read a verse that he believed was addressed at him)
◦he makes list (pro & cons --> debit & credit [--> mentality of business studies] --Weber--> book-keeping: distinctive technical feature of modern capitalism)
◦
•Crusoe: true protagonist of the empire (--Joyce--> prototype of British colonialism, *mythology of colonialism* --Sina--> #fable of imperialism)
•(romantic notion of) nature: idyllic =/= (Crusoe) nature: unforgiving + sparse }<-- utopian =/= dystopian nature --> Lord of the Flies
...................................
(with Annemarie's help @apass)
*sources of knowledge =/= styles of knowing* ==> tensions
judgment: an occasion to apply one's own standards =/= observation: a mean to get to know somebody else's standards
difference
which differences exactly?
what are their interferences and their diffractions?
--> the surprises that come with finding “variations”
(stories about)
vessels & fluids
pain & technicians
patients & doctors
techniques & technologies
(bracketing the practices =/=) foregrounding the practices --> objects come into being and disappear with the practices in which they are manipulated ==> reality multiplies
=/= single passive object in the middle wai[...]
(933)[...notes/clean notes.txt]%97.3[...]riendliness of nature
◦he is with a dog, two cats and a parrot but he cannot talk to them =/= Cinderella
◦Crusoe starts making Bible fals (فال انجیل opening the Bible to a random page and read a verse that he believed was addressed at him)
◦he makes list (pro & cons --> debit & credit [--> mentality of business studies] --Weber--> book-keeping: distinctive technical feature of modern capitalism)
◦
•Crusoe: true protagonist of the empire (--Joyce--> prototype of British colonialism, *mythology of colonialism* --Sina--> #fable of imperialism)
•(romantic notion of) nature: idyllic =/= (Crusoe) nature: unforgiving + sparse }<-- utopian =/= dystopian nature --> Lord of the Flies
...................................
(with Annemarie's help @apass)
*sources of knowledge =/= styles of knowing* ==> tensions
judgment: an occasion to apply one's own standards =/= observation: a mean to get to know somebody else's standards
difference
which differences exactly?
what are their interferences and their diffractions?
--> the surprises that come with finding “variations”
(stories about)
vessels & fluids
pain & technicians
patients & doctors
techniques & technologies
(bracketing the practices =/=) foregrounding the practices --> objects come into being and disappear with the practices in which they are manipulated ==> reality multiplies
=/= single passive object in the middle waiting to be seen from the point of view of seemingly endless series of perspectives (SK the elephant parable)
philosophy used to approach knowledge in an epistemological way (~ preconditions for acquiring true knowledge = Alex's question “what is artistic research”) =/= (Annemarie's) *knowledge = a matter of manipulation (=/= reference)* ==> ethnographic interest in knowledge practices (--to--> “what are artist researchers doing?”)
xxxxxxxx
...................................
#project: to create a multidisciplinary knowledge program around the relationship between art, marketing and [?], highlighting the imbricated فلس فلس nature of [?] as tangible resources and knowledge
...................................
#project index Tehran theory: to think ethnographically about non-unilateral and non-static picture of aspiration in the context of contemporary Tehran eco-techno-culture
•archive question
•contemporary media technology
•data/knowledge organization
•infrastructure
•epistemology
•Tehran techno-culture multispecies ethnography
•mini worlds
•*how people imagine a better life?* --> (to think non-unilateral and non-static) *picture of aspiration* (in the context of contemporary Tehran)
•imitations of forms
•http://ajayeb.ne[...]
(935)[...notes/clean notes.txt]%97.4[...]bout)
vessels & fluids
pain & technicians
patients & doctors
techniques & technologies
(bracketing the practices =/=) foregrounding the practices --> objects come into being and disappear with the practices in which they are manipulated ==> reality multiplies
=/= single passive object in the middle waiting to be seen from the point of view of seemingly endless series of perspectives (SK the elephant parable)
philosophy used to approach knowledge in an epistemological way (~ preconditions for acquiring true knowledge = Alex's question “what is artistic research”) =/= (Annemarie's) *knowledge = a matter of manipulation (=/= reference)* ==> ethnographic interest in knowledge practices (--to--> “what are artist researchers doing?”)
xxxxxxxx
...................................
#project: to create a multidisciplinary knowledge program around the relationship between art, marketing and [?], highlighting the imbricated فلس فلس nature of [?] as tangible resources and knowledge
...................................
#project index Tehran theory: to think ethnographically about non-unilateral and non-static picture of aspiration in the context of contemporary Tehran eco-techno-culture
•archive question
•contemporary media technology
•data/knowledge organization
•infrastructure
•epistemology
•Tehran techno-culture multispecies ethnography
•mini worlds
•*how people imagine a better life?* --> (to think non-unilateral and non-static) *picture of aspiration* (in the context of contemporary Tehran)
•imitations of forms
•http://ajayeb.net/?q=sensibilities+hitting+people
•start as collaborative online platform for writings/projects about Tehran emerging ecologies:
◦mice موش
◦mobile phones موبایل
◦monsters هیولا
◦heavens مثل
◽
•on Tehran trees:
◦on anthropogenic landscapes of Tehran
◦descriptive methods for the study of social relation and histories
◦learning (directly) about worldly objects of Tehran ==> take part in the kinds of creative play that are the hallmark of the research --> draws readers outside common-sense assumptions
◾(to enable a) technologically-augmented ecosystem
◾(to enable a) translocal exchange
◦{ [?not to] tokenization and verification of natural assets --> augment & utilize --?--> provoking our relation to nature, hybrid ecosystems in the technosphere }<-- question of governance
◾to explore ways for nonhumans as agents to act with the same importance of humans in/with the world via technology
◦resocializing value (less anthropocentric) --> social impact + environmental impact
◦less inalienable circulation of *cultural intelligence* (and value) among less individualized (connected networks[...]
(938)[...notes/clean notes.txt]%97.4[...]s and knowledge
...................................
#project index Tehran theory: to think ethnographically about non-unilateral and non-static picture of aspiration in the context of contemporary Tehran eco-techno-culture
•archive question
•contemporary media technology
•data/knowledge organization
•infrastructure
•epistemology
•Tehran techno-culture multispecies ethnography
•mini worlds
•*how people imagine a better life?* --> (to think non-unilateral and non-static) *picture of aspiration* (in the context of contemporary Tehran)
•imitations of forms
•http://ajayeb.net/?q=sensibilities+hitting+people
•start as collaborative online platform for writings/projects about Tehran emerging ecologies:
◦mice موش
◦mobile phones موبایل
◦monsters هیولا
◦heavens مثل
◦
•on Tehran trees:
◦on anthropogenic landscapes of Tehran
◦descriptive methods for the study of social relation and histories
◦learning (directly) about worldly objects of Tehran ==> take part in the kinds of creative play that are the hallmark of the research --> draws readers outside common-sense assumptions
◾(to enable a) technologically-augmented ecosystem
◾(to enable a) translocal exchange
◦{ [?not to] tokenization and verification of natural assets --> augment & utilize --?--> provoking our relation to nature, hybrid ecosystems in the technosphere }<-- question of governance
◾to explore ways for nonhumans as agents to act with the same importance of humans in/with the world via technology
◦resocializing value (less anthropocentric) --> social impact + environmental impact
◦less inalienable circulation of *cultural intelligence* (and value) among less individualized (connected networks of wider) social agents
◦critical questions + cross-pollinate
r />
...................................
(inconsistency of) *physiological chaos* of the World War I --> how physicians and medical researchers (early 20th century medical science) responded to it? --> (a new web of concepts:) *semiotics of injuries and behaviors* (--> that became essential for thinking about integration and collapse in economics, social organization, psychoanalysis, symbolic representation, and international politic)
--> attuned to, to anticipate, to outdo, *specific conditions of the lived body in
states of extreme exertion*:
•in a conceptual-historical and anthropological fashion
•stage thought and experimentation
•to recalibrate their thinking
}--> logic of integration (a problematic systematization) ==> *registers of the individual and the social*
linked to each other:
integration در شکم چيزى جا دادن, collapse, self-preservation, crisis, catastrophe, witn[...]
(941)[...notes/clean notes.txt]%97.4[...]lizations of the whole body ==> picture of the patient:
•neoliberal in character
•(always) future tense in orientation
destiny = personalized medicine (a project to anticipate and guide the patient's destiny)
welfare state's widest possible inclusion of its citizens clashes with the realities of the marketplace
to reconcile the individual's cognitive and physical realities with the particular demands of their world
...sociological quest to understand the locus of injury
[title]
duet of integration-crisis (==> whole-body ideals)
(Geroulanos and Meyers argue that) understanding integration and crisis in medicine ==> to wrap our heads around the way later-dominant cybernetic and structuralist theories located the individual in the world
bodily metaphor [in] integrations of domestic societies
the integrated, disintegrating human body:
•a new site of meaning and care
•subject for new analogies of body biological and body politic
•object of direct experimentation
story of the human body (at once social & biological)
...................................
question of technology
--locational--> where does the technological take place?
(and when?)
Heidegger --> (latecomers were) addicted to technology
“under what conditions we could arrive at a free relation to technology?”
