[...]s cognition and of being “critically” in the world (=/= animal, nonpeople, other people with other ways of being in/with the apperceptive world that don't use the technology of questioning, as it is crafted historically and naturalized in the west for the univerasal method of ‘knowing more’)
...................................
#workshop, reading group
•reading as passionate betrayal. (hunting for precious empirical details, refigurative, reparative, poaching, reading can be a betrayal of textual authority and an act of survival)
•addressing /present* differences, not already pre-figured differences
•(condition of friendship, staying close to the text) staying close as a reader, as someone who could hold the text of the Other, receiving it in the withdrawal / Entzug (drug rehabilitation)
•i am in no position of ‘understanding’ or being clear about the text
•(i understand now that) it is not up to me to tell you how to read
•what makes you write or scratch a text?
(aaaakh... our alphabetico-logical cultures...!)
•if everything is not fundamentally unreadable (snafu) we wouldn't be reading
•it is about to situate the place of a (un)learning
•throwing access to each other (not only in terms of transferential intensity #sss)
•which appetites and tastes are required to fulfill the *ethics and erotics of curiosity* (that I am cultivating and depending on)? flourishing (of my ajayeb) depends on a reading that is more like “mutual partial digestion” (Katie King, Haraway) [=/= “eating well"] the text
•“every time i read X, something new shows up”
my practice of ‘rhetorical reading’ (=/= ‘close reading’; or more like close reading and letting go. “close” is itself a metaphor, a rhetoric of reading;) doesn't work with the idea that there is something ‘in’ the text per se (coded or encoded meaning or some sort of knowledge made and installed by an author), or that the writer wants to say something to the reader, or that the text is symptomatic with meaning and that its intentions needs to be listened to. rather, in a post-Lacanian critique, i work the text like a pattern of language, an organization of space, text as word-sequencer. it is like looking at an image, still starting from top-left to bottom-right of the page, a process of highlighting or embodied attention that produces non-zero clusters of salient words that come to glow different than others. but the way they become highlighted is not due to some idea of significance of the text but because of my--the reader's--interests, past readings and educated meaning-associations. this mode of reading is not at all suggested to newbies in literature, sorry but this requres some degree of advancement in one's abilities and skills of writingreading, that means the reader already enjoys an ongoing well-articulated interest before coming to a particular sitting with a piece of writing, and this means[...]
(1)[...notes/midday review.txt]%1.8[...]majnun: haft arus-e noh emari bar dargah-e to be pardeh-dari (هفت عروس نو عماری بر درگه تو به پرده داری) --?--> angelology) =/=? hayula(ism) هیولی
...................................
hermeneutics regarding Jurisprudence (feghh فقه) and theology depend on the exegesis of written texts. in both cases the process of understanding is an act of application(?)
interpretation/hermenutice =/= commons/collectivsm
(ta'vil bayad dar jahate axe harkate jami va moshtarek bashad)
...................................
(Kohn) to “provincialize” (rustayi روستایی, bastani باستانی?) language in order to make room for another kind of thought--a kind of thought that is more capacious, one that holds and sustains the human.
...................................
my point in animals without narrative is that the apparatus that is working for Attar in his representation of birds is the same as the narrative tool in the so-called wildlife documentary series which produces nature----a sy.
transcend is about traveling from trope to truth (obur az majaz be haghighat عبور از مجاز به حقیقت,) from virtual to concret. but that is too easily reversible. my point is to stop this transference and interrogate the trope itself. my work in amazon book is about this ‘majaz’ (مجاز), an interface that we are inhabiting.
...................................
the main (and only?) question in my work/performance/lecture is ‘when’ the gift will/have pass(ed) on.
--> holding on to, preparing, strategizing, spontaneity, and so on
-my texture aversion and preference in soft/hard fabric of language and material tonality? --> the “inanimate affections” (that give us pleasure in life) --> we often give each other soft gifts as a way to care for one another (@Janina)
*radical affection does not require intentional politics* (Chen)
[Shepard 2004] Stanner (W. E. H. Stanner, White Man Got No Dreaming) describes how the universe became a moral system and consists of three elements: marvels, species diversity, and institutions. Marvels refer to that presence of the unexpected that one always encounters sooner or later in nature, particularly when the terrain reflects something about the mind that implies a common structure. His second element, species diversity, coincides with one of the major moral issues of our time--the extinction of species and reduction of biodiversity.
-“marvels of affinity” is the key to reality, revealing how things are, what is known, and how to behave.
cosmogony (keyhan-zayi کیهان زایی)--how the universe became a moral system
...................................
[modes of existence]
science studies --> science
what was science before science studies? it was engaged in a sort of stupefaction that prevented meaningfu[...]
(2)[...notes/midday review.txt]%2.1[...]ee it as ‘nonlaughter’(?)
(*proposal: there is a number when we dial we can listen to her scream on the phone.) (--> stream, technology, tele-, telephone, called,)
(for her) thinking =? knowing (sending =/= receiving)
(an SF scenario:) imagine and describe an alien world where its populace don't practice ‘knowing.’
**scream ==makes==> witnesses**
(fighting ==makes==> coordination)
از طلبکار به طلبه (az talabkar be talabe)
///the (symbolic?) structuration of ‘demand’ in Lili's presentation:
the ‘sujet supposé savoir’ #sss [~= Pir, (پیر always a paternal metaphor?) that Other whom you ‘call’ who holds (your) deepest truth ---> go to the metaphorology of “depth” =/= “skimming the surface"] (installed by Lacan) is a subject who is in a functional position and one presumes that this subject knows or retains or holds the knowledge (even vital and secret knowledge [this is knowledge-talabkar طلبکار]) that you want. this subject is functionally established. one of the laws of our encounter is that puts the speaker/writer/analyst/text/etc in the (even architectural) center: the subject-supposed-to-know in Lacan the analyst who sits there as a tower of knowledge that mostly withholds what s/he knows --> transferencial energy directed towards him/her --> drama of identification (--> break-out of narcissism for Freud)
-it is one of the (negative?) binding transferential contracts in relation to “the one who speaks”
[*anthropology of exchange* --> Transference: (for Lacan) Each time a man speaks to another in an authentic and full manner, there is, in the true sense, transference, symbolic transference--something which takes place which changes the nature of the two beings present. Later Lacan articulates the transference in sujet supposé savoir: transference is the attribution of knowledge to the Other, the supposition that the Other is a subject who knows. “As soon as the subject who is supposed to know exists *somewhere* ... there is transference.” (Seminar II, p. 232)] [keep in mind that the (post?-)Lacanian theory is about the *constitutive function of the signifier in relation to the subject.* ... for Lacan, What constitutes the person and its identity can now be read as a text, and the author is not the subject, but the trajectory of the signifiers that represent the desire of those who occupy the place of the Other for the subject.]
[about demand: Lacan argues that “demand constitutes the Other as already possessing the ‘privilege’ of satisfying needs,” and that indeed the child's biological needs are themselves altered by “the condition that is imposed on him by the existence of the discourse, to make his need pass through the defiles of the signifier.” ... The subject has never done anything other than demand (since infancy!)] *{question =/= demand}*--> Nancy
[the use of ‘transference’ is a way to account for the relationship between readers an[...]
(3)[...notes/midday review.txt]%4[...]and full manner, there is, in the true sense, transference, symbolic transference--something which takes place which changes the nature of the two beings present. Later Lacan articulates the transference in sujet supposé savoir: transference is the attribution of knowledge to the Other, the supposition that the Other is a subject who knows. “As soon as the subject who is supposed to know exists *somewhere* ... there is transference.” (Seminar II, p. 232)] [keep in mind that the (post?-)Lacanian theory is about the *constitutive function of the signifier in relation to the subject.* ... for Lacan, What constitutes the person and its identity can now be read as a text, and the author is not the subject, but the trajectory of the signifiers that represent the desire of those who occupy the place of the Other for the subject.]
