[...] (from) dreamer --to--> somnambulist --to--> hypnosis --to--> suggestion --to--> hallucination --to--> obsession

Deleuze + Benjamin + Virilio
the idea of *art of automatic movement coincide with fascism*
@Pierre, pass, Foad

scopophilia: a forced ecstatic abjection before the image
=/= mastery

[*]spectacle: (spectacular culture) attention would be made attentive to everything but itself

...................................

“my experience is what i aggree to attend to” (James) ~= affirmation of an autonomous self-choosing world-creating subject liberated from the receptive status of a subject for whom experience was “the mere presence to the senses of an outward order”) --Crary--> historical crisis in the nature of experience: *attention = simulation of + compensation for a chimerical real experience*

(in my text rigging demons --> reconciliation of:)
•individual attentiveness to the fringes, transitions, pulses of one's own particular “pure experience”
•“experience” as immersion in the tangled density of a shared mutually inhabited world

James's conception of selfhood: private property (--in--> Tasavof: the most radical of all possible alienation and disconnection) --Lentricchia--> deployed to preserve a human space of freedom interiorized from the vicissitudes and coercions of the marketplace

**modern attention** + individual evasion of memory (and history) --> habitual & commodified : an imaginary deletion of all that is unbearable in collective and individual experience

in Corridor Crew the perceptual selectivity of the CG hackers sustains efficiency of animation tools + tangled social and psychic machinery of sublimation


(?do i have) agoraphobia --> Simmel


(destructive transformation of) *modernization always preserve and carry over nonsynchronous components of past moments*
Crary, Lefebvre

Piranesi's etching of Rone = foctive and atmospheric prison
Freud's description of piazza: patchwork texture of screens and flashing signs (formless field of attraction @Foad, Sina; multidimensional field of stimuli, urban space: “a theater of memory and a theater of prophecy”) =/= Piranesian dissolution of the axial city (organized views around a coherent even if mobile subjective orientation)

Freud's technique of attention: gleichschwebende Aufmerksamkeit
‘evenly suspended attention’ (giving equal notice to everything, everything in low-level focus without the risk of schizophrenic overload) --define--> **a state of receptivity in the analyst that eill be commensurate with the spoken free association of the patient** --> dealing with a stream of information that has no evident structure or coherence + extracting from that disjunct texture (artwork, chaotic syntax of dreams, indecipherable present,) some interpretive clarity (feedback)

Freud + Cezzaine --> design a countermodel of attentiveness that surmounts an ***inhibition of the peripheral*** (=/= notion of selection ~=> finding out what one already knows)

****diffuse attention =/= critical attention**** (a faculty in which the observer is led to reject some of the ideas that occur to him after perceiving them)


(at the turn of the century) experience: compulsory consumption of information


(from) the experience of deindividualtion (in piazza) --to--> a more controllable form of loneliness (bedroom)


[this] plural hybrid space of Roman square (Crary on Freud's representation) ~= a spectacle society : a patchwork of fluctuating effects in which individuals and groups continually reconstitute themselves (either creativity or reactively) =/= (Guy Debord's) seamless regime of separation, ominous collective mobilization

...................................

Deleuze and Guattari's Varuna and Mitra --> lacking a mythology of conflict (=/= Singh's analysis)
forming a milieu of interiority --> double articulation that makes the State apparatus into a stratum

State's operates by:
•seizes (immediate, magical capture)
•binds (preventing all combat --> presupposing a juridical integration of war)

“chess (pieces are coded) = a game of State”
chess: an institutionalized, regulated, coded war, pure strategy =/= Go: pure semiology
(what is game's form of interiority)

nonsubjectified machine assemblage

...returning from the outside with that inconceivable thing, an army

magical-despotic State (@Eszter)


Genghis Khan didn't understand the phenomenon of the city --> war machine: a pure form of exteriority

magic violence
military institution

Deleuze and Guattari: State has no war machine of its own; it can only appropriate one in the form of a military institution

machine: ontology of production

State thinkers:
•Goethe
•Hegel
•Euclid (finding a foundation for the enterprise) --> logos: the law over the nomos (from Proto-Indo-European nem-: distribute)-->{Euclidian space: a sufficient number of dimensions, by which one reintroduces parallelism between two vectors, treating multiplicity as though it were immersed in this homogeneous and striated space of reproduction}
•Archimedes (an operative projective descriptive geometry)
•Durkheim --> to give the republic a secular model of thought
•
•

political differentiation ==> State ~= distinct organs of power (=/= chief رئیس قبیله) ==!?==> economic development

(Laura:) keep the social body from crystallizing =/= (concern of the State:) to conserve