Heidegger problem with addicted --> *addiction is content with what is merely available* (it never surpasses this limit) =/= anxiety
Avital focus on the *chemical prosthesis*
in war, drugs become another piece of equipment --> taking the pill: technologizing oneself into the war machine
heroin comes from heroisch
technically calibrated culture
drug --> hallucinated exteriority
electronic/drug culture --> (Nancy + Blanchot's) désœuvrement: without an end or program, an unworking that nonetheless occurs
how the *prosthetic subject* is constituted
(Junger's drug, Heidegger's tech, Benjamin's hashish, de Quincey's opium, Duras's alcoholizations:) a saturated text, pushing beyond the materiality of the book though not into any ideality
the right to drugs + the supplementary interiority that they produce
there has never been a war on drugs that is not carried by another type of drug (religion, patriotism, oil, TV)
history of narcotica ~= history of culture
[*]intoxication: (names) a method of mental labor that is responsible for making phantoms appear --> mnemonic apparatus
“you have something in you that must be killed” ==> ambivalent stimulant/tranquilizer
body proper regains its corruptible organic status
[...]
(944)[...notes/clean notes.txt]%97.6[...]ion چشم پوشی، ترک، کناره گیری، قطع علاقه
(addict = nonrenouncer)
virtual reality
cyberprojections
(Dasein's) dependency: a state in which anxiety is still bound
*mimetic poisoning* (of pharmacodependency associated with literature, as sedative, as cure, as escape, etc.) --?--> relationship to law
(our French heritage --> Flaubert: “a thinker should have neither religion nor fatherland nor even any social conviction”) *thinking = radically rupturing*
drugs forced decision upon the subject --> de Quincey
opium: the transparency upon which one could review the internal conflict of freedom (+ encounters the abyss of destructive jouissance)
war against pain
higher forms of drug
*(like any good parasite) drugs travel both inside and out of the boundaries of a narcissistically defended politics* ==producing==> a lexicon of body control and a private property of self
drug's virtual and fugitive patterns
they have a secret communications network with the internalized order
Madame Bovary = clinic of phantasms
everything said about technology can be applied to drugs: acceleration, speed, inertia, the third interval
drug/medicine ==>
•deaden the pain
•separate from a poisonous maternal flux
...
•hallucinated plenitude
•pure communication ~= transcendental telepathy
(have in mind that) any substance can function as a drug
“It wasn't clear then whether the body was private property or not, whether the authorities could legislate zoning ordinances, or whether pleasure and liberty were values freely exercised upon a coded body.”
-Avital
my work over the etymology of the signifier --> moon index
(i shoot up trash fiction)
(Freud) *pain is imperious* متکبر
(failing) to meet the requirements of an authentic alterity
(we are) into forgetting and the simulacrum (=/= truth)
•hallucinator: the creature of the simulacrum (par excellence)
(trafficking in) abstract forms of forgetting
the poor
the body-broken
the racially hallucinated other
chemical prosthesis (mushroom or plant) responds to a fundamental structure
drug addict --> a mystical transport going nowhere
drug addict offers her body to the production of hallucination, vision, or trance
--> going nowhere fast
being exposed to existence = placing one's body in the grips of a temporality that pains --> addictive = artificial, beside oneself
drugs --linked-to--> a mode of departing, to desocialization [without the assurance of arriving anywhere] ([...]
(951)[...notes/clean notes.txt]%97.7[...]n authentic alterity
(we are) into forgetting and the simulacrum (=/= truth)
•hallucinator: the creature of the simulacrum (par excellence)
(trafficking in) abstract forms of forgetting
the poor
the body-broken
the racially hallucinated other
chemical prosthesis (mushroom or plant) responds to a fundamental structure
drug addict --> a mystical transport going nowhere
drug addict offers her body to the production of hallucination, vision, or trance
--> going nowhere fast
being exposed to existence = placing one's body in the grips of a temporality that pains --> addictive = artificial, beside oneself
drugs --linked-to--> a mode of departing, to desocialization [without the assurance of arriving anywhere] (~= activity of writing) =/= production of real value
...movement of the simulacrum without address (or, in another idiom, without purpose, point)
Nietzsche was the first philosopher who --Avital-->
1. to think with his body
2. to put out the call for a supramoral imperative
...................................
we are implicated inscribed disarticulated and reresignifed by technological prosthesis
there is no outside to technology
there is no off switch to technology
wonderological tracks of technology
...................................
how much nature has to change before our descendants cease to be human?
about when in the course of evolution our ancestors became human?
(unanswerable good questions)
if the human is not the one consuming, who is?
animals consume
(numinous agentic status of) dead consumer
human aspects of consumption: learning, decision making, reason, perception, ethics, agency, desire and choice --arise--> *between humans and intelligent machines*
[*]posthuman: a move that seeks to locate being, or aliveness, or meaning in the not-quite-human-as-we-know-it
(humanist) epistemology: how we investigate and describe the world
(humanist) ontology: how we understand what constitutes life and objecthood
==Campbell==> help consumer research:
1. expand the range of temporal reference (look into the future of how consumption will look like)
**assumption of the future: the future will be a post-consumption existence**
2. expand the range of physical reference (extraplanetary consumption: what the ***consumption of place*** means; embryonic consumption sites: store your child's cord blood stem cells)
3. interrogation of the roots of humanism (social sciences)
today:
robotic revolution
biotechnology revolution
*posthuman: ideological account of the future of the human species in annexat[...]
(952)[...notes/clean notes.txt]%97.8[...]br />
about when in the course of evolution our ancestors became human?
(unanswerable good questions)
if the human is not the one consuming, who is?
animals consume
(numinous agentic status of) dead consumer
human aspects of consumption: learning, decision making, reason, perception, ethics, agency, desire and choice --arise--> *between humans and intelligent machines*
[*]posthuman: a move that seeks to locate being, or aliveness, or meaning in the not-quite-human-as-we-know-it
(humanist) epistemology: how we investigate and describe the world
(humanist) ontology: how we understand what constitutes life and objecthood
==Campbell==> help consumer research:
1. expand the range of temporal reference (look into the future of how consumption will look like)
**assumption of the future: the future will be a post-consumption existence**
2. expand the range of physical reference (extraplanetary consumption: what the ***consumption of place*** means; embryonic consumption sites: store your child's cord blood stem cells)
3. interrogation of the roots of humanism (social sciences)
today:
robotic revolution
biotechnology revolution
*posthuman: ideological account of the future of the human species in annexation with info-bio-technologies =/= *posthumanism: (speculative philosophy + material reality) critique of the discourse and epistemologies of *humanism:
•belief in progress
•technological mastery over nature,
•separation of human and animal kingdom
•therapeutic approach to human behavior
•secular approach to scientific inquiry
*humanism = epistemology: a way of investigating the world that is consonant with our human intuition--understand--> life as comprising essentially animate or inanimate, self or other, human or nonhuman** [=/= set of diverse beliefs]
horror of surgically implanted biomedical enhancement --> (persistence of the) inviolability of the body as the seat of identity <-- a classic humanist assumption
posthumanism
•speculative philosophy + material reality
•abstract philosophy + empirical science
•ancient + futuristic
•exotic + specialized (telesurgery, amorphous computing) + banal + ubiquitous (automobility, eyeglasses)
•
--> apocalyptic era (intelligent machine takeover)
--> ecological ethics (human not the most important form of life on earth)
***attempt to overcome humanness is an age-old human tendency***
what constitutes life
•women --> Schiebinger
•slaves --> Douzinas
•computer viruses --> Parikka
•cellular automata --> Delanda
•bacteria --> Haraway
•swarms -->Thacker
•
*brand = living syste[...]
(956)[...notes/clean notes.txt]%97.8[...]f the) inviolability of the body as the seat of identity <-- a classic humanist assumption
posthumanism
•speculative philosophy + material reality
•abstract philosophy + empirical science
•ancient + futuristic
•exotic + specialized (telesurgery, amorphous computing) + banal + ubiquitous (automobility, eyeglasses)
•
--> apocalyptic era (intelligent machine takeover)
--> ecological ethics (human not the most important form of life on earth)
***attempt to overcome humanness is an age-old human tendency***
what constitutes life
•women --> Schiebinger
•slaves --> Douzinas
•computer viruses --> Parikka
•cellular automata --> Delanda
•bacteria --> Haraway
•swarms -->Thacker
•
*brand = living system* (--> distinguish themselves from environment, exclude from it what is not, feedback communication with environment, self replicate, evolve, ) =/= cultural product
@Femke
(Campbell arguing that) the human and the posthuman are (ways to describe the forces that are) already present in the human condition:
1.
computation of life
mid 19th century weaving technologies ==> logic of computation ==ontology==> “universe = giant computer” : attempting to uncover what life itself is through a better understanding and appreciation of the power and seeming omnipresence of computational logic
•a discourse [~ a way of talking about the world] (and not only a claim that people make)
--> an example of how dominant technologies are not just instruments but models (through which the world is understood)
‘clockwork universe’ was the model for the last four millennia: clockwork-like essence of cosmos + state + body (=/= romanticism, galvanism, mesmerism, quantum mechanics)
}==>
•consumer as computer/computational (consumer as information processor, consumer as automatic subject =/= psychological agent) <== science of cybernetics, automaticity, feedback
•information (a new powerful substance in mid 20th century), “raw data ==> decisions, models, theories”, a specialized value-free term (=/= fact, learning, wisdom, understanding, enlightenment) --> second half of 20th century: information began to assume a deep and proved privileges place (in politics, cultural imaginary), to informationalize consumer objects:
◦jeans as “intelligent denim” --> “vector graphics and pixelation as there expression of your individuality” (Jack & Jones)
◦cream as “pro-retinal A nanosomes and Par-Elasty” (L'Oreal)
•
2.
laborization of life
growing sophistication of the previously simple and straightforward categories of aliveness and deadness (<== technologies since the 1970s: stem cell engineering, in vitro fertilization, genomics, virtual surgery, biomaterial engine[...]
