[...]” --to--> discovery of the right logical category ==> classifying the memorization the world scientifically

classification system ==> filter --> encoding (of information about the environment) ==> coherent framework = memory (Schachter, 1996)

Bowker > Matsuda > Edouard Claparede's experiment (1907) of having a stranger rush into the classroom, do something outrageous, and then have students describe what happened --> “that the past--even of a simple event--was less a record than a sort of taxonomy. Not perceptions, but categorization of familiar types was the major function of memory”
#bambi

pigeonholing of facts

how apass as an organizations is coding for artistic research within the framework of their memory systems?

“There is no room on the [filling] form to write an essay on race identity politics.”

do we need to develop and standardize my discipline-specific nomenclature (in our research microworld) in order to name without ambiguity? --> redefinition of disciplinary boundaries --> shaping of your work so that its future practice converges on potential memory

we murder, they note
they draw from their secret[s]

infrastructure-thinking: Ajayeb Network-Making Minimum Data Set
in ajayeb's literature the very information infrastructure itself (should let be or) is in flux ==> discourses make strange connections between themselves
-in ajayeb the infrastructure assumes the position of every node --> reworked in my #Rigs

“...we are afloat in a sea of multiple, fractured causalities each demanding their own classification systems--and their own apparatus of record collection.” (Bowker)

classification (systems): a warrant and a tool for forgetting, and operating the distribution of this forgetting (in space of scientific memory.)
it tells you what to forget (for example the religious and metaphysical,) and how to forget it

[the formation (training) of artists covers up the formation (production) of artistic knowledge]
-the social story of science is excluded from the organization of the sciences, and held outside of it =/= situated knowledge
-a natural hierarchy of sciences is offered: every discipline needs to remember only a given set of facts --> each type of memory which has been distributed in space will also be sequenced in time (http://ajayeb.net/?q=imperative+of+knowing) [for example mathematics --> physics --> chemistry --> biology --> sociology] ==> formal memory system

the problem of the detective is that for him only those facts are relevant that hand him the solution of crime (~-> goal-oriented individual disposition) =/= chasing rabbits
-the detective (has to) classify away traces: the systematic and deliberate forgetting of some actions in order to better remember others
-what makes a difference?
[...]

[...]ساخت, sukht سوخت)/anabolic(tarkib-saz ترکیب ساز) functions, ,,
-in Darwin's writing, non-theological account of diversity on earth, we find both interrupters and continuers of these particular notions of nature

the question of model, what is the model for what, what is similar to what?
****how do we do comparative thinking? comparative thinking depends on similarity  judgment and difference judgment, and depends on good-enough models, and depends on a certain kind of rhetorical work of *crafting tropes*
 --> figures of similarity/difference:
  by similarity, or
  by contiguity, or
  by part-whole, or
  ...
(this is ‘building’ *among* us)
(how do i decide to compare two things? Shirin and Ophelia, etc)

models are built rhetorics
history of models
the power of models is that they are not the ‘same as’

circuits of meaning and power that flow through (materials and bodies)

mondial ~? situated knowledge
the idiom ‘situated’ makes people think ‘local’ (instead of global)
by situated she means the ‘knot’ which always means some place and somewhere, but that someplace/somewhere could be in materiality a distributed digital network. the situated is always open. the point is that it is not nowhere and no place.


epidemic friendly

the flow of disease are major international research matter

eco-feminism, veganism is for Haraway is genocidal position, a position that advocates violence, a position dedicated to the destruction of ways of life and living beings including animals, [a position that] *concise all working animals to being nothing but evidence of the destructive and violating imposition of human will on natural stuff*, and “that domestic animals of all kinds are victims and demonstrations of human hubris گستاخى, and they have been made into tools” ~= an extreme developemnt of liberal theory --> the (work) animals are not self-defining subjects, are violations and victims, and should not exisit, except as:
•heritage-animals
•rescue-animals
•wards of guardianship
(my work on ajayeb and question of heritage has been exactly against that position)

the radical anti-food-industry position is a radical liberal theory turns all working animals into (at best) *heritage-animals* ~= animal to be preserved as much as possible separate from human use --> “all human use is bad”
(--✕--> we know that the question of use and instrumentalism cannot for mortal finite beings rid out of liberation theory and practice)
[for example the disposition of the film How to Train Your Dragon: The Hidden World, where at the end dragons are better off their human partners ~ kabutar ba kabutar baz ba baz کبوتر با کبوتر باز با باز]

**killing is not something mortal beings ca[...]

[...]caring activities? @Sina: is this what you mean by western modern rationalization, and that is why you are thinking within the western/eastern philosophies, is the modern tools the antidote to themselves? (this is too soon for me to say and understand this question.)

what is my ‘will to’?
Xiri wants to abolish injustice?
Thiago, abolish selfishness?
Maarten, abolish weakness?
Aela, abolish entropy?
Sana,
Seba, abolish enmity?
Lili, abolish feelings?
Varinia, abolish obedience? [--what shortens our leash?]
Sina, abolish selfhood?
Vladimir, abolish non-disambiguity?

@Esta, her enunciated need for “framework” [~->? instruments of economization], could she be needing “pathway”: path instead of frame, and way instead of work. [frame =/=? overflowing (--> my method of script?); identity =/=? avidity, hers;]
interplay of scales
the scale of intimacy, (of skin, of shared heartbeats and feelings)
data and surveillance and seduction
intimacy: still an unpredictable force?
intimacy: the biological spring from which affect drinks?
how Esta's proposal is capable of traversing from the lovers’ bed to the wild embrace of the crowd to the alien touch of networks?

[and when i say “abolish,” i am using a word that is about rendering something obsolete, mansukh, canceling, making reading to get rid of it, and this is not the same as destroying.]

@Arianna, ‘cleaning agents,’ to toxicity? how can we learn to live with “toxic animacy”(Chen)? dirt: “consequences overwhelming their cause” (Latour)
-narratives about urgent necessity: that we need to understand more in order to cure, prevent, construct, excel, survive.
*afterlife toxicities (?)

@Lili: cycle of planets instead of heartbeat of a planet. tuning in the soup of planets, instead of getting the pulse of a singular planet. the nebulous milk way of liquid bodies, instead of rigid mass of individual blood--Pluto.

@Varinia: (in her dog video, regarding her engagement with the law and the question of comparative thinking:) what is the model for what, what is similar to what?
-is her model based on the idea that beings exist as individual? (is this a ‘difference’ that her work produces?)

@Agnes: you are a response to the bed, making the bed and being made by its caress and embrace. it is not that you want all the audience in the world to identify with a general question or present this as a universal expression, but what could go beyond localization is precisely this concept that you, like me, transitioning body in your environment (bed or whatever) are outstretches of homeliness and forces that distribute across space and discourse, territories and sensing zones, you are an exchange between self and environment. this is pragmatism. like the variety of bed sheets, we are proposed with answ[...]

[...], by traversing the routine, our “knowledge” and “community” took on new meaning, as they get a chance of being rearticulated in different languages (or differenlty infected literature)
~-?==> changing the system of classification (of thought)

-in a way the workshop is about an *approach* to knowledge generation (and not necessarily a rigorous critique nor directly evaluating the production of our knowledges)


***nothing is never merely a metaphor***

[some fables from science studies:]
•Emily Martin's egg/sperm story --> stories of atomism, distribution of agency, ----[The Egg and the Sperm: How Science Has Constructed a Romance Based on Stereotypical Male-Female Roles]
•Hayward's microscope --> tropes of natural history docu, ----[Enfolded Vision: Refracting The Love Life of the Octopus]
•Kenney/Haraway's origin/nature fable --> the omnipotence of the “origin” story in our descriptions and interactions with the natural world
•Scott Gilbert's immunological “bouncer” story =/= immune systems as inclusive agents of symbiosis
•Lynn Margulis: life (made possible) by “combat” [the survival fable that TV series “The 100” and “Kelile Demne” for instance is based on] --✕--> life by networking
•Haraway: the tale of “organism = a system of division of labor with executive functions” (==> extraction of wealth among us)
•Morton's causality-story
•brain/body story --> where the “move” came from?
•Sina's “standing on the shoulders of giants” --> knowledge/continuity, role of authority and humility in science ----[http://www.sinaseifee.com/giants.html]
•Sina's 3 little pigs --> architecture/tech/ echics of encounter --> story of the center and periphery ----[http://www.sinaseifee.com/pigs.html]
•“weapon fathered man” --> Kubrick's african genesis, technology + prehistory (in postwar period) “tool ==> man”
•
fables popular in apass:
•“a work [of art] should speak for itself”
•“the very last stage of the creative process is purely intuitive” --> when people say they stop “reading” or “knowing” when they want to create artwork
•“look really hard inside yourself for what you really want”
•“you are an agent of change” that means art or thinking or being ought to be operative, active, transformative, (even destructive) and that is “political” [--> this fable in found in language; ---> go to Barthes’ fable of the woodcutter]
•




no need for “conflict” nor “hero”
(in the way we give feedback, relate, narrate, story, and tell eachother our matters of care and concern, and where we create zones of attachment; both in your “art work” and the mundane everyday of ‘getting on together’ --> interrupting one's own framework)

...................................

#workshop, on question, feedback method, to improve the questions we ask [...]

[...]actice*** among many, make possible in the collective task of building and sustaining livable worlds ----> taking texts as worlds, taking people as worlds
-(when talking about your project) you are teaching me what makes you move. --> that means i need to learn how to be affected differently (other than my own projects terms) in order to affect (others) differently [# my bow and arrow intervention] ---- to give intense attention to your gestures (expressing desires, expectations, affects) and to respond to them in remarkable way.



critical hedonism (Archer)
--> refusal of the “embodied anxiety”

affective economies (Ahmed)
--> which affective economies animate our own bodies as scholars/artist/... and as people



(asking) is this practice good for the subjects involved?
--> we create (involuntary) differences, the question is, is the world enriched by these differences? (by Sina, Xiri, Aela, etc.)
-(also be careful with) “differences as raw material” in a “delocalized cultural capitalism (geopolitics of knowledge)” --(Renan in conversation with Peran)--> “internal colonialism,” “local difference as an object of study and raw material,” and “cooptation of imagination in the networks of information-connection.”
-(looking for other metaphors of) alignments =/= operational references to co-production
(Marti Peran) “The surplus of images has reached the maximum degree of pollution. In turn, the planetary connection ensures the exchange of images regardless of the visual regimes from which they come from. Images no longer speak anywhere. In this situation, the political task is to return to the linguistic battlefield. It won't be possible to do things differently if we do not start talking differently. The most urgent imperative is a language inventiveness.”


(atomism)
-constant and precarious self-management of molecular projects in a horizon-less future
-artists in the operation of self-making ourselves


#the image i made for Sohrevardi; allegory of Sohrevardi; the image's discursive architecture and its diverse inventiveness; (being careful with being) seductive in staging diversity; --> “an ecology of monologues”? (Renan);
-“The monologue is a linguistic space freed from negotiation.” [...]  “Now, it seems that everything could be solved by the universal application of mediation, participation, collaboration processes [etc.] without realizing that this entails the strengthening of the social cohesion model that becomes universally inclusive.” [...] “The monologue, in this perspective, is a form of silence, a way of disappearing. One way to cease-to-be when we are forced to be.” (Peran)

how can i stop and resist “self-exploitation”? --> instead of thinking about transindividualism and commons, etc.

“An artwork executed from fatigue ‘exposes’ [...]

[...]ocess rather than the art knowledge actually possessed by the teacher” (Hetrick). (is it the architectural gesture--the center--that produces the recognition of the teacher situated as “teacher”?) *“the spell of transference.” / at some point some gesture is taken by the student as a sign of hidden knowledge and intention ==> transference establishing itself; (how education [and love?] without transference looks like? --> Julia Scher, ‘post-Lacanian’ means that you don't ‘transfer’ to the art-work nor artist?) #harem
parent --> teacher }==> what the student may desire to become (be recognized as)

according to Lacan there is no Pir (~ [often iconoclast] leader, guide, mentor, expert, knowing-hero, enlightener, rescuer knowing more, knowledgeable pedagogue/leader “helping students find themselves,” [--> my failed transference with Saeed])

-->? Discourse of the University* : (systematic) “knowledge” replaces the nonsensical master signifier in the dominant commanding position; in this case the sujet supposé savoir dependent upon the related knowledge of the Other, or the source of “the field” (journals, textbooks, etc.) ==> (arbiter of) truth --> *to transmit knowledge that is already given*
[account of knowledge as a symbolic and social network, master signifier, subject positions,]

in placing the ‘text’ in the position of a knowing expert who has the answers Lili (unconsciously) idealizes her texts, and of course when her ‘texts’ fail to satisfy that desire she demands ‘knowing’ from them in terms of cynicism: the feeling or state of being annoyed and irritated by them. this is a structural space of ‘demand’ in her. for me what is at stake is the complex nature of encounter between Lili and text which takes place in an artificial space--a symbolic space--that is at the same time the place of real investments of her desires.

@Lili; is she (like the rest of us humans) looking for an active, predatory art?--> if non-communicative non-predatory non-kinetic [a common issue with the students of choreography and dance in general] art exists on this planet, then we kave to learn “a whole new set of techniques.” [La Guin])
--the meter of ‘time,’ that essential element, matrix and measure of all kown human-animal art. what if there are other metric systems? art not as an action, but a reaction? not a communication, but a reception? {---> go to my master studies Diploma on passivity in performance art}

registers of ‘complaining’ in Lili's discourse. she is a bit like Faust groaning, habe nun akhhhhh Philosophie and so on. [Ach of Sprache] (that they have done all the work, they know everything, yet know not enough of what really counts [that is the incalculable] and cannot be satisfied by mere knowledge available to them. nor can they keep themselves to the restricted zone of knowability.) so Lili saying “it's too much!” is a hysteric wish for ‘more’?
(Freudian j[...]

[...]es? maybe not --> go back to representational tools --are representational tools the best we have? or maybe, structurally we can't give workshop in apass HWDs or endweeks, because participants are not there by free will that is usually mobilising them to look for and join a workshop that they are interested in.

%(am I?) ‘coming back with advices’ in my work [[#Esta]]

is it interesting for me or my research to think about how we moved that plant around in the 4th floor?
*moving plants* is risky
as backdrop for human activity
passively vegetating
making local and global connections: which local or global connections was made (by Sina, Xiri and Esta moving the plant)? (how the plant was repositioned in our) making of public common spaces
-practices of concern
(attentive to the plant that was a) shared “thing” between us
what was mediated, navigated and articulated with that plant in apass 4th floor?
(with this i am trying to ask about the) kinds of imaginative world-making at work
gathering forces
-

the mice, and the pattern of rice, how did we become the reader of mice's text? --> reader is always always constructed.
the mice disconnected us from global digital networks and wrote something on the floor...
(which objects of our systems design supporting some and not others) leaving out what are locally perceived as “nonpeople” can mean nonworking system. (biologists not seeing their secretaries as doing real science, artists in apass not seeing the mice doing real work, etc.)
--> *(Leigh Star's) “ethnography of infrastructure”* -infrastructure is both relational and ecological, both transparent and opaque. it is part of the balance of action, tools, and the built environment. [*]infrastructure: a dense interwoven fabric of shared visions of possible and acceptable dreams (of the inovative, as techniques, knowledge, know-how, and the institutions).

...................................

my previous lectures have been communicating something I don't quite understand to an audience that doesn't want to know. but still somehow they became not indifferent to my madness and we managed to establish lines of interest and interference (=/= restoring the phalus to its proper place, or getting a membership)

i am building another wit =/= you know when you are on some kind of auto-respond, those smart fast answers. my wits take ages to come through. in a way i have been slowing down certain kinds of wit. that's also why it is so easy to silence me.

i have been also busy with the timing of understanding. how to keep understanding open and ongoing? there is this standard general sense that becomes very upset when things are not immediately understood (#double-click democratization of communication,) my workings have been perhaps invested in keeping my own (not-fully-)understood alive for a wh[...]

[...]ngaged as a child in scope-apparatus, micro-macro scales


what other stories, remembrances of the past are possible?
-different apparatuses of attention, reconstruction, and storytelling, that are equipped to hold diffractive patterns of ‘that which comes to mind’


...................................

can we care for “iranians” without “for iran”?
(i can't care less about Iran)

...................................

perhaps artistic research is all about playing cat's cradle (=/= autism) : (you have all sorts of limbs, even phantom limbs) you must learn sustaining the rhythm of accepting and giving, (collaborative) patterning (that requires passion and action) [this is one skill that matters a lot, what i have been trying to teach myself above anything else in the last years] [i am playing that game with Haraway, joining her (and others) in thick, collaborative patterning; generous knottings; thickening the knots, relaying a mutated and resituated pattern for the next play]
•getting the knot, proposing another
•you must learn how to hold still
◦(more and more) in different material and conceptual grains of detail and resolution
•the most important thing in research practices is this patterning, networks reenacted (Katie King)
(Lili's kiss project was about that, blocked intersubjectivity, a matter of “learning to be affected”; can i say that Lili's issue is with the lack of [psychological, or psychic] dialogue? a language that no longer carries metaphor displaces the metaphorical drive: acting out the soul's metaphor in direct [nonverbal] action. the breath in Lili's work, is the same in her suffocated kiss and scream performance, once hold in and one unleashed, lack of a “breather,” of a “converser,” of a partner in cat's cradle.)--[i like to propose a repatterning: in research environments we play a lot “catch me if you can”: to catching you in action, to capture your ‘knowing’ in action, to capture eros or logos in act, --> #beauty is interested in action]
•it is about “understanding living with contradiction” : making choices without necessarily turning the other choices into something an enemy does --> important for collective research life; “[we] need each other's extremes”; *our activisms are not the same*: to open up to our extremes, to open up to what you are not sure of --> to find ways to be in productive alliance (=/= the notion that everybody has to do everything [tell Xiri])
•(educating oneself) actually know how to explain what somebody else said and not just what you said*** --> figuring out how to disagree with each other as well as agree, that no statement is going to be taken as evidence of being the enemy (--> we face this in apass)
•learning how to recognize authority (as a mentor and participant) (the problem of the inability to deal with authority, common in early feminist movement, traces in Xiri) --> being alert t[...]