[*]war: a mode of a social state that wards off and prevents the State; that which limits exchange, maintains them in the framework of alliances --> (critical epistemologies:) *war replaces “exchange” with “alliances”*

[sometimes leadership] inhibits the installation of stable powers, in favor of a fabric of immanent relations (--> could we say that about Iran today?)

diffusion of prestige

(Deleuze and Guattari:)
types/organs that center around organs of power:
•rhizome
•=/= aborescent
family (aborescent type that centers around organs of power --structuring--> centralized societies) =/= pack (bands, rhizome)

State =/= perpetual blackmail by abandonment or betrayal (--> Iran)
==>{
•large-scale projects
•constitution of surpluses
•organization of the corresponding public functions
•on-the-spot emergence (--> kinda magical, and monstrous, miraculous)

war machine: a counter-State mechanism
realized completely in: the “barbaric” assemblages of nomadic warriors (=/= “savages” assemblages of primitive societies)
-problem: it cannot relay

Deleuze and Guattari ask: so, why did the State triumph?

the fable of Urstaat: the State clearly dates back to the most remote ages of humanity

law of the State --> interior and exterior, Sovereignty only reigns over what it is capable of internalizing, of appropriating locally
=/= the rights of segmentary societies

_~*neoprimitivism*~_

polymorphous war machine

commercial circuit...
religious creation...



(Deleuze and Guattari's) space:
*smooth:
•vectorial ↗️⤴️↘️↞
•projective 📹
•topological 🐍 (=/= geometrical)
•
--> *space is occupied without being counted*
=/=
*striated:
•metric -|-|-|-|-
-
--> *space of counted without being occupied*



“minor science” (in which, model are:)
1. hydraulic =/= hylomorphic
2. of becoming and heterogeneity
3. goes from a curvilinear declination to the formation of spirals and vortices on an inclined plane (=/= from straight line to its parallels) --> vortical
4. *****problematic(==> event --to go from a problem to the accidents that both condition and resolve it ==> [all kinds of] deformations, transmutations, passages to the limit, each figure designates an “event”) =/= theorematic(==> essence --theorematic: to go by specific differences from a genus to its species, or by deduction from a stable essence to the properties deriving from it) [--> make your model problematic, not affirmed by theoretical bullshit! --> my performances are about trying to find a way of not being theorematic while doing theory]***** (and they say ‘problematic’ the problem it is not an “obstacle”)
=/= “royal science”: reducing the “problem-element” and subordinate it to the “theorem-element.” State needs to subordinate hydraulic force ==> prevent turbulence (--✕--> Middle East =? distributed turbulence across a smooth space [<-- fucked up], [in smooth space:] vortical movement that can rise up at any point)
•civil
•static
•ordinal
/matter --assigned-to--> content
/form --assigned-to--> expression
~= hylomorphic: implying both a form that organizes matter and a matter prepared for the form (=/= hydraulic) <== *a society divided into governors and governed*
--> State science (appropriates and transforms the elements of:)
=/= “nomadic science” (Homeland TV series suggesting US government is a nomadic science: viewpoint of affections + nomadic operation of rogue CIA operatives + presidential decentralized power dynamic)
•becoming
•heterogeneity
•infinitesimal
•passage
--> in tune with the connection between content and expression, ***essentially laden with singularities*** (--> my lectures? an art, a technique, a science : following the connections between singularities of matter and traits of expression, they seize or determine singularities in the matter =/= constituting a general form)
=/= *chaotic science* (--> what kind of figure of engineer? @Sina)

*the problemata* --> vortices & projections [~~?--> chaotic imagination]
(projected into an abstract knowledge --?--> mapping knowledges)

State science --> Star Trek
imposes its form of Sovereignty on the inventinos of nomad sciencet

to administrate projections --> submit (war machine) to civil and metric rules that strictly limit, control, localize (nomad science)

“rhythm =/= turbulence”


cursing of a river*


Gothic conquered a smooth space --> the cutting of the stone (=/=? digital) + ‘plane of projection’: a plane limit, a series of successive approximations or placings-in-variations
=/= Romanesque remained striated space --> vault depends on the juxtaposition of parallel pillars


--D+G--> ***one does not represent, one engenders and traverses***
[*to engender: give you a baby from behind. *to traverse: zigzagging]
--democracy--> one represents visually
--Sina--> one suggests chaotically


roadways (well-centralized administration) =/= bridges (active, dynamic, collective experimentation)

lobby: a group with fluid contours, whose position is very ambiguous in relation to the State it wishes to influence

(for Ibn Khaldun:) war machine: families or lineages + esprit de corps

pouvoir (monopoly of an organic power) =/= puissance (a vortical body in a nomad space)