(959)[...notes/clean notes.txt]%97.9[...]e world] (and not only a claim that people make)
--> an example of how dominant technologies are not just instruments but models (through which the world is understood)
‘clockwork universe’ was the model for the last four millennia: clockwork-like essence of cosmos + state + body (=/= romanticism, galvanism, mesmerism, quantum mechanics)
}==>
•consumer as computer/computational (consumer as information processor, consumer as automatic subject =/= psychological agent) <== science of cybernetics, automaticity, feedback
•information (a new powerful substance in mid 20th century), “raw data ==> decisions, models, theories”, a specialized value-free term (=/= fact, learning, wisdom, understanding, enlightenment) --> second half of 20th century: information began to assume a deep and proved privileges place (in politics, cultural imaginary), to informationalize consumer objects:
◦jeans as “intelligent denim” --> “vector graphics and pixelation as there expression of your individuality” (Jack & Jones)
◦cream as “pro-retinal A nanosomes and Par-Elasty” (L'Oreal)
•
2.
laborization of life
growing sophistication of the previously simple and straightforward categories of aliveness and deadness (<== technologies since the 1970s: stem cell engineering, in vitro fertilization, genomics, virtual surgery, biomaterial engineering)
}==>
•make the range of what constitutes ‘alive’ larger and more complex
•stage the interpenetration of the machinic and the organic
(in the future it will be the) marketers as the most influential groups in re-drawing categories of existence and deciding what is animate or inanimate, natural or technical (not scientists or philosophers)
[***classical marketing strategies: positioning, communication]
==> paradoxes in consumption (for example stem cell engineered meat appears as both identical and radically different from its predecessors) --> postethical consumption models (categorized as vegetarian? how marketing re-enchant food without appeal to a myth of pastoral origin?)
--> commentary consumption acts: organic food market, natural healthcare market
3.
miniaturization of life
“fast, cheap, and out of control”
autonomous (=/= central, god-like)
}==>
•technology is no more locatable within a machine (a consciousness that envelopes the world) --> dispersed: (a logic of) technology as environment [diffused] =/= tool [discrete]
internet of things : digitally enabled objects share and respond to information
1980s --> processing (of information, microprocessor)
1990s --> networking (world wide web)
2000s --> sensing and controlling
“my consumption patterns worth so much that they underwrite my acts of consumption” -Hayles
•*cognition = a product* that emerges between the self and its environment (and does not[...]
(961)[...notes/clean notes.txt]%97.9[...]s and Par-Elasty” (L'Oreal)
•
2.
laborization of life
growing sophistication of the previously simple and straightforward categories of aliveness and deadness (<== technologies since the 1970s: stem cell engineering, in vitro fertilization, genomics, virtual surgery, biomaterial engineering)
}==>
•make the range of what constitutes ‘alive’ larger and more complex
•stage the interpenetration of the machinic and the organic
(in the future it will be the) marketers as the most influential groups in re-drawing categories of existence and deciding what is animate or inanimate, natural or technical (not scientists or philosophers)
[***classical marketing strategies: positioning, communication]
==> paradoxes in consumption (for example stem cell engineered meat appears as both identical and radically different from its predecessors) --> postethical consumption models (categorized as vegetarian? how marketing re-enchant food without appeal to a myth of pastoral origin?)
--> commentary consumption acts: organic food market, natural healthcare market
3.
miniaturization of life
“fast, cheap, and out of control”
autonomous (=/= central, god-like)
}==>
•technology is no more locatable within a machine (a consciousness that envelopes the world) --> dispersed: (a logic of) technology as environment [diffused] =/= tool [discrete]
internet of things : digitally enabled objects share and respond to information
1980s --> processing (of information, microprocessor)
1990s --> networking (world wide web)
2000s --> sensing and controlling
“my consumption patterns worth so much that they underwrite my acts of consumption” -Hayles
•*cognition = a product* that emerges between the self and its environment (and does not take place exclusively on the brain) --stages--> cognition as a process
4.
complexification of life
complex (feedback loops, emergence, bifurcation) =/= complicated: accurately analysable system having a large number of component and perform sophisticated tasks
•most of the most valuable products today have virtual components (software, money, etc.) that would be unrecognizable 25 years ago
5.
automation of life
(fundamental legal principle of) ius gentium: all humans are the same in so far as they are rational human beings in possession of free will =/= 21st century neuroscientific research
}--Libet--> “free won't” : the mind exists in a climate which says yes, but it can say no
agency is outsourced to systems that increasingly invisiblize from everyday life (software deciding mortgage, Facebook suggest friend, turning car into a moving computer)
dystopian imaginary of Black Mirror TV series --> these developments are a tyrannical force that undermine an a priori and fundamental huma[...]
(963)[...notes/clean notes.txt]%98[...]rs us to feel distant to it*****
Campbell --> advertising: organizs meaning in the most powerful and generic of senses + a symptom of the organization
1920 - 1930
modern advertising's coming of age (creating compelling signs)
(its signs underwent a qualitative shift in) sophistication
personalized testimonials
*participatory tone of voice* [=/= direct imperative command]
consumer goods embodied values (that had normally been attributed to humans and the natural world) [=/= mere economic entities]
(through the system of advertising: *imagining the product as a benefit sought by the consumer* ~ illumination instead of lighting fixtures, prestige instead of automobiles, sex appeal instead of mere soap,,) *products --offer--> mini-solutions to the dilemmas of modernity[= the pace and scale of rationalization, depersonalization and urbanization brought by modern industrial capitalism ==exerted==> هزینه خسارت a toll on the human psyche]
1950 - 1960
(from) public role of sign identification --to--> private and psychological space of one's mind and interior life
rise of *depth men* (--> Mad Men TV series, people in advertising agencies that reportedly used psychological techniques to uncovers the subconscious needs, desires, insecurities, fears of consumers)
*product = unconscious fulfilments, solutions, comforts and fantasies to them*
[Packard's Betty Crocker cake mix and Esso's Tiger in your Tank campaign --> alleged power of small groups of people to organize meaning on a massive and uncontrolled level]
•freezer = a nostalgic site of security in a threatening environment =/= a device for cooling foodstuffs (*giving of food <--~~> love* + insecurity ==> more food than you can eat)
-more sophisticated motivational research and appeals
****advertising: a form of literacy**** (a new and bewildering code)
sign system of advertising is not static
the generations to come will regard contemporary sign systems as rudimentary and easy to decode
ultra-sophisticated images will appear antiquited and perhaps even humorous (@Goda hating contemporary sign system)
-the way in which advertising today visualizes software, the environment, nanotechnology as seemingly *undeconstructible & transparent* will be staple examples in classroom curricula
(the most obvious and immediate way of conceptualizing) advertising: a system that creates signs with the purpose of communicating meaning =/= Campbell
discipline of marketing --support--> investigation of image consumption
early models of advertising (--> **how we understand the philosophy of what information and communication are**)
•1949 Bell Laboratories --> information: universalized component of any system that communicated =/= “information” as rather poetic and [...]
(965)[...notes/clean notes.txt]%98.2[...]1960
(from) public role of sign identification --to--> private and psychological space of one's mind and interior life
rise of *depth men* (--> Mad Men TV series, people in advertising agencies that reportedly used psychological techniques to uncovers the subconscious needs, desires, insecurities, fears of consumers)
*product = unconscious fulfilments, solutions, comforts and fantasies to them*
[Packard's Betty Crocker cake mix and Esso's Tiger in your Tank campaign --> alleged power of small groups of people to organize meaning on a massive and uncontrolled level]
•freezer = a nostalgic site of security in a threatening environment =/= a device for cooling foodstuffs (*giving of food <--~~> love* + insecurity ==> more food than you can eat)
-more sophisticated motivational research and appeals
****advertising: a form of literacy**** (a new and bewildering code)
sign system of advertising is not static
the generations to come will regard contemporary sign systems as rudimentary and easy to decode
ultra-sophisticated images will appear antiquited and perhaps even humorous (@Goda hating contemporary sign system)
-the way in which advertising today visualizes software, the environment, nanotechnology as seemingly *undeconstructible & transparent* will be staple examples in classroom curricula
(the most obvious and immediate way of conceptualizing) advertising: a system that creates signs with the purpose of communicating meaning =/= Campbell
discipline of marketing --support--> investigation of image consumption
early models of advertising (--> **how we understand the philosophy of what information and communication are**)
•1949 Bell Laboratories --> information: universalized component of any system that communicated =/= “information” as rather poetic and sipritual term (at home in philosophy =/= engineering) --advertising--> hierarchy of effects: cognitive --to--> affective --to--> behavioral [--> informationalize and measure aspects of advertising]
(to understand) *information theory of communication as a reflection of larger scientific and philosophical aims of the time*
***information theory of communication ==>
•providing codified models that predict response
•enframe communication within a logic of relative effectiveness or ineffectiveness
}=/= my lectures
brand memories
brand equity
boundary between advertising and everyday life
[Campbell =/=]
the idea that qualitative advertising research has a managerialist axiology
a priori assumption of “advertising = information communication” (=/= people incorporate advertising so that it functions as a *social glue* within groups)
(vernacular specter of advertising)
spectacular vernacular of social fabric[...]
