[...]animals**
(Ihde >) [*]phenomenology: a philosophical style that emphasizes a certain interpretation of human experience and that, in particular, concerns perception and bodily activity --Hayward--> a theoretical practice grounded on the carnal, fleshy, material foundations of subjectivity as it engages and is transformed by and in the world
we attend to: content + form + context
invertebrates, product of displacement and comparison, a ruinous verb turned noun turned classification --Hayward--> foregrounding and rethinking the syntax, optics, and heterogeneity of vertebrate and invertebrate relationality
accountability and responsibility in the enmeshment of knowing, doing, seeing, and being
(we need less philosophizing and more) *envisioning: an enactment of dynamic en-figurings that imperil boundaries that clearly differentiate self and other without the loss of historical, cultural, and species specificity*
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☾
light has illuminated western stories
•God said, let there be light: and there was light
•solar radiance --> refracted planetary atmosphere --> earth's watery matter --> lively forms
•life shaped by ice (Meloy)
•life shaped by dark (Mohaghegh)
•life shaped by animal (Sina)
•life shaped by light (Hayward) --> the invisible medium that makes a knowable world visible; *seeing light: a trope for making visible in a comprehensive form (such that they are real)*
1. *philosophy is photology* : language of philosophy is constituted by metaphors of light
2. sunlight metaphorizes into transcendent light : a heavenly light promising liberation from the flesh
transgenic technologies ==>
jellyfish + GFP (green fluorescent protein)
rhesus monkey
glowing kittens
transgenic pigs
(...animal examples of chimeric and impure)--Hayward--> articulation of carnal interdependence across species boundaries
bacteria, yeast, fungi, plant, fly, human cell
chimeric borderlands of GFP and transgenics
pushing against the perceptual and affective registers of laboratory walls embodied selves, eating practices, living conditions
bio-capitalism
animal industry
(Hayward on) carnality and radiance of naturecultures
(welcoming a) multidisciplinary table of where light is being eaten
visuality as corporality
light = meat
(Latin word) lumen: light, lantern, lamp, clairity, understanding, the central cavity of a hollow structure in an organism or cell
*somalumenal: how might luminosity, effulgence and illumination be about embodiment or corporality? light transubstantiated into flesh and matter (=/= body transcended by the thrills of enlightenment and radiance)*
[...]
(1)[...notes/Mona rat race.txt]%35.1[...]ponsored degradation discourse. (However, discourse analysis is not enough; it is all too easy to treat discourse as a monolithic structure of ideas[...] ) [...] These discourses require a threat, a source of chaos and disorder to which the moral regeneration of the progressive discourse can provide a solution. In the case of the Sierra juarez, forest fires provide this opposition. [...] It is exactly this resistance of the natural world to discursive domination that is one of the themes of this article. [1]
[1]ANDREWSA LVADORMA THEWS - suppressing FIRE AND MEMORY: ENVIRONMENTALDE GRADATIONAN D POLITICALRE STORATION INT HES IERRAJ UAREZO F OAXACA, 1887-2001
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Jinn older and Man
ecology of the Jinn
(Qur'an)
raging fire
scorched by burning fire
striking sparks of fire
and roasting at hell-fire
the fire of Allah, kindled
...
bringing together of two homogeneous blocks of material in a given, already-inhabited space
as if we knew what space and time mean
“the desert bighorn is an animal shaped by ice. [...] the design of wild sheep is very much an expression of arctic cold.” (Meloy)
(what the design of fire is as expression of? what shaped fire? ice?)
(we are shaped also by fire)
how you go from lizard to bird?
it must have been through the behavior of lizard that ‘birdness’ has come to be possible. a certain trait of behavior have allowed the lizard find itself in the air.
ice age
story of fire, story of grass, ...
after the establishment of a land-based flora (Middle Ordovician period, 470 million years ago) and permitting the accumulation of oxygen in the atmosphere it permitted the possibility of wildfire.