[...]g you in action, to capture your ‘knowing’ in action, to capture eros or logos in act, --> #beauty is interested in action]
•it is about “understanding living with contradiction” : making choices without necessarily turning the other choices into something an enemy does --> important for collective research life; “[we] need each other's extremes”; *our activisms are not the same*: to open up to our extremes, to open up to what you are not sure of --> to find ways to be in productive alliance (=/= the notion that everybody has to do everything [tell Xiri])
•(educating oneself) actually know how to explain what somebody else said and not just what you said*** --> figuring out how to disagree with each other as well as agree, that no statement is going to be taken as evidence of being the enemy (--> we face this in apass)
•learning how to recognize authority (as a mentor and participant) (the problem of the inability to deal with authority, common in early feminist movement, traces in Xiri) --> being alert to how hierarchy shut people up that one don't acknowledge the hierarchies that emerge out of that *{alarm ==> hierarchy}*
•in apass i am trying to remember what my peers are doing, and when i see things i think of them, and they are in my citation network (they are all over ajayeb.net) and i am aware of what they have told me. words they are inventing are in my vocabulary too (that is why i am so energetic calling in Xiri's category change for example “generous suspicion”)
•collective research environment works by networks* (--> a problem with apass)


[*]epistemology = stories knowledges tell


sometimes practices demand:
•exclusive expertise (~ focus)
•extensive scholarship ==> linking and speculating
•attaching unexpected agencies and territories to each other


(better) understanding the mechanisms and affects of inclusion and exclusion in communities of practice
for example in apass (we are dealing with):
•suffer <== mutual incomprehensions
•pain <== heterogeneous knowledge worlds
•anger <== unevenly distributed power
•fatigue <== exposure to intensity
•tension <== different styles of knowing

unacknowledged suffering --(in past and present)@Hoda--> as well as pleasures


(what do you make out of reading your gender material?)


Greek brainwomb


feminism  ~/= feminist theory-->{highly diverse, located in many domains of practices in and out of the university, and understood to be this highly diverse activity}


the talks i have been giving are done by someone with a kind of mind and soul that just makes connections fast. i work orally. the lectures are heavily prepared (and some important ways unprepared in the manner of its performance: all those connections happening during [...]

[...]ith veganism's moral, wholistic, complex claim that they make on us (also a necessary kind of contemporary witness): that people's practices with animals as food and fiber and work animals, turning into nothing but museum pieces at best. vegans deadly imagination sometimes don't get what they kill: most kinds of animals that have long histories in close association with people.

there is no relationship to this world that does not involve extensive killig (Haraway)


up-to-the-minute technologies

complicated issues around security apparatuses and different national struggles

histories of dispossession and genocide


“do you believe?" = "do you believe in a list of dogma?”
totally wrong question: do you believe in God?


[should i go to Berlin after apass?] a parochial person دهاتی (in the pressure of the seriously elite places): you could be here, you could succeed here, but never belong here


Haraway's ‘literal’ makings:
•“companion” is about whom you are at table literally*
•to be homo sapiens is to be in multispecies interdependencies literally*


my issue with the image of the free floating meaning network popular in artists’ thinking: yes meanings foreground and background. they swirl, but they don't swirl at random

...................................

MOU (memorandum of understanding)-->{@Esta + Zoumana + Hoda
*memorandum: memo, reminder, note, تذکره --?--> passport : آنچه موجب یادآوری شود --> آنچه موجب دخول شود
a legal document describing an agreement between parties less formal than a contract
[1994 U.S.-North Korea nuclear pact, the MOU between Bush and Kerry for 2004 debates,]

...................................

batlagh باتلاق



it is (perhaps the most) important to help transform (your or my) ‘wounded-child’ to ‘wonder-child’ (--> @Hoda)
[the image of the wonder-child in all my workings]***

...................................

•accumulative: gradual increase as a whole, someone/something doing the accumulating, emphasis on the process of accumulating
•cumulative: nongradual successive additives, associated with that which is accumulated, emphasis on the result
ad- (“in addition”) plus cumulare, “heap up”, from cumulus, “heap”

...................................

[we need] ability to move from ‘close attention’ to ‘gestures’ and actions on the material world, all the way to an assortment of ‘artifacts’ able to enhance cognition, sensitivity, and sociality

...................................

Stewart

surge of signs + capital + sensoriums of public culture --> matter & image

images, when circulating things, suddenly enter the senses --> literally make[...]

[...]abstract structures described by sign systems ==> providing information/knowledge about the structures used to describe the world
-a formal logical system with its content targeted at the real things
-all their statements are analytic
=/= synthetic statements (propositions are true by how their meaning relates to the world)

‘natural sciences’ using tools from formal sciences and validated by ‘peer review' = refereeing = *the process of subjecting somebody else's work*

issues with artistic feedback that i have directly encountered:
•our abilities for observation are questionable (--> apprehend what you notice)
•our abilities for induction are questionable (--> movement from observation)
•our abilities for inference are questionable (--> connecting with something other and elsewhere)
•our abilities for questioning are questionable (--> risking what you know + constructing interest)
}--> feedbacks are performative, perspectival, descriptive, discoursive, affective, fabulous, rhetorical, allegorical, experimental, speculative, agonistic, antagonist, sadistic, funny, rude, brute, masochistic, direct, sympathetic,


[two (organic?) ways of learning:]
**learing through networked syntax: meaning emerges as network, something new must be interconnected to others, cognition works in the network: a subject matter must be linked to dozen other things in order to be congnized ==> something disconnected from their network is something meaningless موضوع‌ها به صورت ارتباطات ذهنی مرتبط با هم [--?--> mental intelligence: cannot learn something random]
=/=
**learing through syllable, unconnected unit of something new (an arbitrary syllables هجا‌های بی‌معنی) can be cognized without previous links [--?--> linguistic intelligence هوش زبانی, can learn new language easy]

}--> [although i am against and strongly hate arbitrary syllables] perhaps we need both, because sometimes internalizing an alien syllable (via linguistic intelligence) might nest and flower their own random meaning networks, in a way that is not possible in mental intelligence



according to behavioral neuroscience, psychology soon will have been a myth
the move to the “hard” and biologically inspired science about consciousness-related processes {constitutive reductionism: ‘brain activity ==> mental processes'} =? end of psychology (and therefore: end of art? -because both always create *speculative molds*) --> which discipline will install an *understanding the psyche*
economically--> neuroscience will grow while psychology shrinks
[everything will depend on which reductionism you ascribe to them]

...................................

ideology: wrong questions

[parable of two side of a coin] tolerance = other side of haras[...]

[...]ning are questionable (--> risking what you know + constructing interest)
}--> feedbacks are performative, perspectival, descriptive, discoursive, affective, fabulous, rhetorical, allegorical, experimental, speculative, agonistic, antagonist, sadistic, funny, rude, brute, masochistic, direct, sympathetic,


[two (organic?) ways of learning:]
**learing through networked syntax: meaning emerges as network, something new must be interconnected to others, cognition works in the network: a subject matter must be linked to dozen other things in order to be congnized ==> something disconnected from their network is something meaningless موضوع‌ها به صورت ارتباطات ذهنی مرتبط با هم [--?--> mental intelligence: cannot learn something random]
=/=
**learing through syllable, unconnected unit of something new (an arbitrary syllables هجا‌های بی‌معنی) can be cognized without previous links [--?--> linguistic intelligence هوش زبانی, can learn new language easy]

}--> [although i am against and strongly hate arbitrary syllables] perhaps we need both, because sometimes internalizing an alien syllable (via linguistic intelligence) might nest and flower their own random meaning networks, in a way that is not possible in mental intelligence



according to behavioral neuroscience, psychology soon will have been a myth
the move to the “hard” and biologically inspired science about consciousness-related processes {constitutive reductionism: ‘brain activity ==> mental processes'} =? end of psychology (and therefore: end of art? -because both always create *speculative molds*) --> which discipline will install an *understanding the psyche*
economically--> neuroscience will grow while psychology shrinks
[everything will depend on which reductionism you ascribe to them]

...................................

ideology: wrong questions

[parable of two side of a coin] tolerance = other side of harassment
(--Zizek--> the pseudo concept of) tolerance actually means “don't harassment me”

when you lack concrete politics ==> moralizations


we are no longer interpolated or addressed by power
politics of self-realization --> anti-bureaucratic creativity of artist --> postmodern capitalism: ([pretends to be] no longer hierarchical bureaucratic but) creative interactive autopoetic

(@Leo:) ethics =/= morals
*ethics --> my consistency with myself, fidelity to my own desires (which is transvaluated as external and part of social system)
*moral --> the symmetry of my relation to other humans (which is transvaluated as individual and internal, “don't do to me what you don't want me do to you”)
being immoral out of principle, to act in a certain way as part of a fundamental existential choice.
being immora[...]

[...]practice by its definition it becomes “fixed,” and fixity is categorically bad at all times <-- there is a desire to create a hygienic concept immune to corruption and hierarchy. Manning is alert to certain hierarchies ==> not acknowledging other hierarchies that precisely emerge out of that (--> preserve the ‘health’ of the idea of anarchive. [<-- maybe we need to let concepts rot? --> decompose])
Manning's elusiveness: (i have become hyper-conscious about qualities that endow infinite freedom of thought to human subjects...)
•elusive thought طفره (=/= volatile فرار) --> Spiderman's mode of freedom (-you can never catch him + infinite flexibility + ) (the effect of Spiderman on himself is that his moves are “amazing”)
•elusive thought ~->? mystical
•elusive thought =/= modest thought limited by curiosity
•
“hierarchy as the bad object” ==>
•to escape thinking about your own agency (for example what your name and reputation does? what are the precise responsible consequences of your particular position? your position involves not only the book you write or the argument you make, it involves also your name and reputation, the currency of your gender, your mode of charisma and authority, your affective techniques, your network enacted, and so on.)
•to escape naming the engineering talents and skills that are necessary to assemble (for example the senseLab website)
•to escape epistemological commitment (the question of: **how is my vocabulary crafted for whom?**)
•
it is not clear (but i can maybe guess about it, Manning's commitments are):
•(learning from Haraway:) what they have witnessed [hierarchies? ==commit==> anti-archive]
•(learning from Despret:) which bodies they care for [the autists? ==commit==> elusive creativity]
•(learning from Kenney:) where are their alliances پیوستگیها [with multiculturalism? ==commit==> democracy's logos of difference]
•(learning from Verran:) how their equipments are crafted [by processual metaphysics? ==commit==> infinity]
•(learning from Stewart:) how their rigor is built [by conceptual description? ==commit==> non-habituality]

(because of her immense intelligence she cannot be normal, but that doesn't mean she can prescribe normativity, and issue a command [in terms of the “de-” or “anti-“] or order a claim of reality [in terms of “an-” or “ab-“])

-Manning's “philosophy of event” (=/= multispecies ethnography, i prefer working with the animal idea, because there is no way you can make philosophy out of animal, they always relentlessly contingent and historically materially specific)

-Manning's notion of impersonality ==> ‘people are exchangble’ + ‘the work is what is important and not “you”’ [--> *techniques of impersonality* has being used in sufism and iranian mysticism. i have seen how the special effects of impersonality is used[...]

[...]ertain of what we are:] we are uncertain of our author, from whom would come both our authority and our authenticity

tracing things back --> preserves of the mother-childhood and family (dominanting psychology) --> we come to her: ***materialism = maternalism (in acceptable disguise)***

...................................

(with the critical bestiaries magazine idea) is my work about defining a new mode of cultural discourse?

...................................

-philosophy (like mathematics) is a priori disciplines (or has an a priori methodology) at its core
-the posibility of *true answers* for “artistic questions”(?) --? can anybody outside your field be made to care whether you're right?
a priori =/= contingent
higher-order truths of...
self-supporting community of experts (= trap)
“philosophy is garbage, but the history of garbage is scholarship” -Burton Dreben




...................................

act of cultural and economic exchange
act of reciprocal exchange, of creative mutuality (to benefit in a myriad of ways related to our professional status, our institutional ‘worth,’ the social and cultural capital perceived to be attached to the ‘networks’ in which we operate)
[to interrogate] concepts of artistic labor and value
time, labor, and the creative investment that was embodied within [the object that you make]
[you might start with] requiring a catalogue containing critical essays to institutionally ‘legitimate’ your exhibition --yet--> sophisticated, playful and interesting ways to comment on and engage
*numerous ways in which cultural forms (in this case contemporary art) are simultaneously entangled in a number of spheres of meaning, value and mediation* ==> activate ongoing dialogue
[*]capitalist marketplace:
•people in both established and emerging ‘global’ economies forced to fulfill thill their everyday needs
•‘the market’ is naturalised and reified within social relations in ways we don't necessarily always recognise or acknowledge --> suffused and sublimated within creative production, our lexicon and gestures
(19th century anthropology's) the idea of [*]alterity: understanding how ‘other,’ ‘primitive’ societies operated ‘outside’ of modernity --assumption--> ‘small scale’ societies exchange (barter, gift exchange, and so on) would always, with evolution, give way to more ‘sophisticated’ means of trade
•Malinowski (study of the Kula ring) --> form of producing and reifying power relations
•Mauss (gift economies) --> gifts as stand alone systems + other kinds of economic structures
•Strathern (Melanesian gift exchange) --> how personhood is a malleable concept that is both implicated in, and created by, conceptions of individuality (tripartite views of people as constituted of a mind, body and spirit), or dividuality (persons [...]

[...]ry has replaced faith ()
•Otis's knowledge: psychology is debunked
•Maeve's knowledge: existentialism is irrelevant


if in art we have affinities with unknowing and we are comfortable with misunderstanding and partial comprehensions --then--> let's use that to direct our readerly activities to texts that are difficult and different to us --> this is why I don't accept it when artists in research environment withdraw from reading certain positions by saying “this text is too academic.”



what is the state of art after Goya?



sites where political meaning is produced (the impulse to resist or correct inequality, injustice, lack, damage, tension, etc.) =/= attachment site (languages charged with power, inequality)
(i am interested in women) not because of gender [= identity politics, political correctness], but because of their practice and the question they pursue
-the horrific and dangerous idea that I hear under “I am now reading only women authors”


two visualized increases in the industry, science, and popular culture:
1. “how troubled we are” --> world simulation (catastrophic planet)
2. “how amazing we are” --> brain simulation (networks)


world is fubar ==> is interesting and is work to be done =/= paranoia conspiracy

something I learnt from my KHM study --> that technologies are ambiguous =/= Black Mirror TV series


hollywood =? hyperrealism
(art --?--> idealism)

poor cognition <--> boring environment


another sign of illiteracy:
•popping up of dialects or specialized languages (you walk to the next village and there they speak an almost different language than here)


romantic relationship:
dopamine --> love + hot sex [--> pleasure-related cognition]
anterior cingulate cortex --> empathy + comfort [--> impulse control]



برون افکن بنه زین‌دار نه در مگر کایمن شوی زین مار نه سر
revisit sanaat tashbih simile
tashbih not as alude but as description (literal)
مار نه سر mar-e noh-sar ~/= world
mar-e noh-sar is not a simile for the world (of the reader) but it describes a particular world that is in the image of mar-e noh-sar

haft modaber هفت مدبر

jealousy as affect --underlying--> Farsi ghazal 

ابومعشر بلخی Abu Ma'shar Balkhi
الهی - فلک نور
اثیری - ۸ فلک آسمانی
هیولانی - جزء زیر قمر

...................................

***don't read (or make) theory as a means of empowerment*** (a tool to fight or flight oppression)

...................................

[title]
king real

...................................

m[...]

[...]n be organized in contrastive sets
(can we think not in contrasts?)

this is not about trying to think like X, that would be transposition of a relational experience at another scale

(non-religious semiotic model)
bodily disposition ==(produces)==> perspective ==(produces)==> self

the beings in ajayeb (عجایب‌) are ‘alive’ because of their ability to ‘do things’ in the ways they come to represent and interpret through me

recruiting scores of new actants so as to render the theater of worldly interactions more complex and interesting


what is the sociocultural world we construct?


dream images, vivid mythical scenes,


form travels/passes through us

...................................