(966)[...notes/clean notes.txt]%98.2[...]
3. meta-level: narrative structure, mythic in nature, to see embodied in the properties and dynamics of the image the macro properties and fynamics of social world (<-- business of semiotic)
Barthes --> (new medium of) photographic advertisement = a codified structure =/= a transparent reflection of the world
-*Barthes reading of Citroen DS car
impossible newness
it appears at first sight as a superlative object صفت عالی
object which appear at first sight as completely finished present to us at once a perfection and an absence of origin, closure and a brilliance, *a transformation of life into matter*, a silence that belongs to the realm of fairy tales
*smoothness is not a property of material, but a social value*
-Christ's robe was seamless, science fiction, made of unbroken metal, phenomenology of assembling, hold together by sole virtue of their wondrous shape ==> the idea of benign nature
}--learn--> (to make) lines of connection: visual convention + religious painting, science fiction film, politics of nature (constructed over the past 2000 years of western culture) [<-- to understand this in your own work #feedback @apass]
-*Haraway
neutral images of (high-tech) science --> stock of Renaissance visual analogues ==> legitimate lineage + origin story (for technical revolutions)
(Barthes ☞ Campbell) **what sign constructions do westerners use to tell the story of how technology comes to be present in the world?**
-*Campbell reading of Simens’ ad “builing blocks” (2005)
Simens products float into space, as naturally and as pure white snowflake falling to the earth
absence of labor ==herald==> a universe of self-organizing invisible agency
“technology = invisible force that is lighter than air, rearranging itself into whatever seems to be needed” (=/= fashioned, melted, hammered , soldered and generally forced into the natural order)
==> the agency that organizes is non-pollutant, non-disruptive, non-energetic
(from) cacophonous --to--> harmonious [<-- technology seeks its home]
sky above, supra-structure =/= [*]infrastructure: structure from below
--Simens--> [*]technology: apotheosized (تکريم) by extending its self-organizing capabilities, lending it a divinity which is universal, inevitable, natural and just (Simens’ ad ==> Iron Man image)
supra-structure --> new / Star Trek
|
infrastructure --> old / planets they visit
the human body: the most depicted object in advertising
--> research tradition:
humans have more synapses for interprting face
depiction of female body
male body
sex in advertising
racial marked body
(boring questions:)
•whether advertising reflects the world or shape it
•[...]
(967)[...notes/clean notes.txt]%98.3[...] limited repertoire of “iterated” or preexisting identities provided by marketing and adertising, steering viewers in preferred directions [<-- a fable]
[*]coopt: advertising pretends to acknowledge a competing discourse or ideology, but only pays lip service to it, ignoring its real radical challenge
the idea of advertising: a system that instils (القا، کم کم تزریق کردن) products and services with cultural and social values that are not intrinsic to them [~ magic]
--> highly visible display of ruling-class interests
*advertising = capitalism + aesthetics*
advertising: the pre-eminent way in which the interest of the powerful minority maintain the docility, alienation, or servitude of the majority (--> Goda's understanding of pop culture)
[*]magic: conjure an object from its immediate material rootedness and animate it with a much more potent energy ==> erase human experience of the monotony of consumption with its transient satisfactions and reinvigorate it anew with fresh promise-claims
for example advertisement for mobile phone = *suggestion* (about a certain design aesthetic + a certain tole in professional life + a certain sexual appeal + a certain social network) =/= *announcement* (about a technical device)
(announcement =/= suggestion: the act of advertising)
}--1--> the idea that advertising's signs = carefully constructed highly selective and distortive ways of seeing [=/= simple reflections of the state of the world] ==(Adorno, Horkheimer, Marcuse, Klein, Curtis, Jhally, @apass, Pierre)==>
•false consciousness
•commodity fetishism
•docility
•passivity
•manipulation of unconscious desire
•environmental degradation
}--2--> the idea that signs actually achieve their aims (through mortise and framing work, cropping, reification, interpellation, cooption, the gaze, face-ism, individuation) --> [Althusser's] interpellation: process by which we are called or hailed into subjecthood through practices imposed onto us from outside interests, subjects are created through material practices (going to church and kneeling down to pray precedes my subjecthood as a spiritual person)
•recruitment advertisement: interpellative genre par excellence ~ through the practice of response we enter into the predefined parameters of relation with the organization {Microsoft's “we want you!” --> 1: act of defining the subject: one who is special, unique, an individual among the masses. 2: collective pronoun: “we” serves to close the subject and the organization within a circuit of common purpose. 3: what is missing: a concrete visualization of working life in the organization, an absence which allows the reader to project his/her own fantasy onto space : ‘infantilize the organization ==> empower the subject’ --represent--> an imaginary relationship =/= real conditions of our existence}
[...]
(973)[...notes/clean notes.txt]%98.4[...]persuade, *warn*[old original function of advertising]
*to warn = to inform* [<-- 15th century advertising ==> journalism]
ever growing impetus of advertising to reproduce itself in new forms ==> different account of the evolution of new media : advertising creates new media to propagate itself (*two globally pervasive and path-changing forms of media that would not exist without advertising revenue:)
•search engine
•social networking site
(McLuhan's “medium = message” --> that we should look at the structural nature of media rather than what it contains =/=) *message = medium* (in 20th century)--> [*]advertising: species that create media in order to allow it to replicate =/= a thing that we humans create and put in media as an incidental extra to an originary agent of meaning [<-- hylomorphic understanding of advertising]
[in 20th century (task of)] advertising: to render the invisible [qualities, such as: complexity, network, information,,,] into compelling visualities (--into--> public imagination)
•(in organizational discourse) complexity: (--articulate-->) unpredictable, multi-layered, decentered, emergent, globalized (world of Homeland TV series, of apass, of ERG's website: technological + adaptable + multi-layered)
*success <== visualize the complexity of their products* [in the case of ERG: student's knowledge and the institution of university]
(Goldman's landscape of Capital -->) corporate advertising:
•visually depicts the phenomenon of globalization
•affect the cultural imaginary
•shape political sensibilities (with respect to life in high-tech globalism)
amorphous phenomena (that require high-stakes visualization):
•counter-terrorism
•climate change
•
[*]advertising: an institution that organizes meaning, a visual sign system (as powerful as other systems that organize meaning: medicine, law, education,,,) [~/= apass]
--> *a form of literacy* = can be learned + lexicon + grammer (that can be fruitfully investigated)
*advertising = capitalism + aesthetic* ==Campbell==> research in advertising one of the most important research priorities in any discipline today (@apass)
...................................
***marketing = the ultimate social practice of postmodernity***
marketing practices
promotional campaigns
consumption culture
postmodernity: a phenomena specific to the cultural history of western europe and north america --impact--> globe
--Lyotard--> incredulity toward *metanarratives: unified idea systems
--Jameson--> consumer society (marked by:)
◦pastiche: an attitude of a certain detachment (on the part of the individual) where all stylistic expressions of parody, nostalgia, and other illustrated feeling lack em[...]
(974)[...notes/clean notes.txt]%98.6[...]gly acquire the skills of recognizing the images and the positions these images offer)
[*]marketing: institution of simulation, imaginary, hype
(forms of) persuasive communication : transformational propositions ==> simulating potential experiences (=/= true or false discourse)
2- [*]fragmentation: the consumer engages in a series of independent, separate, unconnected acts --each--> require a different product
+ fleeting moments of exciting scenes and images
(postmodern) transcendence of the (modernist) necessity to *understand connections*
***artists of all kinds are increasingly assuming the role of marketing institutions***
the consumers (of postmodernity) are encouraged to play the game of *image-switching* (caring mother, efficient manager, elegant partner, gourmet homemaker --each--> require a different style {labeled as consumer liberation}) =/= central character
[--> go to Deleuze and Guattari's schizophrenia of late capitalism]
disconnected from authentic self ==> (enormous potential for) creativity in manufactured representations
~~--> market becomes a pastiche
postsuburban transformation
complex interaction of high-technology production + socio-spatial configuration + spectacular shopping environment = ubiquitous shopping malls (--acquired--> postmodern theatrical character, fragmented experience of all cultures)
unrestricted ability to use signifiers [?pushed back by some emerging sensibilities of cultural appropriation, political correctness, gender policing, religious, etc.]
--> marketing competition rests on the creation of images (meanings) removed from any history, context, origin =/= excellence and sophistication in form and technique
[---> go to contemporary artists anti-excellence attitude and the celebration of failure and failing]
--> **each instance of communication becomes a spectacle**
purposefully decontextualized + rendered free floating ==> marketable product
(surrealist artists made use of this --now--> shop window designer)
Duchamp, Rauschenberg, Warhol (ready-made)
***themes of postmodern culture:
irreverence
nonconformity
noncommitment
detachment
difference
fragmentation
(paradoxically) what seems to be difference at the level of symbolic culture stems from an underlying uniformity <-- ***heterogeneity has its origins in homogeneity*** : cultures where market and marketing are less developed exhibit greater variance in both the quality and kinds of life patterns
literacy:
•in modernity --> to read + discover connections among seemingly unrelated objects ==> understanding
•in postmodernity --> watching : recognizing images (exposing oneself to innumerable images and recognize what they stand for ~ [...]