[about demand: Lacan argues that “demand constitutes the Other as already possessing the ‘privilege’ of satisfying needs,” and that indeed the child's biological needs are themselves altered by “the condition that is imposed on him by the existence of the discourse, to make his need pass through the defiles of the signifier.” ... The subject has never done anything other than demand (since infancy!)] *{question =/= demand}*--> Nancy
[the use of ‘transference’ is a way to account for the relationship between readers and texts. the emphasis in Lacan is on the ‘supposed’ and not on the ‘know’. reader assume that the text ‘knows’. --> What Lacan's understanding of the transference points to is the fact that we must see the meaning of any given text not within the text itself but as a reconstruction between reader and text.] [in other words, transference is ‘a representation of the past’ (childhood and etc.) to the present ]
a pedagogical problem: rapid transferencial turn-over: going from one subject-supposed-to-know to the other (=/= reading)
#the kind of ‘reading’ [encountering a text, artwork, speech, ourselves, etc.] that i am talking about is not about this transferencial energy directed towards the sujet supposé savoir. this practice of reading is about to read together and to read ourselves reading, to an atentiveness to the way we are reading or not-reading or aberating from something and be attentive to that disjunctive movement. what is noncomprehension? what is the experience of nonunderstanding? and so on.
*so, the sujet supposé savoir is the one who is structurally is in a place of knowledge which doesn't mean that subject is filled with or capable of offering power and knowledge but that is projected onto that functional space* --> sujet supposé savoir is merely a spatial determination? (is this related to my interventive lectures in outdoor spaces in order to sabotage ‘what is meant to signify’ of the spatial subject-supposed-to-know?)
*sss is one of the effects of subjectivity -- a scenography of transferential intensity : we credit that being with having knowledge to transmit, an[...]
(10)[...notes/midday review.txt]%4.1[...]itself but as a reconstruction between reader and text.] [in other words, transference is ‘a representation of the past’ (childhood and etc.) to the present ]
a pedagogical problem: rapid transferencial turn-over: going from one subject-supposed-to-know to the other (=/= reading)
#the kind of ‘reading’ [encountering a text, artwork, speech, ourselves, etc.] that i am talking about is not about this transferencial energy directed towards the sujet supposé savoir. this practice of reading is about to read together and to read ourselves reading, to an atentiveness to the way we are reading or not-reading or aberating from something and be attentive to that disjunctive movement. what is noncomprehension? what is the experience of nonunderstanding? and so on.
*so, the sujet supposé savoir is the one who is structurally is in a place of knowledge which doesn't mean that subject is filled with or capable of offering power and knowledge but that is projected onto that functional space* --> sujet supposé savoir is merely a spatial determination? (is this related to my interventive lectures in outdoor spaces in order to sabotage ‘what is meant to signify’ of the spatial subject-supposed-to-know?)
*sss is one of the effects of subjectivity -- a scenography of transferential intensity : we credit that being with having knowledge to transmit, and then we might also resist it.
---let's get out of this space!!?
--%--in the context of pedagogy, students regards their teachers as sujet supposé savoir, that they should know something. “it is the students’ supposition of an art teacher who knows, who have something more than they have in themselves, that initiates the teaching and learning process rather than the art knowledge actually possessed by the teacher” (Hetrick). (is it the architectural gesture--the center--that produces the recognition of the teacher situated as “teacher”?) *“the spell of transference.” / at some point some gesture is taken by the student as a sign of hidden knowledge and intention ==> transference establishing itself; (how education [and love?] without transference looks like? --> Julia Scher, ‘post-Lacanian’ means that you don't ‘transfer’ to the art-work nor artist?) #harem
parent --> teacher }==> what the student may desire to become (be recognized as)
according to Lacan there is no Pir (~ [often iconoclast] leader, guide, mentor, expert, knowing-hero, enlightener, rescuer knowing more, knowledgeable pedagogue/leader “helping students find themselves,” [--> my failed transference with Saeed])
-->? Discourse of the University* : (systematic) “knowledge” replaces the nonsensical master signifier in the dominant commanding position; in this case the sujet supposé savoir dependent upon the related knowledge of the Other, or the source of “the field” (journals, textbooks, etc.) ==> (arbiter of) truth --> *to transmit knowledge that is already given*
[account [...]
(15)[...notes/midday review.txt]%4.1[...]ttentive to that disjunctive movement. what is noncomprehension? what is the experience of nonunderstanding? and so on.
*so, the sujet supposé savoir is the one who is structurally is in a place of knowledge which doesn't mean that subject is filled with or capable of offering power and knowledge but that is projected onto that functional space* --> sujet supposé savoir is merely a spatial determination? (is this related to my interventive lectures in outdoor spaces in order to sabotage ‘what is meant to signify’ of the spatial subject-supposed-to-know?)
*sss is one of the effects of subjectivity -- a scenography of transferential intensity : we credit that being with having knowledge to transmit, and then we might also resist it.
---let's get out of this space!!?
--%--in the context of pedagogy, students regards their teachers as sujet supposé savoir, that they should know something. “it is the students’ supposition of an art teacher who knows, who have something more than they have in themselves, that initiates the teaching and learning process rather than the art knowledge actually possessed by the teacher” (Hetrick). (is it the architectural gesture--the center--that produces the recognition of the teacher situated as “teacher”?) *“the spell of transference.” / at some point some gesture is taken by the student as a sign of hidden knowledge and intention ==> transference establishing itself; (how education [and love?] without transference looks like? --> Julia Scher, ‘post-Lacanian’ means that you don't ‘transfer’ to the art-work nor artist?) #harem
parent --> teacher }==> what the student may desire to become (be recognized as)
according to Lacan there is no Pir (~ [often iconoclast] leader, guide, mentor, expert, knowing-hero, enlightener, rescuer knowing more, knowledgeable pedagogue/leader “helping students find themselves,” [--> my failed transference with Saeed])
-->? Discourse of the University* : (systematic) “knowledge” replaces the nonsensical master signifier in the dominant commanding position; in this case the sujet supposé savoir dependent upon the related knowledge of the Other, or the source of “the field” (journals, textbooks, etc.) ==> (arbiter of) truth --> *to transmit knowledge that is already given*
[account of knowledge as a symbolic and social network, master signifier, subject positions,]
in placing the ‘text’ in the position of a knowing expert who has the answers Lili (unconsciously) idealizes her texts, and of course when her ‘texts’ fail to satisfy that desire she demands ‘knowing’ from them in terms of cynicism: the feeling or state of being annoyed and irritated by them. this is a structural space of ‘demand’ in her. for me what is at stake is the complex nature of encounter between Lili and text which takes place in an artificial space--a symbolic space--that is at the same time the place of real investments of her desires.
[...]
(16)[...notes/midday review.txt]%4.1[...] anymore at the root of it.
(we are traveling behind its possible meaning-fields)
de-shamanization and translation /(non-transparency should rule?!)
are we trapped in a grid of grievance?
different forms of ‘maybe’ (i am trying to install?)
how complaint is then situated in ‘becoming’?
[...] complaint haunts our era of desperate justice (Xiri, Sana, Varinia)
. a calling-system? a GPS that has lost its signal?
maternal super-ego
political passion emerging as a defensive strategy
(@Xiri, is she trying to add-on the super-ego for her concern of social justice?)
so, does complaint prevent the arrival of change or make way for new forms of sociality?