[Latour modes of existence]

(to distinguish types of)
incompatible truths

“truth"--is the expression of an encounter with forms of existence

to understand the others in the absence of a description of ourselves
(what is realistic?)

to direct attention towards the beings about which humans are interrogating themselves



عجایب‌ ajayeb is a ‘network’ more than anything else, in it “God” has no special privilege, is not located in addition to or beyond other beings

we are seeking to redefine the paths of beings that are unique to ajayeb without giving them substance and without jumping immediately into transcendence. (using Latour words) [transcendence is never gradual, in the places i come from, it is always a shock, happening, a truth-event]
-each word (God, Angle, Jinn جن, fog, etc.) brought into its own network,
-what are contrasts and of category mistakes particular to each
-and their crossings----and what is the vocabulary specific to each crossing

the network of associations necessary for the exercise of religion without bracketing off its ontological requirements.

explanatory rage (tavahoshe roshangari توحش روشنگری) --✕--> networks necessary for religious meaning

(the aim is) deploying the network (of ajayeb)
it is about grasping ajayeb's beings not as substances but as *trajectories*--and give them a more precise *direction.*

what is important in working these modes what kinds of possibilities are “afforded” to the investigator, myself. what kind of actor am i?

(specifications of the type of beings that the mode leaves in its wake)

**other beings necessary for its existence**
(my personal/public question, what other beings are necessary for my existence? and therefore for your existence as well.) ----> the heterogeneity of the actors needed for the pursuit of any course of action


*metamorphosis (a mode of existence first detected in p[...]

[...]s the moderns quasi-subjects (‘person’) who feel themselves to be **directly addressed,** (redressed and saved) --> to exist
(what art suffers now, that i should directly address the modern subject, and other mode of subjectivity or other kinds of addressee and addressing is brutally criticized and irrelativized)
-(love's type of address:) addressed to us ==> make us exist --> a person
(existing as person is the only way? no no no!) -- the emergence of persons is a local and historical phenomenon that we simply cannot extend to all collectives

(how to extricate ourselves properly from the) notions of Nature, Matter, Object, and Subject

to get around two major *obstacles: (the prevailing notions of) Society and (especially of) Economy (=/=? modes of existence's system of coordinates)

the same beings that made the author of ajayeb speak, got my/our ancestors excited,


*technology: that which we emphasize whenever we pay attention to the unexpected detours {the hiatus of the detour, the zigzag of invention, ruse, trajectory obtained by a certain type of discontinuity} by which existents have to pass in order to subsist. (=/= technological domain technical objects, material world, socio-technical networks,) (~ technically)
-fictional beings adds additional variety to technical beings --> aestheticization of techniques: obsolescence, ruin, adjustment, efficiency
-we must extend ‘fictional beings’ far beyond the narrow domain of art and culture, is to give a whole new meaning to the expression “material culture.”
-1- Technique's zigzagging motion assumes a know-how, a judgment, a constantly reprised evaluation of formidably demanding specifications;
-2- Technical beings leave behind them complex frameworks and combinations of associations which appear difficult to understand once left to themselves, without the folding motion and the detours which enabled them;
-3- relative fragility of technical beings: it establishes combinations and bridges between completely heterogeneous types of beings

*fiction: ...beings be grasped according to a particular relationship between materials and figures which cannot be detached without those two layers losing their specific form of objectivity. {fictionally : materials <--> figures}
fiction objects: everything that folds technical beings --> to derive from them a new type of *alteration* --(generates)--> another world (a world which has the particularity of not being able to be detached in any way from the materials [from which it appears to detach itself.])
*fictional beings:
 -they extract materials from forms, figures or small worlds that can neither be detached from these materials nor reduced to them.
 -khosh-yomn خوش یمن and shoom شوم (felicity and infelicity) --> pretense (vanemud وانمود); they depend on the always fragile maintenan[...]

[...]ms of enunciation}--> how to specify the Sohrevardi's felicity (sa'adat سعادت) conditions (of enunciation)? ---- (his) “equipped knowledge” (=/=? situated knowledge), awkward distributions, etc.] #(this is all about me trying to learn how to make room...)
knowledge moves around everywhere without our knowing how
“waiting to be known”


*translation =/= {transportation without deformation ~= description}
every transfer is translation
(political:) transfers of necessity
following the thread of modes
translation =/= displacement: merely a change of place
translation refuses the choice between being and non-being and rejects the principle of non-contradiction by which a thing cannot be, in the same respect, both itself and another.
translation: to be at the same time and in the same respect one thing and another --> this is the condition of being --> give place to mediators / “excluded middle”
(translation enjoys that) a being can be itself through the intervention of a being other than itself
(monitoring translations in ajayeb) --> and my treason/translation which brings about completely different trajectories, which allows itself to be grasped by surprise or action etc. / to trace a/its network
translation ~=? occasion ~~--> the essence of situation
-no one can simply (ever) “remain the same,” “without doing anything” --> one needs to pass ~= translation


*interest: a mediator that arises between two entities that do not know, before it arises, that they could be attached to each other. -->{
-‘object’: set of quasi subjects that are attached to it
-‘subject’: set of quasi objects that are attached to it}--> what new translation interest makes the (quasi) subject of a (quasi) object grow. --and vice versa--


radical position of *semiotics* on the issues of context, referent, and enunciation (that anthropology is able to escape)
(i am talking about a semiotics that is not obsessed with the search for “structure”)
{ (fictional beings ~=>) semiotic ~=? ontology }--> science of “sense” (=/= science of “signs”)
-the world itself is articulated
{ the study of sense =?=> extrication from language }--> this bifurcation (enshe'ab), as old as philosophy itself, used the discovery of “reference” as an opportunity to expel the referent to a position outside language.


(Aristotle's narrative : “the imitation of an action” -->) Ricoeur's three types of *mimesis:
1. prefiguration ()
2. configuration (kingdom of the “as if”)
3. refiguration (integration of the imaginative or “fictive” or “as if” into actual) of the field of action;

‘reading’ is configuration (Ricoeurian)

•use of symbols : being able to grasp one thing as standing for something else;
•narrative: competency in the temporal structure[...]

[...](ماه‌ moon) --> pointing at helal-e mah (هلال ماه half-moon) --> mouth of the beloved (یار yar) [registered in poetry of Sa'di سعدی] --> wonder finger on the open mouth
-also, Galileo's new telescope pointing at the moon (and sun-spots 900 years later than the chinese did,) and his pervasive approach to the knowledge milieu that he lived in, set the secular registers of truth
گفتم اگر از تو در خواهم شکافته شوی چه کنی؟ گفت شکافته شوم. بدو اشارت کرد و ماه به دو پاره شد

(ajayeb-e aab) عجایب آب
آشنا ashena (=/= stranger) in Farsi comes from the relationship with water and swimming, somehow knowing the water
cognition (in Greek cogn, ‘having learned’), in Farsi shenakht (شناخت) is rooted in water, ashena: shenavar dar bahr budan شناور در بهر بودن, floating body, -shenasi شناسی‌-

(ajayeb-e donya) عجایب دنیا
wonders of earth(?) --> ghul (غول), serial killer, house full of bones (horror story)
(after donya/earth comes immidiatly, ghiamat قیامت)
donya: the temporal world (~=? cthulu) (--?--> material-semiotic time-space of donya)
-search ‘donya’ and its semiotic network in Ferdosi and others
-search ‘alam’ (in Nezami: dar alam alam afaridan در عالم عالم آفریدن)
-‘zamin’ or zamini (زمین، زمینی‌), what is meant when we say one thinks zamini in ajayeb? which zamin?

(ajayeb-e mardom) عجایب مردم
look at the word ‘mardom’ in Shahname and how it (dis)articulates Div (دیو), animal, demon, dad (دد), janevar (جانور), etc.
‘mardom o janevar’ مردم و جانور (--> Shahname)
other name of mardom: folan فلان (unkown), yaru یارو (known),

(ajayeb-e jan) عجایب جان
jan-parvar جان پرور (Nezami)

(Mehran Rad)
[...]

[...]uncovered,) rather we enter into a rights relationship with an other (animal or human)--> Hearne's “reciprocal possession”
-morality is a species-specific capacity
~ if i have X, my X has a human (which is me)


off-leash and cliff-enclosed @Varinia


(Haraway:) time-space scales co-constituted by human, animal, and inanimate agencies
1. evolutionary time (at the level of the planet earth) --> naturalcultural species
2. face-to-face time (at the scale of individual lifetimes) --> mortal bodies
3. historical time (at the scale of decades, populations, nations)

to tell (detailed love and training) stories at these levels

this is about distributed agencies in “layers of locals and globals,”

...................................

my interests lies really with the ecological cosmologies in my neighborhood (iran, old, middle east, far east, past, present,)
that is why i was interested in the birds of Attar, pig of san'an, wolf of the pigs, crow of the partridge, and so on.
so things take positions in our bigger semiotic material world, there is never just a life animal on the plate, the chicken has become killable first through linguistic interpretive representation network of semiotic relations. so my question in the birds performance was that how the excess of meaning is related in actuality to the removal of corporeality in Attar's non-birdness Simurgh (سیمرغ) till the chicken in khoresh-e morgh (خورشت مرغ).

...................................

[Scott Gilbert]

(all organic beings have been formed on two general laws, according to Darwin:)
(1) unity of type and (2) conditions of existence --> inorganic? fire?
natural selection --> adaptation --> conditions of existence
embryonic homologies --> unity of type
==> “descent with modification” (or decent modifications)
[(embryology =/=) ‘fire’ could transform matters, “change” their class, their type and its unity --> “parvaneh sho!” (پروانه شو) Rumi مولوی wants embryology undermined?]

construct phylogenies
(phylogeny : branching out evolutionarily)


‘Haeckel claimed that Darwin's ideas included the progressive development of species. “Development and progress” was what characterized evolution. The explicit association of evolution with particular political, religious, and racial views became the hallmark of Haeckel's career. Haeckel proposed a causal parallelism between the embryological development and phylogeny. His “Biogenetic Law” that “Ontogeny Recapitulates Phylogeny” was based on the idea that the successive (and to him, progressive) origin of new species was based on the same laws as the successive and progressive origin of new embryonic structures. Just as the earlier stages of human development developed into the later stages, so earlier species evolved [...]

[...]thetics: tamed facts
#Rigs, my ajayeb diagrams

...................................

ajayeb's histories (~ ajayeb's historically situated relational worldings) =/= societies of individuals in human-only histories (~ Euclidean figures and stories of Man)

(which network is?) a netbag for collecting up what is crucial for ongoing

ajayeb's technotheocratic geoengineering [, it “fixes” some common imaginations the “affairs of life,” and not specifically the “afterlife,” (within the {terminology ~} figural-conceptual powers of syms and material-semiotic time-space of the Indo-Greco-Arab-Turko-Persian terra taxa)]
•periods of time
•“known” life
•abode (budgah بودگاه, Wohnplatz)
•donya دنيا


-stories that focus on composition rather than intrusion
-stories that focus on ongoingness rather than game-over

(Haraway > Stengers > Latour > Margulis) Gaia, to name complex nonlinear couplings between processes that compose and sustain entwined but nonadditive subsystems as a partially cohering systemic whole

planet-transforming, historically situated, new-enough, worlding relations

(systematic stories are linked) metabolisms, articulations, coproductions
(they must also be) relational, sympoietic, consequential


myth-systems (are set-ups)
(a deadly one: “Man + Tool ==> history”)


names =/= faces (~ morphs of the same)

a thousand names of something else

(what Haraway is naming with) compound-eyed insectile and many-armed optics

winged domains
bird-bodies

(Haraway's spider and) my ajayeb's snake: tasks of thinking, figuring, and storytelling
--✕--> heady facial representation; [Luisa also dislikes this]
•figure of snake (circular serpent) is ajayeb Persian sf worlding, has ties with the[...]

[...] --> these are instances of resistance against biomimesis in ajayeb (?) [biomimesis is involved with mirroring, imitation, or reflection, and other tropes of “sameness"] =/= trans-materialities of the creatures of the world, they transgress the sacrosanct divides between techne and episteme

(many creatures of our shared world have) evolved in intra-action with their environment, and old bestiaries, such as ajayeb, critically inhabit a mode of description and affect situated within the intra-activity of technologies of writing and perception
•the creatures of the mud know better not to get caught up in a “geometrical optics of knowing”
we are seeking a different genus of knowing =/= mediating machine, inscription devices, lenses, panopticons, and various other epistemological tools that many science studies and cultural studies scholars fancy. (is that also what Marialena fancies? her list of tools)

[*]intelligibility: an ontological performance of the world in its ongoing articulation
not a specifically human capacity, intelligibility does not require an (usually human) inttelective agent

the problem with design is that designers (as well as scientists and engineers) are busy with building ‘enhanced communication networks’ and principles of ‘usefulness’, in the way they relate to the “forms” of nature

*connections and commitments (come together)*

the copyright symbol © should be a sign not of the right to copy but, if anything, of the responsibilities entailed in producing differential materialization (for whom and at what costs?)*
Barad ♥


(brittlestar, the plant in my room, ajayeb's creatures,) ...their being is a flexible distributed growing and regenerating multi-oriented shape-shifting topologically variant dynamical system of diffraction gratings

(rhetoric of) re-veiling, which provokes the seeming need for a revealing of nature


entanglement --> inseparability --> spatially separated particles in an entangled state do not have separate identities

there is no epmirical evidence of such a disjunction ontologies at a particular scale, “micro-world” and “macro-world”

who insists on “quarantining quantum queerness”?
quarantining scale and time
quarantining Sadra to “his” time, or ajayeb to an older another temporality, and therefore irrelevant for us “today”

[*]scale: intra-actively (re)configured in the ongoing intra-active becoming on space-time-mattering

...................................

Khezr and San'an, the most repeated points of reference in tasavof
like you, Hafez, full of struggle, sensation, love,

our resistance and breakdance

(Mehran Rad:) Hafez preferences on Farsi over Arabic:
Deir دیر / Some'e صومعه
Pir پیر / Sheikh شیخ
Parsa[...]

[...]>


Khezr and San'an, the most repeated points of reference in tasavof
like you, Hafez, full of struggle, sensation, love,

our resistance and breakdance

(Mehran Rad:) Hafez preferences on Farsi over Arabic:
Deir دیر / Some'e صومعه
Pir پیر / Sheikh شیخ
Parsa پارسا / Zahed زاهد
Parishan پریشان / Tafraghe تفرقه


moshtaghe bandegi مشتاق بندگی
(~? the advanced level of) ‘wannabe slave’

...................................

the dangerous suffixial worlders, prehensile adjective-builder, natural-inhabitant-makers of “-ian” or “-i” or “-isch” to the name of a nation/country ==> Iranian, Afgani, etc. --> makes subjects
in the case of the podcast https://soundcloud.com/norient/afghanistan-sucht-seine-musikalische-identitat-podcast listen to the way the story of the Afgani music is told by norient (“music in the globe”, “multi-modally”) --> articulation of western human rights & disarticulation of other ecology of stories
=/= Charles Amirkhanian radio programm Ode to Gravity

...................................

the protector of spiders who dies by the bite of a spider
-susceptible bodies entagled in networks of care, life and death, that are not always harmonious to popular narratives of nonviolence


...................................

ajayeb: mythoepic literature in translation from a Middle Persian corpus
-when i say ‘Middle Persian corpus’ what i actually mean is a shared world of ritual, religion, and mythology between Iranian, Urdu, Turkish, Zoroastrianism in Iran and Vedic Hinduism in India, Indo-European inheritance in ancient Iranian culture, South-Southeast Asian literatures, translations and transcreations (and transliteration) of stories (prose, poetry, drama, epic, jokes, parables, figures [that are not always part of the canon], the irreverent بى ادب, ) in Indian and Southeast Asian contexts,

my project is about learning the ‘how’ of cultivating the ability to fruitfully approach texts from different cultures and pasts
-(to study) the radical poetic force of the Persian texts--in ajayeb
-to become enhanced and enchanted in skills of reading wider ranges of linguistic registers
-to open up an approach to a dauntingly complex region of islamicated thought (not the ideological enterprise of “Islam”, which is usually badly politicized in the historical memory of the West. we could get interested in the economics of corruption and technologies of rule, the evolution of government bureaucracies and classificatory schemes, anti-colonial critique,)

ajayeb is on the side of counter-classical traditions of standard Muslem-ness, and its less elite histories and cultural forms,

(intellectual identity:)
cross-dresser of the order
autodidact odds
sufis, merchants, no[...]

[...]in theoretical archaeology

critically ontological: turning insight back on the archaeological project

(in archaeology:) ontology = reality (what there is) / peoples’ claims about reality (a fundamental set of understandings about how the world is) }--Alberti--> one can conceptualize ontology: as a people's “beliefs about” reality / as people's actual ontological commitments (~ people's reality)

Latour's modes of existence: ontological tendencies that exist more or less precariously under the assault of modernization

conversion of ontological questions into epistemological questions ==> deontologizing other peoples’ *ontological commitments* [--> that Goda mistook for ideology]

*problem with pluralizing “reality” is that it might appear to be a form of cultural relativism, (demotion of) “ontology ~= culture (~ cultural beliefs about reality =/= reality)” ==back==> cultural construction


anti-Cartesian, relational, and antiontological exceptionalism


[a] Heideggerian idea: *the world we encounter is preinterpretive*

posthuman ~ nonrepresentational ~ realist ~ new materialism

(realism: an ontological approach)

•Latour's network
•Ingold's meshwork (commonality of processes across the ‘life =/= not life’) --> processes ~ becoming ~ growth ~ decay
•Barad's entanglement (relations are primary and relata are a consequence of relating ==dynamics==> intra-action {phenomenon = experiment + measuring device + techician + previous results + setting + ...})
•DeLanda's assemblage (how humans and nonhumans produced communities that changed in composition and through time... =/= linguistic model of context)
•

**relational ontology : stronger your “allies” are, the more reality you can claim** [= (Latour's notion of) truth]

[critique of human exceptionalism ==>] open ontology --> contingent categories: phenomena and assemblages are temporary, contingent, and unbounded

flat ontology: one made exclusively of unique, singular individuals, differing in spatio-temporal scale but not in ontological status --symmetry--> *to get at differences without determining what they are in advance* (<-- useful for ajayeb studies)
•archaeological types/objects: reified sets of relations
•job of the archaeologists: establish alternative taxonomies of being

ruin memories

nonrepresentational =/={"world of ideas =/= world of things” ~= the ideas must correspond to a truth demonstrable in the world of things}

(Lucas's) materialization: we can still say things about the past with great certainty

theories + apparatuses + material remains

ontological realism --claim--> objectivity and truth may be contingent but are nonetheless demonstrable and robust

arch[...]