(976)[...notes/clean notes.txt]%98.8[...]nscendence of the (modernist) necessity to *understand connections*
***artists of all kinds are increasingly assuming the role of marketing institutions***
the consumers (of postmodernity) are encouraged to play the game of *image-switching* (caring mother, efficient manager, elegant partner, gourmet homemaker --each--> require a different style {labeled as consumer liberation}) =/= central character
[---> go to Deleuze and Guattari's schizophrenia of late capitalism]
disconnected from authentic self ==> (enormous potential for) creativity in manufactured representations
~~--> market becomes a pastiche
postsuburban transformation
complex interaction of high-technology production + socio-spatial configuration + spectacular shopping environment = ubiquitous shopping malls (--acquired--> postmodern theatrical character, fragmented experience of all cultures)
unrestricted ability to use signifiers [?pushed back by some emerging sensibilities of cultural appropriation, political correctness, gender policing, religious, etc.]
--> marketing competition rests on the creation of images (meanings) removed from any history, context, origin =/= excellence and sophistication in form and technique
[---> go to contemporary artists anti-excellence attitude and the celebration of failure and failing]
--> **each instance of communication becomes a spectacle**
purposefully decontextualized + rendered free floating ==> marketable product
(surrealist artists made use of this --now--> shop window designer)
Duchamp, Rauschenberg, Warhol (ready-made)
***themes of postmodern culture:
irreverence
nonconformity
noncommitment
detachment
difference
fragmentation
(paradoxically) what seems to be difference at the level of symbolic culture stems from an underlying uniformity <-- ***heterogeneity has its origins in homogeneity*** : cultures where market and marketing are less developed exhibit greater variance in both the quality and kinds of life patterns
literacy:
•in modernity --> to read + discover connections among seemingly unrelated objects ==> understanding
•in postmodernity --> watching : recognizing images (exposing oneself to innumerable images and recognize what they stand for ~ attach meaning to them) <-- this is what i did in my telegram bestiary text!
literacy in consumption culture ~/=? established nortons of education
3- [*]reversal of production & consumption
•modernist: value is created in production (meaningful) and destroyed in consumption (profane)
•postmodern: production continues during the moment of consumption, value is created during consumption: a process through which individuals define themselves, status, image (=/= common) --> a social act, sym[...]
(977)[...notes/clean notes.txt]%98.8[...])
[*]globalization: (create fragmented heterogenized market -->) serve the locals with global universal signs
--> transnational: a highly symbolic communication system that is timeless, contextless, diffused in space, located anonymously, with no known history
marketing is the first institution that adapt to postmodernism
...................................
consumer (--impulse--> “i want”) =/= citizen (“we need”)
Sunstein
consumer sovereignty (matters of personal taste, “are they getting what they want?”, ‘freedom: satisfaction of private preferences’, ) =/= political sovereignty (*government by discussion* + reason-giving in the public domain <-- many/most citizens should have a range of common experiences =/= filtering of information, customizing information to fit)
**unplanned unanticipated encounters <-- central to democracy**
(pseudo-democratic) participation interactivity : invitation to participate in one's own manipulation by providing increasingly detailed information about personal preferences (Andrejevic, noted by Hubert)
...................................
*misattunement:
--Stern--> a parental technique for modifying the behaviour (+ affective experience) of the child
--Ahmed--> being out of synch with a world (“of whiteness” that aims to be in harmony)
*attunement: a technique for occupying space
---> go to #integration {for Ahmed: becoming a citizen (= nationalism) ~= the work of attunement =/= stranger: the body we are not with}
clumsiness: being in the way of yourself (to lack the coordination to coordinate yourself with yourself)
--registers--> as the loss of a possibility
(in art, performed clumsiness as strategically antagonistic?)
(Ahmed's) emotional work: closing the gap between ‘how one does feel’ and ‘how one should feel’ <-- a labour (when) is successful, it disappears as labour
how flight attendants (and teachers?) become responsible for collective moods --Hochschild--> ability to preserve the mood of a situation requires working not only on feelings, but drawing on tactic knowledge about how moods are shaped
(bad mood of a shopkeeper in Brussels...)
*histories that linger as mood*
diversity work --involves-->
•the effort to minimize differences so that those who arrive can appear more ‘in tune’ with those who are already here
•
•
--✕--> bodies do not arrive at the same time [---> go to Sina's trans-lateness lecture performance series for Akademie der Künste der Welt 2014: being late is precisely the condition for which translation is needed + critique of universal translator]
...atmospheric qualities of the market
Ahmed's criticism of hopeful per[...]
(978)[...notes/clean notes.txt]%99.2[...]ademie der Künste der Welt 2014: being late is precisely the condition for which translation is needed + critique of universal translator]
...atmospheric qualities of the market
Ahmed's criticism of hopeful performativity [<-- in her text “not in the mood” Ahmed privileges ‘bad mood’ as the emblem of marginality --> emotional misfit]
public mood: prevailing public sentiment as to what constitutes appropriate matters for governmental attention <-- thermostatic understanding of mood
--Ahmed--> fabrication of feeling (& consumer satisfaction)
*to find = to form*
the idea of the national body acquires coherence through a systems of belief ==> separate the nation from race
•“requiring those who embody diversity to give their allegiance to its body” (for example a nation can love diversity whilst demanding that Muslim women unveil)
Marxist model of commodity fetishism --Ahmed--> feelings come to reside (magically) in objects [by cutting those objects off from a wider economy of labour and production. it is then as if fear originates with the arrival of others whose bodies become containers of our fear]
(for Ahmed) happiness: a technique of distraction (a cover-up)
--> for her: potency is in the rage
(Ahmed is too fast to celebrate lesbian ‘affect alien’ =/= heterosexual marriage)
good weather --> (showing) safety and wisdom of prediction
the idea of “your unfeeling masks a disbelief”
...................................
interesting =/= appealling --> most satisfying videos
...................................
elite consumption
country house
...................................
dirt
waste
stink
microbes
Campbell on bacteria and market
tropes that bring bacteria into the symbolic realm:
1. cuteness
2. overpopulation
3. lower classes
4. deviant sex
}--channel--> utterances that (indirectly [political discourse of establishment neoliberalism cannot address such things in direct ways]) express fantasies about:
•purity
•gender
•race
•community
•family
•pollution
•class
•disease
•sexual promiscuity (deviancy)
}<--Campbell-- symptoms of a capitalist socio-economic order --> they are found in:
◦explicit rhetoric of anti-establishment politics (the alt-right, anti-immigrant movements)
◦implicit content of the marketing material of globalized and globalizing multinationals
bacteria: symptoms of a capitalist socio-economic order --> repressed fears and fantasies about purity, gender, race, community, pollution, class, sexual promiscuity <-- leveraged by antibacterial brands
from (psychoanalytical c[...]
(980)[...notes/clean notes.txt]%99.3[...]in this case bacteria) =/= seeking to find what ideology lies hidden beneath the symptom [=/=! problem of artists]
Campbell mode of analysis (with sinthome) =/= a revelatory mode of critique (where our illusions arre laid bare) [<-- artists’ symptom]
advertisements offer striking evidence of *autoimmune tendecies* in contemporary market society : the body politic misrecognizes its own boundaries and attacks parts of itself
@Femke
(Joyce's Bloom) first thing that we see or feel is not in fact ourselves, but bacteria [---> go to body image] --> (his solution:) avoiding one kind of bacteria by embracing another (<-- psychoanalytically effective ***non-solution***)
(in social sciences [Ereshefsky]) *species pluralism : how various biopolitical forces use segmentation strategies in the organic world to produce competing species’ hierarchies and taxa*
thinkers in social theory --> the entities under investigation are:
•so massive --> Gaya regulatory system of planetary scope
•so dispersed --> climate change
•so ancient --Haraway--> bacterial protist Mixotricha paradoxa (“the paradoxical being with mixed-up hairs”)
•so minute جزئی --> new materials engineered through nanotechnology
•so boundless --Sagan--> metametazoa: human as a multiple afloat in the omnisexuality or bacterial exchange
•so relational --thacker--> swarm, pack, flock, epidemic [go to --> ERG website's epidemic nodes --> *the image of the relational*]
•so
}<==motivation==
1. considering the strangeness of life forms act as a template ==to==> think differently about life by mobilizing new ***prepositions of connection*** (with, alongside, between, sym-, etc.) ==provoke==> different theoretical insights into how society might work
2. ethical political drive to promote radical inclusivity and to challenge mindsets that fixate on identity and difference (<-- Harawayian) [--> Isabel, Sara]
3. work of decentering the human as the premier valance of the universe (may in turn) ==cultivate==> an ethics that is ecological, in the sense of global and interspecies (<-- Mortonian) [--> Sina]
4. conceiving of the ‘other’ as planetmate, messmate, natureculture, mind-body, etc. (maybe) ==lead==> new conceptions of camaraderie, community, society, friendship [--> artistic research, apass, Viveiros de Castro]
bacteria [also: mushroom, swamp] --> poster-creatures of the flat ontology movement --> challenging classification
replacing Tree of Life with DNA-based model of life (homo sapiens: a micro-ingredient of an astonishing bacterial soup of prokaryotes, archaea, eukaryotes)
*bacteria: the ground zero life forms* -->! ***nearest we can get imagining the Lacanian Real***
we are more bacteria than human
(global) bacterial biome: para-collective (=/= “merely” biol[...]