“I can't complain.” --> (a blockbuster;) those in stubborn destitution ----that there is no address in the era of the becoming anonymous of God. ‘Who would pick up your call?’
however, “the friend, whether ghostly, futural, or closely bound in time, receives the brunt of the complaint” --friends structurally listens to disappointed expectation, disappointed worldliness
what-should-have-been
On what approved contingencies, contractual loopholes, or transferential coordinates could I possibly befriend another?
metaphysical heritage of friendship (... reconfigured personhood)
(how can I do things without being a psycho about it?)
(How do I know by which politics of friendship, grid or writing practice I am being called up?)
a vocabulary existed to designate, approximate certain routines
R_dzvJYDZXM
CrGJIS3quYY
(30.03.2017) Rabih Mroue and Hito Steyerl duo: concern for injustice and conservative justice call disguised under an elaborated and augmented complaint (in the aesthetic terms of contemporary art market), non-researchers of their subjects and topics, they have no ‘topic’ only ‘resource’ (in the making of their own myth of the figure of artist,) [=/= when something becomes a topic for you, it bounds you to the unsettling commitments of curiosity and research and hard work.]
-in their notion of “Artist in the Reign of Terror” they ask disturbingly “but many individuals have died and it means nothing?!” with a sneer (artwork as puzkhand پوزخند --> @Ali )
[**“sneer” is a contemptuous or mocking smile, remark, or tone, coming from a family of sarcastic tropes of complaint and ironizated complaining]
-their art-work finds and flourishes in a terrain of terror. in their nonspeculative work there is no “but, what if” or “but, not yet” and therefore no ‘becomings’
-for Hito and Rabih: zeitgenössisch (contemporary) = grausam (atrocious)
-they dichotomize (fact/fiction, real/unreal, etc.), rather than allowing a novel and interesting question to be raised
-what is the state of unk[...]
(20)[...notes/midday review.txt]%4.7[...] in working with ajayeb) sometimes you are required (at the same time!):
•to be dead literal
•to be precise
•to be analytically good
•to be unforgivingly technically right
•to be flaming imaginative
•
*breakdown*: where the normalizing fails ==> something else emerges
*every collective needs people who feel:
•(a grace given to you by the structure of your cells, you don't know where it comes from:) “root sense that the world is not dead” --> a sense that things are moving and alive and future-full
•its people who feel despair (...emphasize the futurelessness of it all)
*!!!--> we (also) need sensibilities that are angrey at each other
(aligned with Haraway) my position has been that: we don't choose our sensibilities, we wake up and figure out what they are
(Haraway take on the ways we) may enginner as a species now (tech, syntax, etc.)
to refuse the story of the apocalypse + (still) recognizing the depth of the trouble
--> Freud's thanatos غريزه مرگ, a death instinct, (it is a deep, instinctual lure:) *a perverse pleasure in believing in inevitable failure*
*transference is descriptively very apt for what goes on in artistic moves [<-- to be careful of]
**to risk a feeling of (despair, of...)
the ways some of us risk things intellectually and emotionally different than each other
prima donna: doing whatever one does without any particular effort to nuance anything
*multiple impossibilities
learning from religion, the ways of which the name of God has become an impossible category. both catholics and muslim shia (#islam) are wellprepared for feeling this way, some kind of recognition of impossible thing. let's take that “being good at recognizing and affirming impossible things” and bring it to the name of women. that means as soon as you name what you mean by ‘women,’ you have told some kind of really impossible lie.
(how my muslim trained sensibilities are working and mattering in my ajayeb research? ways to respond to *the deadliness and the irreplaceable liveliness of religion* [کشندگی و سرزندگی یکتای مذهب], a semiotics with implosion of sign and flesh)--> (i am so happy that) i cannot not know what it is like to be in a believing community (a faith-based community)***
...out of your own particular little historical traditions
*because my research is about ajayeb it can never only be about ajayeb*
you can't do feminist theory without paying attention to the details of women lives
your mode of attention to women in the world ==(shapes)==> your mode of attention to:
•the way databases get set up
•the ways interdisciplinaritie[...]
(21)[...notes/midday review.txt]%8.4[...]eeping Beauties*** (<-- what i am learning from psychoanalysis)
the mythic appears within the language, observation, and theories even of science
recent attempts to move out of analysis: (@Aela)
•group therapy
•sensitivity training (--> apass)
•love-ins
•blowing-the-mind with drugs
•
[*]analysis (is too potent) is too much a part of this century's self conception --requirement--> of ego psychology
([apollonic aim of enlightening consciousness -->] enlightened *egoization* of the psyche =/= *a darker and softer kind of life* ~-> end of neurosis, end of analysis, end of consciousness...) analysis --in-20th-century--> rediscovering the soul and reawakening its imagination
(rethought -->) [*]analysis: essentially as imaginative activity (or an activity of the imaginal realm) as it plays through all of life --> [the idea of one's “fable” ~] ***what is the fantasy he has of what he does?***
analysis is an *enactment*
enactment necessitates *myth*: a tale about its ritual
mysogyny <-- manifestation of the western, protestant, scientific, apollonic ego
****Hillman (penetrating the analysis in accordance with mythical perspective):
*transference --> erotic*
*unconscious --> imaginal*
*neurosis --> dionysian*
-what are the manifestations of ego in ajayeb?
-please let's have a darker kind of light...
(Keats:) world = the vale of soul-making }==> you'll find out the use of the world
(Hillman:) psychoanalysis: something one learns through “analysis” --> processes of the mind, heart, and soul (that were not included in the field of psychology in the past century)
(Jung:) depth psychology: an ontology of the soul based on archetypes
(a -logy that allows the) soul's speculative function
Hillman proposiroposing a deep uncertainty concerning the root metaphor, the true myth of the work (of analysis)
mystes
epoptes (an initiate in the Eleusinian mysteries; one who has attended the epopteia)
shaman
an initiator
guru of the body*
root metaphor of psychology (?)
(until 1700: pattern = patron) --Hillman--> to discover this pattern [the general myth of our field] = to search for our patron: the father who creates and is the creative principle in us
[because] [we are uncertain of what we are:] we are uncertain of our author, from whom would come both our authority and our authenticity
tracing things back --> preserves of the mother-childhood and family (dominanting psychology) --> we come to her: ***materialism = maternalism (in acceptable disguise)***
...................................
(with the critical bestiaries magazine idea) is my work about definin[...]
(22)[...notes/midday review.txt]%11.6[...]e]
*observational aesthetic* <== convergences of contemporary art and anthropology
...................................
[ajayeb -->] concept or theory --> (a training in) absorption + attention + framing =/= truth effect
[title]
Whatever Professor
[why apass asked me to do their website's] indexing: (a shrewd and thoughtful creativity in) the first interpretation of a content's body =/= presuming a standard taxonomic form
==>
•surprises
•styles of critical thought generates power in twists of voice and craft
•
allows one please to demonstrate the wonder
“We ask our readers to perform the jamb when language overruns the mental breathing that reading entails.” (Lepselter)
•or, nothing disappears --> You breathe the air you're given. (“I felt ripples from a rape in the seventeenth century, behind a barn somewhere in Romania, where generations later my bitter grandmother disparaged her children without knowing why.”)
•or, words sediment next to something laid low
•or, (index as in) to point sideways --> shifter's only meaning is the object it happens to point to
•drawing figures, hooks, asterisks
•or, placing what's structural, technical, transferential, pulped, leaking, intense
{things: an integrated thin layer to epitomize and abstract in new ways how people are hooked up with their technologies; parsing and criss-crossing some of the built-in categories and new needs of the people who are using it;}
things that do the reading, editing, assembling
*every edit ==> (set off a cascade of:)
•word falls
•Rubik's Cubes
•tropes
•infrastructures
•genres
•rhymes
•off-rhymes
•tonal flips
•half-steps
[compositional listening]
one reads aloud + the others *listening compositionally*
#writing exercise:
following out the impact of things (words, thoughts, people, objects, ideas, worlds) in hundred-word units
theoretical reflections get folded into the analytic, observational, and transferential ways we move
(Stewart + Berlant)
aftershocks of a shock you can't point out
(we shouldn't always ask) “where does the misery come from?”
designers imagined a still life, not a lifeworld where we show up to build things out
evaluative critique =? (mental habit of) demagnetizing things (for the sake of clarity)
proliferation of little worlds...
story = relay, weiterleiten, رله
...................................
in fact i have never been working on the notion of nature, my topic of research, rather have been all along zoology
score: creating disorder out of order
@Lilia
wry --> wr[...]