[...]eramics from northwest Argentina...):
social ontology --> reconstruct the ontologies of past societies [<~~ my work on ajayeb]

ontological archaeology's background in feminism, queer, and phenomenological
approaches ==> interest in the body


influence of the animal turn in archaeology
nonanthropocentric zoological studies

(nomenological explorations of animal representations in Attar and tasavof)

what kinds of beings existed within the social universe of pre-Columbian Andean peoples

(renovated concept of) animism: ethnographic meta-analogy for past ontologies --> models of relationality for archaeologists to interpret material patterning in the archaeological record

investigations of personhood

(building toward a) taxonomy of past ontologies --✕--> ontological critique

(Alberti >) Viveiros de Castro's project: to systemize amerindian thought into a metaphysics such that it can have a reciprocal effect on anthropological thought and “naturalist” or Western metaphysics



ontological realism ==>{

new language attempt to imagine the complex topology of relational realities:
•Latour --> network: things exists as a consequence of the strength of their articulation
•Ingold --> meshwork =/= Aristotelian hylomorphism
•Barad --> entanglement = Quantum physics + queer theory ==> properties belong to the phenomena in question =/= inherent to things
•DeLanda --> assemblage: how humans + nonhumans produced communities that changed in composition and through time in neolithic and bronze age

assemblage --replace--> context

assemblage = phenomena --> temporary, contingent, unbounded

Latourian critique of categories =/= beyond human correlationalism

pluralizing ontology ==> charges of relativism <-- ‘objective knowledge =/= contingent foundations’ }--> nonrepresentational approach =/= over interpretation, abstraction

archeology operates by seeking strong and effective articulations between theories, apparatuses, material remains

ontological realism (=/= naturalism, constructivist) --> objectivity and truth are contingent, but also demonstrable and robust
@Chloe


material record: an expression of **how past gathers in the present** (=/= fragmentary evidence of history <-- forensic approach)

past continuously unfolding and therefore changing


Alberi --> (social) ontology: a new interpretive tool
additive work (=/= reconstructive)

archeological accounts of other's ontologies

animal turn in archeology --> nonanthropocentric zoological studies
Willerselv
Viveiros de Castro

Amazona --> animism (more than any other anthropolo[...]

[...] if you are not freeing others, in freeing yourself, your freedom is total bullshit
(Sina)


for him intelligence is the perfect expression of evolutionary position ==> experimental comparative psychology --> intelligence test --> species, racila, and individual qualities were fundamentally tied to the central index of intelligence

#merchant
*entrepreneur in primate studies* --> (merchant seeing himself) working to foster a rational society based on science and preserved from old ignorance


[transformation of human sex into a scientific problem]
-trading sex for “privilege”:
primate intelligence --allowed--> sexual states --stimulate--> the beginnings of human concepts of social right and privilege

physiology <--economic--> politics }--> scientifically confirmed to life at the organic base of civilization

sex-linked differences,
the primacy of sex in organic and social processes,
scientific managers over women's lives


monkey and apes as:
•natural objects
•unobscured by culture
•organic base in relation to which culture emerged
--> *human engineering*

(Haraway naming those) scientific networks crucially determined who did science and what science was considered good
(#sohrevardi)

Darwinian conception of natural political economy of population


(in Attar, Kelile Demne, Ajayeb, i am hunting for) *** early systems theory *** --> providing the technical base for (different claims such as:) the claim to scientific maturity of the social sciences based on concepts of culture and social group


“he removed the putative head from the collective animal body.” --> animal body politic
--> society was derived from complex interactions of pairs of individuals, understood and measured by psychological techniques, which constituted the social field space. one looked for axes of dominance as organizing principles on both the physiological and psychological levels
--> the theory of the function of male dominance nicely joins the political economy aspect of the study of animal behavior and evolution:
•competition
•division of labor
•resources allocation model
with the social integration aspect:
•cooperative coordination through leadership and social position
with the purely physiological understanding of reproductive and embryological phenomena


*Garden of Industry*

dominance as a natural property (with a physical-chemical base)

a cross ideological exercise (is not possible): science cannot be reclaimed for liberating purposes by simply reinterpreting observations or changing terminology --> (Princess Bubblegum) denying a dialectical interaction with the animals in the project of self-creation through [...]

[...]of consciousness : a magnificently nuanced evocation of what it is to see and sense --> which is usually *too much*


here is one of those stories everyone swears is true,...


(an appetizer called) “smoked language”

the absolute centrality of figurative speech

(Susan Morrow:) how the scuttle of crab claws on sand influenced the hieroglyph for “writing”

we breathe metaphor, swim in metaphor, traffic in metaphor

(becoming poet = becoming the) handler of the figurative speech : employing language's tendency to connect like and disparate things to the richest possible effects
(in talk:) figurative is at its most sophisticated: condensed, alive with meaning, pointing in multiple directions at once
(Hollywood's ways) to make meaning seem more attractive =/= figurative speech itself means, and *means intensely*

baznegari-e sanaye adabi (بازنگری صنایع ادبی‌):
1. to say *what we see* = to speak figuratively (first project of simile tashbih تشبیه and metaphor esteare استعاره is to describe, to say what something's like ~~?--> measurement, we can't do so without comparison[?])
2. figures work together ==(to form)==> *networks of sense* (enjoying a metaphoric game, modes of appreciation)
3. figuration = a form of *self-portraiture* (intense involvement in rich, descriptive speech ==> perceptual signature : a destillation/condensation of the way one person knows herself/himself in time and in place)
4. metaphor ==introduces==> *tension* and *polarity* to language (figurative ==> enexpected language into text, shifting the elements of vocabulary)
5. metaphor's distancing aspect ==(allows)==> (us) to speak more freely (to explore a heated, charged experience, “I need more veil” ♥, a delight in a thin disuise; the way a good veil works [according to Doty]: you can see the veil itself, if you choose to. but if you want to, or you know how, you can read what lies beneath)
6. ***metaphor = an act of inquiry*** =/= an expression of what we already know (“i can't prove this [...] but i can feel the power of the result.” unmistakable quality of discovery [of metaphoric figures]: the sort of energy generated when an idea [and a concomitant set of emotions] unfolds before the write [<-- Sven is missing this?]. in this way: metaphor = (a kind of) *argument*= a “thinking through” of what is implied, [oh i have made something] complicated = full of feeling and tension, #excess; investigation of erotic energy, thrilling sonic structures you build,,,)


to become a rhetorical reader of our *gesture drawing*
moments of rebelion, when you have just enough of the strictures of the composed still life the teacher had assigned, you whip out...


description is fueled by ***hunger for the world***, the need to taste, to name, to claim wha[...]

[...]anding of “domestication = human control” (ignoring that such relations might change humans too, ignoring the complex relations of interdependency) <== ideological commitment to human mastery (--> Sana's political commitment to liberalism) }==> (fantasies of) *the wild species self-making* =/= fantasies of control
==> life imprisonment and genetic standardization of domestic animals, wild species are ‘preserved’ in gene banks while their multispecies landscape are destroyed

i want Sana to become a researcher able to know something more about the cultural construction of gender, species, and binds--rather than “freeing” women from their gender, dogs from humans, slaves from masters--which will lead only to the constitution of autocratic liberalism made in the image of human free will and guardianship, another master program...
!?how can i say “let's stay in the prison and study” ...well, maybe i can't
#harem, the question of women confinement (usually at the center of a beautiful dream of order and plenty)

-how can i start and cultivate affection and appreciation for interspecies relations in Tehran today? (--> ways and methods)
-how with my chaotic and extremist iranian freedom-fighter friends we could become allies? (--> network)
-what is my evidences, examples, samples of the lived experience in Tehran? (--> data, stories that stick)

a dichotomy of analysis:
•species found inside human body --> discourse of cohabitation and interdependency
•species found outside human body --> discourse of human impact, management, and control

Engels's just-so story of private property: origin of property was in herds ==> male control of reproduction in human families

cereal domesticated human
in the near east a shift towards gathering multiple small-grain grasses is associated with the 10000 years before domestication
focus on landscape --to--> focus on crops


across Eurasia the rise of state (and their specialised civilization) is associated with the spread of intensive cereal agriculture
(Tsing > Connor)

a political configuration:
states encouraged sedentary, stable farms, family-based households, and guaranteed the forms of family property and inheritance (that drew lines within and between families) ==> both women and grain confined and managed to maximise fertility
--Engels--> interspecies love affair

it was in the 19th century that standardization became itself the “modern standard”


[*]plantation: ordered cropping systems worked by non-owners and arranged for expansion
==>
•deepen domestication
•reintensifying plant dependencies
•forcing fertility

superaboundance of a single crop (without the ‘love’ [connector romance of people, plant, place] that was key in state-endorsed cereal agri[...]

[...]persistence of witchcraft
how witchcraft might still exist as more than just one of many choices available on a personal empowerment “menu”
-how rituals pertaining to magic came to be understood as a problem of knowledge

*magic binds forces that would otherwise overflow life*
a great subterranean need to “bind” forces that would otherwise exert themselves with impunity and without any greater explanation or meaning
--> enacting a dehistorification of a form of life that would otherwise be overwhelmed by the brutal timeliness of historical being
Baxstrom > de Martino, Janet

making the precarity of our presence an object of knowledge

(firm unquestioning belief =/=) local doubt --sustins--> witchcraft (in Buli -Bubandt)
...face off with a persistent, seemingly eternal, spectral threat

...................................

Rolley

an anatomical (not geographical knowledge, diabolical atlas) demonological understanding

Renessancian world encounters ==> geo
[*]Renaissance: the age of demonology, the age of cosmographic revolution (--> nature of causality)
-presence of the devil in geographical space
-composite and cross-disciplinary network of nonhuman causality and transmedia writing [demonologists + cosmographers + travellers]
•demonology: identifiable shared discursive field ---> go to Baxstrom
•demon --> gunpowder (according to Rabelais and others) is the diabolical element amongst the classic tricolon: gunpowder, the nautical compass, and the printing press

emergence of a Christian science of the devil (in the medieval West) --> liberation of demons (from supralunar to sublunar --> into earthly realms)

Sabbat: an outpost of hell very much belonging to this world

...................................

*finding ghost is what we are all here for*

...nagging mischief they cause can turn deadly
violently jerks the body of the medium around
occasionally threatening or attacking onlookers

“keep filming” one of the old women whispers behind me --> i do what i am told = i do exactly what i want to do

anthropologist = i cannot directly “see” the demon or the spirit [~ what i am told to see, @apass #feedback], but i am convinced that they are there


(ajayeb --?-->) older practices of defining social facts and the discovery, interpretation, and definition of the read ==> (roots of the predisposition of research:) to sense, interpret, and eventually master forces that appear to be nonsensical and yet are held to be essential to the reality of everyday social life

[mad:] the notion of *irrational* as a privileged space in medical discourses (in France in the 19th century) ==> a mysterious and extra-social language that the rising [...]

[...]where does it hurt? in the eyes? ears? --for Varinia it hurts on the neck)
-and despair
-and distress

when I punish you...

i cannot say if our encounter is specifically Levinasian

...................................

[Chris Philo and Chris Wilbert]

‘natural’:
-scientist's site of fieldwork
-naturalist's site of biological conservation
-entrepreneur's site of capital accumulation
-poacher's site of prey
-soldier's site of refuge
--> geographies of human struggle, politics, colonialism, capitalism, intervention,

what is shapping in these sites (science labors, natural parks, pig and chicken farms, mobile phones, etc.) human-animal relations (in their widely divergent kinds)?
(technology, ethics, welfare and politics in Tehran)

the ways my mother thinks about the diffission of animals’ bodily wastes beyond the bounds of their immediately present: dog's poop, etc. --> spatial externality of animals (--"they contaminate!”)

in the case of mobile phone animal meme, the human-animal relation does not operates solely through the physical proximity of humans and animals, but rather a wider geography, and networks the interiority of Tehran domestic environments.
-as the house becomes cleaner, the public domain becomes more feral, and the animal more contagious, and the proximity more virtual, and the cross-species relationships and pictural,
-questions of the vital, the dangerous, and the wild (in tehran)

“[...]animals, especially dead ones, enter centrally into what humans can themselves be and do in the world.” (Cockburn)

i am trying to establish an anthropological, sociological and psychological investigations in this matter, calling for a ‘cultural animal geography’ that focuses on the complex entanglings of human-animal relations with space, place, location, environment and landscape. ~-> topology(s) {it means that spaces and places involved make a difference to the very constitution of the relations in play}
[Tehran: wilderness ~ public ~ non-domesticity]

...differing peoples in differing periods and worldly contexts***

societies in a host of settlements, fields, farms, factories, imaginary, literary, psychological and virtual spaces (--> and how animalhuman is socially defined)

technologies of human orderings : telegram? [encountering all kinds of inventiveness that go on cross-species (human, animal, story, image, media), the kind of semiotic work]

*Space* (de Certeau) : A place (lieu) is the order (of whatever kind) in accord with which elements are distributed in relationships of coexistence. It thus excludes the possibility of two things being in the same location (place.) The law of the ‘proper’ rules in the place: the elements taken into consideration are be[...]

[...]r /> -overlappings that we find in telegram social media tehran --> what kinds of ‘animal’ (which animalities) are at stake there in the mobile phone's interface?

In recent years zoos have reinvented themselves as ‘arks’


animals categorically embodied ‘meaty beings,’ and how they are usually “out of place” in the the immediate locality made in Tehran

animals are very good at forging their own beastly places, ‘other’ spaces of that of the human
(this is not about ‘territory’)


who “can” think and act in the world?
who has the “ability” to prompt change?
[my apass research project is in a sence *contemplating the agency* and speculating *relocating qualities* ~-> (re)configuration of the world]

cultural cross-codings has always been constructed between ‘some’ humans and ‘some’ animals

*the “source” of agency, coined in Europe(?) from the sixteenth and seventeenth centuries onwards: self-awareness, intention, thought and language --> properties of “consciousness”
(--> History of Consciousness department in the Humanities Division of the University of California, Santa Cruz. #entities that started to make decision deep in the ocean)
(--> ‘actor-network theory’ ANT; Callon, Law, Latour, Serres. #the key difference here lies in the historical uses and mediations of objects, for humans objects are employed to solidify social bond. ANT sees agency emerging as an effect generated
and performed in configurations of different materials. Latour's work to relocate qualities.)
(--> New Materialism; radical constructionism, all world is a poem)
(--> nonrepresentational theory; Anderson, Harrison, Stewart; critique become vitalist: to watch grass grow, or curious and experimental to face an overbundance of things to be described or imagined; concepts are lived; the subject is present as witness to the moment in which some worlding is about to disclose itself in some form or event. the result is a subject attached to worlds throwing together in a sensory refrain, a literally unbelievable image, or a muscle of sociality or belief. theory: drawn through writing into the ways that people and things venture out into reals. a world in the present tense is always other than its representation [<-- another argument for #excess]. nonrepresentational writing : *a phenomenal method of attending and composing* =/= epiphenomenal: an expression of knowledge already garnered انبار from scholarship. to spin out of critical thinking's bad habits: the prizing of prefabricated good objects over bad objects.)
(--> Singh, Anand; agency as a threshold of life with its own immanent forms of movement and flux, studying spirits and shifts in intensity)
(--> )
(--> )


(the dangerous and bizzar idea of) a pure ‘human’ society


‘anthropomorphism’ actually ‘underestimat[...]

[...]of “tradition”

where violence begins or what gets counted as violence?

the discourse of effacement (امحاء emha’, self-effacement: withdrawing into the background, making yourself inconspicuous)

is there an authority outside inequality? responsible asymmetry, the egological space, tropes of domination?

%this is anout the quality of asymmetry----(are we still in the realm of the human?)

Levinas tactics is spectacular, he runs down patriarchy and meets the majestic escalade of the absolute other, he doesn't escape internment (toghif توقیف)
[patriarchy: when it is “of course” obvious who is the mother]

(where do we go with helplessness directed by the destruction of the world?)

...................................

[Sennett] on authority, trust and cooperation

...in both a subtle and a coherent social structure

inequality makes a profound difference in the lives of children

“earned authority” manages the everyday experience of inequality


cultures in which the *dramaturgical display of yourself* is foregrounded =/= diplomacy as model for social relationships

facebook, an engineered social network organized for display =/= communication



in capitalism, in firms people at the top has more power but less authority, and that is a problem.
in reverse, Lear loses its power but keeps his authority, his lag on administrative change.

authority is a bound, a volunteriy obidience and care-giving
parent-children: something the child needs desperitly, they need direction, they need people not only as guids but as witnesses of what they are doing.


the destructive charismatic authoiry in politics
tests if he/she can keep himself together

the charisma of the user on facebook (marat, jonathan, etc., but both are also very good at face to face communication)

...................................