(981)[...notes/clean notes.txt]%99.5[...]yeb nameh?)
1- accelerating pace of industrial production
2- population growth
}==> first full flourishing of *mass consumption*
*[*]marketing: a sphere of cultural production where image conventions co-evolve with non-marketing imnages as an intertextual constantly reciprocal environment*
1. cuteness
little monsters
infant-like
with freakishly funny features
playground of bacterial frolic
cuteness
a minor aesthetic category (in comparison to its more spectacular counterparts: sublime, beautiful)
(it is minor because it is ambiguous)
•positive affects:
◦desire to protect
◦desire to touch
•negative affects:
◦helplessness
◦pitifulness
◦excessive availability
•secondary relations:
◦resentment at being emotionally manipulated
◦contempt for the weakness of cute --accompany--> desire to:
◾touch
◾clasp
◾dominate
◾destroy
◾
}--> *cute: a site of visual intensity that is both pleasurable & disgusting*
****three objects that are most often rendered cute in consumer aesthetics:
1- women
2- technology
3- children
}<-- (in psychoanalytic terms) inherently dangerous ==> in need of control****
Campbell ☞ why is it useful to see bacteria as cute?
***cuteness as a deep link to violence***
[*]cuteness: aestheticization of powerlessness --> a necessary step in permitting its extinction [to make everybody like unto little children is not such a bad way of disposing of them]
•representing the Other (the enemy) as despicable --> powerful effect
•representing the Other as domesticated + infantalized:
◦demonstrates the sublime Otherness of bacteria
◦we are relieved of guilt <== the bacteria is rendered beneath the threshold of ethical consideration
2. overpopulation
cramming of many life forms into tiny spaces ~= (literally) an uncanny microcosm of the imagined and feared socio-economic order
***new technologies to visualize the world ==produce==> new imaginateis of life itself*** [<-- my research on bestiaries]
microscope (19th century) --> microbial visuality --Latour--> new modes of interacting with and ingesting/consuming the world
bacteriology as a discipline emerged at the same time as the (so-called) transformation “from industrial capitalism --to--> market society”
•overpopulation
•bacterial proliferation
--> a trope in visualizing contemporary bacteria
bacteria live in obscene proximity to each other --> *bacterial intimacy =/= individualizing force of modernity*
the fantasy of there is some sort of “away” which can absorb what we overproduce
[...]
(982)[...notes/clean notes.txt]%99.6[...]•contempt for the weakness of cute --accompany--> desire to:
◾touch
◾clasp
◾dominate
◾destroy
◾
}--> *cute: a site of visual intensity that is both pleasurable & disgusting*
****three objects that are most often rendered cute in consumer aesthetics:
1- women
2- technology
3- children
}<-- (in psychoanalytic terms) inherently dangerous ==> in need of control****
Campbell ☞ why is it useful to see bacteria as cute?
***cuteness as a deep link to violence***
[*]cuteness: aestheticization of powerlessness --> a necessary step in permitting its extinction [to make everybody like unto little children is not such a bad way of disposing of them]
•representing the Other (the enemy) as despicable --> powerful effect
•representing the Other as domesticated + infantalized:
◦demonstrates the sublime Otherness of bacteria
◦we are relieved of guilt <== the bacteria is rendered beneath the threshold of ethical consideration
2. overpopulation
cramming of many life forms into tiny spaces ~= (literally) an uncanny microcosm of the imagined and feared socio-economic order
***new technologies to visualize the world ==produce==> new imaginateis of life itself*** [<-- my research on bestiaries]
microscope (19th century) --> microbial visuality --Latour--> new modes of interacting with and ingesting/consuming the world
bacteriology as a discipline emerged at the same time as the (so-called) transformation “from industrial capitalism --to--> market society”
•overpopulation
•bacterial proliferation
--> a trope in visualizing contemporary bacteria
bacteria live in obscene proximity to each other --> *bacterial intimacy =/= individualizing force of modernity*
the fantasy of there is some sort of "away” which can absorb what we overproduce
removal of excrement (in all its quises) --> demonstrating the urbanites class distinction --> (an apparent) desire to reorganize urban space according to a logic of repugnance مغايرت (--> this is why i am so uncomfortable with “clean” streets)
•the idea that a veritable subterranean system delivering *shit-free cleanliness* ==> citizen's physical, moral, sipritual cleanliness --with--> materila markers of the civilized society: cubicles, toilets, drains, sewers
(Lacan ☞ Morton ☞ Campbell >) the problem of human society : what to do with one's shit
anti-bacterial advertising --> fantasy of awayness
keeping nature at a distance ==Morton==> (act out an imagined preservation -->) dumps on the rest of the world
[sadistic admiration] putting something called nature on a pedestal and admiring it from afar (for the environment) ~= what patriarchy does for the figure of [...]
(983)[...notes/clean notes.txt]%99.7[...]ct ideas) ([to discriminate message types:] *to confuse literal and metaphorical*, the schizophrenic either does not know his responses are metaphorical or cannot say so --> the breakdown of his metacommunicative system : does not know what kind of message a message is --> the schizophrenic looks for hidden meanings everywhere (assuming everything is metaphorical) or tend to accept every message as literal) (Lacan: schizophrenia: breakdown in the signifying chain of language ==> experience of pure material signifiers [<-- personal identity is the effect of the temporal unification of past and future with one's present, and that such an active temporal unification is itself a function of language.])
subjectivity is multidimensional ==> vision is multidimensional
(an instruments of vision:) optics : politics of positioning --> one example of optical illusion: rationality (projected from nowhere comprehensivel)
(some perspective are more guilty : master point of view)
No one ever accused the God of monotheism of objectivity, only of indifference. The god trick is self-identical, and we have mistaken that for creativity and knowledge, omniscience even. (self-identical [having self identity] =/=! creativity/knowledge)
Technology: skilled practices. (How to see? Where to see from? and so on.)
@Sana, ‘observation’ and ‘technologies of positioning’
how to see?
the science question in military
the science question in colonialism
the science question in capitalism
the science question in feminism
...
master theory =/= webbed accounts
(what does she mean when she dichotomises theory and account?)
instead of (creating and mastering) ‘theory’ she proposes webbing ‘accounts’***
-‘webs’ can have the property of being systematic
systematic: deep filaments and tenacious tendrils into time, space, and consciousness. systems are dimensions of world history.
she suggests to be accountable for (the intricacies of) visualization technologies in which we are embedded that we will find metaphors and means for understanding
and intervening in the *patterns of objectification* in the world.
--> politics and epistemologies of location, positioning, and situating
partiality =/= universality
*partiality: view from a body, always a complex, contradictory, *structuring, and structured body* (what does she mean by ‘structuring and structured body’?)
--the sciences and politics of interpretation, translation, stuttering, and the partly understood.
*Feminism: critical vision ==(consequent upon)==> a critical positioning in unhomogeneous gendered social space.
location --> vulnerability ~~> (full of limits and contradictions)
“rational” knowledge : to be free from interpretation, to be free from being re[...]
(984)[...notes/midday review.txt]%3.4[...]ce as he is and destroy him in a technological apocalypse figured by the computer. (Haraway) [we need better dog stories =/= (Iron Man:) man, made in the image of a vanished god, takes on superpowers in his secular-sacred ascent, only to end tragic]
“...man making himself (by realizing his intentions in his tools) yet again in the Greatest Story Ever Told.” (your artwork doesn't need to be this kind of story!)
or the Darwinist tale of “Mitochondrial Eve in a neocolonial Out of Africa”
we need stories of companion species, the “very mundane and ongoing sort of tale, one full of misunderstandings, achievements, crimes, and renewable hopes.” (Haraway, La Guin, Tessa Farmer,)
...................................
[Haraway on Ihde]
...technologies are not mediations--that is, something in between us and another bit of the world--rather, technologies are organs, full partners, in what Merleau-Ponty called “infoldings of the flesh.”
infolding =/= interface
•“What happens in the folds is what is important.”
•Interfaces are made out of interacting grappling devices.
•the infolding of others to each other is what makes up the knots we call beings or, perhaps better, following Bruno Latour, things.
“Technologies are always compound. They are composed of diverse agents of interpretation, agents of recording, and agents for directing and multiplying relational action. These agents can be human beings or parts of human beings, other organisms in part or whole, machines of many kinds, or other sorts of entrained things made to work in the technological compound of conjoined forces.”
*animal (in zoological terminology) : a composite of individual organisms, an enclosure of zoons, a company of critters infolded into a one.
compound = composite + enclosure
camera: the technological eye --> philosophical pretension and self-certainty (=/= Christian's camera)
-- camera as a black-box with which to register pictures of the outside world in a representational, mentalist semiotic economy
...................................
Vinciane Despret, Isabelle Stengers, Bruno Latour, ”_how they make their subjects interesting,_“
to tell the story of their work of “translation,” of invention.
refuse all loyalty to my homeland and its values
*heuristic: mental shortcuts that ease the cognitive load of making a problem solvable
-trading optimality, completeness, accuracy, or precision for speed
it may *approximate* the exact solution for the problem
-enabling discover or learn something for themselves. (a ‘hands-on’ or interactive heuristic approach to learning)
[(in computing:) proceeding to a solution by trial and error or by rules that are only loosely defined.]