(23)[...notes/midday review.txt]%11.8[...]barn somewhere in Romania, where generations later my bitter grandmother disparaged her children without knowing why.”)
•or, words sediment next to something laid low
•or, (index as in) to point sideways --> shifter's only meaning is the object it happens to point to
•drawing figures, hooks, asterisks
•or, placing what's structural, technical, transferential, pulped, leaking, intense
{things: an integrated thin layer to epitomize and abstract in new ways how people are hooked up with their technologies; parsing and criss-crossing some of the built-in categories and new needs of the people who are using it;}
things that do the reading, editing, assembling
*every edit ==> (set off a cascade of:)
•word falls
•Rubik's Cubes
•tropes
•infrastructures
•genres
•rhymes
•off-rhymes
•tonal flips
•half-steps
[compositional listening]
>
one reads aloud + the others *listening compositionally*
#writing exercise:
following out the impact of things (words, thoughts, people, objects, ideas, worlds) in hundred-word units
theoretical reflections get folded into the analytic, observational, and transferential ways we move
(Stewart + Berlant)
aftershocks of a shock you can't point out
(we shouldn't always ask) “where does the misery come from?”
designers imagined a still life, not a lifeworld where we show up to build things out
evaluative critique =? (mental habit of) demagnetizing things (for the sake of clarity)
proliferation of little worlds...
story = relay, weiterleiten, رله
...................................
in fact i have never been working on the notion of nature, my topic of research, rather have been all along zoology
score: creating disor disorder out of order
@Lilia
wry --> wryly کج معوج شده
...................................
paleonymy (use of a preexisting word in a new context) --> we are stuck with old skeletons neurotic words [that are not mutating] (for example man, woman, animal, black, etc.) [=/= hope for mutation, random emergence, sudden epistemic newness]
(Avital:) *language = the house of being*
(not to think emancipatory -->) we live in language, we are structured and destructed by language
we can struggle, move, shift meanings, but never can erase or repress meanings
(Freud showed) that if you think you can be oblivious with things and do away with things and have erasure without remanence, it will go in the state of latency (underground) just to blow up in your face later (the ‘return’ of the repressed has ballistic velocities) --Derrida--> you have to work through with meaning and language (otherwise the old meanings always[...]
(24)[...notes/midday review.txt]%11.8[...]underpins all his experiences)
we “wear”:
•sex
•aging
•personal feelings
•Iranian, or German, (basically being anything)
•
(basically in all Hollywood imaginings and standard archaeology) artefacts are only assigned secondary agency --> animacy is not considered as inherent attribute of the artefactual *** (Gell)
--✕--> pots as living organisms subject to processes of growth
(Ingold's) ecology of materials is characteristic of work that focuses on the inherent vitality of things (Barad)
*production: an ongoing process that produces both maker and object
(Alberti proposes) a change in focus: (from) *stopped up objects* --(to)--> *leaky things*
in his writing Alberti finishes 3 or 4 times his paragraphs with the same characterization of his field: “chronic instability of a world constantly at risk of transformation”
“if everything can be human, then nothing is human in a clear and distinct way.”
Viveiros de Castro
[*]subjectivity: a condition and outcome of all affective relations =/= a capacity that can be awakened in a seemingly inert thing
=/=?! transference, (is transference an object-oriented account?)
the active nature of materials refers to their recognized capacity to escape form : their untrustworthiness
(a paradime for creative arts:) artifactual production --> animal creativity
(in Amazonia, and) in ajayeb, no distinction is made between thoughts, feelings, body and mind --> thoughts and actions happen in the same ontological space
(Alberti > Viveiros de Castro)
...................................
shift from an epistemological to an ontological register in theoretical archaeology
critically ontological: turning insight back on the archaeological project
(in archaeology:) ontology = reality (what there is) / peoples’ claims about reality (a fundamental set of understandings about how the world is) }--Alberti--> one can conceptualize ontology: as a people's “beliefs about” reality / as people's actual ontological commitments (~ people's reality)
Latour's modes of existence: ontological tendencies that exist more or less precariously under the assault of modernization
conversion of ontological questions into epistemological questions ==> deontologizing other peoples’ *ontological commitments* [--> that Goda mistook for ideology]
*problem with pluralizing “reality” is that it might appear to be a form of cultural relativism, (demotion of) “ontology ~= culture (~ cultural beliefs about reality =/= reality)” ==back==> cultural construction
anti-Cartesian, relational, and antiontological exceptionalism
[a] Heideggerian idea: [...]
(25)[...notes/Ajayeb notes.txt]%23[...]aterial beings)
(Amerindian) spirit/mind =? reflexive form =/= immaterial inner substance
the neophenomenological appeal to the body as the site of subjective singularity
projects of “embodying” (the spirit) --?--> eliminative materialism
(culture: modern name for Spirit)
integration =/= *interspecific metamorphosis fact of nature* that understands bodies as inherent transformabilities, bodies as the great differentiators
integration cosmology --presume--> singular distinctiveness of minds ==> solipsism[= potentially absolute singularity of minds ==> fear that we will not recognize ourselves in our “own kind”; solipsism: ‘natural similarity of bodies =/=> a real community of spirit'] --multiculturalism--> spiritual: the locus of difference ==> theme of spiritual conversion
=/= bodily metamorphosis
(a traditional problem in the West:)
*how to connect and universalize*
individual substances are given, while relations have to be made
=/=
(Amerindian problem, and problem of ajayeb:)
*how to separate and particularize*
relations are given, while substances must be defined
transformation ==> nature <=/= creation
transference ==> culture <=/= invention
*culture = acculturation*
*exchange = transformation of a prior exchange event*
*to act = to response*
poiesis (creation/production/invention model of action ==> objectification: question of ‘documentation’ in art) =/= praxis (transformation/exchange/transfer model of action ==> subjectification: question of ‘what is/has changed?’)
story of “we had to steal fire from a divine father”
(god forbid the origin of our abilities be animal or queer)
mythology: a discourse on the given, the innate
myth: that which must be taken for granted
affinity and alliance --> exchange (amerindian)
parenthood --> creation/production (modern western)
-the “exchange” (=/= “parenthood”) that Viveiros de Castro talks about fits seamlessly with capitalism's free exchange of knowledge
warrior/shaman/artist --> conductors of perspectives
relative
relational
enmity: full-blown social relationship, extreme exchange
schema of difference
(Amazonian cosmology:) generic attributive proposition = cannibal proposition
==> self: gift of the other (=/= hylomorphism: an active usually exclusively human subject confronts an inert and naturalized object)
**cosmology (~ the hyphen between nature and society is social) =/= naturalism (~ relations between society and nature are natural)**
we are body-objects in ecological interaction with other body-forces
-question for Viveiros de Castro: what would be the[...]
(27)[...notes/Ajayeb notes.txt]%23.8[...]ce is formed semiotically (~ through sign)
*political oratory [=/= informing the content of a message] uses poetical resources that allow interlocutors to have their identities mutually constructed by means of indexical signs* (that connect the message's form to extralinguistic contextual facts) --> *message ascribes to me [=/= message describes my reality]*
Ali's use of political oratory in the context of ordinary interactions with me --> i forgot that the symbolic procedures that separate ritual speech from ordinary interactions are not necessarily intended to mean something
-what was the pragmatic conditions that define the kind of ‘language game’ Ali was playing?