Sennett

we don't know how to use material objects and machines well

craftsmanship: the quest to make physical things well
•how the head and hand are connected
•doing something well for its own sake --> skill (not honoured in modern society)
==> free the craftsman (Sennett)


in many social relations we do not know exactly what we need from others – or what they ought to want from us

cooperation as a craft --> skill of understanding and responding to one another

urban design is a craft in peril (dar khatar)
•too much urban design ==> homogeneous and rigid
•modern built forms ==> only a faint imprint of personal and shared experience

Sennett --> (better understanding of) ‘material craftsmanship + social cooperation’ ==> cities better made
[...]

[...]br /> walking in 19th century (starting with England) --> something for the lower class
--later--> walking became a middle class pursuit (something you do in your garden ==> parks for walking)
city walking --> claiming step by step parts of the city --> practice of belonging [~ sense of place (in history = nationalism) of certainty + comfort] --> belonging is an individual imperative (something that is created by the individual on the ground) [~/=? a category of exclusion]

...................................

anger: an expression by which the observer perceives as if something *happened to the person who is angry* (a passive experience, not something that the person did)

intuition = recognition

•memory is really bad at remembering lists
•memory is really good at remembering routes through space
•(humans are good at remembering) agent-thinking =/= abstract notions


*anger ==reveals==> world*

anger ==> makes you ungly ==> prompts action
[the strange connection of: action <--> ugliness]

...................................

postsocialist nostalgia: relational expression of a heterogeneous set of desires that operate in an intercultural network

Imre

western European longing for the divided Europe of the Cold War --> Europe’s repressed imperial history


two different modes of remembering:
•history --> official, public and professional modes (associated with commemoration and musealization)
•memory --> unofficial, popular and private modes (frequently associated with nostalgia and consumerism)

literary and cinematic texts that foreground some form of preoccupation with the past


-television (amnesiac qualities) has been accused of undermining memory and perpetuating a sense of ephemerality and transience --✕--> *television is also a powerful mnemonic tool*

***television is both amnesiac & mnemonic*** --> tv's propensity to resonate in different temporalities at once

television: a vehicle for the transformation of and a source of information about the quotidian ~ primary generator of collective memory [<-- this is now social media, Instagram TikTok]

historical drama
pseudo documentary
period drama series
--> providing the viewers with a “useable past” that is always related to and relevant to the concerns of the present


in the postsocialist region, the past has especially sensitive nerve endings in the present

national regimes & individual citizens alike have tried to revive usable paradigms of identity from past periods (to clear away or at least cover up the historical debris left behind)

television as a massive archaeological site

polymorphic, undefinable identity with tenta[...]

[...]Siyavosh: nothing. neutral. sober. his silence-treatment appeals to the big father. (king's nose. smelling as justuce method? objective observation, provisional logic of nose, smell of smoke, and fire)
Rostam takes no delight in Sudabeh's voice since its register is nothing sweet nor low.
Siyavash corresponds to a set of idioms and is enraptured in the movement of certain silences in which he can grasp only certain falsehoods or menaces.
so Siyavash is ready to go to-the-fire but not to-the-woman.
(never hesitant, even kills his own son by ignoring his signals) Rostam never daird to look the devil in the eyes (---Sudabeh had?)

the Sudabeh's case is a non-agonistic agon, not to be fooled by its decieving differences from Rostam's combats--both are competition as a form of exclusion. in her case we see forms of social conflict in gender, class, race, and even material relations, (she is not relating to fire) leading to her losing the boy's game.

under the barbarous mathematics of Rostam, her figure fades into aspects and grammar of men,

fire signaling essence, essencing being (of her, his, it)
[things are still essencing at the distance---what Rostam radically is unable to understand]

(a network of relations and nonrelations depends on the way we address how Ferdosi greets Sudabeh, failed in the exam and examination ==> fire creating a network of relations [Rostam, Siyavosh,] and nonrelations [Sudabeh, King,])
-what are the conditions enabling the delivery of the Sudabeh [to the beyond (of Shahname)]? (of greeting her?) which poetic sites [we don't want to enroll]? (we don't want to enroll in Rostam's department. the tragic hero, he ‘hits’, always after to save his sovereign, good at haft-khan, ending beasts [we are interested in the beasts, and not in his “seven” trails], so hurried in killing that he finshes his own son, not invincible to treachery and that is his end. but what was treachery again? (in Shahnameh) anything other than athletism and boys sord play: female “mouth”)
-Ferdosi resisting any project of fusional gathering
[unlike Sudabeh, Tahmineh--Rostam's wife--was after having a child with him. she gets a pass, passing Ferdosi's test of maternity. is Sudabeh's fault that she doesn't want to mother? And Rudabeh wants Zal az far as he plays the classic male role model in stealing her?]

[there is a moment in Shahname when it conjoins women and [disgust?], enmeshing them] [and why am i taking upon myself to defend woman? interrupting the abyssal enjoyment of the poem in punishing Sudabeh?]----of Ferdosi not allowing a feminine drift and deviation, from the Law. ***it's Father Time.
--> am i reclaiming otherness by enforcement? (recover her? =/=? understand her) why zoom in her? why teaching myself how to trust and desire her? (allowing myself being lured by her. why it is imperative to let ourselvse to be lured[...]

[...]he speaker (“shaman is now seated there and is saying...”) characterizes the special kind of communication (appropriate for ritual changing)

shaman: novel sort of enunciator (lending his voice to other invisible beings --> plural and contradictory identity)

acoustic mask: a reflexive means to define the ritual identity of the speaker

reflexive application of parallelism

(@Isabel, how to make community without becoming a cult?)

use snake --> capture the imagination of the followers ==> authority

imagistic (iconic mode, sequence of acid) + doctrinal (discursive mode, text, prayer) = pragmatics context of enunciation ==> messianistic religion

both paradoxical & parallelistic

new ways to be faithful...

...................................

exhibition-making and preventive conservation --> inspection and exposition <-- (different understandings and use of) *touch = curatorial*

professionalisation of curating
short-term education
cultural exchange

@apass feedback: (terrain of) peer engagement --> understanding each other’s practices

education, research, literacy, management, networking, custodianship, audience development

research (overdue) relationship with intelligence --✕--> **research: adventure of charismas**

...to be migratory (in thought, praxis, community)

...subjectivities without a heritage in criticality and art

constraint: a source of self-abundance --Renan--> suffering and risk = opportunities to hybridize with life

curating:
•nutrition and extension
•analysis and transplantation
•=/= content historicization
•=/= data


extraterritoriality
being collocated in all the whispers of the world


wild pollination
artificial breeding

Renan: Institutional work carried by a freelancer, a private individual or a civil servant can improve the publicness of art. It gives confidence to the work of art in public service. This institutionality creates new tasks in art that can be sustained by other practitioners.
@apass

...................................

publication of the miracle
[the miraculous in exhibitions + self-exhibiting miracles]
Renan's *exhibitionary heritage* of miracles

seeing (risk of sight) --> passionate misunderstanding, confusion, rejection

cultural engineering of anthropology of heritage

exhibitionary heritage: a scaffolding that times, locates, and proliferates all that is exhibitionary (like a shower, or rainfall)

curatorial subjectivity

exhibitionary complex
•describe the problems of an exhibitionary heritage
•find solutions to artistic prob[...]

[...]een a particular love and a particular social arrangement for love.

when you play with others, not try to shine and not try to shy. (shyness is dangerous to society)
it is like being lynched by kukluksklan.
curios about somebody else rather than identifying with them.
i really learned how to work with people by learning how to keep people from killing each other in street.

if we are very sympathetic, saying “i know how you feel” is privileging solidarity: “we are all in this together”. but well we can't all be in this together in the same way, so what is it that we do together, despite this fact.

instead of the declaring voice “i believe this or that”, we can say “i would have though” or “perhaps” introducing a zone of ambiguity in people's relationship with each other you might get something social. subjunctive mood (konjuktiv) not only is to zusammenbinden the elements of semantic also to zusammenbinden the the people who are speaking in these terms.

cooperation is a rehearsal not a performance.

public real made of people who don't argue in behalf of their own interest but to think most disinterestedly.

my talks/works is about how we make sense of our environment, the network that we live in and the texts and discourses that we are reading and writing.

how shyness (even) look like? can we recognize it when we see it?
what is feeling comfortable in the presence of strangers? not verbally i mean, physically.
the notion of being comfortable in the presence of difference. being physically comfortable in presence of the people who are not like yourself.

the subjunctive is the language that the shy uses naturally, which is one of the necessary elements of cooperation. in contrast to subjunctive speech, there is declarative speech is a form of declaration invites submission, and it invites submission because somebody else defines for you clearly what something is about. there is almost an erotic of that, they really now what they are on about, they really know who they are, and you become a spectator to their definiteness. giving yourself up to somebody who seems more defined and more purposive.

cooperation in islam is not a personal experience, it is something that is encoded in very strict ritual. it is not an act of choice. cooperation is not a duty but a desire.

my talk is a fancy and careful way of responding to the voices of other. the ones that are sounding in my ear. (inslam, shakespear, math, that girl in enghelab square, etc.). i am not good at immediate reaction, so i respond with a delay and a lot of playfulness and black holes that come in to be of the part of this, by this relationship to the Other, that is manifesting itself through the language of the Other (islam)

In my performative practice, I seek a way to approach thinking about things that a[...]

[...]red obliquely

object-oriented ontology's development:
•characterised by a consistent lament for how post-Kantian philosophy in general (Continental philosophy in particular) has abandoned hope of describing objects as objects
•the real: absolute autonomy of objects (withdraw from subjects)
◦objects: sleeping giants holding their forces in reserve
•prefer the excess of the aesthetic over the reduction by the scientific (materialism's tendency to reduce objects to a primary substratum ==> rendering them susceptible to mathematical capture) --Campbell--> *aesthetic foundationalism* [==engender==> an attitudinal response to objects] (@apass, this is also a problem in artistic research):
◦aesthetic appreciation above the reduction of the phenomenon achieved by science --> “art (art criticism) is a style that gets us closer to the nature of objects” (+ bad example of Clement Greenberg)
◦(to make the invisible deep conditions of objects perceivable) prioritize *allusive style* above *literal description*
•claims to post-phenomenological sovereignty
•over-mining approach to knowledge production =/= objects's surplus of reality
◦methodological approach which encounters objects as objects (=/= actor network theory's manner of focusing upon an object's effects) [+ bad example of Dutch East India Company]--Campbell--> object-oriented social theory produces a rudimentary narrative with no discernible innovation on the level of:
◾objects --> the actors are recognisable companies, personalities, infrastructures
◾relations --> the major symbiotic moments are legal contracts, infrastructure and formative moments in a human's life
◾time --> there is standard chronology from birth to death, with emphasis on human-centric causes and effects
•“social theory = a mode of knowledge production” (=/= a decontextualised reflection of the world) ==> withdrawal: a psychological alibi, an aesthetic (=/= cognitive concept) ==stimulate==> an attitudinal response: humility [+ passivity?] in the face of overwhelming non-human existence [~ appeal ==produce==> a paternalistic-arrogant-instrumentalist attitude to the nonhuman =/= *appeal ==foster==> responsibility* (a norrnativity that withdrawal cannot) ---> go to Haraway + Campbell]

}=/= posthuman relationism: realists who draw on contemporary advances in disciplines like geology, biology, mathematics and neurology to make the case that non-human reality is not a sub-set of human reality -->
•commitment to an object-oriented realism (~= Harman)
•occupy an *anthropic* event horizon: their social analyses occur in the shifting, impossible ground hetween the human and the nonhuman (=/= Harman)
•dialectic of object **withdrawal + appeal** (=/= Harman's object withdrawal) ~ ***interaction between objective withdrawal & subjective appeal***

(Moss) earth as making a[...]

[...]cept of punctuated equilibrium
•Serres --> ontology of the social as parasitism
•Hayles --> translation of epigenesis and technogenesis
•

{phenomenon of serial endosymbiosis theory <-- social theorists deploy this in the search for accounts of how change and creativity originate}--> (bio-econornic context) *symbiosis* has long been recognised as a theory which demonstrates the co-constitution of the social and the biological
=/= Darwinian story of: small variations, random mutation, long time scales, natural selection, fitness and incremental development:
•complexity derived by brute mechanical climbing from the base already built by the efforts of earlier climbing
•unit of change: the gene, or individual organism, the zoocentric, ‘big like us’ epistemic culture of both science and social science (=/= weird worldings of protists, archea, eukaryotes [Wertheim])

bacteriology ==> new organisms were often stemmed from profound and prolonged symbiotic relationships that have proven difficult to analyse =/= discrete
•traits are inherited outside of sexual dissemination (digestion, infection, donation, other complex forms of partnerning) --> consortia: amorphous symbiotic complexes (metabolic energetic networks) =/= organism: anatomically bounded objects (systems of information and exchange)
}==Margulis==> focus on how perceptual, political, social and scientific conditions precede objects: *objects = boundary-work*
--> differential speeds of change (sudden and unlikely mixes + slow and causal)
--> deconstruction of individuality

(co-constitutive bio-econornic-political-social context:)
**ideological contest between individualism and collectivism in political economy <==> intellectual development of symbiosis theory**
•socialist and anarchist concept of mutuellisme in the mid 1800
•Hobbesian-Malthusian-Darwinian bio-economic concept of struggle for existence in zero-sum games of all-against-all
•Kropotkin's symbiosis as evidence for the benefit of global cooperation towards the common good, the division of labour, protection of elements and interdependent organisation
•evolutionary theory used to champion individualism and the social policies of laissez faire

Campbell --> what Harman misses is the elementary starting point for sociologies of science: *that social science translates science* just as science translates “reality”

serial endosymbiosis theory ==>
1. no theory of social change is going to be value-free (endosymbiosis is a process that is always already highly charged with rich metaphor, entailing a ‘host’ that is in an ‘exchange,’ ‘relation’ or ‘merger’ with a ‘guest’ --> a form of ‘living together’ that becomes ‘close’ over time)
2. extraordinary range and nature of these relations can act as strategies for other worldings (other ways of being with[...]

[...]> we often make two ***intuitive ideological jumps of reason*** when we think of technology:
  1. “technology = means to an end”
  2. “technology is created by humans”
  }<-- example of anthropological truth (about technology) ~ it is a truth as it appears to human beings & it is an *instrumental truth: truth aimed at getting things done or making things work* =/= [*]technology: the mode by which realities are brought into existence in the world (hervorbringen) {unconcealing ==> a concealment of another reality}= (process of) *poiesis = bring out + conceal*
 -the greek word *techne = technology + art* derived from the term episteme (the ways in which one can know reality) ==> ****technology: a type of epistemology, a way of knowing****
}==Heidegger==> *technology needs to be understood beyond its instrumentalist humanist history* --Campbell--> *seeing technology historically as an ancient phenomenon*

technology thought of as something that comes from the west & does something to other people in other placers <-- a framework (even well-intentioned) that denies both agency & contemporaneity to the ‘other’
(-McQuire)

(we are told that)
•the era we exist in is the “information age”
•the world is “networked”
•marheting is “service-dominant”
--Campbell--> what realities do the terms “information” “network” “service-dominant” create, unconceal, conceal?
==> questions of:
-what is the consumer?
-the nature of consumer consciousness, knowledge, desire

*far from being a neutral uncomplicated relationship, consumers develop strategic behaviors for *coping with technology* that is paradoxial + fantastical + ideological + multidimensional
(-Konzinets)
•DIY technologies: forms of competence redefined + redistributed between hardware & human
•technology & identity interpolate each other

global debates of:
- fear of genetic determination
•nature of consciousness --> similarities and differences between computation and human being
•
--> intimately concerned with the status of humanness

1990s theories of gift-giving, possession, labour, self-concept =/= *cyber consumer* --> circulation of desire and commodities in environments that are so highly mediated and technological that it begins to generate behavior and situations that are quite foreign to existing thinking about that markets are and what consumers want

**technology: an active force that both consumes & creates consumers**


(problem of) sustainability
1. to sustain: rest, retreat --> humannes is a major threat to all nonhuman planetary existence ==> the idea that radical threats to nonhumanness must be warded off by radical decreases in human population, consumption, normtive standards of living
<-- this notion of sustainability exists radically[...]