Fire also became more abundant when grasses radiated and became the dominant component of many ecosystems, around 6 to 7 million years ago;
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electrical fire
conflict between the “junk” and the “text” that seemed to fascinate
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how to write cold with fire? the medium of fire is incompatible with that of the paper. paper burns fire off! the combustion emerging elements energized by their contact fuels a sudden blow of increase in their excited entropy. flame. action is the breeze that death digs. foam knows no halt. the focus is noised and seeds location. place penetrates in shattery nozzles originating from thousands of nowheres. inferno's insurance is about aggression of hot.
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A) Accident, Action, Adrenaline, Aggressive, Aid, Aircraft, Alarm, Alert, Ambulance, Apprehension, Arson, Ash, Assess, Assist
B) Bad, Barricades, Battle, Blacken, Blame, Blanket, Blast, Blaze, Blister, Blow out[...]
(2)[...notes/fire notes.txt]%39.8[...]ng the captured ones.
The athleticism of Shahnameh doesn’t allow Ferdowsi to have another take on the order of div. The poem will not permit chaos.[27] In Shahnameh, divs are the defeated ones. Ferdowsi’s contest-oriented poetic site is towards the defeat of victory of defeat. For him, transcendence, truth, and growth are generated from the outcome of the scene of contest.[28] He locks “dishonor” indefinitely to “defeat.” The defeated-ones become inescapably monsters, divs. So, upon a Ferdowsian landscape of heroism and agon, the way I am trying to archaeologically (re)locate the being of div on Earth and put him in relationality to the lithic techniques of geo-poiesis, is a way for me to ask: how Ferdowsi is disarticulating div’s bodies to rearticulate other bodies? The humanoid Middle-Ages Persian body, the stoned, the fleshy mineral, the decaying ones, the creaturely, and so on. How can we reversely remetaphorize his tropes? How can we arrive at the stone? How can we unfinish the (death)sentence div is uttered with, and pre-epically recompose him in order to syntactically arrive at his kinship? OK. We are testing questions of nonhuman alterity at Ferdowsi.
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“the mind needs wild animals”
Meloy
more often, there are places where mammal should be but is no longer, *and in this emptiness, too, there is fieldwork to be done*
[*]euphemism: roads that are too civilized
Jesuit padre-historian
Je suis padre (wanna-be-father) historians
(18th century) calling the deserts of Baja California “destitute” without asking the natices if they were misreable
*for many natives in the Jesuit era, christianity was not a means by to give order to mystery (or give order to misery)* it was food. [...] another kind of appetite could lead people there...
*the christian hell looked a lot like the life they had left [...] many Indians so hated the cold that on a chilly day at the mission, a sermon about the fires of christian hell delighted them ♥
Meloy > Steinbeck: “food is hard to get, and a man lives inward, closely related to time”
better roads and bigger tourism = predatory brand of industrial leisure examplified by Cabo San Lucas (and Dubai in the middle east)
(Meloy herself part of a group) a goofy one with animal notes, plant books, and ‘je suit’ literature
(clinging to) the delusion of *feral self-reliance* --> [*]fishing: citizenry in the public of resourcefulness
“do not go to the hunt carrying meat from home.”
in my work the technique of storytelling: to create a stage for a wider out-of-control explosion of gesticulating arms
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“wherever you are, wherever you go, there are untamed creatures nearby that need you attention. unplug your[...]
(3)[...notes/fire notes.txt]%41.7[...]ian body, the stoned, the fleshy mineral, the decaying ones, the creaturely, and so on. How can we reversely remetaphorize his tropes? How can we arrive at the stone? How can we unfinish the (death)sentence div is uttered with, and pre-epically recompose him in order to syntactically arrive at his kinship? OK. We are testing questions of nonhuman alterity at Ferdowsi.
...................................
“the mind needs wild animals”
Meloy
more often, there are places where mammal should be but is no longer, *and in this emptiness, too, there is fieldwork to be done*
[*]euphemism: roads that are too civilized
Jesuit padre-historian
Je suis padre (wanna-be-father) historians
(18th century) calling the deserts of Baja California “destitute” without asking the natices if they were misreable
*for many natives in the Jesuit era, christianity was not a means by to give order to mystery (or give order to misery)* it was food. [...] another kind of appetite could lead people there...