[*]formalization: reduction of combinatory and creative possibilities of language by the use of formulas, archaic vocabulary, syntactic and stylistic patterns {--> distancing the
discourse from its semantic content ==> attention to its context and performance ==> effects}
/>
ritual action --Severi--> reflexivity: definition of its own meaning and effectiveness within the context of ritual communication
(@apass's) performative and poetic structure
[Guerreiro -->] chief = consanguine kin ابى & potentially dangerous enemy [---> go to transference]
(chief's fellows's both as children & prey)
ritual speech ==> ***complex enunciator*** [~= #feedback]
ambiguity of duality of gestural and verbal [==> exchange of perspectives (=/= exchange of words)] --?--> paradoxical construction of identities
+
chimerical representation --> presence of counterparts (of percepted fragmentary signs) to its audience
beautiful and strong body
serene and generous behavior
linguistic abilities (“made to discourse”)
(we are living with) mythical, aesthetic, and ritual elaboration
guiding them with “good speech”
pleasing them by sponsoring rituals
welcome meome messengers (“made in order to greet messengers”)
relational and possessive
(possessed form of) asymmetrical relationship between a denominated (individualized) person and an undifferentiated collective
agglutinate
enunciated in the same tone with no pauses to breath
+
expletive ah
+
set of particles
+
deictic ige (evidential [devaluating?] particle that indicates proximity, presence, or existence, fixed to the copula --> piece of advice?)
expletive and particles with no lexical element --> self-derogatory forms of speech (the “humbling effect”)
it's common for men to emit long high-pitched and melodic screams as soon as they wake up ==> to wake the whole village up with joy
present is nothing more than an impoverished form of a previous age idealized as grandiose <-- (chief) to “work on his children” like an ancestor, he must state that [...]
(28)[...notes/hayula notes.txt]%44.2[...]=/= polyhedron crystal) --> how would Sohrevardi choose a model? What would he think of fluid systems? [--> The Solids of...]
what are his rigorous bodies?
in Sohrevardi the *order* is of the ...[?] {of the world? Of the street? Of the code? Laboratory? Of the operative? Civil? Logical? Social? Scholastic?
more phenomenological ~=?(&?) less measured
(the river of phenomena is physics)
they put (ajayeb's) nature outside nature, (placing it in the subject, and so on)
which facts “are” the foundation of materialism?
-(the idea they says) classical knowledge deserves classical philosophy
(#?%$@x*!!!---->) if there are monsters here, go elsewhere(!)
what? / how? --> by contract or by strategy?
the ‘question’ is always consequential, never naive or frivolous
we need? workers (=/= generals)
we need? contracts (=/= strategy)
(how can i understand my “strategies” and my “contracts” ?! contractual agreements that i use or depend on or produce in my research and work with ajayeb, and in relation to the others in my performances--{my vocabulary, thinking with me, (un)learning with me, etc}--and even prior to the event of our encouter, the binding transferential contract in relation to the one who speaks) ~~--> (and issuing its) betrayal
strategy --(always? [should?] ends with)-->? contract; (for example, making peace treaty after war)
[]
{*strategy, “art of generals,” from French stratégie, from Greek strategia “office or command of a general,” from strategos “general,” from stratos “multitude, army, expedition,” literally “that which is spread out” (--> “structure”) + agos “leader,” from agein “to lead” (--> “act”).}
(strategy/contract/...)
***science is conditioned but unconditional***
(Serres:) science is conditioned by postulates or by decisions that are generally social, cultural, or historical in nature, which form it and orient it
--(nevertheless)--> sci is universal and free from contract #science-story
“I can't think of a mountain, a border, or a date which makes the agreement of scientists and everyone else relative on these points.”
-they say sci is conditioned but not determined
conditions that do not determine the contents of what they condition
(mathematics?)
but they determine the map of what they condition : the schema of its relations --> the topology of science; the clay remains the same but the shape changes
Fluid Mechanics can be a basis for biology (--> constitution of living being) or for a technology of the inert (--> theory of ship building).
...crazy!
Education is conducted by duce
method ~=? path
strategy is not only a form of dynamics or energetics but first of all a topology*
the master p[...]
(29)[...notes/notes Hermes.txt]%50.8[...]our relations to a minimum and bring your objects to the fore. Reduce the intersubjective to a minimum and the objective to the maximum. With your back turned on politics, study physics. [...] Forget the sacred, that means: forget the violence that founds it and forget the religious which links men to each other. Consider the object, objects, nature.”
Serres*
...nevertheless the plague returns and there is violence
sacred --> division of space --> temple --> inside & outside --> a dichotomized space --> a boolean geometry, a two-valued ontology --> inside : religious , outside : profane --> inside : matter , outside : void -->? Atom
...................................
Origin of geometry, construction of geometric idealities, establishment of the first proofs, a Greek (or Egyptian priest) miracle
--Serres--> this is the same as asking: how one passed from one language to another, from one type of writing to another?
**we are always dealing with many languages**
one of my contracts: agreement on what is noise.
I never truly made an agreement with my audience on what we might collectively agree about noise and interference.
•mode of communication, meaning-making, language, transference, transformation,
•what is the intersection of our repertoire? (in apass, particularly; each of our mimetic preoccupations, dynamics of our violences, our mathematical sites, drawings on sand, modifiers, etc.)
==> dialogue
mathematics: (presents itself as) a communication maximally purged of noise
HRN: human relation-noise
=/= geometry
die agonal
to which degrees my work on ajayeb aligns or depends on the “new language” of the inexhaustible discourse of mathematics as inherented from the Greek geometry into the modern culture?
What are the inaugural relation of the geometric (metrological) ideogram to the CG? And to the Egyptian priest?
What is compared, modeled, simulated:
•flood
•fires
•celestial fire
•catastrophes
•violence of the elements
•
ajayeb: doxographies (, legends and allegories) composed in natural language (?)
=/= (the problem of) how to duplicate the cube ---,{thematized object of the complete intersubjective relation}
~=? alogon =/= logos: proportion, measured relation, discourse;
alogon prohibits speaking
crisis and recast, questions of archive
Luisa, Foad
(the space of the relation between) experience & abstract --> between sense & purity
(an inquiry line for Luisa: try to figure out the status of pure [which is impure? when history changes])
my allegorical covers
meaning of:
•non-disproportion
•nonviolence
Socrates: you are in cri[...]
(30)[...notes/notes Hermes.txt]%51.3[...]◾it operates unconsciously (the person won't accept that they project)
•rationalization: irrationalities are explained in a seemingly rational or logical manner and are made consciously tolerable, ad hoc hypothesis: to save it from being falsified [<== introspection illusion: cognitive bias of the origins of one's own state]
•fantasy
•denial
•reaction formation: responses to internal threats and anxieties, anxiety is mastered by exaggeration of the directly opposing tendency. phobia is always reaction formation: the person wants what he fears. [solicitude (may be a reaction formation) against cruelty, pacifism against sadism, etc.] when *instincts (and their derivatives) are arranged as pairs of opposites* (life/death, construction/destruction, action/passivity, dominance/submission); techniques: exaggeration, compulsiveness, inflexibility: “reactive love protests too much.” “the lady doth protest too much, methinks.” (it cannot adapt itself to changing circumstances as genuine emotions do)
◦intellectualization {memory of event --> intellectualization ==> conscious analysis of non-anxiety provoking information about an event}
◦dissociation
◦displacement: means of dream-distortion, ego relocates anxiety somewhere else, transference of emotions/wishes
◾sublimation والایش [a form of displacement]: long-term conversion of the initial (negative) impulse, (alchymical in Jung) transformation of shit into gold. [in Freud: ‘sublimation = plasticity of the sexual instincts’ ~/= in Lacan: ‘sublimation = (usually cosmic?) process of creation in ex nihilo style’ : an object (manufactured or not) defined in relation to the emptiness of Das Ding (empty canvas) --> sublimation ~ dismissal/Verwerfung: obsessional relational behaviour attributed to the avoidance of the primordial emptiness (of Das Ding) ==>? religion/art...