[...]rld.
•where abstract visual and linguistic elements coincide
•avoid mystifying it by recourse to technological explanations (this was my mistake!)
•an observer is more importantly one who sees within a prescribed set of possibilities, one who is embedded in a system of conventions and limitations.
•measurable in terms of objects and signs
•newly constituted human sciences in regulating and modifying the behavior of individuals.
•it was through these disciplines that the subject in a sense became visible
•passage from the geometrical optics of the seventeenth and eighteenth centuries to physiological optics
•to expose the idiosyncrasies of the “normal” eye
•Retinal afterimages, peripheral vision, binocular vision, and thresholds of attention
•outcome of a complex remaking of the individual as observer into something calculable-and regularizable and of human vision into something measurable and thus, exchangeable.
•standardization of visual imagery
•in the amphitheatre / on the stage / in the Panoptic machine
•dissociation of touch from sight ==> “separation of the senses” and industrial remapping of the body in the nineteenth century
•unloosening of the eye from the network of referentiality incarnated in tactility ==> fitted for the tasks of “spectacular” consumption
•Perception for Benjamin was acutely temporal and kinetic;
•a mobile consumer of a ceaseless succession of illusory commodity-like Images.
•Machines are social before being technical
•desiring machines
•The paintings of J-B. Chardin are lodged within these same questions of knowledge and perception His still lifes, especially, are a last great presentation of the classical object in all its plenitude, before it is sundered irrevocably into exchangeable and ungrounded signifiers or into the painterly traces of an autonomous vision.
•that the very process of becoming tired was in fact perception. “When the eye fixes itself on a single color...
•the clear eye of the world
•The more Schopenhauer involved himself in the new collective knowledge of a fragmented body composed of separate organic systems, subject to the opacity of the sensory organs and dominated by involuntary reflex activity, the more intensely he sought to establish a visuality that escaped the demands of that body.
•the physiological makeup of the subject as the site on which the formation of representations occurs.
•Of these only the cerebrum, together with the sensory nerves attached to it, and the posterior spinal nerve fascicles are intended to take up the motives from the external world. All the other parts, on the other hand, are intended only to transmit the motives to the muscles in which the will directly manifests itself. (Schopenhauer)
•It is knowledge that Simultaneously provided techniques for the external contro[...]

[...]te of history:) “man's environment did change but changed so slowly as to make the history of man's relation to his environment almost timeless and thus not a subject of historiography at all”

the collapse of this age-old humanist distinction between natural history and human history

plant writing
formulate transitional categories that would be responsive to differentiated modes of activity attuned to the difficulties of depicting natural phenomena that are continuously in flux.

reader of the meteorological registers

envision the temporal flux

the shifting edges (of the Kinect building generics)

(Kinect image) as architectural form composed of different (transitional) materially instantiated temporalities

transposition of qualities

within grammatical and figurative textures (of poetic)

between the material and the metaphorical

modes of materiality

...................................

(W.A.G.E. working artists and greater economy)
for artists who don't have secondary jobs, their mobility--despite being underwritten in many cases by class privilege--is forced. they are wired-up, networked carriers of social and cultural capital set in perpetual motion, transforming cities in their passage through them on the art circuit--sophisticated nomadic clans who travel to survive.

...................................

nature of things (2013, Sina + Elisa)

places marked with zones of limited habitation--you can't live there, you are a visitor

a place that is both wasteland and wilderness at the same time

wasteland tourism (museum in chernobyl)

1. the christian tradition: it was our obligation to use up the earth before the apocalypse
2. the romantic view: we humans are the servants of the land, we are its eyes, we are its expression

we are becoming visitors of waste wilderness, most natural and unnatural land simultaneously

...................................

the moment the world enters my body it has already been transformed

for Elisa and me Bochum's forest was a location, with its decay, it's subtropical humidity and toxins, and because of the way it is trapped between the natural and the man-made.

“we are forever collecting ourselves” (Baudrillard)

we have always encountered the world via technology
(now internet)

...................................

(Zoe Todd)
Zapatista (a revolutionary leftist political and militant group based in Chiapas, the southernmost state of Mexico) principles of “walking the world into being” (as locus of thought and practice to decolonize posthumanist geographies)
(for Juanita Sundberg) the zapatista movement theorizes walking as an important[...]

[...]lity of the scientists.

objectivity is a morality of prohibitions rather than exhortations

subspecies of interpretation: projection, anthropomorphism, insertion of hope/fear into images/facts of nature,


varieties of objectivity:
A. mechanical objectivity
B. the metaphysical element that makes objectivity synonymous with truth
C. aperspectival element that identifies objectivity with the escape from and all perspectives

it is tempting to collapse all of objectivity into the view from nowhere. this temptation to simplify by conflation should be resisted, for the highest expressions of objectivity in one mode may seem worthless when judged by the standards of another mode.
(as humans we must deal with our personal, idiosyncratic, perspectival perception)

photo: accurate rendering of sensory appearances

objectivity is a multifarious, mutable thing, capable of new meanings and new symbols: in both a literal and figurative sense, scientists of the late-nineteenth-century created a new image of objectivity

...................................

we must consider the paths people and trees have taken

entangled networks of matter and meaning

“i don't mind being ‘close to nature.’ but i know what they mean when they say that, and it's not what i mean.”
--Linda Noel, Koyungkawi poet and acorn mush maker

oaks were travelers and mixers

...................................

(Tomaz Mastnak)
Botanical decolonization

planting and displanting of humans and plants are elements of the same multispecies colonial endeavor

native plants as a discursive field

complex and unmarked ways that plants have been  sorted out as ‘native’ or ‘nonnative’

(as a measure of perfection and ‘civility’) gardening was also the key to the survival of colonies

(for Bacon) ‘plantation’ meant in the first place to ‘Plant in’ people
‘plantation in a pure soile’ (founding a colony)

once we see colonialism as the literal planting and displanting of peoples, animals, and plants--as inscribing a domination into blood and soil founded in the fantasy of molding ecosystems with godlike arrogance--it becomes clear how colonialism ushered in the anthropocene

native plants, by implication, were uncultivated. in the imperial imaginary this distinction between cultivated and native plants was isomorphic with people as well.

‘nature’, like the uncultivated native, was to be dominated by ‘culture’. such ‘government of nature’ found its metropolitan manifestation in botanic gardens. (species collected for scientific reasons, for aesthetic and ideological benefit)

government of nature

invasive animal[...]

[...]ng



going after the grail or attempting to reach a metaphysically-laden Castle

...cannot be properly located or possessed

the inaction hero


(?are we accustomed) to viewing the test as a way of mobilizing courage

The Sphinx marks the porous boundary between Western and Eastern domains of questioning and tells of bodies menaced by pulverization: should the riddle not be solved, either the questioner or the questioned must go. Passing the test is a matter of survival of the species for Oedipus, as it is for the interspecial dominatrix of the riddle: la Sphinx dissolves when the young man offers the correct answer.
=/= koan

...................................

My performance here is maybe a form of prayer or invocation[8] not simply to be read as a mere theoretical and discursive statement, and is intended to be a table of digital curses. To reopen the agency of curse in a cultural style that I have come to encounter, it might produce a different but not necessarily better speculative difficulty in discussing about the virtual. A curse[9] (according to Iranian-Islamic mixture of traditions in the milieus of promising and swearing,) is basically a networking function with both mechanical and interventionist properties that translate desire into performance—an intersubjective textual momentum that run virtually into the real world and it may (or may not) run down its target. Much like rumor, curse is contagious and reproductive but unlike the publicity of rumorous velocities, curse insists on secrecy at the same time harvesting its powers for revealing. The reality of the ‘curse’ is ‘assumed’ mostly and that is the virtual nature of this relation (with the materialities of the world that curse inscribes on) that I am interested in.


Curse systematically works with names, to be more accurate, with the notion of the “proper name”[10] invested in the idea of an automatic function that shifts ‘name’ to ‘agency’, virtual to concrete. That is if one knows the proper name, one could raise all actual agencies that act with real consequences—slogans in politics may rely on this typical power of cursing. In the Amazon I was not looking for the proper name of nature, neither theological nor analytical nor the supposed accidental. That means (looking for ways) critically not to be real.


An extended concept of cursing enters visuality in the gaze of the evil eye.[11] The malevolent glare who stamps upon by staring at an accidental moment of encounter in the evil eye, brings together the narrative of the random traveler who casts a gaze in another world of virtual and visual agency, and emphasises the randomness and hideousness of looking. The transaction between the eyes in the evil eye goes both ways to posses both the beholders. The target of the evil eye is always [...]

[...]dichotomy in the operation)

technologies concerning heat, thermodynamics, shocked the traditional world and shaped the one we are now working in.
...theories concerning processes of transformation.
...stages of alchemical initiations, archaic figure of fire,

How to make the history of science as effective as science itself?

...................................

suddenly science falls silent and mythology speaks

transsubstantiation

the astronomer falls in ==> the truth comes out
(ask maryam's astronomer: what disconnects the connected?)

throw the key to the text

for classification, connection is at stake, space is at stake

the formal invariant is something like a transport

what is worse for classification?

non-connections that are at stake

we shall never be free of space

fire, and transcendental subject

accidents of space (at work upon the multiplicity of spatial varieties

what is the program of topology?

My body lives in as many spaces as the group (the society) has formed.
The euclidian house, the street and its networks, open/closed garden, closed space of the sacred, school and its fix points and social varieties, complex ensemble of flow charts, those of language, of factory of family, of political party, and so forth.

..my body is plunged in the intersection of this multiplicity

culture : constructing precise and particular connections between such spatial varieties --> “original intersection”

topology; culture connects and joints, art delinks and disconnects
(the law of incest prohibition connects the disconnected)

pure --> untainted --> separated, enclosed

the discourse of rationality replacing the mythical text --> art becomes science --- the realization of a project is left to reason

siyavosh/sohrab is one of the descendants of disseminated spaces, of catastrophic separation of the continuous

when Rostam recognises the mark of his son, Ferdosi giving a version of recognition scene, connects --> Oedipus
the son, the mother
-we can recognise a typological space: the same and the other: the separated
-the space of the world is described requiring connection
-family tree
-parts are to be joined
-rostam and sohrab, siyavosh and sudabeh, cannot be composed to form a single homogeneous space. (rostam and siyavosh do that)

the presuppose that before discourse there existed a mutual policy of unrelated spaces ~ chaos
-the object or the target of (cultural) discourse is to connect
-to transform a chaos of separate spatial varieties into a space of communication
-scatered members, re-membered
-in[...]

[...]for Juan?
For me? for Sa'di in golestan...?
abundance is when it seems the artist hasn't put limitations on the flow of signs and meanings.
#my basic methods(?): abundancies, adjacencies,
~-/?--> simplest complex, simplex (concern of comparative topology) ~= the stable network of compositions

my ajayeb hypertext, what is there the specific ‘law of putting together letters’ ([and atoms?] to produce a text)? That means the question of Greekness and syntax technology, and my reworking articulated
•alphabetical proto cloud (Serres) --?--> without law, random
•what are the laws of ‘good combination’ that i am reworking or resisting or acquiring or answering to, in my ajayeb hypertext? (how composition is reproduced?)
--> (the law enunciates [تلفظ کردن ,مژده دادن] the federated,) * the law repeats the fact =/= the ‘things’ of ajayeb are (still) in the process of being formed (--> the morality of reading that i am working on)
(in the facts of the law there is no space between things and language is reduced to zero)
-language and things are born together with the very same process (Serres - Hermes.) --> stable gathering of elements
•ajayeb's version of the network of primordial elements in communication with each other

my interest in the devil is in the details of my makings (and others)
--> to touch details that establishes a direct contact

...................................

“Venus states the foedus, the contract, as an ego contiugo vos, Venus assembles the atoms, like the compounds. She is not transcendental like the other gods, but immanent in this world, the being of relation. Venus is identical to relation.”

Aphrodite governs

guarantee of repetition

parallel paths

pseudo returns

“Time itself would be nothing without objects situated in space [...] the clock that Lucret[...]

[...] what ‘abundance’ means for Juan?
For me? for Sa'di in golestan...?
abundance is when it seems the artist hasn't put limitations on the flow of signs and meanings.
#my basic methods(?): abundancies, adjacencies,
~-/?--> simplest complex, simplex (concern of comparative topology) ~= the stable network of compositions

my ajayeb hypertext, what is there the specific ‘law of putting together letters’ ([and atoms?] to produce a text)? That means the question of Greekness and syntax technology, and my reworking articulated
•alphabetical proto cloud (Serres) --?--> without law, random
•what are the laws of ‘good combination’ that i am reworking or resisting or acquiring or answering to, in my ajayeb hypertext? (how composition is reproduced?)
--> (the law enunciates [تلفظ کردن ,مژده دادن] the federated,) * the law repeats the fact =/= the ‘things’ of ajayeb are (still) in the process of being formed (--> the morality of reading that i am working on)
(in the facts of the law there is no space between things and language is reduced to zero)
-language and things are born together with the very same process (Serres - Hermes.) --> stable gathering of elements
•ajayeb's version of the network of primordial elements in communication with each other

my interest in the devil is in the details of my makings (and others)
--> to touch details that establishes a direct contact

...................................

“Venus states the foedus, the contract, as an ego contiugo vos, Venus assembles the atoms, like the compounds. She is not transcendental like the other gods, but immanent in this world, the being of relation. Venus is identical to relation.”

Aphrodite governs

guarantee of repetition

parallel paths

pseudo returns

“Time itself would be nothing without objects situated in space [...] the clock that Lucretius placed right in the middle of nature cannot mark Newtonian time; as the clock is the totality of things, between their birth and death, it marks a Bergsonian, that is, thermodynamic, time--an irreversible and irrevocable time, marked like the endless flow of atoms, flowing, running, crumbling, (coulant, courant, croulant) toward their downfall and death. Things have weight: they fall, seeking their peaceful rest. Fluid, they flow; hot, they cool off. Downfall, death, dispersal; breaks, dichotomies, atoms. Atomic flow is residual : the background of being, white noise. This world set adrift never to return is bestrewn, here and there, at indefinet times and in indefinet places, with pockets, where vortices are born in pseudo returns. Clocks appear with these objects [=/= the universal absolute time standing outside contingency of everything else], spiraling, shifting clocks which from their moment of birth begin to mark the time of death. The Lucretian world[...]

[...]t in the house of language, but Attar is

transmutative
depthforming


sudden exposure to exile space

a postcultural interaction (?) --with no proximity to the past or known present
(am I trying to create proximity to history in my lectures versus my non-proximity in earlier visual works such as “vagabond” 2011 Tehran)
is that to adopt an ******existence without context******?
(in lectures, am I un-separating myself from my own history?)


*reverie (=the mind flees across secluded planes)

exile space =~ refuge, solitude, immobility =? nondialectics


[on Vagabond] --> http://www.sinaseifee.com/Vagabond.html
-domination of the partially unseen in my own film, ‘vagabond’
-did I believe that only the buried dimension is sovereign?
-continuously interlacing experiences of solitude and immobility
-minimalist side of mysticism --> stillness is a catalyst for acceleration?
-nomadic dispositions
-suspended (=the chasm of self-consciousness)
-


aesthetic tactility over aesthetic fantasy
where is the cinematic-mystical ritual happening?

profound separation from the networks of social reality
the subjects betrays its own history

interrupting the transmission of the episteme


the result of mystic disjointment => a renovated perception of all activity as self-forsaking (Tark-e Nafs? ترک نفس), (such that all locations appear scorched in turn)

stab-through and un-brace one once was

San'an's mechanistic commitments, he need to first book out of a place in order to write text, or to book himself in again
the San'an's poem's ‘Will' = instinct for abandonment and anonymity
is this instinct predicting what Attar will write? or explains *why he writes?
[writing as an act of memory and perform?]

the mystic event is predicted by an instinct for abandonment and anonymity,
at the same time it mutates the urban environment in which it stage its runaways line.
the cityscape is cast into the frenetic rush of this disavowal, to the extent that it becomes the equivalent of the desert

what are the indentitarian qualifiers that San'an wants or needs to chain-break?

to be honest, Attar's San'an's poetry, is living by a roaming assemblage of assertions. [he wrote his poem in a time when the highly religious Sheikhs would go to monasteries and get drunk with the non-Muslims, getting high with the nonhuman. it is Seljuq (سلجوق) time, medieval Turko-Persian. The Seljuqs were educated in the service of Muslim courts as slaves or mercenaries. The dynasty brought with itself a sense of revival. Under the Seljuqs, New-Persian became the language for historical recording. Attar (عطار) means herbalist, dru[...]

[...]llus. (her staged “flaw” in doing so is camouflaging an Oedipus complex?)
==>? Elen: will to possession
who possesses a penis? --> masturbatory jouissance
*the one who possesses the phallus = the one desired* [~ phallus = desire ‘of’ the other =/= desiring the other]. phallus is the signifier of jouissance within Elen's performance
Elen's retribution of the boy who symbolically ‘have’ the phallus --> (we are back to) castration
**Elen's true woman-power lies with giving up her phallic identification. (the image of innovation in her work: she is still busy with ‘inovative creativity,’ inherently a phallic function). this is a hope, the symbolic phallus ins her work (and in anyone's work) is often in the place of *the lack of the signifier in the Other* (that can never be filled?)

infantile sexuality

jouissance: enjoyment from indirect pleasure (for example enjoyment of organizing pleasure)
Lacan --> pleasure makes us guilty + without guilt there is no pleasure


*chaotic topology of imagination*( --> more like a pile of sugar =/= Freudian topology of consciousness/unconsciousness)--> erasing the boundary between interiority and exteriority
--> (once-unitary) subject ==> an oblique network }--> that is us, iranians
--> schizoid view of nomadological thought

separate methodologies of blurring and fragmentation:
1- shadow
2- mirror image

Hedayat's shadow (his palpable aesthetic-existential operation--in The Blind Owl) [=/= Kafka's metamorphoses]: skeletal transfiguration of a conceivably human form into a *shadow collectivity* [=/= camouflage]


anticipation of oblivion
Hoda, Foad,

(maybe interesting for Hoda:) bitching ~= concerted methodology of confrontation and provocation


to write on chaos
to write as chaos
to write chaos***


[an iranian topology of imagination:]
subjectivity --> deception
literature --> rage
chaos --> annihilation



deserter

textual encounter --> the method by which a chaotic imaginary is uncovered and set loose:
1. lure consciousness into desertion
2. perceive textual artifacts as forces of immanent contagion
3. identify the text as a carrier of shadow-becoming
4. text conceive the setting of inhuman

deserter (position) --> unearthing --> chaotic imagination

...a fractal exteriority that alters and generates vivid, intensified hierarchies of instinct, desire, and knowing*



*exhaustion
damaged allegory of man


*evacuation --> surrender to fugitive trajectory
takes place on amorphous dust

wrenched
shadow-scapes

enterence <--> ejection

•misadven[...]