-from Greek heuriskein ‘find’
*contingent: using it with[...]
(985)[...notes/midday review.txt]%3.6[...]ticulation, plasticity
[week 1,2,3] encounters between psychoanalysis, deconstruction, writing, concepts of language:
•Derrida --> Freud / “Freud & the Scene of Writing” (43 pages)
•Fleming --> Derrida / “Cultural Graphology Writing After Derrida” (first chapter: The Psychopathology of Writing, 29 pages)
•the schemas of text and the trace, Malabou on plasticity [=/= elasticity] (change of the paradigm of writing as developed in Derrida's Grammatology with the new paradigm of plasticity, her interest in relation between form, materiality and meaning) / “Plasticity at the Dusk of Writing” (28 pages)
[week 4] 20th century sciences and philosophies, the notion of fabrication of concepts:
•Xin Wei --> Whitehead / “Whitehead's Poetical Mathematics” (19 pages)
[week 5] on articulation:
•Deleuze and Guattari / “A Thousand Plateaus” (chapter 3: Double Articulation, 32 pages)
[week 6] feminist and women studies, scene of writing:
•aesthetic tentacularity: Lindsay Kelley & Eva Hayward / “Carnal Light”
[week 7] digital media:
•Flusser on hypertext / “Does Writing Have a Future” (chapter: Supertext, 6 pages)
•Bolter / “Writing Space” (chapter 3 Writing as Technology, 13 pages)
...................................
#workshop little fables of practice, second day storytelling
(proposed initially to Lili:) #imagine and describe an alien world where its populace don't practice ‘knowing’
with this practice we get into questions of (--without directly addressing/announcing them we will provoke a better understanding of what we might think of them:)
•knowing --> (the inseparability of) knowing, being, and doing
•the ‘suppos’ of the supposed to know
•rhetorics, and intrinsicality (“on the inside”)
•response --> (‘knowing’ =) differential accountability =/= differential responsiveness<br />
•environment
•description (discursive significance)
•world, and sense-making
•geometry (and -metry)
•(intelligibility and) materiality enacted --> question of discourse
•epistemology
•conceptions of space and time
•reflection (as a pervasive trope of knowing) [mirroring, imitation, reflection, tropes of “sameness"]
•material discursive evolving
•mattering; matter and intelligibility, episteme and techne, macro and micro,
•
the workshop is in a way about the trope of knowing, ontology of knowing
(ways of) knowing entangled with mode of being
(with which creature?) matter's dynamism is intrinsic to its biodynamic way of being (--Barad--> for brittlestar everything is intrinsic)
(creatures that) constantly changing its geometry and its topology --> ongoing reworking of bodily boundaries
(our, and an alien critter's “it”’s) discoursive practices: bound[...]
(986)[...notes/midday review.txt]%7.6[...]address:) addressed to us ==> make us exist --> a person
(existing as person is the only way? no no no!) -- the emergence of persons is a local and historical phenomenon that we simply cannot extend to all collectives
(how to extricate ourselves properly from the) notions of Nature, Matter, Object, and Subject
to get around two major *obstacles: (the prevailing notions of) Society and (especially of) Economy (=/=? modes of existence's system of coordinates)
the same beings that made the author of ajayeb speak, got my/our ancestors excited,
*technology: that which we emphasize whenever we pay attention to the unexpected detours {the hiatus of the detour, the zigzag of invention, ruse, trajectory obtained by a certain type of discontinuity} by which existents have to pass in order to subsist. (=/= technological domain technical objects, material world, socio-technical networks,) (~ technically)
-fictional beings adds additional variety to technical beings --> aestheticization of techniques: obsolescence, ruin, adjustment, efficiency
-we must extend ‘fictional beings’ far beyond the narrow domain of art and culture, is to give a whole new meaning to the expression “material culture.”
-1- Technique's zigzagging motion assumes a know-how, a judgment, a constantly reprised evaluation of formidably demanding specifications;
-2- Technical beings leave behind them complex frameworks and combinations of associations which appear difficult to understand once left to themselves, without the folding motion and the detours which enabled them;
-3- relative fragility of technical beings: it establishes combinations and bridges between completely heterogeneous types of beings
*fiction: ...beings be grasped according to a particular relationship between materials and figures which cannot be detached without those two layers losing their specific form of objectivity. {fictionally : materials <--> figures}
fiction objects: everything that folds technical beings --> to derive from them a new type of *alteration* --(generates)--> another world (a world which has the particularity of not being able to be detached in any way from the materials [from which it appears to detach itself.])
*fictional beings:
-they extract materials from forms, figures or small worlds that can neither be detached from these materials nor reduced to them.
-khosh-yomn خوش یمن and shoom شوم (felicity and infelicity) --> pretense (vanemud وانمود); they depend on the always fragile maintenance of the relation between material and form
-*specifications* of “fictional beings” (that leaves in its wake) ==> worlds (unlike fic all other modes fold for their own use by managing to extract from materials)
All continuations of a “course of action” suppose a discontinuity that must be overcome in order to define a traj[...]
(987)[...notes/Ajayeb notes.txt]%13.2[...]t one can of the immediacies of value and intent in which speech actually occurs.
The process of diachronic translation inside one’s own native tongue is so constant, we perform it so unawares, that we rarely pause either to note its formal intricacy or the decisive part it plays in the very existence of civilization. By far the greatest mass of the past as we experience it is a verbal construct. History is a speech-act, a selective use of the past tense. Even substantive remains such as buildings and historical sites must be ‘read,’ i.e. located in a context of verbal recognition and placement, before they assume real presence.
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(notes - december 15, 2011)
•Robots making Robots
•what a robot wants (and how it wants it)
•cataloging computer generated stones smoke
•digital to digital convertor
•physical interaction (between a user and a media object, pressing a button, choosing a link, moving the body) versus psychological interaction (the psychological processes of filling-in, hypothesis forming, recall and identification, which are required for us to comprehend any text or image at all)
•Mechanical Monsters
•blown away roof
•Technology: the new nature
•-error and - horror(-terror)
•edge of the earth
•gold and dream, gold price and power law
•the story of the viewer
•fact and perspective (elucidation)
•love at first sight (digital)
•continual production of the new is what allows things to stay the same, (logic of the same)
•noise story
•the ‘content’ of any medium is always another medium (McLuhan)
•The mediation of religion through buildings
•start with metaphor and end with algebra
•a “model” is a system of objects (any kind of objects) that make all of the sentences in a theory true , where a “theory” is a list of sentences in a language.
•metaphors somehow mobilize the difference between the two domains
•arena of alienation
•Cut the Noise
•mirrors with (/without) memories
•substitutability
•optical appearances (mind ~ eye)
•Dioptrics (science of refraction), catoptrics (reflection),
•that could not be spoken of or represented, because it was empty of discourse and thus of meaning.
•innocence of the eye
•Poor Unfortunate Souls
•being useful, like a prison guard
•autopoetic (complex self-referential systems)
•to take up the motives from the external world
•will-less perception, “the pure eye of genius”
•bringing from the artificial world to the art world
•object oriented programming / subject oriented
•Observer, system and environment
•a system (designed) with a purpose of itself
•magnifying or light-collecting optical device
•social selfis[...]
(989)[...notes/notes Personen.txt]%45.8[...] of refraction), catoptrics (reflection),
•that could not be spoken of or represented, because it was empty of discourse and thus of meaning.
•innocence of the eye
•Poor Unfortunate Souls
•being useful, like a prison guard
•autopoetic (complex self-referential systems)
•to take up the motives from the external world
•will-less perception, “the pure eye of genius”
•bringing from the artificial world to the art world
•object oriented programming / subject oriented
•Observer, system and environment
•a system (designed) with a purpose of itself
•magnifying or light-collecting optical device
•social selfish
•un-computational
•gray area
•self-identity is bad visual system
•Vision requires instruments of vision; an optics is a politics of positioning. Instruments of vision mediate standpoints;
•Identity, including self-identity, does not produce science; critical positioning does, that is, objectivity
•docile body
•technological visioning (vector of secret texts, books within books, ancient curses, digital dreams, and medieval cyber-art)
•empty space left by theory and philosophy
•technical visioning
•Technology is never merely “used,” never merely instrumental. It is always ” incorporated” and “lived.”
•In his last paintings, such as the Bride of 1912, Duchamp both elaborated an iconography that combined mechanical and visceral forms and began to move away from any procedures that revealed the artist's hand to create “retinal” or “anecdotal” art.
lemon grass plant, marigold
Saeed 0012063108222
Tehran Wi Fi: 88 57 27 92
newer medium may be ‘nested’ inside of an older medium (or vice versa)
mental life (memory, imagination, fantasy, dreaming, perception, cognition) is mediated and is embodied in the whole range of material media… we not only think about media, we think in them (Mitchell)
The shock of new media is as old as the hills
Franz Reuleux described this correlation: the more primitive the technology, the less attuned the parts of the machine to each other, the greater the degree of play -- the more perfected the technology, the closer the fit, the less play between the individual parts.
(For Winnicott,) play is a psychological state where the boundaries between self and the world remain labile and fluid, (a state which is important not only for the development of the child, but with significant ramifications for human life and culture in general.)
Representation is a distinctive manner of imagining the real, and is a fundamental phenomenon upon which all culture rests.