**penis sublimates into seriousness**, adolescence into poetry, emotions into mystical art into dominance,,,]
◦repression/suppression: subduing in the unconscious (under the influence of the superego?)
•withdrawal
•regression: a way of relating to the world that was formerly effective (to recapture some childhood satisfaction)
•
•pathological defense mechanism: delusional projection, denial, distortion, extreme projection, splitting
•immature defense mechanism: acting out, fantasy, idealization, passive-aggression, projection, projective identification, somatization
•neurotic defense mechanism: displacement, dissociation, hypochondriasis, isolation, rationalization, reaction formation, regression, repression, undoing
•mature defense mechanism: altruism, anticipation, humour, identification, intellectualization, introjection, sublimation, suppression
•other defensive mechanisms: compartmentalization, defensive pessimism, exaggeration, minimisation, postponement of affect
*it i[...]
(31)[...notes/sanaan full text.txt]%52.5[...]e between) a self-automating freedom that one attains via a borrowed sacred (handed-over, Frankenstein) and a hard-won-freedom attained through the rending-apart of a closed world (through the intractable سرپيچی)
-Sartre: a self-conscious authorship of the world, condemned to a certain responsibility before the event of one's own existence [--> the problem occurs when someone made it their task, duty, or entertainment to compel the other to experience such freedom]
-Nietzsche: ‘freedom = exclusive gift of the enemy’ ~ ‘respect-for-life = euphemism for death’ [life (if it has worth) is meant to be disrespected, contested, and hounded] --> ‘insurgent = warrior’(<-- the substance remains the same)
Adonis: “don't come closer, the wound is nearer than you / don't come closer, the wound is more beautiful than you” (@Hoda, Ali )
ancillary فرعى کمکى, تابع, مستخدم بومى --> کلفت
avarice حرص
>
affective overreaction <~=-> radical coldness
**literal**
western inability to understand the turbulant reaction abroad --> loss of the power of the literal (--> *democracy depends and works with the literal*:)
literal has given way in the west to the transference of image, language, and thought to a purely representational or metaphoric domain (to talk about things, but not speak the event itself)
“one cannot grow angered over a film, sculpture, treatise, or drawing (or a dance), then one also cannot experience captivation with a film, sculpture, treatise, or drawing” (Mohaghegh)
[yet the literal is sneaky in that is always decontextualizes, it vibrates and swings so conspicuously from its point of origin]
(old Marxist, anarchist, and postmodern critique: ‘hyper-mediation + technological diffusion ==> obliteration of the sharpness of the senses in modernity’) =/= loss of the radioactive potential of the world of appearances --> *rabbit chaser* [a mask that i am invested in,] a middle eastern existential cost at stake : the myriad and triggers that alone make possible the descent into Alice's Wonderland--the child chases the the white rabbit(~a partial flashing image) without real thought to its enigmatic reasons or destinations (“why and where is he going?”) Alice (like Janina) is only consumed by his color, speed, movement, and nervous incantation افسون of lateness*** (--> metaphorology of “depth” in east)
code of urgency: “mean what you say and say what you mean”
a (monumental problem or) discord in the West between: saying (or showing in terms of images) and meaning () }--> problem for the propensity of acting, running, hungering, wanting, and living itself --this-is-why--> most groundbreaking ideational products in the West often fail to penetrate enough to excite or instigate (the avant-garde can not longer shock [--> bankruptcy of the contemporary artists in [...]
(32)[...notes/sanaan full text.txt]%56.4[...] the sign: exchanges of signifiers, to Lacanian psychoanalysis: the impose of symbolic structures on sexuality]
defense: reaction of the ego to certain interior stimuli (and not the external) <-- Freud
(in Lacan:) *defense: permanent symbolic structures of subjectivity =/= *resistance: transitory imaginary responses to intrusions of the symbolic (on the side of the object)
the neurotic and the pervert defend themselves in their *desire* =/= psychotic defends himself in their *projection*
“to desire” is a defense mechanism (against going beyond a certain limit in jouissance?)
(>this is all about) the psychotic relation to reality and the relation of the subject to his speech
*unreal is transparent (for the paranoid)*
-hermeneutics of suspicion (<-- Nietzsche's perspectivism: all texts are but autobiographic memoirs)
...................................
[Searles]
schizophrenic individual is struggling with the question, not so much of ‘how to relate,’ but ‘whether to relate’ to others
(Searles's interpersonal ideal:) connection = relatedness without merging
spontaneous involvement of the therapist in terms of countertransference (pygmalionesque love?)
psychological illness = a disturbance of natural tendency to heal others (patient's unconscious therapeutic initiative)
“all patients have the ability to ‘read the unconscious’ of the therapist” (Searles)
*acknowledging what the patient's transference materializes*
...................................
apass's aetiology: the philosophical study of causation of disease
(deriving from the Greek words aitia = cause and logos = word/speech) --> “tell me what causes your psychosis or art”
(thing that actually drives you crazy:)
other individuals [~ tormentingly insecure nature of the ever-ambivalent symnt symbiotic relatedness in infancy and childhood] ==> schizophrenia
nonhuman environment ==> Anxiety(?)
symbolic bad object ==> depression(?) (always an active state)
(poorly integrated personality -->) externalized psychosis (~= “acting out”) ==> (situations which will) engender psychosis in other people (*whereas they themselves remain immune from overt symptoms* <-- in smaller/different doses of psychological assault of the very selfish people who externalize their “ideas” and “impressions” by telling effective stories about them, and so on. --> **determine psychosis in others and protect themselves from psychosis** @Arjang, Jassem, Sina, Ali )
psychological assault by parent upon the child (reflected in the child's earliest delusion) [--> meeting child's own defensive and aggressive requirements to avoid psychosis] ==> schizophrenia (symbiotic relatedness --> within an dependence-independence schizophrenic struggle the patient's belief i[...]
(33)[...notes/sanaan full text.txt]%59.2[...]rm of: deliberate experiments in the service of totalitarian political ideologies, cultural undercurrents in present-day democratic societies, and in the lives of the schizophrenic)
-what are the effects of your work on other's ability of participation in life?
Searles: effort to drive the other person crazy can be motivated predominantly by a desire to externalize the threatening craziness in oneself
(-artists do that?)