*the christian hell looked a lot like the life they had left [...] many Indians so hated the cold that on a chilly day at the mission, a sermon about the fires of christian hell delighted them ♥
Meloy > Steinbeck: “food is hard to get, and a man lives inward, closely related to time”
better roads and bigger tourism = predatory brand of industrial leisure examplified by Cabo San Lucas (and Dubai in the middle east)
(Meloy herself part of a group) a goofy one with animal notes, plant books, and ‘je suit’ literature
(clinging to) the delusion of *feral self-reliance* --> [*]fishing: citizenry in the public of resourcefulness
“do not go to the hunt carrying meat from home.”
in my work the technique of storytelling: to create a stage for a wider out-of-control explosion of gesticulating arms
...................................
“wherever you are, wherever you go, there are untamed creatures nearby that need you attention. unplug your modem. slam shut your self-help books. quit standing around like a wall trout. get to work.
invite warblers to your neighborhood with shaggy plots of greenery. learn everything you can about the bandit-eyed racoon that stares at you through your sliding glass door, demanding enchiladas.
mark the direction of jet black darkling beetles marching up a red dune like a troop of miniature helmets. east? south?
let black widows live in your soffits.
lie on your back on a breezy sweep of beach and stare at the undersides of magnificent frigate birds. master a hyena's laugh and use it when in the presence of politicians.
admire the make midwife toad, who carries fertilized eggs on his back for a month. understand that certain species of mollusk can change their gender, know [...]
(4)[...notes/fire notes.txt]%41.7[...]back for a month. understand that certain species of mollusk can change their gender, know that from a ball afloat on tiny filaments inside its fanned shell, a sea scallop can tell which way is up.
crane your neck. worm your way. wolf it down. monkey with things. outfox your foe. quit badgering your tax attorney.
take notes on the deagness of coral, the pea-size heart of a bat. be meticulous. we will need these things so that we may speak.
the human mind is the child of primate evolution and our complex fluid interactions with environment and one another. animals have enrished this social intelligence. they give concrete expression to thoughts and images. they carry the outside world to our inner one and back again. they helped language flower into metaphor, symbol, and ritual. we once sang and danced them, made music from their skin, sinew, and bone. their stories came off our tongues. we ate them. they ate us.
close attention to mollusks and frigate birds and wolves makes us aware ont only of our own human identity but also of how much more there is, an assertion of our imperfect hunger for mystery. ‘without mystery life shrinks,’ wrote biologist Edward O. Wilson. ‘the completely known is a numbing void to all active minds.’”
(Meloy, Eating Stone p142-143)
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Jacobsen on ancient mesopotamian
*religion = response*
[*]numinous: a unique experience of *confrontation with power* not of this world, confrontation with a ‘wholly other’
--> terrifying, demonic dread, awe, sublime majesty, fascinating, demanding unconditional allegiance, etc.
*positive human response [in thought (myth, theology) + in action (culd, worship)] ==> religion*
metaphor: human psychological reaction to the experience [of numinous] by means of analogy
-in metaphors all that is shared by the worshipers of an individual culture or cultural period in their common response to the numinous is summed and crystallized
-choice of central metaphor: wants to recapture and transmit, the primary meaning on which it builds, which underlines and determines the *total character of its response* = the total character of its religion
-major religious metaphors of the ancient mesopotamians have a double nature as pointing beyond themselves to things not of this world & yet being and remaining very much of the world
in attempting to interpret religious metaphors, one must seek to bring out as fully as possible its *powers to suggest and recall* the numinous
-to one generations is fresh and powerful may be to another seem old and trite
suggestiveness =/= representaive of its period --> literalness: attention to human purposes and values ==> [flase] sense that all has been explained and understood
human's recognition of dependency upon power not of this world --> religious express[...]
(6)[...notes/fire notes.txt]%41.8