Henri Lefebvre distinguishes Representations of space and Representational spaces . ... Representational spaces are “directly lived” through a[...]
(990)[...notes/notes Personen.txt]%45.9[...]ization of scientific narratives and the aestheticization of information, all of which tell us about a longer line of cultural fantasies about information, code and technology. (Norah Campbell)
•Everything said is said by an observe (Maturana and Varela)
•framing the world
•virtual gaze (Baudrillard)
•achieve absolute vision, while seeing nothing.
•very much as real; human and technological, both
•i say this as someone who thinks that we are part of this digital world, but we are not necessarily subject to its terms
•splicing of direct and tactile human perception of reality with another reality, one that is mediated and technical
•the naration is not pure nor whole (why cyborg?)
•place of visibility (/ field of articulability)
•it is an aesthetic dream, dream of ismorphism between the discursive object and the visible object
•exteriorization of the body (relation between face / hand / tool )
◦The “exact meeting place” of form, matter, tool, and hand is the touch(Henri Focillon)
•
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In this interconnection of embodied being and environing world, what happens in the interface is what is important.
--Don Ihde, Bodies in Technology
At first glance, strapped to the body of critters such as green turtles in Shark Bay, off Western Australia, humpback whales in the waters off southeast Alaska, and emperor penguins in Antarctica, a nifty miniature video camera is the central protagonist. Since the first overwrought seventeenth-century European discussions about the camera lucida and camera obscura, within technoculture the camera (the technological eye)seems to be the central object of both philosophical pretension and selfcertainty, on the one hand, and cultural skepticism and the authenticitydestroying powers of the artificial, on the other hand. The camera--that vault or arched chamber, that judge's chamber--moved from elite Latin to the vulgar, democratic idiom in the nineteenth century only as a consequence of a new technology called photography, or “light-writing.” A camera became a black-box with which to register pictures of the outside world in a representational, mentalist, and sunny semiotic economy, an analogy to the seeing eye in brainy, knowing man, for whom body and mind are suspicious strangers, if also near neighbors in the head. Nonetheless, no matter how gussied up with digitalized optical powers, the camera has never lost its job to function as a judge's chamber, in camera, within which the facts of the world--indeed, the critters of the world--are assayed by the standard of the visually convincing and, at least as important, the visually new and exciting.
... first we have to plough through some very predictable semiotic road blocks that try to limit us to a cartoonish epistemology about visual self-evidence and the lifeworlds of human-animal-technology [...]
(991)[...otes on kinect performance.txt]%46[...]
“If all self-reference were destroyed, consciousness and understanding would not be possible.
“Meaning and understanding are parts of the structure of consciousness that emerge from self-reference; they cannot exist without a body image.” (p.55)
“Self-reference is not a hypothetical idea but a demonstrable part of the structure of consciousness; a partial breakdown in the physiological mechanisms that create it give us the phenomenon of phantom limbs.” (p.56)
Two English neurologists, Lord Russell Brain and Henry Head (!) coined the phrase “body image” for the internal image and memory of one's body in space and time. The body image is not only a picture of the body but also an anticipatory plan for the detailed movements of the body, and rather than a fixed structure, it is dynamic and plastic, capable of reorganizing itself radically with the contingencies of experience.
The body image can also incorporate external object, implements, and instruments. When they are being used, they can become intimate, vital, even libidinally cathected parts of the body image.
(Don Ihde:) “To embody one's praxis through technologies is ultimately an existential relation with the world.” (Technology and Lifeworld, p.72)
Embodied relations such as the experience of “seeing through” glasses (or the use of hearing aids, blind man's cane, or driving a car) take the technology into the perceptual-bodily self-experience. The mediating technology becomes part of the body image, and achieves “instrumental transparency”
...................................
(Giuliana Bruno)
This tangible, superficial contact, in fact, is what allows us to apprehend the objects and the spaces of art, turning contact into the communicative interface of a public intimacy. (but not in the Amazonian skin contact) (it is different than Lucretius reflecting upon the nature of things)
(materiality of) cultural surfaces
As a form of dwelling that engages mediation between subjects and with objects, the surface also can be viewed as a site for screening and projection.
The surfaces of the screens that surround us today express a new materiality as they convey the virtual transformation of our material relations. And these screens, which have become membranes of contact, exist in our environments in close relation to the surfaces of canvas and walls—also undergoing a process of substantial transformation. And so it is here—in this meeting place that is surface—that art forms are becoming reconnected and creating new, hybrid forms of admixture.
who shares (deep) engagements with superficial matters?
layered space of interaction between subject and object
surface can be read as an architecture
from mediated en[...]
(992)[...notes/notes.txt]%47.7[...]logical (fascinatino with grotesque + technological)
-what are the non-unitary subjectivities in Tehran today? (monster = horror + marvel)
monster =/= demonstrate, de-monstrate <-- vision + monstrosity
*monster: sites of otherworldliness* --used--> teratoscopy
1- Greek and Roman --> race of monsters: ethnic entity horrific & fantastic
2- baroque and enlightenment --> began to produce a scientific, wondrous, fantastic, rare, entertaining --(such as: madmen and dwarfs and other marvels participated in the life of his or her town and enjoys certain privileges [...] jesters and fools can transgress social conventions and do things that “normal” human beings cannot afford -Braidotti)
3- genetic turning point in the post-nuclear era --> cybernetic teratology: effects of toxicity and environmental pollution ==> new monsters [--> Tsing]
experience of the world of high-technology
artifacts of visual culture, (TV advertisements) dealing with the tropes of the primitive, technology, horror:
(these artifacts connote دلالت ضمنى long histories of techno-mytho-political dramas)
•Audi spider; where Audi is likened to a preditor, ensnaring, devouring its rivals; Vorsprung durch Technik written in gothic-style jagged, suspended cobwebs {<-- Ridley Scott's alien's technology as dirty; a lair swathed in a thick cobweb-like substance --> *technology as life* <== the dirt and dampness of *dirty technology* suggest an animate, sweating, breathing life-force [~ an aesthetic]} --> horror <== damp dark leaking space containing moulding cocoons of spider --Campbell--> motivation, goals or logic of this life form cannot be recovered within the economy of the human (=/= clean cold untouched technological artefact)
◦***technology covered in its own dirt --implies--> life --implies--> disorganization --implies--> disintegration of borders between ‘us’ (bounded) and ‘them’ (unbounded) --implies--> loss of control
◦ajayeb-e spider // links the world (of primitive + high-technology), its metamorphosis into automobile ==> its multiple and contradictory genealogy; sight of spider --Freud--> induce crisis of neurotic anxiety (arguing that this fear comes from an unconscious association of the spider with the image of the phallic mother and the web --> threatens to engulf us --> mpnstrous feminine, Ridley Scott's alien = technologized embodiment of the phallic mother)
◾ancient activity of weaving [computer emerges out of the history of weaving; the first computers were based on the logic of the loom, quintessence of women's work (Plant, Babbage, Campbell)] --> *contemporary technoculture is an era of insectophilia* (love of insects and arachnids, spiders ants bees worms etc.)<== these insects embody the logic of high-technology which values decenterdness, microprocessing, and swarm intelligence. colonies, swarms, teems ==acts==> *metaphor & e[...]
(993)[...notes/clean notes.txt]%96.8- 🔎
uninstallation, playground, the other, televised state, sickness to technology, working class, door to door, Rumi pleasure principle, listening to enemy's music, the art that you hate, artist as the fantasy of the pilot of fabulous equipments --> Kuball, my drawings were not critiqued enough because they didn't have human face in them? doen't that ring other kinds of beel? (in German or)
- 🔎
Hanno, imagination, motor skills, creative techne, mind, return of the hand, mad movement of creation, ungoverned hand that draws beyond consciousness, family, ethical unit, isolated and heroic being, lonely masculine traveler, athorize child's commitment, triumph of biological self-preservation, Levinas, infinity of paternity, Karin, accidental child, unplanned parenting, biologically directed offspring, i have to be invited to enter Hanno's table and i am accidentally claimed to be there in affinity
- 🔎
Colombia motorbike sits, libidinal energy of bikders, naked photo, Christ kissed by believer. freedom of Hanno dislikes. sudden masochistic callings. being child. going out going away, room, Iran, Germany, Colombia, Leticia, Puerto Narino, jungle, bite of the insect. kinect, Baudrillard hyper-reality, techno-recorder-tracker-visual-simulator, real-real-time simulation of jungle, kinect made to bring human into the machine. adventure is a program. there is a script in the jungle. how to keep your own history. child is not a child. history of action / history of accidenct
- 🔎
name of the child; animal and people become available; megaphone, KHM mothers; pianist talk; self recognition, intelligence, elephant, mirror-stage, whale story, awareness of self-whale; snake toy, blutige Hund, semantics, playmatics, puppet show; leash/unleash the dog; loss of perfect proportions in the imagination of technoculture; fibonacci nature; what happened to my dreams of cleanness and pureness in the jungle and with Hanno? being with Karin; I went to amazona to be curious and to be commited, to be able to spot what arrest curiosity. playing with Hanno is philosophy. kinect, cognitive technology of the real. you want to get destroyed into pieces. Karin invited me ti Colombia, and gave me the snake toy to think with. the body under attack in Leticia. insect visits you. it comes and does what it wants with your body. prehistoric incorrect hacking. wild child. feral computer. walking. what does it mean to be child before the animal? a cyborg urge.