*introjected crazy parent* (==> predominance of the one's own irrational and cripplingly powerful superego)
(parents, crazy or not crazy, are always introjected[?])
love and solicitude (in mother-child relatedness) ==> impel the child to collaborate with mother in this pathological integration
-child loves her mother so deeply that he sacrifices his own developing individuality to the symbiosis necessary to her personality-functioning
Foad's psychology: bringing upon himself any catastrophe which is sensed as being inevitable, in his effort to diminish intolerable feelings of helplessness and suspense in the face of it
(parents who are not sufficiently openly psychotic ==> child secret knowledge of parent's craziness -->) child's transference phenomena --> always one or another of the parents was “a little crazy”
[+ not to mention that one strugghng against a developing psychosis will project his or her own threatening ‘craziness’ on to one or another parent]
desire to find a soul-mate to assuage unbearable loneliness <-- a parental motive reflected in child's fanatical loyalty to the parent
(the very lonely person who hungers for someone to share her or his private emotional experiences and distorted views of the world) --> “tried out” her paranoid ideas on him (!!**)
[==> chronic schizophrenia]
our immediately and vividly real parent-image ==> a libidinally cathected reality
(to get free from) our magically ‘close,’ magically ‘mutually understanding,’ two-against-the-world relatedness with the parent
infantile-omnipotent relatedness between:
•the ‘sickest’ least mature areas of the parent's personality
•the patient's personality
==Searles==> obstacle to the patient's becoming well
transference development: therapist inevitably becomes deeply immersed in the subjective experience of magical closeness and shared omnipotence with the patient
(offered to the patient in childhood by the parent:) the *lure* to share the delights of being ‘crazy’ along with the parent
or:
(?Jassem or Sina's motive and genuine effort of) making the other person crazy (~ to weaken their personal integration ~ to diminish the area of ego's competency) <~/?=> *making the other person present* (Martin Buber) --> fostering of the other person's intra-personal and in[...]
(35)[...notes/sanaan full text.txt]%59.5[...]olerable feelings of helplessness and suspense in the face of it
(parents who are not sufficiently openly psychotic ==> child secret knowledge of parent's craziness -->) child's transference phenomena --> always one or another of the parents was “a little crazy”
[+ not to mention that one strugghng against a developing psychosis will project his or her own threatening ‘craziness’ on to one or another parent]
desire to find a soul-mate to assuage unbearable loneliness <-- a parental motive reflected in child's fanatical loyalty to the parent
(the very lonely person who hungers for someone to share her or his private emotional experiences and distorted views of the world) --> “tried out” her paranoid ideas on him (!!**)
[==> chronic schizophrenia]
our immediately and vividly real parent-image ==> a libidinally cathected reality
(to get free from) our magically ‘close,’ magically ‘mutually understanding,’ two-against-the-world relatedness with the parent
infantile-omnipotent relatedness between:
•the ‘sickest’ least mature areas of the parent's personality
•the patient's personality
==Searles==> obstacle to the patient's becoming well
transference development: therapist inevitably becomes deeply immersed in the subjective experience of magical closeness and shared omnipotence with the patient
(offered to the patient in childhood by the parent:) the *lure* to share the delights of being ‘crazy’ along with the parent
or:
(?Jassem or Sina's motive and genuine effort of) making the other person crazy (~ to weaken their personal integration ~ to diminish the area of ego's competency) <~/?=> *making the other person present* (Martin Buber) --> fostering of the other person's intra-personal and interpersonal integration or self-realization, (an effort to) to help the other person [seen as a child to become mature?] toward better integration ~ love
[for Guattari, the problem is not to reach an integrated ego, but to constantly change the composition ==> to unblock the situation (reactive assemblages causing paranoia) ==> to be able to do something else ~=> to become someone else]
[how to learn your way out of philosophy as philosopher ~= *to apprehend what you know* in a creative way]
loving relatedness --> responding to the wholeness of the other person (relating to a small child or to a psychiatrically ill adult, and so on)
}--> (which is fundamentally) a parental disposition [and the offspring might represent a miscarriage of the parent's wish]
-the problem is that you cannot always know the precise ego-capacities of the other person
-your interventions could be ill-timed or ill-attuned ==> disintegrating effect
questions regarding the processes of feedbacking in apass: to help the oth[...]
(36)[...notes/sanaan full text.txt]%59.5[...]he other person
-your interventions could be ill-timed or ill-attuned ==> disintegrating effect
questions regarding the processes of feedbacking in apass: to help the other person (not to become aware of truth about themselves or their work, rather) to construct figures about themselves and their relationships with others, figures which could provide the basis for rapid ego-growth and personality-integration. but sometimes it is too fast, the ego regresses, and it becomes an experience of developing psychosis
pathological defense:
•delusions
•hallucinations
•depersonalization
•
skilfully dosed and skilfully timed increments in psychotherapeutic participation [such as premature interpretations demanded usually in feedback sessions] ==> opposite effects (rather than an integrating effect upon the artist researcher)
the schizophrenic patient's individuality resides partly in his symptoms
(Searles > Szalita-Pemow)
?gratifications in the ‘crazy’ symbiotic mode of relatedness (despite the anxiety- and frustration-engendering aspects that it offers)
earlier struggle between child and parent to drive each other crazy --> evolving transference of the patient-therapist relationship --> to crack each other
the economy *feelings of confusion and unreality* for iranians, in public political realm of state and individual symbiosis, as well as intersubjective early childhood and parent symbiosis --> the ways it enters cultural imaginary and artistic expressiveness --> *how and why iranian artists often try to make their audience crazy* [-and myself included, check Sina lecture's chaotic verbalizations of delusional materials --> jouissance of disorganization]
-(in my lectures) am i externalizing my psychosis? [~ romantic]
(mother repeatedly commanding the child ‘Now, think!’ [~ to perceive the secret] ==>) threatened, mistrustful, isolated self ==> finding hidden meanings + sarcastic response [~=> unnerving the other]
small children exposed to unfamiliar and complex situations ==> often experience of ‘you are crazy!’
modern culture of obsessive-compulsive character traits as orderliness, competitiveness, intellectualization ==> obsessive-compulsive type of basic personality structure (is made very common among artists, people who are busy one way or another with analysis and psyche of the other) ==> **reaction formation** (which is one of the major defense mechanisms of the obsessive-compulsive) ~= long-repressed desires **to dismember the personality-structure of other persons**
[obsessive-compulsive personality type is very common in expertise societies: tavahosh-e takhasos, clean (+ “contaminated” things), one is deeply immersed in research, mental control, not wasting time, adherence to routines/rituals, washers, checkers[...]
(37)[...notes/sanaan full text.txt]%59.6[...]njury capable of language and disclosure)
--> idiocy offered a delicate conflagration of soma + psyche
illness: the stealth master (the teacher whose lesson is unremittingly opaque yet purposeful)
(when you get hurt -->) body: “Honey, I’m home, I am your home.”
your body fighting for you
healing without cure
illness --Avital--> essentially related to the experience of injustice ~= your Geworfenheit
• illness visits you at will and does what it wants to your body (stinging surfaces you didn’t know you had)
•illness gives access to the devotional mode of surrender (abandoning to itself something other than the self)
•illness brings with it an alternative system of ecstasy and meaning
•*illness: an inescapable condition of being*
-
(Dostoevsky's Myshkin) suffers a sacred illness
[your?] heritage -->
backed up by literature
backed up by philosophy
claimed by mythology
*epilepsy* (has a place in the history of thought) --> the Idiot's illness
•between psyche & soma
•between the *theory of trauma* (which focuses the history of the subject) & the *theory of fantasy* (which refers to transference and countertransference)
•the only illness to have its own mythological figure -->
•madness
•visionary excess
herald of epilepsy: Hercules, Buddha, Alexander the Great, Julius Caesar, Napoléon, Lord Byron, Pascal, Van Gogh, Dostoevsky, etc.
foolishness
drunkards
maniacs
the pathologically resentful
the envious
a rapist
a crowd of cheaters
classic neurotics
subjects of delusional rantings
subjects of criminal intent
conscious =/= unconscious =/= drive
contract to his illness
manipulations of care
the sick often find someone who is even sicker to take care of (<-- the case with the Prince)
(according to Nancy -->) literature has always tried to produce the body (which philosophy suppresses)
any discussion of the body risks engaging a double bind (a psychosis):
•failure to produce a discourse on the body
•failure not to produce discourse on the body
--Nancy--> *the sick body* (in a frenzied state of belated, compensatory awakening) --demands--> a reading (interpretive and diagnostic strategies) that often culminate in *an excess of discourse* ==> opens up the space of necessary obscurity by which our bodies come to us
Nancy --> The body does not know; but it is not ignorant either. Quite simply, it is elsewhere. It is from elsewhere, another place, another regime, another register [not an “obscure” knowledge, or a “pre-conceptual” knowledge, or a “global,” “immanent,” or “immediate” knowledge][...]