[...]irm our bodies, our selves, that we can now stop being victims and relinquish passivity.

torturer <--> healer

...................................

شطح shath: literary technique (san'at adabi صنعت ادبی)
(jCzF0RD-a_M)
shath: contradictory speech (kofr + iman)

del-bari (dressing up and going out[?]) =/= gush be harf kasi dadan (listening)
گوش به حرف کسی دادن =/= دلبری

خجسته khojaste: thinking all the time that everyone is saying hello to you

Hafez = connected pockets of meaning =/= Ferdosi's organized pockets of meaning =/= bestiary's listed pockets of meaning

...................................

indian ocean diaspora
indian ocean slave trade ==> atlantic slave trade and the new-world diaspora

Lee --> influence of African and afro-iranian people on other iranians and on persian society and culture

Ziba Khanum (d. 1932 Yazd)
the life of one enslaved African woman who lived in iran
(recovering what can be recovered of their industrial lives)

iranian history --> issues of:
•race
•gender
•religion
•elite social and economic networks
•nature of slavery
•value of subaltern history


the idea of (academioc study of) history: study of structures, institutions, abstractions ==> generalizing categories (such as slavery, freedom, modernization, etc.) =/= (biographical turn) towards biography of one woman

****(biography ~~>) *personal experience* =/= (category of) slavery: an abstraction that bunches together and confuses historical instances of displacement, isolation, dependence, unfree labor****
(--Cinderella-->)
personal experience =/= displacement
personal experience =/= isolation
personal experience =/= dependence
personal experience =/= un=/= unfree labor


19th century iran (--> estimations:)
•one/two million slaves exported into persian gulf (to Bandar Abbas in iran) from east-african/indian-ocean trade
•two-thirds of the slaves were african woman and girls, almost always destined for residence in wealthy households (as domestic servants and concubines)

1868 census conducted in Tehran: 2.6% of the civilian population of the city was designates as african slaves and/or “household servants”

categories of slave/servant in shii iran:
•nokar نوکر male servantkh
•khedmatkar خدمتکار female servant
•kaniz siah کنیز سیاه female black slave/servant
•khajeh خواجه male black slave/servant
•gholam siah غلام سیاه male black slave/servant

issues of:
•race
•religion
•assimilation --> *enslaved africans were not given (arabic) muslim names, but were assigned p[...]

[...]nating incomprehensible force outside of the human person
•Eliade --> essential unity of the religious (~= commensurate human behavior)
•Elias --> manifestation of belief and ideology in visual written emotive forms --functionalist--> [*]religion = visual art

visual material --serve-->
•aesthetic
•generator of meaning
•generator of affirmation شعاری
•icon
•talisman
•objects imbued with religious function
•token of aspiration
•instrument of aspiration (or other emotions)
•explicit reminder (of good behavior)
•gesture towards a better future : wish images
•

seeing = embodied act (---> go to Gossip Girl)
•(individuals make complicated interpretive choices concerning) what to look at & what they have seen
•*we feel through, about, from the visual* ~= visuality is embodied ~= visuality is multisensory + emotional


•Merleau-Ponty --> prereflective bodily consciousness: ‘body = instrument of comprehension’ (all material and other objects are woven into the body's fabric) --example--> blind man's stick
•[Groz --> phantom limb]

(Asad > Elias) power of things is their ability to act within a network enabling conditions (physical + mental --> feeling, remembering, hoping) -->{capacity of objects ==> society and politics become vitally material}

(the idea of power:) objects have agency in the complex web of interactions that joins them to other [--> object having itinerary] =/= objects have abilities or sentience that they use autonomously [--> object having life]

}--Elias--> critique of the idea of scopic regime


Elias furnishing the minimum information necessary to create an informed context (to frame of discussion) =/= give comprehensive history (about iran, pakistan, or turkey)


objects --> *affecting presence* (objects elicit affects)
[*]object: location of emotion, happiness pointer (---> go to index finger)
visual object: signifier of individual and collective emotion and aspiration


index
we do not have access to reliable system of deductible reasoning that assures us of an accurate interpretation of one value to the index --> lack of precise causative relationship between *observed phenomena* and their *affective consequences* (manifested on individuals and human societies)
}<-- this plagues visial material cultural studies


(Gell's notion of) abduction: a form of reasoning to abduce a possible (=/= actual) agent or effect
abductive reasoning (=/= deduction, communication, translation)
--> ***to analyze and experiment in the lack of data or causal relationships*** (which happens most of the time)
(i have been using the term speculation as synonym for abduction)
abduction = informed abducti[...]

[...]ing --> personal & biographical
emotions --> social
affect --> prepersonal (non-conscious experience of intensity)

(2) florid and convoluted use of language --> fail to eschew obfuscation (without it there is not so much to say)
Massumi: “thought strikes like lightning, with sheering ontogenic force. It is felt.” <--Elias-- meaningless metaphor

the notion of precognitive affective event
•do nothing to help one understand the nature of conscious, felt, enacted emotion + its social ramifications
•provides no rubric through which one can engage in comparative analysis (or informed discussion)



(Brennan) affect: physiological in effect, social in origin

(Grossberg) affect: to locate human beings in their environment (why ideology is only effective some of the time? quotidien = pleasure + ideology) *it is in the affect (affective life) that people struggle to care about something, find the energy to survive, enact their projects and possibilities*
ideology -->
•affective intensities
•affective investments

(Hennessey) *affect-culture: transmission of sensation and cognitive emotion through cultural practices* (materially shaped by social networks, circulating of natives, they work with & against structured relationships, can operate intuitively or oblique)
[*]sense: obvious knowledge [--> awareness of right & wrong] (=/= cognitive or learned knowledge) --> ***meaning-making through sense ~= ideology***

(Reddy) emotion: range of loosely connected thought material --> when activated it exceeds attention's capacity to translate it to action/talk
(emotive:) emotional regime: how public emotional acts and *emotional standards* [go to --> soup opera integrating emotional ecosystem] help to shape the lives of individuals
affect: explain (historical) events that elude (political, economical) explanation

*emotion exists in its expression and description* (spoken, written, bodily enacted, visually represented, etc.)


...emotion of “i am scared” in an early modern persian miniature painting



in premodern texts
emotion is more prescriptive: how it should be enacted and experienced (=/= descriptive) emotion are evoked:
1. through teleologically constructed sensory regime
2. through reflective/contemplative practices

•kindi --> how colors and combinations could elicit specific emotions
•haytham --> visual factors that make up beauty
•farabi --> impact of musical notes on human mood
•button Christian texts --> specific ways in which a worshipper was expected to react upon seeing an icon of relic (crying, rolling on the ground, rubbing, caressing, etc.)
◦biruni --> if uneducated Muslims were presented with a picture of prophet or ka'ba, their not in lookin[...]

[...]und, rubbing, caressing, etc.)
◦biruni --> if uneducated Muslims were presented with a picture of prophet or ka'ba, their not in looking at the thing would bring them to kiss the picture or rub their cheeks against it and to roll themselves in the first before it


Leys's shame =/= guilt
guilt:
1. mimetic: victim identifies with the aggressor + accepts the situation by not distinguishing belief =/= behavior }--> *guilt*
2. antimimetic: victim identifies with fellow victims + might imitate the aggressor only as a survival mechanism ==> preserve a sense of self + keep the atrocities external to herself ==> ‘victim =/= perpetrator’ that can be held in memory without losing one's sense of self and victimhood }--> (awareness of being observed by others in one's abject state of victimhood ==>) *shame*

Leys --> (problem of shift from guilt to) shame: deprives one from agency and responsibility


=/= muslim-majority society (use of shame in critical ways)


**performative ~=/& constructed nature of emotions**

-in my youth in iran (middle class) the context of singing together آواز in small gatherings was a context of expressing emotions within groups (a form of *networked living*) that give voice to specific emotion (grief, sadness, love, heartache, etc.)
[i always felt outside of it]

public expression of feelings --associate--> weakness & sexuality
==> everyday life denial of emotions (of jealousy, desire, heartache)

(sociologically)
*something is performed = something cannot be addressed informally* }<-- for example emotions


sharm
sharmamdegi
haya
aberu
gheirat
nang
namus
--> emotion words for honor and shame (shared between pakistan and iran, used with meanings that overlap and inconsistent)

honor selfsubsistent male<br /> honor related to women
notions of virtue
notions of shyness

gheirat غیرت : an emotional alarm system [for one's personal image (aberu آبرو), family, religion, country]
gheirat specifies one's appropriate reactions to the particular acts of the other --> in the form of emotions: anger, hatred, jealousy


(Elias’ problematic and useful definition of) [*]affect: perceivable measurable describable effect of emotional events and experiences, what is felt + what is emoted at an individual and collective level, (enacted + perceived) ‘happening’ of the human experience (=/= undefined protoevent)
affect: a way in which one knows an experience is occurring + a way in which one reacts to an experience ==shape==> future human experience

1. enactment (performativity) of emotion is inseparable from its experience
2. emotions, enjoying words, emotion events cannot be comprehended apart from the sociop[...]

[...]even the most passionate public presentations of militant nationalist discourse is framed (--> there is ***noise in reference to violence*** @Mona)

event ==> shift the configuration of analysis (and not annulling the structure's analytical possibilities)

event: (a new set of) circumstances for which rules are not set in place

in the case of Bhopal intoxication --> gradual creation of an expert discourse which sought to dissolve the concrete and existential reality of suffering victims

in the case of such-large suffering event coordinations gradually come to be defined around it --> question of structure

(**modernity is an event**)

pain and suffering are not simply individual experiences ... they may also be experiences which are created and distributed by the social order

Veena's *anthropology of pain*
how institutions (in the domain of religion, and modern: bureaucracy, law, medicine) maintain and signal their legitimacy in the face of massive human suffering?
-manufacture of pain
-theology of suffering

the discovery of the event, as a question for anthropology, is precisely that: *event exceeds structure*
(exess ==> reimagining the networks that compose our lives)

Veena --> Bhopal industrial disaster: neither social relations nor locally available knowledge were sufficient to apprehend the event. it is at this point that people had to actively search for new knowledge, for new kinds of social actors that might help them address the question of what was happening to their bodies --> they had to reconstruct social relations to include the existence of international legal systems and governmental bureaucracies in their image of society***

toxic potency (==> difference, collective violence [such as the partition of India and Pakistan =/=], stable violence [such as a village caste dispute],,,)

poles of life and death that separates different kinds of collective violence --> the sexual and reproductive violence witnessed in the Partition connot be understood by taking social relations as model
(Veena)

...distance that arises out of forms of proximity

Veena 3 books:
•Structure and Cognition --> illuminates certain recurring patterns
•Critical Event --> paints a kind of national lanscape
•Life and Words --> turn to an art of an anthropological portraiture

...healing properties of the everyday
...everyday life generates its own forms of toxicity

(Singh's) art of portraiture
of individuals, of milieu,

*singularity (of a portraiture) may express something both local and global*

Veena --> how would we conceptualize the moments of potentially violent uncertainty?
-Benjamin: invocations of the uncanny
-Derrida: the spectral
[...]

[...] /> •S

today, 18.07.2017, the ajayeb's knowledge can be stored and expressed in a quite restricted range of genres called myth, ancient, imaginary,

______________


http://www.ics.uci.edu/~gbowker/records.html

we have learned from Foucault that different (medical) records, different practices of reading and writing are intertwined with the production of different patient's bodies, body politic, and bodies of knowledge
@Olga

record is the story of the organizational infrastructure [@Marialena, Olga]

[Foucault on knowing in the practice of medicine:] cascade of inscriptions --> writing [--> totality of observers/observations ==> “true knowledge"] --> modern clinical gaze ==> pathological processes of individual bodies (=/= medicine of species: individual symptoms / medical knowledge, essential truth beneath the sensible individuality)

...a body which hides the essences of the disease --> production of the organizations which enact and treat it

How is the patient (or choreographic) body's specific geometry and its historicity created?
*body is produced through embodied, materially heterogeneous work

(Foucauldian) dispositif: a network within which the body acquires its specific ontology

(Latour < Bowker:) the record ‘mediates’ the relations that it organizes, the bodies that are configured through it

regarding record, we can be concerned with:
•practices of reading and writing which bring the record to life
•mapping the configurations the record helps bring into being

how the structuring of the record speaks to the structuring of the bodies (of the artists?) we investigate? (@Sofia, Olga)

record -->{
production of human bodies
organizational hierarchies
selective memories

_________


Ribes Bowker - Between Meaning and Machine.pdf

...in the wake of ontologies
in participating in knowledge projects, first we learn about ontologies and then learned how to create them
(we rarely “produce” knowledge, we always participate)

ontology: an information technology for representing specialized knowledge in order to:
•facilitate communication across disciplines
•share data
•enable collaboration

(am i) representing the knowledge of my communities (?) -- what does that mean?

*routinization* (is that which is at stake in ontologies) --?--> *apprehension*: orientation to the informational organization of ones field
(to attend the routinizations and apprehensions in one's own practice --> ontology building)
•my routines of reading, highlighting, writing, idiosyncratic talks, feedbacks, questions, silences,
--> (attend to the) transformative consequences of learning and t[...]

[...] omnivorous approach
•

wild facts amenable (تابع) to formal representation (formal modeling)

routine: practically enacted, having no existence outside its performance, embedded in the configuration of material resources that enable practical work

[#workshop fables] how, by traversing the routine, “knowledge” and “community” took on new meaning, as they were rearticulated in the different languages

uncertain activities of knowledge

(what i am learning in apass is that) modeling ontologies involves articulating knowledge in ways that sometimes appears alien to that domain community
[asking with Bowker:] for my ontology-building to appear representative, does my community itself have to learn the goals and language of my knowledge modeling? (the question i asked Sven, telling others ‘this or that is the language i am using.’) (i am using a language that is Harawayian, Ronellian, Sadrian)

/> ______________


http://www.ics.uci.edu/~gbowker/actnet.html

...it is easy to get lost in Baudrillard's cool memories of simulacra (1990)

at stake: day to day work of building classification system

things to learnd from actor-network approach: (Latour, Callon > Bowker)
•regimes of delegation
•centrality of mediation
•the position that nature and society are not causes but consequences of human scientific and tachnical work
--> “technoscientific societies are powerful precisely because they are so good at delegating and distributing; and that actor-network theory is well position to track and describe the work of delegation and distribution.”

fact is a consequence
(Dewey)

(in a way, my work and interest in ajayeb is about histories of standards in knowledge production, which, i argue, is key to all sorts of other productions) (& the politics of remembrance : tce : the politics and philosophy of classifying certain textual/material activities such that they have a chance of being part of the cultural *potential* memory)-->{Olga, Hoda, Sana}
artists are using a lot of standards (of representations or materials)
(out of) control standards
-there is a huge amount of standards i am depending on in my hypertext
-international diplomacy depends on manufacturing and enforcement of standard vocabulary --> how much are we really in diplomatic businesses?

Google: “To organize the world's information and make it universally accessible and useful”

standards are often:
•making things work together
•enforced by legal bodies
•have their own (significant) inertia --> hard to change, and is not about the technically superior standards winning [DOS, VHS, A4, etc.]
standards --> *aspect of acting in the world* ==> classifications

what are (or have been) the [...]

[...]se of national genius only arose in the 19th century
•“revolution” --> our current conception of ‘revolution’ is marked by the historiographical work of Karl Marx
•(historiographical traditions)

compare first lines of Halaj's biography in Attar and Wikipedia:
•آن فی الله فی سبیل الله آن شیر بیشه تحقیق آن شجاع صفدر صدیق آن غرقه دریای مواج حسین منصور حلاج رحمةالله علیه کار او کاری عجب بود و واقعات غرایب که خاص او را بود که هم در غایت سوز و اشتیاق بود و در شدت لهب و فراق مست و بی‌قرار و شوریده روزگار بود و عاشق صادق و پاک باز و جد وجهدی عظیم داشت و ریاضتی و کرامتی عجب و عالی همت و رفیع قدر بود او را تصانیف بسیار است [...]
•Mansur al-Hallaj (Arabic: Abū ‘l-Muġīṭ Al-Ḥusayn bin Manṣūr al-Ḥallāğ; Persian: Mansūr-e Ḥallāj) (c. 858 – 26 March 922) (Hijri c. 244 AH – 309 AH) was a Persian mystic, poet and teacher of Sufism [...]