(to address the) vague = vagabond, nomadic, morphological essences (=/= ideal, royal, imperial essences) = haecceities
{for example the circle is an organic, ideal, fixed essence, but roundness is a vague and fluent essence, distinct both from the circle and things that are round (a vase, a wheel, a sun)}--> State is perpetually producing and reproducing ideal circles =/= war machine makes something round

Agnes drawings --> protogeometry
Agnes = drwaing and linking up smooth space

(is Finn in Adventure Time a man of State ot nomadic scientist? -->) journey-men's associations

nomadic <==form== masons, carpenters, smiths
labor <== regulating the movement of the flow of labor, assigning it channels and conduits, forming corporations, relying on forced manpower recruit

(plane of) consistency ~= composition =/= (place of) organization ~= formation

***everything is about the division of labor*** (--> this is the most critical about apass)

State:
•repress the nomad
•repress the minor science
•oppose vague essences (--> visa and integration)
•operative geometry of the trait
=/= nomad imply a division of labor opposed to the norms of State


Steven: a dynamic connection between support and ornament =/= Alex's hylomorphic schema (the search for laws in extracting constants --> an invariable form for variables [for Alex: the invariable definition of artistic research for variable artists])

compars =/= dispars

(let's go) from matter-form --to--> material-force(= placing the variables themselves in a state of continous variation)
[Sina: let's go instead of thinking about ‘flow’ --to--> ‘force']
force (is full of):
•equations “=”
•adequations (change in the meaning of a term depending upon context)
•inequations “=/=”
•differential equations (functions + derivatives --> useful for modeling and simulating physical phenomena) --> solution of a differential equation is a function =/= algebraic equations (solution of an algebraic equation is a value)
•


(distribution of matter in:)
space of pillars
striated by the fall of bodies
verticals of gravity
parallel layers

quantitative and scientific oppsositions (such as: speed/slowness, quick/weighty, celeritas/gravitas)
=/= qualitative oppsositions
=/= mythological structures


(i am basically interested in the law of falling bodies)

(my lectures: an art of) following =/= flowing
-one never follows in order to reproduce
-in following, one is in search of singularities of a matter
(my whole work has been about the art of being carried away by the vortical flow of texts)--> [*]ajayeb ~= a vertical field across which singularities are scattered like so many accidents (i see them as ‘problems,’ and my job is to follow them)


global theory of waves


(Deleuze and Guattari romanticizing the royal science:) “reproducing implies the performance of a fixed point of view that is external to what is reproduced” (--no--> it is about saying what you say attached to a temporary fixed point [for example an identity], in order to be able to be proven wrong)


categorical apodictic apparatus
[category = intrinsic concepts]


content is (not?) always conformist (<-- Julia was never)

Alex: imperium of true thinking --> capture, seizure, binding, constituting the efficacy of a foundation (= myth) ==> [*]logos: sanction of a ground

modern state: *realized reason*, the rational and reasonable organization of a community
-what are the exchanges that take place between the State and reason
modern state reason --> “the more you obey, the more you will be master” (for you will be only obeying pure reason) --> philosophy assigned itself the role of ground

common sense: the unity of all faculties at center

(in the archaic model imperial State:) poet = image trainer =/= (toady's) artist: (Deleuzian) *private thinker* (making counterthought, destroy images) =/= public professor
-problem with private thinker is that it exaggerates interiority when it is a question of outside thought --> the question of how **to place the thought in an immediate relation with the outside, with the forces of the outside** (to make thought a war machine?)

(Alex in search of) maxim =/= aphorism (always awaits its meaning from a new external force, a final force that utilizes it) <-- my interest

(?which) image inspired by State apparatus

[*]method: the striated space of the cogitatio universalis ==> path (=/= bridge)

thought ~= vampire (has no image)

(in the smooth space of Zen) the arrow does not go from one point to another but is taken up at any point, to be sent to any other point, and tends to permute with the archer and the target (#my bow and arrow --> it takes no aim but hopes the arrow will stick somewhere)
-whenever a “thinker” shoots an arrow, there is a man of the State, a shadow or an image of a man of the State, that counsels and admonishes him, and wants to assign him a target or aim (#my bow and arrow joke @apass)

pathetic texts: thought becomes pathos (=/= logos =/= mythos)


(a lot of poetry today is like this:)
(an antidialogue between brother and sister:) one *speaks before knowing* while the other *relays before having understood*
--> the necessity of not having control over language ~ (Chloe:) the necessity of being a foreigner in one's own tongue
--> “bring something incomprehensible into the world” --> in the form of exteriority
--> [...]