(38)[...notes/sanaan full text.txt]%60.8[...]cend corporeality and its urges*
-it is only in adolescence that it becomes clear (wanted or not) that the subject has a sexual position (~ genital position)
-during puberty, gentials and secondary sexual characteristics become definitive objects of consciousness and only bit by bit acquire representation in the body image
***in the refusal of sexual roles ordinated by heterosexuality,(for example gay men and lesbians) -->
•may perversely cling to preadolescent body images (--> to remain ambiguous regarding the differences between the sexes)
•invest greater intensity in erotogenic sites, making them the center of libidinal attention and narcissistic investment (Janina's room) (--> in effect reinscribing them in *a mode of resistance*)
}--> oral, anal, sadistic impulses, tactility, scopophilia, “sexual perversions” =? (to emphasize and cultivate) a mode of defiance to heterosexist requirements
[@Sina, the images that i have been clinging to are in the body image that i think i am refusing or inscribing: pony, unicorn, rainbow, skull, the childish bracelet i found in the park, etc.]
ماليخوليا
hypochondria خودبيمارانگارى
a Freudian problem: to describe the transference of libido from the external world and love objects to the subject's own body in illness
-treating nongenital zones as if they had taken on genital meaning = (in the case of hysteria) hysterogenic zone takes on a sexual, usually phallic, function
*hypochondria: chronic and abnormal anxiety abour imaginary symptoms = a flight against narcissim* (the individual defends himself against the libidinous overtension of the hypochondriac organ --> to treat it like a foreign bosdy in the body image)
[hypochondria =/= narcissim]
hypochondriac tries to expel from the body image but cannot because the zone is overinvested with libido =/= خوددگربینی depersonalization = psychical transformation of the body image*, subject lose interest in the whole body, they refuse or are afraid to invest any narcissistic libido in the body image
-depersonalization might account for the phenomenon of out-of-body experience (the outside world is also experienced as flat and disinvested از خود بی خود / فنا؟)
depersonalization: a kind of psychical mimicry of the organic structure of dizziness --> narcissistic decathexis [withdrawal of psychic energy] of the subject's own inclination to voyeurism (<-- disinvestment in the processes of self-observation) ==> seeing has no longer any value : the subject now seen or sees itself with no libidinal investment in looking (or being looked at) @Sina, Foad
_*hysteria --> transformation of body image (of the meaning of the sexual zones to other organs which are not usually associated with genitality)
_*hypochondria --> transposition of libido (displacement, from one organ to ano[...]
(40)[...notes/notes on evangelist.txt]%87.9[...]]
-for Baudelaire opium became the transparency upon which one could review the internal conflict of freedom, the cleave of subjectivity where it encounters the abyss of destructive jouissance.
-(Emma Bovary had busted) a logic of reappropriation, collapsing the dreams of restoring a self
@constantvzw's investment in the critique of hallucinated plenitude and pure communication (enabled by digital media) --> transcendental telepathy (being online/connected over distances in a Facebook sense)
-pleasure and liberty values freely exercised upon a coded body
*hallucinator: a creature of simulacrum*
-what is wrong with the social media stream addict? a transport going nowhere; addictive, artificial, and beside oneself; [genuinely clean or drug free ~=? being exposed to existence, placing one's body in the grips of a temporality that pains]; phantasm of lack in abstinence; (like drugs they are) linked to *a mode of departing*, to desocialization, (like the activity of writing) nonproductive and somehow irresponsible, being-in-drugs (being-in-Facebook) supposedly resists the production of real value (incapable of stabilizing the truth of a real world); figure of drifter/dissident: obsessed and entranced, narcissistic, private, unable to achieve transference; movement of the simulacrum without address;
speed: going nowhere fast
...................................
[Campbell] on marketing theory
bacteria: entities that threaten our secluded sovereign cleanliness
our ideas of bacteria are shaped through the filter of advertisements for antibacterial products
[*]climate change: “[t]he moment I turn the engine of a car and ignite the 165 million-year-old microscopic fossil faunae, connecting me to the 35 billion ancient barrels that are drilled, fracked, refined, and transported every single year. Climate change is in the 100 trillion objects that are in, that are the Earth, traversing the stomach lining of the Burmese python and the Atlantic Meridional Overturning Circulation, which churns a quarter of the planet’s heat flux. Climate change is the daily operations of simplification, extraction, purification, replication, and acceleration--all of which are needed to create the philosophy of ‘progress’ that is embodied by nearly every human in this world.” -Campbell
= *a context which will last for thousands of years and will be the fundamental starting point of every action, every thought, every expression of organization*
==> irreversible *death of difference* (biodiversity), end of “human project” (--✕--> despondency دلسردى)
creative foreclosure of the old World
preparing for an end without apocalypse @Jassem
(we need to) experiment with (organizational forms of) justice, ethics, politics, reason**
Holocene ==> fundamental modes through which we organize still today:
•births of language and[...]
(41)[...notes/clean notes.txt]%94.5[...]ine and describe an alien world where its populace don't practice ‘knowing.’
**scream ==makes==> witnesses**
(fighting ==makes==> coordination)
از طلبکار به طلبه (az talabkar be talabe)
///the (symbolic?) structuration of ‘demand’ in Lili's presentation:
the ‘sujet supposé savoir’ #sss [~= Pir, (پیر always a paternal metaphor?) that Other whom you ‘call’ who holds (your) deepest truth ---> go to the metaphorology of “depth” =/= “skimming the surface"] (installed by Lacan) is a subject who is in a functional position and one presumes that this subject knows or retains or holds the knowledge (even vital and secret knowledge [this is knowledge-talabkar طلبکار]) that you want. this subject is functionally established. one of the laws of our encounter is that puts the speaker/writer/analyst/text/etc in the (even architectural) center: the subject-supposed-to-know in Lacan the analyst who sits there as a tower of knowledge that mostly withholds what s/he knows --> transferencial energy directed towards him/her --> drama of identification (--> break-out of narcissism for Freud)
-it is one of the (negative?) binding transferential contracts in relation to “the one who speaks”
[*anthropology of exchange* --> Transference: (for Lacan) Each time a man speaks to another in an authentic and full manner, there is, in the true sense, transference, symbolic transference--something which takes place which changes the nature of the two beings present. Later Lacan articulates the transference in sujet supposé savoir: transference is the attribution of knowledge to the Other, the supposition that the Other is a subject who knows. “As soon as the subject who is supposed to know exists *somewhere* ... there is transference.” (Seminar II, p. 232)] [keep in mind that the (post?-)Lacanian theory is about the *constitutive function of the signifier in relation to the subject.* ... for Lacan, What constitutes the person and its identity can now be read as a text, and the author is not the subject, but the trajectory of the signifiers that represent the desire of those who occupy the place of the Other for the subject.]
[about demand: Lacan argues that “demand constitutes the Other as already possessing the ‘privilege’ of satisfying needs,” and that indeed the child's biological needs are themselves altered by “the condition that is imposed on him by the existence of the discourse, to make his need pass through the defiles of the signifier.” ... The subject has never done anything other than demand (since infancy!)] *{question =/= demand}*--> Nancy
[the use of ‘transference’ is a way to account for the relationship between readers and texts. the emphasis in Lacan is on the ‘supposed’ and not on the ‘know’. reader assume that the text ‘knows’. --> What Lacan's understanding of the transference points to is the fact that we must see the meaning of any given text not within the text itself bu[...]
(42)[...notes/midday review.txt]%4