(at the end it is the colonialism that) decides what a disease is [=/= other system/culture (fragile networks) for classifying diseases of the body and spirit, such as ajayeb. (for example see how schizophrenia is classified and understood)]
--> practical ontology
representation of the past
sequencing of the present
==> making it appear that science describes nature --> social power

(at the end you see only those actants who are strong enough, and shaped in the right way, to impact)

“[...] the loosest classification of work is accorded to those with the most power and discretion, who are able to set their own terms.” Bowker 1996

lingua franca of the medical insurance companies


actor network theory: looking ing in detail at the role of (relatively) black-boxed hybrids [what scientists are actually manufacturing] in creating the discourse of pure science (as endpoint)

science's objective account of natural order:
•trials of strength
•enrolling of allies
•cascades of inscriptions
•operation of immutable mobiles
--> development of standards

‘Janus face’ of science
[Janus, in ancient Roman is the god of beginnings, gates, transitions, time, duality, doorways, passages, and endings. a god of transitions. having two faces, he looks to the future and to the past. (Greeks had no equivalent to Janus.)]

when your work (artistic/scientific) can be seen as a direct translation of the quest for Iranian/French honor after defeat in the battlefield --> the actors don't see what is excluded: they construct a world in which that exclusion could occur

(Latour --> according to American pragmatist strong[...]

[...]h, and shaped in the right way, to impact)

“[...] the loosest classification of work is accorded to those with the most power and discretion, who are able to set their own terms.” Bowker 1996

lingua franca of the medical insurance companies


actor network theory: looking in detail at the role of (relatively) black-boxed hybrids [what scientists are actually manufacturing] in creating the discourse of pure science (as endpoint)

science's objective account of natural order:
•trials of strength
•enrolling of allies
•cascades of inscriptions
•operation of immutable mobiles
--> development of standards

‘Janus face’ of science
[Janus, in ancient Roman is the god of beginnings, gates, transitions, time, duality, doorways, passages, and endings. a god of transitions. having two faces, he looks to the future and to the past. (Greeks had no equivalent to Janus.)]

when your work (artistic/scientific) can be seen as a direct translation of the quest for Iranian/French honor after defeat in the battlefield --> the actors don't see what is excluded: they construct a world in which that exclusion could occur

(Latour --> according to American pragmatist strongholds:) reality = 'that which resists’

common language ~= standard language
(we can't talk about the commons without sorting out our understanding of our standard-saturated world)


(my hypertext is not data-driven [= a system with focus on the acquisition, management, processing, and presentation of ‘atomic-level’ data] nor a process-driven (or process-sensitive system, for example delivering a care), what is it then?) (also not systematically storing [my] “knowledge” for later access, storage of information in such long-term memory, no no no)
-is it a support for my various tasks and practices outside the computer? --> excess-d[...]

[...]allization

[for my hypertext] (Zellig Harris:) the constraints or demands that words place on one another are transmitted as socially obligatory information [as physical information, the kind measured in bits, not the semantic information used in dictionary definitions.]

socially obligatory ‘information’-[as ‘physical information’ (kind measured in bits) =/= semantic information (used in dictionary definitions)] ==(transmits)==> constraints or demands that words place on one another

(my hypertext ajayeb is an) “informational niche”
[and what about the matter of ‘actual use’?]
ajayeb.net “rules”: a set of normative combinatorial constraints
recursive application of existing constraints ==> new patterns

*process of language: from optimal to obligatory*
(in respect of history: obligatory meanings of Attar, and so on)
--> in my work this flow is reversed: from obligatory (meanings of Attar or ajayeb) to optimal. that is perhaps why sometimes people say that they don't understand me or that I am wonge.
-memory is the matter of statistical fact: (core) meaning ~= “selection”

***the fate of my contribution depends on and is determined by my position in the communicative network


pidgin دست وپا شکسته ومخلوط : creative adaptations
ajayeb.net is a pidgin?
*pidginization: any process of reduction or simplification of linguistic resources {"=/=”, “=”, “==>”, “-->"}

my ajayeb writing:
step 1: redundent simplification of linguistic resources [--> creoles نژاد مخلوط: that segment of a continuum of variation which exhibits the maximum divergence from the standard but which is still connected to other portions of the meshwork (Farsi+English)]
step 2: reenriching itself with features eliminated during step 1 ~ recomplexification of creoles }==(how?!)==>
step 3: diversifying the number and type of uses it can be put to

double articulation: a sorting operation that yields a homogeneous distribution of elements and a consolidation operation that defines more or less permanent structural linkages between sorted materials.
if and when the materials on which a sorting device operates acquire the ability to replicate with variation, a new abstract machine emerges, in the form of a blind probe head capable of exploring a space of possible forms


ajayeb's (specialist) jargon <-- what intensified them? --> ? tech, colonialism, schooling,


what i am trying to do with ajayeb, in making this hypertext, is to connect its syntactical constructions to fresh reservoirs of linguistic resources ***

with ajayeb.net i am learning to resist the hierarchical weight of “received pronunciations” and official criteria of correctness of “ajayeb”

my Rigs, equipped with “knobs”: controlling p[...]

[...]odels

(*a problem with university students:) [students who do appear] more motivated by the university as a *rite of passage* (گذار از بلوغ) and a *lifestyle*
=/= learning
*professors are no longer seen as infallible experts, but as resources whose facts can be checked in real time

(question of) standard / ontology --> (desire for) universality / (need for) change


knowledge of past climates


@apass
(through my love and study for ajayeb --> infrastructure -->) questions for apass:
-what new forms of organization and community are emerging? what power relations do they rely on, create, or destroy? who wins and who loses as knowledge infrastructure change? (questions proposed by a knowledge infrastructure workshop 2012)
-(ways to) encode and reinforce existing interests and relations of power
-(we need) a design community versed in these literatures:
•different social worlds
•conflicting conceptual frameworks
•sociology of science and technology
•sociology of standards (--> standardizing data has proven to be a crucial activity in *scaling up* the sciences) #lens
•boundary objects
•trading zones
•actor networks
•how sharing works in practice
•agreements on shared norms, practices, and technical systems (problematized by Femke, she focuses my attention on how software developers are too quick to construct “ontologies”)
•
==> to scale up the generally lower-level focus of design thinking [--> how my ajayeb.net addresses this?]
--> to co-design new infrastructures
--> to look beyond the scale of a field and timeframe of a career


(we need) meaningful access to digital media (not an exciting add-on investment)
--> new forms of knowledge infrastructure may disadvantage and devalue older forms of knowledge production:
•new sensor network replacing ecological fieldwork -->? my #amazon
•“instrumenting ocean” supplanting traditions of the oceanographic cruise [in the last 20 years new sensor grids have come to cover the oceans, land, sky and space] -->? my #ajayeb's is concerned with thinking “beyond the *instrumental languages of utility and function*, which tend to cast knowledge infrastructures as *neutral instruments* whose positive and negative effects lie solely in the way they are operationalized and used”

*consequences of change are rarely socially, culturally, or economically neutral*


collectives
assemblages
configurations

try to tell yourself a “technology only” or “social only” story of knowledge infrastructure (and you will find it impossible)
(Brunton's) spam --> co-evolution of technical systems, communities, and social norms

knowledge infrastructures ==carry==> significant distributional consequ[...]

[...]who wins and who loses as knowledge infrastructure change? (questions proposed by a knowledge infrastructure workshop 2012)
-(ways to) encode and reinforce existing interests and relations of power
-(we need) a design community versed in these literatures:
•different social worlds
•conflicting conceptual frameworks
•sociology of science and technology
•sociology of standards (--> standardizing data has proven to be a crucial activity in *scaling up* the sciences) #lens
•boundary objects
•trading zones
•actor networks
•how sharing works in practice
•agreements on shared norms, practices, and technical systems (problematized by Femke, she focuses my attention on how software developers are too quick to construct “ontologies”)
•
==> to scale up the generally lower-level focus of design thinking [--> how my ajayeb.net addresses this?]
--> to co-design new infrastructures
--> to look beyond the scale of a field and timeframe of a career


(we need) meaningful access to digital media (not an exciting add-on investment)
--> new forms of knowledge infrastructure may disadvantage and devalue older forms of knowledge production:
•new sensor network replacing ecological fieldwork -->? my #amazon
•“instrumenting ocean” supplanting traditions of the oceanographic cruise [in the last 20 years new sensor grids have come to cover the oceans, land, sky and space] -->? my #ajayeb's is concerned with thinking “beyond the *instrumental languages of utility and function*, which tend to cast knowledge infrastructures as *neutral instruments* whose positive and negative effects lie solely in the way they are operationalized and used”

*consequences of change are rarely socially, culturally, or economically neutral*


collectives
assemblages
configurations

try to tell yourself a “technology only” or “social only” story of knowledge infrastructure (and you will find it impossible)
(Brunton's) spam --> co-evolution of technical systems, communities, and social norms

knowledge infrastructures ==carry==> significant distributional consequences --> advancing the interests of some and actively damaging the prospects of others

(ways of producing “raw” date) davulated by “data sharing”:
•*labor-intensive* collecting practices
•site-specific expertise required
}--> long-standing craft traditions

once-vast secretarial ranks (of large organizations) [a British nostalgia for bureaucratic hierarchy fantasized and franchized by Harry Potter]


ajayeb's 13th century's “technologies” for “virtual” witnessing


--imbalance in the structure and distribution of our knowledge--
overrepresentation of research on “charismatic megafauna” (cuddly pandas, expen[...]

[...]er]


ajayeb's 13th century's “technologies” for “virtual” witnessing


--imbalance in the structure and distribution of our knowledge--
overrepresentation of research on “charismatic megafauna” (cuddly pandas, expenssive human-like chimps, tigers, hallucinogenic plants, etc.)


*dark continent fallacy*: ignorance (~ non-knowledge) = absence of knowledge : a site, phenomenon, or set of questions that we haven't yet been able or thought to investigate, as: ‘darkness = absence of light’ (--> Star Trek idea of frontier) --@!%--> the relationship between knowledge and non-knowledge may not be as simple or innocent as that

new (forms of) knowledge infrastructures (--> new ways of knowing) ==>
•new questions thinkable --> whole classes of questions, phenomena and forms of knowledge may be lost or rendered unthinkable
•new maps to known territories --> reshape the geography itself
•rework existing (stocks of) knowledge
•reorder our sense of value and structure in the world
•*write new ontologies over old ones* (--> my interest in working with ajayeb)
•embed social norms

knowledge infrastructure ~= sociology of knowledge
= robust internetworks of people, artifacts, and institutions* (--> to attend kno.infs. as wholes, rather than focusing only on their most rapidly evolving elements; #ontology. and attending to the social relations both created and broken) [#to attend to Tehran's new digitally mediated social norms of negative ditributional consequences of change]
any effective sociology of knowledge ought to provide some account of its opposite: the accidental and systematic --> means by which non-knowledge is produced and maintained
**(Robert Proctor's) agnotology: the systematic study of ignorance** [+ Irvin Schick: unknowledge =/= ignorance --> socially constructed lack of knowledge : a conscious absence of socially pertinent knowledge, for example ‘terra incognita --> Western political and economic attention --> enabling colonialism...]

institutional elements of knowledge infrastructure:
•universities
•libraries
•scientific societies
}--> they all have typically conservative, slow-changing forms* -- because when they change, authority, influence, and power are redistributed; (changes takes decades rather than years) --> a long-time-scale, historically informed framework to situate our thinking --> sustainable, accumulative, and shareable qualitative databases


internet-supported citizen science

the 19th century's Darwin favored ‘genetic form’ --> massive and global shift in modes of classification


standard --> *preserving the meaning of data is a human affair, requiring continuous curation


#knowledge zoom lens --> “the long now” (Bowker)


([...]

[...]ure:
•universities
•libraries
•scientific societies
}--> they all have typically conservative, slow-changing forms* -- because when they change, authority, influence, and power are redistributed; (changes takes decades rather than years) --> a long-time-scale, historically informed framework to situate our thinking --> sustainable, accumulative, and shareable qualitative databases


internet-supported citizen science

the 19th century's Darwin favored ‘genetic form’ --> massive and global shift in modes of classification


standard --> *preserving the meaning of data is a human affair, requiring continuous curation


#knowledge zoom lens --> “the long now” (Bowker)


(it took 200 years for printed book's) *intellectual armature* (that now we consider intuitive:)
(in ajayeb.net i am responding and working all of them)
•index
•table of contents
•bibliography
•footnotes
•generally agreed rules on plagiarism
•page numbers (--> =^77988.1.6$shathiat)


***qualitative science*** : detailed, indepth, and meaning-oriented investigations --> analysis, statistical (for example the social network analysis strengths of scope and summation in Braudel's study)
(question of my “writing”:) how to nourish mechanisms for large-scale, long-term research?
-we need to go beyond one-off projects to develope systems and standards for collecting, curating (my knowledge, ajayeb's knowledge) while simultaneously protecting subject's identities and interests /***
=/= short-term, project-by-project work

-(constantvzw is doing this:) build collaborative sciences
sociotechnical phenomena do not rest within the domain of a single discipline

-comparative analysis techniques
comparison across cases (--> how Kobe in his case-based work produces a critically comparative data?)
creation of compatable data [: properly documented --> facilitate sharing] (--> how for my ajayeb?)
(in your work and research -->) encouraging the identification of crucial similarities and differences

-sustainable and sharable data archives, collected over multiple investigative projects --> ajayeb.net = knowledge/thoughts/notes of multiple projects (--> is this my “data”?)

cyberscholarship

#lens, to scale up qualitative social science <--> deploy data storage, visualization, hypertext, and collective-creation possibilities of the web and social media, *new tools for textual analysis*

...................................

[which] cultures (or stories) permit a graceful listening forth to our seeing[?]

(metaphorical economy of) *mnemonic deep*:
•past is a thing that you escape at all costs, our past explains who we are,
-[...]

[...]ablished, and propagated? we can study every syllable of the judge's speech-act. the judge goes from one fable to another: fables of significance, fables of influence, fables of impression, etc.

boundary-making practices in our shared struggling world
the idea that art “starts” and “stops” somewhere
zeroing the artworks ecosystem

when is the moment (or how the moment can be marked) that the judge becomes able to say “OK, I don't know.” or “I am opinionated about this art. Let's bring an expert.”
and beyond that, I am wondering, like that judge, when myself standing in front of an artwork (or any work) how i am able to say “I have an opinion, or, I don't know”, “i need expertise in order to look at this”?

questions of: essence (in art), subjectivity production, protection,



with Vincent

(?what was the) notion of “everything is kept here” in his work

(?why and how) his storytelling was all about design --> his stories of responsibility and factuality
how and why in our artistic practices, production of responsibility and factuality is hold in the terms and services of design and designer that is busy with building enhanced and efficient communication networks historically rooted in the geometries of modernist project?

(?what is the artist's) busy-ness with design --> related to the fathers of correction (?) and proper address

who (and why) wants to look at which past with lenses and geometries of the violent grids of the forefathers of modernist design?
--> ontology of document: an artifact with a specific layout and design

design has to do with the proper address (?) which is (always) about the proper witness (?)
(in the case of Vincent) do you agree with the amerindian know-how that “a good designer is a dead designer”?

(?what was the) proper affect of history (that his work was creating)
through the aesthetic of old and antique video projectors his colonialism belonged properly to the past --> (question of) the production of the proper witness

the architecture and flag of BOZAR plus his notion of design, are they interesting and necessary ways of forming kinship and properly distanced history?

Vincent “knew” his distance to the past (--> do you smell a problem?)
in which clock he is looking at time? which time machine he is handed to or placed in? who/what is making his time model?
also, which segment of your practice is temporalized? this means also which part of your practice stands out of time?



with Olga

regards of the question “what are an artwork's boundaries?” and it's intersections with documents, lists, and reports

for Olga:
document = evidence
research = mourning
(mourning as the passionate and demonstrative[...]

[...]gorithmic, material, and territorial makeshift infrastructures enabling digital cultures in India today

cultures of pirated workarounds (jugaad) in digital technologies
emergent digital cultures

stratified data

*hacking empiricism: a self-reflective practice of linking a problem to both its ecology of sense and sensation and to its processes and dimensions of change*
•empiricism --> pragmatic experimentations in becoming other
•[*]hacking: (informalized workaround practices) inchoate unvollständig movement of workaround, informal (disorganized), extralegal, democratic, subaltern, collective repurposing of found materials shifting ecologies from relative stasis to absolute flux, at times and usually in the interests of narrow class segments, in innovative and “game-changing” ways

ecologies of workaround practices

...subaltern and autonomous sensibility imprisoned and controlled by forms of monopoly and habituation

...nodes of algorithmic capital

traverse and exceed

islamophobic co-branding of Israel and India

marketing and hacking of digital cultures


social practice / hacking
pragmatic, ad hoc, networked approach (to an obstacle)
sufficient reason proceeding through intuition as much as probability

**what workaround repurposes our relation to technology and technique itself? <--Rai-- collective experiment in pragmatizing in mobile ecologies

heterodox political economy of contemporary digital capitalist control + its parasitical and autonomous pirate kingdoms (Sundaram > Rai)

Foucault --> ****knowledge was not made for understanding, it was made for cutting****

entrepreneurial capture of digital cultures and their hacking (in India)

-what is the force, sense, and value of the habituation (of CG hacking, of pragmatic experimentation habits)? --Sina--> (question of) passage between affective states
-(how can we?) better diagram through connecting relations and functions of force, value, and sense in (pirated & corporate) contemporary digital media infrastructures

(how to understand effectively the knots of) ***technoperceptual*** (becoming, relations, assemblages, habituation)

negotiating the digital (irreducible to capitalist strategies of value capture ~ resistance form)

the ecology of sense and sensation that jugaad events [technical animation CG] operate through (and happen in) *requires specific pirate infrastructures*

Rai's jugaad --affirm--> becoming through a counteractualization of the infrastructures of postdigital cultures

strategic narratives of acts of consumption --> sources of new productivity

(Ris's notion of) ecological: process-oriented historical materialism

inte[...]